REVIEW: Angela Goh, 'Axe Arc Echo'
Ira Ferris
There is no sentimentality in her performance – anything that suggests or explicitly calls for feelings, or physical sensations, I am grappling with. Her movements are detached from emotion, story, pedagogy. They are quiet, unassuming (though impressive), patterned, angular, regular, precise. Executed as pure forms, they appear to me as coding. There is something digital about them. Something robotic about her. I’m thinking of metal and glaciers at once.