Skip to main content

Cinema Technology Magazine - December 2022 Edition

Page 46

DTS:

An Innovative History, a Visionary Future

Loren Nielsen, VP, Content & Strategy, DTS (an Xperi company)

Y

et, in addition to transforming the cinema experience, DTS now applies its future-focused

mission

to

bring

solutions to wireless home audio, incabin connected car sound and sensing,

and

home

theatre

experiences. With 30 years of experience and innovation, DTS has delivered a ‘Dedication to Sensational’. DTS’ journey began with a dream of creating an audio experience as engaging and authentic as the dinosaurs on the screen.

It Started with a Roar Before DTS, theatres projected film with two-channel audio

120

DTS introduced the Digital Theater System to the world in 1993 with immersive sound in the blockbuster film, “Jurassic Park”, forever changing the game...

world-class mixing stages in 15 countries have installed DTS:X production tools

Beard remixed scenes from “Close Encounters of the Third Kind” in DTS and presented them to Spielberg. The world-famous director nearly leapt from his chair. “I was flabbergasted,” Spielberg said, and recalled switching back and forth from the traditional soundtrack to DTS, “It [DTS] sounded exactly like a 70 millimeter six-track sound.” While other digital audio codecs compressed their soundtracks onto the film’s limited real estate, DTS brought uncompressed 5.1 audio into the cinematic audio experience, initially via synchronized optical disc. With

Spielberg’s

and

Universal

Studios’

“Jurassic Park” soon to be released, DTS deployed its

on an optical track printed alongside the sprockets. Thanks

digital audio hardware in over 2,000 theatres. If you know

to the foresight of Terry Beard, a Caltech-trained engineer

your cinema technology history, then you will also note

with a 20-year history of inventing stereo optical recording

how similar this was to the first steps into the talkies when

equipment, digital audio caught a big break. A friend offered

movie audio was produced using shellac records that

an introduction to Steven Spielberg, and Beard knew he’d

played in sync with the celluloid film running through the

have only one chance to make his mark.

projector.

4 6

>

1 2 / 2 2

>

www.cinema-technology.com


Turn static files into dynamic content formats.

Create a flipbook
Cinema Technology Magazine - December 2022 Edition by Cinema Technology Magazine - Issuu