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Carmel Marin Presidio Heights Carpinteria Malibu Pacific Palisades Westwood St. Helena

FALL 2015 $5.99

Tatjana Patitz’s Low-Key Elegance

WHY SIT WHEN YOU CAN FLOAT. 8.2 POUNDS OF 100% GOOSE FEATHERS IN EVERY CUSHION, WRAPPED IN THE SOFTEST DOWN. I N T RODUCI NG

THE CLOUD D E S I G N E D B Y T I M O T H Y O U LT O N / E N G L A N D

Restoration Hardware

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California Closets

BERKELEY 1716 Fourth Street CARMEL 26366 Carmel Rancho Lane CORONA DEL MAR 2854 E. Coast Highway LA JOLLA 7603 Girard Avenue LARKSPUR 12 Sir Francis Drake Boulevard LOS ALTOS 363 State Street

California Closets

LOS GATOS 349 N Santa Cruz Avenue HUNTINGTON BEACH 5921 Skylab Road PALM DESERT 42-210 Cook Street ROSEVILLE 1017 Galleria Boulevard SAN DIEGO 7808 Miramar Road SAN FRANCISCO 675 Townsend Street SANTA BARBARA 15 W. Anapamu Street SANTA MONICA 1735 Stewart Street STUDIO CITY New location coming soon!

WALNUT CREEK 1614 Mt. Diablo Boulevard WEST HOLLYWOOD 8117 Melrose Avenue WESTLAKE VILLAGE 4625 Lakeview Canyon Road

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O N E TO f O u r B E D r O O m C O N D O m I N I u m S f r O m $ 1 . 7 TO Ov E r $20 m m Sales Center 5 5 5 We s t 5 9 t h S t r e e t N ew Yo r k C i t y 2 12 757 0 0 5 9 1We s t E n d .c o m Developed By Elad Group & Silverstein Proper ties The complete offering terms are in an offering plan available from Sponsor File # CD14-0259. Sponsor: Riverside Center Site 5 Owner LLC, having an address c/o El Ad US Holding, Inc., 575 Madison Avenue, 23rd Floor, New York, New York 10022.

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Elad Group

THIS IS THE NEW WEST END Introducing One West End, extending the Manhattan Skyline west with iconic architecture by Pelli Clarke Pelli. One West End is part of a rising new neighborhood just four blocks from Columbus Circle & Central Park.

Meticulously crafted residences, expansive indoor and outdoor amenities, and a new culinary marketplace—all designed and curated by visionary hospitality designer Jeffrey Beers—define the spirited lifestyle of One West End.

South Coast Plaza

South Coast Plaza

Featuring: pottery Barn, room & Board, Diptyque, Frette, west elm and assouline

south coast plaza

celebrates california living aSSouline • BaCCarat • BlooMingDale’S hoMe • Crate anD Barrel hoMe Store • Diptyque eMMo hoMe • Frette • herMÈS • Jo Malone • the lanD oF noD • MaCy’S hoMe Furniture Store MitChell golD + BoB williaMS • pBteen • pottery Barn • pottery Barn KiDS • reStoration harDware rooM & BoarD • Sur la taBle • VerSaCe • weSt elM • williaMS-SonoMa • z gallerie partial listing Visit southcoastplaza.com for furniture and accessory details.

San Diego Fwy (405) at BriStol St., CoSta MeSa 800.782.8888 SouthCoaStplaza.CoM

46 14 C PEOPLE

64 BUILDING BLOCKS

Who’s who behind the scenes of

Classic Carmel design is environmentally

fall’s C Home—plus, a few of their

reimagined by architect Mary Ann

17 DOSSIER

54

Gabriele Schicketanz along the enchanting Point Lobos coastline.

Harriet Posner gallops into the design

68 COLLECTIVE TASTE

world with an equestrian-inspired line.

At her elegantly appointed Pacific

Tisch New York takes over the kitchen

Palisades home, designer Margaret

table. Playful decor for children’s

Weitzman blends estate-sale treasures

TOC

bedrooms. Hudson Grace plants a new store and garden. Bold wallpaper prints and patterns bring rooms to life.

31 INSIDER

with aplomb.

76 SETTING THE SCENE The cinematic weekend retreat of Hollywood movie producer Avi Arad

24

Tricks of the trade: Westin Mitchell invites C into his Downtown L.A. studio. Interior design maven Alexandra Loew brings her

and his family offers a worldly take on Malibu living.

82 COLLAGE

decorative flair to the “ugliest home in L.A.”

Michael S. Smith’s point of view on the

40 NATURAL BEAUTY

great outdoors.

Supermodel Tatjana Patitz creates a rustic sanctuary at her Carpinteria ranch.

46 ALL ACCESS San Francisco-based interior designer

26

40

Palmer Weiss achieves the aesthetic impossible: pleasing the style-conscious parents of young children.

54 GROUND CONTROL The simple beauty of a family’s bucolic West Marin utopia shines through a landscape architect’s restraint.

58 CALMING INFLUENCE Paying homage to the subdued glamour of the ’20s, Suzanne Rheinstein delivers a serene and sophisticated Westwood interior with surprise touches.

C 10 FALL HOME 2015

ON OUR COVER TATJANA PATITZ photographed by Lisa Romerein in an Elder Statesman sweater, $1,310, Bassike skirt, $450, and her own boots. Styled by Shadi Beccai.

Interiors styling by Amanda Masters.

Hair and makeup by Sarah Uslan.

SAN FRANCISCO: MATTHEW MILLMAN. MARIN: TOM FOX. SCULPTURE: HOLLY WESTOFF. ST. HELENA: ERIN KUNKEL. PATITZ: LISA ROMEREIN

favorite California places.

Fendi Casa

JENNIFER HALE

Founder & Editorial Director LESLEY CAMPOY

President & Publisher JENNY MURRAY

Editor

JAMES TIMMINS

RENEE MARCELLO

Art Director

Associate Publisher

LESLEY McKENZIE

CRISTA VAGHI

Deputy Editor

Southern California Director

ANDREA STANFORD

ALEXANDRA VON BARGEN

Design & Interiors Editor

Jewelry & Watch Director

KELSEY McKINNON

DEBBIE FLYNN

Senior Editor

Beauty & Home Director

MARGOT FODOR

AUTUMN O’KEEFE

Photo Editor

Northwest Director

MARIANNE MICHAELS

TAMMI DELANEY

Associate Photo Editor

Development Director

JULIE WEBB

ANNE MARIE PROVENZA

Designer

Masthead

Development Manager

ROBERT RICHMOND

KRISTA NATALI

Digital Image Specialist

Marketing Manager

LINDSAY KINDELON

TROY FELKER

Assistant Editor

Finance Associate SANDY HUBBARD

Information Technology Director

San Francisco Editor-at-Large Diane Dorrans Saeks Senior Contributing Editor Melissa Goldstein Contributing Editor-at-Large Kendall Conrad Style Director Heather Severs Market Editor Shadi Beccai Arts & Culture Editor Elizabeth Khuri Chandler Contributing Digital Editor Elizabeth Varnell Contributing Designer Chad Weaver Copy Editors Richard Cordova, Lily Maximo Villanueva Special Projects Contributors Stephanie Steinman, Danielle DiMeglio, Maile Pingel Contributing Editors Suzanne Rheinstein, Cameron Silver, Michael S. Smith, Jamie Tisch, Nathan Turner, Mish Tworkowski, Hutton Wilkinson

Interns Jackie Beyer, Kelley Buck, Morgan Ludlow, Sarah Link, Karlie Mejia, Emma Newbern, Keely Wold

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WEDGWOOD速

VERA SIMPLICITY SHOWN

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C People Who’s who behind the scenes of this issue, plus their favorite California places

Marlien Rentmeester

Nicole LaMotte

C People Michael S. Smith

Maile Pingel “It may seem silly to some to have two homes so close together, but one look at Avi and Joyce Arad’s weekender (“Setting the Scene,” p.76) and it all makes sense,” says Maile Pingel, an L.A.-based design historian and freelance writer, and former editor at Architectural Digest. “In an hour’s drive it’s like they’ve crossed the globe.” When not writing, Pingel can be found in the kitchen or out antiquing.

C SPOTS • Urban Pet in L.A. for pampering our dog and cat • Culinary history classes at the Getty • Winecountry weekends in Santa Ynez

C 14 FALL HOME 2015

Award-winning interior designer Michael S. Smith, who is most wellknown as the official White House decorator, shares his California inspiration in this issue’s Collage, p.82.

Smith is the author of the upcoming The Curated House: Creating Style, Beauty, and Balance. C SPOTS • William Laman in Montecito for really beautiful and well-edited gifts • JF Chen in Los Angeles • Jasper in L.A., because it’s home to so many artisans and craftsmen that we use for our projects

“One of the best parts of my job is all of the interesting people I get to meet, and Westin Mitchell and his team were no exception,” says photographer Nicole LaMotte, who photographed Mitchell for “Captain of Industry,” p.31.

“Getting to shoot the metal soldering and glassblowing was an extra special treat.” LaMotte’s clients include One Kings Lane, Los Angeles Magazine and nutritionist Rachel Beller. C SPOTS • Tacos Punta Cabras in Santa Monica • Olympic Spa in Koreatown • Morning walks on Santa Monica Beach

Catherine Bigelow “As a dedicated apartment dweller, it was a delight to explore these exquisitely crafted residences kitted out with imaginative, any-era design,” says Catherine Bigelow, the San Francisco Chronicle’s society correspondent.

In this issue, Bigelow expounds on a breathtaking stone-and-cedar clad residence by architect Mary Ann Gabriele Schicketanz (“Building Blocks,” p.64) on the Point Lobos coastline, and a Presidio Heights home transformed by S.F. designer Palmer Weiss (“All Access,” p.46). C SPOTS • Hearst Castle in San Simeon • Filoli in Woodside • Jack London Wolf House ruins in Glen Ellen

SMITH: FRANCOIS HALARD

Writing about friend Hillary Thomas’ Napa weekend retreat in “Warm Welcome,” p.26, was a perfect fit for former Condé Nast fashion editor Marlien Rentmeester. “I’ve got home renovation fever right now, so working on this issue has been extra inspiring,” she says.

Rentmeester, known for her masterful mixing of high, low and vintage apparel, founded online fashion blog Le Catch to immediate acclaim in 2011. C SPOTS • The deserted beaches and epic views at Hollister Ranch • Paradise Cove in Malibu • St. Helena—it’s like being in the Garden of Eden

Serena + Lily

inspiration delivered. san francisco

|

east hampton

|

los angeles

(coming

soon)

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serenaandlily.com

Christofle

Introducing MOOD by Christofle 8424 Melrose Place, West Hollywood | 323.330.1229 9515 Brighton Way, Beverly Hills | 310.858.8058 us.christofle.com

DOSSIER CALLIDAE The Show shirt in blue stripe, $195, breeches in stone, $395, and gray alpaca throw, $1,050.

Dossier (opener)

PHOTOGRAPHY BY NOAH STONE. STYLING BY ANIA DIAKOFF

Riding High Founded by Harriet Posner, newly launched Callidae is an American lifestyle brand inspired by the history and grace of the equestrian sport. Posner, a Harvard-educated former law partner, found her passion for riding later in life and currently competes in hunters and equitation when she isn’t running the L.A.-based and -manufactured brand.

In addition to glassware and limitededition cashmere blankets and pillows, the line features a full riding wardrobe including a new take on the show shirt, capturing the spirit of the traditional ratcatcher in a modern way, and a tailored and well-fitting breech. Fortunately for Posner, her previous clients are wellpositioned to offer advice, including James Perse, a go-to for brand inspiration, and Tom Binns, who designed the buckle for her signature leather belt. callidae.com.

• ANDREA STANFORD

FALL HOME 2015 C 17

Dossier WEST HOLLYWOOD

Hello Again

Finding Home From top: The new piano shop turned designer haven in S.F. Designer and shopkeeper Jonathan Rachman.

Market Street is becoming even more of a creative hub thanks to the newest tenant, J. Rachman. S.F.-based designer Jonathan Rachman had his eye on his new space, a former antique piano store, for at least 15 years, so when it finally became available, he was first in line. His eponymous shop hosts a design office, retail section and grab-and-go floral stand. Behind a 19th-century kitchen screen from a French chateau, antiques mix with Rachman’s line of Italian handcrafted leather pieces, silk pillows from Alexandra D. Foster, hand-painted glasses by Margot Lar, The Sisters Collection for Bolt Textiles designed by Rachman, and more.

1632 C Market St., S.F., 415-440-1234; jonathanrachman.com.

Dossier (turn)

CITIZENS X DIANI LIVING apron, $130.

Clockwise from left: PEMBERLEY ROSE Big Ben wallpaper, from $249. Le Cavalier bedding and pillows, $45$255. La Ballerine, Rocking Horse and Mlle Lapin pillows, from $49.

SANTA BARBARA

PERFECT COVER PORTOLA VALLEY

COOL KIDS Erica Johnston created Pemberley Rose after years of searching for whimsical yet sophisticated decor for her children’s bedrooms. This fall, Johnston adds linen sheeting, double-pleated duvets and knifeedge shams, all with original illustrations in dreamy muted colors and finished with velvet trims. “I’m a lifelong lover of fashion,” says the Portola Valley-based founder. “Not just the final product, but the process. I can’t wait to see where this goes next.” pemberleyrose.com.

C 18 FALL HOME 2015

A Santa Barbara institution since opening in 2002, Diani recently expanded their footprint to home and garden realms. To celebrate, founder Caroline Diani teamed up with Citizens of Humanity to design an apron crafted from the luxury denim company’s premium vintage.

Sold exclusively at Diani Living and on their website, the updated staple is a must for those looking to stay stylish while clipping fresh basil or, say, prepping local sea urchin. 1324 State St., Ste. M, S.B., 805-770-7043; dianiliving.com.

WRITTEN BY MAILE PINGEL AND ANDREA STANFORD. RACHMAN: AUBRIE PICK. PEMBERLEY ROSE: ERICA JOHNSTON

SAN FRANCISCO

After 12 years on Melrose Avenue and a year-plus break from having a storefront, Richard Shapiro Studiolo has reopened in the heart of the La Cienega Design Quarter, in the corner gallery once home to Blackman Cruz. “I had a hunger to be back on the street,” Shapiro explains, adding that the opportunity to participate in LCDQ events provided further incentive. The new space will showcase Studiolo, Shapiro’s own line, as well as antiques from around the globe—consistent with the firm’s reputation for artfully mixing periods, and creating a dialogue between objects through juxtaposition. Fans can further indulge in Shapiro’s aesthetic when Rizzoli debuts his monograph this spring. 800 N. La Cienega Blvd., W.H., 310-275-6700; studiolo.com.

Saatchi Art

Dossier LOS ANGELES

Collected Wisdom “Some people say it’s modern, while others say it’s traditional,” says Jason Martin of the eclectic collection he’s arranged for clients at his new shop, Martin & Brockett. “I think that’s a successful blend—people see what they like.” And with an everevolving selection that ranges from a Biedermeier chest to an Eero Aarnio settee to a burl-wood dresser, as well as Martin’s own designs, including a cerused-oak table inlaid with brass, there’s plenty to catch your eye.

5449 W. Pico Blvd., L.A., 323-879-9395; martinandbrockett.com.

Stained olive burl-wood dresser, $2,950.

The Curated House: Creating Style, Beauty, and Balance, Rizzoli, $65.

PACIFIC PALISADES

In the Round

Tile Makes the Room: Good Design From Heath Ceramics, Ten Speed Press, $40.

Composed of hardboard and backed by cork, the circular place mats that anchor new home line Tisch New York span the full Crayola spectrum, and add flair to the art of breaking bread thanks to starburst and shagreen motifs.

“I see them living on a table as decoration after a meal is cleared,” says creator Amanda Tisch Weitzman, who now resides in Pacific Palisades. And she definitely knows how to finish a look, having previously accessorized projects for designer Frank de Biasi and worked as an editor at Harper’s Bazaar, Town & Country and C. gardeshop.com; tischnewyork.com.

Dossier (bits)

Custom entrance gate logo designed for Canoe Hill.

TISCH NEW YORK table accessories, $10-$54.

LOS ANGELES

STATELY IDEA “It’s like a modern-day Downton Abbey,” says Marc Friedland of the new estatebranding service available through his firm, Couture Communications. Services, which extend to private yachts and jets, include naming, logos, stationery and other custom amenities like staff uniforms and heraldic designs for bespoke entry gates. “People hire decorators to create a look but they don’t think about the value that identity adds.” 4988 Venice Blvd., L.A., 323-936-9009; marcfriedlandinc.com.

C 20 FALL HOME 2015

Spanish Colonial Style, Rizzoli, $55.

Jeffrey Bilhuber American Master: Notes on Style and Substance, Rizzoli, $65.

Waterside Modern, Thames & Hudson, $35.

WRITTEN BY MAILE PINGEL, ANDREA STANFORD AND MELISSA GOLDSTEIN. MARTIN & BROCKETT: STEPHEN BUSKEN. MARC FRIEDLAND: COURTESY OF MINDY GROSSMAN. TILE MAKES THE ROOM: REPRINTED WITH PERMISSION FROM TILE MAKES THE ROOM, BY ROBIN PETRAVIC AND CATHERINE BAILEY, COPYRIGHT © 2015, PUBLISHED BY TEN SPEED PRESS, AN IMPRINT OF PENGUIN RANDOM HOUSE LLC. PHOTOGRAPHS COPYRIGHT © 2015 BY MARIKOREE. JEFFREY BILHUBER AMERICAN MASTER: COURTESY OF RIZZOLI NEW YORK, 2015. WATERSIDE MODERN: COURTESY OF THAMES & HUDSON

Our fall picks for the best books on design & architecture

Home at last.

Flexform

FLEXFORM SAN FRANCISCO 145 Rhode Island Street San Francisco, CA 94103 tel. 415-800-6576 info@flexformsf.com www.flexformsf.com

GROUNDPIECE SECTIONAL SOFA design by Antonio Citterio FLEXFORM www.flexform.it

Dossier Trend

On Dossier a ROLL (bits)

PAINTED, dyed and HAND-GILDED with motifs, METALLICS and BOLD colors, these wall coverings go well BEYOND the stripe

C 22 FALL HOME 2015

THE GORING: COURTESY OF FROMENTAL. TROVE: SANG AN. SARA STORY: COURTESY OF SARA STORY. HERMÈS: STUDIO DES FLEURS. JAE OMAR DESIGN: JAE OMAR. CELERIE KEMBLE: COURTESY OF SCHMACHER. STARBURST: COURTESY OF BRETT DESIGN

Clockwise: TROVE Mars in 004, troveline.com. SARA STORY Vienna Spring, $250/ roll, desousahughes.com; sarastorydesign.com.

HERMÈS Jungle Life Bicolore, $325/roll, hermes.com.

BRETT DESIGN Michelle’s Starburst, $138/yard, harbingerla.com. CELERIE KEMBLE III COLLECTION Tortoise Amazon, fschumacher.com. TROVE Indi in 001, project designed

by Jae Omar, troveline.com.

FROMENTAL hand-gilded wall covering for London’s The Goring Hotel, fromental.co.uk.

Beach House, featured in The New Shingled House (The Monacelli Press) to be released October, 2015. For information, please contact info@ikba.com

Ike Kligerman

SAN FRANCISCO 1099 Folsom Street San Francisco, CA 94103 415 371 1850 NEW YORK 330 West Forty-Second Street New York, NY 10036 212 268 0128 ikba.com | info@ikba.com

A Brutalist sculpture

by HOLLY WESTHOFF.

Dossier LOS ANGELES

In the Glow

Small candle, $55; large, $90.

TRIVET PURSUITS Leave it to the uber-creative Karen Kimmel to rethink the trivet.

The Echo Park-based designer founded her studio in 2007 and recently expanded her creative efforts to introduce a range of products that are a modern translation of utilitarian housewares. Here, a set of three freeform shapes in a muted palette double as design objects when not saving surfaces from hot pots. karenkimmel.bigcartel.com.

All Abloom “We weren’t looking for a new location but it had good bones,” says Monelle Totah, co-founder of Hudson Grace. The Brentwood Country Mart design shop will stock new items like kumquat soap and bespoke Italian candlesticks, and also feature a garden addition. “It’s been a dream of Monelle’s to have a flower shop,” adds husband and partner Gary McNatton. 225 26th St., Ste. 41, L.A., 310-458-0200; hudsongracesf.com.

C 24 FALL HOME 2015

“I’m inspired by midcentury architecture,” says Holly Westhoff of her new Brutalist sculptures, small bronze works created by a proprietary technique that she developed for her jewelry line. Westhoff, who interned with Kelly Wearstler, also designs interiors but is passionate about metalwork. “It’s exciting when pieces are revealed; each is one-of-a-kind,” she says. The sculptures, available at Garde in L.A., range from 6 to 14 inches high, mounted on white oak or ebony-stained Douglas fir. $180-$1,200; hollywesthoff.com.

Dossier (bits) KAREN KIMMEL Table Shapes, set of three, $125.

A vignette at the new Méditerranée Antiques.

BRENTWOOD

Brutally Honest

CARPINTERIA

CLUB MED Méditerranée Antiques has relocated to a burgeoning industrial zone in Carpinteria. Owner Carolina Pierpont, well-known to designers and collectors, offers European and Spanish Colonial furnishings throughout the 4,000-square-foot space. This fall, the gallery, which Pierpont runs with her children, will show seating and lighting designs from France and Sweden, and Mexican pottery from the 1930s.

With beach access and a microbrewery nearby, you might want to make a day of it. 500 Maple Ave., Carpinteria, 805-6950910; mediterraneeantiques.com.

WRITTEN BY MAILE PINGEL AND ANDREA STANDFORD. LILY LODGE: ARIANA LAMBERT SMERALDO. SCULPTURE: HOLLY WESTHOFF. HUDSON GRACE: ANDI HATCH. MÉDITERRANÉE ANTIQUES: NANCY NEIL

When Ariana Lambert Smeraldo opened her flower shop, Lily Lodge, she was one of the first to use all-organic flowers. Now, 10 years on, she is introducing a similarly all-natural candle line.

“You could eat them,” she says with a laugh. Hand-poured into concrete vessels, scents include Geranium and Bergamot Black Pepper. Next up: a custom scent for Sunset Tower Hotel. 644 N. Robertson Blvd., L.A., 310-3609400; lilylodge.com.

lighting & home decor

Lladro

Signed by Lladró Don’t miss the opportunity to have your Lladró purchase signed by Rosa Lladró at a special Signing Event this fall in our new Beverly Hills Boutique.

For further information contact Lladró Boutique Beverly Hills 234 North Rodeo Drive on Two Via Rodeo · (310) 385-0690 · beverlyhills-rd@us.lladro.com lladro.com

Dossier

WARM welcome

At home in ST. HELENA, designer Hillary Thomas hosts a curated WEEKEND for friends. Marlien Rentmeester SENDS a postcard back Photography by ERIN KUNKEL

Dossier (trend) Clockwise from above: Hillary Thomas puts the finishing touches on the table.

Friends gather around the pool.

Chef Seth Bowden prepares the first course.

Interior designer Hillary Thomas is known for transforming homes with a magical blend of color, sophistication and preppiness. Nowhere is this on better display than at her own St. Helena abode, appropriately named Contento, an ode to the Spanish term for “happy.”

But make no mistake: Contento is not just a perfectly appointed place. It’s an out-and-out lifestyle, and one that her friends from L.A. and S.F.—including yours truly—indulged in recently for a two-night midweek stay.

C 26 FALL HOME 2015

On the agenda: bike riding through the surrounding vineyards, yoga morning sessions around the pool led by famed instructor Peter Chandonnet, delicious farm-to-table meals courtesy of Michelin-starred chef Seth Bowden, croquet and tennis at nearby Meadowood, private winery tours, midday rosé drinking, lounging, and late-night boogying in the olive tree-shaded courtyard (in our pajamas, no less!). Of course, if the whim struck, one could also play beekeeper and harvest honey from the

BEV ERLY HILLS P R E VI E W O F N E W Y O R K I M P O R TA N T JE WE L RY

Doyle NY

S P E C I A L P R E V I E W O F I M P O R TA N T J E W E L R Y

Friday & Saturday, October 2 & 3, Noon – 5pm

The Paley Center for Media, 465 N Beverly Drive, Beverly Hills Auction: October 21 in New York

Auction: November 16 in Beverly Hills I N F O R M AT I O N

Beverly Hills: Nan Summerfield, 310-276-6616, DoyleLA@Doyle.com

New York: Ann Lange, 212-427-2730, Jewelry@Doyle.com

Bulgari, Burma Ruby and Diamond Ring, ap. 7.28 cts. Est: $200,000-300,000

Van Cleef & Arpels, Diamond Ring, ap. 8.34 cts. D color, VVS2 clarity, type IIa. Est: $200,000-300,000 Diamond Ring, ap. 4.45 cts., D color, VVS2 clarity. Est: $50,000-70,000

Diamond Ring, ap. 11.65 cts. I color, VS2 clarity. Est: $150,000-250,000

Currently accepting consignments

L# 19101168

Dossier Clockwise from far left: Guests relax around the fire pit.

Fresh and organic was the theme, right down to the cocktail ingredients.

In celebration of the bounty and beauty at Contento, dinners were served alfresco (writer Marlien Rentmeester, at center).

Below: Several members of the party receive an impromptu culinary lesson from chef Bowden as they watch him prepare the first course.

C Sub

property’s buzzing hives, fetch fresh-laid eggs from the chickens or pop into town to sip a sangria at Archetype in St. Helena.

Life at Contento is utterly carefree and yet, thanks to Hillary, expertly choreographed: You are always greeted with a welcome gift bag and sent home with a bottle of locally produced wine. The meticulously stocked guest-room drawers serve up fluffy robes and scented candles and the bedside tables are laced with the most ravishing blooms.

“We don’t have a lot of time in our busy lives to get together, so I want Contento to be a place that lets you really slow down

C 28 FALL HOME 2015

and commune,” says Hillary, who recently relandscaped the grounds with help from Inner Gardens and transformed a third-car garage into a bunk room to accommodate some of the six children she and her boyfriend JP Conte have between them.

My favorite highlight of the trip: sipping “Muy Contento” cocktails (made with fresh lavender from the gardens, lemons plucked from the backyard, and honey), then lingering around the long, beautifully appointed dinner table and enjoying the most delectable food, all the while feeling very contento, indeed.

• MARLIEN RENTMEESTER

E S TAT E B R A N D I N G

YOUR HOME IS YOUR LEGACY. YOU DESIGNED IT. YOU BUILT IT. WE BRAND IT.

Creative Intelligence

Give your residence a name and identity and share the pride and pleasure of the place you call home.

It increases value and when you are ready, drives buyer interest.

Estate Naming and Logo Design Yacht and Private Plane Branding Exclusive Stationery, Custom Amenities and more

M A R C F R I E D L A N D E S TAT E B R A N D I N G

TM

FOR THE CONNOISSEUR HOMEOWNER, ARCHITECT & DESIGNER, BUILDER AND REALTOR

BY APPOINTMENT ONLY • 323.936.9009 • MARCFRIEDLANDINC.COM © 2015 Marc Friedland Couture Communications. All rights reserved.

Hudson Grace

INSIDER An old steel milling machine sets the tone in Westin Mitchell’s workshop.

Inside (opener)

Captain of Industry From his Downtown L.A. WORKSHOP, designer and furniture maker WESTIN MITCHELL launches a new salon-friendly COLLECTION that elevates the industrial aesthetic

Photography by NICOLE LaMOTTE FALL HOME 2015 C 31

Insider

Studio Visit

Clockwise from far left: A showroom in the Downtown studio highlights Mitchell’s debut collection, which includes his leather and polishedaluminum Cast Statement chair.

A mood board by Mitchell’s lighting collaborator, Uri Davillier. The walnut and brass Parlor desk.

“You can’t really ask interior design firms to come check out your garage,” says 28-year-old Westin Mitchell, brown eyes twinkling. In fact, the furniture designer has exactly the sort of rugged yet retro-debonair sensibility—down to his throwback, slicked-back coif—to pull off such an invite. But in the spirit of professionalism, Mitchell relocated his business from his West Hollywood home to a 7,000-square-foot warehouse in Downtown L.A. in January 2013.

After learning the trades of metal fabrication and woodworking at salvageinspired decor purveyor and manufacturer Cleveland Art, Mitchell left to found his own company in early 2012, quickly gaining traction with clients such as Big Daddy’s Antiques, and commissions from restaurants including Umami Burger, which tapped him to build out its Arts District locale. He changed directions earlier this year in order to launch his own line of high-end case goods: a seven-piece, limited-edition collection that mixes Art Deco and subtle steampunk references with overriding midcentury ones, nodding to Herman Miller and Charles Eames.

The new offerings have a “gentleman’s loft” sensibility with a unisex draw. “I wanted to go upscale masculine, but also appeal to women,” Mitchell says. To that end, he imbued each piece with subtly feminine characteristics: The black leather-lined steel and walnut Contour

C 32 FALL HOME 2015

Inside (turn)

Above: Laser-cut pieces of steel and brass that will be used to build light fixtures.

Below: Mitchell at work welding.

bar cart has a seductively curved, trolleylike silhouette; the smoked glass-topped walnut Parlor desk (with optional vanity) stands on legs that elegantly taper to brass tips; and the Catenary pendant light features jewelry-like glass chain links hand-torched by Mitchell’s frequent collaborator, Uri Davillier of Neptune Glassworks.

Davillier rents space in Mitchell’s studio, along with model-turned-welder Meyghan Hill of (wh)ORE HAüS Studios.

“It helps creativity to have these kinds of people surrounding you—we bounce ideas off of each other; it’s like a family,” says Mitchell, who has been known, come 5:30 p.m., to mix up a round of Moscow Mules with freshly grated ginger root at the 18-foot-long reclaimed maple and steel bespoke bar—just in time to critique prototypes. “It adds to the overall environment,” he says.

By appointment only, 737 Kohler St., L.A., 213-988-8335; westinmitchell.com.

• MELISSA GOLDSTEIN

Ebanista

f u r n i t u r e . l i g h t i n g . t e x t i l e s . r u g s . o b j e t s d ’a r t 8 0 0 . 5 7 0 .10 8 7 . e b a n i s ta . C o M

e b a n i s t a

Insider From far left: A mood box for a master suite.

A beach-house sunroom with bergere chairs from a Paris market, recovered in a toile customdesigned to depict the client’s ancestry.

Right: Alexandra Loew. Below: A mood box mixing Art Deco and tribal motifs in a style Loew calls “French Cowboy.”

In an entry hall, an Hermès gate-leg table wrapped in leather and studded with brass. The handblown rondel glass transoms were fabricated for the home.

A born storyteller, ALEXANDRA LOEW channels INSTINCTS honed as a DOCUMENTARY film producer in the HOME arena Alexandra Loew is a contradiction of the best kind. The decorator values an element of scholarship for every project, yet is also attracted to whimsy in design.

Case in point, one of her favorite architectural examples is the Palais Bulles (Palace of Bubbles) near Cannes by famed architect Antti Lovag.

L.A.-based Loew came to her current vocation following a career as a documentary film producer. She was first drawn in by an elderly neighbor who shared his own passion for architecture. A summer career-immersion course at the Southern California Institute of Architecture led to a master’s program at UCLA and a job working with Pritzker Prize winner Thom Mayne. Loew ultimately decided she was more interested in a smaller scale of detail than massive urban gestures. So in 2003, she opened an L.A. office for interior design. “I love the

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program of domesticity, how we live, why we arrange,” she says. Clarity of focus trumps a signature style for Loew, who has been known to seamlessly blend such disparate styles as New York brownstone and Moorish Revival. “Clients have a very particular narrative and each project must be appropriate for their aesthetic tendencies. At the end, I really want them to have enjoyed the journey.”

Formerly based in her native New York, where she has a second office, the designer is grateful for her new surrounds: “There is so much space for contemplation here and endless possibility,” she says.

Current projects include a landmark Victorian in Santa Cruz and a residence in Marina del Rey dubbed “the ugliest house in L.A.” by Curbed. “I mean, it had a shark tank,” Loew laughs. “I can’t wait for people to see it when I’m done!” alexandraloew.com. • ANDREA STANFORD

INTERIORS: WILLIAM WALDRON. LOEW: CAROLINA PALMGREEN. MOOD BOXES: TYLER WILLIAM PARKER

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Ask anyone in the interiors industry and they’ll tell you that the West Coast design community is a friendly place. Rather than being dominated by a feeling of cutthroat maneuvering to get that competitive edge, there is a certain inbuilt camaraderie here that’s unmatched in other parts of the country and even the world: a spirit of collaboration, and a feeling that designers come together with clients by recognizing an aesthetic and philosophical match in one another.

By some lovely coincidence, it’s that same spirit of friendship that permeates this issue. I mean that in a literal sense—a few of my own personal friends are featured herein, including Suzanne Rheinstein (“Calming Influence,” p.58) and Michael S. Smith (Collage, p.82), both early supporters of the magazine who remain influential pillars of the design community and are celebrating much-anticipated book releases this fall; and Hillary Thomas, an interior designer based in St. Helena, whose contagious joie de vivre translates not only to her sophisticated yet undeniably cheery aesthetic, but also to her entertaining style, as evident in Marlien Rentmeester’s account of her weekend sojourn at Thomas’ Spanish-style home, Contento (“Warm Welcome,” p.26). And then there’s our cover girl Tatjana Patitz (“Natural Beauty,” p.40), whose tranquil Carpinteria ranch is the very definition of understated elegance.

But I also mean it in a looser sense: The best friendships are built on authenticity, and I’m increasingly inclined to believe this goes for houses, too. The projects we feature this fall all embrace what is honest about their environs, as well as their homeowners; from a rustic-modern oasis in West Marin with deep respect for the land it’s sited on (“Ground Control,” p.54), to S.F.-based interior designer Palmer Weiss’ work for a young family, which balances impactful statements with accessibility for results she sums up as “livable luxury” (“All Access,” p.46).

I hope you find something that resonates—and if you do, you share it with a friend.

PHOTOGRAPHY BY SANG AN. TROVE: AURORA WALLPAPER (007); TROVEONLINE.COM

Founder’s Letter

JENNIFER HALE

Founder & Editorial Director

Supermodel TATJANA PATITZ creates a RUSTIC sanctuary at her CARPINTERIA ranch JENNIFER BLAISE KRAMER LISA ROMEREIN Interiors Styling by AMANDA MASTERS Styling by SHADI BECCAI Written by

Photography by

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In the entry, classic Santa Barbara tiled flooring lends itself to a low-maintenance lifestyle while boots, tack and a horse sculpture nod to Patitz’s passion for riding.

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Tatjana Patitz sits with Paloma at her feet in her own vintage Japanese kimono, cotton caftan and leather sandals.

Table runner from UPSTAIRS AT PIERRE LAFOND, Montecito.

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On her Spanish-tiled deck set above the treetops, Tatjana Patitz takes in the surrounding ocean and mountains. Not a single neighbor is visible from the remote 200-acre property: A black bear is more likely to wander up to the house than a person. Coyotes, bobcats, chipmunks, birds and peacocks provide an ambient chorus in this wildlife corridor she’s come to call home, an oasis she moved into in April with her son Jonah, age 11, and their three dogs, cat and pet doves.

“I feel like I’m in India here,” says the self-described nature lover, who posts mostly animal pictures on her Instagram account and spends five mornings a week riding her horses, which she keeps in a barn north of Santa Barbara.

Patitz, one of the original supermodels,

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Clockwise from left: In her bedroom, Patitz displays beaded necklaces with favorite books and photographs on a vintage dresser. In the kitchen, a small nook mixes European-style bistro chairs with a painted bench. She brought home the hand-carved wooden headboard from a trip to Mexico and layers it with pillows from UPSTAIRS AT PIERRE LAFOND, and a coverlet from MAISON K, Montecito.

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On Jonah: His own shirt and necklaces.

JOHNNIE-O pants, $59, johnnie-O. On Tatjana: ULLA JOHNSON dress, $495, Mohawk General Store. GRANGE hat, price upon request, Jamie Malibu. Her own boots.

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INTERIORS STYLIING: AMANDA MASTERS INTERIOR DESIGN, 310-360-0090; AMANDAMASTERSDESIGN.COM. HAIR & MAKEUP: SARAH USLAN AT JED ROOT USING MAKE UP FOR EVER

Above: Jonah’s surf- and skateboards at the entry of the A-frame-style abode. Right: Mother and son lounge on the couch; African chair, leather ottoman pouf, sheepskins and cashmere throw from MAISON K, Montecito. On Tatjana: COS sweater, $225, COS. Her own jeans. On Jonah: JOHNNIE-O button-down, $55, johnnie-O. His own jeans and belt.

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spent decades in the spotlight gracing glossy magazines, including the famous Peter Lindbergh-shot British Vogue cover alongside Christy Turlington, Cindy Crawford, Naomi Campbell and Linda Evangelista—the same iconic team who starred in George Michael’s “Freedom” video. Today she does most of her modeling work in Europe and has purposefully created a home life in California that is private, relaxed and rural. “I was never the red carpet girl,” she confesses.

After living in Malibu for 22 years, she watched the neighborhood change as beach homes made way for 20,000-squarefoot mansions and the paparazzi moved in on the community. “I wanted to pitch a tent on top of a mountain and become Jeremiah Johnson,” Patitz says with a laugh. Once her son was born she started exploring north of Malibu, and fell in love with the Santa Barbara area and its accompanying lifestyle.

Now working on downsizing her homes, she traded properties in Mon-

Above: A giant bookcase is thoughtfully arranged, making this room the real heart of the home—perfect for curling up, reading and playing guitar.

tecito and Santa Ynez for her current 1,500-square-foot retreat in Carpinteria, a place drenched in that sleepy beach-town vibe she loves.

Wood beams, oversized windows and earthy tiles serve as a backdrop for her bohemian style. Inside and out, Moroccan lanterns mingle with Mexican blankets and hand-carved furniture—much of which was collected on her travels. (Next up, she hopes to take a safari with Jonah in Kenya in conjunction with her elephant conservation work with the David Sheldrick Wildlife Trust, and maybe bring home a few choice African fabrics to add to the milieu.) In the kitchen, simple, open shelving nods to her childhood in Sweden, while the lack of a pantry forces her to cook and eat fresh. Drums and guitars are everyday fixtures in the living room, where a couch is layered with muted pillows—catering to people and dogs alike. “I like things cozy, warm and not too precious,” she says. “ ‘Userfriendly’ is my motto.” •

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SAN FRANCISCO-based interior designer Palmer Weiss achieves the aesthetic IMPOSSIBLE: pleasing the STYLE-CONSCIOUS parents of young children

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ACCESS CATHERINE BIGELOW Photography by MATTHEW MILLMAN Written by

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An unrepentant wallpaper fan, Palmer Weiss amplifies the mostly white office with treatments by Cole & Son. Opposite: Homeowner Kirsten Green with her young son.

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Op-art inspired Trove wallpaper enlivens the home’s powder room.

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Clockwise from top: Books and blooms, artfully arranged atop a coffee table in the living room.

A photograph

by Nick Brandt hangs above a Vanguard chest with Moore & Giles leather. The residence’s stately facade. Weiss and architect Charlie Barnett transformed the formerly cramped kitchen into a light-filled great room.

The creations of San Francisco-based interior designer Palmer Weiss, who expertly applies a neo-traditional aesthetic and reverence for antiques to luxurious yet livable family spaces, are in high demand.

That’s because most of her clients are just like her: financial-VC types who are mid-aged marrieds with young children.

Following art and architecture studies at Brown University, Weiss dove into business school at Northwestern University’s Kellogg School of Management.

“Before design, I had, like, 14 other

careers: investment banker, Internet consultant, retail merchandiser,” laughs Weiss as she ticks them off. Voraciously curious and delightfully opinionated, the Charleston, S.C.-reared Weiss had an early introduction to her current field as the daughter of acclaimed interiors expert Kathleen Rivers. “My training is more an osmosis from my mom,” she admits. “I’m not one of those designers who’s been rearranging her room since age 6. But I can easily identify an Oushak rug.” In 2002, Weiss finally acknowledged how

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Michael Green sits with his young children on DWR chartreuse kitchen table chairs. The nowopen kitchen glows with natural light reflecting off the walls painted in Farrow & Ball’s Strong White.

CREDITS

SEE SHOPPING GUIDE FOR MORE DETAILS, P.XXX

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“My sort-of-cliché TAGLINE is ‘livable luxury.’

I want my clients’ HOMES to be beautiful, of course. But these homes are also for their FAMILIES.”

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Weiss adds her signature pops of color to the master bedroom, including art by Natasha Law and a bright lemonyellow Belmar & Co. custom-made settee, rendered in Dedar fabric.

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much she loathed her final businesssector job and took the terrifying leap to establish her own firm.

For this Presidio Heights project, homeowners Kirsten Green, founder of the firm Forerunner Ventures, and her husband, Virtú Investments co-founder Michael, were thrilled that Weiss understood the need for the space to cater to both adult soirées and pin-the-tail-onthe-donkey parties for their two young children. The initial focus was a major build-out: brightening the dark, dingy dining room and transforming the cramped kitchen into the oft-requested

great room. The rest was a fairly blank canvas, and while Weiss leans toward color, her clients favored a palette of muted gray tones. Still, pops of saturated hues sneak in via accents, including floral Art Nouveau-indebted wallpaper in the office and a lively lemon-yellow settee in the master bedroom. “My sortof-cliché tagline is ‘livable luxury,’ ” she explains of her guiding impulse toward balancing beauty with utility. “I want my clients’ homes to be beautiful, of course.

But these homes are also for their families.

And they don’t want to worry about spilling juice on a $10,000 ottoman.” •

Above: The once dark and dingy dining room now utilizes light from the home’s original arched windows. Below: The backsplash framing the great room’s wet bar is crafted from Waterworks glass tile.

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From above: The light-filled living/ dining room (from two different vantage points) is both stylish and child-friendly.

Weiss and Barnett incorporated some of the home’s original details, such as a grillwork banister, which frames a custom-made Modernist credenza in the entry foyer.

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The SIMPLE beauty of a family’s bucolic WEST MARIN utopia shines through a LANDSCAPE architect’s restraint

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GROUND CONTROL

TOM FOX, SWA

Written by

Green roofs provide insulation, a visual element and a habitat for insects. In the distance, a “food forest” yields fresh fruit and vegetables for the family.

Opposite: The main house and sleek pool.

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In West Marin, a contemporary family home, designed to evoke the area’s rustic agricultural vernacular, is sited on a gentle knoll amid hundreds of acres of pastureland. The owners, who camped on the property before breaking ground in order to understand it intimately, chose “less-is-more” as a fundamental design principal. “There was no reason to over-develop when the views were the priority,” says William Hynes, a landscape architect with SWA design firm who collaborated with partner Lawrence Reed on the project. “The challenge was to convey the essence of the land minimally and with purpose.”

The pool in the main courtyard is a sleek take on agrarian water troughs; its raised limestone perimeter doubles as bench

Above: For the slope leading to the main courtyard, designed as a transition to and from the pastoral surroundings, Hynes used boulders foraged from the property to create a “loose staircase” with Corten steel walls.

seating. Native grasses sown on nearby slopes filter rainwater and thwart erosion.

Considering the arid region’s risky sparkability (summer temperatures will occasionally surpass the century mark), the landscape around the home is irrigated, and for additional insurance, featured plants such as California lilac are fire-resistant. Just a smattering of trees were rooted: Coast live oak and buckeye provide shade and wind buffering. And, as a seasonal touchstone, a single Marina strawberry tree stands in the courtyard. The home’s architect, Eric Haesloop of Turnbull Griffin Haesloop, has quipped that Hynes’ job was easy: One Arbutus Marina in the ground— check! “He’s just joking, but I’ll take it as a sign that we did a good job leaving a light mark on the land,” says Hynes. •

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CREDITS

CREDITS

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“The CHALLENGE was to convey the essence of the land MINIMALLYand with PURPOSE.�

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The architecture and landscaping gently embrace the knoll.

Honoring the natural terrain was the motivating force behind the design.

CALMING Paying homage to the subdued GLAMOUR of the ’20s, SUZANNE RHEINSTEIN delivers a SERENE and sophisticated interior with SURPRISE touches

ANDREA STANFORD Photography by PIETER ESTERSOHN Written by

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For the powder room, Rheinstein commissioned a pale mango silk paper from Fromental featuring painted slices of fantasy minerals, outlined with silver leaf.

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One of a pair of antique Chinese wallpaper panels, bought by the homeowner many years ago at Hollyhock, shares a corner with an urnshaped up-light.

With the explosion of self-publishing, the proliferation of D.I.Y. design and cable television home-remodeling shows, it is exceedingly refreshing to review the work of true interior design professionals. Suzanne Rheinstein is more than deserving of that designation.

Schooled in the classics, Rheinstein also brings a modern sensibility and element of comfort to each of her projects, as evidenced in a classic Monterey Colonial in L.A.’s Westwood neighborhood featured in the following pages and excerpted from her highly anticipated second monograph. Due to be released in October, Rooms for Living: A Style for

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Today with Things from the Past (Rizzoli, $65) highlights the design of welcoming, serene settings from some of her favorite residential projects.

C caught up with the acclaimed West Hollywood-based designer to delve into her incomparable vernacular: There is much talk about what it means to create modern interiors today.

What does that mean to you?

Suzanne Rheinstein: Modern is not a single object. To me, modern is your attitude and how you place everything.

And it means not always taking things so seriously; I keep my sense of humor when decorating.

ROOMS FOR LIVING: A STYLE FOR TODAY WITH THINGS FROM THE PAST BY SUZANNE RHEINSTEIN, RIZZOLI NEW YORK, 2015. IMAGES: ROOMS FOR LIVING © PIETER ESTERSOHN

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Opening onto the clipped green garden, a light-filled eating space features painted wicker chairs around a French fruitwood table, with a charming chinoiserie lantern hanging above.

Opposite: Designed by Art Luna, a handsome outdoor fireplace, ornamented with an iron star, sets the stage for elegant outdoor entertaining.

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Rheinstein found a leaf design from the 1930s that became the inspiration for the beautiful trompel’oeil drapery that she commissioned Bob Christian to paint on the walls of this dining room. The Maison Jansen chairs from the 1960s are paired with a bespoke walnut table.

“MODERN is not a single object. To me, modern is your ATTITUDE and how you place everything.”

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Above: At the window, a vintage French side bench is covered in wool satin whose foolthe-eye buttons are stenciled on.

Below: An Italian desk and chair at the top of the home’s Moderne stair railing.

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For this home, what is a distinctive touch one might miss if not pointed out?

I warmed up a bathroom in my New York apartment by stenciling button tufting on the wall and duplicated it here on a vintage French bench in the dining room. I took the wool satin weave fabric and sent it to an artist to finish it. It adds a touch of whimsy to the setting.

What was one of your favorite collaborations on this project?

I always love working with Bob Christian who we commissioned to do the beautiful trompe-l’oeil drapery on the walls of the dining room. He also created ethereal murals for the master bedroom. We share such a connection; we essentially talk in

Above: An 18thcentury French mirror above the sideboard with a pair of mirrorbacked sconces.

Below: A 19thcentury English cellaret with an intricate painted metal sculpture of a viburnum branch by the French artist Carmen Almon.

shortcuts when we are together!

Who has, and still does today, inspire you and your work?

British designer Nancy Lancaster, because she grounded everything she did in comfort. And I love the timeless chicness of Pauline de Rothschild. I’ve always admired the work of Stephen Sills and I’m drawn to the beauty and comfort that both Bunny Williams and Peter Dunham instill in their interiors.

The book that every design library should contain is…

One Man’s Folly: The Exceptional Houses of Furlow Gatewood.

Every house should have…

The personality of its owners. •

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Classic CARMEL design is ENVIRONMENTALLY REIMAGINED by architect Mary Ann Gabriele Schicketanz along the enchanting POINT LOBOS coastline

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BLOCKS CATHERINE BIGELOW Photography by ROBERT CANFIELD Written by

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A modern limestoneand cedarwood-clad residence on the Carmel coastline. Opposite: The property is cantilevered to frame a sea view.

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South of town on a coastal Carmel Highlands hillside, locally based LEEDcertified architect Mary Ann Gabriele Schicketanz of Studio Schicketanz (and former partner at award-winning design firm Carver + Schicketanz Architects) has crafted a terroir-driven architectural statement in the form of a 21st-century design house dubbed Lobos Views.

More than half of the 6,414-squarefoot property, an exquisite and environmentally conscious four-level family residence, nestles into the 45-degree grade hill. It’s clad in cedarwood and limestone—the material synonymous with neighboring Carmel-by-the-Sea cottages, and as much a signature of the Monterey Peninsula as the area’s cypress trees. Viewed from above, the exposed rooftops sprout native plants, creating a striking aesthetic from every angle. The third-level, open-plan living space is cantilevered to frame a sea view facing north out on the bay and Point Lobos State Natural Reserve. The spectacular vista is best viewed from the master suite, where 9-foot-tall glass doors slide open onto a deck-wrapped swimming

pool and entertainment lanai perched on the bay’s edge.

Utilizing a palette of soft gray, subtle beige and browns, Schicketanz beckons the surrounding terrain indoors, complementing the exterior design. In the stateof-the-art kitchen (featuring a Mugnaini wood-fired pizza oven), Boffi cabinetry offsets reclaimed stonework that organically unifies the entire home. A custom Edward Fields living-room carpet highlights pieces sourced by Schicketanz such as an original Milo Baughman rocker (reupholstered in a Larsen fabric) and a circa-1970s Guy Lefevre cocktail table.

Aside from digging a commercial-scale hillside grade and working around a protected cypress, the greatest challenge for Schicketanz was creating a floor plan that captured natural light within this energyconserving home, as its levels descend to a stand-alone four-car garage and utility space. “The children’s bathroom is built 20 feet into the mountain, yet we managed to incorporate a shaft of daylight there,” she explains. Further proof that spectacular architecture and sustainability can be one and the same. •

CREDITS

Clockwise from above: In the kitchen, Boffi cabinetry accents reclaimed stonework. In the living room, a Milo Baughman rocker faces the bay. The light-filled master bathroom.

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At her elegantly APPOINTED Pacific Palisades home, designer MARGARET WEITZMAN blends estate-saleTREASURES with APLOMB

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HEATHER JOHN FOGARTY Photography by LISA ROMEREIN Written by

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Nautical paintings

by Tony de los Reyes hang above Margaret Weitzman’s collection of colorful Peking glass vessels. Vintage Baker cane chairs surround a table from Lucca Antiques, beneath a Meeka pendant.

Opposite: Above the great room’s marble fireplace, Weitzman hung vintage mercury plates that she found in a Hancock Park consignment shop to reflect light throughout, where mismatched custom upholstered sofas keep company with an original George Nakashima desk that was a Mother’s Day gift from her husband years ago. The rug is a family heirloom that belonged to her mother.

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An Ed Ruscha painting is the focal point of the library, which is paneled in stained pine. Pat McGann tribal pillows on a John Derian Geranium sofa mix with a pair of 1970s acidetched tables by Philip and Kelvin LaVerne.

Clockwise from left: The entryway includes works from artists such as Roy Lichtenstein, Kim McCarty and Tony Berlant. Margaret with her extended family.

The Weitzman family, from left: Margaret’s stepson Jed with daughter LuLu and wife, Amanda; son Armen; husband Howard, and Margaret with granddaughter Indya. Vintage Baccarat and SaintLouis crystal perfume bottles with vintage chinoiserie boxes.

Right: In the master bathroom, a hand-painted, marble-topped Jacqueline Moore vanity is accented with nickel-plated antique sconces.

MAKEUP: KERRY MALOUF

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Los Angeles interior designer Margaret Weitzman shops estate sales the way others tackle a visit to the Louvre. “It’s like going to a museum,” she explains. “I love to study how people live, whether it’s grand or simple—what magazines they read or what sheets they have. I rarely leave empty-handed.” As a result, her layered interiors represent a sophisticated balance of classical, vintage and modern pieces, and the Pacific Palisades home she shares with her husband, entertainment

attorney Howard Weitzman (whose clients have ranged from Marlon Brando to Justin Bieber), acts as a creative laboratory for experimentation. “In my own house, I can mix every single era,” Weitzman says, “and my couches don’t match. It’s eclectic but sensible. I care as much about how the space works as how it looks.”

The Weitzmans purchased the property in 2004 and razed the existing 1960s ranch house. In its place, the couple built

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“In my own HOUSE, I can MIX every single ERA…it’s ECLECTIC but SENSIBLE. I care as much about how the space WORKS as how it LOOKS.”

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Weitzman found her vintage garden furniture at a Bel Air estate sale, repainted in Benjamin Moore Jet Black and upholstered with Sunbrella fabrics; the fountain and garden stools are also estate sale finds.

A Venetian bed from Baker is dressed with a Roberta Roller Rabbit quilt.

Below: Above an antique French walnut commode with two Chinese export porcelain elephants, sits a painting by Larry Cohen in the great room.

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a 6,500-square-foot traditional home that centers around a great room, which Weitzman envisioned as the heart of the house, where they could entertain casually.

“The great room was my response to no formal dining,” she says. “I didn’t just want to look at my living room. We actually use it.” The designer blended antique pieces ranging from midcentury to Biedermeier, mixing in her collections of mercury glass, yellow Peking vessels and Buccellati silver bowls.

In one corner of the great room, Weitzman hosts dinner parties at an antique round table, while at the opposite end, a cozy seating nook hosts Ed Ruscha’s Double Standard, vintage Peter Hvidt

C 74 FALL HOME 2015

X-frame chairs and a Chris Lehrecke stool.

A dramatic Murano glass chandelier hangs in the center, above a Chinese altar coffee table.

Throughout the home, every corner reveals a surprise, be it a collection of vintage Baccarat perfume bottles in the hallway or a Chiavari chair beside a painted table (a flea-market find) in the guest bathroom. “Powder rooms,” she advises, “should be an adventure, with unexpected things to see and use. There, you can take a chance.” And chances are, Weitzman, who is currently working on a project in Montecito, will soon be returning home with her latest armload of uncommon finds.•

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In the kitchen, a cabinet painted in Benjamin Moore Chatsworth Cream houses a mix of English stoneware dishes and Johnson Brothers blue-andwhite china. The metal pedestals supporting the kitchen table were found on the streets of Paris, and Weitzman designed the top.

Setting

A 16th-century French vessel grounds the entry to Joyce and Avi Arad’s Malibu home. Opposite: The living room displays a cultivated mix: 18thcentury chairs and a Chinese root sculpture.

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the SCENE

The CINEMATIC weekend retreat of Hollywood MOVIE producer Avi Arad and his family offers a WORLDLY take on Malibu living MAILE PINGEL Photography by MIGUEL FLORES-VIANNA Written by

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Feature (tbd) Clockwise from top left: The master bedroom is anchored by a Mansour Modern rug. A guest room features linens from around the globe.

A stone table from Formations sits in the living room. A vintage shell-encrusted side table in the living area.

“Bare feet, torn T-shirts, playing in the waves with my dog, and long sunset walks are the essence of my life in Malibu,” says filmmaker Avi Arad of the beach house he shares with his wife, Joyce, and their three children. The producer, famous for comic-book blockbusters like Spider-Man and X-Men, has happily embraced one of the world’s most enviable lifestyles. “Even as a boy of meager means in Israel, I always loved being on the beach.” So when a prime oceanfront lot came on the market, the couple jumped and set about building a new home with designers Richard Hall-

C 78 FALL HOME 2015

berg and Barbara Wiseley, who had also designed their Beverly Hills residence.

Though the Greek island of Mykonos provided inspiration for the architecture and landscaping, the beachfront house could be located anywhere. “Our goal was for it to feel like you’re in another world without having to get on a plane,” says Hallberg. “We started with what it was supposed to feel like, then we sketched and it slowly evolved.” At the same time, there’s something distinctly Malibu about it. “And we chose materials that are strong and pure, which reminds us that this is a place of peace,” adds Joyce.

“We wanted this house to be different from our city house—a kind of beauty enhanced by the ocean and sky,” says Joyce.

Myriad artifacts line the living-room shelves.

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The property is entered via a lushly planted courtyard that encloses a guesthouse and sitting area, and often the grandchildren’s toys. The stone underfoot (reclaimed from French chateaux) flows directly inside, unifying the entire floor plan, and the bronze-framed doors seem to disappear as the ocean comes into view.

“It’s carefree,” says Hallberg, noting that it’s the mix of new and antique furnishings, textured materials, and objects from ancient cultures that coin the prevailing mystique. “We wanted this house to look like everything had drifted in off the ocean.” The key to

continuity, he stresses, is the integrity of disparate elements: “All the pieces have a similar substantiality—the woven baskets, the matchstick blinds.”

Between the designers’ vision and ideas from Joyce, an artist, the result is at once a meditation on impermanence and an intimate portrait. “Everything can weather here,” notes Hallberg.

“The older it gets, the more beautiful it will become.” The one constant is the coastline. “My favorite room is not a room, actually,” Avi admits. “It’s sitting on the beach, clearing my mind from everyday issues and filling it with the poetic view of Malibu.” •

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CREDITS

On the beach loggia a builtin, upholstered banquette, Formations stone capitals as tables and a Janus et Cie chair encourage relaxation; closer to the beach, Santa Barbara Designs umbrellas shade Sutherland chaises.

The courtyard entrance to the home is marked by a driftwood console table and welcoming script; Formations lantern and planters.

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Collage Lauded DESIGNERS share their California MOOD

Michael S. Smith “I am always surprised by how many houses I see that don’t take advantage of the incredible weather and gardens California has to offer.

I think it is amazing to create spaces like a poolside living room or outdoor dining area that are functional and beautiful for the better part of the year.

This is but one of the many reasons to live in this incredible state.”

BJORN WALLANDER/OTTO

Collage

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