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Honys Torres (Caracas, Venezuela, 1969) is a visual artist and editorial producer whose interdisciplinary practice combines Neo Pop creation, artistic research, curatorial work, and graphic design. Her work examines how symbols from popular culture—monuments, fictional characters, media icons—shape contemporary ideas of power, beauty, and identity. She works across painting, photography, sculpture, and drawing, developing a visual language where color, irony, and symbolic critique intersect with a sensibility deeply connected to the migrant experience. Alongside her artistic production, Torres conducts curatorial research and has organized exhibitions and cultural projects in Venezuela and Europe, integrating critical thinking with cultural management. Her editorial work includes the creation of artist’s books, experimental publications, and editorial objects, where graphic design and printmaking—fields in which she has received awards—become conceptual and narrative tools. Since 2018, she has lived and worked in Zurich, Switzerland, where she continues to expand a practice that weaves together art, publishing, and cultural reflection, developing projects that navigate the political and the intimate, the playful and the solemn.
