2907 2907 55th 55TH street
STREET
the THE baby BABY GoAt
GOAT
exp. EXP.
10.31 8.13 2013 2015
weekend special!
$1 off
Coffeehouse
WEEKEND SPECIAL!
$1 OFF
ANY coffee drink coupon valid saturday & sunday 2907 55th street
the baby GoAt
exp. 10.31 2013
ANY COFFEE DRINK
2907 55th street
next to valmont post office mon - fri 6 to 6 | sat 7 to 3 | sun 8 to 1
weekend special! COUPON VALID Buy any SATURDAY & SUNDAY coffee drink, receive 2nd for a penny! coupon valid saturday & sunday
CONVENIENTLY LOCATED NEAR THE BOULDER CREEK BIKE PATH AT
55TH STREET & PEARL PARKWAY
Coffeehouse
Mediation • Conflict Resolution Restorative Practices • Restorative Justice Conflict Coaching • Extensive NVC Training Contact me today for your free consultation
Brie Stranahan (303) 506-9022 • brie@fullcircleresolution.com 4450 Arapahoe Ave., Suite 100, Boulder CO 80303
Folsom Street Laundry THE CLEANEST PLACE IN TOWN
• Self-Service • Wash/Dry/Fold Service • Dry Cleaning • Coin and/or Credit Card Machines • Comfortable Seating and Free Wi-Fi • Accepts iPay
1785 Folsom St. Boulder, 303.442.5339 46 August 6, 2015
screen ILY IMF
What’s not to love about this ‘Mission Impossible’ series? by Ryan Syrek
A
t some point, Mission Impossible and the 007 series “freaky Fridayed.” Bond moved from implausible ridiculousness to slightly-more-grounded cloak-and-daggerism, whereas Ethan Hunt (Tom Cruise) is now climbing into airplanes by holding on to a door handle while it takes off. There’s room for both types of espionage spectacles, and Mission Impossible has found its place by embracing the fact that, whether or not he’s Going Clear, Cruise is one of the greatest movie stars of all time, if not the greatest of all. After a theme-song-blasting, completely ludicrous (in the best possible way) mini-mission to open Rogue Nation, the film cuts to what everyone wants more of in their action movies: congressional hearings! CIA bigwig Alan Hunley (Alec Baldwin) squares off against Impossible Mission Force (IMF) leader William Brandt ( Jeremy Renner), with the former demanding the IMF be dissolved. Hunley has a shockingly valid point, as he lays out the wanton collateral damage Hunt and company have left in their wake. Brandt’s feeble, bland defense With his agency dissolved, superspy Ethan Hunt (Tom leads to his spy squad Cruise) must hobble together the resources to take down being quashed with a “the Syndicate,” a globe-spanning criminal enterprise designed to topple governments and unleash chaos. demand all agents abroad return home. But Ethan Hunt ain’t tryna hear that. He’s hot on the tail of “the Syndicate,” which Hunt’s sidekick Benji (Simon Pegg) astutely dubs the “Anti-IMF.” Composed of former super spies from various nations who were presumed dead (but actually just switched alliances to the Syndicate), the organization creates disasters and civil unrest with the intention of eradicating the modern status quo. They are led by Solomon Lane (Sean Harris), a weasel-faced dingus who is always one step ahead of Hunt. Along with bad-ass mystery woman Isla Faust (Rebecca Ferguson), whose alliances are hazy as hell, Hunt and his disavowed spy buddies must save the world. Again. Actually, again, again, again, but who’s counting? Renner was added to the series previously as a safeguard in case the studio wanted to ditch Cruise, who was seen as a potential liability. That they didn’t switch leads is a blessing for two reasons: first, because literally the only reason these films work is Cruise’s action-swagger and stunt ballet; second, because Renner’s increasingly irritating acting prowess consists of making a face that says “We gonna do dis ting or what?” What’s great about Rogue Nation in particular is how it embraces the “legend of Ethan Hunt.” By now, dude has saved our global bacon in so many spectacular ways, another agent tells him that there’s no way all the things she’s heard about him could be true. Hunt’s response to that statement? A coy smile only Cruise could flash. To wax philosophical, Rogue Nation is a reminder that there’s a difference between “a mindless action movie” and an action movie. The dialogue, acting and larger plot are passable but not ignorant, and the set-piece action sequences are sublime. From breathless chases on motorbikes to silent fights at an opera house, Rogue Nation dabbles in magnificent spectacle after magnificent spectacle, transferring Cruise’s smile from his face to yours. As fun and vibrant as a fifth installment of a series has ever been, we should be so lucky as to have Mr. Hunt accept more missions. This review first appeared in The Reader of Omaha, Nebraska.
Boulder Weekly