Radio World Ebook - March 2021 by publications

MARCH 2021

EBOOK

Spring Product Preview Sponsored by

2wcom • Broadcast Bionics • Lawo • Telos Alliance • Tieline • Wheatstone

March 2021 www.radioworld.com FOLLOW US www.twitter.com/radioworld_news www.facebook.com/RadioWorldMagazine CONTENT Managing Director, Content & Editor in Chief Paul J. McLane, paul.mclane@futurenet.com, 845-414-6105 Senior Content Producer — Technology Brett Moss, brett.moss@futurenet.com Technical Advisors Thomas R. McGinley, Doug Irwin Technical Editor, RW Engineering Extra W.C. “Cris” Alexander Contributors: Susan Ashworth, John Bisset, James Careless, Ken Deutsch, Mark Durenberger, Charles Fitch, Travis Gilmour, Donna Halper, Craig Johnston, Alan Jurison, Paul Kaminski, John Kean, Peter King, Larry Langford, Mark Lapidus, Jim Peck, Mark Persons, Stephen M. Poole, James O’Neal, Rich Rarey, Jeremy Ruck, John Schneider, Randy Stine, Tom Vernon, Jennifer Waits, Chris Wygal Production Manager Nicole Schilling Managing Design Director Nicole Cobban Art Editor Rob Crossland ADVERTISING SALES Senior Business Director & Publisher, Radio World John Casey, john.casey@futurenet.com, 845-678-3839 Publisher, Radio World International Raffaella Calabrese, raffaella.calabrese@futurenet.com, +39-320-891-1938 SUBSCRIBER CUSTOMER SERVICE To subscribe, change your address, or check on your current account status, go to www.radioworld.com and click on Subscribe, email futureplc@computerfulfillment.com, call 888-266-5828, or write P.O. Box 282, Lowell, MA 01853. Licensing/Reprints/Permissions Radio World is available for licensing. Contact the Licensing team to discu ss partnership opportunities. Head of Print Licensing Rachel Shaw licensing@futurenet.com MANAGEMENT Senior Vice President, B2B Rick Stamberger Chief Revenue Officer Mike Peralta Vice President, Sales & Publishing, B2B Aaron Kern Vice President, B2B Tech Group Carmel King Vice President, Sales, B2B Tech Group Adam Goldstein Head of Production US & UK Mark Constance Head of Design Rodney Dive FUTURE US, INC. 11 West 42nd Street, 15th Floor, New York, NY 10036 All contents ©Future US, Inc. or published under licence. All rights reserved. No part of this magazine may be used, stored, transmitted or reproduced in any way without the prior written permission of the publisher. Future Publishing Limited (company number 02008885) is registered in England and Wales. Registered office: Quay House, The Ambury, Bath BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this publication. Apps and websites mentioned in this publication are not under our control. We are not responsible for their contents or any other changes or updates to them. This magazine is fully independent and not affiliated in any way with the companies mentioned herein. If you submit material to us, you warrant that you own the material and/or have the necessary rights/ permissions to supply the material and you automatically grant Future and its licensees a licence to publish your submission in whole or in part in any/all issues and/or editions of publications, in any format published worldwide and on associated websites, social media channels and associated products. Any material you submit is sent at your own risk and, although every care is taken, neither Future nor its employees, agents, subcontractors or licensees shall be liable for loss or damage. We assume all unsolicited material is for publication unless otherwise stated, and reserve the right to edit, amend, adapt all submissions. Radio World (ISSN: 0274-8541) is published bi-weekly with additional issues in February, April, June, August, October and December by Future US, Inc., 11 West 42nd Street, 15th Floor, New York, NY 10036-8002. Phone: (703) 852-4600, Fax: (703) 852-4583. Periodicals postage rates are paid at New York, NY and additional mailing offices. POSTMASTER: Send address changes to Radio World, P.O. Box 282, Lowell, MA 01853.

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New Season, New Products

ere’s an ebook with nothing but new

Paul McLane

or recent radio and audio product introductions!

Editor in Chief

This is normally the time of year when our industry sees an abundance of new

products timed to the NAB Show and other events. Those trade shows aren’t back quite yet but there’s no shortage of new offerings to tell you about. And it is more important than ever to stay current with the tools of our trade. So inside you’ll find approximately 50 products … new microphones, more powerful codecs, tools for virtualized air chains. Also new talk show systems, furniture for podcasting, processing for audio streams, and video for radio. And how about automation options for an expanding number of applications … audio interfaces … database alerts … cool air lights … and of course plenty of products intended to help support radio’s increased reliance on remote workflows. Radio World joins our readers in supporting a vibrant equipment and services marketplace. Please let me know how we can serve you better. I’m at radioworld@futurenet.com.

Spring Product Preview

Broadcast Pix RadioPix Version 8

GUI for the StreamBlade stream processor

Wheatstone Wheatstream

Wheatstone says airchain processors are the worst for audio streams because they trick the codec into mistaking artifacts for audio. Noise, hum, large phase errors, clipping distortion byproducts and non-audio signals may even be made worse. Wheatstone designed the StreamBlade AoIP appliance for WheatNet-IP network users, and recently introduced Wheatstream for adding on to any existing AoIP network. These Linux and AoIP appliances can stream as many as eight stream instances. In addition to codecs and advanced metadata capability, they include processing that optimizes performance of encoded audio while maintaining uniform levels, spectral balance and absolute peak control. The AGC and multiband compression sections are codecfriendly, anticipating overshoots earlier to avoid thick program density that can cause issues with the codec. Fiveband AGC eliminates aggressive RMS attack times that can interfere with performance. A Predictive Dynamics Controller utilizes Neural Network techniques to manage each band’s gain naturally. Algorithms use current and historical data to steer the processing to what is needed at that instant. For the occasional peak over the recommended input level of –3 dBFS for most codecs, the appliances rely on dual-band limiting rather than clipping, which can create harmonics that the codec reappropriates as distortion. Final limiting occurs in two bands, above and below 180 Hz, helpful when balancing perceived quality/loudness against finite bitstreams. For low-bitrate streams especially, this means being able to selectively remove lows in the stereo difference channel, leaving more bits for encoding frequencies that are more perceptible. Info: wheatstone.com/streamblade

RadioPix from Broadcast Pix is a visual radio solution in a box. It includes two PTZ cameras, PC, Dante interface license and an integrated production toolset that provides tools to generate more advertising revenue by producing compelling video content in support of a radio show. It now ships with Version 8.0 software, which simplifies content creation and video streaming through features such as Commander, which provides configurable control from remote browsers, including real-time graphic editing and one-touch streaming and recording; as well as behavioral intelligence software that uses mic activity to trigger visually aware macros such as camera moves, videos and lower-third graphics. The user can stream and record simultaneously or multistream to up to five online destinations at once through native integration to Switchboards’ Cloud platform. This cloud-based multicasting platform enables users to take one video stream and deliver it simultaneously across YouTube, Facebook Live, Vimeo and Livestream, or any other RTMP CDN after a quick setup process. The new release also enables users to stream and accept RTMP sources such as Zoom, GoToMeeting, Skype and other video conferencing feeds as well as social media through the Castus Stream platform, without complex firewall configurations or port forwarding. Also added are a MIDI interface for macro control from any MIDI device; performance and efficiency improvements; and the automation and control of RoboPix and PTZoptics cameras through a serial or IP connection. Version 8.0 ships on new systems but is also available as a free update for Broadcast Pix users under warranty or a support contract. Info: www.broadcastpix.com

radioworld.com | March 2021

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OmniPlayer Radio Automation OmniPlayer says its radio automation system is an all-in-one automated radio production and playout solution. As a robust and flexible system, OmniPlayer enables professional radio stations to create, manage, edit, playout and broadcast their content, news and music efficiently. OmniPlayer said its services are expanding to radio stations across Europe, with major media companies such as RTL BE and DPG Media added as customers in recent months. One of the newest features within the OmniPlayer system is a text-based audio editor, intended to make work for journalists and radio hosts a lot easier. With this editor, users can insert any audio and through advanced AI “speech-to-text” technology, it is automatically converted into text. It makes editing easy and quick. Besides not having to transcribe an interview, the feature allows users to make a selection within the text along with the corresponding piece of audio. Info: https://omniplayer.com

Prodys Quantum Lite Prodys says its new version of the Quantum Lite codec is ready for remote broadcasting in the postpandemic world. It incorporates a new modem model with a greater number of LTE bands, to facilitate use in more countries. Quantum Lite’s mechanics have also been prepared for the incorporation of 5G modems. A new internal Wi-Fi module replaces the USB Wi-Fi modem. Prodys says the coded now consumes less power, making for longer battery life and less heating of the equipment. And a new on-screen option mutes the microphone input. Info: www.prodys.net

radioworld.com | March 2021

Smarts Skylla Portrait View Portrait View is a new visual presentation for Smarts Broadcast Skylla automation that neatly organizes a user’s screen by making better use of vertical space. The company says Portrait View takes up less desk space in a crowded studio and allows the user to see a huge Program Log, looking far into the future. It optionally shows the Hot Buttons with the log, as pictured. Even with Hot Buttons enabled, the company says, the user still sees a great deal of the Program Log. “Portrait View continues the Skylla tradition of using readable fonts and a simple, intuitive interface,” the company stated. It emphasizes the reliability of Skylla, which uses Linux as an operating system, as well as its uncluttered user interface. “You can tell at a glance what’s happening, what’s coming up, and what’s already happened. The station catalog of inventory is one button away. Modifying the log is drag-anddrop easy. Skylla’s powerful search tools allow you to quickly find events for immediate playback.” Info: smartsbroadcast.com

Spring Product Preview

2wcom MoIN Server Software Update

2wcom said its MoIN multimedia over IP network server software is now available as MoIN Studio, MoIN Distribution (shown) and MoIN streaming versions. The three variants are available singly or in combination, depending on the customer’s needs. The solutions connect all sites of a network and can transcode multiple audio channels simultaneously. Systems can run on hardware boxes, VM, in the cloud or on-premises. MoIN Studio supports studio stream formats like AES67, EBU Tech 3326, Dante, Ravenna, SMPTE 2110, Livewire+ and WheatNet. The integrated SIP phonebook and the Easy2connect feature enable regional studios to manage their content in a WAN. Remote teams can retrieve pre-produced content and comment on it, or forward contributions like podcasts to the main studio. MoIN Distribution is easy to adapt to any studio environment and compatible with third-party solutions. The solution can receive up to 512 channels and transcode them to ingest distribution sources, such as DAB+, audio over IP, satellite, a CDN or cable networks. Also the software is capable of receiving phase-locked multichannel audio in an AES67 stream and encode it for distribution. To ensure scalability and reliability the software consists of containers that run separately and isolated. MoIN Streaming provides web radio services with fulltime reliability. It enables transcoding to a multi-bitrate HLS stream or a single-bitrate Icecast stream to feed a CDN directly without delay. MoIN Streaming features an HLS decoder. For example, this allows the receiving of HLS streams and re-encode them to DVB-TS, or just receiving them for monitoring. Info: www.2wcom.com

Broadcast Bionics Caller One This system answers, screens and controls calls from a browser on any device. Broadcast Bionics Caller One is a software talk show system using PC, webRTC and SIP voice over IP technology to create a new way of routing calls to air without dedicated hardware. The company says that Caller One has been designed with smaller studios in mind. It handles multiple SIP lines; users can add more workstations by accessing the software via a browser to collaborate, produce or call screen. Everything can be done on a mobile device such as an iPad or tablet. With no hardware or cabling, all that is needed to get started is a PC and some SIP telephone lines, from a SIP provider or directly from an existing office switch if it can supply SIP extensions. Fatures and functionality include screen and control calls from any browser; management of up to 12 lines; connection using IP audio drivers or soundcard; unlimited workstations/screeners; and dispositions and caller demographics. Also call directory; call history/call log; chat (visual talkback); call recording; and call conferencing. Info: www.bionic.radio

radioworld.com | March 2021

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StudioHub Universal Audio Interface With more broadcasters using personal audio on the air, Angry Audio believes its new StudioHub Universal Audio Interface (or “world panel”) is an essential addition to any well-equipped studio. The 1RU stereo device provides a convenient interface for multiple I/O types, making quick work of connecting nearly any kind of audio gear to a mixing console. The all-steel enclosure is RFI-immune; an external AC power adapter is included. Front-panel connections include balanced +4 dBu analog inputs on two XLR/TRS combo connectors, and unbalanced analog inputs via two RCA jacks or one 3.5 mm-1/8-inch TRS connection. Balanced +4 dBu pro outputs are provided on two XLRs, with unbalanced outputs on RCA and 3.5 mm1/8-inch mini jacks. Two analog mono outputs on XLR, summed L+R, are provided to accommodate reporters’ “press box” recording devices. These are mic/line-level switchable with a groundlift function. For digital connections, one AES/EBU input on XLR and S/PDIF input on RCA are provided; these inputs are

Lawo Power Core Version 6.6 software for Lawo’s popular Power Core AoIP mixing/routing engine adds several advanced features tailored to radio’s evolving production environment. Power Core, a DSP-based mixing platform for Lawo Ruby radio consoles, is a compact 1RU device customizable to fit broadcasters’ price/performance “sweet spots” by offering a number of tiered license packages. Notable features include 256 channels of built-in AES67 I/O, choice of mic, line, AES3, Dante and MADI connection via eight rear-panel expansion slots, and a routing matrix of up to 1,920 x 1,920 signals. V6.6 software expands the license packages to five. They include L and XL licenses for medium and large studio consoles; the “Max” license, which allows a single Power Core to support up to four small consoles; the “SAN” license for use as a “super audio node” I/O gateway with DSP processing features; and the new “Edge” license, which configures Power Core for use as a high-capacity audio gateway where a mixer is not required. Power Core V6.6 includes “make before break” functionality for Ravenna/AES67 stream switching, which helps eliminate audio interruptions during live switching of network audio streams. Other features include Dante-to-AES67 gateway capability, and several important new security features. Info: www.lawo.com

switchable, enabling users to connect two devices and select between them as needed. Simultaneous digital outputs are provided via XLR and RCA connectors. The front also features two convenient pass-throughs: a USB (with reversible Type-A/Type-B connector) and an RJ45 port. Around back you’ll find analog connections to and from your mixing console using the StudioHub+ wiring standard, plus digital connections via RJ-45. There are also connections for the onboard D/A-A/D converters, making it possible to feed digital signals to an analog console (or vice-versa). Two stereo distribution amplifier outputs with individually adjustable trims replicate the “To Studio” feed. The Universal Audio Interface is the first new StudioHub product since the brand’s acquisition by Nashville’s Angry Audio. List price is $595; shipping Q2, 2021. Info: www.studiohub.com

radioworld.com | March 2021

Spring Product Preview

Shure MV7 Podcast Microphone

Nautel, Telos Explore CloudBased Air Chain

Nautel and Telos Alliance say it is possible to move the entire HD Radio air chain into a virtual environment; they recently offered a “concept demonstration,” showing what they described as the world’s first cloud-based, time-locked FM+HD Radio air chain. The demo included two “failover” events to show that program continuity can be maintained in the case of a problem. The companies say the project anticipates easier and more flexible digital radio deployments via virtualized audio processing and software-based Gen4 HD Radio importer/ exporters. The companies said cloud operation is well established in business and that the pandemic has increased interest in virtualization techniques. Earlier the companies demonstrated a way to eliminate time alignment drift by locking FM and HD1 signals using software-implemented audio processing and a Nautel Gen4 HD MultiCast+. The later demo, they said, built on that, showing how this time-locked air-chain “could be hosted in the cloud, utilizing the Telos Alliance Omnia Enterprise 9s high-density audio processor, a software-based Gen4 Importer/Exporter, and Nautel technology all running on the Amazon Web Services platform.” Info: www.nautel.com/resources/webinars

For podcasters, streamers and vocalists, professionallevel audio production is paramount. To answer the increasing demand for audio streaming and recording solutions, Shure says it created the MV7 Podcast Microphone, its first hybrid XLR/USB microphone. Suitable for both entry-level and experienced creators, the MV7’s design makes it user-friendly and simple to set up and control. The company highlights its Voice Isolation Technology to help take podcasts or live streams to the next level. In any environment the microphone’s pickup pattern focuses on the vocals by bringing it to the forefront of the recording, for perfect recordings in imperfect rooms, Shure says. A user’s vocal level and mic position are always fluctuating. Auto Level Mode acts as a virtual audio engineer and sets gains in real time, giving audiences a more consistent experience. This enables creators to focus on the content, not on their mic technique. Creators can further optimize their sound with presets for dark, natural or bright, and options for mic distance for near or far. “This year, we’ve witnessed a significant uptick in the demand for tools and accessories that support live streaming and podcasting — especially as many continue to broadcast their talents from home,” said Soren Pedersen, associate manager, Global Product Management, at Shure. He said Shure “designed the MV7 to be laser-focused on the user’s voice.” Info: www.shure.com

radioworld.com | March 2021

Spring Product Preview

AVT Magic DABMUX plus

Broadcast Tools Audio Distribution Amplifier

The DSP-based AVT Magic DABMUX multiplexer has new features. To improve the hardware-based ensemble multiplexer, AVT added optional integration of up to 14 DAB+ encoders into the unit. The encoders, by Fraunhofer Gesellschaft in Germany, assure audio quality even at lower bitrates. Also optional are two onboard monitoring decoders to verify the audio quality of the programs. For more reliability and flexibility, new redundancy options are available. A switch redundancy upgrade provides EDI/ETI redundancy switching for two-way distribution of the EDI/ ETI signal. The redundancy+ upgrade, on the other hand, enables one-way EDI/ETI distribution for two redundant multiplexer systems. The systems monitor each other so that only one of the two sends the signal at a time. And the web-based DAB System Manager is now available as an upgrade. This enables convenient configuration, maintenance and monitoring of existing multiplexes of a broadcaster or ensemble provider. New features also were rolled out for the Magic DABMUX Go for small-scale DAB solutions. Info: www.avt-nbg.de

The Broadcast Tools 2x16 DA/RJ provides eight channels of stereo or 16 channels of mono audio distribution in a compact form factor of one-third of a rack width. The 2x16 DA/RJ accepts professional balanced +4 dBu analog audio input (RJ-45) or consumer unbalanced –10 dBV (RCA) inputs, eliminating the need for an additional unbalanced-tobalanced level converter. The standard pinout RJ-45 audio jacks make installation with Cat-5 or Cat-6 cables plug and play. The audio level of each of the 16 output channels is adjustable via front-panel multiturn trimmers. Additionally, each stereo output pair can be individually configured as a mono sum of the stereo input via jumper. Up to three 2x16 DA/RJ units can be rack-mounted in 1RU using the optional Broadcast Tools RA-1 rack shelf. The 2x16 DA/ RJ joins a growing family of problem-solving products from Broadcast Tools featuring RJ-45 audio I/O. List price: $279. Info: https://broadcasttools.com

Arrakis Apex Connect Arrakis Systems says Apex Connect is a Windows program that automatically downloads/ uploads audio files. Apex Connect is suitable for downloading news, weather, traffic, sports, program segments and any other radio-specific program. Though it is powerful, the company highlights its affordability and ease of use. It is optimized for Arrakis’ Newwave, Xtreme and Apex radio automation systems, but Apex Connect works well with any on-air radio automation system that ingests audio files into the library. Apex Connect works commonly used download formats: http, https, ftp, ftp/s and sftp. Apex also features a flexible schedule with wildcards. The one-week schedule can download events as often as needed — daily, hourly, along with specific days and times. Wildcards can be used in the filenames to support dated filenames. Apex Connect can email personnel when a download fails or internet connections are lost and regained. For convenience, Apex Connect has upload managers built in for manually uploading files to the web. Info: www.arrakis-systems.com

radioworld.com | March 2021

Spring Product Preview

WideOrbit V5.0 of WO Automation for Radio New from WideOrbit is Version 5.0 of WO Automation for Radio. It includes important enhancements for broadcasters with “distributed operations” and remote work. It said these improvements help users manage station operations with a decentralized staff; run programming from home or elsewhere via mobile devices; manage content and playlists remotely; and integrate with other systems like MusicMaster and WO Traffic. “Native apps can be installed and operated from virtually anywhere there’s an internet connection, on almost any device, including desktop environments running macOS, Windows or Linux, as well as on iOS mobile devices.” Also new, a “Stop Media Asset Workflow Action” allows on-air assets to be stopped automatically or on-demand. And “Content Import Prioritization” streamlines the downloading of important content first whether from local drives or FTP sites. Info: wideorbit.com

Titus Custom Light Fixtures 14

Titus Technological Laboratories can provide custom light fixtures including air lights for just about any facility or purpose. Among the many users of custom Titus Labs lights are several major TV and radio networks as well as telecommunication and government installations. Features of typical custom orders include edge-lit wall and ceiling-mounted signs, and unique flashing signs. Interesting examples of past fixtures include a side-by-side dual color sign (IN CALL/MIC MUTE), ceiling-mounted MIC OFF sign (a mic icon with a line through it), and multiple desktop signs. Custom logos can be laser-engraved onto the cast acrylic for unique signage. Electrical requirements are usually 12 VDC at about 300 mA. Power supplies are also available. Color options include most colors of the spectrum as well as color powder coating options. Custom acrylic wall mounting plates are also an option. The company was founded in 1971 by Larry Titus to answer a need in the industry for solutions to everyday problems faced by broadcasters. Info: www.tituslabs.com

Voice tracking widget in WO Automation for Radio

radioworld.com | March 2021

Spring Product Preview

Tieline Gateway-4 IP Codec

The Tieline Gateway-4 is a DSP-based 1RU IP codec for live remote broadcasting applications as well as STL or SSL links. iT includes support for AES67, ST 2110-30, AES3 and analog I/O as standard, and an optional WheatNet-IP card. The Gateway-4 supersedes and replaces Tieline’s Merlin and Genie STL audio codecs. It supports four full-duplex audio channels in 1RU to expand channel density by one when compared with these codecs. The codec provides two stereo connections, or one stereo and two mono connections, or up to four mono full-duplex connections. The Gateway-4 also supports multiple unicasting to up to 20 endpoints and multicasting. Customers with higher channel requirements will gravitate towards the Gateway-8/16 multichannel codec. For larger networks, the Gateway-4 is suitable for transmitter sites, remote trucks or rack-mounted remote kits. For affiliates and smaller stations it can be used to transport studio-to-studio links, or a stereo studio-totransmitter link signal plus another stereo connection, or dual mono connections for remotes. The Gateway-4 integrates with all Tieline IP codecs and delivers hitless packet switching using SmartStream PLUS redundant streaming, plus bandwidth aggregation using Fuse-IP technologies over internet connections. It features dual internal power supplies, dual LAN ports and dual AoIP ports. An optional Gateway Euro ISDN module can be purchased to integrate with legacy ISDN network infrastructure. Its feature-rich and compact design is interoperable with Tieline IP codecs and compatible over SIP with EBU N/ACIP Tech 3326 and 3368 compliant codecs and devices. Gateway is configurable through an embedded HTML5 Toolbox Web-GUI interface and is controllable using Tieline’s Cloud Codec Controller. Info: www.tieline.com

CAD Audio PodMaster Series CAD Audio has introduced three broadcast/ podcast mic bundles for the expanding content creation and podcast markets. The bundles include the PodMaster D USB or PodMaster SuperD USB plugand-play microphones, while the third features the PodMaster SuperD, an XLR model (shown). The three are outfitted with broadcast-quality dynamic capsules. The SuperD varieties have received an upgraded 35 mm large-diaphragm broadcast capsule. This premium SuperD capsule supplies VOG performance while delivering a smooth and articulate profile, the company says. PodMaster bundles are studio-ready, supplied with PodMaster boom mic stands, mounting clips/shock mounts, windscreen and USB cables. Street prices: $69 for the PodMaster D USB; $79 for the PodMaster SuperD; and $99 for the PodMaster SuperD USB. Info: www.cadaudio.com

radioworld.com | March 2021

Spring Product Preview

Telos VXs Virtual VoIP System The Telos Alliance said it introduced many broadcasters to the benefits of VoIP a decade ago with the VX talk show system in the form of a hardware appliance. Now it has introduced the Telos VXs virtual VoIP system to help broadcasters reap the benefits of true virtualization as they adapt to changing broadcast workflows and operations. A broadcaster can deploy VXs on servers in the rack room, on shared servers in the centralized data center, or in cloud instances. These options deliver the benefits of virtualization, such as easier facility-wide upgrades, costefficiency and automated deployment without site visits. Broadcasters can scale VXs from a single studio to a facilitywide talk show system or multi-location system. Calls get fifth-generation audio processing via technology designed to extract clean, clear caller audio from any phone line, even noisy cellular calls, the company says. VXs includes Smart AGC coupled with Telos’ threeband adaptive Digital Dynamic EQ, a three-band adaptive spectral processor, noise gating and Acoustic Echo Cancellation. HD voice calls benefit from VXs’ native support of the G.722 codec, instantly improving caller speech quality.

CEntrance PortCaster Interface Here is a handheld mobile mixer and audio interface for content creators who record or live-stream to social media. It is intended to be the centerpiece of a portable podcasting studio. The CEntrance PortCaster makes it easy to add music, sound effects and guests to a podcast or live stream. PortCaster offers four channels of audio mixing and easy connections to professional microphones and smartphones, making it simple for the user to add live vocal sources and sound effects to the podcast through its tactile controls. PortCaster connects to most cameras for video work. About the size of a passport, PortCaster is portable. It is Made in the U.S.A. Features include 65 dB of clean gain, analog limiters, mono blend for streaming, TRRS input with mix-minus for adding a remote caller, 24-bit/192 kHz recording quality and eight-hour battery. Info: https://centrance.com/

Installing a VX VoIP system in facilities already using Livewire+ AES67 networks is simple. The VXs system will plug in, using automatic mix-minus from an Axia console and existing phone module for control. Support for AES67 gives broadcasters the capability of integrating VX into AES67 or compatible SMPTE 2110-30 environments. Support for SAP advertisement means VXs integrates alongside AES67-enabled Dante devices as well. With plug-and-play connectivity, users can network multiple channels of audio with any manufacturer’s AES67compliant hardware. Info: www.telosalliance.com

radioworld.com | March 2021

Spring Product Preview

V-Soft Communications FCC Action Alert

V-Soft Communications has developed FCC Activity Alert, a web-based app for flagging important broadcast application status changes in the AM, FM and TV bands. The system is available from within the new V-Soft web portal. The portal allows the user to insert any station’s call sign. As changes occur, such as filings, dismissals, construction permit and license grants, the user will be sent a detailed email and a link that can be used to view an actual application or any permits that were issued. Notifications will be sent to the user as soon they are seen by the V-Soft computers in the commission’s data extract of the LMS or CDBS. Specifically, FCC Activity Alert will notify the user of changes in the status of applications, CP filings and license grants. Included in these notifications are any changes in the FCC status of the following filings: TV and TV DTS, LPTV, DTS, FM, LPFM, TV, FM translators, boosters and AM. The system employs a convenient web-based interface where the users can identify the stations of interest. When the system detects a change in the status of the selected stations, a detailed email indicating the new status and a link will be sent, usually within a day or less. V-Soft’s Vice President and Director of Research Development John Gray says that the portal will become the future entrance to many of V-Soft’s online services. The link to the V-Soft FCC Action Alert web page is https:// portal.v-soft.com. Contact V-Soft for pricing information. Info: www.v-soft.com

SGrecast 4.0 Podcast and Live Stream Manager StreamGuys has released a major upgrade of its flagship SGrecast podcast management and live stream repurposing system. Highlights of version 4.0 include a significantly improved user interface to speed and simplify operations; an expanded waveform editing toolset; and further enhancements to the solution’s powerful automated publishing capabilities. New overlay windows enable users to quickly access and edit information about a particular item or task — such as the details of a particular podcast episode — while preserving their place in the main interface and workflow. The result is faster and more intuitive operation, saving users time when publishing podcasts and making it easier to train staff. SGrecast’s integrated, browser-based waveform editor sports an updated user interface and expanded functionality. New interstitial cutting capabilities enable operators to remove unwanted sections in the middle of recordings and recombine the remaining segments for republishing. This offers benefits for content repurposing, such as removing “baked-in” advertising to enable subsequent dynamic ad insertion. Version 4.0 refines SGrecast’s automated podcast publishing capabilities for repurposing broadcasters’ live streams. Its enhanced AudioLogger recording feature offers the option of preserving mid-roll ad break metadata from the live stream, enabling subsequent dynamic ad insertion in the published podcast without requiring manual marker insertion. Combined with the ability to automatically trigger podcast publishing based on metadata in the live stream, this enables automated, metadata-driven publishing workflows. SGrecast 4.0 adds functionality for publishing to Google Audio News, including support for the mRSS format required for advanced Google News features, and expands the range of supported standard RSS fields, including linking to specific web pages related to particular episodes in a feed. Info: www.streamguys.com

radioworld.com | March 2021

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Rohde & Schwarz HDSync

Burk Technology Tech Dashboard for Managers

Tech Dashboard for Managers is intended to provide the information stations need to deploy resources and optimize station performance. Burk Technology says the dashboard delivers a snapshot of technical station operations tailored to the needs of GMs, ops and engineering managers. High-level status indicators provide a real-time view of station performance while an array of analytical tools track changes in station performance over time. Scheduled maintenance is monitored with highlights on actions as they come due. Managers can access the secure web page from a desktop or mobile device. The dashboard receives continuous monitoring and event data from any networked Version 5 ARC Plus remote control system, keeping a virtual finger on the pulse of station activity. Each Tech Dashboard is customized by Burk to reflect the characteristics of a station and the information needs of its management team. Off-air events, PPM loss and other key business parameters are evaluated in specified time windows. Accumulated run-time measurements on equipment such as main and aux transmitters, generators, UPS systems and dehydrators create a narrative of station operations and provide early indication of potential equipment failures. Variations in performance metrics like transmitter efficiency, heat rise or line pressure identify issues that can be addressed during scheduled maintenance avoiding costly emergency site visits. Info: www.burk.com

Expanding the Rohde & Schwarz commitment to HD Radio, last year the company introduced HDSync to the R&S HDR900 exporter/importer for the THR9 transmitters. In HD Radio hybrid mode, the analog and digital signal (HD1) simulcasts typically originate from the same source but take different paths to the transmitter. The digital part needs to be encoded and processed, introducing a delay of several seconds, before the signal is routed as an E2X stream via Exgine to the exciter. To synchronize the analog signal and the digital signal at transmission, the analog must be delayed by exactly the value of coding/ processing delay. The delay itself can develop problems as the analog and digital pathways can change. Previously, this required costly third-party devices that measured delay and adjusted, with varying degrees of success, the delay to keep audio synchronized. With the HDSync feature in the R&S HDR900 exporter, it is possible without additional equipment to keep the analog and digital signals synchronized. A built-in receiver measures the current delay off-air between analog and digital signal and eliminates any delay difference using a sophisticated correlation algorithm allowing an extreme accuracy meeting/exceeding the specification NRSC-5-C of ±3 samples. HDSync added to the R&S HDR900 exporter allows broadcasters to keep their hybrid HD Radio signal automatically synchronized. The measurement/delay correction is performed automatically in the shortest possible time without compromising the listening experience, the company says. The built-in web interface provides quick setup, detailed status, logging and multilevel configurable alarms. It can be operated via SNMP and is compatible with other HD Radio exciters. The R&S HDR900 exporter/importer is an all-in-one solution able to multiplex up to four HD programs/services into a digital stream to the HD Radio transmitter in which HDSync completes the package. Info: www.rohde-shwarz.com

radioworld.com | March 2021

Spring Product Preview

DAC System RF-Hawkeye

JT Communications SEPsoniX Processor

DAC System announced a new product to monitor transmission lines and antennas called RF-Hawkeye. It provides real-time measurements able to quantify and precisely localize VSWR/RL degradation points and arcs events while the antenna is broadcasting. It detects, locates and warns about VSWR changes and/or presence of arcs in transmitting radio and TV antennas. The system is based on an ultrawide-band radar, whose signal is injected into the transmission line on a frequency range that does not conflict with the transmitted channels. Traveling along the line, the radar will meet all the physical discontinuities in the line — possibly due to the joints between the original line sections. It will show anomalous discontinuities due to damages to the line along with active arcing. It identifies the exact location of a degradation point/ arc presence with a ±20-centimeter accuracy on the full distance and temperature range and for a mix of rigid lines and cables. The company says this is the first and only transmission system monitoring solution that alerts users of small VSWR anomalies before they can deteriorate and cause damage. RF-Hawkeye installs quickly and can be applied to pylon antennas, popular in the U.S., and to panel antennas, typical in Europe and Asia. The antenna can be FM, VHF or UHF, digital and analog signals. The system allows antenna owners to proactively look after their network preventing potential catastrophic events and expensive downtimes. It allows cost savings from the maintenance point of view and it protects equipment investment. The company says the RF-Hawkeye system has been installed in the U.S. and in Europe with excellent results in terms of antenna maintenance. Info: www.dacsystem.ch

Most high-dollar processing that broadcasters utilize, says JT Communications, suffers the effects of latency, which can be a significant challenge for live-talent attempting to monitor the processed audio directly off the air. This forces the station to add a separate sidechain just for monitoring purposes. The SEPsoniX FM broadcast processor offers a latencyfree design. It provides two bands of processing, with processing-derived AGC control. Band-dependent gain “freeze” eliminates pumping and breathing of audio.

Features include independent left and right highfrequency pre-emphasis limiting; ultrastable PWM gain control for all compression and limiting stages; active audio filtering (30 Hz high-pass, 15 kHz low-pass, 19 kHz notch); and single-stage active phase rotator for audio symmetry. A stereo generator with adjustable composite processing is provided, as is a post-processing output for streaming applications. A frequency-agile FM signal generator for local monitoring of signal is optional. SEPsoniX can be used as a main processor, or if utilizing the a sidechain processor, when using the optional FM signal generator option. Simultaneously, SEPsoniX can also provide a feed to a dedicated streaming service. The SEPsoniX base price lists at $1,095, or with FM signal generator option at $1,295. Sample demos and live streaming audio are available at the website. Info: www.sepsonix.com

radioworld.com | March 2021

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Spring Product Preview

D&R Auron Console Davicom Digital Temperature Probe Interface

D&R has added to its range of broadcast mixing consoles with the Auron, which it says offers a true analog signal path with flexible digital control. The console uses a split unit topology, with a master unit that connects to one or more 10-fader buckets. It features a 7-inch HD touchscreen for metering and system control with K-ALPS or ALPS motorized faders and optional modules for Dante AoIP or USB audio. The Auron Fader Unit can be customized to fit a studio’s needs. Available channel configurations are Mic/Line, VoIP or Balanced/Line. Each channel features a 1-inch OLED thumbnail display and four user assignable switches for control while on air. Available channels are designed with high audio quality in mind. The company says Auron uses quality components like THAT VCAs and microphone preamps, a three-band EQ with defeat and low THD+N A/D-D/A conversion. The 10-fader unit also features two slots. These multichannel slots enable 16x16 channel Dante AoIP or USB audio cards. Modules available for the dual stereo slot are Bluetooth 4.0, AES3, S/PDIF and RIAA. The CRM/Studio section provides user assignable switches. The whole system is configurable on the 7-inch touchscreen display, or via the Auron web app. This will make configuration easy.

The master unit has four volume-controlled, balanced outputs (master, sub, aux and PFL); one digital master AES3 output and two monitor sections; CRM and studio; each with a balanced speaker output and a phones outputs. Info: www.d-r.nl or www.dnrbroadcast.com

Davicom’s Digital Temperature Probe Interface uses one-wire digital sensors to measure temperatures between –55° C to +125° C (–67° F to +257° F). Up to four probes can be connected to each DTPI with cable lengths of up to 30 meters (100 feet) for each probe. Davicom can supply probes with 15-meter (50-foot) cables. This allows for flexible placement of probes to monitor temperatures at various points throughout a site or remote facility. The DTPI interfaces with any SNMP manager appliance or software via wired IP using SNMP. The unit’s MIB is open and available for download. A standalone configuration toolbox is now available. Info: www.davicom.com

Neutrik NA2-IO-DPRO Dante Interface The Neutrik NA2-IO-DPRO features two inputs switchable between mic, lin and AES/EBU signals plus two outputs switchable between analog line and AES/EBU. The NA2-IODPRO front panel provides two latching XLR inputs plus two XLR outputs. AES/EBU operation is seamlessly and independently auto detected for inputs and outputs. Using Neutrik’s free DPRO controller software for Mac or PC, 48V phantom power can be applied; microphone preamplifier gain, pad and high-pass filtering can be set per channel; and input channels can be linked for matched operation. Output channels can be muted or unmuted within the software. The NA2-IO-DPRO rear panel provides primary and secondary Dante ports over Neutrik etherCON connectors. The secondary input can be configured for redundant mode or switched mode (for daisy-chaining). When operating in switched mode in conjunction with a 60 W PoE injector, eight devices can be daisy-chained. Up to four devices can be chained with a 30 W PoE injector. Neutrik’s NA2-IO-DPRO is AES67 compliant. Info: www.neutrik.us radioworld.com | March 2021

Spring Product Preview

PreSonus PD-70 Dynamic Broadcast Microphone

Inovonics 660 DAB+ RackPack Bundle

PreSonus says the PD-70 Dynamic Broadcast Microphone is a suitable choice for radio broadcasters, podcasters, voice artists and live streamers. It is built to capture the spoken word cleanly and clearly while eliminating mechanical noise and breathiness. Courtesy of strong off-axis rejection, a broadcast studio can be set up in just about any space, avoiding unwanted reverberance, electrical hum and the random car driving by, leaving a pristine, natural sound. The company describes it as a rugged, dynamic frontaddress mic with a cardioid polar pattern, delivering exceptional clarity throughout its 50 Hz to 20 kHz (±3 dB) frequency range. Its integrated windscreen reduces annoying plosives for a smooth, professional broadcast sound. It includes an integrated hard mount. The PreSonus PD-70 is available at a U.S. street price of $129.95. Info: www.presonus.com

Inovonics has announced a DAB+ monitoring package to meet te increased growth of DAB+ broadcasts worldwide. The 660 DAB+ Rack Bundle allows broadcasters to monitor three independent off-air channels simultaneously in a compact 1U package. The modestly priced package ($920) is tailored to the budget-conscious broadcaster. The bundle includes three 660 DAB+ 1/3 RU monitorreceivers pre-installed in a 1U rack shelf. Each of the three 660 DAB+ receivers includes analog L/R and AES Digital program outputs. Alarm notifications for carrier loss, digital program loss and audio loss are visible on the LCD front-panel display and there are rear-panel tallies for customized alarm solutions. The 660 DAB+ RackPack Bundle is backed by Inovonics’ three-year factory warranty and Premiere Support service. Inovonics products are manufactured in Felton, Calif. “With the steady growth of DAB+ broadcasts across Europe, Australia and other global markets, there’s a real need for broadcasters to monitor their off-air signals, and that’s one of our specialties,” said Gary Luhrman, Inovonics sales and marketing manager. “Our INOmini monitorreceivers are compact, sensitive and selective DSP-based receivers. Three units fit into a single 1U rack space but require just one power supply, ideal for the modern broadcast facility.” The 660 DAB+ RackPack Bundle is available through the Inovonics dealer network and shipping from stock. Info: www.inovonicsbroadcast.com

DJB Radio Axia GPIO Support The team at DJB Radio introduced Axia GPIO support for its DJB Logger and DJB Automation products. Users can connect to and monitor up to five different Axia GPIO devices and see logic states in a mimic display. In addition, users can connect to the local audio driver for seamless monitoring. Processes can be automated in a system using simple command codes from DJB Radio or DJB Zone Automation. Axia GPIOs can be mapped to the 16 inputs and 16 outputs of the DJB Logic Interface and skim mics or trigger recordings in DJB Radio’s Web-StreamLogger. DJB says its radio products are in use in more than 1,000 stations in North America. Info: www.djbradio.com

radioworld.com | March 2021

Spring Product Preview

RCS Zetta Splits

Omnirax PC1 Podcast Furniture

Omnirax Furniture Co. says that the burgeoning podcast movement is not merely prerecorded radio. The company says its range of attractive, ergonomic and peoplefriendly furniture is designed to put people in positions to make podcasts look and sound better. When selecting furniture for a studio, Omnirax says consider three “P’s”: People: How many will the furniture support? The company has standard configurations supporting from one to five. Position: Configurations support Host + Guest(s) or Host + Co-host + Guests in multiple orientations. Purpose: Omnirax supports live recording, video, post-production, streaming and other applications. The PC1 is its simplest offering, compact and suitable for one person working in a small space. The rack ships assembled and comes with tools and instructions for fast assembly. Info: https://omnirax.com

Logitek mixIT-18

RCS has made available an online tutorial video that helps users take advantage of Zetta Splits. “Think of Zetta Splits as one main content source that is duplicated amongst other export destinations, except there are queues or triggers from the Split Master that allows the Split station to break away, play their own content and then return to the main content source,” the company states on its website. “What elements can break away? Really anything as defined by the Splits Master. This could trigger local Spot Blocks, imaging, songs, etc. In regards to vocabulary, there are many different ways users define these aspects of Zetta Split relationships. We consider the primary source as the Splits Master versus a traditional Split. Some users might consider this network and affiliate, parent and child, etc.” The video by Director of Sales Engineering Nate Mumford presents real-life examples, including having one centralized morning show or a sporting event that requires an alternate type of programming for the internet stream. Info: www.rcsworks.com/rcs-live-zetta-splits/

Closeup of RCS Zetta automation screen

The newest member of the Logitek mixIT line, the mixIT-18 is an 18-fader physical control surface with dedicated touchscreen sections packaged with the Logitek JET67 engine. The touchscreens provide quick access to metering, source selection, routing, presets, monitor assignments and other console and router functions. It includes 12 mono analog inputs (six stereo), two digital inputs, 16 mono analog outputs (eight stereo), two digital outputs, four mic inputs with phantom power, multiple mix-minus buses, and programmable scene selects. A built-in cue speaker is also provided. Networking is accomplished via AES67, Ravenna, Livewire and Logitek’s JetNet; a Dante option is also available. The mixIT-18 console package sells in the USA for $7,100. Info: https://logitekaudio.com

radioworld.com | March 2021

Spring Product Preview

NeoGroupe NeoScreener Call Screening Tools

Ferncast Aixstream Version 2.0 Aixstream software offers the ability to handle live audio streaming in multiple formats. Now with Version 2.0, the company says aixtream enables on-demand audio processing including metadata insertion and opens new opportunities to handle podcasts and online libraries for any live audio application. The processing of the on-demand content can even happen on the same device that is processing OTT live streaming content for the CDN. Content providers can handle podcast creation and online audio libraries (e.g. iTunes, Spotify, SoundCloud, Deezer, Amazon Music, etc.) with aixtream. Ferncast‘s ondemand implementation includes support for DASH and CMAF, giving the user more choice for how they want to make content available. The handling of multiple bitrates for individual OTT streaming programs has been improved via the addition of master streams. They allow the user to more easily handle one program and all associated bitrates and formats without needing to manage multiple individual PIPEs every time. This simplifies complex OTT streaming scenarios and improves usability and setup speed in the user interface. Other Version 2.0 features include mix matrix and resampler elements; widgets for quick actions and SIP dialing; support for DVB multiplexing; new applet triggers and improved archiving options. Aixtream is a scalable software, running as a server or VM installation. Info: www.ferncast.com

Broadcast software developer NeoGroupe has released a suite of tools for the remote screening of phone calls for radio talk shows. NeoScreenerSmart is a mobile application for iOS and Android, available from those online stores. The company highlights VPN compatibility of its NeoScreener Windows application software, for both audio and control of phone lines. No brands of telephone sets are required; the call screener can operate the phone lines from his/her home using a simple USB headset and microphone. NeoGroupe also highlights its cloudhosted common shared database. The company cited examples of how the system can be used. A studio based in New York City has a Telos VoIP phone system. Call screeners can be at home in New Jersey and in Connecticut, securely using the NeoScreener application. The host uses the NeoScreener application in Florida and sees the cued calls. He is able to air them in New York.

A co-host uses the iOS application on an iPad in Georgia to see the same calls that the host sees. He also has the same abilities to air calls, hold or drop them from the mobile application. This allows the continuing remote operation of the show in the same way that it operated when in the studio, side-stepping COVID the travel restrictions. The usual workflow remains totally unchanged. NeoScreener has also modules to handle prizes, winners, texting for callback and website interfaces. It is available in 10 languages. NeoGroupe recently added support for AEQ Systel VoIP Systems and the AVT THipPro line of phone systems, so that NeoScreener offers compatibility with the major phone systems on the market. Info: www.neogroupe.com

radioworld.com | March 2021

Spring Product Preview

Ross Radio and Streaming Audio Processor

User John Takach is chief engineer for Radio One in Indianapolis.

MaxxKonnect Wireless Service 28

This prioritized LTE internet solution is designed to accommodate the unique needs of broadcasters, according to MaxxKonnect. Each SIM includes a true public static IP address. This, for instance, allows the studio router for a codec system to white-list the MaxxKonnect IP addresses, restricting other traffic from accessing those codec ports, keeping out hackers and bots. MaxxKonnect also does not block ports on its SIMs and will not throttle or hard cap users data connections. Data plans are available on the three U.S. major carriers and start as low as $44 a month. The service also is now available in Canada and Mexico. It is compatible with off-the-shelf LTE hardware devices, including modems from major codec makers. The company can also provide preprogrammed hardware devices, which makes setup a nonissue. Based on user feedback, a full-service user portal is being added so that MaxxKonnect customers will be able to monitor data consumption and receive data cap alerts. Info: www.maxxkonnect.com

radioworld.com | March 2021

New from Ross Video is the Radio and Streaming Audio Processor, powered by Orban OptiCloud audio processing. Part of Ross’ softGear platform, the RSAP provides multiple instances of audio processing, up to 50 defined processing presets, with unlimited custom presets available, and an easily managed signal flow for both streaming and over-the-air radio broadcasting. The companies say that OptiCloud processing brings the power of Orban’s advanced audio processors to the cloud. “The server-based high-density system now available from Ross uses an ST2110-30 (AES-67) interface along with Livewire+,” according to Orban. “It feeds the signals to a 1 RU Dell Blade server to process eight independent signals from a single point, with control from anywhere via the Ross’ softGear Dashboard.” The system is Linux-based with PTP time-stamping for precise synchronization; the Orban processors in the system have fault tolerant, dual-processing paths with automatic fail-over. This ensures a stable path along with a high level of security. Orban President David Day said, “The virtualization of the audio signal for streaming, analog and digital operation, complete with robust processing, is here and shipping now, with a full composite path to the transmitter and E2X coming very soon.” Info: rossvideo.com

Spring Product Preview

Henry Engineering BackUPS Power Switcher

WorldCast Systems SynchroStream Technology WorldCast Systems has launched its SynchroStream technology for the APT codec range with the release of SR 4.0. The company states that with the release of SynchroStream they will become the only manufacturer to offer a one-stop shop for single-frequency network deployment with the transport (APT codecs), transmission (Ecreso transmitter), measurement (Audemat FMMC5) and monitoring (Kybio Software) available from WorldCast. The SynchroStream technology and the support legs approach benefits the broadcaster in simplifying the setup, configuration and maintenance of a solid and stable SFN network. SynchroStream is compatible with baseband audio coding and the existing MPX/composite linear coding schemes and also the new APTmpX algorithm, “the first nondestructive MPX/composite algorithm,” also part of the new SR 4.0. SynchroStream is supplied on the existing APT IP Codec range and utilizes an externally supplied 10 MHz clock and the 1 pps GPS signal as time reference. The company says beta network deployments in New Zealand and the United States have verified bench test results which calculated that the granularity offered in allowing fixed line adjustments down to an eighth of a microsecond (125 nanoseconds) would allow the highly accurate (<50 meters) manipulation of the “mush zone.” According to WorldCast, in the real world this means engineers can push the almost nonexistent mush zone away from populated areas or transport corridors. This manipulation translates to better coverage within the SFN FM area, consisting of main FM transmitter and FM boosters, meaning potentially more listeners for a station. Info: www.worldcastsystems.com

Henry Engineering’s BackUPS is a power controller for ensuring reliable AC power to critical equipment. It is powered with an uninterruptible power supply (UPS). BackUPS constantly monitors the output of the UPS and automatically bypasses it if the output fails or becomes unstable. This keeps the load powered and allows the UPS to be disconnected for battery replacement or other maintenance. A restart-delay timer ensures the output is stable before the UPS is switched back online. Whenever the output comes on, the system monitors its output for a preset period. The UPS will be switched online only if the output is stable during this delay interval, which can be set from 10 seconds to 16 minutes and can be defeated if not needed. BackUPS is automatic once installed. The mode switch can select manual UPS bypass mode, or automatic operation with or without restart-delay. It can be monitored and controlled remotely. The remote bypass input allows the unit to “force bypass” a troublesome UPS via GPI control. BackUPS can also be used to reset and reboot equipment via off/on power cycling. It can supply up to 15 amps of AC current to the load. BackUPS can also be used as a “remote reboot” device, to reset and reboot equipment via off/on power cycling. It can supply up to 15 amps of AC current to the load. Info: https://henryeng.com/

radioworld.com | March 2021

Spring Product Preview

Broadcast Electronics STXe-3 Transmitter BE has expanded its STX line of solid-state FM transmitters with the affordable STXe series 1, 2 and 3 kW FM transmitter range, based on what the company calls a simple yet robust STX RF module design. The STXe series promises cost-effective FM and HD Radio performance and reliability. The series includes an integrated digital exciter, with four 800 watt LDMOS power amplifiers, and two RF power supply modules that are frontaccessible and hot-pluggable, for ease of service without removing additional panels. Features include digital exciter with integral RDS, MPX over AES, SFN delay, FSK ID, SNMP Level 3 control and security, HD Radio compatibility and a GUI that provides operation via PC, laptop, tablet or smartphone, with no Flash or Java (shown). Output power ranges from 750 watts to 3 kW with up to 75% efficiency. The STXe series is made in Quincy, Ill. Info: www.bdcast.com

StreamS IOdigi2X and IOdigi8X 30

The StreamS IOdigi2X and IOdigi8X are AES/EBU-S/ PDIF-compatible USB digital audio interfaces providing both input and output for workstations, laptops and mobile devices. They are Microsoft Windows-, Apple- Mac OS-, iOS- and Droid-compatible, and uses class drivers. IOdigis use the XMOS audio engine for the best possible audio. The 2X is suitable for news gathering and other events that need to interface with the professional audio structure of a modern broadcast facility. The 8X is for multichannel product being done on laptops and other mobile devices and can be configured as a 8x1, 4x2, 5.1 or 7.1. Both the 2X and 8X support a selection of sampling and bitrates: 44.1/48/88.2/96/176.4 and 192 kHz while the 8X adds 32 kHz. All sampling rates are supported at both 16- and 24-bit. The IODigi2X replaces the original IODigi, which is still in use around the world. The 8X is new. The company calls these products the easiest way to get professional quality audio in and out of today’s computers and mobile systems. Info: www.streamindex.com

radioworld.com | March 2021

Spring Product Preview

GatesAir Intraplex IP Link 100c GatesAir expanded its range of intelligent networking product family with the Intraplex IP Link 100c, a compact cost-efficient hardware codec for remote contribution and standard STL IP connections. The company says the IP Link 100c adopts a costreducing strategy in a standard hardware codec. It halved the form factor to support portable applications, providing a half-rack-unit footprint for easy transport to serve remote broadcasts and studio-to-studio applications. The design includes a DC power supply, allowing broadcasters to plug in and stream program audio for sports contribution, live remotes and news coverage easily. The IP Link 100c is also suitable for STL service, particularly as an affordable backup for primary STL connections, or for delivery to Icecast streaming servers. Like many IP Link products, it integrates features such as Dynamic Stream Splicing software, SRT protocol support and three separate network ports. Info: www.gatesair.com

DTS AutoStage Xperi highlights the benefits of its DTS AutoStage global hybrid radio platform, recently renamed from DTS Connected Radio. The rebrand was in part driven by opportunities resulting from Xperi’s merger with TiVo in 2020, which it said “enabled the integration of TiVo’s world-class music metadata and personalized content discovery engine.” Xperi said the name represents the many entertainment “stages” the platform offers and how the platform will be able to amplify those stages as in-cabin technology evolves. Additional features recently added to DTS AutoStage include lyrics, content metadata and personalization capabilities. The platform includes major commercial broadcasters such as Entercom, Beasley, Cox Radio, Bauer Media and Global Radio, as well as dominant regional platforms including FM World, Quu Interactive, Radio.com and RadioApp. DTS AutoStage launched in the Daimler MB User Experience (MBUX) and is available new Mercedes-Benz S-Class cars. Info: dts.com/autostage/

WinMedia WinCam Video Solution The WinCam automated video solution from WinMedia is designed for radio broadcasters. Its auto IP video switcher features graphic insertion, titling and logos, graphic composition and display of messages coming from social feeds. It can record the signal in HD and stream to several sources simultaneously, and supports the main camera PTZ control protocols available on the market. The system is equipped with a camera that features an HD sensor that is remote controllable via IP. According to the company, the camera is able to capture wide angles and only requires the usual lighting of a radio studio, without the need for additional projectors. In addition, WinCam automatic Interface manages fader starts as well as mic levels. WinCam can be interfaced through IP with AEQ, Axia, DHD and Wheatstone platforms, or via its optional audio bridge to connect to any analog console. WinCam selects the most suitable camera angle and manages tight or wide-angle shots. In order to avoid untimely switching when several speakers talk simultaneously, the system alternates wide shots or “picture-inpicture” compositions where several cameras appear at the same time. WinMedia said it developed this interface so that it resembles human operation as closely as possible to guarantee accurate video coverage of each speaker. Info : www.winmedia.org

radioworld.com | March 2021

Spring Product Preview

Bext XD Series FM Transmitters

XD Series transmitters from Bext are customizable at time of order. Buyers can choose from a menu, paying only for features they need at the moment. Softwaredefined configurations allow remote activation of more options later. Models are available in a range from 150 Watts to 20 kW. Features or options include digital direct-to-carrier modulation; customizable audio processor and stereo generator; web-accessible GUI; and user-programmable email alerts. Also, multiformat built-in audio storage (via uSD cards up to 64 GB/FAT/FAT32 partition); RDS encoder; onboard user manual file (USB accessible even with unit disconnected or inoperable); phase locking to GPS/GLONASS reference; FM receiver; built-in satellite receiver, which can decode transport streams with PID identifier, also supports audio up to a 192 kHz sample rate, suitable for composite audio. Bext says XD transmitters accept AES67 and 192, AES-EBU, web audio streaming including Icecast and Shoutcast2, and MPX over IP. Numerous formats and sample rates are supported. Info: www.bext.com

NextKast Radio Automation Starting new streaming stations or FM/AM HD channels can be expensive in time, money and resources. NextKast Radio Automation says it can help simplify that process and reduce some of those startup obstacles. The latest version of its Broadcast Radio Automation has a one-time license fee bundle that includes unlimited lifetime updates and unlimited management and remote voice tracking licenses at no extra charge. It says this bundle allows for a very low fixed cost to execute a project from concept to on-air. According to NextKast this also provides an opportunity to add new revenue through otherwise unused HD channels or online delivery. NextKast Broadcast also has features that could help solve your 24/7 music programming and talent needs; it works with content provider Local Radio Networks (http:// localradionetworks.com). USA-based NextKast offers an optional low-cost monthly support plan if required. Info: http://nextkast.com

radioworld.com | March 2021

9000

Spring Product Preview

Yellowtec iXm Podcaster Here’s an affordable tool for ambitious podcasters: Yellowtec says it rethought its iXm Recording Microphone and come up with the leaner, more affordable iXm Podcaster. LEA (Level Energy Arbitration) technology masters noisy recording environments and secures professional sound at the push of a button. Also, due to a collaboration with Benztown, each iXm Podcaster comes with access to three professionally produced audio elements from the Benztown Music Libraries. “Free of charge, you can now access the same database as world-famous radio stations and podcast gurus,” the company says. “Mix and match your favorites with your iXm Podcaster voice recordings and meet the sound requirements of real audio enthusiasts.” As a more affordable version of the iXm Recording Mic, it lacks a built-in battery or interchangeable mic heads; it supports the dynamic PRO Line cardioid iXm Head only. Also new is the m!ka CamStud for smooth camera integration for cameras and webcams with 1/4-inch screw. It allows you to add a camera to your setup by placing the CamStud atop a m!ka Pole, litt Riser or directly on a m!ka Mic Arm. Info: www.yellowtec.com

MultiCam Airbridge+ Visual Radio System MultiCam says that Airbridge+ is an entry-level all-in-one visual radio system. It comes with the components a station needs to create professional, engaging video programming. The system includes a video controller, call-in manager, character generator and streaming engine. It can handle four live feeds and manage up to 12 guests in the waiting queue. Programming can be live or recorded for later use. Airbridge+ provides operators scale and picture position controls of guests along with mix-minus and audio delay. There are also PTZ camera remote controls. Would-be participants are sent an exclusive link for entering the system. MultiCam visual radio systems are compatible with audio consoles made by Axia, DHD, Lawo and Wheatstone and software automation from companies such as ENCO, RCS, WideOrbit and WinMedia. They also work with video platforms and social media such as Twitch, Facebook, Instagram and YouTube. Info: www.multicam-systems.com

radioworld.com | March 2021