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contents NEWS:
Conference on World Affairs preview by Boulder Weekly Staff
11
....................................................................... BOULDERGANIC:
Rethinking attitudes toward sustainability by Angela K. Evans
19
....................................................................... ADVENTURE:
Business and ethics in sports by Caitlin Rockett
23
....................................................................... BUZZLEAD:
‘Above the Fold’ showcases origami pieces that push boundaries of paperfolding art by Chelsea Abdullah
27
....................................................................... ARTS & CULTURE:
An IFS retrospective unlocks the artistry of Wim Wenders by Michael J. Casey
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OVERTONES:
Anders Osborne is still trying to figure it all out by Dave Kirby
39
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....................................................................... NIBBLES:
Cell phone food photos can make your kale smoothies taste better by John Lehndorff
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departments 5 THE HIGHROAD: How corporate bamboozers intend to widen inequality 6 DANISH PLAN: Boulder, Uber, Google and traffic 8 LETTERS: Signed, sealed, delivered, your views 34 ARTS & CULTURE: ‘Newsies’ reminds us that change is possible 41 BOULDER COUNTY EVENTS: What to do and where to go 47 48 49 51 57 61 63 65 67 69
POETRY: by Richard Jarrette SCREEN: ‘Batman v Superman’ is evil FILM: Connecting the old to the young in ‘Hello, my name is Doris’ CUISINE REVIEW: Red Rock Coffeehouse checks a lot of boxes DRINK: Raspberry Provincial from funkwerks works ASTROLOGY: by Rob Brezsny S AVAGE LOVE: Q & A with the Jewish Community Center of San Fran WEED BETWEEN THE LINES: Deconstructing stereotypes CANNABIS CORNER: The dirty origin of the war on drugs IN CASE YOU MISSED IT: An irreverent view of the world
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staff Publisher, Stewart Sallo Editor, Joel Dyer Advertising Director, Jeff Cole Director of Operations/Controller, Benecia Beyer Circulation Manager, Cal Winn
commentary
EDITORIAL Senior Editor, Matt Cortina Associate Editor, Angela K. Evans Entertainment Editor, Amanda Moutinho Special Editions Editor, Caitlin Rockett Contributing Writers: Peter Alexander, Dave Anderson, Rob Brezsny, Chris Callaway, Michael J. Casey, Gavin Dahl, Paul Danish, James Dziezynski, Sarah Haas, Jim Hightower, Dave Kirby, Michael Krumholtz, Dylan Owens, Brian Palmer, Leland Rucker, Dan Savage, Alan Sculley, Ryan Syrek, Greg Thorson, Christi Turner, Tom Winter, Tate Zandstra, Gary Zeidner Interns: Alexandria Kade, Tommy Wood, Peter Ferrante, Max Heidt, Chelsea Abdullah, Avery McGaha, Alexa Friedman SALES & MARKETING Retail Sales Manager, Allen Carmichael Senior Account Executive, David Hasson Account Executive, Julian Bourke Market Development Manager, Kellie Robinson Inside Sales Representative, Jason Myers Classified Advertising Account Executive, Derek Rear Marketing Manager, Laura Wilder Mrs. Boulder Weekly, Mari Nevar PRODUCTION Production Manager, Dave Kirby Art Director, Susan France Graphic Designer, Mark Goodman Assistant to the Publisher Julia Sallo Office Manager/Advertising Assistant Andrea Neville CIRCULATION TEAM Dave Hastie, Dan Hill, George LaRoe, Jeffrey Lohrius, Elizabeth Ouslie, Rick Slama 16-Year-Old, Mia Rose Sallo
March 31, 2016 Volume XXIII, Number 35 As Boulder County's only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holdsbarred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county's most comprehensive arts and entertainment coverage. Read the print version, or visit www.boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you're interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper. 690 South Lashley Lane, Boulder, CO, 80305 p 303.494.5511 f 303.494.2585 editorial@boulderweekly.com www.boulderweekly.com Printed on 100% recycled paper with soy-based ink.
Boulder Weekly is published every Thursday. No portion may be reproduced in any form without written permission from the publisher. © 2016 Boulder Weekly, Inc., all rights reserved.
the
Highroad How corporate bamboozlers intend to widen inequality in America by Jim Hightower
Boulder Weekly welcomes your correspondence via email (letters@ boulderweekly.com) or the comments section of our website at www.boulderweekly.com. Preference will be given to short letters (under 300 words) that deal with recent stories or local issues, and letters may be edited for style, length and libel. Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.
Boulder Weekly
T
he basic problem facing the corporate and political powers who want you and me to swallow their Trans-Pacific Partnership (TPP) deal is that they can’t make chicken salad out of chicken manure. But that reality hasn’t stopped their PR campaign, which pitches their “salad” as good and good for you! For
example, a corporate front group called the Peterson Institute for International Economics recently issued a study blaring the happy news that TPP will increase real incomes in the U.S. by $131 billion a year. Even if that was true (and plenty of other studies show that it’s not), it’s a statistic meant to dazzle rather than enlighten, for it skates around the real bottom line for the American public: An increase in income for whom? In the past 15 years or so, and especially since 2008, it’s been made perfectly clear to the workaday majority of people that the corporate mantra of “income growth” benefitting everyone is a deliberate lie. Practically all of the massive annual increases in U.S. income, which every worker helps produce, now gushes up to the richest one-percent, with millionaires and billionaires (the one-tenth of 1-percenters) grabbing the bulk of it. Economists have a technical term for
For more information on Jim Hightower’s work — and to subscribe to his award-winning monthly newsletter, The Hightower Lowdown — visit www.jimhightower.com.
this: “stealing.” TPP is written specifically to sanction and increase the robbery of the many by the world’s moneyed few, including provisions that give additional incentives to U.S. manufacturers to ship more of our middle-class jobs to places like Vietnam, with minimum wages under 65 cents an hour! Don’t be bamboozled by glittery studies. TPP is a manure salad tossed together by the super-rich to further enrich themselves at our expense, and it would intentionally exacerbate the widening gulf of inequality in America. For information and action tips, go to Public Citizen’s Global Trade Watch at www.citizen.org/trade. This opinion column does not necessarily reflect the views of Boulder Weekly. March 31, 2016 5
danish plan Boulder, Uber, Google and traffic by Paul Danish
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I
have a modest proposal for dealstructure like parking and wider roads. ing with Boulder’s traffic mess: In other words, if driving becomes a outsource the problem to Google romping, stomping pain in the keister, a and Uber. certain number of a town’s potential Boulder’s traffic mess is bad; drivers and in-commuters will quit the worst I can recall since I’ve been doing it and the traffic in the town will here. Don’t take my word for it, just find a stable level. drive up and down 28th Street (aka The trouble with the approach is Damnation Alley). And it’s going to that the “stable level” of traffic is going get worse because: to be so intense, noisy, smelly and con• Industrial and commercial gested that it will do real damage to a growth, which has never been contown’s environmental quality, overall trolled in Boulder, is accelerating quality of life and economy. because Boulder and Boulder County A better option for Boulder is to are a national magnet for computing, find ways to use the existing street life sciences and other knowledgenetwork more efficiently and ways for based enterprises. More jobs means its automobile fleet to operate more more commuting. efficiently — to do more with less in • The City Council, in the name of other words. affordable housing and economic and Fortunately, some emerging disrupsocial diversity, is encouraging multitive technologies can help Boulder do family residential growth and would this. Which is where Uber and Google like to densify come in. Boulder’s residenOne is the type tial neighborhoods of software used by by allowing addicompanies like IS THAT ALL THE OLD tional living units Uber, Lyft and in owner-occupied others that allows STRATEGIES FOR single family private car owners MOVING TRAFFIC ARE homes (essentially to become for-hire PRETTY PLAYED OUT a back-door trip providers — upzoning). with the number of AND ACCOMPLISHED • The providers on the ALL THAT CAN BE University of street at any given EXPECTED OF THEM. Colorado is time determined expanding its by market forces enrollment (currentinstead of a govly 30,000) by several hundred a ernment licensing authority. In princiyear on the Boulder campus. ple at least, this allows some privately• Geography, geology and previous owned vehicles to be used much more development mean Boulder’s ability to efficiently (those of the drivers), and expand or meaningfully upgrade its obviates the need for others to be used street network is limited. at all (those of the passengers). • Alternative transportation — Boulder should aggressively partner buses, light rail, bikes, skateboards, with companies like Uber and Lyft to camel caravans — isn’t a meaningful help get enough drivers on its streets for alternative to the automobile for most the services to become a real alternative people. to operating privately owned cars. It So what are Boulder’s options? should also partner with other Boulder One option is to do nothing and let County cities and with Boulder County the situation deteriorate. This option to make these ride services an alternative actually has a name, which was coined to single vehicle, (and often single pasby the late Jane Jacobs, author of the senger) intercity commuting. Most of all, book The Death and Life of the Great it should partner with the University of American Cities and one of the most Colorado to encourage both student drivers and student use. influential urban planners of the 20th Doing these things does not require century. any new technology and could be It’s called “the attrition of the autoimplemented quickly, if the will is there mobile.” to do them. Briefly (and over-simplified), the The other disruptive technology concept amounts to “if you don’t build that could make a difference is Google’s it, they’ll quit coming,” with “it” in this self-driving cars. These could be a real case being additional automotive infra-
WHAT IS CERTAIN
game-changer in a host of different ways, ranging from using the city’s street network more efficiently to putting privately owned cars to work while their owners are at work instead of occupying parking places, for example. To this end, Boulder should ask Google to make it an early test city for self-driving vehicle technology. Deploying vehicles that are completely autonomous is still probably several years away, but testing them with human back-up drivers could probably start immediately if the city chooses to allow it. And Boulder could make a real contribution to autonomous and semiautonomous vehicle operation by designing and installing a dedicated communications network that would allow self-driving vehicles to communicate with each other. Partnering with Google, which is already a Boulder corporate citizen and is in the process of becoming a much bigger one, should be a nobrainer for both Boulder and Google. Given Google’s location — at the corner of Pearl and 30th — and given the amount of parking it is intending to provide (probably not enough), Google is going to need some innovative ways to get its employees to and from work. As for Boulder, it clearly needs some innovative ways of dealing with what is rapidly turning into a transportation crisis. Will these approaches make a difference? We won’t know until we try them out. My guess is the most important factor for success is whether governments find reasons to make them succeed or reasons to make them fail (like bureaucratic foot-dragging, allowing itself to become entangled in its own red tape, and death by political process). Unfortunately, local government has become pretty good at the latter in recent years. What is certain is that all the old strategies for moving traffic (and for managing growth and protecting the environment for that matter) are pretty played out and accomplished all that can be expected of them. And that without some fundamentally new strategies and approaches in government — starting with a can-do attitude to problem-solving instead of a can’t do, won’t do, don’t do one — the problem isn’t going to get solved and will only get worse. This opinion column does not necessarily reflect the views of Boulder Weekly. Boulder Weekly
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8 March 31, 2016
Beet Field Community Brainstorm
Occasionally, a stray copy of Boulder Weekly makes it over here to the hinterlands of Chaffee County. A visitor left us your Feb 25th issue, and I just read with surprise and dismay your update on growing GMO crops on Boulder County open space lands. Commissioner Cindy Domenico’s lament over the lack of alternative ideas from the public at the time GMO sugar beets were first considered is simply not true! I served as an original member of Boulder County’s Food and Agriculture Policy Council (FAPC), which in late 2008 was asked by the commissioners for a recommendation regarding growing GMO sugar beets on countyowned agricultural lands. Each FAPC member received and reviewed a mountain of literature on the issue from the County Department of Parks and Open Space (POS). Noticing that the materials provided were heartily in support of growing GMOs, the FAPC did a great deal of additional research to round out its understanding. As an FAPC member in the summer of 2009, I called a public meeting of interested parties to brainstorm the situation, inviting the general public, the sugar beet farmers, POS staff and the commissioners. The room at Lefthand Brewery in Longmont was packed, one wall was covered in huge swaths of paper, people loosened up with a beer or two, and even one brave sugar beet farmer showed up. We covered the entire wall with ideas, floor to ceiling — terrible ideas, brilliant ideas, ridiculous ideas, intriguing ideas, economic ideas, agricultural ideas, social ideas, practical ideas, visionary ideas,
some pure genius and a whole lot of crap — like any thorough brainstorm. We held a follow-up meeting at the county fairgrounds, clarifying and organizing the brainstorm into a presentable format. We did nothing to evaluate the ideas, leaving that for the county agricultural staff, for the farmers, and for local entrepreneurs who might find value in them. Market and other conditions have changed since 2009, so any analysis would yield different conclusions today. In particular, industrial hemp is now on the scene and solar electric panels have dropped significantly in price. I created a report from the 15 charts generated at that meeting: Beet Field Community Brainstorm — Possibilities for Transforming Production on Boulder County Open Space Lands that Currently Support Sugar beets. After a brief introduction, the charts were presented, including Possible Crops, Possible Value-Added Products, Available Resources, Processing and Storage Facilities, Evaluation Criteria, and Possible Long- and Short-term Strategies. A spreadsheet of over 50 potential crops summarized everything, and a color chart captured the process. Given a few minutes to speak about the Brainstorm near the start of the next public hearing, I handed copies of the document personally to Commissioner Pearlman, Commissioner Toor and Commissioner Domenico, as well as to POS staff, who were well aware of it at the time. It was clearly not, as BW quoted Commissioner Domenico, that the public offered only “all-or-nothing demands.” It was that the public was ignored. In the end, a large majority of the Boulder Weekly
letters FAPC — the county’s very own agriculture council — recommended to the commissioners that GMO sugar beets NOT be grown on county-owned open space lands. I never heard back from anyone about the Brainstorm. Thank you to the many fine people who contributed their time, energy and creativity to the Brainstorm project! Copies are available upon request. Sandy Cruz/Salida, CO
Cáceres’ blood is on Hillary’s hands
Thank you, Boulder Weekly, for publishing “Paying the Price: Indigenous environmental activists have become targets of violence” (3/24) by Angela K. Evans. Yes, the persecution these activists are suffering deserves greater attention, particularly the March 3rd assassination in Honduras of the internationally renowned and Goldman Environmental Prize-award winning Berta Cáceres. What’s interesting is what the piece doesn’t mention. Perhaps Evans feels she’d be seen as partisan for saying it, but the blood of Berta Cáceres is on the hands of Hillary Clinton. In 2006, Honduras elected a reformist president, Manuel Zelaya, a member of the wealthy Honduran elite, but one with a conscience and an agenda that included the vast majority of poor Hondurans. In 2009, as has so often happened throughout Latin America over the last decades, a U.S.armed, -trained and -funded military staged a coup. This was in violation of international law, of course, and Latin American leaders, in particular, asked that the election results be honored, that Zelaya be returned to power. The all-important U.S. decision rested in the hands of Secretary of State Hillary Clinton. Would the U.S. do the right thing, the legal thing? No, the U.S. called for new elections. Two problems: First, in calling for new elections, Clinton de facto legitimized the coup by agreeing that the Zelaya election would be nullified. Second, while a new election might sound good in theory, in a state under martial law, in a nation with functioning right-wing death squads, the notion of a free and fair election is nonsense — and Hillary Clinton knew this. A March 11, 2016 Democracy Now! story, “Before Her Assassination, Berta Cáceres Singled Out Hillary Clinton for Backing Honduran Coup,” has Cáceres blaming Clinton for a sort of rolling coup; in other words, the fascist violence that was unleashed in the Zelaya overthrow was never checked, and today, it continues in terror directed at those struggling against huge interBoulder Weekly
national hydroelectric companies and banks, as Evans well explains. Yes, Hillary likes to portray herself as an advocate for women, as someone who as president would protect our environment and respect human rights, but ask the ghost of murdered Berta Cáceres, and she will tell you her blood is on Hillary’s hands. Paul Dougan/Boulder
Go Donald
Once again Donald Trump has
made the major media and his detractors look like idiots. Apparently in 2012 we gave Mexico over $200,000,000 in aid. In 10 years that’s a billion dollars. So the past corrupt president of Mexico, Vicente Fox may want the Donald to F himself, but the fact of the matter is that $200,000,000 plus a year plus the savings in food stamps and other social services will eventually get the job done. The real problem is that we have a
president that armed ISIS, and allowed ISIS into the U.S., wants to start WW III with Russia over Syria and does everything to let the millions of illegals swarming over our Mexican border stay. But I can’t be mad at Obama in that he is only doing what his mother and father would want him to do. That is to take down America. If they don’t take Trump out like they took out JFK, our nation has hope of greatness again. Joseph DuPont/Towanda,PA
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news CONFERENCE ON WORLD AFFAIRS
by Boulder Weekly Staff
T
he 68th annual Conference on World Affairs hits Boulder on April 4 and runs through April 8. Yes, that Conference on World Affairs, the one that’s been embroiled in controversy for the past couple of years over who should control the event. But here’s the deal. Despite the ongoing squabbling, there are still hundreds of local volunteers giving their time and energy to make this year’s conference another wild success. The people of Boulder are once again opening their homes to panelists and providing them rides to and from the airport. And best of all, a whole bunch of really smart and creative people from all across the country are once again descending on the University of Colorado Boulder to participate on panels, where amazing and important subjects will be discussed for free and everyone is welcome. And as has always been the tradition, panelists will be taking questions from students of all ages and any members of the community who feel the urge to be enlightened. In short, CWA remains one of the year’s most important opportunities for Boulder County residents. So don’t miss the year’s best discussions of politics, arts, life, the environment and so much more over something like, well, politics. As is the tradition at BW, we have chosen a few of the panels that you’ll have the chance to see next week and are previewing them just to whet your appetite. If these examples are any indication, it’s going to be a great year for Conference on World Affairs.
Not Your Mother’s Feminism 4 p.m. Thursday, April 7, UMC 235
I
n her early 20s, journalist Bonnie Burton was heavy into the ’90s punk music scene. But concerts were a hassle — as men gravitated toward the front, women were pushed to the back. “Unless you knew how to throw a punch, you wouldn’t be able to get up front at some of these shows that were more hardcore punk bands,” Burton says. When the Riot Grrrl movement came along, Burton finally found a musical haven, which sparked a lifelong flame for justice. “[The bands] would say, ‘Girls to the front!’ ... And that was the first kind of inkling for me to say, ‘Oh yeah, we deserve to see the concert as much as anybody else,” she says. “It put that seed in my mind of, ‘We deserve this too,’ which to me is what feminism is all about.” Twenty years later, Burton is still outspoken about feminism and the need for gender equality in her work. Burton will be a part of the Not Your Mother’s Feminism panel at CWA, along with Vivian Nixon, Vivian Onano and Kathleen Adams. Boulder Weekly
Feminism has seen many iterations over the past and merge together brings a different concept and century, from the Suffragettes who secured voting perspective in addressing feminism and also gender rights to the second wave who fought for broader equality.” issues including reproductive rights and equality in Onano’s platform is that through education, we the workplace. Since then, the meaning can achieve gender equality. has changed and gone through growing Courtesy of CWA “For me, education has really pains to fulfill modern-day needs. But empowered me, education has given at its core, it’s a multifaceted issue that me a voice. ... It’s every child’s right to calls for people to stand up for equality access education,” she says. “Why and global change to improve the facwould you only want to give it to one ulties of women everywhere. gender and not the other? I don’t think “That’s why feminism keeps changthere’s any time that I’ve been asked ing; it needs to suit the time that it’s why it’s important to educate a boy in,” Burton says. child, but everywhere I go I’m asked, Today’s feminism sees the conversa‘Why is it important to educate a girl tion growing wider and deeper. Activist child?’ Why do you have to justify girls and entrepreneur Kathleen Adams says going to school? It’s a basic human that with the use of technology, more right.” people have access to myriad platforms Kathleen Adams While progress has been made, Courtesy of CWA to use for change, like the Hollaback!, there’s still a long way to go to even which Adams was a founding board the playing field for both genders. But member for. Hollaback! is a nonprofit each panelist has high hopes for the organization that uses cell phones to future. end street harassment by letting “I would like it to be where femiwomen note locations of where they nism is no longer a hot button issue. I were bothered and even snap a picture want equality to be for all,” Adams of the offender — reclaiming the consays. “It would be great where we don’t trol of the situation and fighting back. have to talk about women’s rights, we Technology is also integral in helpjust talk about human rights, but obviing women share their diverse experiously we can’t ... until women are libences. Intersectional feminism showerated and empowered.” cases the many, many perspectives and Bonnie Burton Until then, feminism will be there Courtesy of CWA issues that women face today. to knock down remaining barriers. “With the expansion of human “Sometimes doors are closed to women, and that’s crap,” Burton says. rights and people recognizing different “There should be just as many female statuses in gender identities, [femidirectors, female showrunners. There nism] is becoming more national in should be just as many women writing terms of conversation,” Adams says. major comics for Marvel and DC as “It’s no longer a white woman’s liberal there are men, and that’s just not the agenda. It’s a movement that captures case today. It’s sad, because you think the voices of all. Whether it be with in this day and age we’d be paid the trans rights or gay rights or Black Lives same for the same job and be hired as Matter, [feminism] has to capture the much as men for certain jobs, and that voices of the group that it represents.” we’d be respected as much. That’s why Also on the panel is Vivian Onano. Vivian Onano feminism is so important to keep Born and raised in Kenya, Onano is a thriving and to keep the next generawomen’s and girls’ rights advocate and tion fighting for it because until these a youth advisor to the U.N. Women Global Civil Society Advisory Group. And she brings problems are solved, feminism needs to exist.” Onano says feminism starts with the person; each a global perspective to the topic of today’s women’s of us has a responsibility to help the problem. “There’s rights and intersectionality. work that has to be done, and if I don’t do it, who do “I think it’s those different experiences that makes I expect to do it? It has to start with me.” the conversation very rich,” Onano says. “We realize In the future she hopes for more. “Definitely more that maybe the issues that you’re grappling with in the women leaders ... women being respected in different U.S. are different than the issues we’re grappling with leadership positions, and young girls having access to in Kenya and South Africa and are different than the issues with the Pakistani or Iraqi women are grappling See CWA Page 12 with. But the fact that all these stories come together March 31, 2016 11
news CWA from Page 11
education, despite social class or family background. [I want] for women to be in power, develop a voice of their own, be confident, and actively participate in the socioeconomic communities and countries. “I know it’s a big vision and big goal,” she says with a laugh. “But I think it’s achievable if everybody has a small part. We all have a small part to do.”
Millennial Culture is an Oxymoron 3:30 p.m. Thursday, April 7, Old Main Chapel
M
illennials are maligned. Attached to them by older generations are the undesirable qualities of self-centeredness, short attention spans, feelings of entitlement and a lack of social skills. But do millennials contribute and advance art and culture? And are those accusations just the latest in the longrunning tradition of “kids these days” frustration levied by generations past? These are the questions that will face the aptly Ryan Lash named Millennial Culture is an Oxymoron panel on April 7. Millennial is the name for the generation of people born roughly between 1980 and 2000. Millennials are the first generation to grow up in the so-called digital age, and many received their first cell phones, email addresses and computers around puberty. This familiarity with technol- Ty Tashiro ogy has characterized millennials, and shaped the way they view the world — and how Generation X, baby boomer and silent generation predecessors view them. “It was 1960, and I was training in England,” says panel moderator Christopher Sarson, a long-time child psychologist and television producer. “One of the rules that editors told you you had to do was to put a picture on the screen for at least three seconds so that people could absorb it. Look at the way that has changed, look at the montages and impressions of these hundreds of pictures in 60 seconds, which give you the impression of something instead of the detail.” That there is only an impression of substance and originality is the argument against millennial popular culture, which consists of things like selfies, photo filters, clickbait websites like Buzzfeed, Snapchat, nostalgic TV and movie remakes, and more. But those arguments are only half-true because every generation has levels of originality and creation, says panelist and photographer Alexandra Huddleston. Take photography, for instance. With phones equipped with high-quality lenses and editing software, amateurs can take decent-looking shots, but that will never replace the cultural need or desire for higher-quality photography, Huddleston says. “The bar over time has gotten lower and lower and lower. It’s like writing,” she says. “If you’re writing text messages to your friends, sure, you’re a writer. And you accept the quality that your friends write the same as with pictures they take. But there are different levels, and some people can appreciate those lev12 March 31, 2016
els.” With a new ubiquity of venues to share art, gatekeepers like record companies, publishing houses and newspapers have become sparse. That means, for every opportunity for good art to be consumed, there’s an equal opportunity for bad art. “I do think we’ve gone through a period where sometimes people who are obsessed with the technology itself have lost sight of the importance of editors, of curators,” Huddleston says. “So you do have that issue, but that doesn’t mean that there isn’t a place that you can go to to get quality.” The only millennial on the panel, Max Nanis, works in the cracks between current popular culture, both online and in reality. As a conceptual artist, programmer and computational biologist, Nanis uses current technology to create beneficial and unique art and programs. For instance, Nanis created a book of poetry out of responses to questions about life from users of Amazon’s Mechanical Turk marketplace, a place where anyone can take a basic data entry job for Courtesy of CWA
Courtesy of CWA
Max Nanis
Alexandra Huddleston
mere cents per project. Or, there’s the program that changes YouTube view counts in your browser to the number of human lives it would take to watch that video that many times. Plus there’s the “biologybased” card game that tries to use data gathered from numerous users to determine predictive patterns for breast cancer. “No millennial had a choice to be a millennial. They didn’t know any other medium or any other way to create art,” Nanis says, adding that if he were born 100 years ago, it’s not like he would be unproductive. “I would find some way to convert my contemporary interests into the available media at the time.” There seems to be an agreement among the panel that the issue is not with millennials per se; the issue is perhaps with everyone adjusting to technological advances. So why is there a stigma about millennials and about the culture they are creating? “There’s always been a lot of repurposing of content and form. No one has any ability to create a novel thought. To assume the baby boomers were apparently more creative or original is total rubbish,” Nanis says. “People romanticize their own struggle. They have the sense that their child has it easier than them.” Nanis adds that that generational blame goes both ways, saying that “anybody that gets mad at previous generations is selfish” because “if you have a millennial complain that a previous generation gets a job more easily or whatever, I would say, ‘One: You are younger. Pull an all-nighter, and get shit done, and take that person’s job. Two: Remind yourself they are old and
cannot work as hard as you. Put more into it if you want more out of it.’ I want to die knowing that was my work ethic.” Huddleston, a self-proclaimed member of an inbetween generation, says she wonders why there’s a need to label millennials at all since everyone contributing to culture today is dealing with technology and the new opportunities and problems it presents. “We live in an incredibly capitalistic society, so one of the things that goes on with this type of label is that people who like to create markets are creating markets by defining people in such a way,” she says. But that doesn’t mean that there aren’t unique characteristics about millennials to market to — or hail/complain about. Panelist and author Ty Tashiro recently wrote about dating patterns among millennials, an exercise that revealed beneficial qualities of the generation. “Millennials seem to be committed to think about quality friendships and quality connections,” Tashiro, who has a Ph.D. in psychology, says. “They seem to be committed to, ‘How can we do this marriage thing better?’ Some people see it as being skittish or noncommittal, but the better take is that they’re being thoughtful.” When asked to speculate, Tashiro says the lasting legacy of the millenials might be that they’re invested in the truth over all. “They just got so much marketing and so much BS from big institutions that reached its peak right before the financial crash,” Tashiro says. “I think there was a lot of growth out of that, and I think that was millennial-driven. ... I think some of the criticisms leveled at millennials — that they’re complainers and that they shift jobs a lot — I don’t see it as driven by a lack of work ethic or a lack of caring or thoughtfulness, I think it’s the opposite, but I think they just have to thrash around.” Sarson, the moderator, says he won’t speculate on the future creations of millenials, but that Donald Trump is an outpouring of the impressions, and not substance, created by the technology age. Nanis shares a lack of interest in speculating legacy, but puts it a little more bluntly. “That’s a historian’s job,” he says. “I would never waste my life to take a snapshot and to relish this time of my life.”
The Myth of the Rational Voter 1 p.m. Friday, April 8, Macky Auditorium.
A
mericans’ record on civic engagement has slowly declined as voter turnout has hovered just at or below 50 percent, with few exceptions, since the 1960s. In the 2014 midterm elections, only 34.6 percent of eligible voters showed up at the polls, the lowest turnout since World War II. But midterm elections always draw a smaller crowd and presidential election years tend to see larger numbers, with 2008 boasting the largest turnout, both in the primaries and general election, in over 40 years. This election year is turning out to be record setting as well. According to the Pew Research Center, the Republican presidential primary has already Boulder Weekly
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drawn over 17 percent of eligible voters, with more than a dozen states yet to weigh in. This is up from an 11.6 percent previous high in 1980. In this environment, both Donald Trump and Bernie Sanders, at first considered fringe candidates, have only increased in popularity, much to the dismay of the establishment in their own parties. And this brings into question the thought processes, perceptions and motivations of the average voter — their rationality if you will. “In this election cycle, you could say, and you see it on both sides of the spectrum, that there is a high degree of anger,” says Robert Kaufman, a participant in this year’s CWA, a professor of public policy at Pepperdine University and professed neo-conservative who has written extensively about foreign policy in the Bush and Obama administrations. “Is it rational to be angry? Perhaps. Is it rational to manifest your anger in the way it’s been manifested? Not necessarily. ... We’ve had angry periods in American politics; what’s different about this is the more untethered nature of the anger.” Daniel Stid, a CWA participant who works at the William and Flora Hewlett Foundation, has also taken notice of the overall voter sentiment this Courtesy of CWA Courtesy of CWA year, calling it “frustration” rather than anger. He is the director of the Madison Initiative, which supports deliberation, negotiation and compromise in Congress, as will as the communication between members of Congress and the people they represent. “A lot of people are deeply unhappy and frustrated with how Robert Kaufman Daniel Stid the system is working and to the extent that both political parties are Courtesy of CWA Courtesy of CWA reflecting their priorities,” he says. For Stid, this problem stems from two central issues: a decline in both American civics education and the media’s coverage of Congress. “There’s a tension in our understanding of democracy in that we want to believe and think as citizens of a democratic country that we have the wherewithal and ability to Mary G. Wilson Jeffrey Smith understand the issues and develop a firm view on what should be done about them, identify the candidates that reflect that point of view and then vote for them,” Stid says. “But there’s problems with that although they are reasonable assumptions.” This shouldn’t cast doubt on the American democratic process, however. “We are not called upon as individual voters to decide what we should do in a given instance, but because we have a representative democracy we are called upon to choose people to decide on our behalf,” Stid says. “Just because we don’t have a universal dispassionate grasp on the issues doesn’t mean that we as voters can’t choose the people who are making these laws and choose who over time should be holding power.” In terms of access to information, Stid doesn’t so much blame the voter for this lack of knowledge but rather larger players such the corporately controlled media. He also points to the declining media coverage of Congress, as larger newspapers in many states no longer have reporters in Washington. Panelist Mary G. Wilson, past national president of the League of Women Voters, also attributes the increased polarization of voters to a lack of information. “Part of the problem in the last maybe 20 years is that voters are bombarded with these little snippets of information through candidate advertisements or through the media and they don’t necessarily get the full picture,” she says. “And so they respond, and they rationally vote in accordance with their perception [which] is based on the information that has been presented to them. ... I come to the conclusion that voters are acting rationally. They just may not be voting the way that they would if they had all the information that would be good to have.” But Kaufman disagrees with this theory. “It’s very dangerous to be patroniz-
March 31, 2016 13
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ing and say if somebody disagrees with you the information is flawed,” he says. “There’s plenty of information out there, we have more information now than we’ve ever had before. ... It’s the recipient of the information, not the lack of information itself.” Panelist Jeffrey Smith, for one, has spent 20 years researching the available information for himself. As an anti-GMO advocate, he is the founding director of the Institute for Responsible Technology, which has become a major source for consumers, policy makers and health professionals about the risks associated with GMOs. Based on his research, Smith believes the biotech industry uses powerful lobbying and financial contributions “to skew perceptions and choices,” creating misinformation campaigns that target specifically members of Congress but also trickle down to the individual voter. And he believes this creates a culture of shame that manipulates citizens who may disagree with corporate interests. “There’s a lot of disempowerment that’s associated with the corporate disinformation programs,” Smith says. “They are saying, ‘Don’t pay attention to your own opinions, don’t pay attention to your intuition, don’t pay attention to others. Ignore others and listen to us.’ And that [shaming] mechanism is the foundation of why some of these campaigns are so effective. ... It’s using human nature in a way that’s counterproductive.” Regardless, Smith sees a growing force of empowerment coming from activists, nonprofits and other groups that let people know they don’t have to be ashamed of differing opinions, and it’s manifesting itself in the marketplace. “There’s a sense in the U.S. that real change happens in politics, and I think so often politics follows real change,” Smith concludes. If recent voter turnout is any indication, perhaps political change is coming. While some are concerned about who is voting and how they are voting, Wilson, for one, would just be happy to see more people vote. “Whether they vote rationally or irrationally,” she says, “you’d wish they’d vote.”
Terrorism and the Role of the Media 9 a.m. Wednesday, April 6, Macky Auditorium
W
ithin hours of the attacks in Brussels on March 22, Republican presidential front-runner Donald Trump told NBC’s Savannah Guthrie and Matt Lauer that if he were president he would torture terrorist suspects. “Frankly, the waterboarding, if it was up to me, and if we changed the laws or had the laws, waterboarding would be fine,’’ Trump told NBC via phone. “If they could expand the laws, I would do a lot more than waterboarding. You have to get the information from these people.” Then Guthrie chimed in. Courtesy of CWA “If you talk to experts who do these interrogations, you often find a division,” she said. “Some people think that kind of harsh interrogation technique works and will deliver you the information and others say it doesn’t work, you will get false information. Are you in the camp that harsh interrogation — let’s use the word: torture — works in a case like this?” “Yes, I am. I am in that camp,” Trump responded. “I don’t believe the other people. I am in that camp. Absolutely.” Mark Fallon, an expert on terrorism and international security matters, says the NBC reporters dropped the ball in response to Trump’s “totally irresponsiMark Fallon ble” comments on torture. “[Trump’s statements] are dangerous; they could damage our national security and harm our troops. I really feel the media needs to challenge [comments like] that,” Fallon says. “An informed media ought to know how ineffective the policies of the past have been. How the [enhanced interrogation techniques] program was a disaster. What I find, often times, is the media doesn’t do the research. They 14 March 31, 2016
Boulder Weekly
news haven’t read the Senate Select Committee on Intelligence torture report, the executive summary that concludes that [torture doesn’t work]. They aren’t well informed on the Senate Armed Services Committee on detainee abuse of the past. So they recycle and repeat what candidates say or what people who are not authorities on this say.” Fallon’s entire career has revolved around understanding insider threats and violent extremism; after 9/11, Fallon worked with the Department of Defense to investigate terrorist trials and assess risks associated with releasing or transferring detained terrorist suspects. On Wednesday, April 6, Fallon will join three other panelists for a discussion on terrorism and the role of media. Courtesy of CWA Among those panelists will be independent journalist and social media researcher Anna Therese Day. Like Fallon, Day agrees that journalists have a responsibility to, as CNN political analyist John Avlon put it, “call BS” on false and racist rhetoric from political candidates. “Trump and ISIS have something in common: They have managed to set the agenda for the American news cycle instead of newsmakers and journalists making informed editorial decisions about the needs of the American public and priorities and truth, which is what is so frustrating about coverage of Trump,” she says. Anna Therese Day “We don’t see enough context from journalists. They’re not bringing in voices that prove [his statements] to be racist and inaccurate. Everyone makes Trump out to be a joke, but prove it from a journalistic point of view.” Day has spent time on the ground in Bahrain, Egypt, Israel, Jordan, Lebanon, Libya, the Palestinian territories, Syria, South Sudan and Turkey — just to name a few places — focusing on American foreign policy, women’s issues and youth organizing. In the summer of 2013, Day was one of the first American journalists to develop close source relationships with ISIS fighters, dining with them, learning about their families. At the time, the Western world knew next to nothing about this sect of fighters that had been rejected by al-Qaeda for being too violent. Also at the time, the group still depended on traditional media outlets for exposure. But social media has changed that. “I’m a journalist who started in the Arab Spring, and I saw social media used arguably for good, to topple dictators, to empower youth movements, to empower women previously not allowed in political organizing spaces outside the domestic sphere,” Day says. “But then I also witnessed a region transform dramatically in just a few shorts years when we saw this tool turned against people, turned against minorities and turned against my colleagues, journalists, with the rise of ISIS. I’ve had a front row seat for that. I think that’s been the most powerful juxtaposition in this issue for me, how [social media] can inspire the best and empower communities and also empower the worst.” But traditional media too, in Day’s view, is playing a role in “empowering the worst.” By merely extending a platform to a candidate like Trump to express undeniably racist and inaccurate views — this is a man who condones torture, advocates building a wall at the U.S.-Mexico border, and supports a “shutdown” of Muslims entering the U.S. — Day says the American media is failing. “I think we have a very distorted view of terrorism in the U.S.,” she says. “This hyperbole in the media and elections is not only incensing but also inaccurate and leading to a frightening culture for Muslim Americans.” Fallon echoes Day’s sentiments. “For me, an informed media is the best weapon in a democratic society, those who know the facts and are wiling to challenge someone when they say things like that.” Also joining Fallon and Day on the panel is Heather Hurlburt, director of New Models of Policy Change at New America, and Oliver Morton, briefings editor at The Economist.
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ustainability is an all encompassing concept that affects every part of our lives. It’s not just about science and the environment but also includes art, family, movement, politics and education. And while most of us, to some degree, wrestle with balancing the necessities and conveniences of daily living in the mod- Andrés Edwards ern world and our consumption of resources, sustainability seeks to resolve this internal conflict by providing lasting solutions. And for many of the experts addressing the topic at the Conference on World Affairs, it all starts with the individual. “You can look at the broader definition [of sustainability] in terms of living within the means of nature and looking at it into generational issues and looking at a respect for limits and looking at stewardship,” says panelist Andrés Edwards. “But ultimately I think it’s really important for each individual to figure out what is my stake in it? How can I contribute? What is my role in this?” Edwards has a varied background in sustainability consulting for numerous projects and exhibits who has written several award-winning books on the topic. But he’s principally an educator, which allows him to help people connect to larger abstract concepts. Through education, Edwards says, people are able to gain a greater understanding of themselves and the impact they have on the world around them. And with that belief, he retorts the common response he hears that one person can’t significantly contribute to sustainability on their own. “Each individual actually makes a huge difference,” Edwards says. “If you’re true and believe you’re doing something that has meaning for you, then if you take it out into the world, chances are you will have an impact.” Understanding the scale of that impact is also significant, Edwards says. While most people can’t relate sustainability on the policy level, they can contribute to it on the local level.
Nelson admittedly ON THE BILL: “resists” the 11 a.m. Tuesday, April 5, UMC West word sustainBallroom ability, preferring instead the concept of generativity, because it relies on creating surplus to pass onto the next generation, rather than simPeter C. Frumhoff Matthew Nelson Andrea Polli ply slowing down the use of finite resources. Bringing in yet another perspective is panelist Andrea Polli, a professor at the University of New Mexico. orking in the fields of art, ecology and digital media, she’s most concerned with the issue of technology and sustainability. “I’m critical of a thought process that “It all starts locally, it starts with us,” Edwards says. says [sustainability has] a technological fix,” Polli says. “That’s the only place you can start.” “There’s a level in which it’s a real social problem.” And it’s this concept of scale that also brings in As a social issue, becoming sustainable is a question of Matthew Nelson, a movement therapist, dancer and community interaction for Polli. While she’s moved to choreographer. “It’s not an all-or-nothing, there are levels of scale,” New Mexico in hopes of living a more sustainable lifestyle, such as access to locally grown food, she has since Nelson says. In his work, Nelson also focuses on the struggled with living on a larger piece of land that requires individual but understands the larger context that susmore energy than her previous New York apartment, tainability requires. where she shared heating and cooling with her neighbors. “I’m particularly interested in how we “There’s this aspect of how you live with the other embody sustainability,” Nelson says. “How people in your community and how we all sort of live we experience our bodies extends trementogether,” she says, “that ties in with the sustainability dously to how we participate in the world question.” at large. ... Sustainability is this outward And with that, she sees the goal of sustainability idea that we contribute to, but it starts constantly evolving. Take greenhouse gas emissions for internally.” example, Polli says. At the 2015 COP21 Paris climate And to do this, Nelson says we have to conference, “people were actually talking about zero take care of ourselves first and foremost. emissions and that’s a target that we’ve never really Although the world might see this as selfheard before.” ish, he likens it to putting on your own oxygen mask Polli, Edwards and Nelson will also be joined by before helping others in case of an emergency on an Peter C. Frumhoff, the director of science and policy airplane. for the Union of Concerned Scientists (UCS), an “If we’re talking about being sustainable with the organization of leading scientists seeking to create a earth as a system, it means starting to put our pieces sustainable future. In his work and writing, he advotogether and function as a whole,” he says. “And the cates for corporate accountability and international only experience I can have of that is my own. Unless cooperation in combating climate change while we deal with how are we living within ourselves we can’t really bring a full perspective to how are we doing denouncing corporate lobbying and misinformation campaigns. that with each other.”
RETHINKING ATTITUDES TOWARD SUSTAINABILITY by Angela K. Evans
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Last week, CSU announced a team of researchers, led by CSU but pooled from seven other universities and the United States Department of Agriculture, had won $10 million from the USDA’s National Institute of Food and Agriculture to research ways of improving the sustainability of the Ogallala Aquifer. The Ogallala is the largest freshwater aquifer in the world, sprawling under eastern Colorado and seven other Great Plains states. Because the enormous aquifer provides water for about 30 percent of agriculture in the U.S., the U.S. Geological Survey speed of its decline from overuse has sparked concerns about how long this water supply will last. About 30 percent of the aquifer has already been depleted and 70 percent may be gone by mid-century, according to an article in Bloomberg Businessweek last year. The four-year research project brings many disciplines to bear on how communities can collaborate to make water management systems more adaptable and effective. “This project offers an opportunity for much-needed integration and collaboration to extend the life of our shared groundwater resources,” said Meagan Schipanski, the project’s lead investigator, in a press release. The project seeks to help sustain the thousands of rural communities whose economies depend on reliable water from the aquifer. But these communities are spread across a vast region and the groundwater levels in these areas vary widely, implying a need for management strategies tailored to smaller areas. With a diverse group of researchers located throughout the region, the project can observe the big picture while also keeping a close eye on the communities most affected. — Avery McGaha
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ADVENTURE Wikimedia/ Glenn Brunette
Wikimedia Commons/ Daniel Norton
Wikimedia Commons/ Andrew Huse
Wikimedia Commons/ Keith Allison
Alex Rodriguez
Lance Armstrong
Maria Sharapova
Tom Brady
BUSINESS AND ETHICS IN SPORTS Ethics seem to go out the window in professional sports by Caitlin Rockett
F
or journalist Adam Schrager, “Frankly, when it comes to business the act of playing sports is a in sports, situational ethics rule the day, ON THE BILL: pretty decent metaphor for where aspirational ethics are just someBusiness and Ethics in life. thing you write about, or when you win Sports. 2 p.m. Tuesday, April 5, UMC Center “Sports, at best, teaches championships you get to talk about,” Ballroom, University of wonderful lessons, from teamwork to Schrager says. Colorado Boulder. hard work, goal setting. Everything that There are two stories Schrager plans we do in life, you can see examples in to bring to the panel table to exemplify sports of how you can get better in life,” these two ethical frameworks. One of Schrager says. “Yet ethics is essential also those stories involves the University of in how we perceive ourselves, and does Colorado Boulder’s 1990 football team the vision of our self marry with the reali— the team that won the national chamty of ourselves? I don’t know. I think pionship. sometimes it does, yet in the high stakes To make a long story short, the Buffs professional sports world it doesn’t.” scored a winning touchdown as the Schrager will sit down with three clock ran out, and they did it on a fifth other panelists and discuss business down — an illegal play that cast doubt and ethics in sports on Tuesday, April 5 on the team’s claim to the Division 1-A at the Conference on World Affairs. national championship that year (which Central to Schrager’s take on the topic they shared with Georgia Tech). are two forms of ethics: aspirational and situational. The scandal didn’t go without notice — referee Aspirational ethics are the highest moral standard J.C. Louderback and his crew realized they had failed to which someone can aim — of course these ethics to flip the marker to note the third down, resulting in are going to vary depending on a person’s culture, val- the extra play. The refs conferred for nearly 20 minues and morals, but ultimately, these are principles utes to decide how to proceed, and during the delay, based on an absolute moral standard. radio and television announcers began to note the While situational ethics aren’t the exact opposite extra play. Ultimately, Colorado was awarded the of aspirational ethics, they encompass a looser set of touchdown and given the chance at the extra point. rules. Here, someone takes into account the particular Schrager worked for 9News in Denver at the time, context of a situation and acts accordingly, and the and spoke with Louderback after the controversy. choice may not come from a purely moral place. see ETHICS Page 24
Boulder Weekly
March 31 , 2016 23
ADVENTURE ETHICS from Page 23
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“This one failure, one mistake events and athletic contests including ended up basically costing him his both Negroes and whites,’” Schrager career,” Schrager says. “It fascinated me wrote for WISC-TV in Wisconsin in ... this idea, from an ethical standpoint, August 2014. what role you have in acknowledging Schrager says “in literally six hours when you know a mistake happened. Is of this law being passed in Louisiana,” it simply that’s how the game is played? the University of Wisconsin Athletic Could the University of Colorado come Director Ivan Williamson canceled the out and forfeit that game? What are contract for the two games. the ethics of that? What’s the business “Both of these teams were great,” impact of something along those lines?” Schrager says. “LSU wins the national In 2015, title and Courtesy of CWA Lindsey Koehler Wisconsin is wrote about the number 4 with so-called fifthone loss. The down scandal for question to me is, 5280, stating that who in today’s day it cost CU and age would approximately $20 give up a chance million, including for national statrevenue lost from ure like that on a decrease in outprinciple? On ethof-state enrollics?” ment. Schrager says This, Schrager he isn’t sure anysays, is an example one would. of situational ethFootball cerics. tainly isn’t the “Bill only sport where McCartney proethics seem to fly claimed to be as out the window Investigative journalist Adam Schrager has soulful a man as in the face of reported on ethical gaps in sports throughthere was,” out his career. He’ll bring that knowledge to winning. Schrager CWA. points to Maria Schrager says of Sharapova’s recent the conservative performance Christian head enhancing drug scandal. Then there’s coach of the Buffs at the time. “Yet he Lance Armstrong, the New England was very content to not apologize.” Patriot’s “Deflategate” controversy, and Schrager points to an older story as an example where aspirational and situ- accusations claiming the University of North Carolina at Chapel Hill created ational ethics met. In 1957 the University of Wisconsin bogus courses to help keep basketball players eligible. On an international was set to play a two-game series with scale, FIFA has been embroiled in what Louisiana State University — one has been called a corruption crisis, with game in Madison, one game in Baton dozens of officials accused of being Rouge. But just the year before, in involved in criminal schemes. 1956, Louisiana passed a law prohibitFor Schrager, it all comes down to ing integrated sports contests, barring being a good citizen, a lesson he’s tryblack athletes from competing with or ing to teach his young children as they against white athletes. make their first forays into participatoAt the time, Wisconsin had some of ry sports. the first African American football play“I think being a good citizen means ers in the Big Ten Conference: starting not taking what you don’t deserve at quarterback Sidney Williams, halfback Denny Lewis and wide receiver Earl Hill. the expense of somebody else,” he Louisiana’s law had perhaps as much says, then laughs. “That’s extortion in to do with bigotry as it did with winning the criminal world, but in sports somehow that’s OK. Why is that OK? I don’t football games — LSU had lost the understand.” Sugar Bowl in 1956 to the University of Schrager will be joined on the panel Pittsburgh, where African American by professional referee Ismail Elfath, Bobby Grier was a running back. economist Bill Martin, and journalist “The next legislative session, Joe Sexton, a senior editor at Louisiana state lawmakers overwhelmProPublica. ing passed a measure to ‘outlaw social Boulder Weekly
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BUZZ LANGUAGE OF FOLDING
‘Above the Fold’ exhibition showcases origami pieces that push the technical and conceptual boundaries of the folding art
BY CHELSEA ABDULLAH
w W
hen picturing origami, one often thinks of carefully constructed, but otherwise small and simple paper-folded animals or plants. The current exhibition at the Longmont Museum, however, shows that origami art is more complex than the traditional paper crane. Above the Fold, showing through May 1, features folding at its finest. The exhibition features many renowned origami artists of both national and international backgrounds. Paper folding techniques have been discovered throughout various cultures across the world, but the word origami is of Japanese origin, with “ori” meaning to fold and “kami” meaning paper. It is still widely debated when exactly origami was invented, but many historians have drawn its origin back to the invention of paper, around 105 A.D. Origami was said to start as a part of ceremonial exchange in the sixth century, and then later became a part of many folktales, one of the most well-known being the story of the 1,000 paper cranes. The show in Longmont proves not only how far origami has spread, but also how far it has evolved. Above the Fold highlights the technical intricacies of each piece and challenges the traditional limits of size, shape and concept. Robert Lang, an artist in the exhibit that has been studying origami for several years, says that origami has recently seen an upheaval as a modern art form. “The origami that people are doing today are things that would have been thought unimaginable 10 years ago. ...” Lang says. “I’ve
Boulder Weekly
Susan France
“Pentasia,” Robert Lang
been following origami since the 1960s when I got involved in it, and the artistic field has changed incredibly in terms of the complexity and realism, but also in terms of artistic statements and the types of forms and lines that people are doing today, even if they’re not complex.” Lang is showing two pieces, one whose quality is also measured by its quantity. “Vertical Pond II” is a series of 60 fish taking up an entire wall. When you follow the line of the folded figures, it feels less like folded paper on a wall and more like fish in a pond. The work was made with Origamido paper, created and produced by Michael LaFosse and Richard Alexander, who collaborated with Lang on this project to help the artist use colorful ornamental paper to accentuate the shape and beauty of koi fish. “The paper is just a joy to fold,” Lang says. “It’s beautiful, and it feels wonderful. For some time I had the idea that I wanted to create an origami design that showed off this paper in particular and hit upon the idea of doing a large school of koi fish. Koi are decorative as a subject, and they’re also very individual and unique.” Lang’s inspiration for origami started with nature and then later, as he studied technical subjects in school, he came to apply that logic to his art. “Math has played a big role in my origami because it lets me achieve things that I couldn’t do based just on intuition,” Lang says. Math has rules, and to Lang, origami soon became a similar see ORIGAMI Page 28
March 31, 2016 27
Susan France
BUZZ
“Vertical Pond II,” Robert Lang
ORIGAMI from Page 27
undertaking. He searched for order in the meticulous folds and found creativity in the details. For his other piece in the exhibit, “Pentasia,” Lang translated the mathematical practice of Penrose tiling into origami. By working and manipulating the numerical theory, Lang created a 3-D representation. The piece is a work of careful symmetry and utilizes irregular patterns that contain no gaps or overlaps. On the opposite side of the origami spectrum is Miri Golan and Paul Jackson, who focus more on storytelling. Golan and Jackson are a married couple both showing their own pieces in Above the Fold. The two work together not just on personal artwork, but on origami that teaches cultural awareness. Golan depicts her relationship with religion with interpretations of holy books in her pieces, “One book,” “Scroll” and “Two Books.” “Scroll” is made up of the same lightweight paper that composes holy
texts like the Bible. While “Scroll” resembles the Torah, it is just an imitation, and isn’t made from the actual text because she knows that religion is a sensitive topic. “I don’t want to hurt anyone’s feelings,” Golan says. “But I do want to talk with my art.” Golan’s technique involves twisting paper, which is a literal representation of the way people twist the words of the holy books. In her other two pieces, the paper is winding and reaching out for the other book, representing a unity and parallelism between religions. “It shows the relationship between the two [holy] books,” she says. “They come from the same origin but are very different.” Golan comes from Israel, a place where religion is relentlessly in contest, but she’s doesn’t judge people based on religion. “I work with Palestinians, and I think they are beautiful people,” she says. “The reason I decide people are friends of mine
Susan France
“One Book,” Miri Golan
28 March 31, 2016
Boulder Weekly
Susan France
BUZZ
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“Untitled,” Paul Jackson
ON THE BILL: mysterious, a little poetic is not because of his reliAbove the Fold. and maybe a bit of a gion or his culture. People Longmont Museum, conundrum as well when have forgot this. ... It’s the 400 Quail Road, Longmont, 303-651you look at them,” he character of the people that 8374. Through says. will make you love [them].” May 14. Jackson shares the Her desire to unite goal of pushing origami people is displayed in her beyond the traditional pieces, and she also and expected form. Starting out, he works to bring people together thought origami was limited as an art, through her organization, the Israeli not because of its traditional technique Origami Center. She and Jackson both but because of its lack of concept. educate children, teachers and design “If I have a criticism of origami it’s students on myriad aspects of origami, that even though it’s very beautiful and such as how to use it as a tool to teach very interesting, it’s not really about geometry. anything,” he says. “So it became my For Jackson’s work, also in Above the mission when I left college to try to Fold, he often starts with a printed develop technical languages of folding.” image then expands on it. His piece in There’s more to origami than meets the show is a series displaying his the eye, however. Origami is unique hands, called “Untitled.” On one side among paper crafts as it requires no the hands are fragmented and abstract, and on the other they’re representation- materials other than the paper. Experimentation, the likes of which can al, folded but still very clear. be seen in the Longmont exhibition, The pieces are meant to reflect the showcase not only exceptional talent, motions of the hands in relation to the but also unique stories. art form, displaying the same sort of “Working with paper is not a conturning motions made when creating ventional art,” Jackson says. “Everyone the origami. who does it has their own story.” “They’re supposed to be a little Susan France
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arts & culture A director of Homeric proportion
An IFS retrospective unlocks the artistry of Wim Wenders by Michael J. Casey
S
ing to me of the man, Muse, the man abroad and at home. Sing to me his story as a wanderer and a traveler, armed with a camera to photograph the inner, the outer and the eternal. Sing to me his tales of twists and turns, encompassing the globe and exploring the familiar with infinite detail. Who could fill that bill quite like the great German director Wim Wenders? Luckily for the citizens of Boulder, his works are the subject of an upcoming retrospective at CU’s International Film
The American Friend, playing at IFS 6 p.m. on April 15.
Series — featuring nine films, all newly restored under Wenders’s direct supervision. Wim Wenders — born Wilhelm Ernst Wenders in Düsseldorf, German in 1945 — came to prominence during the New German Cinema of the 1970s. Triggered by the Oberhausen Manifesto in 1962 — a conscientious break from Germany’s past — a new style of German cinema was born, one that bore allegiance to Britpop and Hollywood over traditional Germanic history and storytelling. Wenders, alongside countrymen Werner Herzog and Rainer Werner Fassbinder, gained celebrity on an international stage. But unlike Herzog and Fassbinder, Wenders’s legacy tends to be limited to a few titles,
while the rest of his oeuvre is relegated to obscurity — an undeserving fate for masterpieces of independent cinema. This is what makes IFS’s Wenders retrospective all the more a cause for celebration. Here is a chance for moviegoers to set sail and hit the road with cinema’s wandering poet, to explore Wenders’s aesthetic and watch his style develop over the course of three decades of work. IFS kicks off the retrospective on April 8 with Wenders’s second feature film, The Goalie’s Anxiety at the Penalty Kick, from 1972. Adapted from a novel by Peter Handke — who also wrote the script for Wenders’s most famous work, Wings of Desire — Goalie is greatly influenced by painting, a craft Wenders studied and practiced before picking up a camera. After years of study in Paris, Wenders admitted he was not a great painter, but his studies laid a foundation for his work with the moving image. “I was very much attracted to frames,” Wenders says in an interview for Louisiana Channel. “I liked the idea that everything was framed in paintings and everything in the frame was right. Maybe that is an idea of beauty. It was all organized.” Much like the directors of the New American Cinema, Wenders learned his craft by going to the movies, but as critic and filmmaker Mark Cousin notes in The Story of Film, “Wenders has often said that the anti-Jewish and nationalistic cinema of the Nazi period destroyed German image-making.” Wenders had no choice but to look to America for inspiration, and Americana imbues the works of Alice in the Cities, 1974 (April 9); Kings of the Road, 1976 (April 10); The American Friend, 1977 (April 15) and Paris, Texas, 1984 (April 16). All are inspired by American imagery, but contain the sting of the American occupation. “The Americans have colonized our subconscious,” Kings of the Road hitchhiker Lander (Hanns Zischler) declares.
ON THE BILL: Wim Wenders Retrospective. April 8- 24, Muenzinger Auditorium, 1905 Colorado Ave., Boulder, 303-492-1531. See a full schedule at internationalfilmseries.com
Though America inspired Wenders, he would never succumb to its cultural imperialism. In Tokyo-Ga, 1985 (April 17), Wenders blends documentary footage of Japan with clips from Yasujirô Ozu films in an attempt to understand where reality ends and cinema begins. A theme that continues through his most widely known masterpiece, Wings of Desire, 1987 (April 22), where the angel, Damiel (Bruno Ganz), meditates on a simple question: Why am I me and not you? Although watching a Wenders film can be an enchanting experience, describing one can be frustrating. Wenders’s cinema is a road trip where the windshield — a frame and a barrier — reveals life, but remains removed. As Roger Ebert pointed out in his Great Movies review of Wings of Desire “[Wenders] suggests what it would be like to see everything and not participate in it.” But that doesn’t mean that Wenders is disconnected from what his camera is capturing. Much like the work of Charlie Chaplin, Michael Powell, François Truffaut and Yasujirô Ozu, Wenders is genuine in his sincerity. His work lacks irony. In lieu of directorial moralizing, Wenders asks his audience to engage with the subject matter directly. Wender’s retrospective concludes with the director’s cut of Until the End of the World (April 23) and Buena Vista Social Club (April 24). Here is a chance to engage with nine works from a cinematic master in close succession; to see themes develop and aesthetics mature. It doesn’t take long for a skeleton key to form and unlock a treasure chest of wealth. As the goalie (Arthur Brauss) in The Goalie’s Anxiety advises: When watching a soccer match, don’t watch the forward with the ball. Watch the keeper. While the other eyes and players focus in on one central point, the man with the ball, the keeper dances a lonely dance in anticipation of what is to happen next. The same can be said of Wenders’s films. It is difficult to pull your eyes from the faces of Bruno Ganz, Dennis Hopper, Harry Dean Stanton, Solveig Dommartin and Peter Falk, but when you do, you will see a whole world back there.
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March 31, 2016 33
arts & culture A place at the table
‘Newsies’ reminds us that change is possible when we band together by Angela K. Evans
J
ON THE BILL:
Newsies. Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239. Through April 9.
Deen Van Meer
ust because we only make pennies don’t give anyone the right to up and rub our noses in it,” says a frustrated newsboy in the musical Newsies. When a few cents the difference between life and Selma (film), 2014, PG13 isdeath for these boys on the streets, THURSDAY, FEBRUARY 4 revolution starts brewing in an epic battle against The Man. Disney’s Broadway production Love Story (film), 1970, PG of Newsies, now playing at the The April Fools THURSDAY, (film), 1969 FEBRUARY 11 Buell Theater in Denver through April 9, follows the story of New THURSDAY, MARCH 31 York City newsboys striking unfair price hikes that cut into Amelie Big Fish(film), 2001, R their earnings at the turn of the THURSDAY, FEBRUARY 18 20th century. (film) The show is based on the true THURSDAY, APRIL 7 story of strikers seeking fair compensation for their work from Curved-Space Stranger than Fiction newspaper giants Joseph Pulitzer Newsies tells the true story of a two-week strike by more than 5,000 newsboys in 1899. Comedy (film) and William Randolph Hearst in THURSDAY, FEBRUARY 25 1899. The strike, which lasted nearly two weeks, halted that won choreographer Christopher Gattelli a Tony Award THURSDAY, APRIL 14 newspaper circulation throughout the city and all of New in 2012. England as more than 5,000 children demonstrated across While the chorus is the strength of the show, like any Curved-Space Comedy the Brooklyn Bridge, stopping traffic for several days. good story, Newsies also finds its hero in the single character Between (Comeday) the Folds It’s a story that resonates just as much today as it did of Jack Kelly. And it’s in the character of Jack that we can (documentary), THURSDAY, APRIL 2008 14 more than a century ago as both employers and employrelate to the story on an individual level as he struggles with THURSDAY, MARCH 3 ees are faced with an ever-widening wage gap that has an internal conflict we all face — between individuality and caused strikes across industries in recent years, from community, balancing our own self-interests and the interests Front Range Film to fast food workers. And it’s this inequality that of others. Festival preview night teachers has become a major driving force of the current presidenAs Jack wrestles with his own needs and dreams, as well The (films)Secret of as his insecurities, he finds himself, for a brief moment, at tial election, as candidates and voters on both sides of (film), Roan Inish THURSDAY, APRIL 28 1994, PG the spectrum debate this issue. This makes Newsies all odds with the community around him. Individualism entices THURSDAY, MARCH 17 Jack, causing him to retreat and isolate himself from the oththe more relevant as perhaps there’s no better metaphor ers, telling him he’s better off by himself. That is until he for the disenfranchised than orphaned children banding realizes these boys aren’t simply friends, but family, and the together as they fight to survive. $8 Admission impossibilities he faces alone are achievable if he relies on The demonstrated power of the collective voice is others. 6 pm Lounge & bar Newsies’ main strength, and the musical is driven by songs The boys soon become a galvanizing force throughout the and dance numbers performed by an incredibly talented cho7:15 pm Films & entire city. Joined by the feisty and ambitious journalist rus. Lyrics such as “Wrongs will be righted/ If we’re united/ comedy in our Katherine Plumber, together they, “Challenge a whole generLet us seize the day,” are intertwined with different dance styles such as ballet, jazz and tumbling to create cohesive and ation to stand up and take a place at the table,” — a message new theatre young voters need to be reminded of in this election year. powerful numbers that leave the audience cheering. Mixed 6 – 8 pm Museum The strike eventually entices not only newsboys from other with a dynamic (and Tony-award nominated) set design that galleries open boroughs but all child workers across industries, as Jack and aptly captures the bustling city life of New York, these friends successfully negotiate a fair compensation with ensemble performances steal the show. But the show-stopping moment came after intermission Pulitzer. It’s shows like Newsies that give us hope; that show us the in act two’s opening number, “King of New York.” The prestrength of a united community; that remind us that vious day, newsies were both and arrested as newspaper IS A PROUD SPONSOR throughout history, change has come as people stand together henchman and police broke up the first day of the strike. But the newsies taste their first bite of success as this initial in the face of injustice. And that change, more often than not, comes as the established authorities make room for the 400 Quail Road | Longmont strike makes front page news, even as many of them sport voice of the younger generation. black eyes and injuries. The boys grow increasingly excited (303) 651-8374 “Each generation must, at the height of its power, step and justified about their perceived fame, breaking into a longmontmuseum.org aside and invite the young to share the day,” says New York spirited tap dancing scene that had the crowd clapping governor Teddy Roosevelt in a cameo during the closing scene. along. This momentum-building number carries the second “You (newsies) have laid claim to our world, and I believe the half of the show, as the boys continue in their fight to be future, in your hands, will be bright and prosperous.” heard by their employers. It’s this crowd-pleasing dancing 34 March 31, 2016
Boulder Weekly
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I’m Drowning in 4615 Affordable Housing irreverent. 11:00-12:30 Old Main Chapel 3:00-4:30 UMC East Ballroom jurisprudence in the field of constituInformation Liz Blake 5317 ROUNDTABLE: What I 5713 Work-Life Balance and tional law. Kate McLeod Eugene Sepulveda 5:00 UMC West Ballroom Learned About America Other Fairytales Sponsored by the Byron R. 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Franc 6:00-7:20 UMC 235 3:00-4:30 Eaton Humanities 150 Ellie Boldman Hill Douglas Carlston Marilinda Garcia 4965 CWA@Night 1:00-2:30 UMC East Ballroom 5717 Open Mouth, Remove Andrea Polli Vivian Onano Heather Hurlburt The Endless Struggle for 5513 The Sharing Economy Foot: Social AwkwardMary G. Wilson Srdja Popovic William Thorne Reproductive Rights Kate McLeod ness & EQ Moderator: Suzanne Jones Moderator: Matt Duncan Moderator: Joshua LePree Kathleen Adams Frank Shafroth Aaron Balick Marilinda Garcia James Tanabe Bonnie Burton 9:00-9:45 Hale 270 12:30-1:45 Old Main Chapel 3:30-4:45 UMC East Ballroom Ellie Boldman Hill David Wilcox Jeff Lieberman 5106 ARIA: How Education 4467 The Age of Big Data 4763 Creating a Life of Mean- Moderator: Leslie Durgin Moderator: Doug Greene Ty Tashiro Improves the Future of ing Joseph Byrum Moderator: Rose Pierro Children in Sidney Perkowitz Cynthia Koenig 6:00-8:00 Koenig Alumni Center 1:00-2:30 UMC West Ballroom Guatemala James Tanabe Steven Rubin CONCURRENT EVENT 5514 Apocalypse Wow! Having 3:00-4:30 Muenzinger E0046 Jorge Chojolán Moderator: David Spiro Jeffrey Smith International Affairs Fun with the End of the 5719 Water, Water ... Not Translator: Nicolás Cabrera-Schneider Rulan Tangen Reception World Everywhere 12:30-1:45 ATLAS Black Box Moderator: Ryan Chreist 1202 University Ave Douglas Carlston Bwire Chirangi 10:00-10:45 Grusin Hall 4466 Global Trade-Offs Featuring Mark Fallon David Grinspoon Cynthia Koenig 5206 PERFORMANCE & Michael Elliott 3:30-4:45 UMC West Ballroom A wonderful opportunity to mingle Seth Shostak Charlie Menzie PANEL: Jazz Jam: Music & Larry Greenwood 4764 Gender Discrimination with IA alumni, friends of the program Moderator: Alphonse Keasley Reza Ramazani Stories Reza Ramazani in Science & Engineering and community members interested in Moderator: Laura Sparks Rony Barrak Moderator: Martin Viero Athena Edmonds global topics. 1:00-2:30 UMC 235 Don Grusin Francesca Grifo Sponsored by the International 5515 Tackling Global Poverty 3:00-5:00 Hale 270 René Marie 1:00-2:30 Fiske Planetarium Andrea Polli Affairs Program Mercedes Alvarez CONCURRENT EVENT Ernie Watts 4516 PERFORMANCE & Seth Shostak Liz Blake Sustainable DevelopModerator: Mary Ann Mahoney PANEL: Our Native Land Moderator: Nikhil Mankekar 6:00-9:00 Old Main Chapel Michael Elliott ment Goals – Bringing Rulan Tangen 4996 CWA@Night Cynthia Koenig Global Issues Home 11:00-12:30 Macky Auditorium William Thorne 3:30-4:45 UMC 235 FILM & DISCUSSION: He 5311 Moderator: Robert McNown Learn about the new SDGs adopted by US Policy Towards Iran Kenji Williams 4765 Not Your Mother’s FemiNamed Me Malala the UN in September 2015. Sponsored Healther Hurlburt nism Moderator: Beth Osnes Zainab Zeb Khan 1:00-2:30 Old Main Chapel by UNA Boulder County, in collaboraMalou Innocent Kathleen Adams Moderator: Ron Bostwick 5516 Art and Healing: Words tion with CU MUN, CU Unicef, CU Peace Robert G. Kaufman 1:05-2:25 Boulder High School Bonnie Burton That Hurt, Words That Heal Corps, and other student groups Moderator: Aun Ali 4462 Can We Talk? The Power Vivian Nixon 6:30 Humanities 135 Sam Cook of Vivian Onano CONCURRENT EVENT Athena Edmonds 4:30 Eaton Humanities 190 11:00-12:30 UMC Center Ballroom Communication Moderator: Claire Levy Film Screening: Voices of 5312 Antoinette Gawin CONCURRENT EVENT Moving Beyond StereoAntoinette Gawin the Stone Mary Reynolds Thompson Talk & Q&A with Haitian types Ellen Sweets 3:30-4:45 Old Main Chapel Tibetan Arts Week: A film about mining Moderator: Bill Stoehr writer Kettly Mars Kathleen Adams Ty Tashiro 4766 Millennial Culture is an on the Tibetan Plateau. Q&A following Kettly Mars will discuss her work as an Zainab Zeb Khan Oxymoron with director, Tibetan poet and 1:00-1:45 ATLAS Black Box author and public figure. Rulan Tangen 2:00-3:45 Macky Auditorium Alexandra Huddleston filmmaker Jangbu. 5307 P ERFORMANCE: Origin Co-sponsored by the Department of Rob Warden 4631 Jazz Master Class Max Nanis Sponsored by CU Boulder Tibet Stories French and Italian, the Moderator: Allen Carmichael Rony Barrak Ty Tashiro Himalaya Initiative Donna Mejia Graduate Committee on the Arts and Don Grusin Moderator: Christopher Sarson Kenji Williams Humanities, and the René Marie Moderator: Bud Coleman Consulate General of France in Los Thom Rotella 3:30-4:45 Muenzinger E0046 Angeles Ernie Watts 4767 Launching Tomorrow’s 2:00-5:00 Norlin Library Moderator: John Gunther Products Today CONCURRENT EVENT 4:00-6:00 Muenzinger Auditorium Mercedes Alvarez Shakespeare Celebration 5836 EBERT INTERRUPTUS IV: 2:00-3:15 UMC Center Ballroom Bobbie Carlton & Sonnet Extravaganza Sunrise: A Song of Two Humans 4612 Alternative Medicine: Kate McLeod British Studies Room How We Heal Moderator: Ed Wittman 5th floor, Norlin Howie Movshovitz Ourselves Celebrate the 400th anniversary of Moderator: Michael Casey Aaron Balick 4:00-4:45 Macky Auditorium Shakespeare’s life with a sonnet writing Conference founder Howard Higman Bwire Chirangi 4801 PERFORMANCE: Tocompetition, a sonnet reading marathon, called it, “democracy in the dark” and for Damaris Maria Grossmann gether Again student projects display, Norlin special over 30 years, Ebert Cinema Interruptus Matthew Nelson Rony Barrak collections of their Shakespeare exhibit, has been a week-long shot-by-shot Gooding Moderator: Lloyd Gelman music, treats and lots more. discussion of a film that is as in-depth as Moderator: Lissy Garrison Sponsored by CU-Boulder English and it is irreverent. the First Folio Project.
Conference on WORLD AFFAIRS Join us April 4–8, 2016 100 speakers from around the world with sessions on the arts, science, business and much more
Free and open to the public
colorado.edu/cwa
MONDAY
11:00-12:30 ATLAS Black Box 1316 My Future According to Science and Technology Jamais Cascio Eric Lindstrom Max Nanis Moderator: Sam Weaver
3:00-4:30 1712
UMC Center Ballroom 5:00-6:30 UMC Center Ballroom rigger Warning: This is 1912 T CWA@Night a Political Correctness States: UnderappreciPanel ated Labs of Democracy 8:35-9:00 KGNU Radio Malou Innocent Marilinda Garcia 1051 88.5 FM/1390 AM Sofie Karasek Ellie Boldman Hill A Public Affair Bill Martin Robert Inglis Host: Sam Fuqua Moderator: Randy McCrillis Frank Shafroth Moderator: Paul Shankman 9:00-10:30 UMC Center Ballroom 12:00-1:00 Macky Auditorium 3:00-4:30 UMC East Ballroom 1112 Impacts of the Aging 1400 HOWARD HIGMAN ME- 1713 Modern Corruption 7:00-8:00 Macky Auditorium Population MORIAL PLENARY: How Ismail Elfath 1999 CWA@Night Bwire Chirangi Free Enterprise Can Ellie Boldman Hill KEYNOTE ADDRESS Larry Greenwood Solve Climate Change Adam J. Schrager An Evening with Steve Wendy Lustbader Robert Inglis Jeffrey Smith Wozniak Thom Rotella Moderator: Todd Gleeson Moderator: David Brown Presented by Cultural Events Board Moderator: Tom Chesney Moderator: Philip DiStefano 12:00-1:30 ATLAS Black Box 3:00-4:30 UMC West Ballroom Ticket Required for Macky 9:00-10:30 UMC East Ballroom Auditorium Improv in Art & Music 1714 Girl Geeks Unite! 1113 How to Raise Money for 1415 Sam Cook Bonnie Burton Your Brilliant Idea René Marie Bobbie Carlton 7:00-8:00 UMC Center Ballroom Bobbie Carlton Matthew Nelson Francesca Grifo 1999 CWA@Night Cynthia Koenig Andrea Polli Sonja Hoel Perkins STREAMING An Evening Kate McLeod Joshua Roman Moderator: Erin Frazier with Steve Wozniak Sonja Hoel Perkins Moderator: Daniel Jones No Ticket Required for UMC Ballroom Moderator: Robert Arentz 3:00-4:30 UMC 235 1:00-2:30 UMC Center Ballroom 1715 EU Sings “Breaking Up is Visual Arts Complex Courtyard 9:00-10:30 UMC West Ballroom 1512 Views and Voices of Hard to Do” “The Habitat for Artists” 1114 Technology is a Fetish Islam Alex Berezow CONCURRENT EVENT Joseph Byrum Anna Therese Day Oliver Morton Everything Conceived: David Grinspoon Ismail Elfath Srdja Popovic Conceptual Micro Conference Oliver Morton Alexandra Huddleston Reza Ramazani April 3 - April 9 Sidney Perkowitz Zainab Zeb Khan Moderator: Joseph Jupille Students in this spring’s Performance/ Moderator: Andy Franklin Moderator: Julia Halaby Installation Class will be setting up 3:00-3:45 Old Main Chapel shop in front of the Visual Arts Com9:00-10:30 UMC 235 1:00-2:30 UMC East Ballroom 1706 I NTERVIEW: My Story, plex to create their own conceptual 1115 Justice: Shining a Light 1513 W hat We Need in a My Words I micro conference. This faux conference on Wrongful Convictions President Korey Wise aptly titled, Everything Conceived will Vivian Nixon Mark Fallon Moderator: Kristy Martinez be housed in a temporary installation Joe Sexton Malou Innocent space called “The Habitat for Artists.” William Thorne Aruna Kalyanam 3:00-4:30 W olf Law Wittemyer CourtEverything Conceived will feature three Rob Warden yard Rob Warden days of creative student actions, public Moderator: Matt Benjamin Moderator: Christopher Brauchli 1717 REALLY Long-Term interviews with CWA participants, Thinking a live podcast recording, the sale of 9:00-10:30 Old Main Chapel 1:00-2:30 UMC West Ballroom Douglas Carlston secrets, and a variety of other student 1119 ROUNDTABLE: “Til it Communism Won Some Jamais Cascio designed contemporary performance Happens to You”: Ending 1514 Battles but Lost the War Sidney Perkowitz pieces. Sexual Assault on ColGregory Bowles Seth Shostak lege Campuses Peter Rupert Lighte Moderator: Sharon Adams Rembrandt Yard Art Gallery Ellie Boldman Hill Srdja Popovic 1301 Spruce St. Sofie Karasek Hoi Trinh 3:00-4:30 Muenzinger E0046 CONCURRENT EVENT Bill Martin Moderator: Jessica Martin 1718 E ducating Students to Premise, Process, Product: A look Adam J. Schrager be Global Citizens at the creative means artists use to Moderator: Llen Pomeroy 1:00-2:30 Old Main Chapel Andrés Edwards express their message 1518 CLIMATE SERIES: When Vivian Onano An exhibition of art and the process 9:00-10:30 ATLAS Black Box the Oceans Rise Andrea Polli behind it from several CWA panelists: 1117 March to the Beat of Peter C. Frumhoff Moderator: Steven Leigh Photographers Alexandra Huddleston Your Own Drum Eric Lindstrom and Steven Rubin, Painter Zainab James Tanabe Charlie Menzie 3:00-4:30 Duane Physics 1GB20 Zeb Khan, Media Artist Andrea Polli Mary Reynolds Thompson Moderator: Douglas Dupler 1719 B usiness & Government and Conceptual Biologist Max Nanis. Ernie Watts Can Work Together Sketches, photos, paintings and video David Wilcox 1:00-2:30 ATLAS Black Box Liz Blake of the artists’ work will be on exhibit Moderator: Courtney Holden 1519 Digital Piracy: Helping Kelly Eplee and open to the public April 3 - April 9 Arrrtists Starrrve Scott C. Miller from 11 AM - 5 PM 9:00-10:30 Wolf Law Wittemyer Rony Barrak Eugene Sepulveda Sponsored by Open Studios Courtyard www.openstudios.org Marshall Gilkes Moderator: Sean Maher 1116 International Migration Gooding Joanne Grady Huskey Don Grusin 4:00-5:30 Chemistry 140 Steven Rubin Moderator: Andrew Shoemaker 1816 Navigating End of Life Hoi Trinh Choices in America B.J. Whetstine 1:00-2:30 Wolf Law Wittemyer CourtDamaris Maria Moderator: Laura DeLuca CONCURRENT EVENT room Grossmann Conference on World Affairs Alumni 1517 P rivatizing Public SerConstance Holden 10:00-11:30 Macky Auditorium Breakfast vices vs. Public Interest Wendy Lustbader 1211 Obamacare: Easy to 8:00 - 9:30 AM Douglas Carlston Charlie van der Horst Repeal, Hard to Replace The CU Boulder Alumni AssociaChuck Dietzen Moderator: Howie Wolf Michael G. Franc tion invites alumns to stop by for a Daniel Stid Antoinette Gawin complimentary breakfast. Mingle William Thorne 4:00-5:30 Humanities 1B50 Reza Ramazani with other Forever Buffs and talk with Moderator: Andy Schultheiss 1817 After Assad: Chaos or Charlie van der Horst distinguished Alumni CWA participants Reconciliation? Moderator: David Bachrach and speakers. 1:00-2:30 Muenzinger E0046 Anna Therese Day Registration with Hailee.Koehler@ 1516 US Income Inequality & Robert G. Kaufman FREE Brunch for Students colorado.edu is required the American Dream Diane Singerman 10:30 - 12:00 PM Sponsored by The University of ColoArturo Ardila-Gomez Moderator: Nabil Echchaibi Presented by The Herd Breakfast burrito rado Alumni Association Michael G. Franc bar and other goodies Reza Ramazani 4:00-6:00 British Studies Room 5th 8:35-9:00 KGNU Radio Moderator: Jeffrey Zax floor, Norlin Library 11:00-12:30 UMC Center Ballroom 2056 88.5 FM/1390 AM CONCURRENT EVENT 1312 The 27 Words in the How on Earth 1:30-2:45 UMC 235 The Moral Limits of Free Second Amendment David Grinspoon 1565 Scalia Markets Robert G. Kaufman Sidney Perkowitz Jameson Jones If you may do it for free, may you do it Daniel Stid Host: Sam Fuqua Robert G. Kaufman for cash? Buy and sell votes? Buy and James E. Viator James E. Viator sell kidneys? Buy and sell children? Mary G. Wilson Moderator: Fred Bloom What should be off-limits to the market 9:30-10:45 UMC Center Ballroom Moderator: Melissa Hart 2162 Issues that Matter in this economy? Sponsored by the Center Election 2:30-4:00 ATLAS Black Box for Western Civilization, Thought and 11:00-12:30 UMC East Ballroom Marilinda Garcia ROUNDTABLE: Policy, and by the Center for Values and 1313 Do Something! Become 1666 Scott C. Miller The Lost Art of Social Policy an Activist Joe Sexton Conversation Kathleen Adams Mary G. Wilson Sam Cook 4:00-5:15 B ritish Studies Room 5th Mercedes Alvarez Moderator: Alan Rudy Gooding floor, Norlin Library Sofie Karasek Ellen Sweets CONCURRENT EVENT Jeffrey Smith 9:30-10:45 UMC East Ballroom David Wilcox Tibetan Arts Week: Moderator: Nicholas Flores 2163 Historical What Ifs & Moderator: Ralph Gregory Guest lecture by Near Misses Tibetan artist Gonkar 11:00-12:30 UMC West Ballroom Larry Greenwood BioLounge Gyatso 1314 Balancing Health & Vicki J. Huddleston Panelist Meet & Greet Sponsored by CU Boulder Tibet HimaEnvironment Heather Hurlburt 3 4 PM, Daily laya Initiative and CU Art Joseph Byrum Srdja Popovic STUDENTS ONLY: swing by the BioHistory Department Francesca Grifo Moderator: Susan Connelly Lounge for the chance to converse with Charlie Menzie your favorite CWA panelist. Special 4:30-6:00 Hale 270 Paul Wapner 9:30-10:45 UMC West Ballroom treats and coffee served daily. 1866 Gender Fluidity Moderator: Charles Steinberg 2164 Art and Activism: CrayAaron Balick ons for Humanity 3:00-5:00 Macky Auditorium Athena Edmonds 11:00-12:00 UMC 235 Kathleen Adams EBERT UNINTERRUPTUS Antoinette Gawin 1305 ARIA: Why I Risk My Life 1641 Sofie Karasek Sunrise: A Song of Two Moderator: Dorothy Rupert to Bring You the News Steven Rubin Humans Anna Therese Day Rulan Tangen Howie Movshovitz 4:30-5:15 Muenzinger Moderator: Jeffrey Browne Moderator: Randi Stroh Auditorium Moderator: Michael Casey Conference founder Howard 1856 A RIA: Vietnam War 11:00-12:30 Old Main Chapel Higman called it, “democracy in 40 Years Later... And the 9:30-10:45 UMC 235 1317 Film & TV: Change the 2165 Tough Love for Aspiring the dark” and for over 30 years, Conflict Continues Channel, Change your Writers Ebert Cinema Interruptus has been Hoi Trinh Life Bonnie Burton a week-long shot-by-shot Moderator: Paul Repetto Arturo Ardila-Gomez Alexandra Huddleston discussion of a film that is as Aaron Balick Adam J. Schrager in-depth as it is irreverent. On Aruna Kalyanam Ellen Sweets Monday, the film is screened Moderator: Chris Allan Moderator: Ellen Mahoney without interruption.
TUESDAY
9:30-10:45 Old Main Chapel 2167 Who is Not at the Power Table? Malou Innocent Vivian Nixon William Thorne Moderator: Tina Marquis
12:30-1:45 Old Main Chapel 3:00-4:45 UMC East Ballroom 2466 CLIMATE SERIES: Theories 2763 Employment in the 21st & Myths of Climate Change Century David Grinspoon Jamais Cascio Robert Inglis Reza Ramazani Eric Lindstrom James Tanabe Oliver Morton Mary G. Wilson Paul Wapner Moderator: Susan Osborne 9:30-10:45 ATLAS Black Box Moderator: John Fialka 2169 Gamification & 3:00-4:45 UMC West Ballroom Innovative Teaching 12:30-1:45 ATLAS Black Box 2764 Clean Water: Human Aaron Balick 2467 What Story Are You Living? Right or Budget Issue Alex Berezow Bobbie Carlton Francesca Grifo Douglas Carlston Vivian Nixon Frank Shafroth Moderator: Anne Bliss Mary Reynolds Thompson Charlie van der Horst B.J. Whetstine Moderator: Karen Ashmore 9:30-10:45 Wolf Law Wittemyer Court- Moderator: Michael Maloy room 3:00-4:45 UMC 235 2166 Corporations have 12:30-1:45 Wolf Law Wittemyer Court- 2765 Full Court Press: 2016 room Mentors, Startups have Supreme Court Docket Heroes 2468 Foreign Hackers Will pwn Michael G. Franc Antoinette Gawin our Country Ellie Boldman Hill Kate McLeod Mark Fallon William Thorne Sonja Hoel Perkins Larry Greenwood James E. Viator Eugene Sepulveda Peter Rupert Lighte Moderator: Scott Moss Moderator: Richard Polk Moderator: Adam Chase 3:00-4:45 Old Main Chapel 9:30-10:45 Chemistry 140 2:00-3:15 UMC Center Ballroom 2767 Things You Should Know 2168 “Making a Murderer”: 2612 Business & Ethics in Sports Before Volunteering Truth on Trial Ismail Elfath Abroad Ellie Boldman Hill Bill Martin Gregory Bowles Rob Warden Adam J. Schrager Chuck Dietzen Moderator: Bryan Feely Joe Sexton Kelly Eplee Moderator: Lynn Guissinger B.J. Whetstine 11:00-12:15 UMC Center Ballroom Moderator: David Boggs 2312 How Would You Define a 2:00-3:15 UMC West Ballroom Conservative Today? 2614 Our Relationships with 3:00-4:45 ATLAS Black Box Michael G. Franc Israel & 2766 Can Books Still Change Palestine Marilinda Garcia the World? Robert Inglis Pablo Better Vivian Onano Robert G. Kaufman Anna Therese Day Ellen Sweets Moderator: Jimmy Calano Robert G. Kaufman Ty Tashiro Diane Singerman Mary Reynolds Thompson 11:00-12:15 UMC East Ballroom Moderator: Essrea Cherin Moderator: Sharon Nehls 2312 Food Security & the Transformation of Rural 2:00-3:15 UMC 235 3:00-4:45 Wolf Law Wittemyer Courtroom America 2615 Intelligent Dating & Mating Jeffrey Smith Kathleen Adams 2768 Disability or Ability? Daniel Stid Aaron Balick Arturo Ardila-Gomez Ellen Sweets Matthew Nelson Sam Cook James E. Viator Ty Tashiro Damaris Maria Grossmann Moderator: Matthew Jansen Moderator: Bill Rigler Moderator: Mary Young 11:00-12:15 UMC West Ballroom 2:00-2:45 Old Main Chapel 2312 Rethinking Attitudes 2606 INTERVIEW: My Story, My 3:00-5:00 Muenzinger E0046 toward Sustainability Words II 2769 ABCs of LGBTQ Andrés Edwards Korey Wise Athena Edmonds Peter C. Frumhoff Moderator: Ian McDavid Peter Rupert Lighte Matthew Nelson Eugene Sepulveda Andrea Polli 2:00-3:15 ATLAS Black Box Moderator: Randy McCrillis Moderator: Rebecca Folsom 2616 Disruptive Innovation Could Save the World 3:00-4:45 Fiske Planetarium 11:00-12:15 UMC 235 Mercedes Alvarez 2771 PERFORMANCE & PANEL: 2315 Door Open/Door Closed: Joseph Byrum BELLA GAIA-What’s the The Immigrant ExperiBwire Chirangi Point of Looking for Life ence in America Cynthia Koenig Beyond Earth Anyway? Zainab Zeb Khan Moderator: Zane Selvans David Grinspoon Reza Ramazani Seth Shostak Mary Reynolds Thompson 2:00-3:15 Wolf Law Wittemyer CourtKenji Williams room Charlie van der Horst Moderator: Tim Plass Moderator: Ming Chen 2617 Irreproducible Scientific Results 4:00-6:00 Muenzinger Auditorium 11:00-11:45 ATLAS Black Box Alex Berezow 2306 PERFORMANCE: Strings Peter C. Frumhoff 2836 EBERT INTERRUPTUS I: & Circuits Francesca Grifo Sunrise: A Song of Two Joshua Roman Eric Lindstrom Humans DJ Spooky Moderator: Paul Beale Howie Movshovitz Moderator: Bill Obermeier Moderator: Michael Casey 2:00-5:00 CU Art Museum Conference founder Howard 11:00-12:15 Wolf Law Wittemyer Court- 2646 CU MFA Critique: Master Higman called it, “democracy in the room Class dark” and for over 30 years, Ebert 2318 International Disaster Alexandra Huddleston Cinema Interruptus has been a Response Janelle Iglesias week-long shot-by-shot discussion Liz Blake Max Nanis of a film that is as in-depth as it is Kelly Eplee Steven Rubin irreverent. Vicki J. Huddleston Moderator: Sandra Firmin Moderator: Scarlet Bowen Four artists advise students on their 5:00-6:00 Eaton Humanities 1B50 work. Open to the public. CONCURRENT EVENT 12:30-1:45 UMC Center Ballroom Rocky Flats Revisited - 2462 Police Shootings: When BioLounge Short Film and Panel the “Perfect Storm” is the Panelist Meet & Greet Discussion Perfect Police Cop-Out 3 - 4 PM, Daily Thousands protested at Rocky Flats in Adam J. Schrager STUDENTS ONLY: swing by the Biothe 1970’s and 1980’s. Join Jon Lipsky, Joe Sexton Lounge for the chance to converse with Chet Tchozewski, and Erik Sween to William Thorne your favorite CWA panelist. Special explore what closed the nuclear Rob Warden treats and coffee served daily. 20 weapons plant. Moderator: Caroline Conzelman 3:30-4:45 Macky Auditorium 6:00-7:00 KGNU Radio 12:30-1:45 UMC East Ballroom 2761 The Threat of ISIS 2956 88.5 FM/1390 AM Hemispheres 2463 What Would the FoundAnna Therese Day ing Fathers Do? Mark Fallon Vicki J. Huddleston Joseph Byrum Joanne Grady Huskey Moderator: Nikki Kayser Sonja Hoel Perkins Malou Innocent Daniel Stid Moderator: Gregory Young 6:00-7:20 UMC Center Ballroom James E. Viator 2962 CWA@Night Moderator: Scott Schaefer 3:00-4:45 UMC Center Ballroom Fall Down Nine Times, 2762 What Science Says About Stand Up Ten 12:30-1:45 UMC West Ballroom GMOs Ismail Elfath 2464 Traditional Families: Alex Berezow Kate McLeod Going, Going, Gone Joseph Byrum James Tanabe Chuck Dietzen Charlie Menzie B.J. Whetstine Athena Edmonds Moderator: Orin Hargraves Moderator: Greg Harms Wendy Lustbader David Wilcox Moderator: Susan Litt 12:30-1:45 UMC 235 2465 Money is Speech but is Anyone Buying? Ellie Boldman Hill Aruna Kalyanam Mary G. Wilson Moderator: Hillary Hall
6:30-8:00pm UMC 235 CONCURRENT EVENT Salsa Night This interactive session will give you the opportunity to learn salsa, a dance with strong cultural ties to Latin America, the Caribbean, and the United States. All ages and levels of experience are welcome! Sponsored by Boulder Friends of International Students in conjunction with Ritmos Latinos. 7:30pm 2999
Macky Auditorium CWA@Night JAZZ CONCERT Bijoux Barbosa Rony Barrack Marshall Gilkes Brad Goode Don Grusin Jeff Jenkins René Marie Mike Marlier Thom Rotella Ernie Watts Special Guests: Gooding Joshua Roman Host: Robert Shay
10:30-11:45 Eaton Humanities 150 3266 Building an Innovation Economy in Your Town Kathleen Adams Liz Blake Bobbie Carlton Eugene Sepulveda Moderator: Paul Jerde
11:00-12:30 Macky Auditorium 3311 Congress: How to Put “United” Back in United States Michael G. Franc Heather Hurlburt Daniel Stid Paul Wapner Moderator: TJ Heyman 11:00-12:30 UMC Center Ballroom 3312 Democracy is Winning the World - or Not Vicki J. Huddleston Joanne Grady Husky Malou Innocent Moderator: Dennis Gallagher
1:00-2:30 3518
Old Main Chapel eadership is Harder L Than I Thought Pablo Better Ismail Elfath Martha Clark Goss Vivian Onano Moderator: Ginny Corsi 1:00-2:30 3517
ATLAS Black Box Millennials in the Workplace Sam Cook Cynthia Koenig Peter Rupert Lighte B.J. Whetstine Moderator: Dylan Mark 1:00-2:30 3516
Muenzinger E0046 appiness H Andrés Edwards Wendy Lustbader Ty Tashiro Ernie Watts Moderator: Michael Ryan
Macky Auditorium ERFORMANCE: So Many P Guitars David Grinspoon Thom Rotella James E. Viator David Wilcox Moderator: Lawrence Anderson
4:00-5:30 3816
Chemistry 140 Higher Education Is Worth a Life of Debt? Marshall Gilkes Sidney Perkowitz Reza Ramazani Moderator: Russell Moore 4:30-5:45 3866
Hale 270 Religion & Spirtuality in the 21st Century Kelly Eplee Alexandra Huddleston Vivian Nixon Eugene Sepulveda Moderator: Stewart Hoover 4:30-6:30 3886
reception following. www.cu-pendulum.com Sponsored by CU College of Music 303-492-8008 ALL DAY
afé Aion, C 1235 Pennsylvania CWA Day @ Cafe Aion Happy Hour Pricing ALL DAY on Food & Drinks! A portion of all proceeds will be donated to CWA. A fun way to engage with fellow conference-goers and give back to the event.
THURSDAY 8:35-9:30 4056
KGNU Radio 88.5 FM/1390 AM Climate Eric Lindstrom Charlie Menzie Host: Maeve Conran
9:00-10:45 Macky Auditorium 4161 Working Together to Improve Global Health Bwire Chirangi Chuck Dietzen George Record Charlie van der Horst Moderator: Peggy Mansfield
Muenzinger Auditorium EBERT INTERRUPTUS II: Sunrise: A Song of Two 11:00-12:30 UMC East Ballroom Humans 3313 Economics of Hunger: Howie Movshovitz Poverty in America Moderator: Michael Casey Scott C. Miller Conference founder Howard Higman Joe Sexton called it, “democracy in the dark” and for 9:00-10:45 UMC Center Ballroom 8:30-9:50 UMC 235 4162 einventing the NewspaR Jeffrey Smith over 30 years, Ebert Cinema Interrupper 3065 KGNU 88.5 FM/1390 AM Moderator: Isabel McDevitt 1:30-2:45 Boulder High School tus has been a week-long shot-by-shot A Public Affair: Rx For Bonnie Burton 3566 Peculiar Politics: The discussion of a film that is as in-depth as Our Political System Douglas Carlston 11:00-12:30 UMC West Ballroom 2016 Presidential Race it is irreverent. Marilinda Garcia Michael Elliott 3314 Urban Challenges: The Morrow Cater Ellie Boldman Hill Ellen Sweets Future of Big Marilinda Garcia 6:00-6:50 UMC Center Ballroom Aruna Kalyanam Moderator: Mitchell Byars Cities Aruna Kalyanam 3952 CWA@Night Daniel Stid Arturo Ardila-Gomez DUET: Africa, a Hopeful Host: Claudia Cragg 9:00-10:45 UMC East Ballroom Bill Martin BioLounge Continent 4163 I’m Uber-whelmed by the Frank Shafroth Panelist Meet & Greet Bwire Chirangi 9:00-10:30 Macky Auditorium Gig Economy Diane Singerman 3 - 4 PM, Daily Vivian Onano 3111 Terrorism & the Role of Bobbie Carlton Moderator: Molly Tayer STUDENTS ONLY: swing by the BioModerator: Terry McCabe Media Max Nanis Lounge for the chance to converse with Anna Therese Day Ty Tashiro 11:00-12:30 UMC 235 your favorite CWA panelist. Special 6:00-7:20 UMC 235 Mark Fallon Moderator: Bob Morehouse 3315 Male Socialization: A Key treats and coffee served daily. 3999 CWA@NIGHT Heather Hurlburt to Reducing Violence Technological SingularOliver Morton 9:00-10:45 UMC West Ballroom Francesca Grifo 3:00-4:30 Macky Auditorium ity: When the Machines Moderator: Jim Pribyl 4164 Happy Places, Sofie Karasek 3711 Civil Disobedience for Take Over Creative Spaces Adam J. Schrager Change Jamais Cascio 9:00-10:30 UMC Center Ballroom Don Grusin Rob Warden Srdja Popovic Joanne Grady Huskey 3112 Making Sense of the 2016 Moderator: Alexis Halkovic Matthew Nelson Jeffrey Smith Seth Shostak Election Andrea Polli Charlie van der Horst Ty Tashiro Michael G. Franc Mary Reynolds Thompson 11:00-12:30 Old Main Chapel James E. Viator Moderator: Radu Popescu Robert Inglis Moderator: Richard Foy 3316 CLIMATE SERIES: Risky Moderator: Lisa Hogan Ellen Sweets Climate, Risky Solutions 6:00-7:30 Humanities 150 Mary G. Wilson 9:00-10:45 UMC 235 Jamais Cascio 3:00-4:30 UMC Center Ballroom CONCURRENT EVENT Moderator: Mark Ruzzin 4165 Creating Cultural Change Morrow Cater 3712 ROUNDTABLE: HighGlobal Affairs from a in Business Peter C. Frumhoff Powered Women Share Spiritual Perspective 9:00-10:30 UMC East Ballroom Liz Blake Oliver Morton Their Secrets World traveling monk, author and 3113 Reality Check of Women’s Moderator: Michael Kodas Antoinette Gawin Bobbie Carlton teacher, Devamrita Swami, shares his obRights Across Cultures Martha Clark Goss Antoinette Gawin servations after 40 years of traveling and Mercedes Alvarez Moderator: Susan Graf 11:00-12:30 ATLAS Black Box Martha Clark Goss teaching the ancient wisdom of India. Gregory Bowles 3318 Saying Something WithKate McLeod Sponsored by Bhakti Yoga Club Zainab Zeb Khan 9:00-9:45 Old Main Chapel out Words Moderator: Jaymie Hampson Diane Singerman 4156 CLIMATE SERIES: Climate René Marie 6:00 Andrew J. Macky Moderator: Dinorah Avendano Change, Matthew Nelson 3:00-4:30 UMC East Ballroom Gallery, Macky Inequality & Auditorium Steven Rubin 3713 Technological Solutions 9:00-10:30 UMC West Ballroom Economic Growth Rulan Tangen to World Hunger CONCURRENT EVENT 3114 We Are All Capable of Arturo Ardila-Gomez Moderator: Steve Eisler Mercedes Alvarez BMoCA Artist Meet & Being Addicts Timothy Wirth Joseph Byrum Greet with Sangeeta Aaron Balick Moderator: Alice Madden 11:00-12:30 Wolf Law Wittemyer CourtB.J. Whetstine Reddy Morrow Cater room Moderator: Cindy Donahue BMoCA Artist Meet & Greet – Enjoy Wendy Lustbader 9:00-10:45 ATLAS Black Box 3317 The Anti-Scientific Left informal conversation with exhibiting Mary Reynolds Thompson 4169 The Importance of MindAlex Berezow 3:00-4:30 UMC West Ballroom artist Sangeeta Reddy and explore her fulness Moderator: Daniel Conroy Joseph Byrum 3714 Wanderlust current exhibition of paintings, Fractured Andrés Edwards Seth Shostak Kathleen Adams Landscapes of the West. BMoCA at Macky 9:00-9:45 Old Main Chapel Damaris Maria Grossmann Moderator: Lisa Morzel Rony Barrak is an exhibition series presented by 3106 INTERVIEW: My Story, My Ernie Watts Cynthia Koenig Boulder Museum of Contemporary Art Words III David Wilcox 12:00-12:45 Fleming 155 James Tanabe in collaboration with Macky Auditorium Korey Wise Moderator: Bud Wilson 3406 Impacto de los ExtranModerator: Bill Rogers Concert Hall. Moderator: Jane Byrialsen jeros en el Ciclo de la 9:00-10:45 Chemistry 140 Pobreza 3:00-4:30 UMC 235 6:30 Boulder Public Library 9:00-10:30 ATLAS Black Box 4168 ROUNDTABLE: Keep Your Pablo Better 3715 The Two Party System is CONCURRENT EVENT 3117 Crowdsourcing Theocracy Out of My Gregory Bowles Doomed Boulder Premier ScreenJoseph Byrum Democracy Jorge Chojolán Alex Berezow ing of “Buried Above Douglas Carlston Kelly Eplee Moderator: Mary Long Michael G. Franc Ground” Max Nanis Robert G. Kaufman Aruna Kalyanam BURIED ABOVE GROUND explores Moderator: Aaron Brockett Vivian Nixon 1:00-2:30 UMC Center Ballroom Mary G. Wilson this question through the eyes of three Daniel Stid 3512 Is Putin Willing to Risk Moderator: Mark Gerzon post-traumatic stress disorder (PTSD) 9:00-10:30 Wolf Law Wittemyer CourtModerator: Phil Weiser WWIII? survivors. Panel Discussion to follow. room Don Grusin 3:00-4:30 Old Main Chapel Boulder Public Library is located at 1001 3118 The Anti-Scientific Right 9:10-10:40 Boulder High School Robert G. Kaufman 3717 POETRY: Words, Words, Arapahoe Ave Peter C. Frumhoff 4126 The Roots of Radical Srdja Popovic Words David Grinspoon Extremism Moderator: Sarah Sohkey Sam Cook 7:00-8:00 UMC Center Ballroom Sidney Perkowitz Mark Fallon Athena Edmonds 3999 CWA@NIGHT Paul Wapner Vicki J. Huddleston 1:00-2:30 UMC East Ballroom Charlie Menzie PLENARY: Antidotes to Moderator: Tom Blumenthal Malou Innocent 3513 Blogging: Putting the Me Joe Sexton the Poison of in Media David Wilcox Campaign Finance 9:00-10:15 Eaton Humanities 150 11:00-12:15 Macky Auditorium Aaron Balick Moderator: Teresa Nugent Timothy Wirth 3116 Pay It Forward: The Value 4311 How Media & Politics Bonnie Burton Moderator: David Skaggs of Giving Back Generate Hate and Fear Matthew Nelson 3:00-4:30 Muenzinger E0046 Kelly Eplee Mark Fallon Moderator: Paul Voakes 3716 Retro or Modern? 7:00-9:00 Old Main Damaris Maria Adam J. Schrager (D)Evolving Style CONCURRENT EVENT Grossmann Ellen Sweets 1:00-2:30 UMC West Ballroom and Culture Frame by Frame Film Bill Martin Rob Warden 3514 STEM Education: Why Bonnie Burton Screening and Discussion Sonja Hoel Perkins Should We Care? Don Grusin Please join us as we screen a documen- Moderator: Al Manzi Moderator: Bobby Brown Douglas Carlston Jeff Lieberman tary that follows four Afghan photojourFrancesca Grifo Max Nanis nalists as they navigate an emerging and 11:00-12:15 UMC Center Ballroom 9:45-11:00 Boulder High School US Foreign Policy: The Jeff Lieberman Moderator: David Dadone dangerous media landscape – reframing 4312 3176 PERFORMANCE: Funding World’s Andrea Polli Afghanistan for the world, and for themPoliceman the Future Moderator: Jane Saltzman 3:00-5:30 Hellems 252 selves. Sponsored by The Dennis Small Gooding Vicki J. Huddleston 3714 CONCURRENT EVENT Cultural Center, the Center for Student Heather Hurlburt 1:00-2:30 UMC 235 Gen UN and UNA Meet Involvement and the Puksta Foundation 10:00-2:00 Norlin Quad Robert G. Kaufman 3515 Fighting Global Pandemand Greet CONCURRENT EVENT Moderator: Tori Peglar ics from Avian Flu to Zika Gen UN and UNA Meet and Greet with 7:30 Grusin Hall Arts on the Green Bwire Chirangi IA Professionals who have been active CONCURRENT EVENT The buildings surrounding Norlin Quad11:00-12:15 UMC East Ballroom Chuck Dietzen in International Affairs: Peace Corps The Pendulum New rangle will serve as canvases for CU’s Art de4313 Keeping Kids Safe in the Charlie van der Horst volunteers, State Department employees, Music Concert partments (Art and Art History, and CU Art Moderator: Carl Tinstman Media Age ambassadors, etc. The Pendulum New Music concert series, Museum, Film Studies, Theatre and Dance, Bobbie Carlton Networking opportunity for students now in its 15th season, presents some of Rap Lab, Music with the Guitar Program) Morrow Cater and young professionals with CWA CU’s best performers from all departments, to showcase the talents of their faculty and Chuck Dietzen speakers and local IA professionals. premiering original music of CU composers. students. Join us for a film screening, poetry, Peter Rupert Lighte Light refreshments will be served. This program will include songs, string quarart, music, drama, and more! Please, RSVP with: Zuzabohley@gmail. tet, brass quintet, and more. Free admission; Moderator: Sabrina Sideris
WEDNESDAY
1:30-2:30 3551
com by April 1st. Sponsored by UNA Boulder County, UNA Denver and UNA Northern Colorado are collaborating with Front Range Community College, CU MUN club, CU International Student Club, CU EWB, CU Unicef, CU Amnesty International, Peace Corps, CU EWB
MONDAY
11:00-12:30 ATLAS Black Box 1316 My Future According to Science and Technology Jamais Cascio Eric Lindstrom Max Nanis Moderator: Sam Weaver
3:00-4:30 1712
UMC Center Ballroom 5:00-6:30 UMC Center Ballroom rigger Warning: This is 1912 T CWA@Night a Political Correctness States: UnderappreciPanel ated Labs of Democracy 8:35-9:00 KGNU Radio Malou Innocent Marilinda Garcia 1051 88.5 FM/1390 AM Sofie Karasek Ellie Boldman Hill A Public Affair Bill Martin Robert Inglis Host: Sam Fuqua Moderator: Randy McCrillis Frank Shafroth Moderator: Paul Shankman 9:00-10:30 UMC Center Ballroom 12:00-1:00 Macky Auditorium 3:00-4:30 UMC East Ballroom 1112 Impacts of the Aging 1400 HOWARD HIGMAN ME- 1713 Modern Corruption 7:00-8:00 Macky Auditorium Population MORIAL PLENARY: How Ismail Elfath 1999 CWA@Night Bwire Chirangi Free Enterprise Can Ellie Boldman Hill KEYNOTE ADDRESS Larry Greenwood Solve Climate Change Adam J. Schrager An Evening with Steve Wendy Lustbader Robert Inglis Jeffrey Smith Wozniak Thom Rotella Moderator: Todd Gleeson Moderator: David Brown Presented by Cultural Events Board Moderator: Tom Chesney Moderator: Philip DiStefano 12:00-1:30 ATLAS Black Box 3:00-4:30 UMC West Ballroom Ticket Required for Macky 9:00-10:30 UMC East Ballroom Auditorium Improv in Art & Music 1714 Girl Geeks Unite! 1113 How to Raise Money for 1415 Sam Cook Bonnie Burton Your Brilliant Idea René Marie Bobbie Carlton 7:00-8:00 UMC Center Ballroom Bobbie Carlton Matthew Nelson Francesca Grifo 1999 CWA@Night Cynthia Koenig Andrea Polli Sonja Hoel Perkins STREAMING An Evening Kate McLeod Joshua Roman Moderator: Erin Frazier with Steve Wozniak Sonja Hoel Perkins Moderator: Daniel Jones No Ticket Required for UMC Ballroom Moderator: Robert Arentz 3:00-4:30 UMC 235 1:00-2:30 UMC Center Ballroom 1715 EU Sings “Breaking Up is Visual Arts Complex Courtyard 9:00-10:30 UMC West Ballroom 1512 Views and Voices of Hard to Do” “The Habitat for Artists” 1114 Technology is a Fetish Islam Alex Berezow CONCURRENT EVENT Joseph Byrum Anna Therese Day Oliver Morton Everything Conceived: David Grinspoon Ismail Elfath Srdja Popovic Conceptual Micro Conference Oliver Morton Alexandra Huddleston Reza Ramazani April 3 - April 9 Sidney Perkowitz Zainab Zeb Khan Moderator: Joseph Jupille Students in this spring’s Performance/ Moderator: Andy Franklin Moderator: Julia Halaby Installation Class will be setting up 3:00-3:45 Old Main Chapel shop in front of the Visual Arts Com9:00-10:30 UMC 235 1:00-2:30 UMC East Ballroom 1706 I NTERVIEW: My Story, plex to create their own conceptual 1115 Justice: Shining a Light 1513 W hat We Need in a My Words I micro conference. This faux conference on Wrongful Convictions President Korey Wise aptly titled, Everything Conceived will Vivian Nixon Mark Fallon Moderator: Kristy Martinez be housed in a temporary installation Joe Sexton Malou Innocent space called “The Habitat for Artists.” William Thorne Aruna Kalyanam 3:00-4:30 W olf Law Wittemyer CourtEverything Conceived will feature three Rob Warden yard Rob Warden days of creative student actions, public Moderator: Matt Benjamin Moderator: Christopher Brauchli 1717 REALLY Long-Term interviews with CWA participants, Thinking a live podcast recording, the sale of 9:00-10:30 Old Main Chapel 1:00-2:30 UMC West Ballroom Douglas Carlston secrets, and a variety of other student 1119 ROUNDTABLE: “Til it Communism Won Some Jamais Cascio designed contemporary performance Happens to You”: Ending 1514 Battles but Lost the War Sidney Perkowitz pieces. Sexual Assault on ColGregory Bowles Seth Shostak lege Campuses Peter Rupert Lighte Moderator: Sharon Adams Rembrandt Yard Art Gallery Ellie Boldman Hill Srdja Popovic 1301 Spruce St. Sofie Karasek Hoi Trinh 3:00-4:30 Muenzinger E0046 CONCURRENT EVENT Bill Martin Moderator: Jessica Martin 1718 E ducating Students to Premise, Process, Product: A look Adam J. Schrager be Global Citizens at the creative means artists use to Moderator: Llen Pomeroy 1:00-2:30 Old Main Chapel Andrés Edwards express their message 1518 CLIMATE SERIES: When Vivian Onano An exhibition of art and the process 9:00-10:30 ATLAS Black Box the Oceans Rise Andrea Polli behind it from several CWA panelists: 1117 March to the Beat of Peter C. Frumhoff Moderator: Steven Leigh Photographers Alexandra Huddleston Your Own Drum Eric Lindstrom and Steven Rubin, Painter Zainab James Tanabe Charlie Menzie 3:00-4:30 Duane Physics 1GB20 Zeb Khan, Media Artist Andrea Polli Mary Reynolds Thompson Moderator: Douglas Dupler 1719 B usiness & Government and Conceptual Biologist Max Nanis. Ernie Watts Can Work Together Sketches, photos, paintings and video David Wilcox 1:00-2:30 ATLAS Black Box Liz Blake of the artists’ work will be on exhibit Moderator: Courtney Holden 1519 Digital Piracy: Helping Kelly Eplee and open to the public April 3 - April 9 Arrrtists Starrrve Scott C. Miller from 11 AM - 5 PM 9:00-10:30 Wolf Law Wittemyer Rony Barrak Eugene Sepulveda Sponsored by Open Studios Courtyard www.openstudios.org Marshall Gilkes Moderator: Sean Maher 1116 International Migration Gooding Joanne Grady Huskey Don Grusin 4:00-5:30 Chemistry 140 Steven Rubin Moderator: Andrew Shoemaker 1816 Navigating End of Life Hoi Trinh Choices in America B.J. Whetstine 1:00-2:30 Wolf Law Wittemyer CourtDamaris Maria Moderator: Laura DeLuca CONCURRENT EVENT room Grossmann Conference on World Affairs Alumni 1517 P rivatizing Public SerConstance Holden 10:00-11:30 Macky Auditorium Breakfast vices vs. Public Interest Wendy Lustbader 1211 Obamacare: Easy to 8:00 - 9:30 AM Douglas Carlston Charlie van der Horst Repeal, Hard to Replace The CU Boulder Alumni AssociaChuck Dietzen Moderator: Howie Wolf Michael G. Franc tion invites alumns to stop by for a Daniel Stid Antoinette Gawin complimentary breakfast. Mingle William Thorne 4:00-5:30 Humanities 1B50 Reza Ramazani with other Forever Buffs and talk with Moderator: Andy Schultheiss 1817 After Assad: Chaos or Charlie van der Horst distinguished Alumni CWA participants Reconciliation? Moderator: David Bachrach and speakers. 1:00-2:30 Muenzinger E0046 Anna Therese Day Registration with Hailee.Koehler@ 1516 US Income Inequality & Robert G. Kaufman FREE Brunch for Students colorado.edu is required the American Dream Diane Singerman 10:30 - 12:00 PM Sponsored by The University of ColoArturo Ardila-Gomez Moderator: Nabil Echchaibi Presented by The Herd Breakfast burrito rado Alumni Association Michael G. Franc bar and other goodies Reza Ramazani 4:00-6:00 British Studies Room 5th 8:35-9:00 KGNU Radio Moderator: Jeffrey Zax floor, Norlin Library 11:00-12:30 UMC Center Ballroom 2056 88.5 FM/1390 AM CONCURRENT EVENT 1312 The 27 Words in the How on Earth 1:30-2:45 UMC 235 The Moral Limits of Free Second Amendment David Grinspoon 1565 Scalia Markets Robert G. Kaufman Sidney Perkowitz Jameson Jones If you may do it for free, may you do it Daniel Stid Host: Sam Fuqua Robert G. Kaufman for cash? Buy and sell votes? Buy and James E. Viator James E. Viator sell kidneys? Buy and sell children? Mary G. Wilson Moderator: Fred Bloom What should be off-limits to the market 9:30-10:45 UMC Center Ballroom Moderator: Melissa Hart 2162 Issues that Matter in this economy? Sponsored by the Center Election 2:30-4:00 ATLAS Black Box for Western Civilization, Thought and 11:00-12:30 UMC East Ballroom Marilinda Garcia ROUNDTABLE: Policy, and by the Center for Values and 1313 Do Something! Become 1666 Scott C. Miller The Lost Art of Social Policy an Activist Joe Sexton Conversation Kathleen Adams Mary G. Wilson Sam Cook 4:00-5:15 B ritish Studies Room 5th Mercedes Alvarez Moderator: Alan Rudy Gooding floor, Norlin Library Sofie Karasek Ellen Sweets CONCURRENT EVENT Jeffrey Smith 9:30-10:45 UMC East Ballroom David Wilcox Tibetan Arts Week: Moderator: Nicholas Flores 2163 Historical What Ifs & Moderator: Ralph Gregory Guest lecture by Near Misses Tibetan artist Gonkar 11:00-12:30 UMC West Ballroom Larry Greenwood BioLounge Gyatso 1314 Balancing Health & Vicki J. Huddleston Panelist Meet & Greet Sponsored by CU Boulder Tibet HimaEnvironment Heather Hurlburt 3 4 PM, Daily laya Initiative and CU Art Joseph Byrum Srdja Popovic STUDENTS ONLY: swing by the BioHistory Department Francesca Grifo Moderator: Susan Connelly Lounge for the chance to converse with Charlie Menzie your favorite CWA panelist. Special 4:30-6:00 Hale 270 Paul Wapner 9:30-10:45 UMC West Ballroom treats and coffee served daily. 1866 Gender Fluidity Moderator: Charles Steinberg 2164 Art and Activism: CrayAaron Balick ons for Humanity 3:00-5:00 Macky Auditorium Athena Edmonds 11:00-12:00 UMC 235 Kathleen Adams EBERT UNINTERRUPTUS Antoinette Gawin 1305 ARIA: Why I Risk My Life 1641 Sofie Karasek Sunrise: A Song of Two Moderator: Dorothy Rupert to Bring You the News Steven Rubin Humans Anna Therese Day Rulan Tangen Howie Movshovitz 4:30-5:15 Muenzinger Moderator: Jeffrey Browne Moderator: Randi Stroh Auditorium Moderator: Michael Casey Conference founder Howard 1856 A RIA: Vietnam War 11:00-12:30 Old Main Chapel Higman called it, “democracy in 40 Years Later... And the 9:30-10:45 UMC 235 1317 Film & TV: Change the 2165 Tough Love for Aspiring the dark” and for over 30 years, Conflict Continues Channel, Change your Writers Ebert Cinema Interruptus has been Hoi Trinh Life Bonnie Burton a week-long shot-by-shot Moderator: Paul Repetto Arturo Ardila-Gomez Alexandra Huddleston discussion of a film that is as Aaron Balick Adam J. Schrager in-depth as it is irreverent. On Aruna Kalyanam Ellen Sweets Monday, the film is screened Moderator: Chris Allan Moderator: Ellen Mahoney without interruption.
TUESDAY
9:30-10:45 Old Main Chapel 2167 Who is Not at the Power Table? Malou Innocent Vivian Nixon William Thorne Moderator: Tina Marquis
12:30-1:45 Old Main Chapel 3:00-4:45 UMC East Ballroom 2466 CLIMATE SERIES: Theories 2763 Employment in the 21st & Myths of Climate Change Century David Grinspoon Jamais Cascio Robert Inglis Reza Ramazani Eric Lindstrom James Tanabe Oliver Morton Mary G. Wilson Paul Wapner Moderator: Susan Osborne 9:30-10:45 ATLAS Black Box Moderator: John Fialka 2169 Gamification & 3:00-4:45 UMC West Ballroom Innovative Teaching 12:30-1:45 ATLAS Black Box 2764 Clean Water: Human Aaron Balick 2467 What Story Are You Living? Right or Budget Issue Alex Berezow Bobbie Carlton Francesca Grifo Douglas Carlston Vivian Nixon Frank Shafroth Moderator: Anne Bliss Mary Reynolds Thompson Charlie van der Horst B.J. Whetstine Moderator: Karen Ashmore 9:30-10:45 Wolf Law Wittemyer Court- Moderator: Michael Maloy room 3:00-4:45 UMC 235 2166 Corporations have 12:30-1:45 Wolf Law Wittemyer Court- 2765 Full Court Press: 2016 room Mentors, Startups have Supreme Court Docket Heroes 2468 Foreign Hackers Will pwn Michael G. Franc Antoinette Gawin our Country Ellie Boldman Hill Kate McLeod Mark Fallon William Thorne Sonja Hoel Perkins Larry Greenwood James E. Viator Eugene Sepulveda Peter Rupert Lighte Moderator: Scott Moss Moderator: Richard Polk Moderator: Adam Chase 3:00-4:45 Old Main Chapel 9:30-10:45 Chemistry 140 2:00-3:15 UMC Center Ballroom 2767 Things You Should Know 2168 “Making a Murderer”: 2612 Business & Ethics in Sports Before Volunteering Truth on Trial Ismail Elfath Abroad Ellie Boldman Hill Bill Martin Gregory Bowles Rob Warden Adam J. Schrager Chuck Dietzen Moderator: Bryan Feely Joe Sexton Kelly Eplee Moderator: Lynn Guissinger B.J. Whetstine 11:00-12:15 UMC Center Ballroom Moderator: David Boggs 2312 How Would You Define a 2:00-3:15 UMC West Ballroom Conservative Today? 2614 Our Relationships with 3:00-4:45 ATLAS Black Box Michael G. Franc Israel & 2766 Can Books Still Change Palestine Marilinda Garcia the World? Robert Inglis Pablo Better Vivian Onano Robert G. Kaufman Anna Therese Day Ellen Sweets Moderator: Jimmy Calano Robert G. Kaufman Ty Tashiro Diane Singerman Mary Reynolds Thompson 11:00-12:15 UMC East Ballroom Moderator: Essrea Cherin Moderator: Sharon Nehls 2312 Food Security & the Transformation of Rural 2:00-3:15 UMC 235 3:00-4:45 Wolf Law Wittemyer Courtroom America 2615 Intelligent Dating & Mating Jeffrey Smith Kathleen Adams 2768 Disability or Ability? Daniel Stid Aaron Balick Arturo Ardila-Gomez Ellen Sweets Matthew Nelson Sam Cook James E. Viator Ty Tashiro Damaris Maria Grossmann Moderator: Matthew Jansen Moderator: Bill Rigler Moderator: Mary Young 11:00-12:15 UMC West Ballroom 2:00-2:45 Old Main Chapel 2312 Rethinking Attitudes 2606 INTERVIEW: My Story, My 3:00-5:00 Muenzinger E0046 toward Sustainability Words II 2769 ABCs of LGBTQ Andrés Edwards Korey Wise Athena Edmonds Peter C. Frumhoff Moderator: Ian McDavid Peter Rupert Lighte Matthew Nelson Eugene Sepulveda Andrea Polli 2:00-3:15 ATLAS Black Box Moderator: Randy McCrillis Moderator: Rebecca Folsom 2616 Disruptive Innovation Could Save the World 3:00-4:45 Fiske Planetarium 11:00-12:15 UMC 235 Mercedes Alvarez 2771 PERFORMANCE & PANEL: 2315 Door Open/Door Closed: Joseph Byrum BELLA GAIA-What’s the The Immigrant ExperiBwire Chirangi Point of Looking for Life ence in America Cynthia Koenig Beyond Earth Anyway? Zainab Zeb Khan Moderator: Zane Selvans David Grinspoon Reza Ramazani Seth Shostak Mary Reynolds Thompson 2:00-3:15 Wolf Law Wittemyer CourtKenji Williams room Charlie van der Horst Moderator: Tim Plass Moderator: Ming Chen 2617 Irreproducible Scientific Results 4:00-6:00 Muenzinger Auditorium 11:00-11:45 ATLAS Black Box Alex Berezow 2306 PERFORMANCE: Strings Peter C. Frumhoff 2836 EBERT INTERRUPTUS I: & Circuits Francesca Grifo Sunrise: A Song of Two Joshua Roman Eric Lindstrom Humans DJ Spooky Moderator: Paul Beale Howie Movshovitz Moderator: Bill Obermeier Moderator: Michael Casey 2:00-5:00 CU Art Museum Conference founder Howard 11:00-12:15 Wolf Law Wittemyer Court- 2646 CU MFA Critique: Master Higman called it, “democracy in the room Class dark” and for over 30 years, Ebert 2318 International Disaster Alexandra Huddleston Cinema Interruptus has been a Response Janelle Iglesias week-long shot-by-shot discussion Liz Blake Max Nanis of a film that is as in-depth as it is Kelly Eplee Steven Rubin irreverent. Vicki J. Huddleston Moderator: Sandra Firmin Moderator: Scarlet Bowen Four artists advise students on their 5:00-6:00 Eaton Humanities 1B50 work. Open to the public. CONCURRENT EVENT 12:30-1:45 UMC Center Ballroom Rocky Flats Revisited - 2462 Police Shootings: When BioLounge Short Film and Panel the “Perfect Storm” is the Panelist Meet & Greet Discussion Perfect Police Cop-Out 3 - 4 PM, Daily Thousands protested at Rocky Flats in Adam J. Schrager STUDENTS ONLY: swing by the Biothe 1970’s and 1980’s. Join Jon Lipsky, Joe Sexton Lounge for the chance to converse with Chet Tchozewski, and Erik Sween to William Thorne your favorite CWA panelist. Special explore what closed the nuclear Rob Warden treats and coffee served daily. 20 weapons plant. Moderator: Caroline Conzelman 3:30-4:45 Macky Auditorium 6:00-7:00 KGNU Radio 12:30-1:45 UMC East Ballroom 2761 The Threat of ISIS 2956 88.5 FM/1390 AM Hemispheres 2463 What Would the FoundAnna Therese Day ing Fathers Do? Mark Fallon Vicki J. Huddleston Joseph Byrum Joanne Grady Huskey Moderator: Nikki Kayser Sonja Hoel Perkins Malou Innocent Daniel Stid Moderator: Gregory Young 6:00-7:20 UMC Center Ballroom James E. Viator 2962 CWA@Night Moderator: Scott Schaefer 3:00-4:45 UMC Center Ballroom Fall Down Nine Times, 2762 What Science Says About Stand Up Ten 12:30-1:45 UMC West Ballroom GMOs Ismail Elfath 2464 Traditional Families: Alex Berezow Kate McLeod Going, Going, Gone Joseph Byrum James Tanabe Chuck Dietzen Charlie Menzie B.J. Whetstine Athena Edmonds Moderator: Orin Hargraves Moderator: Greg Harms Wendy Lustbader David Wilcox Moderator: Susan Litt 12:30-1:45 UMC 235 2465 Money is Speech but is Anyone Buying? Ellie Boldman Hill Aruna Kalyanam Mary G. Wilson Moderator: Hillary Hall
6:30-8:00pm UMC 235 CONCURRENT EVENT Salsa Night This interactive session will give you the opportunity to learn salsa, a dance with strong cultural ties to Latin America, the Caribbean, and the United States. All ages and levels of experience are welcome! Sponsored by Boulder Friends of International Students in conjunction with Ritmos Latinos. 7:30pm 2999
Macky Auditorium CWA@Night JAZZ CONCERT Bijoux Barbosa Rony Barrack Marshall Gilkes Brad Goode Don Grusin Jeff Jenkins René Marie Mike Marlier Thom Rotella Ernie Watts Special Guests: Gooding Joshua Roman Host: Robert Shay
10:30-11:45 Eaton Humanities 150 3266 Building an Innovation Economy in Your Town Kathleen Adams Liz Blake Bobbie Carlton Eugene Sepulveda Moderator: Paul Jerde
11:00-12:30 Macky Auditorium 3311 Congress: How to Put “United” Back in United States Michael G. Franc Heather Hurlburt Daniel Stid Paul Wapner Moderator: TJ Heyman 11:00-12:30 UMC Center Ballroom 3312 Democracy is Winning the World - or Not Vicki J. Huddleston Joanne Grady Husky Malou Innocent Moderator: Dennis Gallagher
1:00-2:30 3518
Old Main Chapel eadership is Harder L Than I Thought Pablo Better Ismail Elfath Martha Clark Goss Vivian Onano Moderator: Ginny Corsi 1:00-2:30 3517
ATLAS Black Box Millennials in the Workplace Sam Cook Cynthia Koenig Peter Rupert Lighte B.J. Whetstine Moderator: Dylan Mark 1:00-2:30 3516
Muenzinger E0046 appiness H Andrés Edwards Wendy Lustbader Ty Tashiro Ernie Watts Moderator: Michael Ryan
Macky Auditorium ERFORMANCE: So Many P Guitars David Grinspoon Thom Rotella James E. Viator David Wilcox Moderator: Lawrence Anderson
4:00-5:30 3816
Chemistry 140 Higher Education Is Worth a Life of Debt? Marshall Gilkes Sidney Perkowitz Reza Ramazani Moderator: Russell Moore 4:30-5:45 3866
Hale 270 Religion & Spirtuality in the 21st Century Kelly Eplee Alexandra Huddleston Vivian Nixon Eugene Sepulveda Moderator: Stewart Hoover 4:30-6:30 3886
reception following. www.cu-pendulum.com Sponsored by CU College of Music 303-492-8008 ALL DAY
afé Aion, C 1235 Pennsylvania CWA Day @ Cafe Aion Happy Hour Pricing ALL DAY on Food & Drinks! A portion of all proceeds will be donated to CWA. A fun way to engage with fellow conference-goers and give back to the event.
THURSDAY 8:35-9:30 4056
KGNU Radio 88.5 FM/1390 AM Climate Eric Lindstrom Charlie Menzie Host: Maeve Conran
9:00-10:45 Macky Auditorium 4161 Working Together to Improve Global Health Bwire Chirangi Chuck Dietzen George Record Charlie van der Horst Moderator: Peggy Mansfield
Muenzinger Auditorium EBERT INTERRUPTUS II: Sunrise: A Song of Two 11:00-12:30 UMC East Ballroom Humans 3313 Economics of Hunger: Howie Movshovitz Poverty in America Moderator: Michael Casey Scott C. Miller Conference founder Howard Higman Joe Sexton called it, “democracy in the dark” and for 9:00-10:45 UMC Center Ballroom 8:30-9:50 UMC 235 4162 einventing the NewspaR Jeffrey Smith over 30 years, Ebert Cinema Interrupper 3065 KGNU 88.5 FM/1390 AM Moderator: Isabel McDevitt 1:30-2:45 Boulder High School tus has been a week-long shot-by-shot A Public Affair: Rx For Bonnie Burton 3566 Peculiar Politics: The discussion of a film that is as in-depth as Our Political System Douglas Carlston 11:00-12:30 UMC West Ballroom 2016 Presidential Race it is irreverent. Marilinda Garcia Michael Elliott 3314 Urban Challenges: The Morrow Cater Ellie Boldman Hill Ellen Sweets Future of Big Marilinda Garcia 6:00-6:50 UMC Center Ballroom Aruna Kalyanam Moderator: Mitchell Byars Cities Aruna Kalyanam 3952 CWA@Night Daniel Stid Arturo Ardila-Gomez DUET: Africa, a Hopeful Host: Claudia Cragg 9:00-10:45 UMC East Ballroom Bill Martin BioLounge Continent 4163 I’m Uber-whelmed by the Frank Shafroth Panelist Meet & Greet Bwire Chirangi 9:00-10:30 Macky Auditorium Gig Economy Diane Singerman 3 - 4 PM, Daily Vivian Onano 3111 Terrorism & the Role of Bobbie Carlton Moderator: Molly Tayer STUDENTS ONLY: swing by the BioModerator: Terry McCabe Media Max Nanis Lounge for the chance to converse with Anna Therese Day Ty Tashiro 11:00-12:30 UMC 235 your favorite CWA panelist. Special 6:00-7:20 UMC 235 Mark Fallon Moderator: Bob Morehouse 3315 Male Socialization: A Key treats and coffee served daily. 3999 CWA@NIGHT Heather Hurlburt to Reducing Violence Technological SingularOliver Morton 9:00-10:45 UMC West Ballroom Francesca Grifo 3:00-4:30 Macky Auditorium ity: When the Machines Moderator: Jim Pribyl 4164 Happy Places, Sofie Karasek 3711 Civil Disobedience for Take Over Creative Spaces Adam J. Schrager Change Jamais Cascio 9:00-10:30 UMC Center Ballroom Don Grusin Rob Warden Srdja Popovic Joanne Grady Huskey 3112 Making Sense of the 2016 Moderator: Alexis Halkovic Matthew Nelson Jeffrey Smith Seth Shostak Election Andrea Polli Charlie van der Horst Ty Tashiro Michael G. Franc Mary Reynolds Thompson 11:00-12:30 Old Main Chapel James E. Viator Moderator: Radu Popescu Robert Inglis Moderator: Richard Foy 3316 CLIMATE SERIES: Risky Moderator: Lisa Hogan Ellen Sweets Climate, Risky Solutions 6:00-7:30 Humanities 150 Mary G. Wilson 9:00-10:45 UMC 235 Jamais Cascio 3:00-4:30 UMC Center Ballroom CONCURRENT EVENT Moderator: Mark Ruzzin 4165 Creating Cultural Change Morrow Cater 3712 ROUNDTABLE: HighGlobal Affairs from a in Business Peter C. Frumhoff Powered Women Share Spiritual Perspective 9:00-10:30 UMC East Ballroom Liz Blake Oliver Morton Their Secrets World traveling monk, author and 3113 Reality Check of Women’s Moderator: Michael Kodas Antoinette Gawin Bobbie Carlton teacher, Devamrita Swami, shares his obRights Across Cultures Martha Clark Goss Antoinette Gawin servations after 40 years of traveling and Mercedes Alvarez Moderator: Susan Graf 11:00-12:30 ATLAS Black Box Martha Clark Goss teaching the ancient wisdom of India. Gregory Bowles 3318 Saying Something WithKate McLeod Sponsored by Bhakti Yoga Club Zainab Zeb Khan 9:00-9:45 Old Main Chapel out Words Moderator: Jaymie Hampson Diane Singerman 4156 CLIMATE SERIES: Climate René Marie 6:00 Andrew J. Macky Moderator: Dinorah Avendano Change, Matthew Nelson 3:00-4:30 UMC East Ballroom Gallery, Macky Inequality & Auditorium Steven Rubin 3713 Technological Solutions 9:00-10:30 UMC West Ballroom Economic Growth Rulan Tangen to World Hunger CONCURRENT EVENT 3114 We Are All Capable of Arturo Ardila-Gomez Moderator: Steve Eisler Mercedes Alvarez BMoCA Artist Meet & Being Addicts Timothy Wirth Joseph Byrum Greet with Sangeeta Aaron Balick Moderator: Alice Madden 11:00-12:30 Wolf Law Wittemyer CourtB.J. Whetstine Reddy Morrow Cater room Moderator: Cindy Donahue BMoCA Artist Meet & Greet – Enjoy Wendy Lustbader 9:00-10:45 ATLAS Black Box 3317 The Anti-Scientific Left informal conversation with exhibiting Mary Reynolds Thompson 4169 The Importance of MindAlex Berezow 3:00-4:30 UMC West Ballroom artist Sangeeta Reddy and explore her fulness Moderator: Daniel Conroy Joseph Byrum 3714 Wanderlust current exhibition of paintings, Fractured Andrés Edwards Seth Shostak Kathleen Adams Landscapes of the West. BMoCA at Macky 9:00-9:45 Old Main Chapel Damaris Maria Grossmann Moderator: Lisa Morzel Rony Barrak is an exhibition series presented by 3106 INTERVIEW: My Story, My Ernie Watts Cynthia Koenig Boulder Museum of Contemporary Art Words III David Wilcox 12:00-12:45 Fleming 155 James Tanabe in collaboration with Macky Auditorium Korey Wise Moderator: Bud Wilson 3406 Impacto de los ExtranModerator: Bill Rogers Concert Hall. Moderator: Jane Byrialsen jeros en el Ciclo de la 9:00-10:45 Chemistry 140 Pobreza 3:00-4:30 UMC 235 6:30 Boulder Public Library 9:00-10:30 ATLAS Black Box 4168 ROUNDTABLE: Keep Your Pablo Better 3715 The Two Party System is CONCURRENT EVENT 3117 Crowdsourcing Theocracy Out of My Gregory Bowles Doomed Boulder Premier ScreenJoseph Byrum Democracy Jorge Chojolán Alex Berezow ing of “Buried Above Douglas Carlston Kelly Eplee Moderator: Mary Long Michael G. Franc Ground” Max Nanis Robert G. Kaufman Aruna Kalyanam BURIED ABOVE GROUND explores Moderator: Aaron Brockett Vivian Nixon 1:00-2:30 UMC Center Ballroom Mary G. Wilson this question through the eyes of three Daniel Stid 3512 Is Putin Willing to Risk Moderator: Mark Gerzon post-traumatic stress disorder (PTSD) 9:00-10:30 Wolf Law Wittemyer CourtModerator: Phil Weiser WWIII? survivors. Panel Discussion to follow. room Don Grusin 3:00-4:30 Old Main Chapel Boulder Public Library is located at 1001 3118 The Anti-Scientific Right 9:10-10:40 Boulder High School Robert G. Kaufman 3717 POETRY: Words, Words, Arapahoe Ave Peter C. Frumhoff 4126 The Roots of Radical Srdja Popovic Words David Grinspoon Extremism Moderator: Sarah Sohkey Sam Cook 7:00-8:00 UMC Center Ballroom Sidney Perkowitz Mark Fallon Athena Edmonds 3999 CWA@NIGHT Paul Wapner Vicki J. Huddleston 1:00-2:30 UMC East Ballroom Charlie Menzie PLENARY: Antidotes to Moderator: Tom Blumenthal Malou Innocent 3513 Blogging: Putting the Me Joe Sexton the Poison of in Media David Wilcox Campaign Finance 9:00-10:15 Eaton Humanities 150 11:00-12:15 Macky Auditorium Aaron Balick Moderator: Teresa Nugent Timothy Wirth 3116 Pay It Forward: The Value 4311 How Media & Politics Bonnie Burton Moderator: David Skaggs of Giving Back Generate Hate and Fear Matthew Nelson 3:00-4:30 Muenzinger E0046 Kelly Eplee Mark Fallon Moderator: Paul Voakes 3716 Retro or Modern? 7:00-9:00 Old Main Damaris Maria Adam J. Schrager (D)Evolving Style CONCURRENT EVENT Grossmann Ellen Sweets 1:00-2:30 UMC West Ballroom and Culture Frame by Frame Film Bill Martin Rob Warden 3514 STEM Education: Why Bonnie Burton Screening and Discussion Sonja Hoel Perkins Should We Care? Don Grusin Please join us as we screen a documen- Moderator: Al Manzi Moderator: Bobby Brown Douglas Carlston Jeff Lieberman tary that follows four Afghan photojourFrancesca Grifo Max Nanis nalists as they navigate an emerging and 11:00-12:15 UMC Center Ballroom 9:45-11:00 Boulder High School US Foreign Policy: The Jeff Lieberman Moderator: David Dadone dangerous media landscape – reframing 4312 3176 PERFORMANCE: Funding World’s Andrea Polli Afghanistan for the world, and for themPoliceman the Future Moderator: Jane Saltzman 3:00-5:30 Hellems 252 selves. Sponsored by The Dennis Small Gooding Vicki J. Huddleston 3714 CONCURRENT EVENT Cultural Center, the Center for Student Heather Hurlburt 1:00-2:30 UMC 235 Gen UN and UNA Meet Involvement and the Puksta Foundation 10:00-2:00 Norlin Quad Robert G. Kaufman 3515 Fighting Global Pandemand Greet CONCURRENT EVENT Moderator: Tori Peglar ics from Avian Flu to Zika Gen UN and UNA Meet and Greet with 7:30 Grusin Hall Arts on the Green Bwire Chirangi IA Professionals who have been active CONCURRENT EVENT The buildings surrounding Norlin Quad11:00-12:15 UMC East Ballroom Chuck Dietzen in International Affairs: Peace Corps The Pendulum New rangle will serve as canvases for CU’s Art de4313 Keeping Kids Safe in the Charlie van der Horst volunteers, State Department employees, Music Concert partments (Art and Art History, and CU Art Moderator: Carl Tinstman Media Age ambassadors, etc. The Pendulum New Music concert series, Museum, Film Studies, Theatre and Dance, Bobbie Carlton Networking opportunity for students now in its 15th season, presents some of Rap Lab, Music with the Guitar Program) Morrow Cater and young professionals with CWA CU’s best performers from all departments, to showcase the talents of their faculty and Chuck Dietzen speakers and local IA professionals. premiering original music of CU composers. students. Join us for a film screening, poetry, Peter Rupert Lighte Light refreshments will be served. This program will include songs, string quarart, music, drama, and more! Please, RSVP with: Zuzabohley@gmail. tet, brass quintet, and more. Free admission; Moderator: Sabrina Sideris
WEDNESDAY
1:30-2:30 3551
com by April 1st. Sponsored by UNA Boulder County, UNA Denver and UNA Northern Colorado are collaborating with Front Range Community College, CU MUN club, CU International Student Club, CU EWB, CU Unicef, CU Amnesty International, Peace Corps, CU EWB
11:00-12:15 UMC West Ballroom 4314 What about Latin America? Mercedes Alvarez Pablo Better Gregory Bowles Judith Morrison Moderator: Tracy Ferrell
2:00-3:15 4613
UMC East Ballroom S econd Acts: Encore Careers Athena Edmonds Joanne Grady Huskey Charlie van der Horst B.J. Whetstine Moderator: Margaret DeMichelis
4:00-4:45 4806
FRIDAY
ATLAS Black Box ERFORMANCE: Tell Me P Your Story, I’ll Write Your Song 8:30-9:30 David Wilcox 5056 Moderator: Ross Taylor
11:00-12:30 UMC West Ballroom 3:00-4:00 Macky Auditorium 5314 Creativity: Breaking the 5700 THE MOLLY IVINS MEBlocks & Keeping the MORIAL PLENARY: Race, Flow Immigration, Identity KGNU Radio Jeff Lieberman and Citizenship in a Mul 88.5 FM/1390 AM Thom Rotella ticultural America Connections Mary Reynolds Thompson Jose Antonio Vargas Vivian Onano 4:00-6:00 Muenzinger Auditorium Ernie Watts Moderator: Lee Shainis Moderator: Duncan Campbell 4836 EBERT INTERRUPTUS Moderator: Lawrence Carlson 11:00-12:15 UMC 235 2:00-3:15 UMC West Ballroom III: Sunrise: A Song of 3:00-4:30 UMC Center Ballroom 8:45-1:00 Wolf Law 4315 Budget Battles: Let’s 4614 Banking: A Force for Two Humans 11:00-12:30 UMC 235 5712 Food & Wine: What’s CONCURRENT EVENT Make a Deal Good or Evil? Howie Movshovitz 5315 Y our Self-Driving Car Hit New on Your Table? 24th Annual Rothgerber Michael G. Franc Pablo Better Moderator: Michael Casey Mine! Rony Barrak Conference Malou Innocent Martha Clark Goss Conference founder Howard Arturo Ardila-Gomez Martha Clark Goss Constitutional scholars from around the Aruna Kalyanam Peter Rupert Lighte Higman called it, “democracy in the Max Nanis Francesca Grifo country discuss the American judicial Frank Shafroth Reza Ramazani dark” and for over 30 years, Ebert Frank Shafroth Eric Lindstrom system, the Equal Protection Clause of Moderator: Sloan Speck Moderator: Peter Braun Cinema Interruptus has been a Seth Shostak Ellen Sweets the U.S. Constitution, and the contribuweek-long shot-by-shot discussion Moderator: Dakota Soifer tions of CU Law Professor Robert Nagel Moderator: Will Toor 11:00-12:15 Old Main Chapel 2:00-3:15 UMC 235 of a film that is as in-depth as it is to the development of scholarship and 4316 Help! I’m Drowning in 4615 Affordable Housing irreverent. 11:00-12:30 Old Main Chapel 3:00-4:30 UMC East Ballroom jurisprudence in the field of constituInformation Liz Blake 5317 ROUNDTABLE: What I 5713 Work-Life Balance and tional law. Kate McLeod Eugene Sepulveda 5:00 UMC West Ballroom Learned About America Other Fairytales Sponsored by the Byron R. White Center Joe Sexton Frank Shafroth 4914 CWA@Night from the CWA Heather Hurlburt for the Study of American Constitutional Daniel Stid Moderator: Georgia Lindsay America’s Vets: Caring The Kennedy-Lugar Youth Exchange & René Marie Law Moderator: Brad Weismann for Those Who Served Study (YES) Program Kate McLeod 2:00-3:15 Old Main Chapel Damaris Maria Grossman 9:00-10:30 UMC Center Ballroom Veysel Kazanci Moderator: Marcie Miller 11:00-12:15 ATLAS Black Box 4617 “Those who give up Rob Warden Lena Okasha 5112 The Cost of Bias to the 4317 IN A WORLD WHERE ... their liberty for security, Moderator: Stuart Feinhor Yara Dgheish 3:00-4:30 UMC West Ballroom Nation Movies Get the deserve neither.” -Ben Moderator: Bruce Messinger 5714 Music for Social Change Athena Edmonds Science Right Franklin 5:00-6:15 Chemistry 140 Kathleen Adams Ellen Sweets Bonnie Burton Arturo Ardila-Gomez 4916 CWA@Night 11:00-12:30 Eaton Humanities 150 Larry Greenwood William Thorne Oliver Morton Larry Greenwood Hard Science, Soft Art 5316 W hy I’ve Lived Where Aruna Kalyanam Jose Antonio Vargas Sidney Perkowitz James Tanabe David Grinspoon I’ve Lived Robert G. Kaufman Moderator: Joanne Belknap Seth Shostak Moderator: Adam Hosein Jeff Lieberman Aaron Balick Moderator: Jan Burton Moderator: Albert Hand Max Nanis Rony Barrak 9:00-10:30 UMC East Ballroom 2:00-3:15 ATLAS Black Box Andrea Polli Cynthia Koenig 3:00-4:30 UMC 235 5117 Art & Humanity: Bridg12:30-1:45 UMC Center Ballroom 4616 La Participación de la Moderator: Charles Chase Matthew Nelson 5715 Sustainable Developing the Empathy Gap 4462 Anthropology of War Mujer para Cambiar el Moderator: Rodger Kram ment is Not a Pipe Marilinda Garcia Arturo Ardila-Gomez Balance de la 5:00-7:00 Innisfree Dream Antoinette Gawin Mark Fallon Pobreza Mundial 4963 CWA@Night 12:30-2:00 Fleming 155 Gregory Bowles Zainab Zeb Khan PERFORMANCE Alexandra Huddleston Mercedes Alvarez 5466 G lobalization & the Clash Andrés Edwards Steven Rubin Moderator: Aysegul Aydin Gregory Bowles Poetry Slam Showcase of Ideologies Michael Elliott Moderator: Howard Bernstein Jorge Chojolán Sam Cook Pablo Better Judith Morrison 12:30-1:45 UMC East Ballroom Judith Morrison Moderator: Miriam Paisner Joanne Grady Huskey Moderator: Eliza Woloson 9:00-10:30 UMC West Ballroom 4463 Business Can Have a Moderator: Elena Aranda Innisfree is located on the Hill Peter Rupert Lighte 5114 China is Rattling the Conscience and Still at 1301 Pennsylvania Avenue. Srdja Popovic 3:00-4:30 Old Main Chapel World’s Economy Thrive 3:00-3:45 Muenzinger Auditorium Moderator: Andres Snaider 5716 Educate a Girl: Change Larry Greenwood Liz Blake 4706 ARIA: US/Cuba: Can the 6:00-7:00 UMC Center Ballroom the World Peter Rupert Lighte Morrow Cater Best of Enemies Kiss & 4952 CWA@Night 1:00-2:30 Macky Auditorium Liz Blake Reza Ramazani Charlie Menzie Make Up? DEBATE: Science & Pub- Moderator: Timothy Weston 5511 Terrorism in America: Joanne Grady Huskey Moderator: Tom Galey Vicki J. Huddleston lic/Personal Decisions The New Normal Zainab Zeb Khan Moderator: Spense Havlick About GMOs and Herbal 9:00-10:30 UMC 235 Mark Fallon Vivian Onano 12:30-1:45 UMC West Ballroom Supplements Larry Greenwood Moderator: Amy Zuckerman 5115 Think Tanks Can’t Think 4464 How Would You Define a 3 - 4 PM, Daily Michael Klymkowsky Heather Hurlburt Straight Liberal Today? Panelist Meet & Greet Jeffrey Smith Moderator: John Tayer 3:00-4:30 ATLAS Black Box Michael G. Franc Ellie Boldman Hill STUDENTS ONLY: swing by the Moderator: Joel Dyer 5718 Computational Biology: Malou Innocent Eugene Sepulveda BioLounge for the chance to 1:00-2:30 UMC Center Ballroom Using Biology & ComputJudith Morrison Joe Sexton converse with your favorite 6:00-7:00 KGNU Radio 5512 The Myth of the Rational ers to Model Artificial Moderator: Dan Powers Mary G. Wilson CWA panelist. Special treats 4956 88.5 FM/1390 AM Voter Life It’s the Economy Moderator: Laura Lee Hullinghorst and coffee served daily. Robert G. Kaufman Oliver Morton 9:00-10:30 Old Main Chapel Kate McLeod Jeffrey Smith Max Nanis 5116 CLIMATE SERIES: Po12:30-1:45 UMC 235 3:30-4:45 UMC Center Ballroom Eugene Sepulveda Daniel Stid Andrea Polli litical Views on Climate 4465 Online Revolution: Social 4762 The Politics of Host: Liz Lane Mary G. Wilson Moderator: Bette Erickson Change: A Widening Gap Immigration Media & Moderator: Dan Gould Morrow Cater Political Upheaval Michael G. Franc 6:00-7:20 UMC 235 3:00-4:30 Eaton Humanities 150 Ellie Boldman Hill Douglas Carlston Marilinda Garcia 4965 CWA@Night 1:00-2:30 UMC East Ballroom 5717 Open Mouth, Remove Andrea Polli Vivian Onano Heather Hurlburt The Endless Struggle for 5513 The Sharing Economy Foot: Social AwkwardMary G. Wilson Srdja Popovic William Thorne Reproductive Rights Kate McLeod ness & EQ Moderator: Suzanne Jones Moderator: Matt Duncan Moderator: Joshua LePree Kathleen Adams Frank Shafroth Aaron Balick Marilinda Garcia James Tanabe Bonnie Burton 9:00-9:45 Hale 270 12:30-1:45 Old Main Chapel 3:30-4:45 UMC East Ballroom Ellie Boldman Hill David Wilcox Jeff Lieberman 5106 ARIA: How Education 4467 The Age of Big Data 4763 Creating a Life of Mean- Moderator: Leslie Durgin Moderator: Doug Greene Ty Tashiro Improves the Future of ing Joseph Byrum Moderator: Rose Pierro Children in Sidney Perkowitz Cynthia Koenig 6:00-8:00 Koenig Alumni Center 1:00-2:30 UMC West Ballroom Guatemala James Tanabe Steven Rubin CONCURRENT EVENT 5514 Apocalypse Wow! Having 3:00-4:30 Muenzinger E0046 Jorge Chojolán Moderator: David Spiro Jeffrey Smith International Affairs Fun with the End of the 5719 Water, Water ... Not Translator: Nicolás Cabrera-Schneider Rulan Tangen Reception World Everywhere 12:30-1:45 ATLAS Black Box Moderator: Ryan Chreist 1202 University Ave Douglas Carlston Bwire Chirangi 10:00-10:45 Grusin Hall 4466 Global Trade-Offs Featuring Mark Fallon David Grinspoon Cynthia Koenig 5206 PERFORMANCE & Michael Elliott 3:30-4:45 UMC West Ballroom A wonderful opportunity to mingle Seth Shostak Charlie Menzie PANEL: Jazz Jam: Music & Larry Greenwood 4764 Gender Discrimination with IA alumni, friends of the program Moderator: Alphonse Keasley Reza Ramazani Stories Reza Ramazani in Science & Engineering and community members interested in Moderator: Laura Sparks Rony Barrak Moderator: Martin Viero Athena Edmonds global topics. 1:00-2:30 UMC 235 Don Grusin Francesca Grifo Sponsored by the International 5515 Tackling Global Poverty 3:00-5:00 Hale 270 René Marie 1:00-2:30 Fiske Planetarium Andrea Polli Affairs Program Mercedes Alvarez CONCURRENT EVENT Ernie Watts 4516 PERFORMANCE & Seth Shostak Liz Blake Sustainable DevelopModerator: Mary Ann Mahoney PANEL: Our Native Land Moderator: Nikhil Mankekar 6:00-9:00 Old Main Chapel Michael Elliott ment Goals – Bringing Rulan Tangen 4996 CWA@Night Cynthia Koenig Global Issues Home 11:00-12:30 Macky Auditorium William Thorne 3:30-4:45 UMC 235 FILM & DISCUSSION: He 5311 Moderator: Robert McNown Learn about the new SDGs adopted by US Policy Towards Iran Kenji Williams 4765 Not Your Mother’s FemiNamed Me Malala the UN in September 2015. Sponsored Healther Hurlburt nism Moderator: Beth Osnes Zainab Zeb Khan 1:00-2:30 Old Main Chapel by UNA Boulder County, in collaboraMalou Innocent Kathleen Adams Moderator: Ron Bostwick 5516 Art and Healing: Words tion with CU MUN, CU Unicef, CU Peace Robert G. Kaufman 1:05-2:25 Boulder High School Bonnie Burton That Hurt, Words That Heal Corps, and other student groups Moderator: Aun Ali 4462 Can We Talk? The Power Vivian Nixon 6:30 Humanities 135 Sam Cook of Vivian Onano CONCURRENT EVENT Athena Edmonds 4:30 Eaton Humanities 190 11:00-12:30 UMC Center Ballroom Communication Moderator: Claire Levy Film Screening: Voices of 5312 Antoinette Gawin CONCURRENT EVENT Moving Beyond StereoAntoinette Gawin the Stone Mary Reynolds Thompson Talk & Q&A with Haitian types Ellen Sweets 3:30-4:45 Old Main Chapel Tibetan Arts Week: A film about mining Moderator: Bill Stoehr writer Kettly Mars Kathleen Adams Ty Tashiro 4766 Millennial Culture is an on the Tibetan Plateau. Q&A following Kettly Mars will discuss her work as an Zainab Zeb Khan Oxymoron with director, Tibetan poet and 1:00-1:45 ATLAS Black Box author and public figure. Rulan Tangen 2:00-3:45 Macky Auditorium Alexandra Huddleston filmmaker Jangbu. 5307 P ERFORMANCE: Origin Co-sponsored by the Department of Rob Warden 4631 Jazz Master Class Max Nanis Sponsored by CU Boulder Tibet Stories French and Italian, the Moderator: Allen Carmichael Rony Barrak Ty Tashiro Himalaya Initiative Donna Mejia Graduate Committee on the Arts and Don Grusin Moderator: Christopher Sarson Kenji Williams Humanities, and the René Marie Moderator: Bud Coleman Consulate General of France in Los Thom Rotella 3:30-4:45 Muenzinger E0046 Angeles Ernie Watts 4767 Launching Tomorrow’s 2:00-5:00 Norlin Library Moderator: John Gunther Products Today CONCURRENT EVENT 4:00-6:00 Muenzinger Auditorium Mercedes Alvarez Shakespeare Celebration 5836 EBERT INTERRUPTUS IV: 2:00-3:15 UMC Center Ballroom Bobbie Carlton & Sonnet Extravaganza Sunrise: A Song of Two Humans 4612 Alternative Medicine: Kate McLeod British Studies Room How We Heal Moderator: Ed Wittman 5th floor, Norlin Howie Movshovitz Ourselves Celebrate the 400th anniversary of Moderator: Michael Casey Aaron Balick 4:00-4:45 Macky Auditorium Shakespeare’s life with a sonnet writing Conference founder Howard Higman Bwire Chirangi 4801 PERFORMANCE: Tocompetition, a sonnet reading marathon, called it, “democracy in the dark” and for Damaris Maria Grossmann gether Again student projects display, Norlin special over 30 years, Ebert Cinema Interruptus Matthew Nelson Rony Barrak collections of their Shakespeare exhibit, has been a week-long shot-by-shot Gooding Moderator: Lloyd Gelman music, treats and lots more. discussion of a film that is as in-depth as Moderator: Lissy Garrison Sponsored by CU-Boulder English and it is irreverent. the First Folio Project.
Conference on WORLD AFFAIRS Join us April 4–8, 2016 100 speakers from around the world with sessions on the arts, science, business and much more
Free and open to the public
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overtones Delta Zen
Anders Osborne may be one of the Big Easy’s most potent musical exports, but he’s still trying to figure it all out by Dave Kirby
I
t was mid afternoon on Good Friday here and in Dallas, torchin’ blues guitarist in New Orleans in his younger days. Texas when we caught up to Anders Osborne on tour, And still, there are loose ends. “Burning out slowly/not hangin’ out behind the Gas Monkey and marking the catching on fire/try to be the flame/But my body’s so tired ... Christian holy day with a little personal ceremony of his people and places/feelings and goals/monuments I have to own, somewhat sideways to The Passion. see/Weddings and birthdays/dying alone /tell me, tell me, tell “Yeah, I’m sitting by a little pond, just meditating. I just me/what does it mean?” Osborne pleads on “Burning,” maybe finished 30 minutes of ringing my Tibetan bells and my little the album’s most lyrically arresting confessional. bowl, and listening to the birds.” Loose ends, doubts? It’s a moment of pre- Courtesy of Anders Osborne Osborne pauses... a sound-check peace for long time. one of New Orleans’ most “There’s an old saying, celebrated hell-raisers, but I’m not sure which culnot entirely out of characture it comes from, maybe ter these days for Zen Buddhism, ‘One can the guitarist/songnever know one’s self.’ It’s ON THE BILL: writer. A run an impossibility, an oxyAnders Osborne. 7 p.m. through Osborne’s moron. The fingertip Friday, April 8, Boulder cannot feel itself, the eye latest record, last Theater, 2032 14th St, Boulder, 303-786-7030. cannot see itself. You can year’s Spacedust & never truly know who you Ocean Views, finds are, only other people can the guitarist in a see you for what you real(largely) reflective ly are.” mood, an extended mediIt’s the rabbit on the tation on place and greyhound track. No matmoments in time, memoAfter a career of hell-raising, Anders Osborne is ready for a fresh new ter how fast you go, it’s ry, passages through and phase of life. always one stride ahead. exits from paragraphs in Osborne cracks up. the non-fiction docudrama of life. “That’s it! Yeah, it’s very frustrating.” Through languid, gently formed figures, Osborne coaxes And what about the grinding, pitiless swamp blues numodes of gratitude and compelling imagery in what seems a ber “Move Back?” Fans of Osborne accustomed to his serratlittle like a travelogue — like watching his kid chasing seaed and molten blues guitar playing will recognize their guy birds on the beach in “Cape Cod,” trying to fly himself. He here. It hits the album eight cuts in like a tire iron in a celebrates the Delta gestalt in the album’s feature single meringue pie. Go back to Mississippi. Why? “Lafayette,” a love letter to The Lake. He ponders the small“I felt like the song fit. I did 30 or 35 tracks during this ness of everything as seen from space (seriously) in a quirky session; I was going to make a double LP out of it. But I felt closing spoken-word thing called “From Space.” And he’s like the rocking parts didn’t quite fit with these 10 or 11 menacing as an angry Baptist preacher gone bad, going back tunes that all seemed to be thematically joined. I put them all to Mississippi on “Move Back,” but we’ll get to that in a together, but I thought that the story of the move back to moment. Mississippi — it felt like a necessary song, that it needed to This whole record felt to us, we tell Osborne, like a great be part of this little discussion. exhale. “This is a song about people who come sometimes from “No, that’s a very astute observation,” Osborne says. “For New Orleans, but also from outside New Orleans, and they me, I likened it to the end of the day, or a sunset. It felt like move into the city. And they need to make money and move the end of something... slightly exhausting. But ‘exhale’, that on with their lives. And I’ve seen it many, many times. These may even be better analogy for it. kids come in, and the city will swallow them up. They get “I don’t know. A lot of stuff ... after years of living, now I influenced by the wrong groups of people, and before you feel like I’m in a different phase of my life, like I want to know, they’re in trouble.” start something fresh. Whatever that means. The way I But even if Osborne doesn’t have it all figured out, he still approach my career, my family life and my own health, stuff writes beautifully about wanting to. And as he approaches (in May) his 50th birthday, he’s feeling positive. like that. It’s reflected in the music, and I think this is the “I don’t know how much the number is making a differbeginning of that. ence, but I must say, the last year or so, something has “Not that I’m going to change styles or do something changed. The way I feel physically, everything. completely different. I can only do what I do.” “But I think this is the decade I’m most excited about. I It sounds, in places, like something approaching contentliked my 20s; I never thought about anything, I was always in ment, something like a happy ending — or middle, depending the moment. That was cool. But now, I feel like I have a puron what comes next — for a guy who led a famously hardcharging, hard-partying, loose-cannon lifestyle as a jukeposeful decade ahead of me.” Boulder Weekly
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FEAT AMAYO (ANTIBALIS), DAVE WATTS (MOTET) + MEMBERS OF ATOMGA & EUFORQUESTRA FRI. APR 1 8:30 PM ALBUM RELEASE PARTY
PIGEONS PLAYING PING PONG AQUEOUS & BOOSTER SAT. APR 2 8:30 PM
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MON. APR 4 7:00 PM
AN EVENING WITH
STEVE HACKETT PERFORMING GENESIS CLASSICS (1970 - 1977) WOLFLIGHT
THURS. APR 7 8:00 PM
OZRIC TENTACLES & CONSIDER THE SOURCE
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MON. APR 4 8:00 PM
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TUES. APR 5 8:30 PM THE HUNDREDS & THE FOX THEATRE PRESENT
MIJA
CVII LIVE BAND TOUR
TEMPLO & KLL SMTH FRI. APR 8 7:00 PM
ANDERS OSBORNE
SISTER SPARROW & THE DIRTY BIRDS MON. APR 11 6:30 PM 93.3 KTCL & WESTWORD PRESENT
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ANDERSONPONTY BAND SAT. MAY 7 7:00 PM
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BOB MOULD BAND
NA’AN STOP & POLICULTURE
MON. MAY 9 7:00 PM
FORTUNATE YOUTH SAT. APR 23 8:30 PM
ELIOT LIPP + FREDDY TODD APR 29 ......................................................................................... CANDYLAND APR 30 ........................................................................ JOHN KADLECIK BAND MAY 4 ........................................................................... WAKA FLOCKA FLAME MAY 6 ............................................................... TURKUAZ & THE NTH POWER MAY 7 ........................................................ THE INFAMOUS STRINGDUSTERS MAY 13 .......................... THE HEADHUNTERS PERFORM HERBIE HANCOCK
40 March 31, 2016
14TH &
SOUTH OF FRANCE
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MAY 10 & 11 ............................................................................. DAVID SEDARIS MAY 20 ............................................................................... DESERT DWELLERS MAY 21 ............................................ COLORADO POLE CHAMPIONSHIP 2016 MAY 24 ......................................................................................... MATT CORBY JUNE 7 ........................................... SAM BEAM (IRON & WINE) & JESCA HOOP AUG 26 ....................................................................................................... MOE.
Boulder Weekly
Courtesy of the Fox Theatre
SAN FERMIN.
8:30 P.M. MONDAY, APRIL 4, THE FOX THEATRE, 1135 13TH ST., BOULDER, 720-645-2467.
Thursday, March 31
tro, 370 Main St., Longmont, 303-327-9318.
Music
DJ Done. 9 p.m. Breaker’s Grill, 380 Main St., Longmont, 303-772-3839.
Bluegrass Jam. 7 p.m. Front Range Brewing Company, 400 W. South Boulder Road, Lafayette, 303-339-0767. Bonnie and the Clydes. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847. Boulder Swing Collective. 9 p.m. Waterloo, 809 Main St., Louisville, 303-993-2094. Broken Land Band. 7:30 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. Davy Allard. 7:30 p.m. Samples World Bis-
Courtesy of Boulder Theater
Dance
It’ll be a fast driving rave up with the Dandy Warhols on April 2 at the Boulder Theater. Pull the sweatband and trucker hat you used to wear back in 2001 out of that box in the crawlspace and join the Portland garage rockers on their Distortland tour. Distortland is the band’s 10th studio album, featuring the single “You Are Killing Me,” a tune that music website Stereogum describes as “a hooky, efficient chugger,” which retains the Dandy’s “old pretty sense of stoner drift.” While the band will surely unveil some new songs during the evening, rest assured you’ll hear earworms such as “Bohemian Like You” (remember that Vodafone commercial from 2000?) and “We Used To Be Friends” (any Veronica Mars fans out there?). Tickets are $23 in advance, $25 on the day of.
Boulder Weekly
Fire It Up Brass Band. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628. George Nelson Trio. 9 p.m. License No. 1, 2115 13th St., Boulder, 303-442-4344. Godlaser. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-440-3355.
Cirque de la Symphonie. 2 and 7 p.m. Saturday, April 2, Macky Auditorium, Boulder, 1595 Pleasant St., Boulder, 303-492-8423. Cirque de la Symphonie When two great things come together, only the awesome can result. So when Boulder Philharmonic teams up with Cirque de la Symphonie, you know it’ll be a spectacular night. On April 2, the two powerhouses will split the stage at Macky for a night of beautiful music and entertaining circus acts. Enjoy a visual feast of areal fliers, acrobats, jugglers, strongmen and contortionists, all while your ears fill with high-energy classical music. The last time the Boulder Phil came together with Cirque de la Symphonie, the event sold out, so make sure to get your tickets fast at boulderphil.org or by calling 303-449-1343, ext. 2.
Marvel
The Dandy Warhols’ Distortland Tour, with Seratones. 7:30 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Felebration featuring Amayo. 9 p.m. The Fox Theatre, 1135 13th St., Boulder, 720645-2467.
Hippo Temple. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. Indigo Girls with the University Symphony Orchestra. 7:30 p.m. Macky Auditorium, Boulder, 1595 Pleasant St., Boulder, 303492-8423. Kort McCumber. 6 p.m. Oskar Blues Home Made Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Mezzo Mestizo. 6:30 p.m. St Julien Hotel & Spa, 900 Walnut St., Boulder, 720-4069696. see EVENTS Page 42
Handmade Songs 2016. 6 p.m. Wednesday, April 6, eTown Hall, 1535 Spruce St., Boulder, 303-443-8696. Courtesy of eTown With more and more arts programming getting cut from schools, it’s essential that kids have other outlets to express themselves. eTown has answered that call with their fourth annual Handmade Songs Series, a high school songwriting competition. Participants have entered, and the selected bunch will perform on April 6. Selected artists also get a chance to record their original song in eTown’s recording studio, working with a producer and crew. All the songs will then be released on eTown’s Handmade Songs CD Volume 4. With support from the community, these young songwriters could be destined for greatness.
Listen
SEE FULL EVENT LISTINGS ONLINE. To have an event considered for the calendar, send information to calendar@ boulderweekly. com. Please be sure to include address, date, time and phone number associated with each event. The deadline for consideration is Thursday at noon the week prior to publication. Boulder Weekly does not guarantee the publication of any event.
March 31, 2016 41
events
EVENTS from Page 41
arts
Mitchel Evan & The Mangrove. 7 p.m. Por Wine House, 836 1/2 Main St., Louisville, 970259-3555. Open Jam. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Open Mic. 7 p.m. Dickens Opera House, 300 Main St., Longmont, 720-297-6397. Selasee and The Fa Fa Family. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-4403355. Tupelo Honey. 7 p.m. Oskar Blues Brewery, 303 Main St., Lyons, 303-823-6685. Events 45 Years. 2:30 p.m. and 7 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-4407826. Free Inky Fun Evening. 6 p.m. Book Arts League at Ewing Farm, 1915 N. 95th St., Lafayette. Late Night At The Museum. 6 p.m. Longmont Museum, 400 Quail Road, Longmont, 303-6518374. Martha Russo: coalescere — Opening Reception. 6:30 p.m. Boulder Museum of Contemporary Art, 1750 13th St., Boulder, 303443-2122. Open Studio. 11 a.m. Rembrandt Yard Art Gallery & Event Center, 1301 Spruce St., Boulder, 303301-2972. Friday, April 1 Music Bo Davis. 2:30 p.m. Golden West Senior Living, 1055 Adams Circle, Boulder, 303-444-3967. Bonnie & The Clydes. 10 p.m. Waterloo, 809 Main St., Louisville, 303-993-2094. The Corporation. 9 p.m. Breaker’s Grill, 380 Main St., Longmont, 303-772-3839. Dear Landlords. 7:30 p.m. Oskar Blues CyclHOPS, 600 S. Airport Road, Longmont, 303-776BIKE.
Martha Russo: coalescere. Boulder Museum of Contemporary Art, 1750 13th St., 303-443-2122. Through June 12.
Above the Fold: New Expression in Origami. The Longmont Museum, 350 Kimbark St., Longmont, 303776-6050. Through May 1.
The Neighbors — by Arne Svenson. Museum of Contemporary Art, 1485 Delgany St., Denver, 303-298-7554. Through June 5. Pastel Paintings by Diane Wood. Community Art Program Gallery, NCAR, 1850 Table Mesa Drive, Boulder, 303497-1174. Through April 1.
Case Work. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-865-5000. Through April 17. Critical Focus: Lanny DeVuono — by Laura Shill. Museum of Contemporary Art, 1485 Delgany St., Denver, 303-298-7554. Through June 5.
Above the Fold showcases the intricacies of origami. Read more on page 27.
Encounters 2016. Firehouse Art Center, 667 Fourth Ave., Longmont, 303-651-2787. Through April 4. Holdfast: Seaweeds in a Time of Oceanic Change — Jill Powers. The Dairy Arts Center, 2590 Walnut St., Boulder, 303-440-7826. Through April 8. Life and Afterlife: Selections from the King Collection of Ancient Chinese Art. CU Art Museum, 1085 18th St., Boulder, 303-492-8300. Through June 25. Make Your Own Friends — by Brian Bress. Museum of Contemporary Art, 1485 Delgany St., Denver, 303-298-7554. Through July 3.
Plein Air Pastel Painting by Sandra Haberkorn. Community Art Program Gallery, NCAR, 1850 Table Mesa Drive, Boulder, 303-4971174. Through April 1.
Phantom Touch — by Laura Shill. Museum of Contemporary Art, 1485 Delgany St., Denver, 303-298-7554. Through July 3. Revolt 1680/2180: Virgil Ortiz. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-865-5000. Through May 1. Robert Therrien. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-865-5000. Through Aug. 7. Samurai. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-865-5000. Through June 5.
Delta Sonics. 6:30 p.m. St Julien Hotel & Spa, 900 Walnut St., Boulder, 720-406-9696.
Last Men On Earth. 7:30 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757.
Erothyme, Shanti, Jason Burruss, Sacral Crown, Foxtail. 9 p.m. The Forge, 4919 Broadway, Boulder, 303- 396-8145.
Lee Johnson. 6 p.m. Upslope Brewing Company (Lee Hill), 1501 Lee Hill Road, Suite 20, Boulder, 508-873-9185.
The Fabulous Koch Brothers. 7:30 p.m. Cannon Mine Coffee, 210 S. Public Road, Lafayette, 303-665-0625.
Lionel Young Duo. 5 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914.
Flash Mountain Flood. 9 p.m. Stage Stop, 60 Main St., Rollinsville, 303-258-0649.
Masontown. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.
Boulder County Home & Outdoor Living Show. 12 p.m. Boulder County Fairgrounds, 9595 Nelson Road, Longmont, 303-678-6235.
Flip and Fly. 5 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-777-6768.
The Mojo Medicine Show. 6 p.m. Grossen Bart Brewery, 1025 Delaware Ave., Longmont, 214770-9847.
Dying to Know: Ram Dass and Timothy Leary. 4:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.
Paul Shinn. 7 p.m. Caffe Sole, 637R S. Broadway St., Boulder, 303-499-2985.
New Works by Sergey Cherep. 2 p.m. Smithklein Gallery, 1116 Pearl St., Boulder, 303-4447200.
Fusion Fridays. 5 p.m. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Girls On Top. 8 p.m. Dickens Opera House, 300 Main St., Longmont, 720-297-6397. Groovealicious. 8:30 p.m. Oskar Blues Home Made Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Honkabilly Heroes. 7 p.m. Skeye Brewing, 900 S. Hover St., Unit D, Longmont, 303-774-7698. Jeff Scroggins & Colorado. 8:30 p.m. Oskar Blues Brewery, 303 Main St., Lyons, 303-8236685. Julian Peterson. 8:30 p.m. The Roost, 526 Main St., Longmont, 303-827-3380.
42 March 31, 2016
Richard Sweeney “Air” /Susan France
A Place in the Sun. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720-8655000. Through April 24.
Pigeons Playing Ping Pong, Aqueous. 8 p.m. The Fox Theatre, 1135 13th St., Boulder, 720645-2467. Ramaya & The Troubadours. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628. Technicolor Tone Factory. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-440-3355. Tilia Americana. 6:30 p.m. Still Cellars, 1115 Colorado Ave., Longmont, 720-204-6064. Events
Kari Jorgensen. 6 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847.
45 Years. 4 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.
Kendall James. 6 p.m. Wibby Brewing, 209 Emery St., Longmont, 303-776-4594.
Art Work Space Boulder “Studio Reveal.” All day. Art Work Space, 2810 Wilderness Place,
Boulder, 303-444-3839 Arts Week “Music and Movies.” 6 p.m. Boulder Community Media, 1650 Yellow Pine Ave., Boulder, 303-910-5782. B.L.A.M! [Beer Local Art + Music] Pop-up Group Art Show. 6 p.m. Finkel and Garf Brewing, 5455 Spine Road, Boulder, 720-379-6042.
NoBo First Friday Artwalk. 6 p.m. NoBo Art District, North Broadway from Pine Street to Highway 36, Boulder. Open Studio. 11 a.m. Rembrandt Yard Art Gallery & Event Center, 1301 Spruce St., Boulder, 303301-2972. The Room. 8:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Shakti Dance Event! Art Opening! 6:30 p.m. Free Motion CommUnity Dance Center, 2126 Pearl St., Boulder, 720-379-8299. see EVENTS Page 44
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March 31, 2016 43
events
EVENTS from Page 42
Saturday, April 2 Music The Aristocats. 7:30 p.m. Cannon Mine Coffee, 210 S. Public Road, Lafayette, 303-665-0625. Arthur Lee Land. 7:30 p.m. Oskar Blues CyclHOPS, 600 S. Airport Road, Longmont, 303776-BIKE. Augustus. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. Banshee Tree. 9 p.m. License No. 1, 2115 13th St., Boulder, 303-442-4344.
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Barrett & Perterson. 7 p.m. Grossen Bart Brewery, 1025 Delaware Ave., Longmont, 214770-9847. Ben Hanna, Eric Dorr, & Sawyer Bernath. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628. Benefit Dance for Rocky Mountain Peace and Justice Center. 7 p.m. Boulder Valley Unitarian Universalist Fellowship, 1241 Ceres Drive, Lafayette, 303-665-4280. Broken Land. 7 p.m. Odd13 Brewing, 301 E. Simpson St., Lafayette, 303-997-4164. Camden West, The High Tide. 9 p.m. Illegal Pete’s, 1124 13th St., Boulder, 303-444-3055.
trillalternatives .com 44 March 31, 2016
Dixie Longate’s Never Wear a Tube Top... Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239, Through April 24.
Newsies. Denver Performing Arts Complex, 1345 Champa St., Denver, 720-865-4239, Through April 9. Peter and the Star Catcher. BDT Stage, 5501 Arapahoe Ave., Boulder, 303-449-6000. Through May 14. Sylvia. Longmont Theatre Company. 513 Main St., Longmont, 303-772-5200. Through April 10. You Can’t Take it With You. Miner’s Alley Theatre, 1224 Washington Ave., Golden, 303935-3044. Through May 1.
The Prairie Scholars. 8 p.m. The Rib House, 1920 S. Coffman St., Longmont. Rudest Priest, Strafgod, Screwtape. 6:30 p.m. The Forge, 4919 Broadway, Boulder, 303-3968145. Sean Sweeney and the 5th Wheel. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847.
Craig Cornett & The Phast and Wreckless. 8 p.m. Liquid Mechanics Brewing Company, 297 U.S. 287, Lafayette, 720-550-7813.
Selby Clyman Duo. 7 p.m. Por Wine House, 836 1/2 Main St., Louisville, 970-259-3555.
Delta Sonics, Steel Blues. 6:30 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-3288328. The Dollhouse Thieves. 5 p.m. Wibby Brewing, 209 Emery St., Longmont, 303-776-4594. George Nelson Trio. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914. Good Manners Quartet. 6:30 p.m. St Julien Hotel & Spa, 900 Walnut St., Boulder, 720-4069696. Happy Hour Live Jazz. 5:30 p.m. Tandoori Grill, 619 S. Broadway, Boulder,303-543-7339. Haystack Mountain. 6:30 p.m. Front Range Brewing Company, 400 W. South Boulder Road, Lafayette, 303-339-0767. Intuit. 8:30 p.m. Oskar Blues Brewery, 303 Main St., Lyons, 303-823-6685. Jackson Cloud Band. 7 p.m. Skeye Brewing, 900 S. Hover St., Unit D, Longmont, 303-7747698. Kort McCumber. 5 p.m. Left Hand Brewing Company, 1265 Boston Ave., Longmont, 303772-0258. Lee Gabriel and Friends. 7 p.m. Longs Peak Pub & Taphopuse, 600 Longs Peak Ave., Longmont, 303-651-7886. Lenore Raphael. 7 p.m. Caffe Sole, 637R S. Broadway St., Boulder, 303-499-2985.
Ozric Tentacles, Consider The Source. 9 p.m. The Fox Theatre, 1135 13th St., Boulder, 720645-2467. Peace Through Music Concert. 7 p.m. Columbine Unity Church, 8900 Arapahoe Road, Boulder, 303-546-0114. Policulture with Sol Seed. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-440-3355.
Deen van Meer
Futura — presented by The Catamounts. Nomad Playhouse, 1410 Quince Ave., Boulder, 303-4437510. Through April 16.
Catfish Kray Blues Band. 8 p.m. The Speakeasy, 301 Main St., Longmont, 720-684-4728.
Megan Burtt. 8:30 p.m. The Roost, 526 Main St., Longmont, 303-827-3380.
1537 Pearl St. Suite B Boulder 720.287.0645
theater
Sixty Minute Men. 8:30 p.m. Oskar Blues Home Made Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Story of Two. 7 p.m. Boulder Beer Company, 2880 Wilderness Place, Boulder, 303-444-8448. Thomas Gronberg. 10:30 a.m. The Stone Cup, 442 High St., Lyons, 303-823-2345. Tyler Rennix Duo. 8:30 p.m. Samples World Bistro, 370 Main St., Longmont, 303-327-9318. Weston Smith. 9:30 p.m. The Dark Horse, 2922 Baseline Road, Boulder, 303-442-8162. Wild Bear’s First Annual Wild Awakening Ft. Ellis. 5 p.m. eTown Hall, 1535 Spruce St., Boulder, 303-443-8696. Events
Seize the day and head over to DCPA to see Newsies, playing through April 9. Flip to page 34 to read BW’s review.
45 Years. 4 p.m. and 8:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-4407826. Art Work Space Boulder “Studio Reveal.” 10 a.m. Art Work Space, 2810 Wilderness Place, Boulder, 303-444-3839. The Comedy Crew. 7 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. Dyeing Fabric ‘n’ Eggs. 11 a.m. Walker Ranch Homestead, 8999 Flagstaff Mountain Road, Boulder, 303-678-6200. Dying to Know: Ram Dass and Timothy Leary. 2 p.m. and 6:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Open Studio. 11 a.m. Rembrandt Yard Art Gallery & Event Center, 1301 Spruce St., Boulder, 303301-2972. Salsa Monologues. 7 p.m. Mary Miller Theater, 300 E. Simpson St., Lafayette, 720-209-2154. Saturday Morning Groove. 10:30 a.m. Free Motion Dance Studio, 2126 Pearl St., Boulder, 720-379-8299. Speed-Mingle. 7:30 p.m. Rio Grande, 1101 Walnut St., Boulder, 303-444-3690. see EVENTS Page 46
words
Cheyenne Ellis
Thursday, March 31 Benjamin Bentele. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1301 Pennsylvania Ave., Boulder, 303-495-3303. Sruti Sangha — The Hidden Value of Not Knowing. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder, 303-447-2074. Monday, April 4 “So, You’re a Poet” Open Poetry Reading. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.
Kathryn Budig stops by Naropa with her new book Aim True. Attendees can also take a yoga class taught by Budig. 303-447-2074.
Tuesday, April 5
Wednesday, April 6
Innisfree Weekly Open Poetry Reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1301 Pennsylvania Ave, Boulder, 303-495-3303.
Kathryn Budig — Aim True. 6:30 p.m. Naropa University, 6287 Arapahoe Ave., Boulder, 303447-2074.
Heather Hansen — Prophets & Moguls, Rangers & Rogues, Bison & Bears. 7:30 p.m. Boulder Book Store, 1107 Pearl St., Boulder,
MFA Reading Loie Merritt. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1301 Pennsylvania Ave, Boulder, 303-495-3303.
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Boulder Weekly
March 31, 2016 45
We’ve Moved to our New Location!
Sunday, April 3 Music Acoustic Jam. 3 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.
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Bo DePea, Hartley Hall, Greg Butera. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-440-4628.
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Foxfeather. 3 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914.
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Jack Hadley. 6 p.m. Oskar Blues Home Made Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400.
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Joanna Newsom, Robin Pecknold. 8:30 p.m. Boulder Theater, 2032 14th St., Boulder, 303786-7030.
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Jus Sayin, Dechen Hawk. 10 p.m. Mountain Sun Pub, 1535 Pearl St., Boulder, 303-546-0886. Robyn Lyn, Shogun Mojo. 5 p.m. Nissi’s, 2675 Northpark Drive, Lafayette, 303-665-2757. Traditional Irish Session. 7 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. Events
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Dusty Catfish. 6 p.m. Upslope Brewing Company (Flatiron Park), 1898 S. Flatiron Court, Boulder, 508-873-9185. Gasoline Lollipops. 8:30 p.m. Waterloo, 809 Main St., Louisville, 303-993-2094. Jalbatross. 9 p.m. Owsley’s Golden Road, 1301 Broadway St., Boulder, 720-849-8458. The Matt Human Trio. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303440-4628. Mija, Sloane Peterson & Kommon Interests. 9 p.m. The Fox Theatre, 1135 13th St., Boulder, 720-645-2467. Open Jam. 10 p.m. The Lazy Dog, 1346 Pearl St., Boulder, 303-440-3355. Open Mic Hosted By Brian Rezac. 8 p.m. The Speakeasy, 301 Main St., Longmont, 720-6844728. Open Mic Hosted by Danny Shafer. 8 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-4491922. Open Mic with The Prairie Scholars. 6 p.m. Skeye Brewing, 900 S. Hover St., Unit D, Longmont, 303-774-7698. Potluck Bluegrass. 7 p.m. La Vita Bella Coffeehouse, 475 Main St., Longmont, 720-204-6298. Events Dying to Know: Ram Dass and Timothy Leary. 2 p.m. and 4:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.
The Kepler Story. 8 p.m. Fiske Planetarium, 2414 Regent Drive, Boulder, 303-492-5002.
Surviving and Thriving with Executive Function Challenges. 6 p.m. Dairy Arts Center, 2590 Walnut St., Boulder, 303-440-7826.
La Damnation de Faust: Paris Opera. 1 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826.
Tibetan Arts Week. 6 p.m. University of Colorado, Hale 270, 1350 Pleasant St., Boulder.
Movement Mondays. 7 p.m. Free Motion Dance Studio, 2126 Pearl St., Boulder, 720-379-8299.
Music
Sister Winds Song Circle. 6 p.m. Free Motion Dance Studio, 2126 Pearl St., Boulder, 720-379-8299. Tulip Fairy & Elf Festival. 1 p.m. Pearl Street Mall, Pearl St., Boulder, 303-449-3774. Monday, April 4
Wednesday, April 6 Blues Night. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733. Mike Robinson Quartet. 6:30 p.m. St Julien Hotel & Spa, 900 Walnut St., Boulder, 720-4069696.
Music
The MoJazz Trio. 7 p.m. Still Cellars, 1115 Colorado Ave., Longmont, 720-204-6064.
Campos. 9 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-777-6768.
Open Bluegrass Pick. 7 p.m. Longs Peak Pub, 600 Longs Peak Ave., Longmont, 303-651-7886.
Chad Hates George, Stufy, Chatterbox. 6 p.m. The Forge, 4919 Broadway, Boulder, 303-3968145.
Open Bluegrass Pick hosted by Kyle Ussery. 8:30 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922.
I & The Many. 7 p.m. The Speakeasy, 301 Main St., Longmont, 720-684-4728.
Open Mic. 6:30 p.m. Cannon Mine Coffee, 210 S. Public Road, Lafayette, 303-665-0625.
The Matt Flaherty Band. 9:30 p.m. Southern Sun Pub & Brewery, 627 S. Broadway, Boulder, 303-543-0886.
Purple Squirrel. 8 p.m. The Laughing Goat Coffeehouse, 1709 Pearl St., Boulder, 303-4404628.
Open Jovan. 6 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847.
Rogue Sound. 10 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-777-6768.
Open Stage. 6 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914.
Events
Steve Hackett. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030. Events The Moral Limits of Free Markets. 4 p.m. British and Irish Studies Room, Norlin Library (Fifth Floor), University of Colorado, Boulder. Tuesday, April 5 Music Casey Marie. 6:30 p.m. St Julien Hotel & Spa, 900 Walnut St., Boulder, 720-406-9696. 46 March 31, 2016
events
EVENTS from Page 44
La Damnation de Faust: Paris Opera. 1 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. The Lady in the Van. 7 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-4407826. Spring Break Adventure: Virtual Meets Reality. 9:30 a.m. Rabbit Mountain Open Space, Boulder, 303-678-6200. Where to Invade Next. 4:30 p.m. The Boedecker Theater, 2590 Walnut St., Boulder, 303-440-7826. Boulder Weekly
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American Life in Poetry: Column 572 by Richard Jarrette
In my limited experience, mothering and worrying go hand in hand. Here’s a mother’s worry poem by Richard Jarrette, from his fine book, A Hundred Million Years of Nectar Dances. He lives in California. — Ted Kooser, U.S. Poet Laureate
My Mother Worries About My Hat
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Call For Details! We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2015 by Richard Jarrette, “My Mother Worries About My Hat,” from A Hundred Million Years of Nectar Dances, (Green Writers Press, 2015). Introduction copyright © 2015 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
Boulder Weekly
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www.kingsbroth.com 48 March 31, 2016
screen Super bad, man
‘Batman v Superman’ is evil by Ryan Syrek
T
he infinite monkey theorem holds that monkeys randomly typing on keyboards for infinity will eventually produce the works of Shakespeare. Batman v Superman: Dawn of Justice would have been better off choosing any of the non-Shakespearean, random keystroke, monkey scripts. What writers Chris Terrio and David Goyer have done here is an unspeakable disservice to beloved characters, talented actors and a public poised to dump truckloads of money watching one of the ugliest, lamest wastes of time to ever dare call itself a movie. The first hour-plus of this bloated, arrogant shitshow could be condensed into maybe two sentences: Superman (Henry Cavill) is beloved by some, feared by others and framed (in ways that still don’t make sense) for interfering or not interfering in a terrorist conflict in Africa. Batman (Ben Affleck) hates Superman because he blames him for civilian casualties during the battle with Zod in Man of Steel and sets out to steal kryptonite from Lex Luthor ( Jesse Eisenberg) to kill Superman. Those two sentences take 75 minutes to accomplish. From there, it’s all grunting and fighting, as Batman douses Superman in a kryptonite fart and the two dosey doe for a hot minute, frowning and grimacing in a flawed, ineffective attempt to prevent homoerotic fan readings of their testosteronefueled tension. Then Lex creates a violent creature that looks like the This naked cash grab features one of the weakest, most Incredible Hulk’s turd, confusing and boring screenplays in the modern blockbuster era. and Wonder Woman (Gal Gadot) shows up to hit it, while explicitly stating that hitting it only makes it stronger. If you set out to intentionally make a movie as bad as BvS, you couldn’t. Eisenberg’s spazzy, hammy twitching makes Johnny Depp’s Willy Wonka look subtle and restrained. Affleck and Gadot acquit themselves just fine, especially considering the dumpster-fire screenplay, and Cavill’s Superman is the victim of director Zack Snyder’s Ayn Randian philosophy, which holds that altruism is for chumpsuckers. Superman is the ultimate altruist, a self-sacrificing savior intended to represent the virtue of a life lived in service to others. Getting a guy who wants to adapt The Fountainhead to direct a Superman movie is like hiring Donald Trump to write erotic poetry about Ted Cruz’s wife. Boring, loud and uninspired, this is a collection of nonsensical scenes, featuring at least two dream sequences and one hallucination. With nary an explanation for Lex’s motivations or Wonder Woman’s sudden appearance, the script chose to spend time giving us the eleventy billionth recreation of Batman’s parents getting whacked and a multipart “jar of pee” joke. The setup for the Justice League movie was tactlessly crammed in, an artless “muffin top” that could not possibly generate excitement. Nothing worked. Nothing. The small stuff sucked, like Perry White (Laurence Fishburne) barking awkwardly embarrassing attempts at modern news jargon or Lois Lane (Amy Adams) managing to appear naked and wet and then just wet. The big stuff sucked, like the anticlimactic titular fight and the final battle with Poopzilla. Everything sucked. Some diehard DC comic fans will try to do mental gymnastics to describe the crap biscuit they were just force-fed as delicious. They shouldn’t. They should demand better. And “better” than this shouldn’t be hard. This review previously appeared in The Reader of Omaha, Nebraska.
Boulder Weekly
film Original hipster
Connecting the old to the young in ‘Hello, My Name is Doris’ by Michael J. Casey
I
n the conventional sense, Doris (Sally ON THE BILL: Hello, My Field) is a spinster. She lives in the Name is Doris, Century same Staten Island house she grew up Boulder, 1700 29th St., in — with her cat and 60 years of an Boulder, 303-444-0583. Tickets start at $7.65, accumulated past — and has more or cinemark.com. less shut herself off to the world. With the exception of her longtime friend, Roz (Tyne Daly), Doris has little to no contact with the outside world, including her relationship with her brother that has been strained for years and is reaching a breaking point. Her co-workers call her shy, but Doris is more than that, Doris is taciturn. Well, that is just one way of looking at it, and the new film, Hello, My Name is Doris posits a different take on the character. New York City is bustling with transplants and youngsters positively enchanted by anything unique, vintage or handmade, and Doris is that in spades. When Doris falls for her new boss, the much younger John (Max Greenfield), she ventures out to Williamsburg to hopefully cross paths and catch his attention. She does, but even more so, Doris catches the attention of the Williamsburg hipsters. Even though they are 30 years her junior, Doris fits in for the first time in decades. A garishly neon outfit may look ridiculous at her brother’s upper-middle class home, but it fits right in at the EDM club. Her cat-eye glasses and mismatched poodle skirts are all the rage, she knits — which all the girls are doing — and people make their own, well, everything. It’s almost as if Doris doesn’t fit in with the hipsters, but the hipsters fit in with Doris. Yet, Doris doesn’t simply mesh with these youngsters because they have a predilection for the past, but because they are just as shy and pained as she is. Everyone around Doris is sincerely trying to be themselves while simultaneously trying to fit in with the larger group. This is most evident in John, whose work has recently relocated him from California. John needs a friend he can go out with and confide in and Doris’s Harlequin romance-fueled fantasies need a leading man. Doris’s infatuation with John is primarily her own creation, but it is not unfounded. John is kind, open and honest with Doris, and in a bustling and often uncaring metropolis, kindness is commonly mistaken for attraction. Director Michael Showalter — who co-wrote the screenplay with Laura Terruso — mines these awkward moments for humor, but doesn’t turn Hello, My Name is Doris into a typical comedy. Pregnant pauses and awkward silences take the place of witty banter, loosening up many of the scenes and steering the audience away from expecting typical comedic resolution. Instead, Showalter offers the audience a coming-of-age tale, with a 68-year-old Sally Field at the center. And it fits Field like a glove. Watching her indulge in this character — be it the small tribulations of growing older, dancing to silly music or the pleasure of someone discovering purpose in the second half of life — is what makes Hello, My Name is Doris enjoyable for audiences of any age. Boulder Weekly
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Boulder Weekly
cuisine review
Matt Cortina
Cafe of all trades
Red Rock Coffeehouse checks a lot of boxes by Matt Cortina
W
Red Rock Coffeehouse 3325 28th St., Boulder, 303-443-1975
hile recently promoting her latest book, Patti Smith detoured and talked about her love of cafes, an affinity that started in the ’60s. “Back then, cafes were a lot different,” Smith told Tavis Smiley on his PBS show. “You didn’t have music blaring. People didn’t have cell phones. They didn’t have technology in the cafe. Mostly you went in and people were either, you know, arguing about Kierkegaard or they were reading or writing, so it was a very romantic setting. So in my head, I still have a romantic view of the cafe and, every once in a while, I find one that accommodates that.” Though the American coffeehouse is distinct from the cafes in New York, Paris, Morocco, etc. to which Smith was referring, many of us look upon the coffeehouse, now a ubiquitous institution in any given U.S. town, for much of the same romance. In hearing Smith mention she was once intimidated by her first encounter with a New York cafe, I think of how coffeehouses come in so many varieties: from the intimidating to the comfortable to the speedy to the artisan. I mention all this as a prelude to the review of Red Rock Coffeehouse because over six or seven years, the owners have cultivated a shop that checks all the boxes. It serves quality drinks and food at affordable prices by an unpretentious staff in an environment that yields itself to catching-up conversations or laptop work. And every time I’ve visited Red Rock over the last several years, it seems to have effected some new increment of comfort, whether it’s comfy chairs, friendly staff, better music or special drinks. It’s a good, popular coffeehouse now, and it’s always getting better. On a recent morning, I ordered a whole bunch of drinks: an Americano, a spicy chai latte, a cappuccino and a fruit smoothie. I also tacked on a bowl of house-made granola. Red Rock’s drink menu is pared down, focusing on coffee and tea staples while offer-
ing seasonal specials from time to time. The food selection outside of granola includes breakfast sandwiches and pastries, some made in-house and many made by local artisans. Starting with the cappuccino, the barista served the foamy whole milk and espresso drink in a very large mug. The espresso at Red Rock is brewed from Novo Coffee beans, a craft coffee roaster in Denver. The foam was undecorated and pure white, and the fattiness of the milk brought out butter and fruit flavors in the espresso. This was in contrast to the plain Americano, which was mild compared to other coffeehouses’. Its consistency was spot on, but a little fat in Novo’s espresso prepared by Red Rock goes a long way. The spicy chai was made from a brew from Boulder’s Sanctuary Chai. It really was spicy — the ginger hit the back of my throat immediately, but that pugnacity quickly dissipated throughout the course of the drink. Clove hits the palate first, but cardamom controls the flavor profile through the finish. I ordered mine with almond milk, so there was a little nuttiness and a lighter consistency that’s very pleasant. The fruit smoothie — Red Rock has a rotating list of smoothies and frappes — was made of whole milk, banana and dark berries. It was fresh and filling, and had a good ratio of fruit flavors. And the bowl of granola was simply and precisely prepared. You can choose your fixings at Red Rock, and I got dried blueberries and mango with slivered almonds. It was warm, not too goopy and wholly satisfying. It occurs to me that what makes it enticing to open a coffeehouse or cafe is also the curse of the form — there’s so much flexibility in style that you constantly have to work to smooth all the edges and cultivate atmosphere. Judging by the healthy customer base Red Rock has, they are looking good for years to come.
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nibbles John Lehndorff
A good Reuben sandwich from Mickey C’s on the dashboard of a Nissan Quest.
My foodie selfie Elke Wetzig / Wikimedia Commons
Forget the giant black pepper grinder: Cell phone food photos can make your kale smoothies taste better by John Lehndorff
H
i. My name is John, and I belong to a Facebook group Food photography used to be big business. called Food Porn. On a daily basis, members publish intimate photos of what they are cooking and/or eating. Looking helps me keep up on food trends and makes me damn hungry. I’ve spent a career setting up food photos and making the food look appetizing for professional photographers, a sadly fading profession. In the early days if you saw the rare photo of a gorgeous plate of food in a newspaper, you knew it involved lights, big cameras, a darkroom and noxious chemicals. Now, I only take cell phone photos of food because it’s my job and it helps me remember what I ate. That explains my classic dashboard image above, which tells me I had a Reuben sandwich in the parking lot at Mickey C’s Bagels on Table Mesa. It reminds me that thin-sliced corned beef was stacked with sauerkraut, Swiss cheese and Russian dressing on toasted house-baked rye bread. see NIBBLES Page 54
Boulder Weekly
March 31, 2016 53
nibbles
Bapak Alex/ Wikimedia Commons
NIBBLES from Page 53
It wasn’t an epic Reuben worthy of song and pageantry, but it was exactly the Reuben I needed that day. The other day I was eavesdropping on the table next to me at a local restaurant. Their food arrived at the table, and instead of being swept away by the flavors and aromas and the wine and each other, they took turns snapping
All sorts of offal is worth eating if it’s on the menu.
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photos of each plate. Then they posted the photos of the food along with a comment indicating where they are dining. Texts came and went. The diners did finally consume the food but they really didn’t talk about it in any detail. Why do we need images of our dinner? Why are most of the photos taken from directly above the food, a viewpoint no diner ever normally sees while dining? Apparently we photograph our food to make it taste better or because of ego. A recent university study discovered that taking photos of your food and posting them on social media made subjects perceive the food as tastier. The subliminal message is that if it’s worth immortalizing then it must be a wonderful dish. In its 2015 Foodie Study, the Sopexa firm found that foodies primarily use social media to brag, show eateries they are able to visit and to display their creativity as a cook. By the way, the best day to post food photos on social media sites is Thursdays. Those posts are 10 times more likely to get clicked on than Saturdays. Since today is Thursday, I’m including the photo of my first meal at GoodBird Kitchen in Longmont, the new satellite operation for Lafayette’s The Post. I should have included more of the environment but I was distracted by the crisply jacketed fried chicken, which is as great as the original location. The mashers and gravy, grits, beets and sweets (sweet potatoes) and green chile mac and cheese are all Grade A, but I was really there for the quintessential bing and tart cherry pie and the fudgy black-bottom banana pie, both from Hinman’s Bakery in Denver. No photos exist of the pies we ate immediately, except in our memories, where they will linger. Sign of the changing times: Most of the food photos in the March issue of Bon Appétit magazine were shot with an iPhone 6.
Feeling offal about ‘The Revenant’
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Audiences apparently have been cringing when Leonardo DiCaprio eats raw bison liver in his Oscar turn in The Revenant. They probably shouldn’t go out to dinner with me. My credo as a professional dining critic was simple: “If see NIBBLES Page 56
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it’s on the menu, it must be edible,” and so I’ve ended up tasting raw liver (animal and fish), cheeks, blood, thymus glands and various other body parts of creatures great and small including monkfish, rattlesnake, honeybees and yak. I did not like them all. Back before the turn of the century, I got a call from the late Sam Arnold, the owner of The Fort Restaurant Cochon 555 brings together pig lovers. in Morrison and an Old West history buff. He invited me to Niwot in the space formerly occupied a Rocky Mountain oyster tasting and by the pie-loving Rev Taylor’s Country we sampled a smorgasbord of expertly Restaurant. ... The finalists for the fried calf, lamb, buffalo and turkey tesJames Beard Awards, the Oscars of the ticles. They did not taste like chicken, American food world, include Boulder’s and I don’t remember which oyster Frasca Food and Wine in the “won” but the proof is on video someOutstanding Restaurant category, and where in KRMA’s Spirit of Colorado Alex Seidel of Fruition (restaurant and archives. farm) and Mercantile in Denver in the It’s not surprising that The Fort Best Chef Southwest category. ... St. Restaurant is the place where you can Vrain Cidery is slated to open in May now special order thinly sliced raw in the former Longmont Times-Call bison liver carpaccio. Wimps can order building in Longmont. ... Coming their liver sautéed with onions atop soon: Mediterranean fast casual Zoes toast with a shmear of fatty buffalo Kitchen, 1695 28th St., Boulder. bone marrow. I was not a judge March 7 when Words to chew on chef Troy Guard and his team from “Food is a great literary theme. Denver’s TAG Restaurants won the Food in eternity, food and sex, food and competition at the Cochon 555 event lust. Food is a part of the whole of life. Food is not separate.” — Jim Harrison, in Denver, but I did get to taste their author of the remarkable food essays chicharron cannoli, pig head pastrami, collected in The Raw and the Cooked, crispy shank and offal taco, trotter roudied March 26. lade and a dessert involving bacon rice For more food, like John’s Facebook crispies. Guard will compete for the page at facebook.com/USpie. Read John’s national title at Grand Cochon in June food blog at: johnlehndorff.wordpress.com. at Snowmass. John hosts Radio Nibbles, 8:25 a.m. Local food news Thursdays on KGNU (88.5 FM, 1390 The 1914 House restaurant opened AM, kgnu.org). Comments to nibbles@ recently at 121 Second Avenue in boulderweekly.com. Boulder Weekly
drink
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orget one-day blizzards that drop over a foot of snow and knock out power across Boulder County. If we drink summer beers, it will feel like summer again. If we drink it, summer will come. It was out of that optimism that I picked up a bottle of funkwerks’ Raspberry Provincial sour ale this week. You may have noticed funkwerks’ taps and bottles popping up in local liquor stores and bars over the past few months. Coincidentally, the Fort Collins craft brewery is currently expanding its production facility after increasing production by 80 percent from 2014 to 2015. So you better hop on board now. The Raspberry Provincial is a product of the brewery’s innovation. In 2013, the brewery took a test batch of its base sour ale, the Provincial, which hadn’t hit gravity and added a bunch of raspberries to the brew. Because they liked it so much, they decided to make it a regular thing. The raspberry is now the third in the line of Provincials for funkwerks, with a seasonal apricot sour ale and a dryhopped sour ale also under the umbrella. Technically speaking, the Raspberry Provincial is a Belgian-style fruit ale and won a gold medal at the 2014 Great American Beer Festival in that category. It’s juicy, light and tart, and clocks in at 4.2 percent ABV. It’s sold in single 750-mL bottles and in four packs, and your supposed to drink it at around 50 degrees in a tulip glass. I drank it probably a little colder in a pint glass, and the world didn’t end. In fact, the world got a little better. I’m partial to raspberry in beer, more so than any other fruit, and the sour ale is a perfect companion to tart raspberry. It pours smooth with light carbonation. The color is pinkish-orange, and it really does feel like you’re about to drink juice. The aroma of the beer is fruity, sour and tart with definite raspberry scent and a little bit of lemon zest. You certainly don’t need to, and shouldn’t, add fruit to this thing, because it’s already abundant. Tasting it, the beer is very light, and the sourness is exceptionally refined. Sour and tart raspberry dominates the palate without puckering lips or creating a horrid Welch’s it-makes-your-lips-smack situation. You’ll drink the whole glass in like five minutes whether you want to or not, because it’s just so easy to drink. If you are looking to be challenged by a beer, don’t get the Raspberry Provincial. However, if you’re in the market for something to drink a few of on the patio to get right on a sunny afternoon, this is the brew for you. You can pick it up in stores or visit the taproom in Fort Collins where they’re currently pouring the Raspberry Provincial, along with a number of saisons, sours, barrel-aged beers and more.
Raspberry Provincial from funkwerks works by Matt Cortina
Boulder Weekly
March 31, 2016 57
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ARIES
MARCH 21-APRIL 19: According to my astrological
analysis, you would benefit profoundly from taking a ride in a jet fighter plane 70,000 feet above the earth. In fact, I think you really need to experience weightlessness as you soar faster than the speed of sound. Luckily, there’s an organization, MiGFlug (migflug.com), that can provide you with this healing thrill. (I just hope you can afford the $18,000 price tag.) APRIL FOOL! I do in fact think you should treat yourself to unprecedented thrills and transcendent adventures. But I bet you can accomplish that without being quite so extravagant.
TAURUS APRIL
20-MAY
20:
main reason I’d link you with them is that they come in over 28,000 different sexes. Their versatility is unprecedented. APRIL FOOL! I exaggerated a bit. It’s true that these days you’re polymorphous and multifaceted and well-rounded. But you’re probably not capable of expressing 28,000 varieties of anything.
the literal embodiment of a beastly adversary. Rather, it’s inside you. It’s an unripe part of yourself that needs to be taught and tamed and cared for. Until you develop a better relationship with it, it will just keep testing you. (P.S. Now would be a good time to develop a better relationship with it.)
CANCER
LIBRA
come in the form you’re expecting,” warns Japanese novelist Haruki Murakami. If that’s true, why bother? Why expend all your precious yearning if the net result won’t even satisfy your yearning?! That’s why I advise you to ABANDON YOUR BELOVED PLANS! Save your energy for trivial wishes. That way you won’t be disappointed when they are fulfilled in unanticipated ways. APRIL FOOL! I was messing with you. It’s true that what you want won’t arrive in the form you’re expecting. But I bet the result will be even better than what you expected.
from poet Stephen Dunn. “If the Devil sits down,” he says, “offer companionship, tell her you’ve always admired her magnificent, false moves.” I think that’s an excellent plan, Libra! Maybe you’ll even be lucky enough to make the acquaintance of many different devils with a wide variety of magnificent, false moves. APRIL FOOL! I lied. In fact, I think you should avoid contact with all devils, no matter how enticing they might be. Now is a key time to surround yourself with positive influences.
JUNE 21-JULY 22: “Whatever it is you’re seeking won’t
astrology
“People only get really interesting when they start to rattle the bars of their cages,” says philosopher Alain de Botton. If that’s true, Taurus, you must be on the verge of becoming very interesting. Go to RealAstrology.com to check out Metaphorically speaking, you’re not just rattling the Rob Brezsny’s EXPANDED WEEKLY AUDIO LEO bars of your cage. You’re HOROSCOPES and DAILY TEXT MESSAGE JULY 23-AUG. 22: also smacking your tin cup HOROSCOPES. The audio horoscopes You’re due to make a pilagainst the bars and trying are also available by phone at 1-877grimage, aren’t you? It to saw through them with 873-4888 or 1-900-950-7700. might be time to shave your plastic knife. APRIL your head, sell your posFOOL! I lied. You’re not sessions and head out on a literally in a prison cell. And I got a bit carried away with long trek to a holy place where you can get back in touch the metaphor. But there is a grain of truth to what I said. with what the hell you’re doing here on this planet. APRIL You are getting close to breaking free of at least some of FOOL! I was kidding about the head-shaving and possesyour mind-forged manacles. And it’s making you more sions-dumping. On the other hand, there might be value in attractive and intriguing. embarking on a less melodramatic pilgrimage. I think you’re ready to seek radical bliss of a higher order — and get back GEMINI MAY 21-JUNE 20: If I had to decide what natural phe- in touch with what the hell you’re doing here on this planet. nomenon you most closely resemble right now, I’d consider VIRGO comparing you to a warm, restless breeze or a busily playAUG. 23-SEPT. 22: Are you ready to fight the monful dolphin. But my first choice would be the mushrooms ster? Do you have the courage and strength and stamina known as Schizophyllum commune. They’re highly adaptand guile to overcome the ugly beast that’s blocking able: able to go dormant when the weather’s dry and spring the path to the treasure? If not, turn around and head to life when rain comes. They really get around, too, making back to your comfort zone until you’re better prepared. their homes on every continent except Antarctica. But the APRIL FOOL! I lied. There is a monster, but it’s not
SEPT. 23-OCT. 22: Your advice for the near future comes
SCORPIO
OCT. 23-NOV. 21: In 1841, a British medical journal prescribed the following remedy for the common cold: “Nail a hat on the wall near the foot of your bed, then retire to that bed, and drink spirits until you see two hats.” My expert astrological analysis reveals that this treatment is likely to cure not just the sniffles, but also any other discomforts you’re suffering from, whether physical or emotional or spiritual. So I hope you own a hat, hammer, and nails. APRIL FOOL! I lied. The method I suggested probably won’t help alleviate what ails you. But here’s a strategy that might: Get rid of anything that’s superfluous, rotten, outdated, or burdensome.
SAGITTARIUS
NOV. 22-DEC. 21: To begin your oracle, I’ll borrow the
words of author Ray Bradbury: “May you be in love every day for the next 20,000 days, and out of that love, remake a world.” I have reason to believe that this optimistic projection has a good chance of coming true for you. Imagine it, Sagittarius: daily swoons of delight and rapture from now until the year 2071. APRIL FOOL! I lied, sort of. It would be foolish to predict that you’ll be giddy with amorous feelings nonstop for the next 54 years and 10 months. On the other hand, I don’t think it’s unrealistic for you to expect a lot of that sweet stuff over the course of the next three weeks.
CAPRICORN
DEC. 22-JAN. 19: “I am tired of being brave,”
groaned Anne Sexton in one of her poems. “I’m sick of following my dreams,” moaned comedian Mitch Hedberg, adding, “I’m just going to ask my dreams where they’re going and hook up with them later.” In my opinion, Capricorn, you have every right to unleash grumbles similar to Hedberg’s and Sexton’s. APRIL FOOL! The advice I just gave you is only half-correct. It’s true that you need and deserve a respite from your earnest struggles. Now is indeed a good time to take a break so you can recharge your spiritual batteries. But don’t you dare feel sorry for yourself.
AQUARIUS
JAN. 20-FEB. 18: In 1991, hikers in the Italian Alps discovered the well-preserved corpse of a Bronze Age hunter. Buried in the frigid terrain, the man who came to be known as Otzi the Iceman had been there for 5,000 years. Soon the museum that claimed his body began receiving inquiries from women who wanted to be impregnated with Otzi’s sperm. I think this is an apt metaphor for you, Aquarius. Consider the possibility that you might benefit from being fertilized by an influence from long ago. APRIL FOOL! I was just messing with you. It’s true you can generate good mojo by engaging with inspirational influences from the past. But I’d never urge you to be guided by a vulgar metaphor related to Otzi’s sperm.
PISCES
FEB. 19-MARCH 20: Caligula was an eccentric
Roman emperor who had a physical resemblance to a goat. He was sensitive about it. That’s why he made it illegal for anyone to refer to goats in his company. I mention this, Pisces, because I’d like to propose a list of words you should forbid to be used in your presence during the coming weeks: “money,” “cash,” “finances,” “loot,” “savings,” or “investments.” Why? Because I’m afraid it would be distracting, even confusing or embarrassing, for you to think about these sore subjects right now. APRIL FOOL! I lied. The truth is, now is a perfect time for you to be focused on getting richer quicker.
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62 March 31, 2016
Boulder Weekly
SAVAGE
Love
I was honored to speak at JCCSF — Jewish Community Center of San Francisco — last week as a part of their “Uninhibited: About Sex” lecture series. The audience submitted questions on by Dan Savage cards, which were ably put to me by Jourdan Abel, who was wearing a wonderful uterus-themed sweater. (Check what you’re looking for. There’s no out my Instagram account — @dansav- needs met elsewhere. shortage of submissive guys in the Bay age — to see Abel’s sweater!) Here are Area, and no shortage of dominant some of the questions submitted by the Q: How do you combat homophobic women up for mentoring women who uninhibited JCCSF audience that Abel remarks in a culture that condones and are curious about topping. and I didn’t manage to get to during promotes homophobic tendencies? our conversation. A: You combat © LaRae Lobdell Q: In gay male relationships, what can homophobia — and you say about the psychological boundary Q: I had the best sex of misogyny, its big sister — between being Alpha in the world and my life with my ex. He one terrified middlebeta in bed? fucked me hard, had a huge schooler at a time. Bearing A: The boundary between Alpha cock and made me eat his in mind, of course, that In World/Beta In Bed is pretty fuckcome with a spoon. I loved it. “terrified middle-schooler” ing porous — it’s not studded with Needless to say, we were is a state of mind, not an guard towers, barbed wire and death incompatible in other ways. age bracket. strips, à la the Berlin Wall. (Google it, My current BF is vanilla. kids.) That boundary only exists in Very. Vanilla. When I masQ: Got any advice for a our heads. And once we get that fact turbate, I think about my ex bi girl, formerly submissive, through our thick heads, not only do and can’t help but wish my who wants to start domiwe discover that the Alpha/beta current guy would make me nating men? boundary is easily crossed, we quickly slurp his come up from a utensil. We are A: Move to San Francisco — oh, learn that crossing it repeatedly — very compatible in other (non-sex) ways. wait. You’re already in San Francisco. brutally and joyfully violating it at will Am I doomed to fantasize about my ex? Leave the house — get involved in — is a total blast. local kink orgs, if you aren’t already A: You are — unless you open up to involved, check out local sex-positive your current BF about what’s missing in Q: Is Savage your real last name? It’s events (bawdystorytelling.com is a great your sex life and/or get his permission mine, too! My mother kept her maiden place to start), and let people know to get your hard-fucking/spoon-feeding
Boulder Weekly
name, I took her name, and she’s a sex therapist! We’re both huge fans. Could you say hi to Dr. Linda Savage? She’ll die! A: Hi, Dr. Linda Savage! Please don’t die. Q: What do you do when you can’t make your partner come? A: Me? I hand him back his dick and go get myself some ice cream — but you shouldn’t do what I do when you can’t make your partner come. Here’s what you should do: Keep trying, ask your partner what they need, and encourage them, if need be, to “finish themselves off ” (without pouting, without laying a guilt trip on them about how they’ve made you feel inadequate, and without treating them like they’re broken). Cheerfully offer to hold ’em or play with their tits or eat their ass while they finish themselves off — or, hell, offer to go get ’em ice cream. Whatever helps! “Uninhibited: About Sex” continues at the JCCSF through the end of May. Upcoming speakers and events include Esther Perel, Seth Stephens-Davidowitz, Nicole Prause, Jules Howard, films, poetry readings and live musical performances. For a full schedule of events: jccsf.org/artsideas/uninhibited. Send questions to mail@savagelove.net and follow @fakedansavage on Twitter.
March 31, 2016 63
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EEDBETWEENTHELINES
by Sarah Haas
Deconstructing stereotypes with David Schmader
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was taught that the two things that I love the beyond our own experience. Diabolical because they most, homosexuality and weed, were completely can actually ruin people’s lives. evil,” says David Schmader, speaker, essayist and His first experience of the villainy of the stereoauthor of the new book, Weed: the User’s Guide. “I type was in being gay. “Stereotypes keep normal peowant to protect other people from being fed that ple scared,” Schmader says. “In the old days it was bullshit because once I reckoned with them, I found like, I didn’t want to come out because the only gays those are great pleasures of life. But I was taught nothI knew were divine or dead. There was no role ing but wrong about them, model. There was just the Tom Nelson which got me wondering, cartoon sense of gays, as what if everything that I’ve someone who is different, been taught was bad was with different desires and actually good?” drives than you and me. In this post-prohibition “As queers you just learn era of marijuana, long-held not to trust stereotypes or the stereotypes are being challaw. Like when drag was illelenged as rumors are replaced gal. You just don’t listen to by the realities of legalization. certain laws — you learn that It turns out that not all conearly on. Because of that, I sumers are stoners, not all had a weird mistrust for stoners are wasting their lives morality when it came to weed. I never had that thing away and dealers aren’t as evil where I was like, ‘Oh, I can’t as the drug war made them bear to do something illegal,’ out to be. In fact, this isn’t I was just like, ‘Oh, don’t get about heroes and villains at caught.’” all. Now that marijuana laws Rather, it’s a story built on are going away and he doesn’t stereotypes, ideas about peohave to live in fear of crimiple that are widely held, fixed nalization, Schmader doesn’t and oversimplified. Sure, they just talk openly and frequently can be useful, forming charDavid Schmader’s book tour for Weed: The User’s acterizations to help navigate Guide: A 21st Century Handbook for Enjoying about weed, he is of the mind Marijuana hits Denver in April. He will also be the billions of unique people that it is his obligation. If steperforming his acclaimed narration of the cult on Earth. But with that utili- classic movie Showgirls at The Alamo in Denver reotype is the villain, the hero on April 8. ty comes the risk of the capable of bringing its demise human tendency to manipuis brutal and unbarred honesty. late, to weave a tale about how weed is dangerous, Schmader may just be a regular guy, but he is remarkaddictive and destructive and to build laws that demon- able in his willingness to be vulnerable, to lay himself ize its consumption. bare, in order connect with people to realize a collective In his TEDxRainier talk, On Marijuana Myths, truth. that he gave in Seattle last year, Schmader said that “Being honest about weed was a lot like being hon“stereotypes are dangerous at best, diabolical at worst.” est about gayness,” Schmader says. “There is a duty to Dangerous because they tempt us into believing truths be more honest, to add more specificity. Instead of say-
Boulder Weekly
ing that I am going out on a date, I am going out on a date with a guy. Instead of saying that I am going to smoke, [I’ll say] out of a bong.” Here is where Schmader’s view gets extreme because he readily admits (spoiler alert) that we are all dying. Since we are all on our way out, we might as well enjoy the ride and stop faulting each other for the ways that we choose to live, love and recreate. “If you are doing anything you are dying,” he says. “That’s what is happening right now. Hopefully we have a long, lovely stretch at this, but the idea that [weed] is dangerous, that pleasure is dangerous, and that they outweigh the small dangers that have been overstated to us our whole lives [is ridiculous]. And then we get, not just to pleasures, but to these medical benefits that take it out of the realm of personal morality. Marijuana is a gift to humanity that we need to reckon with.” To be sure, overcoming the stigmas of marijuana isn’t just about an adult’s right to choose, it’s about getting rid of a stereotype in order to pave a road toward researching the medicinal properties of cannabis. For years, the government has cited the federally illegal status of marijuana as a legitimate excuse to not explore these benefits. In this case, the stereotype is actually trumping the scientific method for truth and preventing access to a potentially life-saving medicine. Schmader came onto my radar because he is publishing a book about weed but the impression that he left goes far beyond marijuana. He opened my eyes to the interconnections of stereotype in society and made me realize that lazily accepting a stereotype in one context inclines us to do so in another. And, perhaps most importantly, he empowered me to admit that I do that too, because I am imperfect and flawed, just like him and just like you. “Monsters are made of the same stuff as us,” Schmader says. “So a lot of this is about denouncing monsters, not trying to make them seem like they are not human because everyone of us will be a monster to somebody someday. To vilify them is just bullshit.”
March 31, 2016 65
cannabis corner
by Paul Danish
The dirty origin of the war on drugs
T
wenty years ago (in 1995 probably) I was sitting in on a panel discussion at the University of Colorado Boulder on the drug war when one of the participants made a jaw-dropping claim. The speaker was Dan Baum, a former Wall Street Journal reporter who was working on a book about the war on drugs, which had been started during the Nixon Administration and had been continued and expanded during the Reagan Administration and the administrations of George H. W. Bush and Bill Clinton. Baum said he had interviewed John Ehrlichman, who had served as Nixon’s domestic policy advisor and had gone to prison as a result of his role in the Watergate scandal, about the origins of the drug war. He said Ehrlichman flatly stated that the Nixon administration began the war on drugs as a way of attacking his enemies in the counter-culture — specifically blacks and the young — and not out of any concern about the harmful effects of drugs. He also said that Ehrlichman told him they knew drugs weren’t as harmful as they were portraying them, but that public response to the drug war was so overwhelming that they couldn’t have stopped it if they wanted to — which they didn’t. Baum included the incident in his 1996 book, Smoke and Mirrors: The War on Drugs and the Politics of Failure, but it has never received the national attention it deserves. Until now, that is. Baum, who is now a freelance journalist living in Boulder, had a big article on drug legalization in the
April issue of Harper’s. He used his encounter with Ehrlichman as the lede: “In 1994, John Ehrlichman, the Watergate coconspirator, unlocked for me one of the great mysteries of modern American history: How did the United States entangle itself in a policy of drug prohibition that has yielded so much misery and so few good results...? I’d tracked Ehrlichman, who had been Nixon’s domestic-policy adviser, to an engineering
firm in Atlanta, where he was working on minority recruitment. I barely recognized him. He was much heavier than he’d been at the time of the Watergate scandal two decades earlier, and he wore a mountainman beard that extended to the middle of his chest. “At the time, I was writing a book about the politics of drug prohibition. I started to ask Ehrlichman a series of earnest, wonky questions that he impatiently waved away. ‘You want to know what this was really
all about?’ he asked with the bluntness of a man who, after public disgrace and a stretch in federal prison, had little left to protect. ‘The Nixon campaign in 1968, and the Nixon White House after that, had two enemies: the antiwar left and black people. You understand what I’m saying? We knew we couldn’t make it illegal to be either against the war or black, but by getting the public to associate the hippies with marijuana and blacks with heroin, and then criminalizing both heavily, we could disrupt those communities. We could arrest their leaders, raid their homes, break up their meetings, and vilify them night after night on the evening news. Did we know we were lying about the drugs? Of course we did.’ “I must have looked shocked,” Baum said. “Ehrlichman just shrugged. Then he looked at his watch, handed me a signed copy of his steamy spy novel, The Company, and led me to the door.” From 1969 — the first year of the Nixon Administration — to the present, there were approximately 25 million marijuana arrests in the United States. In addition, there were a similar number of arrests for hard drugs. In other words, 50 million Americans were arrested for political reasons, not because the United States had a drug problem but because Richard Nixon had a problem with the antiVietnam War young Americans and blacks. New York Times reporter Neil Sheehan titled his monumental 1988 biography/memoir of John Vann and the Vietnam War, A Bright Shining Lie. The phrase perfectly describes the war on drugs generally and the war on marijuana in particular.
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icumi
(IN CASE YOU MISSED IT) An irreverent and not always accurate view of the world
MEET THE CANDIDATES
In early December, a U.S. government class at Mohawk High School in Sycamore, Ohio, prepared for a rare treat. A real, live state senator was going to make a presentation, presumably about something involving the topic of our democratic system. It was a government class after all. You can only imagine the palpable anticipation of these teenagers. Plus, the visit was coming almost a month earlier than previously planned, due to a call from the senator himself asking to reschedule. He identified himself as Izaha Akins and told the teacher he was an appointed replacement for the previously scheduled Sen. Dave Burke, who had fallen ill and recently resigned. “Sounds good,” the teacher responded. Sen. Akins showed up to the school wearing a suit and tie, and probably even a little American flag lapel pin. He was flanked by two security guards, handed over his real identification and proceeded to give an hour presentation. “The presentation, although not ‘polished,’ was what one might expect from a young, inexperienced and newly appointed senator,” said superintendent Ken Ratliff in a statement. “No one was the wiser.” That is until the originally schedule date of Jan. 14, when still-sitting Sen. Dave Burke showed up to give a presentation to the same U.S. government class. Really? Izaha Akins was simply an 18-year-old college student pretending to be a government official and got away with it? Really. You would hope a school’s administration, let alone a U.S. government teacher, would balk at Akins’ birth date, hopefully at least questioning the age requirement to hold state senate office, which is 30 by the way. You would also hope a U.S. government teacher would know if her own state senator had in fact become ill and resigned, or at least have the wherewithal to Google it. And people wonder why voters are flocking to ridiculous presidential candidates who created a name for themselves as self-aggrandizing reality T.V. stars. Or star. In the end, the school is complaining about the negative media attention the fiasco is causing (rightfully so) and Akins is being charged with telecommunications fraud and impersonating a peace officer.
IS THAT A GUN IN YOUR POCKET OR IS IT JUST YOUR SMARTPHONE?
Genius entrepreneur and all-around-good-idea man Kirk Kjellberg has finally solved the problem of how to make guns less recognizable to children. Finally! Proving that revelations can hit at any time, Kjellberg was out to eat one night when he was hit with inspiration for a new-and-improved, state-of-the-art, completely ridiculous weapon. “I walked towards the restroom and a little child, a boy about 7, saw me and said, ‘Mommy, mommy, that guy’s gotta gun,’” he said to St. Paul, Minnesota’s KARE 11. “The whole restaurant of course turns and stares at you, and I thought, ‘There’s just gotta be something better to do than this.’” Oh man, kids say the darndest things. If I’m going to carry a gun on my person, I don’t want everyone to know about it — duh. That would be Not the real product … duh. embarrassing. So there’s only one thing to do! Make the gun harder for a child to distinguish! And that’s exactly what Kjellberg did. His start-up, Ideal Conceal — the cuter the name, the better the gun — is now marketing a double-barrel .380-caliber handgun that looks like… wait for it… a cell phone! Thankfully, this foolproof, cell-phone-looking gun has no apparent downfalls. What a time to be alive. Boulder Weekly
March 31, 2016 69
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