TIMETABLE (CONT’D) MATERIAL PRACTICE (CONT’D) - page 32 CEFA 170 S002 MATERIALS + MEDIA IN FINE ART PRACTICE CEFA 260 S001 DEVELOPING YOUR VISUAL STYLE
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IAN FORBES VJEKO SAGER
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T TH SU W SU S W M M TH S S S SU T SU F T S TH S TH W S SU SU
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MARTIN GUDERNA ELIZABETH BARNES LORI GOLDBERG LORI GOLDBERG JAMES LINDFIELD JAMES LINDFIELD JAMES PICARD ELIZABETH BARNES ELIZABETH BARNES JEANNE KRABBENDAM JEANNE KRABBENDAM DIANA KUBICEK MARTIN GUDERNA KALSANG DAWA MARTIN GUDERNA LORI GOLDBERG JAMES LINDFIELD LORI GOLDBERG JAMES LINDFIELD JEANNE KRABBENDAM ELIZABETH BARNES LEIGH BRIDGES LISA BIRKE LISA BIRKE MARK NEUFELD JAMES LINDFIELD
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LISA BIRKE
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LISA BIRKE KALSANG DAWA
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TH T S S SU SU T T
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RAND BERTHAUDIN RAND BERTHAUDIN VENDULA RALKOVA KATHRYN MUSSALLEM JOSH HITE KATHRYN MUSSALLEM MATILDA ASLIZADEH KATHRYN MUSSALLEM
FEB 27 - APR 3 FEB 27 - APR 3 MAR 12 - APR 16
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DIANE EVANS JOSH HITE MATILDA ASLIZADEH
PRINTMAKING - page 41 CEPR 150 S001 PHOTO-BASED PRINTMAKING CEPR 160 S001 INTRODUCTION TO RELIEF PRINTMAKING CEPR 163 S001 INTRODUCTION TO WOOD ENGRAVING CEPR 164 S001 TEXTILE PRINTING I CEPR 164 S002 TEXTILE PRINTING I CEPR 165 S001 PRINTMAKING TECHNIQUES
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MADELEINE SAUVÉ LAWRENCE LOWE SHINSUKE MINEGISHI ELEANOR HANNAN ELEANOR HANNAN SHINSUKE MINEGISHI
PROFESSIONAL DEVEOPMENT - page 43 CEPD 190 S001 THE BUSINESS OF ART PRACTICE CEPD 250 S001 COMMERCIAL ASSESSMENT WORKSHOP CEPD 260 S001 TOWARD A BUSINESS PLAN
MAR 7 - APR 11 M MAR 12 S FEB 5, MAR 5 + APR 2 S
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CHRIS TYRELL CHRIS TYRELL CHRIS TYRELL
PAINTING - page CEPN 160 S001 CEPN 160 S002 CEPN 161 S001 CEPN 161 S002 CEPN 162 S001 CEPN 162 S002 CEPN 163 S001 CEPN 164 S001 CEPN 164 S002 CEPN 165 S001 CEPN 165 S002 CEPN 169 S001 CEPN 169 S002 CEPN 180 S001 CEPN 260 S001 CEPN 261 S001 CEPN 262 S001 CEPN 263 S001 CEPN 264 S001 CEPN 265 S001 CEPN 270 S001 CEPN 271 S001 CEPN 271 S002 CEPN 271 S003 CEPN 278 S001 CEPN 360 S001 CEPN 371 S001 CEPN 371 S002 CEPN 378 S001
33 PAINTING FUNDAMENTALS I: COMPOSITION / PROCESS PAINTING FUNDAMENTALS I: COMPOSITION / PROCESS FUNDAMENTALS OF ACRYLIC PAINTING FUNDAMENTALS OF ACRYLIC PAINTING FUNDAMENTALS OF OIL PAINTING FUNDAMENTALS OF OIL PAINTING FUNDAMENTALS OF WATERCOLOUR USING COLOUR USING COLOUR THE BUILT SURFACE: PAINT + COLLAGE THE BUILT SURFACE: PAINT + COLLAGE MIXED MEDIA PAINTING TECHNIQUES MIXED MEDIA PAINTING TECHNIQUES EXPLORING MANDALA PAINTING FUNDAMENTALS II ACRYLIC PAINTING II OIL PAINTING II WATERCOLOUR PAINTING II USING COLOUR II EXPLORING THE BUILT SURFACE FORMS AND CONCEPTS IN CONTEMPORARY PAINTING BRUSH STROKE BOOT CAMP I BRUSH STROKE BOOT CAMP I BRUSH STROKE BOOT CAMP I PAINTING THE PORTRAIT PAINTING: OPEN STUDIO BRUSH STROKE BOOT CAMP II : COMPOSITION + THE PICTURE PLANE BRUSH STROKE BOOT CAMP II: LANDSCAPE AND NATURAL ELEMENTS TIBETAN THANGKA PAINTING II
PHOTOGRAPHY - page 38 CEPH 141 S001 BLACK-AND-WHITE PHOTOGRAPHY I CEPH 141 S002 BLACK-AND-WHITE PHOTOGRAPHY I CEPH 230 S001 THE MAGIC OF STREET PHOTOGRAPHY CEPH 246 S001 THE CONSTRUCTED IMAGE CEPH 250 S001 INTRODUCTION TO DIGITAL PHOTOGRAPHY CEPH 250 S002 INTRODUCTION TO DIGITAL PHOTOGRAPHY CEPH 250 S003 INTRODUCTION TO DIGITAL PHOTOGRAPHY CEPH 255 S001 DIGITAL PHOTOGRAPHY: OPEN STUDIO CEPH 345 S001 FIBER-BASED PRINTING: ADVANCED BLACK-AND-WHITE PHOTOGRAPHY CEPH 350 S001 INTERMEDIATE DIGITAL PHOTOGRAPHY CEPH 352 S001 ADVANCED DIGITAL PHOTOGRAPHY
EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS
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