Precast • Issue 1 • 2020

Page 34

GLOBAL VIEW 30

SA ARCHITECTURE SHAPES UP WITH DECORATIVE TILT-UP CONCRETE Function, rather than form, has always been the predominant selection factor in precast concrete applications. But no longer, as increasing numbers of local architects are requesting decorative elements in their precast designs. According to David Kitching, general

casting required on a site that was

manager of SA’s leading tilt-up practi-

ecologically sensitive,” says De Jongh.

tioner, Bedrock Group, architects are

What follows are potted profiles of

calling for varied finishes such as tex-

some of Bedrock’s decorative tilt-up

tured and woven concrete, the emboss-

projects:

ing of company names and logos, and eye-catching lines and shapes in their tilt-up designs, as well as relief or depth. “Our aim is to enable local architects

Rubro Construction, Durban

and property developers to achieve what

Attractively embossed with the company

their contemporaries are doing overseas.

name and logo using high-density foam

Increasingly, we find ourselves moving

rubber moulds, these panels were used

away from our typical fast-track tilt-up

for constructing a retaining wall that

projects to much more aesthetic-driven

was 2,5m high. They were erected in

projects and to this end, we’ve been

the same way as tilt-up columns, which

involved in several decorative concrete

involved placing them on blindings and

projects in Durban, Johannesburg and

then casting a reinforced foundational

Cape Town,” says Kitching.

base around them.

Distribution centre Ian Bell, a director of Paton Taylor Architects in Durban, says his company uses decorative concrete in tilt-up applications on a regular basis. “We used it on the Mr Price distribution centre in Hammarsdale, KwaZulu-Natal, with bespoke patterns which came out nicely.

King Shaka Airport – Durban,

However, we mainly use it on a repetitive

Henry Fagan Architects

basis, embossing the same motif on

Resembling elephant tusks, 10 arched

Crusader Logistics, Johannesburg,

several panels.

concrete obelisks – each weighing 28

Empowered Spaces, Sonia Rodrigues

“The CAD-generated designs are

tonnes – were cast and placed on either

Low-cost entry-level features, such

handed to Bedrock for transferring

side of the entrance road to the airport

as a protruding stairwell constructed

into precast concrete using either

in 2010 and 2014. Designed by Henry

with precast concrete panels, lift the

high-density foam rubber cut on CNC

Fagan of Fagan Architects, the casting

appearance of this large warehouse

machines or steel moulds,” says Bell.

was done using concrete moulds which

from the ordinary into something special,

Anton de Jongh of Arc Architects says

were considerably cheaper than their

thereby creating a pleasant workspace.

decorative tilt-up concrete is relatively

steel equivalent and involved a process

Other precast panelling combines well

new to SA and besides its aesthetic

similar to shaping a surfboard by hand.

with the tinted windows framed in glazed

attributes, one of its major benefits

The architect wanted all the obelisks

is faster construction. “We saved two

to be the same colour in a light-coloured

months of a 14-month construction

concrete.

period on our concrete laboratory project

To achieve this materials comprising

at the University of Pretoria and Bedrock

sand, stone and white cement were set

achieved Class 1 off-shutter finishes. We

aside so that when the casting was done,

were impressed with the smoothness

each column was made from the same

and flatness achieved.

material batch. The sand and stone came

“Moreover, we were able to specify

from a single day’s quarry output and

indents on some of the panels, which gave

was washed before delivery. It was then

us additional design freedom. Another

stored in a covered area until the project

plus was the very small footprint the

was completed.

aluminium and the IRB sheeting above.

(Above): Sasol HQ, Johannesburg.

PRECAST | ISSUE ONE | 2020


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Precast • Issue 1 • 2020 by Isikhova Media - Issuu