Architectural Designer Portfolio

P O R T F O L I O

ARCHITECTURE DESIGN EVELYN M. JUNCO 918.813.8787 evmjunco@gmail.com

TABLE OF CONTENTS 3

MTL CAP

ESPOSTO

WOOD NAILER SINGLE PLY ROOF MEMBRANE

PLC

TERMINATION BAR Purpose. Driven. Architecture.

COPING ANCHOR CLIP

1/2" CB

10

3" INSULATION

618 E. 3rd St. Tulsa, OK 74120 918.743.2724 (o) 918.743.2725 (f)

SINGLE PLY ROOF MEMBRANE

VARIES

SPRM BONDING ADHESIVE

1/2" CB.

5

MuseLAB

7

THE LINK

11

FUZZY AGGREGATE

15

IN DETAIL

19

AUTO_HOME LIVING

23

EAGLE HOUSE

1-1/4" @4" O.C. MAX.

METAL WALL PANEL 1/2" EXT SHEATHING

METAL DECK

8" METAL STUD

GUTTER METAL ROOFING SYSTEM

SINGLE PLY ROOF MEMBRANE FLASHING 1-1/4" ROOF NAILS O.C. MAX.

METAL FLASHING

SINGLE PLY ROOF MEMBRANE FLASHING

EIFS BAND TERMINATION

SINGLE PLY ROOF MEMBRANE SINGLE PLY ROOF MEMBRANE BONDING ADHESIVE

6

CONTINUOUS SEALANT

EIFS EXT SHEATHING 8" METAL STUD

BATT INSULATION SEALANT SINGLE PLY ROOF MEMBRANE

1/2" CB

5/8 GYPSUM BOARD

1/2" CB

METAL FLASHING

ROOF @ EIFS WALL 1 1/2" = 1'-0"

MTL CAP

GUTTER

TERMINATION BAR

METAL ROOFING SYSTEM

COPING ANCHOR CLIP

SINGLE PLY ROOF MEMBRANE

Seal 07-13-2018

2

1/2" CB

METAL FLASHING

2' - 0" 1' - 0"

1

5/8 GYPSUM BOARD

2 1/4"

BATT INSULATION

3"

8" METAL STUD

3' - 0"

EIFS

4' - 0"

EIFS BAND TERMINATION

1 1/2"

METAL DECK

3/4"

VARIES

Key Plan

3

2

4

METAL DECK

PROJECT NO.01-1801

This document, and the ideas and designs incorporated herein, as an instrument of professional service, is the property of TriArch, and is not to be used, in whole or in part, for any other project, without the written authorization of TriArch.

5

3" INSULATION

100% CONSTRUCTION DOCUMENTS

" MIN.

Consultants

7

ROOF @ PARAPET WALL 1 1/2" = 1'-0"

REVISIONS

8

9

BATT INSULATION

3

Date

IOWA TRIBE OF OKLAHOMA 335567 E0740 RD, PERKINS, OK 74059

STEEL DECK

Description

GREY SNOW EAGLE HOUSE WELCOME & INFORMATION CENTER

1/2" CB

No.

Architecture is a way of thinking rather than a career. That creative appetite born in the heart that keeps sketching in the mind after the work day is over. Architecture is passion, creativity, science and technology working together to create functional art in the form of buildings and structures. We, as architects, do not create or design meaningless objects; we create structures that become part of humans’ lives, environment and history. Our creations dictate how cities knit their networks and influence how people live their lives now and in the future creating a footprint visible for many generations to come. The responsibility of reinventing ourselves persistently to leave a legacy in this world of continuous change. Only with this mindset, I become a problem-solving architect with an insatiable need of constant exploration of new concepts and ideas. This portfolio contains basic pieces of innovative ideas and a raw creative skill awaiting to be mined.

ESPOSTO PARAMETRIC SKIN INTERWINED WITH FASHION.

The latest fad, the latest hook, the latest crave, the latest crook - fashion and food - both have become a trend among consumers in the industrialized world due to popular media.

With parallel interest, the term “sustainability” has become a global phenomenon, a movement, and in turn has exposed unsettling issues of textile and agricultural industries. Yet, aware consumers still adhere to these adverse industries, drive the production and the producers allow these acts to linger.

Sustainability in terms of fashion is not typically associated, but must be understood in order to alter perceptions and attitudes. Collectively, becoming aware of the production of food and textiles through social, cultural, and economic views shouldn’t be the end, but the start of sustainable practices to ensure a future for generations to come without harming our environment or others. With a fast paced society comes fast fashion and fast food. Fast fashion and fast food is speeding up production, speeding up deliveries, and reinventing itself to satisfy the constant need of consumers. Society has morphed into sole self-satisfaction, always craving, needing, and purchasing the latest fashion trend and food diet.

By establishing an equilibrium between the spectrums of satisfying the need of people starving for fashion and of people starving for food, luxury brands and food companies must be at the forefront to become the leaders and promote sustainability from the production to distribution phases by making ethical and social changes. Through these changes, architecture will be the catalyst, the embodiment of what a healthier, more sustainable lifestyle we can achieve.

FLOOR PLANS + SECTION

FIRST FLOOR

SECOND FLOOR

SKIN / POLYCARBONATE

STRUCTURE / STEEL

FLOOR / GLASS LONGITUDINAL SECTION

ELEVATIONS

FLOOR STRUCTURE / STEEL GLASS FRAMING FLOOR STRUCTURE / HEXAGONAL KINETIC SKIN

NORTHWEST ELEVATION

3-4 FLOOR STRUCTURE / H BEAM

SOUTHWEST ELEVATION

NORTHEAST ELEVATION

SOUTHEAST ELEVATION

SKIN / HEXAGONAL SKIN

COLUMNS / STEEL

SECOND FLOOR DETAIL

HEXAGONAL KINETIC DETAIL

Connection to skin

Connection to floor

MuseLAB TECTONIC: NOMADIC ART-MAKING STUDIO.

The museLab was designed and built for the Museum of Art of Stillwater. The design rose by answering to two questions, the first one being how a structure could be nomadic. The word nomadic denotes the ability to pick up and go at any time.

That meant answering to the design challenge with a solution of limited weight, simple forms, and easily transportable. The second question was why a (simple) table was not sufficient.

How a table could transform itself to better respond to the demands intrinsically related to art activities. The solution was to provide a system that could be configured and reconfigured in a variety of ways while engaging users of all ages.

The museLAB system consists of multiple two 38 x 84 inches frames connected by wood-made hinges and accommodating either a rotating table or two rotating table supports and a slotted wall. Within its housing frame, the table can be placed at three different heights (30, 22, and 19 inches) to respond ergonomically to the different age groups. Each rotating table in the system has two distinctive working/playing surfaces uniquely responding to a given activity. The rotation of the table allows for a further transformation. For ease of transportation, each rotating element locks to its housing frame, while these fold into each other. Multiple modules can be organized and configured in a variety of ways responding to the needs of each project or, the number of people expected to engage with an activity at any given time. They can also rearrange to generate a long table, or a dinner table, metaphorically speaking, where people of different age can gather around and simultaneously create.

5-6

First Prize MUSELab Nomadic Art-Making Studio Stillwater Museum of Art

THE LINK RECTILINEAR DESIGN ACTS AS FOUNDATION FOR ORGANIC FORMS TO GROW OUT.

The challengue on finding the perfect balance between life, work and pleasure. This project is located in one of the most iconic cities in the world: Chicago. Urban lifestyles, climate, nature, and the existing built environment are all factors that influence appropriate architectural form. The primary goal is to take advantage of the existing Post Office Building site by creating a pleasant setting that encourages social drama.

Mixed Use _ Level 1

How? By placing retail and entertainment in the ground level to attract people and by connecting the Riverwalk to the street level. Moreover, design a dominant façade by keeping towers as the strong feature of the existing building and radically transform the façade on West and East side.

The result of this design is a harmonious relationship between organic masses and network of green parks and public plazas.

The rectilinear design of the Post Office acts as the foundation for the forms of this development to grow out.

Retail _ Level 1

Gathering _ Level 1

Circulation _ Level 1

7-8

Atrium View

Plaza View

9-10

Office View

FUZZY AGGREGATE SYNTHETIZED COLLECTION, NOT WITHOUT AMBIGUITY

The composition of the fuzzy aggregate is the result of physical and abstracted pieces. By doing this, they generate unexpected spaces within the pieces and interior spaces.

The interposition and intersection of pieces also generates common spaces within the program as well as enclosed spaces within the pieces.

The pieces of the aggregate come together without compromising the integrity and character of the pieces themselves. All this follwing indirectly a guide of diagonals giving the impression of belonging and being apart at the same time.

The texture is an exploration of a binary composition. Using generative design process and artifitial inteligence, pictures and images from around the site are intepreted by the machine generated an array of interposed pattern.

Catalog of components of LA buildings used for a new fuzzy aggregate composition.

Design and modular aggregations of patterns with Grasshopper and Python scripts.

11-12

13-14

Scale model pictures made by 3D printed pieces

IN DETAIL PUZZLING ARCHITECTURAL ASSEMBLIES

The theme of the original Hanayama puzzle is “lock” and the puzzle’s solution is the result of tricks not visible at first impression. The outer rings need to be perfectly aligned for the pieces to slide into the inner tracks. As you resolve the puzzle, these interior pieces will reveal themselves which are really the most interesting aspect of the puzzle and how they fit into each other. The solution is not necessarily intuitive and it follows specific steps of instructions for its [dis]assembly: rotate, slide and follow a track. The two outer rings have a regular shape and do not provide any clue on how to resolve the puzzle.

3D puzzle redesigned The concept of locking and revealing is translated into the site by following the same steps of instructions. Essentially, the mapping of this key-lock is recreated; but, in doing so, it creates spaces on the site: landscape, amphitheater, gallery, terraces. They are really just instructions but they create problematic spaces on the site. In other words, the site is the combination and a mix of thinking about steps, graphic composition, tridimensionally and how this work problematically. As you enter the site, it reveals small hints of the building’s footprint and its trajectory to its final location; in other words, the building actions and movement of rotating, sliding and following a track erode and transform the site along its trajectory. There is a balance of manipulating the site spatially but also with something that creates an interesting fit for the assembly for the key of the site. The building is not an element on the site, but instead is only a part of the site as larger set of parts.

The intention was to learn from the issues of a complex puzzle, translate them and follow all the way into the design of the building, the result is reflected into the intricacy of the pieces, and a set of elements to whole relationship in a building.

Mechanical detail

2D puzzle

15-16

Puzzle Instructions

Assemble pieces explode

1. rotate 2. slide 17-18

3. drop 4. rotate Puzzle concept translated into model

AUTO_ HOME LIVING ARTIFICIAL INTELLIGENCE_ GENERATIVE PROCESS_ DATA VISUALIZATION_

Automated vehicles technology has raised issues of relationship between human, streets and living spaces. The project proposes housing for a community that strives for a balance between temporary enclosed spaces and ridesharing.

The autonomous home living could radically reduce carbon footprints and living expenses by combining transportation and housing needs in one space. New types of communities will emerge reshaping our streets and public spaces. Our speculation extends to the idea that the building envelope is not only designed for humans but also for machine vision and the idea of a vehicle that can be attached and detached from a living space.

Looking at the facade from the car’s perspective, this is able to detect which units are available. Object detection often requires vast datasets and long training times. To make this project possible, we applied two simplifications: we trained and labeled the renders of our own geometry and we predicted a fixed number of objects in each image.

The facade has given a new legacy of architecture form as interface. Stable architecture typologies are replaced by something more fluid, where the building is no longer meant for human perception but also for machine vision. This shows that it has an impact on housing and it changes the aesthetics of architecture. Our designs should start considering the impacts of technology in architecture.

Generative deep learning. Cyclegan, an image-to-image translation technique, existing urban plans are processed as the input, and in return, the machine generates a new urban fabric for the entire site.

The design concentrates and takes a closer look at two masses as a proof of concept for a large masterplan.

4x4 3D modules

The facade is a dynamic three dimensional ever changing texture built using the method of degenerative design.

Several trained images by cycleGAN are projected into a repetitive movable pattern. The abstract patterns and shifting pieces of the structure explore the transformation of visible and invisible elements. By doing so, it allows different patterns to be visible to the autonomous car but invisible to the human eye.

Taking a closer look at this movable pattern. The car attaches to the unit, the interior door closes and the car is locked to the facade pattern. Most important, this pattern allows the vehicle to charge while it is parked. The selfdriving vehicles can adapt to diverse functions making the residential units purposely flexible. They can function as an office space or start-up business since it is the movable part of the house.

19-20

section

dynamic facade

machine vision

yolo training and labeling of pattern for machine recogniztion

21-22

Full presentation_ https://vimeo.com/490955656

9' - 3"

LOBBY 102

XB 9' - 3"

12' - 11

LOBBY 102

XB

12' - 11

6' - 6"

7' - 0"

0° .0 80

B

S2

VESTIBULE 101

0° .0 80

B 6' - 6"

XC2'

ENLARGE PLAN - TOWER 1/4" = 1'-0"

4

N

2

0.5

S1

13' - 4"

2' - 0"

4

S2

VESTIBULE 101

- 0"

X1

N

"

7' - 0"

XC

CORR 103

0° .0 80

IOWA TRIBE_WELCOME AND INFORMATION CENTER 100%CDs

CORR 103

"

0° .0 80

EAGLE HOUSE

X2

1' - 6"

9' - 5

X2

ENLARGE PLAN - TOWER 1/4" = ROOF 1'-0"STRUC. 3 ABOVE

4 __________

2

3

A300 ROOF STRUC. ABOVE

1' - 6"

A 4 __________

MTL PNL

A300

EQ

5' - 11"

EQ

A

A 30' - 3"

EQ

30' - 3"

A201 MEZZANINE 201

XB

A300

XC

3' - 0"

10 9

Description

8

Date

1

REVISIONS

8

J

K IOWA TRIBE OF OKLAHOMA 335567 E0740 RD, PERKINS, OK 74059

200' - 0" 0'

GREY SNOW EAGLE HOUSE COME & INFORMATION CENTER

800' - 0" 600' - 0"

L

6

1" 0"

1" = 200'

K

I

Consultants

7

400' - 0"

4"

M

L

3"

MEZZANINE FLOOR PLAN M = 1'-0" 1/8"

E0740 RD

N

ABOVE IMAGE IS CONCEPTUAL REFER TO ORTHOGRAPHIC DRAWINGS FOR SPECIFIC REQUIREMENTS

No.

N

E0740 RD

2 N

8

618 E. 3rd St. Tulsa, OK 74120 918.743.2724 (o) 918.743.2725 (f)

MEZZANINE FLOOR PLAN 1/8" = 1'-0"

N

2' - 3"

2' - 4"

Purpose. Driven. Architecture.

2"

O

PLC

GREY SNOW EAGLE HOUSE WELCOME & INFORMATION CENTER N

2 A110

2 A110

X2

2

A300

XC B

X2

N

2 __________

XB

B

12' - 10"

B

A300

2 __________

30' - 1"

SEALED CONCRETE FLOOR

B

CONFER 116 314 S

5 __________

3' - 0"

12' - 10"

29' - 0"

201B

15' - 8"

SEALED CONCRETE FLOOR

A300

IOWA TRIBE OF OKLAHOMA

3

A300

30' - 1"

14

MECH. CHASE

5 __________

A201 5 __________

A610

A300

10' - 4"

5 __________

A1

20"W x 26"H VERTICAL LIFT DOOR, RE: TYP. 3

201A

201B

3

60' - 4"

ROOF SCUTTLE 20" X 48"

29' - 0"

MECH. CHASE

10' - 4"

14

BREAK ROOM 115 203 SF

60' - 4"

201A

20"W x 26"H VERTICAL LIFT DOOR, RE: TYP. 3

15' - 8"

A610

29' - 11"

24' - 1"

B1

MEZZANINE 201

ROOF SCUTTLE 20" X 48"

MTL PNL

29' - 11"

24' - 1"

5' - 11"

EQ

A

O

0

S1

13' - 4"

X1

1

J

10

No.

CORR 103

0° .0 80

REVI

9

S2

A201 4

2

3

X1 X2

1' - 6"

5

5.5

Cons

X2

31' - 6" 9' - 5"

4

8

1

105' - 4" 24' - 0"

24' - 0"

13' - 7"

22' - 10"

1' - 6"

78' - 8"

1 __________

3 __________

4 __________

A300

3' - 8"

A300

A300

7

0.5

S1

20"W x 26"H VERT. LIFT DOOR

S5

XA

1 A110

MTL PNL

1' - 6"

102B

STO 108A

A1

23' - 9"

WOMEN 106 172 SF

5 __________ A300

6

10' - 2"

24' - 4"

4' - 7"

HOSE BIB

DN STO 121 635 SF

VESTIBULE 122 70 SF

122B WALL FEATURE RE: A602

122A

A201

CORR 105 29 SF

116

Key P

MEN 104 162 SF

4' - 6"

24' - 5"

30' - 1"

104

2 __________

DN

124

A300

8' - 10"

101B

6' - 1"

XC B

103

125A

FEC

EXIT 124 51 SF

STO 123 106 SF

3

DN CORR 103 103 SF

121B

Seal

125B

S2

1' - 6"

2' - 3"

S1

8' - 7"

8' - 0"

X1

X2

COVERED PATIO 125 582 SF

A201

7' - 5"

6

1' - 7"

2 A110

VESTIBULE 101 78 SF

PERFORATED METAL PANEL W/CUSTOM IMAGE RE: ELEVATIONS

15' - 5"

101A

8' - 0"

8' - 0" 56' - 2"

4 A101

8' - 0"

S4

8' - 0"

8' - 0"

2

XB

2

4

MOTORIZED BLEACHERS RE: SPECS

106

CONFERENCE 116 314 SF

8' - 0"

AUDITORIUM 117 1823 SF

107

43' - 0"

ELEC 107 23 SF LOBBY 102 875 SF

23-24

MTL PNL & STONE VENEER

CORR 119

5

108

47' - 1"

30' - 3"

4' - 0"

STAGE 118 354 SF

REF.

CORR 114 83 SF

BREAK ROOM 115 203 SF

60' - 4"

3

DN DN

DISPLAY 108 59 SF

115

A201

121A

STORAGE 120 155 SF

STAIRS 109

113 B1

120

UP 88 SF

112

OFFICE 113 166 SF

4' - 6"

FEC

114

FEC

OFFICE 112 181 SF

8' - 8"

102A

JAN 111 25 SF

MTL PNL

5' - 10"

EDGE OF CONC. SLAB CORR 110 48 SF

11' - 7"

B1

A

MTL PNL & STONE VENEER 2"X2" COMP. MATERIAL SLATS

8' - 0"

5"X5" STEEL COLUMNS

8' - 7"

0' - 11"

16' - 0"

6' - 6"

3' - 0"

38' - 3"

5

1

A201

A201

3' - 0"

26' - 11"

1

2' - 4"

PROJECT

FIRST FLOOR PLAN 1/8" = 1'-0"

SHEET TITL

0

1

N

0"

1"

0'

8' - 0"

2"

3"

16' - 0"

24' - 0"

4"

1/8" = 1'

K

J

I

H

G

F

E

D

C

DRAWN BY:

B

A

32' - 0"

CHECKED B

ISSUE DATE

X1

2

1 __________ A300

A. WALL COR 0. 7/8" HAT 1. 1 5/8" ME 2. 2 1/2" ME 3. 3 5/8" ME 6. 6" METAL 7. 8" CMU 8. 8" METAL T. TWO 3 5/ WITH 1 3/ C. WALL HEIGHT L. LOW WALL - DOES NOT REA 0. WALL STUDS AND GYP END 1. WALL STUDS AND ONE SIDE 2. WALL STUDS AND BOTH SIDE 3. WALL STUDS EXTEND TO DES

X2

15' - 1"

0' - 8"

ABC

13' - 8"

XA

S5

A

4' - 1"

3' - 5"

° 00 0.

10

MOP SINK RE:PLUMBING

3' - 11"

6' - 9"

1' - 11"

0' - 8"

A

1' - 4"

FEC

4' - 5"

3A0

1' - 2"

11' - 4"

8' - 11"

4' - 11"

3A0

13' - 7"

4' - 0"

20' - 3"

1' - 6"

1' - 2"

2

7' - 4"

1' - 4"

10' - 0" 8' - 0" 10' - 0" 7' - 6"

3A0

7' - 7"

4' - 11"

2A0

1' - 10"

3A0

7' - 0"

B

° 00 0.

10

S2

7' - 4"

VESTIBULE 101 78 SF

6' - 6"

8' - 7" 0' - 9"

0' - 8"

10 0

CORR 103 103 SF

8' - 0"

5' - 0"

6' - 1"

2A0 3A0

7N3

S4

1' - 6" 7N

12' - 11"

2A0

XC B

6A1

TP2

1' - 9"

1' - 8"

TP1

10' - 10"

5' - 5" MEN 104 162 SF

7N

GB1 5' - 0"

" 3' - 0"

2

A610

M1

DRINKING FOUNTAIN RE:PLUMBING

5' - 10"

A300

3

SD1

1' - 8"

1' - 8" 3' - 8"

2 __________

GB3 TTD1 GB2

2' - 11"

10' - 2"

12' - 11

M1

GB1 GB3 GB2

TTD1 SNR1

TD1/WR1 5

0° .0 80

3N3

XB

3A0

7N

6' - 0"

23' - 2"

7N3

BCS1

2A0

7N

4' - 1"

14' - 5"

CONFERENCE 116 314 SF

5' - 7"

CORR 105

2' - 11"

3' - 0"

4' - 8"

4' - 10" 3A0

47' - 1"

SNR1 TTD1

8' - 6"

6A1

15' - 4"

2' - 3"

1' - 1"

3' - 1"

BCS1

3' - 1"

SNR1 TTD1

WOMEN 106 172 SF

3A0

1' - 9" 3' - 2"

6

4' - 10"

6' - 0"

1

7

6A1

SNR1 TTD1

1' - 9"

A610

" 12' - 11

A610

3' - 3"

M1

3' - 1"

6' - 0"

SD1

8

6' - 2"

16' - 2"

3A0

M1

TD1/WR1

4

ELEC 107 23 SF

3A0

1' - 8"

3A0

6A1

3' - 4"

3' - 8"

3A0

- 8"

LOBBY 102 875 SF

3A0

1' - 5" 1'

6' - 2"

A610

BREAK ROOM 115

STO 108A 6 SF

- 5" 1'

3A0

1' - 2"

1

57' - 6"

3A0

0° .0 00

2' - 5"

A602

° .00

12' - 4"

DISPLAY 108 59 SF

___________

90

9

2"

5' - 0"

OFFICE 113 166 SF

4' - 8"

12' - 0"

CORR 114 83 SF

13' - 3"

7 23/3

3A0

19 RISER 18 RUN 7' - 6"

11' -

12' - 8"

3A0

STAIRS 109 88 SF

3A0

3A0

1' - 6"

5' - 10"

JAN 111 25 SF

3A0 OFFICE 112 181 SF

5' - 10"

3A0

2A0

CORR 110 48 SF

5' - 8"

7' - 6"

2A0

7' - 11"

1

4' - 4"

0.5

5' - 4"

1' - 2"

3' - 4"

3' - 10"

6

4' - 11" COVERED PATIO 125 582 SF

A201

8' - 4" S1

X1 N

O

2

Sim

N

X2

ENLARGED ADM PLAN 1/4" = 1'-0"

N

4 A101

M

L

K

J

I

H

1

ENLARGED 1/4" = 1'-0"

G

INTERIOR WALLS LEGEND A. WALL CORE WIDTH B. INSULATION TYPE 0. 7/8" HAT CHANNELS A. ACOUSTICAL 1. 1 5/8" METAL STUDS T. THERMAL 2. 2 1/2" METAL STUDS D. DOUBLE GYP BOARD ABC 3. 3 5/8" METAL STUDS N. NONE 6. 6" METAL STUDS S. SIGNLE LAYER GYP BOARD 7. 8" CMU !. CODE RATING 8. 8" METAL STUDS T. TWO 3 5/8" METAL STUDS WITH 1 3/4" AIR SPACE C. WALL HEIGHT L. LOW WALL - DOES NOT REACH CEILING, REF. ELEVATIONS FOR WALL HEIGHT 0. WALL STUDS AND GYP END 6" ABOVE CEILING 1. WALL STUDS AND ONE SIDE GYP EXTEND TO DECK 2. WALL STUDS AND BOTH SIDES GYP EXTEND TO DECK 3. WALL STUDS EXTEND TO DESK, GYP END 6" ABOVE CEILING

9

4' - 1"

8"

618 E. 3rd St. Tulsa, OK 74120 918.743.2724 (o) 918.743.2725 (f)

10

X2

Purpose. Driven. Architectu

GENERAL INTERIOR WALL CONSTRUCTION NOTES 1. AT PORTIONS OF WALL STRUCTURE (EX: STUDS) NOT OTHERWISE DEFINED WHICH ARE EXPOSED TO VIEW INSTALL 5/8" GYPSUM BD UltraLight FIRECODE PANELS AND PREPARE FOR PAINT. 2. INSTALL MOLD & MOISTURE RESISTANT GYP BD NO LESS THAN 4' - 0" FROM ALL PLUMBING FIXTURES, UNLESS BEHIND TILE. 3. INSTALL CEMENTITIOUS TILE BACKER BOARD BEHIND ALL TILE. 4. INSTALL CONTROL JOINTS AS RECOMMENDED BY INDUSTRY STANDARDS, MAXIMUM 20'-0" ON CENTER, OR AS SHOWN OTHERWISE, WHICHEVER RESULTS IN SMALLER SPANS BETWEEN JOINTS. WHERE POSSIBLE, ALIGN VERTICAL JOINTS WITH DOOR OR WINDOW JAMBS OR OTHER OPENING EDGES. 5. REF. WALL SECTIONS & DETAILS FOR EXT. WALL CONSTRUCTION 6. ALL SPACES OPEN TO STRUCTURE ARE BORDERED BY WALLS WITH STUDS TO CONTINUING TO DECK.

No.

Description

REVISIONS

PLATFORM

7 __________

6D2

3' - 9"

A602

HANDRAIL PAINT P6

11' - 7" 2' - 2"

7' - 6"

3A1

10 __________ A602

9 A602

6

STAGE 118 354 SF

3' - 7"

3 2

4' - 0"

3' - 6"

REF.

SINK RE:PLUMBING

4

10' - 0"

3' - 10"

EDGE OF CONC. SLAB

24' - 8"

3

5' - 2"

7' - 6"

4' - 7"

2' - 2"

3A1

Key Plan

CAGE 2, TYP.

24' - 2"

0' - 8" 10' - 10"

6' - 10"

HANDRAIL TYP. RE: 3/A101 PAINT P6

TP2

3' - 4"

Seal 07-13-2018

FEC

STO 123 106 SF

2

16' - 0"

3"

2A0

3A0

CAGE 3, TYP.

MIN CLR

3A0

12' - 0"

9' - 8"

5' - 0"

4"

EXIT 124 51 SF

3A1

HANDRAILS PAINT P6

3' - 4"

6' - 1"

8' - 0"

3A0

4' - 11"

8' - 9"

FFL +0'-0"

10' - 10"

10 0.

00 °

UP CAGE 4

3' - 0"

3' - 1"

11' - 5"

5

5.5

PROJECT NO.01-1801

0

SHEET TITLE:

ENLARGED STAGE PLAN 1/4" = 1'-0"

0' 1/4" = 1'

1

1

11' - 7"

4

N

8' - 0"

0' - 8"

COVERED PATIO 125 582 SF

4' - 0"

4' - 11"

A201

2"

6

0"

10"

1"

0' - 4"

B

100% CONSTRUCTION DOCUMENTS

5' - 10"

1' - 9"

7N

8S4

REF. BY OTHERS

6' - 2"

4' - 10" 1' - 6" 6A1

DRAWN BY: CHECKED BY:

I

25-26

6D2

INT CAGE, TYP 3 8'W X 6'D X 8'H 2x2 UNTREATED CEDAR CAGE FRAME

6' - 9"

TP1

VESTIBULE 122 70 SF

STO 121 635 SF

A602

GB1 5' - 0"

GB3 TTD1 GB2

11 __________

1' - 9"

GB1 GB3 GB2

TTD1 SNR1

4

A611

15' - 4"

3' - 1"

A602

SNR1 TTD1 4' - 10"

FFL +0'-0"

4' - 3"

8' - 0"

47' - 1"

6 __________

2' - 3"

8' - 6"

FFL +2'-4"

3A0

SNR1 TTD1 1' - 1"

7' - 4"

4' - 0"

1' - 9"

FFL +0'-0"

3' - 2"

SNR1 TTD1

A611

1 3' - 3"

3A0

A611

5

AUDITORIUM 117 1823 SF

C 7 F

A602

6' - 2"

6A1

8

___________

11' - 4"

10' - 0"

2' - 5"

STO 108A 6 SF

CAGE 1, TYP

3' - 10"

20' - 3"

20' - 9"

1' - 2"

7

19 RISER 18 RUN

Consultants

24' - 5"

3A0

FEC

17' - 6"

IOWA TRIBE OF OKLAHOMA 335567 E0740 RD, PERKINS, OK 74059

FFL +0'-0"

5' - 2"

3A0

CAGE BY OWNER

11' - 5" 4' - 0"

4' - 11" STAIRS 109 88 SF

3' - 4"

1' - 4"

GREY SNOW EAGLE HOUSE WELCOME & INFORMATION CENTER

5' - 1" 3A1

8

4' - 5"

3A0

STORAGE 120 155 SF

5' - 6"

7' - 11"

5' - 10"

2A0

5' - 10"

CORR 110 48 SF

0' - 4"

A

H

G

F

E

D

C

B

A

ISSUE DATE:

ENLARGED FLO PLANS EJ MG 07-13-2018

A11

MTL CAP TERMINATION BAR

WOOD NAILER SINGLE PLY ROOF MEMBRANE

COPING ANCHOR CLIP

WELDED SPLICE

SPRM BONDING ADHESIVE

SINGLE PLY ROOF MEMBRANE

CONTINUOUS SEALANT

VARIES

1-1/4" HOT DIPPED GALVANIZED ROOF NAILS @4" O.C. MAX.

1/2" CB.

SINGLE PLY ROOF MEMBRANE COATED METAL

1/2" CB

1/2" CB

10

3" INSULATION

1-1/4 HOT DIPPED GALVANIZED ROOF NAILS @6" O.C. MAX.

No.

1-1/4" @4" O.C. MAX.

CONTINUOUS CLEAT METAL DECK

METAL WALL PANEL STEEL DECK

1/2" EXT SHEATHING METAL DECK

8" METAL STUD

9

BATT INSULATION

METAL WALL PANEL

3

1/2" EXT SHEATHING 8" METAL STUD BATT INSULATION

REVISIONS

ROOF @ PARAPET WALL 1 1/2" = 1'-0"

8

GUTTER METAL ROOFING SYSTEM

Consultants

6

RAKE @ METAL WALL PANEL 1 1/2" = 1'-0"

7

SINGLE PLY ROOF MEMBRANE FLASHING 1-1/4" ROOF NAILS O.C. MAX.

METAL FLASHING

SINGLE PLY ROOF MEMBRANE FLASHING

EIFS BAND TERMINATION

SINGLE PLY ROOF MEMBRANE SINGLE PLY ROOF MEMBRANE BONDING ADHESIVE

1" MIN.

6

CONTINUOUS SEALANT

EIFS

CONTINUOUS SEALANT

EXT SHEATHING

1-1/4" ROOF NAILS @ 6" O.C. MAX.

8" METAL STUD BATT INSULATION

WOOD NAILER

SEALANT

DRIP/GAVEL STOP EDGE METAL 20 GA. CONTINUOUS CLEAT

1/2" CB

GUTTER

5/8 GYPSUM BOARD

SINGLE PLY ROOF MEMBRANE 1/2" CB

5

3" INSULATION METAL DECK

METAL WALL PANEL 1/2" EXT SHEATHING 8" METAL STUD

METAL FLASHING

4

BATT INSULATION

Key Plan

2

ROOF METAL WALL PANEL 1 1/2" = 1'-0" MTL CAP

GUTTER

TERMINATION BAR

METAL ROOFING SYSTEM

COPING ANCHOR CLIP

INSULATION NSULATION

VARIES

EXT SHEATHING

1/2" CB

X2 2

VARIES

8" METAL STUD PARAPET WALL

METAL FLASHING

METAL DECK

EIFS BAND TERMINATION

J

I

H

G

F

E

O

D

N

C

M

B

3' - 0"

X

01-1801 PROJECT PROJECT NO. NO.01-1801

SHEET SHEET TITLE: TITLE:

WA

0

ENTRY TOWER SECTION LOOKIN DE 1/8" = 1'-0" 0'

0"

1

2

ROOF DETAIL 1 1/2" = 1'-0"

3/4" = 1'

4

PARAPET WALL 1 1/2" = 1'-0"

2' - 0"

METAL DECK

1' - 0"

5/8 GYPSUM BOARD

BATT INSULATION

2 1/4"

3"

8" METAL STUD

4' - 0"

EIFS

1

SINGLE PLY ROOF MEMBRANE

1 1/2"

1-1/4" @4" O.C. MAX.

Seal 07-13-

SINGLE PLY ROOF MEMBRANE

100% CONSTRUCTION

ETAL STUD

3

SULATION

ROOF @ EIFS WALL 1 1/2" = 1'-0"

3/4"

TINUOUS ANT

5

L

A

DRAWN DRAWN BY: BY: CHECKED CHECKED BY: BY: ISSUE ISSUE DATE: DATE:

K

EJ MG 07-1

0.5 0.5

11

22

33

44

55 5.5 5.5 TOP TOP OF OF WALL WALL 24' 24' --8" 8"

10

T.O. T.O.PARAPET PARAPET 24' 24' --0" 0"

T.O. T.O.ADM ADM PARAPET PARAPET 16' 16' --0" 0"

6' -- 6" 6" 6'

REFLECTED REFLECTED CEILING CEILING MEZZANINE MEZZANINE FIN. FIN. FLOOR FLOOR PLAN PLAN --MEZZANINE MEZZANINE 11' 11' --0" 0" STO STO 121 121 635 635SF SF

STAGE STAGE 118 118 354 354SF SF

AUDITORIUM AUDITORIUM 117 117 1823 1823SF SF

9

106 106

8' -- 0" 0" 8'

115 115

7' -- 6" 6" 7'

LOBBY LOBBY 102 102 875 875SF SF

GROUND GROUND GROUND GROUNDFLOOR FLOOR LEVEL LEVEL 0'0'--0" 0"

BUILDING BUILDING SECTION SECTION LOOKING LOOKING WEST WEST 1/8" 1/8" == 1'-0" 1'-0"

B B

A A

8

5

TOP TOP OF OF WALL WALL 24' 24' --8" 8" T.O. T.O.PARAPET PARAPET 24' 24' --0" 0"

REFLECTED REFLECTED CEILING CEILING MEZZANINE MEZZANINE FIN. FIN. FLOOR FLOOR PLAN PLAN --MEZZANINE MEZZANINE 11' 11' --0" 0"

58' 58'-- 11" 11" COVERED COVERED PATIO PATIO 125 125 582 582SF SF

AUDITORIUM AUDITORIUM 117 117 1823 1823SF SF

8' -- 0" 0" 8'

103 103

7

T.O. T.O.ADM ADM PARAPET PARAPET 16' 16' --0" 0"

102A 102A

4

6

GROUND GROUND GROUND GROUNDFLOOR FLOOR LEVEL LEVEL 0'0'--0" 0"

BUILDING BUILDING SECTION SECTION LOOKING LOOKING SOUTH SOUTH THROUGH THROUGH AUDITORIUM AUDITORIUM 1/8" 1/8" == 1'-0" 1'-0"

27-28 B B

5

A A

TOP TOP OF OF WALL WALL 24' 24' --8" 8" T.O. T.O.PARAPET PARAPET 24' --0" 0" 24'

4

T.O. T.O.ADM ADM PARAPET PARAPET 16' 16' --0" 0"

7' 7' -- 6" 6"

REFLECTED REFLECTED CEILING CEILING MEZZANINE MEZZANINE FIN. FIN. FLOOR FLOOR PLAN --MEZZANINE MEZZANINE PLAN 11' --0" 0" 11'

120 120

COVERED COVERED PATIO PATIO 125 125 582 582SF SF

3

GROUND GROUND GROUND GROUNDFLOOR FLOOR LEVEL LEVEL 0" 0'0'--0"

3

BUILDING BUILDING SECTION SECTION LOOKING LOOKING NORTH NORTH THROUGH THROUGH AUDITORIUM AUDITORIUM 1/8" 1/8" == 1'-0" 1'-0"

XA XA

X1 X1

XB XB

XC XC

T.O. T.O.ADM ADM PARAPET PARAPET 16' 16' --0" 0"

32' 32' -- 0" 0"

4" 4"

16' 16' -- 0" 0"

1

MEZZANINE MEZZANINE FIN. FIN. FLOOR FLOOR 11' --0" 0" 11'

2" 2"

MEZZANINE MEZZANINE FIN. FIN. FLOOR FLOOR 11' 11' --0" 0"

24' 24' -- 0" 0"

T.O. T.O. STEEL STEEL @ @ TOWER TOWER 18' --6" 6" 18'

T.O. T.O.ADM ADM PARAPET PARAPET 16' 16' --0" 0"

3" 3"

T.O. T.O.PARAPET PARAPET 24' 24' --0" 0"

2

TOP TOP OF OF WALL WALL 24' --8" 8" 24'

TOP TOP OF OF WALL WALL 24' 24' --8" 8"

LOBBY LOBBY 102 102 875 875SF SF

GROUND GROUND GROUND GROUNDFLOOR FLOOR LEVEL LEVEL 0'0'--0" 0"

GROUND GROUND FLOOR FLOOR 0'0'--0" 0"

JJ

II

HH

GG

FF

EE

DD

CC

BB

AA

0' 0'

0" 0"

0

BUILDING BUILDING SECTION SECTION LOOKING LOOKING NORTH NORTH THOUGH THOUGH LOBBY LOBBY 1/8" 1/8" == 1'-0" 1'-0" 1/8" = = 1' 1' 1/8"

1

NG NG NORTHWEST NORTHWEST

8' 8' -- 0" 0"

103 103

1" 1"

102A 102A

P O R T F O L I O

Thank You.

EVELYN M. JUNCO