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Finito World Issue 15

Page 126

ART

OSCAR EAGLE: INTERIORS OF THE MIND BY CHRISTOPHER JACKSON

I

'm looking at an interesting and unusual picture. In the centre, a guitar leans against an armchair, its strings catching the light. A record player sits idle nearby, a stack of vinyl hinting at a personal soundtrack. These are ordinary objects, but something in their arrangement—the stillness, the weight of presence— suggests more. The painting is called The Lucky Man, and though no figure appears in the scene, it feels unmistakably like a portrait. The artist is Oscar Eagle, and it was this painting that first caught the attention of Ronel Lehmannn, CEO of Finito Education. "When my chairman told me that he had an artist in residence, I did not believe my ears," Lehmannn says. "However, in the same breath he suggested I drive over to see what this was all about." The studio was above the garage at Sir John Griffin's Potters Bar home—an unassuming space filled with canvases, brushes, and the unmistakable presence of a working artist. Lehmann recalls, "I saw a young man, with incredible talent and artistic brilliance. One painting caught my eye. I thought: this should hang in the Hippodrome." That instinct proved right. He contacted Simon Thomas, CEO of the London Hippodrome. "Simon agreed before even seeing the work. The same thing happened with Liam West at Kerridge's—he committed to displaying Oscar's work in the private dining room." This kind of response has followed Oscar Eagle throughout his emerging career. Though still early in his journey,

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The Lucky Man

there is a considered maturity to his painting: a studied observation not just of interiors, but of the lives lived within them.

Knight Mentor Sir John Griffin, the man who made Oscar's artistic journey possible, speaks

with the confidence of someone who has backed talent before. "I knew his family and find Oscar to be a pleasant young man who is a very talented musician and creative in art. He is worthy of my support," he explains. Griffin's commitment went beyond mere encouragement. "I had a snooker table above my garage. I sold the


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Finito World Issue 15 by finitoworld - Issuu