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A note from Joanne...
It is consistently fascinating each year to see new designers emerging and established designers continue to push the boundaries, in terms both of technology and aesthetic design – and so when the time comes each year work through applications from those wishing to be included as one of the world’s leading design names, it is always a difficult choice; but our aim is to bring together a broad mix of talents, from those whose work is diverse both culturally and in geographic terms as well as from a purely aesthetic perspective.
TheWorld’sLeadingDesign
Namesis one of those issues that everyone wants to be part of and readers wait eagerly to receive
each year. This year, we have put together a definitive collection of designers, some of whom you have seen many times, and whose work is a consistent presence at the pinnacle of the global design sector; others have been included for the first time, not because they are new designers, but because their work has caught the attention in recent times of a global elite.
Together, the combination of work, experiences and achievements makes an interesting read, as we talk to designers about their work, design philosophies and theories, vision and plans for the future.
Unti next month
Joanne
CAMILLA VAN DEN TEMPEL FOUNDER
&TEMPEL
From the moment she sketched her first house at eight years old, Camilla van den Tempel has been guided by an instinctive understanding of space, light, and quiet beauty. That early drawing would become the foundation of &TEMPEL - the design studio she founded in 2003 with a clear vision: to create interiors that feel timeless, intentional, and deeply human. Every project is shaped directly by Camilla’s hand, her eye attuned to the subtle interplay between material, proportion, and atmosphere. Her work extends beyond architecture into custom furniture and lighting, each piece crafted to belong intimately to its environment. Rooted in Scandinavian sensibilities yet enriched by global inspiration, &TEMPEL’s philosophy is one of calm sophistication - spaces that whisper rather than demand. For Camilla, design is not decoration but emotion: a way of shaping how people feel, move, and connect within a place.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
At &Tempel, our work is about creating spaces that feel effortless yet deeply considered. What might appear calm and intuitive on the surface is, in reality, the result of a long and thoughtful process. The day-to-day isn’t glamorous; it’s a rhythm between creativity and structure, intuition and precision. There is also so much more to being a designer than the creative part. Our work involves constant dialogue, both within the studio and with our clients. It’s about truly understanding who they are, what they wish to express, and the kind of experience they want to create for their guests. That shared vision forms the foundation for everything we do.
How different is your role compared to how you expected it would be when you launched your career?
My path into design didn’t begin in the traditional way. I started out in the world of fashion, where I learned how to evoke emotion through imagery - how atmosphere, composition, and tone can shape a feeling long before you even experience it. Fashion taught me about storytelling and the power of creating desire through subtlety rather than statement. Later, when I began designing furniture, I discovered something new - the quiet strength that lies in quality and craftsmanship. I learned how materials speak their own language, and how form, structure, and detail can communicate a sense of integrity without saying a word.
When we founded &Tempel, I imagined design as something purely creative - sketching, shaping, building. But over time, I realised that true design is far more layered. It’s about dialogue, trust, and the psychology of experience. It’s about listening - to clients, to artisans, to the space itself. Today, our work is much more holistic than I could have imagined. We don’t just design interiors; we compose emotions and atmospheres. The most rewarding part is seeing how a project continues to live and breathe long after it’s finished - how it quietly shapes the way people feel within it. That depth, that emotional resonance, is something I’ve come to value above all else.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently? No, we wouldn’t change a thing. Every challenge, every pause, and every uncertain moment has shaped who we are today. The slower chapters taught us patience; the difficult ones taught us resilience. Together, they’ve given us a quiet confidence that only time can bring.
Can you see a place for artificial intelligence in design? Yes, but with balance. AI can be a useful tool for research, for exploring ideas, and for improving efficiency. It can help us organise and visualise, but it can never replace creativity. AI can support the process, but it should never define it. In the end, design is about connection, and that’s something you can’t share with AI.
Are there any significant figures in your personal or professional life who have shaped the designer you are today?
Along the way, I have learned from many people - mentors, collaborators, and clients - and I continue to learn from the skilled artisans around me. Their passion, precision, and respect for the craft keep inspiring me every day.
Trends come and go, but what elements of design do you think will define the current era?
We believe this era will be defined by a return to nature, a longing for calm, authenticity, and connection. People seek spaces that feel honest and grounded, where materials are genuine and timeless. Sustainability and durability have become essential. There is a renewed respect for how we build and for natural materials that carry depth and character. It is about creating spaces that endure, not only in quality but in feeling.
If you had to give a single piece if design advice for the year ahead, what would it be?
To slow down and think long term. Reflect before you act. Choose materials that last and designs that tell a story rather than shout for attention. Authenticity will always outlive trends.
Tell us about the projects you are currently working on...
We are working on a mix of hospitality and residential projects, including a high-end luxury boutique hotel with Nordic roots, designed for the traveller seeking authenticity and peace. It is not about glimmer or spectacle, but about intimacy, privacy, and a deep sense of calm. The atmosphere will feel grounded in nature, where light, texture, and craftsmanship create quiet harmony.
We are also in the process of launching a new collection of tables where the client becomes a co-designer, and soon, our first line of lighting. Each project reflects our philosophy to create spaces that feel effortless, timeless, and deeply connected to craftsmanship.
How do you separate your professional and personal life?
My professional and personal life are not separate. Being creative is simply a part of who I am, and even on holiday I find myself inspired by the details that surround me. If you are a curious person, you are that whether you wear your private sweater or your working shirt.
What goals have you set for the year ahead?
In the year ahead, I want to expand my work internationally. Collaborating with people from different cultures is deeply inspiring; it brings new perspectives and ways of thinking about space, material, and atmosphere. There is a special energy in cross-cultural dialogue. It reminds you that design is a shared language, shaped by curiosity and respect for craftsmanship. Working beyond borders keeps creativity alive and evolving.
DAVID ANTHONY CHENAULT FOUNDER
DAVID ANTHONY CHENAULT
David Anthony Chenault’s instinct for irreverent beauty emerged long before his formal training. Raised in Missouri and educated in Architecture with an emphasis in Interior Design, he has since become one of Washington D.C.’s most elevated and aspirational design voices. Over decades, his studio has built a reputation for award-winning decadence, defined by layered storytelling, architectural rigor, and an unmistakable sense of elegance. Known for his disciplined mornings, hands-on approach, and the rare ability to balance creativity with logistical precision, David leads every project with intention. His work blends old-school craftsmanship with evolving technology, using digital tools and emerging AI to enrich - never replace - the human intuition at the heart of design. Inspired by music, fashion, and constant travel, he remains a designer shaped by curiosity, craft, and a reverence for fullness. Today, David continues to push boundaries across public and private spaces, all while striving for balance, clarity, and a life lived artfully.
The day-to-day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
I’m an early riser. My day begins with walking the dogs, a strong cup of coffee, and then I’m off. I get more done between 4:00 and 9:00 a.m. than many do in an entire day. Mornings are spent visiting a select number of projects for meetings or site checks. By mid-afternoon, I’m back in the studio working on designs until evening. I end the day answering emails and preparing for what’s next, usually leaving the studio around 7:00p.m.
How different is your role compared to how you expected it would be when you launched your career?
There are far more jobsite meetings than I anticipated—and far more paperwork. Thankfully, I’m both right- and leftbrained, so I can manage the creative and logistical demands without difficulty.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
I’ve been fortunate to have a full and rewarding career, shaped by the decisions I made as a young man. The only thing I might change would be to take more time away— time to recharge, reflect, and simply be.
How do you implement technology in your work?
I’m old school—I draft and illustrate by hand—but I’ve developed my own platform for digital illustration, which I’m enjoying. We’re also exploring AI for advanced 3D walkthrough renderings to bring concepts to life more vividly.
Can you see a place for artificial intelligence in design?
AI won’t replace design—it can’t replicate the intuition and human touch that define the craft—but it can be a powerful tool. Features like 3D walk-through renderings are faster, sharper, and more detailed from the very first round.
Inspiration comes in many forms – where do you find yours?
Music. Fashion. Travel. Always travel.
Are there any significant figures in your personal or professional life who have shaped the designer you are today?
Barry Dixon has been, and continues to be, a source of inspiration.
Trends come and go, but what elements of design do you think will define the current era?
I love where design is heading - back to fullness, to a homier, layered sensibility. More is more. The reemergence of a refined, thoughtful Art Deco influence is exciting as well. If there’s one defining hallmark of this era, for better or worse, it might be the overuse of grey.
What do you see as the key challenges facing the industry at the moment?
Uncertainty in the marketplace.
If you had to give a single piece of design advice for the year ahead, what would it be?
Be intentional. Be moody. Create a space that tells a story.
Tell us about the projects you are currently working on… We’re designing a richly layered, Tulum-inspired restaurant - organic in form, with fluid lines and a complete absence of sharp 45-degree angles. The atmosphere will be immersive and textural, with an opening planned for late fall.
Are there other projects in the pipeline you can share with us?
We’re beginning several smaller venue spaces, each under 100 seats, with creative briefs that give us complete freedom to push the boundaries of design.
How do you separate your professional and personal life? I’m still learning. Boundaries don’t come naturally to me, but I’m making progress - starting with saying no to weekend work.
What goals have you set for the year ahead?
Health. Self-discovery. And more travel - always more travel.
MAHMUT KEFELI CO-FOUNDER AND INTERIOR ARCHITECT
ESCAPEFROMSOFA
Since co-founding Escapefromsofa in Istanbul in 2009, Mahmut Kefeli has helped shape one of Turkey’s most distinctive voices in contemporary design. As an interior architect with a background in industrial design, Kefeli brings a meticulous balance of craftsmanship, innovation, and emotion to every project. His philosophy is rooted in the belief that design should evoke feeling before form - that the spaces we inhabit should breathe, age, and move in harmony with life itself.
At Escapefromsofa, Kefeli and his team blur the boundaries between art, architecture, and atmosphere, creating interiors that feel effortlessly timeless yet deeply human. Their portfolio spans private villas, hotels, galleries, and bespoke furniture, each piece grounded in authenticity and calm sophistication. While technology and AI inform his process, Kefeli remains loyal to the tactilesketching by hand, experimenting with material, and letting intuition guide the creative journey.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
At Escape From Sofa, design is a daily act of balance –between intuition and structure, craft and comfort. Our role is to shape atmospheres rather than objects, to translate emotions into material and proportion. Each day begins with observing light, texture, and rhythm; then turning them into spaces that feel effortless yet deeply considered. We move fluidly between concept, detail, and execution – weaving design and craftsmanship together until the space feels alive, calm, and timeless.
How different is your role compared to how you expected it would be when you launched your career?
From the very beginning, we believed that Escapefromsofa should stand above individual names – that it should be a collective, almost anonymous brand built on shared creativity. My role has never been greater or smaller than anyone else’s in our team. What defines us is collaboration and trust; without that, these projects would not exist. I always believed Escapefromsofa would become a brand, because we’ve never lost the excitement of starting fresh with each project. We constantly question ourselves, striving to move closer to refinement, balance, and excellence.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
Honestly, no. Every challenge, mistake, and small victory shaped who we are today. Escapefromsofa has always been about evolution – learning, refining, growing together as a team. If we changed the path, we might lose the sincerity that defines our work. What we would keep doing is exactly what brought us here: staying curious, staying humble, and approaching every project with the same excitement as the first day. That, for us, is timeless design.
How do you implement technology in your work?
For us, technology is a tool to serve emotion – not to replace it. We use advanced 3D modelling, AI-based visualisation, and digital prototyping to refine proportions, light, and material behaviour long before construction begins. But the soul of the project still comes from hand sketches, model making, and physical craftsmanship. Technology allows us to be more precise, more sustainable, and more experimental – yet the final touch is always human. The balance between digital innovation and tactile intuition defines the way we work at Escapefromsofa.
Can you see a place for artificial intelligence in design?
Yes, absolutely – AI will make our work faster, smarter, and more efficient. It can help us visualise ideas and manage complex processes with incredible precision. But it will never replace what we do. Because in design, even we don’t always know what our next move will be – that unpredictability is where creativity lives. Our intuition, emotion, and evolving imagination are what give soul to a space, and that’s something no algorithm can replicate.
Inspiration comes in many forms - where do you find yours?
Inspiration for us always starts with life itself – how people move, touch, and feel within a space. We find it in nature’s
rhythm, in the texture of materials, in the patina of time. Travel, art, and architecture feed our curiosity, but so do everyday moments – a shadow on a wall, a sound, a memory. We don’t chase trends; we observe quietly. Inspiration often comes when we slow down enough to really see. That’s when ideas begin to breathe.
Trends come and go, but what elements of design do you think will define the current era?
We believe this era is defined by honesty – in materials, in form, and in intention. People are moving away from excess and craving authenticity. Natural textures, craftsmanship, and emotional comfort are becoming more valuable than visual noise. Design today is less about showing and more about feeling. Spaces that age beautifully, that connect with nature and humanity, will define our time. True luxury now lies in calmness, quality, and the sense that everything has been thoughtfully made.
If you had to give a single piece if design advice for the year ahead, what would it be?
Slow down. Listen to the space before you start shaping it. Design is not about adding more – it’s about revealing what’s essential. Be honest with materials, stay curious, and trust your intuition. The most meaningful projects come from awareness and restraint. Let things breathe; timeless design always begins with calm intention.
Tell us about the projects you are currently working on...
We are currently working on a 1,000 m² private villa project within the Mandarin Oriental development in Bodrum, Turkey – a space that blends Mediterranean calm with refined contemporary living. Alongside this, our studio is involved in several ongoing projects in London, Baku, İzmir, and Istanbul, each with its own context and rhythm. What connects them all is our consistent pursuit of timeless design, craftsmanship, and emotional balance.
How do you separate your professional and personal life?
To be honest, the line between them is beautifully blurred. Design is not just what we do – it’s how we see and experience life. Inspiration can come from a walk, a conversation, or a piece of music, so it naturally flows into our work. Still, we value balance: time with family, travel, and simple daily rituals keep us grounded. That balance gives us the energy and clarity to create with sincerity and purpose.
What goals have you set for the year ahead?
Our goal is to create projects that truly move the design world – works that inspire, challenge conventions, and leave a lasting impression. We want to keep pushing boundaries while staying true to our philosophy of timeless, crafted design. Each new project is an opportunity to redefine what contemporary living can feel like.
Photo Credits: Ibrahim Ozbunar
EVA KHOURY DESIGNER
EVA KHOURY INTERIOR DESIGN
Eva Khoury approaches every project with a rare blend of imagination, discipline, and soul. From rearranging her family home as a child to shaping hotels, restaurants, offices, and private residences around the world, design has always been her natural language. Eva is driven by an instinctive ability to “dream with her eyes open,” envisioning a finished space the moment she encounters it. Her work is defined by a deep respect for functionality and safety—particularly within the hospitality sector—balanced with a signature aesthetic rooted in timeless materials and her Lebanese heritage. Eva’s process is deeply personal: she absorbs the world around her, allowing impressions, details, and daily moments to evolve into cohesive, meaningful designs. With a belief that creativity and technology can coexist harmoniously, she remains committed to originality, authenticity, and the pursuit of beauty that endures beyond trends.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
I absorb everything that surrounds me, and design has become my mother tongue, my natural language of choice. Every day, whether I am working or simply relaxing, I take in impressions, moods, and details that eventually find their way into my creative process. Everything I experience becomes part of the final work.
How different is your role compared to how you expected it would be when you launched your career?
It is lonelier than I imagined. I wish I could delegate more, but much of the responsibility falls on my own shoulders. While I constantly confront the brilliance of other artists and designers, at the end of the day, it is my own work I must face. I also didn’t expect the reward to truly match the effort... but it does. Trusting the process is essential, and while that can be challenging, it’s also one of the most rewarding aspects of this career.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
No, I wouldn’t. Changing anything would mean becoming a different person, and my designs would inevitably follow a different path. I am grateful for both the challenges and the rewards, because they’ve taught me not to be overly critical of myself as I once was when I was younger. Now, I try to allow myself the satisfaction of being at peace with my work.
How do you implement technology in your work?
Technology is an essential tool. It allows me to focus on the creative side of my practice without being burdened by technical frustrations. Digital mood boards, in particular, are one of my main tools: they help me bring clarity and cohesion to my ideas.
Can you see a place for artificial intelligence in design?
Yes, but I think the conversation around AI has become too polarised. It is often framed as either an existential threat or a miracle cure for creativity, but I see it simply as what it is: a tool. Creativity belongs to human minds, and tools such as AI can help us gain freedom - saving time, reducing stress, and lessening frustration. The danger lies in replacing human imagination entirely; if that happens, we risk stripping design of its very soul and ending up with something uninspired, and lifeless.
Inspiration comes in many forms - where do you find yours?
I like to think of my process as a series of small epiphanies born from daily life. Design is both deeply personal and altruistic: it reflects my own evolving taste, while also adapting to what will resonate most with my clients. I have travelled extensively, and the cultures, styles, and histories I’ve encountered have given me a colourful palette of influences, shaping my ever-expanding perspective on the world.
Are there any significant figures in your personal or professional life who have shaped the designer you are today?
Yes, absolutely. But I prefer to keep those figures private. I’m protective of my muses and mentors; they are precious to me.
Trends come and go, but what elements of design do you think will define the current era?
I believe this era will be defined by a pursuit of timelessness. In a capitalist society that constantly pushes speed, production, and profit, people will begin to realise that trends are fleeting and abstract. What endures, in my opinion, is an intersection of elegance, originality, and practicality. For me personally, materials such as stone, marble, and glass embody this timeless quality. They are rooted in the earth and carry both history and permanence. My own heritage influences this view; I am Lebanese, and blown glass, which my Phoenician ancestors pioneered, represents both artistry and eternity. Comfort infused with original beauty will outlast the transient pull of trends, which so often fade and are quickly forgotten.
What do you see as the key challenges facing the industry at the moment?
Budgets and the rising cost of materials. Clients want the best, but cutting costs often conflicts with achieving it.
If you had to give a single piece if design advice for the year ahead, what would it be?
Be innovative. Be personal. Stop following trends... they age badly.
Tell us about the projects you are currently working on... At the moment, my focus is on a hotel lobby and a private villa. I can’t reveal more, but I am truly excited about them.
How do you separate your professional and personal life?
They are enmeshed. I couldn’t imagine separating myself from my work, creativity is not limited by office hours.
What goals have you set for the year ahead?
I no longer motivate myself with rigid goals. Instead, I choose to live in the moment, trust the process, and hope for the best outcomes.
Final thoughts, or anything else you would like to share with us?
I have one wish for the future: that stone and roofs will one day be recognised as a beautiful human right for everyone.
Thoughtfully designed for better living...
“I see architecture and design as vehicles for improving people’s lives. No matter the scale of the project, I work hard to ensure that each solution keeps the individual firmly at the center.”
EVA KHOURY
Featured image: rivadelsole.it
CHRIS GODDARD FOUNDER
GODDARD DESIGN GROUP
Chris Goddard, founder of the internationally recognised Goddard Design Group, is celebrated for creating timeless, eclectic and luxurious interiors shaped entirely around his clients. Based in Northwest Arkansas, his award-winning firm works across the U.S. and abroad, delivering projects that range from classically traditional homes to ultra-contemporary commercial spaces. With more than 30 years of global experience, Chris has built a reputation for originality - never repeating a fabric or piece of furniture - and for crafting spaces that tell the client’s story rather than following trends. His philosophy places quality, meaning and personal connection at the heart of every design. Driven by curiosity and constant inspiration, Chris approaches each day with the gaoal of discovering new ways to create beauty and comfort. His work has earned recognition as one of the top 100 design firms worldwide, yet he remains grounded in the belief that great design begins and ends with the people it serves.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
My days are driven by creativity and the need to find new and inventive ways to create beautiful and comfortable spaces. I never use the same thing twice and work in every style from modern to French, so staying open to inspiration is a daily goal.
How different is your role compared to how you expected it would be when you launched your career?
The first thing you learn as a designer is that is about 90% business and 10% design. Everyday is filled with new challenges in managing clients, workers, budgets and expectations.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
I would not change a thing as all the experiences, both good and bad, have shaped the successful career I have now after 38 years in the design world.
How do you implement technology in your work?
I began my career when there was almost no technology 38 years ago. I have learned to surround myself with people who are smarter than me in that area and to trust and learn from them.
Can you see a place for artificial intelligence in design?
AI is a great tool for inspiration and visualisation, but will never replace the depth and understanding of the creative process.
Inspiration comes in many forms - where do you find yours?
I find inspiration in everything and everywhere. Beauty is everywhere from the shape of clouds to the colours of a forest. You just always have to be looking.
Are there any significant figures in your personal or professional life who have shaped the designer you are today?
Mother Nature is where is who inspires me most. I find the beauty of the planet we live on so amazing and I am constantly telling clients to look out the window when they think a colour or pattern does not work as nature blends everything so perfectly.
Trends come and go, but what elements of design do you think will define the current era?
I am not of fan of the word trend as it means something that is short term. I believe if you love something or it has meaning it is timeless. This is why each of our projects is different as we incorporate the client’s loves and favourite style into their project.
What do you see as the key challenges facing the industry at the moment?
The biggest challenge is that our clients are bombarded daily by social media with images and it makes it harder for them to make decisions as they are not aware that many images are staged or of the cost of the spaces they are looking at.
If you had to give a single piece if design advice for the year ahead, what would it be?
Dare to be different, there are enough beige rooms in the world.
Tell us about the projects you are currently working on... My firm works in both residential and commercial design so we are fortunate to always be designing something fascinating and inspiring in locations all over the world.
How do you separate your professional and personal life?
I used to believe you could have it all. I now realise you can but only one thing at a time. So the answer is I never feel like I am working because I love what I do and I will take what comes when it comes.
What goals have you set for the year ahead?
I have the same goal every year, to be more successful and keep our clients happy and new ones coming on board for us to keep making the world more beautiful one space at a time.
Photography: Chroma/ Mark Jackson
REBECCA LEIVARS
FOUNDER & CREATIVE DIRECTOR LEIVARS INTERIORS STUDIO
Rebecca Leivars is the founder and Creative Director of LEIVARS Interiors Studio, a high-end residential interior design practice renowned for its distinctive, client-focused approach. Since establishing her studio in 2007, Rebecca has built a reputation for creating interiors that are as practical as they are exquisite, reflecting the personalities and lifestyles of those who inhabit them. Her journey began at the prestigious KLC School of Design in London, and over the years, she has become known for her meticulous attention to detail, commitment to excellence, and ability to navigate the complex challenges of design with resilience and ingenuity. From historic townhouses to contemporary homes and Michelin-starred restaurants, Rebecca’s projects span the UK and Europe, each marked by timeless, thoughtful design. Beyond aesthetics, she thrives on problemsolving, fostering strong client relationships, and leading a talented team, blending creativity, leadership, and innovation in every project.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
Being an Interior Designer is simply incredible, but it is also not remotely the role you think it is! To anyone that doesn’t know what we do on a daily basis, aside from the obvious ‘designing the interiors of beautiful homes’ we spend our days problem solving, not one day is the same, from time constraints, unforeseens within old buildings, planning red tape, delays on orders, trade / onsite delays and subsequent knock on effects, budget constraints, items arriving damaged, items not arriving at all, constant travel, incredulous amounts of administration and paper trails, trades not following plans to scale and knock on effects to bespoke items, managing teams up and down the country, managing our own studio team, marketing, accounting, learning constantly, trying to stay abreast of new regulations and see new suppliers. client meetings often out of hours, managing client expectations and maintaining client relationships... you never switch off, not ever. I wouldn’t change a thing!
How different is your role compared to how you expected it would be when you launched your career?
Vastly different. I thought I would look glamorous, just deal with designing spaces and go home at the end of the day, I totally misjudged that. Windswept, cold and remote building sites, often no heating / windows etc and constantly travelling or on a call trying to make something happen.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
Actually no, to learn organically has been the best baptism of fire. It has taught me so much including resilience and that most (not all) problems can be overcome with the right team around you and the right mindset.
How do you implement technology in your work?
I have built a team who are better at technology than I am. Technology isn’t my natural aptitude and I was taught many years ago that if you don’t like to do something then bring others in who are better at that subject / skill than yourself and that is growth, a team and leadership. That stands true of many things. I focus on the design, managing the sites and relationships, those are my skills.
Can you see a place for artificial intelligence in design?
Sadly yes, I would like to say no but there are many efficiencies within the business and administration where AI now has a place and dramatically cuts down time. However, I have a strong belief that AI cannot resolve the myriad of problems that occur on site and neither can AI be present to have conversations, so it is the nurturing of those relationships that together with AI make the better team.
Inspiration comes in many forms - where do you find yours?
In the everyday, the mundane, the forgotten old buildings and walking old cities. And within nature.
Are there any significant figures in your personal or professional life who have shaped the designer you are today?
I have been incredibly blessed to have had notable key figures in my career path since the age of 16, all of whom have shaped me. I was born with a solid base of resilience
coupled with a hard work ethic so together each key influence has shaped me to be where I am today. It has not been an easy path and there has certainly been no silver spoon or leg up, I started at the very bottom and I am so grateful for the fabulous men and women that have helped shape me.
Trends come and go, but what elements of design do you think will define the current era?
Too be honest we simply do not pay any attention to trends. We design for our clients’ individual tastes and personalities and you cannot forecast that. Honest design will always stand the test of time and paying homage to the building’s natural architectural features.
What do you see as the key challenges facing the industry at the moment?
Well certainly the economy is not helping, the influx of highnet-worth homeowners vacating the UK. The uncertainly of certain war zones and instability fallout from that. All we can do is hold our own and keep being better, striving to do better. We try and source more local and use UK based companies so we can at the very least control our supply sources.
If you had to give a single piece if design advice for the year ahead, what would it be?
Be brave, design without fear and focus on your own lane and not what others are doing. Trust your intuition.
Tell us about the projects you are currently working on...
As always a collective mix. Near completion of a Grade II Listed Victorian Townhouse in Chelsea, London, we are working on Phase 3 of a stunning Victorian Brewery on the Riverbank in Derbyshire, and then commencing work on the exterior grounds and terraces in the New Year. Full Interior Design of a Scottish Farmhouse and Bothy within the Balmoral Estate in Aberdeen. We are merging two Duplex Penthouses into one super Duplex Penthouse in Watergate Bay, Cornwall. We are working on the design of Michelin Restaurant and the Rest Rooms on the Sussex Coast and finally a fabulous new build contemporary home in Nottinghamshire, we are always busy!
Are there other projects in the pipeline you can share with us?
We are also pitching for a fabulous high profile overseas full redesign of a Government Building, all hush hush!
How do you separate your professional and personal life?
I don’t. It’s my strength and curse in equal measures.
What goals have you set for the year ahead?
Survive... just kidding, to slow down and as always do better! We can always be better and do better. Stop and help others as much as we can and simply be kind to others. Whilst my work head is always 5th gear our values and work ethos remains the same.
“Transferring our client’s personalities into the everyday with excellence as a constant principal in all that we do”
e: studio@leivars.com
t: + 44 (0)7929 934511
Instagram: leivars_interiors_studio
www.leivars.com
REBECCA LEIVARS
BRIAN WORTHINGTON DESIGN DIRECTOR BRIAN WORTHINGTON & ASSOCIATES
Brian Worthington is an internationally trained Design Director whose career spans continents, prestigious design houses, and award-winning achievements. Born in Hong Kong and raised between Australia and England, Brian’s multicultural background has shaped a design perspective grounded in scale, proportion and timeless refinement. His formal training at Blake College and The French Design School laid the foundation for roles with esteemed firms including Colefax and Fowler Mayfair London, JBL Design, Sanderson & Sons Ltd, Innovation, and Chelsea Textiles Design, where he served as Artistic Director. Founding Brian Worthington & Associates marked a defining moment in his career, further elevated by winning a coveted International Design & Architecture Award in 2022. Today, Brian continues to lead bespoke projects across the US, Europe, and Asia, drawing inspiration from travel, nature, and historical textiles. With an eye on craftsmanship, innovation, and the evolving role of technology in design, Brian remains dedicated to creating beautiful, meaningful interiors tailored to each client.
Where were you born/ where did you grow up?
I was born in Hong Kong and raised between Australia and England.
Please explain your relevant training/ work experience. I attended Blake College, London and The French Design School, Surrey, UK. I have held positions for some of the most prestigious design firms in the world, such as Colefax and Fowler Mayfair London, JBL Design, Sanderson & Sons Ltd, Innovation, and lastly Chelsea Textiles Design as the Artistic Director. My portfolio is comprised of projects in the United States, Europe and Asia.
Where do you find inspiration for your work?
I’m always looking at architectural details, period artwork, nature and the surroundings of the project in hand.
How do you relax and find your work/ life balance?
I enjoy being with friends and my sister. I love art, antique fairs, exhibits and museums.
Has this changed in recent years?
Yes indeed, I really like to entertain at home and enjoy the local nature as I have been working more from home.
What areas of the design sector do you work in for the most part?
Super high end residences and what we call light commercial.
Please describe the project you are most proud of to date, with reasons why this was a success.
I am most proud of the Sunnyside project in Palm Beach. This is an English Georgian style home in Florida but we looked at it in a classic contemporary light and designed it with a nod to Palm Beach. We felt there was an incredible fusion of these elements that made this project a success. This home was also featured on a US television show.
How would you describe your work/design style /ethos? Depends on what style we’re working on. Scale, proportion and understated refinement are of paramount importance. If we’re doing a period interior we take a “Quiet Evolution” approach. The location of the project is also important in determining the interior design style.
What are your thoughts on the future of design?
My thoughts on the future of design are that there will be a larger difference between the upper market and high street stores with the middle market evaporating.
Please tell us your aims for the next twelve months and beyond
My aim for the next twelve months and beyond is to focus on the new bespoke turnkey program we have developed for the multiple residence client.
Which direction are you moving in from a design perspective?
We are offering turnkey bespoke design packages.
How is your work evolving?
We are incredibly fortunate to have clients that trust us 100%. They allow us to make important design decisions that result in an overall seamless hand over to the client with no unexpected surprises and thrilled clients with the end results.
KENICHI YOKOBORI & TOMOKO KOMATA FOUNDERS
YOKOBORI ARCHITECT & ASSOCIATES
Kenichi Yokobori and Tomoko Komata, partners in both life and design, are the creative minds behind Yokobori Architect & Associates. With a shared philosophy rooted in giving shape to the unseen, their work embodies a delicate balance between past and present, East and West, nature and humanity. Having honed their craft under the guidance of Aldo Rossi and Shigeru Uchida, the pair bring architectural precision and poetic sensitivity to each project they undertake. For over three decades, their designs have reflected a deep respect for history, culture, and craftsmanship, merging contemporary technology with timeless artistry. From large-scale architectural commissions to the intimate detailing of furniture and interiors, their work seeks to transcend boundaries and express stories through space. As they celebrate 30 years of practice, their vision remains steadfast: to create designs that inspire beauty, peace, and connection in an ever-evolving world.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
For us, design is about giving shape to what cannot be seen. As designers, we express the stories and histories of people and places through space.
How different is your role compared to how you expected it would be when you launched your career?
When we first started our careers, our goal was simply to create beautiful spaces. Now, we see our mission as expressing the stories and histories of people and places through space. We also value the fusion of “past and present” and “East and West,” aiming to create borderless spaces that go beyond boundaries.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
In our very first project, we learned a crucial lesson about blending “past and present” and “East and West” from a couple in an international marriage, and we’ve applied this ever since.
It’s a principle that still guides us today.
Can you see a place for artificial intelligence in design?
AI was born in the 1960s, and since the 1970s we have sensed that a time like today would eventually come. With its vast capacity for information and ability to learn, AI is entering an era where it can take on design tasks that were once the domain of humans. The day may not be far off when AI can even think with a sense of lyricism. However, AI will remain a machine that processes information through language. It cannot respond flexibly or intuitively. We believe it is essential for us, as humans, to value what only we can do: to draw on the experiences of our five senses, emotions, empathy, intuition, and individuality to express true creativity.
Inspiration comes in many forms - where do you find yours?
We draw most of our inspiration from nature. We believe that humans are a part of nature, and it is from this connection that much of our imagination arises. We also gain a great deal of inspiration from exploring the history and cultures of past civilisations left behind by humanity.
If you had to give a single piece if design advice for the year ahead, what would it be?
In a world where peace cannot be taken for granted, we believe it is important to create designs that convey a message of peace. We believe every designer has an important mission to keep this in mind, even when working on individual, everyday design projects.
Tell us about the projects you are currently working on...
One major project is the full renovation of a Tokyo tower originally designed by César Pelli, preserving his lotus-bud concept inspired by the surrounding temple and shrine. We are creating the interiors and original furniture for this building. We also continue to design residential projects for Japanese developers, including a scheme shortlisted by Andrew Martin this year, along with several private homes and villas.
We are also developing projects that celebrate Japanese traditional crafts, such as yukata-inspired exhibitions, a pop-up museum, and product designs featuring traditional patterns. Current pipeline projects include the renovation of a vintage Tokyo apartment building, a five-house compound in Roppongi, a villa in Karuizawa, and a large residential development.
How do you separate your professional and personal life?
From 1995 for 22 years, we lived and worked in Tokyo’s central Roppongi area, renting both an office and a residence there. In 2017, we built a home with office in a residential neighbourhood and began a lifestyle where living and working are fully integrated. This building, which we named “SOLE E LUNA”, is designed so that the sun and moon can always be seen from inside, day and night. More than anything, it is our most comfortable and beloved space - one where we can also spend time with our dog - and our worklife balance is in a very good state.
The phrase “Work is life, and life is work” comes from Kanjiro Kawai, a renowned Japanese artist we deeply respect, and we truly feel we are living that philosophy.
What goals have you set for the year ahead?
This year marks the 30th anniversary of our firm, and in the year ahead, we hope to return to our roots and approach projects with a renewed mindset. We are planning to restore a traditional thatched-roof kominkan - an old Japanese farmhouse that has stood for over a hundred years - which Tomoko inherited from her aunt last year.
In addition, we aim to take part in an overseas project, something we have never experienced before.
Final thoughts, or anything else you would like to share with us?
We believe that the most important thing in life is to live beautifully. Nature is inherently beautiful, while humanmade objects are not always so.
As designers, we have a mission to dedicate our efforts toward creating a more beautiful world, and we believe that wishing for peace is essential for the world to truly remain beautiful.
Blending East and West, History and Modernity
Architecture & Interiors
3-27-6 Denenchofu Ota-ku Tokyo JAPAN
https://yokobori-aa.jp
yokobori@yokobori-aa.jp
+81 3 6715 6801
YAYINE MELAKU CEO/FOUNDER LIU LUXXE
With a lifelong passion shaped by family, culture, and an intuitive eye for style, Yayine Melaku, CEO and Founder of LIU Luxxe, brings a uniquely personal perspective to modern luxury design. Her journey began at age 12, helping her parents refurbish rental properties to support relatives in Ethiopia – an early experience that quietly sparked her love for development and interiors. Even as her career led her into the world of finance with institutions such as the Federal Reserve Bank of New York and Merrill Lynch, her fascination with architecture and design never faded. Today, as a mother of three and a seasoned developer, Yayine’s work is defined by intentionality, adaptability, and a signature modern aesthetic enriched with subtle Art Deco influence. Through LIU Luxxe, she curates highquality, bespoke materials that elevate spaces with quiet sophistication – merging her devotion to craftsmanship, culture, and timeless design.
Where does your design inspiration come from?
I find inspiration everywhere—from the brownstones of DC’s Georgetown to the antique doors lining the streets of Milan. Even the quiet curves and forgotten architectural details in old New York subway stations spark ideas. I’m especially drawn to the intersection of history, culture, and design, and I often incorporate influences from my Ethiopian heritage through color, texture, and materials. Travel, architecture, and nature constantly feed my creativity.
To me, luxury isn’t just visual—it’s emotional. It’s in the way a space moves, breathes, and invites you in. My goal is always to create spaces that are not only beautiful, but timeless, functional, and full of soul.
I also deeply admire the work of designers like Baptiste Bohu—his ability to blend boldness with refinement really resonates with me. His aesthetic directly inspired the swimming pool design for my Hamptons Edition project, where I selected a custom geometric mosaic made from Carrara, Nero Marquina, and emerald green marble. The pattern was bold yet intentional, designed to echo the deep greens of the surrounding golf course and create a seamless dialogue between the landscape and the space. It’s details like these—where design tells a story—that truly move me.
In what direction do you feel that design is moving towards in a general sense?
I think design is moving toward a more intentional and flexible future—where functionality doesn’t come at the expense of beauty. More than ever, people want spaces that adapt to their lifestyle, yet still feel elevated and wellcrafted. I see a growing emphasis on versatility: multi-use rooms, transitional layouts, and materials that are both durable and luxurious.
For me, the challenge—and the excitement—is creating spaces that feel tailored and timeless, while still allowing room for life to unfold naturally. Flexibility is definitely at the forefront, but thoughtful design elements and high-end finishes still matter. That balance—between livability and luxury—is where I think the future of design is headed.
By way of example, in the cinema room of the Hamptons Edition project, we created a space that feels like a true theater experience—complete with dense velvet curtains enveloping the walls and plush silk rugs inspired by the Chanel boutique on New York’s Fifth Avenue. But hidden behind those curtains are three-meter-tall windows. When opened, they flood the room with natural light and reveal the lush garden outside—instantly transforming the space into a bright and inviting kids’ playroom. It’s that kind of dualpurpose design—where atmosphere and function coexist— that defines where I believe the industry is going.
What was your favourite project to work on and why? :
One of my all-time favorite projects was a boutique, eightunit luxury apartment building named after my firstborn, located within the suburbs of NYC, The Mignote on Second. It holds a special place in my heart for many reasons. Not only was it developed in the town where I grew up and graduated from university, but it also came to symbolize integrity, character, and resilience.
From a design perspective, it was an incredibly liberating experience. I had the creative freedom to thoughtfully explore and express design in every corner of the building, with quiet luxury serving as the guiding principle throughout.
What was your most challenging project to work on and why?
I believe every project brings its own set of challenges—but the key isn’t to dwell on them, it’s to recognize them early and move quickly toward effective solutions. In fact, I’ve often found that the obstacles faced in one project become the inspiration or foundation for something even better in the next. Challenges, when approached with the right mindset, often spark fresh creativity and stronger outcomes.
Which products/services could you not live without when designing?
My go-to finishing materials—hands down—are from LIU Luxxe. Of course, I’m a bit biased, since it’s my own company—but I have control over customizing every piece and making it truly bespoke to each project. That said, I love incorporating details from anywhere and everywhere, depending on the vision I have for each particular project. It’s all about what brings the space to life.
What are your aims and goals for the next twelve months? : My ideal project over the next 12 months would be a hospitality venture by the end of 2026. I’d love the opportunity to design something boutique and thoughtfully curated in a stunning location like Marrakech—or take on the challenge of revamping an existing, operating hotel within one of the Emirates. What excites me most is the chance to infuse these spaces with my personal design touches and carefully selected material elements, creating environments that are both elevated and deeply connected to their setting.
HELEN KRISTINA SKEA DESIGN DIRECTOR, BOUTIQUE ARCHITECTURAL / INTERIOR DESIGN STUDIO INFINITE
Helen Kristina Skea is the Design Director of the boutique architectural and interior design studio INFINITE, where she leads the interior design practice alongside her husband, Russell Sharfman, who oversees the architectural side. Growing up around the world with a Scottish RAF pilot father and a Swedish mother, Helen developed a passion for creativity and a deep appreciation for diverse cultures, which now inspires her design ethos. She graduated with an Interior Design degree from Napier University in Edinburgh and has since amassed over 25 years of experience in the hospitality design industry, earning a reputation as a dynamic, multi-disciplinary, award-winning designer. Helen’s portfolio spans luxury hotels, fine dining restaurants, private villas, and international projects across Europe, South America, Africa, and the Middle East. Known for her meticulous attention to detail, hands-on approach, and ability to blend technology with creativity, she draws inspiration from nature, art, and cultural diversity, always striving to create authentic, sustainable, and memorable spaces.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
My husband Russell Sharfman runs the Architectural side, and I run the Interior Design aspect of the company, but of course there is a huge overlap between the two. Every day differs; we have a number of projects running at the same time, all at different stages, therefore every day is different, whether it’s designing a hotel master plan, working on a concept design narrative, signing off shop drawings and material submittals on site, every day differs, which is why I love it, never a dull moment.
How different is your role compared to how you expected it would be when you launched your career?
Whilst studying my Interior Design degree in Edinburgh there was an ongoing recession, therefore I never thought I would even begin a career in interior design as there were minimal jobs available at that time. I was fortunate to be on holiday in Oman the summer I graduated and was offered a job in an international architectural firm and instead of taking a year off travelling I jumped at the chance to start working, that was in 1993, and I haven’t stopped since.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
I have been very fortunate with regards to my career and the companies I have had the pleasure of working with. The experience gained working with top designers in the industry and international hospitality brands and consultants has been a dream come true. If I had to change anything it would probably be to have had the courage to start my own company sooner.
How do you implement technology in your work?
Personally, I am old school and still sketch and plan by hand, I started my career on a drawing board; drafting with a parallel motion, set square, ‘Rotring’ pens and razor blade to scratch out mistakes, (God, I sound ancient, ha-ha). I think the only way to feel the spaces and design properly is sketching on paper, the process of layering the tracing paper with each idea and solving planning problems by seeing all the layers underneath of the previous ideas and solutions is the only way to feel the design properly. Although, as a Design Studio Infinite implements technology at every level of the design process.
Can you see a place for artificial intelligence in design? Yes, our team members use AI, but solely for R&D as our actual design process still starts with hand sketches, individual creative thought and brain-storming ideas as a collective team. With regards to AI being individually creative I do not have the knowledge to give an opinion.
Inspiration comes in many forms - where do you find yours?
Nature has served as a powerful source of inspiration in our design ethos, as it offers endless varieties of forms patterns, colours and textures that spark creativity. We are currently designing a feature stair using the Fibonacci spiral as inspiration. Nature provides a rich, ever evolving palette that encourages sustainable and harmonious design.
Are there any significant figures in your personal or professional life who have shaped the designer you are today?
From a young age I have loved art and drawing, I was lucky to grow up in a creative environment as my Mum loved to paint and make things. I studied art history at school and loved learning about the different movements and artists, their philosophies, that usually arise from reactions to cultural, political and technical shifts. I have been lucky to work with many talented architects and designers throughout my career who have inspired me, and I have learned from, too many to mention.
What do you see as the key challenges facing the industry at the moment?
The political and economic uncertainty in the world today is always in the back of my mind. The knock-on effect being the global rise in material costs, in turn affecting the supply chains, which impact project budgets.
If you had to give a single piece if design advice for the year ahead, what would it be?
To be aware of your surroundings and respect the environment, something that we as designers need to be sympathetic to every day.
Tell us about the projects you are currently working on... Earlier this year we successfully completed a (2500 square meter) luxury villa project in Dubai. All our current projects are predominately high-end private residential villas and luxury apartments in the UAE. We are also working on a private beach house in Port Douglas, Australia and a Resort Hotel & Spa in Kampala, Uganda. We are very excited to announce we have started designing two boutique hotel projects in Portugal. We are involved in designing the Master Plan, Architectural Design & Interior Design, it’s a dream come true going back to our hotel design roots.
REBECCA LORIMER CO-FOUNDER AND CREATIVE DIRECTOR COCO WOLF LTD
Rebecca Lorimer is Co-Founder and Creative Director of Coco Wolf, a luxury outdoor furniture brand renowned for its uncompromising approach to craftsmanship, design and longevity. Founded in 2014 by Rebecca and her husband James, Coco Wolf has grown from a London-based boutique into a globally respected, design-led and ethical brand with its own dedicated manufacturing facility. With over 15 years’ experience in interiors and furniture design, Rebecca is hands-on at every stage of the creative process, from concept and prototyping through to the refinement of construction details. Her work is driven by a belief in originality, thoughtful engineering and timeless design, creating furniture that is built to endure and be lived with for decades.
The day-to-day work of a designer. How would you describe your role to someone unfamiliar with your work?
As Creative Director, I am deeply involved in every stage of the design process, from initial concept and development through to prototyping and the refinement of construction details such as stitching and upholstery. I take a hands-on approach, ensuring every Coco Wolf piece is carefully considered in both its design and construction, so the final furniture feels as good as it looks.
How different is your role now compared to what you expected at the beginning of your career?
My focus has evolved from designing individual pieces to creating timeless furniture collections that people will live with and love over a lifetime. Longevity now underpins every decision, both in design and materiality. As Creative Director, every visual element of the brand passes through me before it goes live, from product presentation and campaigns to tone and storytelling. Marketing has therefore become an integral part of my role, ensuring that the visual language and the furniture speak seamlessly as one. At Coco Wolf, the story, aesthetic and product must feel entirely aligned so the brand experience is as considered and enduring as the pieces themselves.
If you could go back to the beginning knowing what you know now, would you do anything differently?
I would trust my instincts earlier and have greater confidence in my own perspective. Creativity is strengthened by conviction, and I have learned that doubting your place in the room only slows progress. The most successful design decisions come from clarity and belief and backing that from the outset would have allowed me to move forward with even greater assurance.
How do you implement technology in your work?
Technology plays a vital role in both design development and how our ideas are realised. At Coco Wolf, every piece is engineered and refined using advanced in-house manufacturing, including two 5-axis CNC machines, which allow us to sculpt complex forms with precision. Our Lectra fabric cutting system ensures accuracy and consistency across intricate upholstery patterns, while our highly skilled upholsterers translate that technical groundwork into beautifully crafted finishes.
Alongside production, digital visualisation tools support clients in configuring designs, understanding materials and seeing how furniture will sit within a space. Technology helps bring clarity and precision to the process, but it’s always guided by human craftsmanship and design judgement.
Do you see a place for artificial intelligence in design?
Yes, very much as a supporting tool. AI can help with research and speed up processes, but design at this level is always led by intuition, experience and a deep understanding of materials. At Coco Wolf, AI is used to create more time for thoughtful creativity, not to replace human judgement.
Where do you find your inspiration?
My inspiration begins with visual instinct and a continual drive to create pieces that feel distinctive and unlike anything else on the market. Originality is essential to stand out, so I am always seeking new ways to reinterpret forms that feel fresh yet enduring.
Nature remains a strong influence, particularly coastal landscapes, light and organic silhouettes. I am equally inspired by interior architecture, traditional craftsmanship and observing how people genuinely live and relax outdoors. Travel and dialogue with architects and designers continue to
inform how our collections evolve, ensuring each piece feels unique, considered and relevant.
A significant part of our creative process also comes from trial and refinement. We are constantly striving to improve our products, and the engineering behind each piece plays a vital role in shaping the final design. Understanding how something is constructed often becomes a source of inspiration in itself.
Are there any figures who have shaped your creative journey?
Rather than being shaped by one defining figure, my journey has been influenced by working closely with highly skilled makers, engineers and designers who value precision and thoughtful decision making. Being immersed in craftsmanship has had a lasting impact on how I design, ensuring every idea is grounded in how it will be made and how it will be lived with.
What elements of design will define the current era?
Longevity, adaptability and authenticity are defining this era of design. There is a clear movement away from disposable products toward furniture engineered to endure both structurally and aesthetically. At Coco Wolf, we design pieces where the frame is built to last for decades while the seat and back cushions can be interchanged over time, allowing the product to evolve without compromising sustainability.
What are the biggest challenges facing the design industry today?
One of the greatest challenges is balancing sustainability with performance, particularly within outdoor environments where durability is critical. There is also growing pressure on global supply chains and responsible sourcing. At Coco Wolf, our response has been to control manufacturing, invest in research and design furniture built to endure for decades.
One piece of design advice for the year ahead?
Design with responsibility and permanence in mind, particularly for outdoor furniture where performance is everything. Every decision should consider durability, maintenance, and long-term value, ensuring pieces are built to last and protect the brand’s reputation, not simply deliver immediate visual impact.
What projects are you currently working on?
I’m currently developing a new Contract Collection for Coco Wolf, designed specifically for hospitality spaces and engineered to sit at a more accessible price point without compromising on design integrity or performance. The focus is on durability, efficient production and maintaining the sculptural comfort that defines the brand.
Alongside this, I’m also working on a new collection launching in April that takes a more playful, expressive direction. It brings something fresh and unexpected, while staying true to Coco Wolf’s craftsmanship and outdoor performance standards.
How do you balance professional and personal life?
I work alongside my husband, which feels very special, as he’s the engineering mind behind every Coco Wolf piece. Our partnership is built on trust and a shared vision, with creativity and technical precision constantly shaping one another. While our work and personal lives are closely linked, we’re very conscious of stepping away from the business when we can, giving ourselves space to reset and gain perspective. That balance really matters. Taking time out helps protect our creative energy and gives us the clarity to return with fresh focus, while allowing the brand to grow in a way that still feels personal and true to who we are.
GRISCHA ALEXIS SCHMIDT SENIOR DIRECTOR OF INTERIOR DESIGN JET AVIATION AG
Grischa Schmidt, the Senior Director of the Design Studio at Jet Aviation in Basel, Switzerland, leads a dynamic team of designers, overseeing their creative endeavours in the world of luxury aviation and interior design. With a rich and varied background, Schmidt brings a wealth of experience to his role, having originally joined Jet Aviation in 2009 as a Senior Designer Project Manager. His journey has taken him across the globe, from California to Munich, and he has lent his creative expertise to renowned companies like BMW Group and Cayros, specialising in yachts and interior aircraft design. Schmidt’s impressive education includes a Bachelor of Science in Transportation Design from the Art Centre College of Design in Pasadena, California, along with multiple diplomas in Fine Art, Art History, History of Architecture, and a Federal Diploma as a Restorer and Carpenter. His return to Jet Aviation in 2017 as a Senior Project Manager Interior Designer marked a significant milestone in his career, culminating in his current role as Senior Director. Schmidt’s dedication to achieving the pinnacle of luxury design, coupled with his deep expertise, ensures a bright and innovative future for Jet Aviation’s design projects.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
As Senior Director of a VIP aircraft interior design studio, I lead a team of some 20 talented designers. My role bridges creativity and strategy - I guide the vision for fully bespoke interiors that push the boundaries of design, technology, and materials. Each day is a balance of mentoring talent, challenging convention, and ensuring our work reflects the highest levels of safety, comfort, precision and innovation, to deliver the ultimate customer experience.
How different is your role compared to how you expected it would be when you launched your career?
When I began my career in 1995, I imagined a life focused on creativity and transforming ideas into reality. Those are core parts of my daily work life, yet the scale, complexity, and responsibility of my work have also grown far beyond what I first imagined - and that evolution has been incredibly rewarding.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
There aren’t many things I would have done differently - I feel very lucky to say that my career path has been incredible, filled with invaluable experiences and the chance to meet interesting and talented people along the way.
How do you implement technology in your work?
Technology is deeply embedded in everything we do - from advanced 3D modelling and virtual reality for immersive design development, to cutting-edge materials and integration of smart cabin systems. We use it not just as a tool, but as a design driver, enabling new levels of precision, customisation, and experience. It allows us to turn visionary ideas into engineered, certifiable realities.
Can you see a place for artificial intelligence in design?
Absolutely, there is a place for AI in design. AI has the potential to enhance design processes - from accelerating ideation and generating variations, to optimising visualisations, materials, and soon also workflows. While creativity and intuition remain human strengths, AI can support decision-making, reduce iteration time, and unlock new forms of personalisation. It’s a powerful tool when used to augment, not replace, the designer’s vision and experience in our complex and detail-oriented industry.
Inspiration comes in many forms - where do you find yours?
Inspiration can come from anywhere - a curve in automotive design, the calm of a garden, the structure of an aircraft wing, or a piece of work discovered at an art fair. I’m constantly observing. Travel, nature, architecture, and even silence can spark an idea. Ultimately, it’s about being open and curious - seeing beyond the obvious and connecting seemingly unrelated elements in a meaningful way.
§Are there any significant figures in your personal or professional life who have shaped the designer you are today?
Yes, several. Early in my career, I had the privilege of working alongside master craftspeople and world-renowned automotive designers who instilled in me a deep respect for precision and detail. Over time, I’ve had the opportunity to meet and be mentored by many remarkable people across the design worlds, who have influenced how I balance creativity with execution. Today, I continue to be shaped by the young talent I lead; their fresh perspectives keep me evolving and inspired. It is also enriching to work so closely with the engineers and artisans here at Jet Aviation; our shared passion for aviation empowers us to continue pushing new boundaries.
What do you see as the key challenges facing the industry at the moment?
One key challenge is balancing ever-evolving customer expectations with the technical and regulatory requirements of aviation. As a design studio embedded in an aviation completions centre, we are ideally placed to make our customers’ unique visions come to life in their aircraft.
If you had to give a single piece if design advice for the year ahead, what would it be?
Stay relentlessly curious and embrace collaborationworking together as a team is essential, as the best design emerges when different ideas and disciplines unite with an open mind. Never settle for the obvious; push boundaries thoughtfully and let innovation be driven by both heart and purpose.
Tell us about the projects you are currently working on...
At present, we are engaged in several bespoke wide-body and narrow-body projects that explore new frontiers of comfort, technology and material innovation. Every project we undertake is highly personalised, and one of a kind, allowing us to push creative boundaries and craft interiors that blend timeless craftsmanship with forward-thinking design - always tailored to reflect the unique vision of each client.
What goals have you set for the year ahead?
This year, my goals focus on fostering design innovation within the team, furthering exploring new innovative and sustainable materials, and deepening the integration of advanced technologies into our designs. I’m also committed to mentoring our talented designers to support their creative and professional growth, while driving the continued growth and strength of our company and organisation to maintain our leadership in bespoke aviation interior design.
Air, crafted 1
1 Crafted — For 45 years, Jet Aviation has been crafting beautifully bespoke aircraft interiors. Fine craftsmanship meets the latest innovation; intricate detailing and design in a space that feels as quiet and comfortable as home. This is how you craft a cabin experience like no other.
Scan the QR code, below, to discover the latest concept cabin design from the Jet Aviation Design Studio.
JUTTA HOEHN ARCHITECT
AND OWNER
JSH ALGARVE ARQUITETURA LDA
At the helm of JSH Algarve Arquitetura, Jutta Hoehn has become synonymous with refined architectural excellence across Portugal’s southern coast. Her designs, distinguished by their seamless balance between innovation and harmony, embody a unique duality - where contemporary form meets timeless tradition, and luxury coexists with sustainability. Born in Wiesbaden, Germany, and educated in architecture at the Johannes Gutenberg University of Mainz, Jutta brings a truly international perspective to her craft. As a member of the Institute of German Architects, the Institute of Portuguese Architects, and the Royal Institute of British Architects, Jutta’s work bridges cultures and aesthetics with effortless sophistication. Her creative philosophy is rooted in an acute sensitivity to her surroundings - every line, texture, and light source is considered, observed, and reimagined. Under her direction, JSH Algarve has grown into one of the region’s most respected architecture studios, designing exceptional residences and resorts that reflect the individuality of each client. From minimalist seaside villas to opulent estates, Jutta’s portfolio captures the spirit of modern Algarve living.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
Designing a private house is something deeply personal. It means coming close to people, their habits, and their dreams. As an architect, I see myself as a designer of a new chapter in their life - shaping how they live and showing them new possibilities of how they could live. Every project becomes a dialogue between who they are and what life can be.
How different is your role compared to how you expected it would be when you launched your career?
When I started my career, I never imagined I would one day design such large private houses - in fact, I never planned to design private homes at all. From my university days, I worked for hotel companies, fascinated by the idea of creating spaces where people feel inspired, cared for, and at ease. Now, I find myself designing private houses that feel almost like small hotels - places where comfort, atmosphere, and experience come together. Each home is a personal retreat, shaped around how people live, rest, and connect with their surroundings.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently? I would like to be more experimental, more open to the world. When you grow up in Germany on a vineyard, life feels very contained - people live closely connected to the weather, the land, the grapes. It’s a beautiful but enclosed world, shaped by repetition and tradition. Looking back, I think I should have stepped out earlier, explored more, seen how differently people live. That openness - to the world, to ideas, to experiences - is something I value deeply now, and it’s what I try to bring into my work as a designer.
How do you implement technology in your work?
We use as much technology as we should - and as much as we can. In our work, we rely on professional CAD programs, a variety of 3D modelling and presentation tools, and digital visualisation to communicate ideas clearly. When it comes to construction, we integrate new technologies wherever possible - especially those that support sustainability and improve building performance. For us, technology is not just a tool, but a way to combine precision, innovation, and environmental awareness in every project.
Can you see a place for artificial intelligence in design? There is already a place for AI in design - we use it, for example, to source images for mood boards or to translate texts into different languages. It’s becoming more integrated into our workflow, but for now, it remains an interesting and helpful tool.
I believe AI will become truly transformative only when it can translate our thinking - our conceptual and emotional ideas - into actual design proposals. Until then, it supports our process, but the essence of design still comes from human intuition and creativity.
Are there any significant figures in your personal or professional life who have shaped the designer you are today?
I love fashion, design, and architecture - they all inspire and influence each other. Renzo Piano is my favourite architect; I admire the clarity and sensitivity of his work. I also love the precision of Tadao Ando and the boldness of SAOTA from South Africa. Chanel has always been an inspiration for me - the timeless elegance, the attention to detail, the sense of modern luxury. Art is also a big part of my life, from classical works to contemporary street art. I find creativity everywhere. My family is my greatest inspiration. My son recently started studying design at IE University in Segovia, Spain. Visiting him there and seeing how they teach designwith so much openness and innovation - is simply amazing. It’s inspiring to watch how a new generation approaches creativity and life.
Trends come and go, but what elements of design do you think will define the current era?
There is a need for humanity in our lives - and in our homes. For me, trends in private housing are not about style or fashion, but about the comfort of living and the feeling of truly being able to inhabit a space. I always try to explore new trends, technologies, and materials, but never for their own sake or to appear “trendy.” What matters is creating something lasting and genuine. Class is timeless. A house should be built to live and age beautifully - not just to fit into a moment, but to accompany its owners through many years of life.
Tell us about the projects you are currently working on...
We are currently working on several large private residences in the region, most of them featuring high-end contemporary architecture. Alongside these projects, we are also developing a comprehensive interior architecture and design concept for a renowned beach club - including a spa, restaurants, interior pools, and a gym.
In addition, we are starting work on a country hotel and club, which brings together hospitality, nature, and design in a very special way. Each of these projects is an opportunity to explore new ideas, materials, and ways of living - all deeply connected to comfort, atmosphere, and timeless design. and a project for 28 houses on an oceanfront property.
KENNETH USSENKO PRINCIPAL & LEAD DESIGNER KENNETH USSENKO DESIGN
Kenneth Ussenko is the visionary behind Kenneth Ussenko Design – an internationally recognised design firm known for pushing creative boundaries in hospitality, residential, and mixed-use developments. With a career spanning more than two decades and a personal journey that includes living in 28 countries, Kenneth brings a rare global sensibility to every project. His beginnings in the film industry laid the foundation for a design philosophy rooted in storytelling, emotion, and spatial harmony. Today, he is celebrated for his bold yet refined work on high-profile projects – from palaces in the Middle East to casino resorts and immersive hospitality spaces. Driven by passion, cultural curiosity, and a deep respect for craftsmanship, Kenneth’s process is grounded in collaboration and creative integrity.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
I was born in Saigon, Vietnam, and by the time I finished university, I had lived in eight different countries. To date, I’ve lived in over twenty-five countries, and I now divide my time between Costa Mesa, California, and my home in Italy. My design career began in the film industry more than 25 years ago, where I developed a strong foundation in visual storytelling and spatial composition. About 15 years ago, I established my own design firm, which has grown into an internationally recognised practice specialising in hospitality design. Alongside hospitality, we also work on high-end residential projects and collaborate with architects on master planning for residential and mixed-use developments. With over 25 years of experience in design, build, and 3D environmental design across hospitality, film, and entertainment, I bring a diverse and informed perspective to each project, always striving to create innovative and contextually responsive solutions.
Could you share a memorable moment from your career that encapsulates your passion for interior design?
I will always remember my time in Qatar, when I had the extraordinary opportunity to design a palace for the Royal Family. It was a project unlike any other, demanding not only vision and creativity, but also resilience and resourcefulness. I spent weeks searching across the Middle East and within the vibrant city of Doha for the right building materials, selecting everything from rare stones to handcrafted finishes for our designs. We assembled a team of talented local artisans and skilled contractors, each contributing their craft to bring the residence to life. The journey was filled with relentless pressure and unforgiving deadlines, but it taught me more than I could have imagined. Looking back, I know I was able to overcome every challenge because of one thing: my deep and enduring passion for interior design.
Inspiration comes in many forms - where do you find yours?
Travel has always been my greatest source of inspiration. I believe deeply in searching the world for colours, textures, and layers of culture that speak to my design vision and story. Just as influential are the simple but profound elements of life – my family, my global experiences, and the untamed beauty of nature. Together, they shape my perspective, fuel my creativity, and remind me that the most powerful designs are those rooted in meaning, connection, and a sense of place.
How would you describe your design style and ethos, and in what ways has it evolved over time while remaining true to your core principles?
My design style is shaped by a dialogue between past and present – drawing on the elegance and stories of history while embracing the calm richness of modern materials and textures. Each project carries a distinct thread of my creative DNA, with subtle echoes of the past woven into designs that confidently look forward. Although my style continues to evolve with the world around us, I remain grounded in a commitment to balance timelessness with innovation, creating work that honours where we’ve come from while shaping pathways for the future.
Beyond specific projects, what broader impact do you hope to achieve in the design community within the next twelve months and beyond?
As the world continues to navigate changing times in international relations and trade, I’m committed to learning and adapting. These global shifts will inevitably impact the way my team and I work with our clients, both now and in the future. Staying informed and responsive is key to delivering meaningful, resilient design in a constantly evolving world.
How do you separate your professional and personal life?
I separate my professional and personal life by returning to the simple things that ground me – family, nature, good people, and even something as small as a healthy meal. Travel, music, and photography help me slow down, restore perspective, and reconnect with myself. These everyday rituals keep me balanced, grateful, and creatively refreshed, allowing me to stay inspired, centred, and fully present in both life and design.
If you had to give a single piece if design advice for the year ahead, what would it be?
My advice to others is to identify the everyday rituals or passions that bring you peace and make them a priority; they are the foundation that sustains everything else.
Final thoughts, or anything else you would like to share with us?
I am deeply grateful every day for the colours in my life, the beauty this world has to offer, and the journeys my travels have taken me on. My hope is to continue delivering beauty through my vision, to share, in my own way, how blessed I feel to be part of this world.
CALLIE VAN DER MERWE PRINCIPAL & CREATIVE DIRECTOR COOOP.CO
Callie van der Merwe’s is an Interior Architect who’s work sits at the intersection of architecture, neuroscience, wellbeing, and business strategy. Head quartered in Sydney and operating globally through studios in Dubai and the Netherlands, Callie leads COOOP.co as its Principal and Creative Director, redefining how people experience the built environment. His career spans from early architectural practice in the 1990s to internationally awarded interior architecture in the 2000s, culminating in his signature “design forbehaviour” approach, a method grounded in neuroscience, environmental psychology and the belief that space should meaningfully and positively trigger desired human experiences and behaviours. Central to COOOP.co’s philosophy is the idea that “design comes last,” with the true work happening in understanding sensory triggers like acoustics, light, texture, volume, proportion and smell that influence how we think, feel and behave. In 2024, Callie formalised this methodology as “envirohacking,” the science basedprocess focussed on the application of design as a meaningful performance amplifier.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
I am a science-based designer. Everything we do is based on a philosophy of “return on design” It’s rooted in the knowledge that our environments have an outsized impact on us in every way that matters. Our environments affect our health, our relationships, our income and even our longevity. All our agency’s efforts are focused on understanding these behaviours so that we can design spaces that are good for people and also good for our clients. We call this process ENVIROHACKING
How different is your role compared to how you expected it would be when you launched your career?
It is completely different. My career began in architecture, but I quickly realised the interior experience of buildings is far more critical than the exterior. Given that most people spend over 90% of their time indoors, the internal environment has the most dramatic impact on our behaviour and well-being. This realisation sparked my obsession: to understand all the ways design triggers human responses. My goal is to identify the most constant and predictable of these triggers and use them to inform high-performance design. This approach ensures that we create spaces that positively engage all five senses, moving beyond a design process that is merely visually driven.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
Three things. 1. Marketing 2. Marketing 3. Marketing. The most successful designers are the most well known. By extension the best known designers are considered to be the best. Being the best kept secret is of no value to anyone.
How do you implement technology in your work?
Tech plays a major part in what we do. To this end we have a science lab (called Envirohacking Lab) in our studio with the main aim of researching our environmental responses. To define these triggers we use a host of equipment to measure arousal and stress levels within various environmental typologies. These environments in turn are created either as real full scale prototypes within our warehouse or as virtual immersive spaces through experienced through virtual goggles, specifically MetaQuest 3. We measure human responses to these spaces with a device called Shimmer3 GSR which is a wearable device strapped to your palms to measure heart rate and muscle activity. Basically, to see if what we design has a positive or negative effect on the people that we are designing it for. this gives us the opportunity to enhance the positive triggers and to correct negative responses.
Inspiration comes in many forms - where do you find yours?
Nature, people, reading, writing, music, art, family, but mostly from research into the way our minds are hardwired to respond to various architectural environments.
Are there any significant figures in your personal or professional life who have shaped the designer you are today?
There are many. However, my late mother was the biggest. Not knowing what I wanted to study, she looked at my art and said, “I think you want to be an Architect” Along the way there have been many mentors, guides and sliding doors, but she was the one that started the journey. Currently my new partners exert a very big influence in the work we produce. Without Calvin Janse Van Vuuren, Roberto Zambri and Ricardo Otto Rocha our work would not nearly be as impactful and meaningful as it is today.
Trends come and go, but what elements of design do you think will define the current era?
The aesthetic trends are mostly impacted by global events and rapid technological change. However, the biggest in my view will be the heightened focus on personal well-being and the emerging knowledge that our genes do not necessarily define our wellbeing and health. That the biggest influences are found within our physical and social environment. This is believed to have a greater impact on human health than genetics, medical care and lifestyle combined. As architects and designers, we therefore have the ability to “prescribe design like medicine” I believe that history will show the emergence of “healthy design” as the biggest single defining category of design over the next 10 years.
What do you see as the key challenges facing the industry at the moment?
The Chinese have Feng Shui dating back 5000 years. The Indian philosophy of Vastu Shastra dates back more or less the same time. The Egyptians had colour healing temples more than 3500 years ago. However, we seemed to have lost our way somewhere in the early 1900’s with modernism’s preoccupation with function and utility. Whilst there is currently an awakening to the magnitude of the impact of architecture on people, there is also unfortunately a massive preoccupation with aesthetic fuelled by new technology and AI.
Tell us about the projects you are currently working on...
We are working on a few beautiful high end hospitality and hotel F&B projects here in Australia and in the Middle East. It’s the kind of projects we enjoy the most because it’s the only category of design that speaks to all our senses. Vision (Visual), Auditory (Hearing), somatosensory (touch), Olfactory(smell) and Gustation (taste)
What goals have you set for the year ahead?
We have a massive amount planned for the new year. We are launching a very interesting international design awards program, opening a new international office and launching an amazing podcast series. All will be revealed in the new year.
MCCAHL TROUPE
PRINCIPAL DESIGNER AT GREENPOINT TECHNOLOGIES
McCahl Troupe is the Principal Designer and Manager of Design at Greenpoint Technologies, a premier Business Jet Completion Centre renowned for creating bespoke aircraft interiors for private clients, governments, and heads of state. With a career rooted in both creativity and technical precision, McCahl transforms complex engineering challenges into luxurious, functional spaces that exceed client expectations. Their work spans high-end completions, advanced refurbishments, and the development of pioneering concepts such as Greenpoint’s AeroSuite™ - the industry’s first super first-class suite for the BBJ 787 VVIP market. Passionate about blending artistry with technology, McCahl leverages 3D visualisation, virtual reality, and sustainable materials to craft interiors that are as innovative as they are elegant. Inspired by architecture, residential design, and other transportation industries, they prioritise collaboration, empathy, and forward-thinking design in every project. Beyond the hangar, McCahl mentors design teams and fosters lasting client relationships, ensuring each creation is both visionary and enduring.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
At its core, my role as a Principal Designer is about transforming technical complexity into something that feels effortless, functional, and beautiful. No two days look the same. One day, I may be immersed in space planningdeveloping layouts and refining how every inch of the aircraft interior works together. The next, I could be collaborating with engineering teams to ensure our creative vision aligns perfectly with the client’s expectations as well as technical and certification requirements. What truly defines my role, however, is the client relationship. Collaboration begins long before sketches are drawn - during the earliest conversations where we translate their vision into possibility - and it continues well beyond delivery. Even after the aircraft leaves our hangar, we remain connected, supporting the client through service, refurbishment, and evolving needs. There’s also a strong leadership aspect - guiding creative direction, mentoring designers, and maintaining the balance between innovation and practicality. It’s a dynamic role that requires creativity, precision, and empathy in equal measure – and that’s what I love most about it. Every day offers the opportunity to create extraordinary spaces while building lasting relationships rooted in trust and design excellence.
How different is your role compared to how you expected it would be when you launched your career?
When I began my design career, I imagined my focus would revolve around creating beautiful interiors and fulfilling client expectations. Over time, I’ve learned that exceptional design extends far beyond aesthetics - it’s about merging artistry with engineering precision. Working at Greenpoint has deepened my understanding of what it means to design for manufacturing.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
If I could go back to the beginning, I wouldn’t change my path - but I would remind my younger self to stay open to every experience and trust that each step has purpose. Early in my career, I thought design success was measured by the finished product. Over time, I’ve learned that the most meaningful work happens in the in-between momentscollaboration, problem-solving, and the persistence it takes to transform a vision into reality. Every challenge has shaped who I am as a designer.
How do you implement technology in your work?
Technology has become one of the most transformative forces in interior design - evolving faster than ever before. What was once a process centred on 2D drawings, hand renderings, and physical material palettes has now expanded into an immersive digital experience. Today, our design tools allow us to visualise and refine interiors with remarkable precision and immediacy.
At Greenpoint, we’ve embraced this evolution wholeheartedly.
Can you see a place for artificial intelligence in design?
Design is a profoundly human pursuit - it’s driven by empathy, creativity, and intuition. Artificial intelligence is already becoming a powerful ally in the design process, helping us visualise ideas, spark inspiration, and streamline technical tasks. But while AI can generate patterns and possibilities, it cannot replicate the emotional intelligence and personal connection that define great design. I see its role as complementary rather than competitive.
What do you see as the key challenges facing the industry at the moment?
One of the key challenges in our industry is balancing the desire for truly one-of-a-kind design with the realities of production schedules and certification requirements. Clients expect exclusivity and artistry - the use of rare materials, intricate detailing, and concepts that have never been realised before - yet these ambitions must still align with rigorous manufacturing and airworthiness standards. At Greenpoint, we’re addressing this by continually expanding our flight-ready catalogue of approved materials, mechanisms, and trusted suppliers. This approach allows us to innovate with confidence - bringing bold new ideas to life while maintaining precision, reliability, and efficiency.
If you had to give a single piece if design advice for the year ahead, what would it be?
Design never stands still. My advice for the year ahead is to keep reimagining - even after a project feels complete. Take time to reflect on where the design began, what it became, and how it could evolve further. That curiosity is what propels innovation. Every completed project should be seen not as an end point, but as a foundation for what comes next.
Tell us about the projects you are currently working on... I’m currently developing a series of next-next generation designs for a select group of clients, with a focus on BBJ 787 and BBJ 737 MAX platforms. Alongside new completions, I’m guiding clients through refined refurbishment programs, where the goal is not only renewal but reinvention - creating interiors that anticipate the next era of airborne luxury. Each project presents an opportunity to explore how innovation, craftsmanship, and technology can redefine comfort and personalisation in flight. I’m especially proud of contributing to the development of Greenpoint’s AeroSuite™ - the industry’s first super first-class suite designed exclusively for the BBJ 787 VVIP market.
What goals have you set for the year ahead?
This year, my focus is on future-proofing our designs by strengthening both client engagement and supplier partnerships. Through immersive tools like 3D-printed layouts and full-scale proof-of-concept models, clients can experience their interiors early in the process. At the same time, growing our partnerships with innovative suppliers allows Greenpoint to continually define the next generation of luxury and performance in aircraft interiors.
Greenpoint Technologies is a premier Business Jet Completion Center providing custom aircraft interiors for private clients, governments, and heads-of-state. Established in 1987, Greenpoint Technologies is one of the original licensed Business Jet Completion Centers. The company utilizes a proven completion process encompassing all disciplines in-house, including the interior design, engineering, manufacturing, installation, and certification of custom interiors. Strategic goals focus on the client experience by incorporating quality, commitment, and craftsmanship into every program. The company’s 99 percent on-time delivery rate and repeat client relationships represent the quality of service provided.
SARAH LARRANAGA FOUNDER
SARAH LARRANAGA AVIATION DESIGN
Creating a top-tier destination for selective aviation clients, Sarah Mespelt Larranaga has designed and delivered over 100 aircraft from Gulfstream Aerospace, Falcon Jet, Bombardier, Boeing, and Airbus. From design ideation and aircraft customisation to final delivery, we exist to make first-rate interiors and exteriors the client’s reality. In private aviation, luxury refinement merges aesthetics, mechanics, and user experience. Our team intends to exceed client expectations by designing and spearheading cutting-edge interiors and exteriors. As experts in innovative, upgrading avionics, quality building standards, and well-appointed materials, we ensure they maximise their downtime. With 19 years of experience across aviation design, engineering, project management, and maintenance oversight, we execute a successful project outcome.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
Every day brings new challenges whether its shopping for materials for a new project and client, helping the client find the right aircraft for them, meeting with the completion centre for a kick off of a new refurbishment or inspecting a paint job for quality. Some days I am drawing and designing new seats or furniture, sketching a new exterior paint scheme, negotiating a cost on a new interior or maintenance work... I try to be a problem solver more than anything.
How different is your role compared to how you expected it would be when you launched your career?
Are there any significant figures in your personal or professional life who have shaped the designer you are today?
My father who taught me to grind and that there was no problem I couldn’t figure out a solution for. My husband who supports me at every step and is my biggest fan and encourages me through every tough moment.
RESENDING FOR A LEFT HAND PAGE
I never thought I would learn so many aspects of aviation and how fulfilling it would be to deliver a final product to a client. When you plan a beautiful design, you don’t imagine the hurdles to go from ideation to a completed aircraft. Schedule challenges, product and part availability, unexpected mechanical issues, part delays and engineering exceptions, quality control to test flying and complete functionality all take an army.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
I wouldn’t change a thing. I have loved every moment, and every step has been a building block in the success I’m having now. The challenges make us great.
How do you implement technology in your work?
I am always looking at blending pilot usability, passenger experience, and resale value. Starting with avionics modernisations like glass cockpit, synthetic vision, Flight Management System (FMS) upgrades. Connectivity upgrades like Starlink, Gogo Avance. Cabin tech additions like wireless cabin management, lighting control, Bluetooth audio, touchscreen panels, video valet. Last, but not least safety systems like enhanced vision (EVS), datalink weather, traffic awareness, or predictive maintenance sensors.
Can you see a place for artificial intelligence in design?
I think currently the overuse in design can give false expectations to real life capabilities and legalities, but for Layout optimisation it can suggest efficient cabin layouts or ergonomic furniture configurations based on weight and spatial balance. AI is excellent for colour theories and recommending hues that evoke desired emotions (calm, prestige, innovation). AI is also great for pattern generation and creating carpet motifs, or veneer patterns that still meet brand alignments. As its said “AI doesn’t invent good taste” — It can however learn yours and offer suggestions aligned with your aesthetic brand.
Inspiration comes in many forms - where do you find yours? Sometimes the inspiration comes from making or creating something that drives a feeling. How clients feel when they see a space or materials inspires me on moving forward.
Trends come and go, but what elements of design do you think will define the current era?
Self expression. I think authentic individuality is the new status symbol. Make your aircraft unique to you.
What do you see as the key challenges facing the industry at the moment?
I’d say the shortage of true craftsman and digital transformation being the two biggest I see. Keeping true artisans and real craftsmanship alive in an increasingly digitised industry, losing quality and texture to speed and efficiency. AI accelerates ideas, but designers must strive hard for material authenticity, proportion, and storytelling. A great aircraft interior should feel crafted, not generated and that’s a big problem we are seeing.
If you had to give a single piece if design advice for the year ahead, what would it be?
it would be to push the envelope and encourage clients to let their jet reflect who they are. Ramp up the technology for enjoyment and work on the go - Take a dive into the latest technologies by amazing companies like F List with screens that vanish, lighting that responds to your mood or timeframe.
Tell us about the projects you are currently working on... I am currently working on a Bombardier Global 7500, Dassault Falcon 2000, Gulfstream G550 and a Falcon 7X.
Are there other projects in the pipeline you can share with us?
A super cutting edge and very well branded aircraft I am excited about on a Bombardier Global 6500 and a very chic transformation on a Gulfstream G650.
How do you separate your professional and personal life?
Sometimes your work needs the spotlight; other times your personal world deserves it. and you have to find that balance. I try to surround myself with people who understand my creative rhythm and those who encourage me but also remind me to pause when I am burning the candle at both ends.
BEN LEWIS FOUNDER / INTERIOR DESIGN DIRECTOR / GENERAL MANAGER, TRENZSEATER
Ben Lewis is the visionary founder and creative force behind TRENZSEATER, one of New Zealand’s most distinguished interior design houses. Since launching the brand in 2000, Ben has built a reputation for creating interiors defined by timeless sophistication, architectural precision, and tactile luxury. As Founder, General Manager, and Interior Design Director, his days are spent designing bespoke spaces - from conceptual floor plans to handcrafted furniture - all infused with his signature layered and emotive style. Inspired by architecture, fashion, and classic furniture design, Ben’s work reflects both international influence and deep respect for New Zealand craftsmanship. Guided by the values instilled by his father and grandfather, both innovators in furniture design, Ben continues to push creative boundaries, embracing technology and AI as tools to elevate his clients’ vision. Above all, he remains dedicated to producing interiors that not only catch the eye - but truly capture the heart.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
I play a lot of roles being the founder, GM and lead interior designer, so each day is different. But Interior Design is a large part of what I do so on a daily basis I am working on a range of different interior design projects, from floor plans, sourcing products and designing product/joinery for those projects. On a daily basis it is always refreshing and inspirational to challenge yourself, see new ideas and new spaces.
How different is your role compared to how you expected it would be when you launched your career?
Quite different, when you start you are trying to establish yourself, your connections with suppliers, networks with clients while at the same time producing exceptional work.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
The only thing would be to have started doing Interior Design earlier, although I was quite young when i started 24, but you can always start earlier, just gives you more knowledge + experience.
How do you implement technology in your work?
I love technology and with the abundance available now it can improve the quality of your work + presentations to help bring the client along the journey easier. We try to implement as much as possible into our workspace.
Can you see a place for artificial intelligence in design?
Yes, it is a fantastic tool to use and incorporate into projects, it helps with visualisation and showing clients what your concept’s and ideas look like in real spaces.
Inspiration comes in many forms - where do you find yours?
I am continuously inspired each day by design, through architecture, interior design and classic furniture design where the classic detailing provided a signature style. I also enjoy and find inspiration in fashion, art and antiques. Natural materials inspire me for their unique, classic qualities, marbles, stone and the character you get from solid timbers.
Are there any significant figures in your personal or professional life who have shaped the designer you are today?
Yes, my grandfather was a great inspiration for my career, he started a large furniture manufacturing business which was where i got my initial grounding in the industry along with his drive and determination. My father also helped hone my skills and is a true inspiration to me in every aspect of my life.
Trends come and go, but what elements of design do you think will define the current era?
Great design is timeless, but I do think we are going to see a lot more natural materials like marble and alabaster being used, natural timbers being finished in very raw finishes along with brushed metal finishes. Clients want to see something that looks real and natural.
What do you see as the key challenges facing the industry at the moment?
I think at the moment with the introduction of AI into our industry it will be interesting to see who picks up the technology and uses it to their advantage and who doesn’t, as I think its an important part of the future of the industry. Although it will never replace raw talent.
If you had to give a single piece if design advice for the year ahead, what would it be?
Make the most of every opportunity possible, whether it be with clients, suppliers or building your knowledge.
Tell us about the projects you are currently working on...
Currently I am working on several really exciting projects, probably the most intriguing is a project in Central Otago which has a fantastic lake frontage, the architecture is stunning and the client is wanting to revamp the interior to bring it up to current standard. It is an exciting project and will look fantastic once completed. There are also several beautifully appointed architectural homes throughout New Zealand which are all currently in progress at various stages.
How do you separate your professional and personal life?
It’s important when you lead a busy and important work career that you have balance, finding balance is always hard but having that time away is rejuvenating and offers so much inspiration.
What goals have you set for the year ahead?
Continue to deliver outstanding interior design projects along with upgrading our Christchurch and Auckland showrooms.
Final thoughts, or anything else you would like to share with us?
“There are many things in life that will catch your eye, but only a few will catch your heart, pursue those”. DREAM BIG, THINK BIG, GO BIG!
MARCO BRAGHIROLI FOUNDER & MANAGING DIRECTOR PRESTIGE ARCHITECTS
With a career defined by artistry, precision, and trust, Marco Braghiroli Arch, ARB, RIBA, SBID has become one of the most respected names in luxury residential architecture. As the visionary founder and Managing Director of Prestige Architects, Marco has spent decades crafting homes of exceptional beauty and character for an elite clientele across the UK and beyond. His Italian heritage and training at Milan’s prestigious Politecnico have instilled in him a deep appreciation for craftsmanship and materials, while his innate creativity ensures that every project reflects both timeless elegance and personal expression.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
Passion is what drives me every day, It makes the long hours feel effortless because my work and my passion are one and the same. There’s no fixed routine, every day brings something new, but one thing I never miss is spending time with my incredible team. They’re the heartbeat of everything we do. My days are often a mix of site visits and design reviews, creative problem-solving sessions, meetings with clients to shape ideas into reality, and lively exchanges with fellow professionals exploring new technologies and better ways to build. It’s this constant collaboration and curiosity that keeps the work inspiring and keeps us moving forward with purpose.
How different is your role compared to how you expected it would be when you launched your career?
In a single word: evolving. When I first started my career, most of my time was spent on detailing and drawings which is the true foundation of our profession. With experience came new responsibilities: coordinating teams, managing wider design requirements, and developing a deeper understanding of every consultant’s role. Then you have to integrate all the knowledge with personal interaction with clients and consultants driving the process in the complexity of our field. These experiences have shaped a broader professional awareness , where aesthetics and technical precision meet seamlessly. Architecture is an ever-evolving discipline, and I believe it must be approached with respect, curiosity, and a commitment to continual personal and professional growth.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
The only thing I might have done differently is to start my own practice a little earlier. That said, every step of the journey shapes who we become, and I truly believe the timing and experiences along the way led me exactly where I was meant to be.
How do you implement technology in your work?
As lead designers, we see our role as the conductor of a finely tuned orchestra , coordinating a team of highly skilled consultants, each an expert in their field, to deliver one cohesive vision.
This close collaboration not only ensures the best outcome for our clients but also keeps us constantly learning and evolving, embracing new technologies and approaches that enhance both the wellbeing of the people who live in our designed spaces and the quality of the construction process itself.
Can you see a place for artificial intelligence in design? Absolutely, we actively integrate AI into our workflow wherever it can add value. However, I always remind my
team that AI need to be considered as a supporting tool, not a replacement for human creativity. Like any software we’ve adopted over the past 15 years, it enhances efficiency but still requires human judgment and vision. While AI can process data and patterns, it cannot yet replicate the creative intuition, emotion, and design sensitivity that come from lived experience and that’s where our true value lies.
Inspiration comes in many forms - where do you find yours?
Inspiration, for me, comes from everyday life, from real interactions, travel, and connecting with people. Understanding the client’s true wishes and combining them with our own values and traditions helps shape the creative direction of each project. I also find that taking moments of quiet reflection allows me to step back, see the bigger picture, and approach both the brief and daily experiences with fresh perspective, often when the best ideas reveal themselves.
Are there any significant figures in your personal or professional life who have shaped the designer you are today?
Family is, of course, the first influence, it’s where the “shaping” of who we are truly begins. Having lived in the UK for 25 years, I’ve also been fortunate to grow within an international environment that has deeply influenced my professional and personal journey. There aren’t specific figures I’d single out, but rather a collection of people who have shown me both how to do things right and just as importantly, how not to by their own example. Each has contributed in their own way to the way I approach my work and leadership today.
Trends come and go, but what elements of design do you think will define the current era?
Trends in technology and materials come and go, but for me, the true constant is wellbeing. The user’s experience doesn’t follow fashion, it’s rooted in physical and mental comfort, which we aim to integrate at every stage of our design process. A particular stone might be popular for a few years, but principles like balanced ventilation, natural light, and a sense of calm will always remain timeless foundations of good design.
How do you separate your professional and personal life?
There’s really no clear line between my professional and personal life, and I consider that a privilege. My work is my passion, and it naturally flows into my everyday life. Of course, I make time for personal pursuits such as family, friends, hobbies and travel, but even then, I find myself observing, learning, and drawing inspiration from what surrounds me from architecture and craftsmanship to cultural experiences. For me, balance isn’t about separation; it’s about harmony, allowing both life and work to enrich each other.
Prestige Architects is a renowned London-based architectural practice actively delivering exclusive high-end residential projects since 2009.
With extensive experience working on multimillion pound residential projects both in the UK and abroad, the key to our success is the level of expertise from a solid team of professionals coupled with the exacting level of tailoring and detailing applied to each project. This combination of innovation and design excellence has led to international awards success and many industry short-listings.
0044 (0) 20 7349 7125
World’s End Studios, 132-134 Lots Road, Chelsea, London SW10 0RJ
ROSA MAY SAMPAIO FOUNDER
ROSA MAY DECORAÇÃO DE INTERIORES
Rosa May Sampaio is a distinguished interior designer whose work seamlessly blends sophistication, warmth, and a deep sensitivity to both architecture and nature. With degrees in Literature from PUC-RIO and Art History from École du Louvre, alongside training in Landscape Architecture and Interior Design, Rosa May brings a rare interdisciplinary perspective to every project. For over 30 years, she has led her eponymous firm in São Paulo, creating inspiring interiors in Brazil and abroad that balance her clients’ practical needs with her distinctive aesthetic vision. Known for her meticulous curation of furniture and design elements, she shapes spaces that not only look beautiful but feel authentic, functional, and deeply personal. A believer in the creative potential of technology, including 3D visualisation and artificial intelligence, Rosa May combines innovation with a human-centred approach, drawing inspiration from art, music, travel, and her family’s enduring influence. Her designs tell stories, giving soul to every space she touches.
The day to day work of a designer is unique to them; how would you describe your role to us if we knew nothing about you?
If you knew nothing about me or my work, I’d describe my role as shaping how people experience spaces. As an interior designer, I translate a client’s needs, lifestyle, and personality into functional and beautiful environments. I like accompanying clients to stores and suppliers to ensure we find a match of good taste. But ultimately, my job is to design spaces that don’t just look good, but feel right and support the way people live, work, and connect.
How different is your role compared to how you expected it would be when you launched your career?
Maturity and experience help a lot when you have to take on a new project.
If you had the chance to go back to the beginning, knowing what you know now, would you do anything differently?
Charge a better fee!
How do you implement technology in your work?
I use innovative tools such as AutoCAD, 3D visualisations, and artificial intelligence.
Can you see a place for artificial intelligence in design?
Yes, absolutely. I believe artificial intelligence has an important place in design - not to replace creativity, but to enhance it. AI can help streamline many parts of the design process, like generating layout options, testing lighting and colour combinations, or producing quick 3D visualisations for clients. It allows designers to explore more ideas in less time and make data-informed decisions about functionality and sustainability. In my work, I see AI as a creative partner that supports my vision and helps me focus more on the human and emotional aspects of design.
Inspiration comes in many forms - where do you find yours?
Essentially art- museums, cinema, classical music- and travelling.
Are there any significant figures in your personal or professional life who have shaped the designer you are today?
My mother, who had a great eye and skill- even manual- for interior design, as well as my grandmother, who was English. I love the English influence on my work.
Trends come and go, but what elements of design do you think will define the current era?
Incorporating sustainable solutions like solar heating, water recycling for irrigation, and a rooftop garden.
What do you see as the key challenges facing the industry at the moment?
I think the main challenges are balancing technology with creativity, and speed with quality. Clients want projects delivered faster and more efficiently, but still expect unique, sustainable designs. As designers, we have to embrace new tools like AI while staying true to the craft - keeping design human, meaningful, and environmentally conscious.
If you had to give a single piece if design advice for the year ahead, what would it be?
Designing spaces that express the residents’ authentic identity, valuing emotional design through meaningful objects, artisanal pieces, and local materials.
Tell us about the projects you are currently working on... I’m currently designing a house in the countryside of São Paulo, an apartment in Rio de Janeiro, and three apartments in São Paulo city.
Are there other projects in the pipeline you can share with us?
A country house in the South of Brazil.
How do you separate your professional and personal life? Actually, I don’t separate the two. I love my work and can do it anytime and anywhere.
What goals have you set for the year ahead?
I would love to design a hotel and work more on landscaping.
Final thoughts, or anything else you would like to share with us?
I believe that every space tells a story, and the role of design is to give soul to matter - translating memories and emotions into form, light, and texture.
