16GC4P1
22MP4P2
16AC4M2
21MP4P2
16SK4M2
19MP4E1
16/4（日）8:00pm The Grand GC
22/4（六）10:00pm 星影匯 MP
16/4（日）2:30pm 香港藝術中心 AC
21/4（五）9:45pm 星影匯 MP
16/4（日）2:30pm the sky SK
19/4（三）7:30pm 星影匯 MP
基阿魯斯達米的 76 分 15 秒
惜別迪奧利菲拉
大衛連治藝術人生
導演：西福拉沙馬丹 伊朗 2016 76 分鐘
導演：祖布堤可 葡萄牙 2016 81 分鐘
導演：阮喬恩、奧利花尼高荷敏、域克巴恩斯 美國／丹麥 2016 93 分鐘 中文字幕
76 Minutes and 15 Seconds with Abbas Kiarostami
Cinema, Manoel de Oliveira and Me
Dir: Seifollah Samadian Iran 2016 76min
(O Cinema, Manoel de Oliveira e Eu) Dir: João Botelho Portugal 2016 81min
Kiarostami as we have never really known him before, despite the transformative power of his many movies. Filmmaker and close friend Samadian avoids the talking heads of so many artistic memoirs to offer more candid clips of Kiarostami the man: lover of poetry, convivial with friends, engaging landscapes on and off screen, laughing with other artists. The artist and visionary emerges more clearly but so does a loving, wondrous man whom we will miss now as much as the auteur.
Portuguese master director Manoel de Oliveira died at age 106 in 2015, with a life and career that had nearly spanned the entire development of cinema itself. How can we understand this career? Taking a novel approach, former protégé João Botelho not only explores the lessons from decades of brilliant films but essays the completion of Oliveira’s final and incomplete film, The Girl with the Gloves as a final tribute in black and white silence to a master’s centurial career.
若想瞭解大衛連治前衛電影的奇詭意念從何而來，看 70 歲依然型爆的鬼才邊繪畫作邊談人生，或可找到蛛絲馬 跡。超現實的暗黑視覺風格原來絕不離地，刻烙着成長 印記，連治話你知父母給予自由讓創意靈魂開竅。追溯 童年回憶，看見嘴角流血的裸女在家門前經過，是否誘 發《藍色夜合花》的妖異情色奇想？回望慘綠年華，在 地牢觀察食物腐爛動物屍骸嚇壞阿爸，《擦紙膠頭》的焦 慮父親肢解怪物是否由此而生？影迷大可自行聯想。
David Lynch: The Art Life Dir: Jon Nguyen, Olivia Neergaard-Holm, Rick Barnes USA/Denmark 2016 93min
David Lynch’s art and films may look surreal, yet they are deeply rooted in his personal history. The Art Life offers an intimate study of Lynch’s creative impulses, as he recounts his formative experiences. While Lynch has refused to explain the thinking behind the abstractions of his films, The Art Life offers insights into the nightmarish renditions of reality in his cult classics Eraserhead and Blue Velvet, and let you get a true sense of where his genius comes from.
攝影大師 Masters of Cinematography
亞洲首映 Asian Premiere
15GC4M2
17AC4E1
15GC4M3
25AC4E1
17AC4E2
20MP4P1
15/4（六）2:00pm The Grand GC
17/4（一）7:45pm 香港藝術中心 AC
15/4（六）4:45pm The Grand GC
25/4（二）7:15pm 香港藝術中心 AC
17/4（一）9:45pm 香港藝術中心 AC
20/4（四）7:45pm 星影匯 MP
光影魔法師群像
韋莫斯席蒙：近距離接觸
卡路狄龐馬：生命的色彩
導演：域沙林 加拿大 2016 86 分鐘
導演：皮亞菲蒙 法國 2016 80 分鐘
導演：法里鮑茲甘卡里 意大利 2016 90 分鐘
維多里奧史托拉盧（《末代皇帝溥儀》）、凱撒沙隆（《無 主之城》）、般奴戴邦尼（《天使愛美麗》）、哥頓韋利斯 （《教父》）、羅渣戴健士（《2 百萬奪命奇案》）、菲臘羅 素洛（《大魚奇緣》）、尊西爾（《末日先鋒：戰甲飛車》）， 都是赫赫有名的攝影師，位位佳作如雲，在過去半世紀 成就了不少影史經典。攝影師總是站在鏡頭後面，這部 紀錄片就讓他們在鏡頭前侃侃而談，由小時候如何愛上 電影與攝影，如何當上攝影師，談到各自的攝影理念， 如何在拍攝過程中得以實踐。影迷必看！
Keepers of the Magic Dir: Vic Sarin Canada 2016 86min
What better place than a film festival to celebrate the sheer magic of cinema? Sarin’s engagement with cinematographers poses the question of how these films come to be, with cinematographers as varied as Vittorio Storaro (The Last Emperor), Gordon Willis (The Godfather Trilogy), Roger Deakins (No Country for Old Men) and many others. Of course, with cinema, the more we understand the processes involved, the more we actually celebrate the magic and see classic films with new appreciation.
攝影大師韋莫斯席蒙，曾與史匹堡、羅拔艾特曼、活地 亞倫等名導合作，為米高契敏奴的《獵鹿者》（1978）與 《天堂之門》（37 屆）掌鏡，憑《第三類接觸》（1977） 奪奧斯卡最佳攝影獎，更是六十年代「新荷里活」重要 功臣。席蒙去年初逝世，生前遇上崇拜他的後輩菲蒙， 在鏡頭前分享光影美學心得，留下生命綻放到極致的親 密閃光。還有伊莎貝雨蓓、《兇綫》（1981）尊特拉華達 與南茜艾倫、《末代皇帝溥儀》攝影師史托拉盧、捷克新 浪潮導演艾雲巴薩等亮相細說從前。
影人影事 Filmmakers and Filmmaking
馬丹是基阿魯斯達米的親密戰友，不時為老友掌機。他 萄葡牙國寶級導演迪奧利菲拉，晚年仍創作不懈，兩年 愛拍下雨水劃過擋風玻璃的流動和剎那風景，那也是基 前以 106 歲高壽之齡辭世。弟子祖布堤可（《葡萄牙的告 氏的眼睛，不過基氏拍硬照，攫住剎那。原來都是同道 別》，11 屆）向他致敬，當然不能怠慢。先從大師首作 人。馬丹的傳記紀實非同凡響，片長便指老友的生命長 《點指兵兵》（26 屆）到晚年力作《再生奇緣》（35 屆）， 度，底蘊卻如基氏自導自演，馬丹耐心守望，不着痕跡 回顧恩師教導，重溫他的獨有風格。大師生前仍在構思 捕捉基氏的工作與日常：弄裝置、雪地拍照、指導鴨子， 新作《戴手套的女孩》，是個被嚴父體罰、雙手灼傷的少 也順道探望《橄欖樹下的情人》女主角、教茱麗葉庇諾 女，為追求自由卻成為雛妓的故事，祖布堤可就決定接 仙波斯語 ─省略、詩意、予觀眾大片空間，亦宛如艾 力完成，利用黑白影像與默片形式，拍出復古味道，為 麗絲華妲偶拾的生命時光，留下基氏動人的精神烙印。 本片壓軸，以表悼念心意，也在跟大師遙遙對話。
羅塞里尼《不設防城市》、第昔加《單車竊賊》、安東尼 奧尼《春光乍洩》有何共通處？部部經典皆出自攝影大 師卡路狄龐馬之手。15 歲加入維斯康堤《驚情》製作團 隊，自此成為新寫實主義光影旗手，由「改變現實」黑 白色調，到「過於現實」彩色美學皆自成一家，一生儼 如一部意大利電影史。紀錄片由狄龐馬妻子任監製，重 現大師百多部電影珍貴片段及幕後花絮。堅盧治、雲溫 達斯、貝托魯奇紛紛現身致敬，合作 12 部電影的活地亞 倫道來老拍檔風趣逸事，窺看鏡頭外大師的彩色人生。
Close Encounters with Vilmos Zsigmond
Water and Sugar: Carlo Di Palma, the Colours of Life
Dir: Pierre Filmon France 2016 80min
Dir: Fariborz Kamkari Italy 2016 90min
A look behind the lens of the New Hollywood through the work and words of one of its central figures. Escaping the Hungarian uprising of 1956 and working his way to the top in American cinema, Zsigmond’s camera created the look of films as diverse – and stunning – as Deliverance, Sugarland Express, Close Encounters of the Third Kind, McCabe & Mrs. Miller and Heaven’s Gate, working with Spielberg, Altman, Cimino and many others. And now we learn how he did it.
From Rossellini’s Rome, Open City to Antonioni’s BlowUp, the greatest films in cinema history are indebted to Carlo Di Palma, the man behind the camera. Starting as an assistant in Visconti’s Ossessione, he emerged as the masterful cinematographer of the Italian neorealist cinema. In this loving documentary produced by his wife, a galaxy of luminaries including Bernardo Bertolucci, Wim Wenders, Ken Loach and Woody Allen pay homage to the virtuoso.
AC Arts Centre | CT City Hall | KG Cultural Centre | SM Science Museum | GC The Grand Cinema | MP The Metroplex | FG Festival Grand Cinema | SK the sky | CU SRRS Hall, CUHK
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