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KREWELLA'S NEW FULL LENGTH ALBUM "PEAK!" KICKS OFF 25 NEW RELEASES!

AUTUMN 2026

MOVING ELECTRONIC MUSIC FORWARD

BEATSELECTORMAGAZINE.COM

ROGER SANCHEZ

A "Spectrum" of Color for the 21st Century Dancefloor

TOMOROWLAND 2026

BEYOND STREAMING

A Visual Recap: Reliving the Magic in Stunning Photos

Understanding the Royality Streams that Build a Music Career

Moving Electronic Music Forward Since 2015

PUBLISHER/EDITOR-IN-CHIEF JOSEPH WENSELL EDITORIAL DIRECTOR-AT-LARGE SHON MURDOCK INTERNET TECHNOLOGY KARIN HASLINGER ART DIRECTION JOSEPH WENSELL CONTRIBUTORS AT LARGE Catherine Strickland, Cory Royster, Desirae L. Benson, Erik L. Richardson, James Arena, Joseph Arthur, Karin Haslinger, Courtney Johnson, Leo Weaver, Matthew Washington, Tim Stark, Vladimir Jean-Philippe, Zach Miller EDITORIAL REQUESTS JOSEPH WENSELL editor@beatselectormagazine.com BRANDING PARTNERSHIP & SPONSORSHIP SHON MURDOCK shonmurdock.smg@gmail.com ADVERTISING & MARKETING editor@beatselectormagazine.com GENERAL INQUIRIES editor@beatselectormagazine.com DIGITAL SUBSCRIPTIONS issuu.com/beatselectormagazine Facebook @beatselectormagazine | Instagram @beatselectormagazine | beatselectormagazine.com

INSIDE AUTUMN 2026 ON THE COVER

ROGER SANCHEZ Queens-born DJ and producer Roger Sanchez aka "The S-Man" has spent four decades shaping the global evolution of house music, transitioning from 1980s New York hip-hop culture into a core architect of the genre's 1990s boom. Renowned for fusing soulful vocals, Latin rhythms, and electronic beats, he achieved international acclaim through classic remixes for major pop icons, the U.K. chart-topping anthem "Another Chance," a Grammy win, and his legendary residencies at Pacha Ibiza. Today, Sanchez continues to bridge the genre’s past and future by maintaining his creative independence through Stealth Records and releasing "Spectrum," a synesthesia-inspired project that marks his first studio album in two decades.

PG. 32

FEATURES 30 BEYOND STREAMING

Understanding the Royality Streams that Build a Music Career

48 TOMOROWLAND 2026

A Visual Recap: Reliving the Magic in Stunning Photos.

DEPARTMENTS 12 INDUSTRY NEWS > THE DUTCH NATIONAL BALLET TO OPEN ADE > PRIMARY WAVE AQUIRES DONNA SUMMER'S CATALOG > AMNESIA ANNOUNCES 50TH ANNIVERSARY BOX SET > CHANGE THE BEAT'S AMBITIOUS EXPANSION PLAN > ED SHEERAN SIGNS WITH INTERSCOPE RECORDS >DJ PAUL RIDNEY OFFICAILLY AWARDED GUINNESS WORLD RECORD > SHOWTEK LAUNCHES NEW LABEL > LEGENDARY UPTOWN RECORDS IS BACK! > DIMITRI VEGAS & LIKE MIKE PARTNER WITH LIQUID STATE > RE:VERSAL RECORDS RELEASES FRANKIE KNUCKLES & LARRY LEVAN REMIXES

66 NEW MUSIC RELEASES 3 ARE LEGEND, ACID ARAB, ALPHA 9, BASSTRIPPER, BT, CHARLOTTE DE WITTE, CHRISTIAN BURNS, DAVID RAMANO, DEEP FOREST, DISCO DOM, ELY OAKS, FRANKYEFFE, HALIENE, HEDEGAARD, JOSH WINKS, JUSTIN HAWKES, KILLIAN & ELISE, LINSKA, PRETTY GIRL, SILVAN STRAUSS, STEF DAVIDSE, TIMMY TRUMPET, VICTOR RUIZ, WHAT SO NOT Cover Photography by Haris Nukem

Table of Contents Photography courtesy of Roger Sanchez

INDUSTRY NEWS

DUTCH NATIONAL BALLET OPENS AMSTERDAM DANCE EVENT AT GASHOUDER WITH SWAN LAKE REMIXED FOR ADE

The Dutch National Ballet and ISH Dance Collective will present a new dance production called "Swan Lake Remixed for ADE" at Gashouder on Wednesday, October 21, 20226 as part of the 30 YEARS ADE Icon Series. This performance is included in the cultural opening program of the Amsterdam Dance Event (ADE) 2026. It merges classical ballet with hip-hop dance and electronic music, highlighting themes from Swan Lake like longing, freedom, and the struggle between light and darkness. These themes are presented in a way that is relevant to today's audience, prompting questions about identity and temptation. The production features dancers from both the Dutch National Ballet and its Junior Company, ISH Dance Collective performers, and guest dancers from various dance backgrounds. It aims to blend tradition with innovation, creating a unique experience

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during ADE 2026. This collaboration marks a significant partnership among Amsterdam Dance Event, Gashouder, and the two dance companies, involving their various expertise.

"Swan Lake Remixed" also celebrates notable anniversaries: 150 years of Swan Lake in 2027, a decade of collaboration between the Dutch National Ballet and ISH Dance Collective, and 25 years of XSAGA. This event aligns with the broader 30 YEARS ADE Icon Series, which showcases special events that reflect on the history and future of electronic music culture, connecting legends with new talent and celebrating collective cultural experiences. Dutch National Ballet dancers principal dancers: Salome Leverashvili, Timothy van Poucke, Giorgi Potskhishvili + large corps de ballet + dancers from Dutch National Ballet’s Junior Company. Total: 35 dancers. ISH Dance Collective performers: Gino Jagessar, Herrold Anakotta, Lars de Vos, Dietrich Pott, Lisha Chen, Oscar Starink, Paris Crossley, Raquel Tijsterman, Shane Boers, Sophia Mason, Stasy Terehhova, Thersa Bergmann Guest dancers: Zoë Greten, Rutkay, Ahmad Joudeh, Sedrig Verwoert, Nnamdi Nwagwu —E.D.

INDUSTRY NEWS

PRIMARY WAVE MUSIC ACQUIRES INTEREST IN DONNA SUMMER'S LEGENDARY CATALOG

Primary Wave Music has entered into a landmark partnership with the estate of the late Donna Summer, securing an interest in the iconic artist's music catalog and further expanding the company's roster of legendary songwriters and performers. Donna Summer, who passed away in 2012 at the age of 63, remains one of the most influential artists in music history. Summer helped define the disco era while leaving an enduring impact on pop, dance, R&B, and electronic music. Her remarkable career includes 17 studio albums, with three reaching No. 1 on the Billboard 200 between 1978 and 1980: "Live and More," "Bad Girls" and "On the Radio – Greatest Hits Volumes I & II." Additionally, Summer released nearly 90 singles, with more than one-third earning spots on the Billboard Hot 100. Among her most celebrated recordings is the platinum-certified hit "Hot Stuff," featured

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on the "Bad Girls" album. The song earned Summer a Grammy Award for Best Female Rock Vocal Performance and remains one of the defining records of her career. Other timeless classics include "Last Dance,"

"She Works Hard for the Money," "Dim All The Lights," and "I Feel Love"—songs that continue to influence artists and resonate with audiences worldwide. The agreement with Primary Wave Music reflects the continued value of legendary music catalogs in today's streaming and licensing marketplace. As demand for classic recordings grows across film, television, advertising, gaming, remains

and digital platforms, Donna Summer's music among the most influential and commercially significant catalogs in popular music. With this partnership, Primary Wave Music and Donna Summer's estate are expected to preserve and expand the reach of her extraordinary legacy, ensuring that the Queen of Disco's music continues to inspire generations of fans for years to come. —S.M.

M O V I N G E L E C T R O N I C M U S I C F O R WA R D

INDUSTRY NEWS

AMNESIA ANNOUNCES 50-TRACK VINYL/ CD COMPILATION TO CELEBRATE 50TH ANNIVERSARY

Celebrating 50 years of dancing, Amnesia represents the heart and soul of electronic music in Ibiza. Telling a story that spans five decades, the 50th anniversary compilation sits across 10 vinyl and 5 CDs – a stunning collectable box set that offers a window into a legendary venue that has helped establish some of the world’s biggest tracks and artists. The soundtracks of 50 summers are represented across 50 tracks spanning 10 vinyl or 5 CDs. A hand-picked selection that reflects the incredible breadth of Amnesia’s cultural influence, bringing music from Donna Summer, Calvin Harris, Paul van Dyk, Candi Staton, Fred Again.., Robert Miles, Laurent Garnier, Binary Finary, and many more, as well as the vinyl exclusive for Maceo Plex’s Faithless “Insomnia” remix. Curated by Amnesia’s long-time resident Les Schmitz, the Amnesia team, and Frederik Emmerechts from N.E.W.S, there is an archival intention to the compilation, offering

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a snapshot of the club’s consistent role in amplifying music that shapes culture, genres, and careers. Each track sparks a thousand stories; memories that hold both collective and individual significance. This isn’t a tracklist defined by an algorithm – the hand-picked selection comes from those who were part of the story, determined to document the soundtrack as a testament to the club’s cultural legacy. From the iconic piano riff of Eric Prydz’ "Pjanoo" to the laid-back groove of "Benediction" by Hot Natured. The compilation tells the musical history of the island as much as it does a club that spans eras and genres – the disco of Chic’s "Good Times" and Candi Staton’s “Young Hearts Run Free,” the new wave of New Order’s "Blue Monday," or the 90s rave of Human Resource’s "Dominator." Nights that have sat at the heart of Amnesia’s story are represented here too — Alter Ego’s “Rocker” and “Titelheld” by Extrawelt are synonymous with Sven Väth’s Cocoon, while Paul van Dyk’s “For An Angel” and Tiësto’s remix of “Silence” soundtracked Cream’s authoritative role in the history of trance. The eclectic influence of Amnesia’s original resident Alfredo weaves through the selection with tracks like Joe Smooth’s “Promised Land”

and, of course, Amnesia’s “Ibiza:” his legacy as a tastemaker of the Balearic sound underpins much of the compilation, defining the club’s clear sound ever since.

dance culture across generations. Since 1976, Amnesia has remained a sanctuary for those who put the room before the image. A space built on music and atmosphere, and a lasting commitment to what matters.

The compilation marks an anniversary that carries clear message – an invitation to dance from a club that has shaped the lives of everyone who stands on its dancefloor.

The Amnesia 50th Anniversary Compilation is out now on N.E.W.S.

A place powered by a legacy that has defined

—E.D.

M O V I N G E L E C T R O N I C M U S I C F O R WA R D

INDUSTRY NEWS

CHANGE THE BEAT PLEDGES 300 LABEL SIGNINGS FOR WOMEN & GENDER EXPANSIVE ELECTRONIC ARTISTS BY 2028 Change the Beat, the global non-profit organization dedicated to supporting women and gender expansive artists in electronic music, expands its mission to create pathways for artists through education, mentorship, industry access, live events and release programs. As the organization enters its next phase of growth, Change the Beat announces new milestones focused on increasing representation across electronic music. Its objective is to increase the percentage of women and gender expansive artists signed to electronic music labels by creating meaningful routes to label opportunities. The organization aims to support 300 women and gender expansive artists in securing label opportunities within two years, 600 artists within five years and 1,500 artists within ten

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years. Following the recent relaunch of its flagship Remix Contest Program, Change the Beat will also launch "The Demo Room," a new initiative designed to increase access to label opportunities and strengthen connections between emerging artists and the electronic music industry. The recently relaunched Remix Contest Program builds on a proven model that has created official remix and release opportunities for emerging artists in collaboration with leading electronic music labels and artists. Since its relaunch, the programme has partnered with SIPPY and DeadBeats, with upcoming collaborations including Westend and Trace Amounts, alongside Sara Landry's HEKATE Records. Previous partners include Drumcode, mau5trap, Armada, Anjunadeep, Anjunabeats, HE.SHE.THEY, Insomniac Records, Nervous Records and Toolroom Records. Artists connected to the programme have worked on projects involving deadmau5, Nicole Moudaber, Eli & Fur, Crystal Waters, Ultra Naté, Maya Jane Coles, DJ Minx, VNSSA, Giorgia Angiuli and Azzecca. ‘The Demo Room’ will see participating labels showcase their sound and A&R priorities, giving the Change the Beat community a

direct route to submit music, receive feedback and connect with industry decision-makers. “We've already helped facilitate more than 100 label signings, but we're only getting started. The goal of 300 signings by 2028 is ambitious by design, but it's also achievable because we're creating opportunities every month through our Remix Contest programme, The Demo Room, and artist development programmes like Going Global. We've already seen labels, artists, managers, brands, and industry partners rally behind this mission, and many have discovered incredibly talented artists through our community. We invite the wider electronic music industry

to join us in creating more pathways, more opportunities, and a stronger future for the next generation of talent.”—Sydney Blu Change the Beat is continuing to expand its work creating greater access to label opportunities for women and gender expansive electronic music artists. Through its growing network of artists, educators, labels and industry partners, the organization invites the electronic music community to support its mission of building a more inclusive and sustainable future for the next generation of talent. — E.D.

M O V I N G E L E C T R O N I C M U S I C F O R WA R D

INDUSTRY NEWS

ED SHEERAN'S STRATEGIC MOVE TO INTERSCOPE SIGNALS A NEW ERA

in recent years and signals the beginning of a new phase for one of the world's most commercially successful artists.

Despite the label change, Sheeran is maintaining the trusted team that has helped build his global empire. His longtime manager, Stuart Camp of Grumpy Old Management, remains at the helm, while live representation continues through One Fiinix Live and THE TEAM. Public relations will also remain under the direction of The Lede Company, ensuring continuity across his business operations. The signing reunites Sheeran with Interscope CEO John Janick, who previously worked with the singer songwriter during Janick's tenure at Warner's Elektra Records. That existing relationship is expected to provide a strong foundation as Sheeran enters the next stage of his recording career.

Global superstar Ed Sheeran is reportedly set to sign an undisclosed long term recording agreement with Interscope Records, bringing to a close an extraordinary 15 year chapter with Warner Music Group's Atlantic Records. The move represents one of the music industry's most significant label transitions

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The timing could not be more strategic. Sheeran is currently in the midst of his massive 59 date global Loop Tour while simultaneously promoting his latest collaboration, "Repeat It," with acclaimed DJ and producer Martin Garrix. The momentum follows the successful late 2025 release of his eighth studio album, Play, further reinforcing his position as one of music's most consistent

global hitmakers. Few artists can match Sheeran's commercial accomplishments. Over the course of his career, he has sold more than 200 million records worldwide and made streaming history with "Shape of You," becoming the first song to surpass three billion streams on Spotify. His dominance extends well beyond recorded music, as he continues to sell out stadiums across the globe and headline premier festivals including Glastonbury and Rock in Rio. He is also scheduled to headline upcoming major events, including Summerfest. Streaming remains a major pillar of Sheeran's global success. With an impressive 83.8 million monthly Spotify listeners, his audience spans every major music market. His strongest listener bases are concentrated in London, São Paulo, Sydney, Mexico City, and Melbourne, highlighting the worldwide appeal that continues to make him one of the industry's most valuable artists. As Ed Sheeran embarks on this new partnership with Interscope Records, the move appears less like a reinvention and more like a calculated evolution. With an established support team, a thriving global tour, and a proven ability to dominate both streaming platforms and live stages, Sheeran enters this next chapter positioned to continue shaping the future of popular music.

DJ & LABEL BOSS PAUL RIDNEY OFFICIALLY AWARDED GUINNESS WORLD RECORD

On October 15, 2025, Paul Ridney set out to break the record for the most vinyl retail stores visited in 24 hours — travelling from Brighton to Worthing, Chichester, Shorehamby-Sea and back to Southampton using only public transport, plus a serious amount of walking. After an 11-month wait, the result is finally official: Paul visited 28 stores in total and is now a Guinness World Record holder.

For the music business, this is not simply a label change. It is a strategic power move that could define the next era of one of the world's biggest recording artists.

The 24-hour mission saw Paul rack up around 57,000 steps, hopping between buses, trains and pavements as he made his way from store to store. There were some proper low points too — including climbing one of Brighton’s monster hills, only to find the record shop at the top was closed.

—S.M.

—E.D. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

INDUSTRY NEWS

SHOWTEK LAUNCHES NEW LABEL F_CK THE SYSTEM

After more than two decades of breaking down musical boundaries, the Dutch duo launches a new label in partnership with Be Yourself Music, debuting the imprint with an official collaboration alongside Belgian-French dance icon Kate Ryan. For more than 20 years, Showtek has refused to let genre dictate their career. From helping define hardstyle to crafting crossover hits with David Guetta and Major Lazer, the Dutch brothers (Wouter and Sjoerd Janssen) have built their reputation on constant evolution rather than standing still. That same philosophy now serves as the foundation for F_CK THE SYSTEM. Launched on July 3, 2020, F_CK THE SYSTEM is Showtek's new record label, created in partnership with Dutch independent powerhouse Be Yourself Music. For nearly 20 years, Be Yourself has helped shape the electronic music landscape, earning a reputation for discovering and developing talent across every corner of dance music

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while working with artists including Bakermat, Brennan Heart, Headhunterz, Mike Williams, Tinlicker, Imanbek, and Vicetone. Together, they've created a label that reflects the full spectrum of Showtek's career, from the harder sounds that launched them to the crossover records that introduced them to audiences worldwide and the club-focused productions that define their current era.

Rather than committing to a single genre, F_CK THE SYSTEM is designed as a home for every side of Showtek's musical identity. Whether it's underground club music, festival records, or crossover releases, the label gives the duo one place to follow the music wherever it leads. Leading the label's debut is an official collaboration with Belgian-French dance icon Kate Ryan, who joins Showtek for a new interpretation of her enduring hit, "Ella Elle L'a." The story behind the record began in Paris. During their performance at Fun Radio Ibiza Experience inside Accor Arena, Showtek tested an early version of the track in front of thousands of fans. The reaction was immediate.

The crowd sang every lyric back to them, turning what started as a live edit into a collaboration that quickly took on a life of its own. The release also continues Showtek's long-standing connection to French music. Alongside years of collaborations with David Guetta, the duo produced the official remix of GIMS' "Ciel" in 2025, strengthening ties with one of Europe's most influential music markets. Joining them is Belgian-French dance icon Kate Ryan, who is celebrating the 25th anniversary of her career in 2026 with a European tour spanning Belgium, France, Germany, Spain, the Netherlands, Sweden, Poland, and beyond. With more than 3.5 million records sold, over 500 million streams and a catalog that includes "Désenchantée," "Voyage Voyage," "Libertine," and "Ella Elle L'a," Ryan remains one of Europe's most successful pop-dance artists. Together, Showtek and Ryan preserve the spirit of "Ella Elle L'a" while giving it new life for today's dance floor. As the debut release on F_CK THE SYSTEM, the collaboration does more than revisit a classic. It introduces a label designed to reflect every side of Showtek's musical identity, from the harder sounds that launched their career to the crossover records and club-focused productions that continue to shape it today. Showtek & Kate Ryan "Ella Elle L'a" is out now via F_CK THE SYSTEM.

—E.D. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

INDUSTRY NEWS HISTORIC HIP-HOP & R&B LABEL UPTOWN RECORDS RELAUNCHES; DANIELLE PRICE SANDERS NAMED PRESIDENT

One of the most influential labels in the history of Hip-Hop and R&B is officially making its return. Uptown Records, the legendary imprint founded by the late Andre Harrell in 1986, has announced its relaunch under the REPUBLIC Collective umbrella, with veteran music executive Danielle Price Sanders appointed as President. The revitalized label begins its new chapter with a roster that includes charttopping artists G Herbo and Yung Miami, signaling a bold commitment to shaping the next generation of culture-defining music. The relaunch represents more than just the return of a record label—it marks the revival of a cultural institution that helped redefine Black music, fashion, entertainment, and entrepreneurship. When Andre Harrell founded Uptown Records in New York City, he envisioned a company that blended the sophistication of R&B with the edge and authenticity of Hip-Hop. What followed was one of the most impactful runs in music history. During the late 1980s and throughout the 1990s, Uptown Records became synonymous with innovation and cultural influence. The label introduced audiences to artists who would become global superstars, including Mary J. Blige, Jodeci, Heavy D & The Boyz, Christopher Williams, Al B. Sure!, Soul for Real, and Father MC. Perhaps no artist better embodied the Uptown sound than Mary J. Blige, whose

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fusion of soulful vocals and Hip-Hop swagger helped create an entirely new genre now recognized as Hip-Hop Soul. The label's influence extended far beyond music, helping establish trends in fashion, lifestyle, and urban culture that continue to resonate today. —S.M.

DIMITRI VEGAS & LIKE MIKE PARTNER WITH LIQUID STATE TO EXPAND FOOTPRINT IN ASIA

Belgian DJ superstars Dimitri Vegas & Like Mike have partnered with Liquid State, a joint venture label owned by Sony Music and Tencent Music Entertainment. They will collaborate to release new global tracks with artists from Asia and will license their extensive catalog of over 300 tracks from Smash the House in Mainland China. The first release will be Dimitri Vegas’ solo single, "One Day I’ll Fly Away (Takis Tribute)," set to debut on October 26. Liquid State has previously released music from big names such as Alesso, Steve Aoki, and Marshmello, with its records generating over 1.5 billion streams globally in the last year. Dimitri Vegas & Like Mike have been leading figures in the electronic music scene for a decade, headlining major events like Tomorrowland and running their label, Smash the House, since 2010. They have ranked highly in the DJ Mag Top 100 poll, achieving the top position in 2015 and 2019. Recently, several Mainland Chinese artists have signed with Liquid State, contributing to its growing success. Notable among them is DJ duo Frogmonster, whose track "Remember Our Summer" has surpassed 1 billion streams worldwide. “China is a placed we have loved visiting over the last 15 years and now we are going to look at building some incredible collaborations with artists from there as well. We can’t wait. Watch this space.”—Dimitri Vegas —E.D. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

INDUSTRY NEWS RE:VERSAL RECORDS RELEASES FRANKIE KNUCKLES & LARRY LEVAN REMIXES: THE ROOTS OF HOUSE ON NEW RARE VINYL PACKAGE

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Using the world’s largest archive at Universal Music, Re:versal Records dug through over 100,000 releases, sourced original DAT tape masters, found rare remixes and curated a refined collection of defining dance and electronic music. Re:versal Records brings deep cuts, rare remixes and classic dance tracks onto club ready and collectable heavyweight vinyl. This vinyl release symbolises a moment in time. Four tracks, eight artists, and a blueprint for dance music before the world knew what it was. Generally referred to as Garage, House or Loft music in the 80s, Frankie Knuckles and Larry Levan shaped the sound from its roots. Larry, resident DJ at Paradise Garage, New York, Frankie at The Continental Baths in New York and later at The Warehouse in Chicago, both prolific remixers and some of the first career DJs. Two close friends.

Countless genres. One feeling. It’s hard to imagine that the other artists on this release could be equally as influential. Syreeta Wright first worked at Motown before spending decades singing and writing songs with Stevie Wonder. Gwen Guthrie began playing piano at 8, sung with artists ranging from Aretha Franklin to Madonna, wrote songs for the likes of Ben E. King, Roberta Flack and was known as "The First Lady of The Paradise Garage" during the heyday of the club. Adeva began work with Frankie Knuckles after already going platinum on her debut album, featuring a hit house remix of Aretha Franklin’s "Respect." This is all before mentioning Womack and Womack who moved bodies and souls from "Teardrops" on the dance floor, to family rooted gospel and soul foundations.

The Essence of Acid extends into the visual aspect of the show, using a series of iconic devices to enhance the performance visually. The stage will have synchronized lighting, screens, lasers, and other elements that develop alongside the music throughout the event. Dreamstate emphasizes the history and future of trance and electronic music, making it an ideal platform for this new concept that explores acid's influence within the genre. Paul van Dyk's longstanding career within the music scene spans over three decades and ties back to the festival's beginning in 2015. His previous works in acid music solidify this new performance as a coherent extension of his artistic journey.

— E.D.

PAUL VAN DYK TO DEBUT NEW LIVE CONCEPT "THE ESSENCE OF ACID" AT DREAMSTATE SOCAL 2026

Dreamstate SoCal 2026 is scheduled for November 20 and 21, with tickets for both two-day and single-day access currently available for purchase.

North America's largest trance music festival, Dreamstate SoCal 2026, will feature the worldwide debut of Paul van Dyk's new live performance concept, The Essence of Acid, at the Queen Mary Waterfront in Long Beach, CA, on Saturday, November 21. This performance includes a live electronic setup where van Dyk will present new material, acidfocused compositions, and reinterpret existing tracks using specialized hardware. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

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BEYOND STREAMING

or many independent artists, the conversation about making money from music begins and ends with streaming. While platforms like Spotify, Apple Music, YouTube Music, and Amazon Music have transformed the industry, streaming is only one piece of the revenue puzzle. The truth is that every song has the potential to generate income from multiple royalty streams when it is properly registered, your metadata is accurate, and your publishing and master recording rights are protected. Understanding these revenue opportunities can make the difference between simply releasing music and building a sustainable music career.

Understanding the Royality Streams that Build a Music Career. By SHON MURDOCK

STREAMING ROYALTIES

PERFORMANCE ROYALTIES

Streaming royalties are earned whenever your music is played on digital streaming platforms.

Performance royalties are generated whenever your music is performed publicly.

Although these royalties often receive the most attention, they represent only one source of income and should never be your entire financial strategy.

This includes radio airplay, television broadcasts, concerts, clubs, restaurants, sporting events, and other public venues.

We believe artists should be just as informed about the business of music as they are about the creative process. Here are the royalty streams every creator should know.

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These royalties are typically collected by Performing Rights Organizations (PROs) on behalf of songwriters and publishers.

MECHANICAL ROYALTIES Mechanical royalties are earned whenever your musical compositions are reproduced, downloaded, or streamed. If you write or publish music, these royalties represent an important source of recurring income that should not be overlooked.

SYNC LICENSING INCOME

LIVE PERFORMANCE ROYALTIES

Sync licensing can be one of the most profitable revenue streams available to artists. Whenever your music is licensed for films, television shows, commercials, video games, documentaries, podcasts, or online content, you earn synchronization licensing income.

Many artists are surprised to learn they may also earn royalties when their original music is performed live at eligible venues. When performances are properly reported, songwriters and publishers may receive additional royalty payments.

A single sync placement can often generate significantly more revenue than thousands of streams. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

ROG SANC

A "Spectrum" of Color for the 21st Century Dancefloor By Joseph Arthur  Photography Haris Nukem

OGER NCHEZ

truly understand house music, one must grasp its rhythmic pulse—a driving 120-to-130 beats per minute built on a fusion of soul, funk, Latin percussion, and electronic sounds. Few artists embody this foundation better than Roger Sanchez, affectionately known as "The S-Man." Raised in the vibrant, multicultural environment of Queens, New York, Sanchez began his career in the 1980s, kicking off a four-decade journey that would leave an indelible mark on global dance culture. While exposed to diverse genres early on, Sanchez was initially drawn to hip-hop as a breakdancer and graffiti artist. He taught himself to DJ by observing the culture’s trailblazers, ultimately transforming his turntables into live instruments. Frequent visits to New York City’s legendary nightlife venues taught him the profound emotional connection between a DJ and the dance floor. Choosing music over a career in architecture, Sanchez became central to house music’s early 1990s explosion. He crafted tracks that fused soulful vocals, Latin rhythms, and hip-hop beats, establishing himself as a pioneer with his classic "Luv Dancin'" and high-profile remixes for icons like Madonna, Michael Jackson, Lenny Kravitz, Daft Punk, Maroon 5, and dozens more. By the 2000s, Sanchez achieved global super-stardom with "Another Chance," a track that secured his spot in pop history. Built around a poignant sample from Toto’s "I Won't Hold You Back," the song blended a melancholic vocal hook with a driving house groove, capturing sadness and optimism all at once. It topped the U.K. Singles Chart and dance floors worldwide. Two years later, in 2003, Sanchez earned a Grammy for his remix of No Doubt’s "Hella Good." His legendary status extends to Ibiza, where his Pacha residencies remain iconic. The 2026 season marked his 30th year performing at the venue, where his “Roger Sanchez presents Flower Power" events continued to captivate audiences. Running every Saturday from

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June through late August, Sanchez ignited the dance floor with classic-filled sets, breathtaking visual production, immersive decor, and performers handing out flowers and lollipops under a "Peace & Love" theme. Featuring guests like Marco Carola, Luciano, Nic Fanciulli, Armand Van Helden and many more throughout the season, the residency culminates in a grand season finale alongside fellow house maestro Mark Kinchen (MK) on October 10, 2026. Now, Sanchez returns with "Spectrum," his first studio album in two decades. Concieved in Shoreditch during pandemic lockdowns and refined over six years of global touring, the project bridges the deep roots of house music with its future. Determined to construct a cohesive album rather than a simple collection of club tracks, Sanchez relied heavily on his synesthesia, mapping specific colors, lights, and moods to each composition—ranging from "bright and soulful" to "emotional ultraviolet" and "club-ready infrared." Sanchez wrote nearly 50 tracks before refining the final selection down to 13 polished songs. He utilized SoundCloud to share private links with trusted DJ peers for dance floor and technical feedback, insisting on a collaborative studio environment where egos were left at the door. The album spans generations and styles, featuring collaborations with house legend Fedde Le Grand ("Grinnin'"), Spice Girl Melanie C ("I Don't Wanna Know"), and vocalists KelliLeigh, Kele Le Roc, and Ragdoll.

M O V I N G E L E C T R O N I C M U S I C F O R WA R D

"DANCE MUSIC ISN'T JUST ABOUT A KICK DRUM AND A TEMPO; IT'S ABOUT EMOTIONAL RESONANCE. YOU HAVE TO MAKE PEOPLE FEEL SOMETHING ON THE FLOOR BEFORE THEY CAN TRULY DANCE." — ROGER SANCHEZ

The lead single, "How Do We Say Goodbye" featuring Karen Harding, sets the tone with a delicate intro that swells into a powerful house beat. By releasing "Spectrum" entirely through his own label, Stealth Records, Sanchez bypassed major labels to deliver a project true to his vision. Roger Sanchez’s enduring career captures the very essence and global evolution of house music. From his early roots in Queens and game-changing 1990s remixes to charttopping anthems like "Another Chance" and decades of legendary Ibiza residencies, he has seamlessly bridged the genre's rich origins with its future. That lifelong commitment shines through in "Spectrum"—a deeply personal, color-inspired album built entirely on his own terms. Ultimately, "The S-Man" remains a master architect of dance culture, proving through constant innovation, seamless collaboration, and pure independence that the heartbeat of house music is timeless.

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CAREER MILESTONES 19802026 1980s Leaves the Pratt Institute and Pursues Full-time Djing.

1990

Releases First Breakthrough Single “Dreamworld” Under the Moniker "Egotrip." Signs with Strictly Rhythm Records.

Releases “Luv Dancin'” Under the Moniker "Underground Solution."

1998

Featured in the Documentary Film Hang The DJ.

1999

Winner of DJ Awards Best House DJ.

2000

Establishes Summer Residencies at Ibiza’s Pacha, El Divino, and Space.

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2001 Releases Debut Album “First Contact.”  “Another Chance” via Defected Records goes Platinum, Charts, in Multiple Countries, and Reaches #1 on the U.K. Singles Chart.

2002

Winner of DJ Awards Best House DJ. Launches Stealth Records.

2003

Wins Grammy Award for Best Remixed Recording (nonclassical) for No Doubt’s “Hella Good.”

2004 Launches "Release Yourself" Podcast. Winner of DJ Awards Best House DJ.

2006

Releases 2nd Album "Come with Me" on Stealth Records/ Warner.

2007

Winner of DJ Awards Best House DJ. Winner of the First-ever International Dance Music Awards (IDMA) for Best Podcast.

2009

Placed #60 in DJ Magazine's Top 100 Poll.

2011

 "Release Yourself" Podcast Reaches 10 Years Old. Releases "Release Yourself: 10th Anniversay Edition Album.

2014

Revives the "S-Man" Moniker. Relaunches Stealth Records.

2015

The DJ List Ranking #12 Top DJ USA. The DJ List Ranking #1 Top Global House DJ.

2018

Winner of DJ Awards DJ House Master. Creates Educational Masterclass for Aspiring DJs.

2021

 "Another Chance" turns 20 Years Old. Releases Remastered Version with Oliver Heldens.

2022

Relocates to Miami, Florida.

2024

2020

 "Release Yourself" Pocast Airs 1000th Episode.  "Wrek tha Discotek" featuring Soulson lands on the Blade OST. Collaborates with Ella Henderson and releases "Dream on Me."

 "Again" goes Viral. Releases New Version "Go Again" with Hugel.

2026

Releases First Solo Album in 20 Years Titled "Spectrum." Returns to Pacha for His "Flower Power" Residency.

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FIVEQ' BSM: Before you went full-time into music, you studied architecture at Pratt Institute. When you are arranging a song or building a multihour club set, do you visualize it through the lens of architectural design, spatial structure, or drafting?

Roger Sanchez: "I see it in an architectural design way: Build on the foundation— beats & rhythm, provide space and light- vocals and chords, and interconnect people through the corridors and walkways of euphoric moments , bridges and breakdowns. It has to be beautiful but also functional and organic— both my productions and my sets." BSM: You’ve talked about how your new album, "Spectrum," is built like a cohesive story. If "Spectrum" weren't a collection of music, but rather a comic book or graphic novel, going back to your roots at the High School of Art & Design, what would the plot be, and who is the protagonist?

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RS: "The plot would be our main character starts out in the streets of New York City, discovering a previously unknown ability to resonate people in his vicinity, causing anger and disharmony to turn into synchronized movement and united goals. Their story would take you from New York to London and to the stars in order to resonate other beings and bring light to darkness. The protagonist is the Dancer and their resonator is the source of sound." BSM: You moved to Shoreditch to live the U.K. scene while writing "Spectrum." How did leaving New York and Ibiza and immersing yourself in London's specific underground change the way you programmed your basslines and drums for the album? RS: " I think specifically the bounce of the bass in tracks I heard in London, as well as the chords that were reminiscent of 90’s

Q'S

ROGER ON THE NEW ALBUM

"SPECTRUM"

New York House, really brought me back to the roots of those sounds, but through the prism of the vibe of London streets. It’s almost like reading something written on paper but in a mirror— you see it backwards, but it’s still recognizable. That’s a bit of the way I started programming my bass lines and sounds while I was in Shoreditch." BSM: After spending six years working on "Spectrum," and realizing dance music trends have changed dramatically, which track on the album went through the most radical change from its original demo to its final master because you felt the world's ears had changed? RS: "'I Don’t Wanna Know' was the track I revised the most on the album. I think I took it a bit further underground and a bit darker over time and really enjoyed the contrast of the track and Melanie C’s performance."

BSM: When a song like "Another Chance" becomes an enduring, worldwide anthem, it may occasionally overshadow a producer's subsequent output. Have you ever experienced a period during the past 20 years when you had to actively combat the expectation to recreate that particular magic, and how did you manage to get rid of it for "Spectrum?" RS: "I have never allowed myself to get comfortable in one “sound” or zone, nor did I feel the need to repeat what I did on 'Another Chance.'

Each track captures a moment in time and feeling for me. That’s why 'Spectrum' feels familiar and new at the same time. I refer to my roots, but try to capture where I’m at in the moment I’m writing it."

M O V I N G E L E C T R O N I C M U S I C F O R WA R D

rogersanchez.com facebook/rogersanchezfanpage instagram/djrogersanchez https://linktr.ee/RogerSanchez

NEW ALBUM

SIDEBAR Grammy-winning DJ, producer, and label head Roger Sanchez released "Spectrum" on June 5, 2026. His first studio LP in twenty years, showcases Sanchez as being in complete command of his craft and fully demonstrates that the global icon whose influence has shaped dance floors for decades, still has the chops to amaze his legions of worldwide fans. Sanchez set off a firestorm on a pre-release campaign leading up to the release of the album with three killer cuts: "Grinnin'" (with Fedde Le Grand), "Come My Way," and "Temptation" (with Low Steppa, featuring Ragdoll). However, the real gem of the album is "How Do We Say Goodbye," featuring Karen Harding. Her powerful vocals create an unforgettable hook and evoke a sense of nostalgia, while Sanchez's production transitions from a trance-like atmosphere to an impactful, climatic drop. "Spectrum's" tracks span a wide range of styles —from energetic club tracks and dance floor hits to more emotional, atmospheric pieces - with lyrics based on his own experiences and features collaborators from various genres and countries, including Melanie C, Kele Le Roc, Chico Castillo, Kelli-Leigh, Carnao Beats, Donae'O, and others — a line-up that reflects the excitement surrounding the record.

Spectrum Track List 1: Temptation

Roger Sanchez, Low Steppa, Ragdoll

2: Midas Touch

Roger Sanchez, Kelli-Leigh

3: Love Like This

Roger Sanchez, Kele Le Roc

4: El Gitano

Roger Sanchez, Chico Castillo

5: Canto Al Amor

Roger Sanchez, Aaron Sevilla, Kristen Knight

6: How Do We Say Goodbye Roger Sanchez, Karen Harding

7: Come My Way Roger Sanchez

8: I Don't Wanna Know Roger Sanchez, Melanie C

9: Grinnin'

Roger Sanchez, Fedde Le Grand

10: Clouds

Roger Sanchez, Escala

11: Caught Feelings

Roger Sanchez, Carnao Beats, Donae'o

12: Falling

Roger Sanchez, Stealth

13: Dark Days

Roger Sanchez, Leo Wood

STREAM SPECTRUM ON SPOTIFY

M O V I N G E L E C T R O N I C M U S I C F O R WA R D

Photography courtesy of Tomorrowland

RELIVING

THE MAGIC OF TOMORROWLAND

2026

A PHOTOGRAPHIC JOURNAL

TOMORROWLAND BOOM, BELGIUM 2026

A VISUAL RECAP:

RELIVING THE MAGIC IN STUNNING PHOTOGRAPHY

[MOSIMANN] Photography by Sil Naderbruggen

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Photography courtesy of Tomorrowland

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[MARNIK] Photography by Sil Naderbruggen

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Photography courtesy of Tomorrowland

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M O V I N G E L E C T R O N I C M U S I C F O R WA R D

Photography courtesy of Tomorrowland

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[KAAZE] Photography by Fille Roelants

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[LOST FREQUENCIES] Photography courtesy of Urban Rebel PR

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[KAAZE] Photography by Stijn DeGrauwe

Photography courtesy of Tomorrowland

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[YVES V] Photography courtesy of Urban Rebel PR

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Photography courtesy of Tomorrowland

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[HARDWELL] Photography courtesy of Tomorrowland

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Photography courtesy of Tomorrowland

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M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC LP KREWELLA PEAK

ALL NIGHT RECORDS / AVAILABLE NOW

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Jahan and Yasmine, the sisters behind the electronic group Krewella, released their fourth album, "Peak," on September 4. The title Peak is intentionally complex; while outsiders may have seen their past successes as their highest point, the sisters experienced

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personal struggles during those times. Their hiatus from fame turned out to be a period of significant creativity and self-discovery, which they embrace in this new album. "Peak" represents their journey of reclaiming their peak, while also recognizing that life has no single summit. It suggests that growth is continuous, and every rise and fall is an important part of their narrative. The album reflects their thoughts on the fast pace of modern life, where technology evolves rapidly and society rushes toward the next

achievement. Rather than attempting to resolve this chaos, the album invites listeners to recognize and accept this complexity. This theme is visually represented on the album cover, which was created in an electronic recycling plant. The imagery captures the beauty found among discarded technology, symbolizing the memories and stories that each old device holds. The intertwined vines and flowers signify the beauty in a world that often overlooks the decay of technology. The album also raises questions artists face

in a changing creative landscape, particularly with the rise of artificial intelligence and its impact on human creativity. It confronts the idea of why artists create, leading to a deeper exploration of emotions over mere success. Musically, "Peak" contrasts feelings of fragility with uplifting melodies and energetic beats. The twelve tracks cover various electronic styles, incorporating pop elements alongside more intense sounds, reflecting Krewella's diverse roots. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC LP ACID ARAB RESONANCE

ALL NIGHT RECORDS / AVAILABLE NOW

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Acid Arab, a Franco-Algerian music collective formed in the early 2010s, has gained recognition for their unique blend of Mediterranean identities and Arabic rhythms. The group, featuring members Hervé Carvalho, Guido Minisky, Pierrot Casanova,

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and keyboardist Kenzi Bourras, released their debut album, Musique de France, in 2016 and are set to launch their fourth album, Resonance, this summer through All Night Long. The band's music is characterized by an engaging mix of traditional sounds, including Raï and Chaoui, along with electronic elements. They emphasize their intention to represent these cultures in a raw and authentic way without simplifying their

showcasing a range of musical influences and styles. The band approaches their music with careful listening and respect for their sources, drawing inspiration from spontaneous moments in the studio or during tours. This dedication to their craft is evident in songs like "3ayet L'taxi," which features young Algerian rapper Dalia, and "Stif," notable for its energizing Chaoui sound. Acid Arab has also collaborated with Lebanese artist Yasmine Hamdan on the track "Shahed Mech Shayef" and reunites with Syrian musician Wael Alklak for "Yasmine Alsham," highlighting the group's strong connections to the underground dance scene. Their creative choices are focused on the quality and uniqueness of voices rather than famous names, reflecting a commitment to genuine musical connections. The band believes that mutual curiosity in the studio leads to profound collaboration.

complexity. The album title, "Resonance," reflects this idea and refers to a key function on the Roland TB-303 drum machine, which is central to creating their "acid" sound. Acid Arab's tracks invite listeners to experience music rather than explaining themselves or demanding validation. The new album features a variety of guest vocalists, including Turkish singer Cem Yıldız and Raï artist Sofiane Saidi, who open the 16 tracks with their contributions. Other collaborations include Chaba Ibtissem and Ktafi Bardine,

The album also includes a surprising feature by Turkish pop artist Edis, who successfully merges his style with Acid Arab's vision in "Yaktın Beni. " Resonance offers a shared Mediterranean musical experience that addresses themes of politics and identity in a region facing challenges, showcasing the strength of its diverse cultures and music. Through their collaborations and creative exchanges, Acid Arab stands as a testament to resilience and celebration through music, bringing listeners into their unique sound world.

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NEW MUSIC LP CHRISTIAN BURNS

WAKING UP IN A NORTHERN TOWN

BLACK HOLE RECORDINGS / AVAILABLE NOW

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There’s been a long tradition of musicians from the north of England honouring their origins through their recordings - one that dates back as far as The Beatles’ penning "Penny Lane." "North Country Boy," "Hit The North," "Life In A ‘Northern Town," "The North

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At Its Heights," "It’s Grim Up North" – just a few of the dozens that, over the following years, have championed its mass. Both culturally and creatively, the North tends to form more than the average core of an artist’s identity. It’s derived from a strong sense of pride in one’s place — not just its achievements, but in its character, humour, and resilience. Up north, "grey" isn’t seen as bleak, but as honest and real: a backdrop that has shaped an unpretentious outlook on all things "life." It engenders a sense of working

the two albums’ relationship though, as Christian goes onto explain: “Love Songs From Suburbia’ was written during one of the lowest points of my life.. ‘Waking Up In A Northern Town’ however was actually created during one of the best. It came at a time when I’d moved to the States and met and married my now-wife. This album, well … there’s a lot of hope on here. ‘Love Songs’ was more like a plea for it. This is the one where it actually happens." As Christian points out though, “no one wants to hear an LP made up of twelve happy-clappy songs! That’s not real life.” So, in title and lyric, time and again over its vanguard singles, he’s cannily subverted or swerved the issue. ‘Northern Town’, which in turn was cycled back into the music evolving around it."

through adversity, and through that, producing something vital, expressive and, well, frankly … elevated. Now, through his third album dispatch, "Waking Up In A Northern Town," singer, songwriter and BBMAK vocalist, Christian Burns makes his own mark in this grand practice. It could be argued that Burns actually began this process with the release of his last artist album in 2021. "Love Songs From Suburbia"'s title and singles already played with the theme to a degree. There’s a distinct dichotomy between

Across its singles sway, Christian worked with a number of luminary co-producers - Cosmic Gate, Pretty Pink, Paul Thomas and Little Foot among them. There was one however who left an impression more broadly across its album canvas. Says Christian, “I initially contacted Banaati (of Monstercat fame) to work on the track that became ‘Embers’. His own flavour and sound translated brilliantly, and I loved the amount of space that he brought to it.” In him, Christian had discovered a stylistic likemind and Benjamin’s backings prove to be a masterclass in transcendent space, knowing as much when to elementally delay or subtract, as to add. That develops an overarching atmosphere for "Waking Up In A Northern Town," that appears to wrap itself around the listener, and one you’ll ever more find yourself leaning into. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC LP HALIENE ECLIPSED

BLACK HOLE RECORDINGS / AVAILABLE NOW

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Joy and sorrow often live closer together than one imagines. There is, after all, no "becoming’" in life … without first waving a white flag at events beyond our control. Across her career, Grammy-nominated singersongwriter HALIENE has created a language

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around the contrast between happiness and heavier hearted times, giving voice to the place where the paths of love, loss, hope and transformation cross. Now, with her sophomore album "Eclipsed," she draws on those to create her most personal and expansive body of work yet. Following "Heavenly," her 2022 debut album, "Eclipsed" finds HALIENE stepping both into new stylistic areas, while also reconnecting with the musical worlds that shaped her

from experiences we’d never have chosen ourselves. Rather than treating darkness as something to simply overcome, "Eclipsed" explores its relationship with the light: how one gives form and meaning to the other, and how sorrow so often enhances our capacity to experience joy.

beginnings. Across its fifteen tracks, the worlds of trance, melodic bass, cinematic electronica and pop songwriting shift in and out of each another’s shadows. At its heart though, "Eclipsed" is an album about what happens when that light changes. Lyrically its songs trace loves, both found and lost, and identities once surrendered but now reclaimed. It’s about the people who carry us through our darkest moments, and the unexpected perspectives that can emerge

In a musical landscape increasingly shaped by AI and repetitive chart formulas, it is refreshing to hear an electronic artist determined to push boundaries both musically and sonically. On "Eclipsed," HALIENE resists predictability at every turn, weaving together unexpected genres, shifting time signatures, unconventional modes, and intricate harmonic ideas. From the collision of dubstep and drum & bass with Picardy-third progressions in “The Other Side,” to the 15/4 odd meters and pentuplet polyrhythms of “Dark Side of My Heart,” the album consistently reaches beyond the conventions of modern electronic music. “I wanted to push against the trend and make music that AI could never ‘dream of" HALIENE explains. “Music with enough humanity, complexity, and unexpected choices that it could never have been generated by a formula, and yet it feels seamless, singable and even danceable.” More than anything, however, "Eclipsed" is intended to travel beyond its creator. These are songs born from change, devotion, grief, resilience, uncertainty and joy, but their meaning does not end with the experiences that created them. Like an actual eclipse, "Eclipsed" finds beauty not solely in darkness or light, but in the extraordinary and evanescent moments when the two engage with one another. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC LP HEDEGAARD KIN

ONEHUNDRED/SPINNIN RECORDS / AVAILABLE NOW

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After months of anticipation, multiple standout singles and an ambitious upcoming documentary rollout spanning thousands of miles, Danish DJ, producer and label owner HEDEGAARD unveils his most expansive and culturally significant project to date. The

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complete 10-track album KIN is set to release worldwide June 19th, preceding the release of upcoming accompanying documentary series Western China's Melody, bringing to a close one of electronic music's most unique creative journeys of recent years. What began with the infectious crossover appeal of "Say My Name" alongside pop/ dance crossover superstar Arash, before progressing through the cinematic power of "Monolith" with MOGUAI and Brandon Beal

Spinnin’ cohort, Jon has enjoyed an epic 2026 so far, with the new version of the single racking up over 60 million streams on Spotify alone. "Monument" is an emotionally charged dance pop record, acting as a signing off point for HEDEGAARD and the wider KIN project. Featuring HEDEGAARD’s unique and unmistakable production style, as well as beautifully tuned topline from Jon - "Monument" is a jaw-dropping musical moment on a cutting-edge musical project. Created during extensive travels across Western China, KIN is the culmination of a project years in the making. Inspired by ten distinct provinces and regions, the album draws upon traditional instrumentation, local musicians, field recordings and cultural influences gathered throughout HEDEGAARD's journey, reimagining them through the lens of modern electronic music. The result is a collection that feels both globally minded and deeply personal, balancing festival-ready production with authentic storytelling and regional identity. and the dark, commanding energy of "Control" with Waka Flocka Flame, has now evolved into a fully realised body of work that stretches far beyond the boundaries of a traditional dance music album.

Alongside a cast of internationally renowned collaborators including Arash, MOGUAI, Waka Flocka Flame, Karen Harding, Brandon Beal, Safri Duo, Curbi and more, HEDEGAARD has crafted an album built on connection.

Arriving alongside the wider album release is focus single "Monument" featuring Danish pop icon Jon, fresh off the re-awakening of his legendary "Turn The Lights Off" record.

Across its 10 tracks, KIN explores the common ground between cultures, demonstrating how music can transcend geography, language and tradition while still respecting the roots from which it originates.

Alongside Justė, the latest protege from the

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NEW MUSIC LP JUSTIN HAWKES NOW OR NEVER

DRUMCASTE COLLECTIVE / AVAILABLE NOW

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Justin Hawkes has a name for what he makes: Experiential Drum & Bass— music built to be moved through from start to finish rather than picked apart track by track. "Now Or Never," his second album, is exactly that: twelve tracks mixed continuously into one unbroken piece, moving through tech-driven

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drum & bass, future jungle, halftime, modern jump-up and progressive, anthemic release, with a clear narrative thread from the first bar to the last. It's high-impact and club-focused, but detailed enough to reward close listening —a record built as much for the warehouse as for the headphones. It's also his own work end to end. Justin wrote and produced every track, wrote and sang many of the lyrics himself, and co-created the visual world built around the album.

its own visual language running through every chapter - and it cements Justin's standing as one of the U.S. artists actively defining North American drum & bass and giving it a creative identity of its own. At a moment when artificial intelligence is reshaping how records get made, Justin kept the entire project human-created, from the audio to the artwork.

The follow-up to his 2022 debut "Existential," "Now Or Never" turns on a single question: when passion calls, do you answer? Where "Existential" explored the contrast between life's tragedies and harmonies, this record treats passion as something carried through time - a force that shapes identity, memory and instinct. Each track stands for a different expression of it: resistance, attraction, discovery, dance, healing, love and selfrealization. Rather than a set of standalone singles, the album is built as a full world, with

"'Now or Never' captures a complete cycle of time and transcendence; it narrates a continuous path of transformation within my life, and asks deep questions about the nature of core passions and their place in the soul. While I was writing this album, I explored the feelings which brought me the core values I have always held - whether it was the mind's strife against authoritarianism, our nature as humans to seek affection, or to explore and innovate, or to gather together and dance... All the way through the soul's path of existential questions: Why Am I? The 12 chapters of this story walk a journey of discovery within myself, with each song as a lifetime leading into the next pivotal realization. Consciousness is an infinitely complex, yet infinitely interconnected experience, and I wanted this album to love and hold that wonderful mystery. In this turning point aeon of artificial intelligence, I chose explicitly to use human-only creative, and intentionally directed and created all audio, text, photo and video artwork with the help and eyes of Chase Yaws and Sadler Milbrath. I'm hopeful that anyone who listens can find a part of themselves within this album, and help them realize and love the beautiful dichotomy of light and darkness which exists within us all." — Justin Hawkes M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC LP KILLIAN & ELISE ISE

ARDCHUMHACHT/ AVAILABLE NOW

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Experimental electronic artist Killian Walsh has released his new album titled "Ise," featuring the focus track "Let’s Dance" with his daughter, Elise SW. This album follows previous singles "Let’s Float" and "Let’s Play Bongos" and presents a deeply personal collection that explores themes of grief,

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reflection, healing, and renewal. The title "Ise" means “she” in Irish, honoring the women who have influenced Walsh’s life. This album was created during a transformative time after the loss of his wife and father. It evolved organically as Walsh processed his emotions, capturing his vulnerability and artistic growth. "Ise" comprises eleven tracks that blend various electronic styles, including

significant attention from electronic music tastemakers for its honest storytelling and genre fluidity. The lead track "Let’s Dance," marks a shift towards themes of reconnection and joy, inspired by a studio session in Berlin after a long separation from his daughter. Other tracks reflect on moments of hope and celebration, while songs like "Squirrel," "Robin," and "Harvest Moon" grapple with loss and navigating a changed world. Overall, the album charts a journey from grief to acceptance, connection, and hope. With "Ise," Killian Walsh presents his most ambitious work, illustrating how music can foster meaning and healing in challenging times.

Ambient, House, Trance, and Techno, while incorporating Walsh’s traditional Irish music roots.

"Music has been part of my life from a very young age, and I had what I can only describe as a pull to do something. This album is effectively the story of the journey of my grief, realising that grief is a form of madness and all the emotions attached to that. It's also the journey of me looking into my past, because you really start looking at yourself and asking, ‘What are you doing? Why am I here? What is the point in all of this?

The album was developed with collaborators in Dublin, Berlin, and Australia, including well-known producers Tobias Neumann and Johannes Manuel. It features a mix of analog sounds, immersive design, and melodic depth with a strong emotional core.

I didn't question any of this, and none of it could have been done without the help of the people around me who got me and understood me, and who sometimes recognised the pain I was in, because sometimes you don't see it yourself. You don't see how crazy you are.”

Since its announcement, "Ise" has received

—Killian Walsh M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC LP SILVAN STRAUSS KABEL FIRE RECORDS/ AVAILABLE NOW

and build a dedicated online following, where his viral drum improvisations caught the attention of Pete Rock and Queen Latifah.

Silvan Strauss is a Hamburg-based drummer and producer. He won the Hamburg Jazz Prize in 2021, the same year he released his debut album "FACING," a collection of Madlibsoaked beats and hazed-out contemporary jazz on Kabul Fire Records. The years since have seen him play Montreux Jazz Festival

Where "FACING" showed off his gift for tight loops and bounce, his second album "FLUKIN'" was built on real playing and interplay with a room full of collaborators, embodying the kind of lucky, unrepeatable moments that happen when musicians improvise together. His third album, "SPRINTING," is what happens when footwork

SPRINTING

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scene. Adapting that complex, programmed drum language to a live kit turned out to be a revelation: he'd spent years playing the concepts without ever trying to produce in the style. He also borrowed something from Traxman's method directly, working minimally from a single sample source and mining it for every permutation it could yield, a leaner way of working that let him skip big studio sessions entirely for this particular project. "SPRINTING" pushes the idea further still, applying the logic to other electronic styles that are usually the territory of drum machines rather than a live kit. The title plays on every direction the word can move: running from something, the way somebody runs from a dinosaur in "All Bosses;" running toward something, a finish line or a person; the speed of footwork's drum patterns and the dancing built around them; the pace of a life lived partly online, in samples and reactions and algorithmic randomness.

finally turns into live musical exploration. Strauss's early admiration for Traxman's "Da Mind of Traxman," drew him into the genre's frenetic, sample-built rhythms, and he spent months working out the patterns on his kit. The techniques he'd absorbed never fully left his playing, and a chance clip from drummer Vante Carson last year sent him back to footwork, this time through Traxman's "Da Mind of Traxman 3," and into a deeper engagement with the genre's history and

Strauss doesn't have the ambition to make a footwork album, and doesn't think "SPRINTING" is one. He sees it as a first step, one he hopes will eventually take him to Chicago to learn more directly from the culture. Watching Traxman play live at Teklife's 15th anniversary party at Panke, he heard something he already recognised from a life in jazz: the best players carry everyone who came before them in their playing, and still manage to sound completely like themselves.

M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC LP VICTOR RUIZ VICTOR

VOLTA/ AVAILABLE NOW

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Victor Ruiz has released his debut studio album, "VICTOR," through his own label, VOLTA. This 14-track album showcases a significant evolution in his music, moving beyond the techno style he is known for and into a more expansive and emotional sound. Over time, Ruiz has shared parts of the album

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that highlight different emotions, starting with the stillness of "Silence," the loneliness of "Alone," the awakening in "Sundance" with Perry Farrell, and the acceptance found in "Technicolor." Each track contributes to a broader narrative, emphasizing transformation rather than just standalone songs. The central theme of "VICTO" discusses the idea of being shaped by one's surroundings versus choosing to shape oneself. Ruiz explores this journey through 14

breakbeat and vocal interactions. "The Secret" mixes electronic sounds with organic instruments, revealing a new side of Ruiz’s songwriting. Other tracks, like "Better Days" with Luke Cusato, showcase warm piano and delicate vocals, while the instrumental "When Words Fail…" delivers a deeply moving experience. In the second half, tracks like "Skyfall" with Enrico Minelli evoke strong emotions against melodic backgrounds, while "Running" reflects Ruiz’s electronic roots with uplifting rhythms. "You Deserve It All," featuring his partner Tao Andra, becomes an emotional highlight, combining hopeful melodies with impactful vocals. As the album progresses, "Life Is But A Dream" introduces vibrant textures, culminating in the final collaboration with spiritual teacher Ram Dass, "The Great Mystery" which offers a blend of spoken word and evolving sounds, bringing a sense of acceptance.

interconnected pieces, illustrating the movement from unconscious reactions to conscious choices. The album does not focus on perfection, but rather on ownership of one’s identity. This idea is evident throughout the album, starting with "110889," which combines cinematic sound with nostalgic elements, sparking curiosity. There is a variety of musical styles in the album, such as in "Nature Rewards Courage," featuring Echo Romeo, which explores

While rooted in electronic music, "VICTOR" does not limit itself to dance music norms. Instead, Ruiz integrates a variety of influences, including melodic electronica, breakbeat, and cinematic sounds, creating an experience that transcends genres. Every track contributes to the album’snarrative, which moves fluidly between moments of introspection and renewal. This album is more than a debut; it marks a significant moment in his artistic identity and tells a story of growth and personal ownership. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC EP CHARLOTTE DE WITTE THE RESISTANCE

KNTXT / AVAILABLE NOW

STREAM Charlotte de Witte now unleashes her slamming three-track EP "The Resistance," featuring Theo Nasa and XSALT, released on September 24th via KNTXT. It follows the astonishing summer tour of her new audiovisual show "The Resistance"including a spectacular ‘XXL’ version at Belgium’s Rock

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Werchter in July, for a 40,000 audience watching from inside and outside the tent. World #1 techno artist Charlotte de Witte’s new show continues a standout year of experimental ventures and celebrations, global pop-up shows, monster street parties, incredible new music (EPs and Deluxe LP)… and most recently "The Resistance" AV show world premier at [UNVRS] Ibiza and the EU tour. The new "The Resistance" EP is hard, fast, and uncompromising. It features Theo Nasa,

of Nasa – "we are unity, we are techno." The brief "The Resistance (Intro Version)" opens with futuristic FX and Nasa’s voice to the fore introducing the techno credo. "See Through The Lies" featuring XSALT: futuristic FX, fast stabby synth theme, and XSALT intoning "see through the lies. It’s time to take control." A message of defiance. "XSALT delivers again on ‘See Through The Lies’, offering his own take on the EP's theme. Open your eyes. Break the illusion, see through the lies. Release the pressure. It’s time to take control!" de Witte says.

whose raw, deep techno EP "Lifeline" was released on her KNTXT label; vocal artist / longtime collaborator XSALT, (previously on "No Division," "Overdrive," "Roar," "How You Move," and Charlotte’s own vocals on a personal track ten years in the making. "The Resistance" EP title track featuring Theo Nasa is urgent, demanding, unapologetic. Juddering main theme, rattling hyperspeed beat, spacey hoover swoops form a matrix for the deep, amused authoritative voice

"Another Place" has relentless pace, twanging pizzicato synth, and de Witte’s whispered phrases becoming full voice. ‘’'Another Place’ has been in the making for over a decade. It saw the light of day in Brussels, where the lyrics took shape together with my friend One Track Brain. The track was forgotten and resurfaced years later, leading to an entirely new track created around that magical vocal from all those years ago. This is an EP very close to my heart. Never have I ever teased a track this much as I teased ‘The Resistance’. From the moment the track was being made in the studio, I knew this was going to be a special one. Theo Nasa captures the spirit of the underground and guides you through the essence of club culture like no one did before. An entire A/V show grew out of this feeling, this philosophy. It’s one of the biggest tracks I’ve ever made." —Charlotte de Witte

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NEW MUSIC EP DAVID RAMANO STREAM

movement. As one half of the Deepologists, he developed an immersive approach to music that connects the physical and emotional sides of the dancefloor.

Raised in London’s diverse musical landscape, David’s sound is shaped by soulful harmonies, emotional storytelling, and the influence of underground dance culture. From the 1990s pirate radio scene to performances across the UK, Spain, Sweden, and Canada, his journey journey has been defined by authenticity and

Stars Align welcomes back David Ramano for his three-track EP "Pleasure," a deeply expressive collection moving between feelgood Afro-House energy, darker rhythmic pressure, and uplifting melodic atmospheres. David blends intricate percussion, emotive chords, and immersive vocal textures across

PLEASURE

WHEN STARS ALIGN / AVAILABLE NOW

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bassline and hypnotic synth movement, bringing a tighter rhythmic focus and darker edge that delivers energy and depth for peaktime moments on the dancefloor. Closing the release with "My Eyes," which leans into a lighter, more uplifting direction led by a feel-good groove, warm melodic layers, and spacious vocals, it delivers a radiant, euphoric energy tailored for daytime parties and golden-hour transitions, carrying a strong sense of lift and connection. “For me, the best music exists outside of time. It doesn’t matter when it was made or what trends surround it, if it moves you, it matters. This EP was created from that mindset. I wanted each track to feel like a journey, balancing the energy of the dancefloor with something more personal and introspective. My hope is that listeners find whatever they need in these records, whether that’s joy, reflection, inspiration, or simply a moment to escape.”—David Ramano

the EP, delivering a journey-led record built for both daytime and late-night dancefloors. The EP opens with "Pleasure," a warm AfroHouse cut driven by rich piano chords, layered synths, and ethereal vocals, carrying a sunlit energy that balances rolling groove pressure with a smooth, atmospheric flow designed for daytime and sunset settings, before moving into "Broken," which shifts into deeper territory by combining Afro and melodic elements with a driving low-end M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC EP FRANKYEFFE

OUT OF THIS WORLD MAGIK MUZIK / AVAILABLE NOW

STREAM Frankyeffe’s calling it an "EP," though others might argue it’s closer to a full album. Either way, "Out Of This World"makes one thing abundantly clear: when it comes to midnight studio oil and full-throated clubland firepower, Italy’s Francesco Fava’s not a man to do things by halves. Fresh from his "One

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More Night" outing with Sarah de Warren (featured here in its new "Out Of This World" remix), Frankyeffe’s drops eight new forms, set to test speaker stacks and bassbins the clubbing world over. There’s no better place for the "Out Of This World" to begin than with its title track, whose deep-space bleeps, heavenly-angled choirs, zooming FX and blistering post-break kickdrum bring-back make an immediate statement. "Love is a Shadow" follows, and

clubfloor-urgent sub-melodies and a squalling monster of a mainline! As the EP crosses its halfway mark, Frankyeffe and Sarah de Warren’s "One More Night" gets a lick of that "Out Of This World" paint, re-framing it as a fast-and-furious, nightpeaking, scene-stealing rework. Meanwhile, both in terms of its vocal and production, "I Can Fly" makes the case for the uplifting … and leaves no anthemic studiostone unturned in achieving it. Alongside the Czech Republic’s ReOrder, "Fatal Signal" takes aim at harder-faster floors and finds them at pace, with a furious techtrance workout, complete with mainline feistiness, drum-thump and 303-laced FX. Rounding out "O.O.T.W.," Francesco’s more elevating synths rise again on "I Want You" - a harmonic coda, who’s sky-raking finale lets melody claim the EP’s last word.

with it comes one of those instant flame-on female vocals that’ll touch off dancefloors and watch them burn! "Stage 3" sees Torsten "York" Stenzel join the fray, as he and the Riot Recordings boss ask: "Where Is All the Energy" (a question you’ll be able to answer, long before the track’s run its course!). Back in solo mode, Francesco ups the storm with red-lining bass, breakneck snares, M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC EP LINSKA

CRIMINAL

ARCANE MUSIC / AVAILABLE NOW

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Following a standout run that has seen her emerge as one of the most exciting new names in electronic music, Linska debuts on Arcane Music with a two-track offering, "Criminal." After kicking off 2026 with the acclaimed

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World & Back alongside grime icon Riko Dan, which including being playlisted on Capital Dance and Sirius XM (Pitbull’s Globalization New Music Friday) and supported on BBC Radio 1, Linska continues her ascent with a release that showcases the raw energy, vocalled hooks, and peak-time intensity that have become synonymous with her sound. Having spent the past few months locked in the studio, "Criminal" marks the beginning of a new chapter, with a steady stream of new

unmistakable UK influences, combining punchy grooves, memorable vocals, and raveready momentum. With "Criminal," Linska delivers a statement release for Arcane Music, further cementing her position as one of dance music's most compelling rising artists. “This record feels like a true extension of myself: unapologetically British, Jamaican and Polish with a taste of the energy you feel from my shows." "Criminal" with Polish producers Duss is dark, melodic and uncompromising, with a commanding Patois vocal. 'Four Four' with British vocalist rhys from the sticks is punchy, mod and firmly tongue-in-cheek. “The through-line is the energy and attitude in each track. I’ve never asked permission to occupy more than one space, and I’m not starting now. I guess this is what happens when you stop trying to fit in a box and just make the thing… more reason as to why I’m proud this EP has found its home with Arcane.”—Linska

music and her first full North American tour on the horizon. Leading the release is the title track "Criminal," a collaboration with Polish duo Duss that pairs infectious vocal chops with driving drums and relentless lowend pressure, built for maximum impact on festival stages and packed club floors alike. On the flip side, "Four Four" sees Linska team up with British singer and songwriter rhys from the sticks, delivering a high-energy cut that fuses underground attitude with M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC EP PRETTY GIRL

EARTHSIDE / AVAILABLE NOW

tinged lo-fi, UKG basslines and her own introspective vocals, her sound sits at the intersection of the club and the walk home.

Pretty Girl is the project of Melbourne-born musician, DJ, producer and vocalist Emilia Predebon, an artist who has built a distinctly personal corner of the electronic music world from the ground up. Drawing on Chicago house as a rhythmic foundation and layering it with gauzy progressive textures, trance-

Pretty Girl returns with her new "Body Step" EP, her first release after a deliberate year away. Consisting of two house records "Body Step" and "Satisfy," both featuring her own vocals throughout, the double-single release reconnects with the sound she has spent years shaping - music that lives somewhere between the peak-time dancefloor and the

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remixed Romy and Fred again.., and signed to Mall Grab's Steel City Dance Discs-turning a name made in Melbourne's clubs into one that now travels the international circuit. That momentum runs straight into 2026: earlier this June she delivered a 90-minute mix for the RA Podcast (RA.1043), a series reserved for some of electronic music's most compelling personalities. She also enters this next chapter with new backing, having signed with Leon Alexander and Jamie Porten at Red Light Management. "I have always found something quite profound in dance music: how it makes us move, why it makes us move, and how that makes us feel. When I'm dancing I feel free, and I feel connected to something I can't really explain. I think if everyone danced more, the world would be a better place. 'Body Step' started in a studio in Tottenham last year with a Prophet-5. Then slowly, over a summer of dancing, the rest of the song came together, drawing on so many memories of dancefloors all over the world. I really just love dance music and I love to dance, and this song was made for exactly that. comedown. Its lead track began in a Tottenham studio with a Prophet-5 and came together slowly across a summer of dancing, drawing on memories of dancefloors around the world. The EP lands at a high point in a remarkable few years: since Resident Advisor called her "a star in the making" in 2023.

A very important part of producing is knowing what you want, and when I found myself unable to answer that question I decided to go internal for 12 months. That time gave me freedom to go deeper with my sound and to really enjoy making music again, and I'm coming back with music that I feel so proud of, and music that makes sense to me right now." — Pretty Girl

Pretty Girl has played Coachella, gone viral on Boiler Room, toured alongside Bonobo, M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC EP STEF DAVIDSE

OUT OF THIS WORLD

FACTORY 93 RECORDS / AVAILABLE NOW

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Dutch producer Stef Davidse debuts on Factory 93 Records with his new three-track EP "Out This World," a package of groovedriven minimal tech club records. Rotterdam-based Stef Davidse is a producer and industry professional immersed fully

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in nightlife culture. Between his academic studies in Leisure & Event Management and working at renowned Amsterdam venues, Shelter and the Loft, he's been picking up steam through minimal tech and deep house productions infused with his hip-hop and R&B background. The title track "Out This World" is a jacking minimal offering highlighting his ear for memorable hooks and incisive arrangements. Soulful, smooth vocal hooks offer a sense of

Stef has cranked out a handful of EPs for esteemed labels like Eastenderz, WYLD, You&Me, MicroHertz, earning tastemaker endorsements from Chris Stussy, Archie Hamilton, Franky Rizardo, Jamie Jones, Josh Baker, East End Dubs, Rossi, Sidney Charles. He had a busy summer tour in UK and Europe, including stops at Thuishaven, WYLD showcase at LAB 11, You&ME showcase at Depot Mayfield, Nexup showcase at Depot Mayfield, Interval at Glamorama, as well as Ibiza sets at Hï Ibiza, Eden, UNVRS. “This EP represents a few diverse sides of me. 'Out This World' has this rolling, RnB-inspired vocal house energy it's a track people have been asking me for for years, and Josh Baker dropping it in his Boiler Room set was a fullcircle moment. 'To The Moo' is more UK garage/ tech-house, built for the dancefloor with a G6-style synth, it's already been doing damage in my sets. And 'Do It Right' is the deeper cut of the three, a bit more of my introspective side. Together they show the range of what I want Stef Davidse to sound like.” — Stef Davidse

escape, floating above layered synth leads, shuffling drums, phaser-driven fills, airy textures, and fluid rhythmic movement. Following up, "To The Moo" maintains the momentum with a floor-ready tech house cut, driven by rhythmic percussion, crisp hi-hats, and immersive spatial sounds. Rounding out the package is "Do It Right," a deep track featuring heavily modulated synths and immersive vocals that invite listeners to experience the music in its full splendor. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC EP WHAT SO NOT

I SAW A TRAP DJ AND IT CHANGED MY BIO CHEMISTRY

CREATE MUSIC / AVAILABLE NOW

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What So Not, a renowned producer and electronic music pioneer, announces the release of his new EP titled "I SAW A TRAP DJ AND IT CHANGED MY BIO CHEMISTRY" on August 14th, available on all streaming platforms. This EP follows several successful

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singles like “EVEREST,” “MONA LISA,” and “Candy Flipping” and is one of his most personal projects. The EP revisits the discovery and community spirit of early internet-era trap music while showcasing What So Not's artistic growth over the past decade. It aims to unite the music community through real-life experiences and a genuine creative vision, balancing nostalgia with contemporary elements. The project features cinematic songwriting, innovative

highlighting dialogues between NERVE and Alina Pash. Together, these songs tell a larger story that mirrors What So Not's artistic growth. The EP coincided with What So Not's North American tour, which emphasizes intimate performances in smaller venues, aiming to strengthen connections with fans. This tour reflected the EP's themes of community and shared experiences over mere spectacle. Known for pushing boundaries in electronic music, What So Not has a diverse catalog of collaborations and projects. With this new EP, he aims to remind listeners of music's transformative power, emphasizing creativity and community influences.

production, and deep bass experimentation, creating a cohesive yet varied listening experience. Each track reveals aspects of What So Not's journey. "EVEREST" focuses on healing and unity through Alina Pash's vocals. "MONA LISA" collaborates with Mr. Carmack, reflecting on excess and self-destruction. "Candy Flipping" delves into themes of introspection, ego, and self-perception,

"In my journey to always do the 'next' thing, I think I neglected 'my' thing... but this brings me to a pivotal moment in my life and music career (right now) where I see a path that looks back to build forward...Trading the rap verses for synth hooks, chipmunk vocal licks & wonky melodic progressions, we simultaneously crafted our own form here in Australia—changing the sound of nightlife, radio, the internet & soon the world took notice, sending us to every corner of the globe. But here I am... 2026, amplified, hungry, inspired. With all the tools of DnB, analog exploration & rhythm from around the globe, re-captivated, like the rest of the world, by this 2016 energy. I feel like I'm finally writing the music everybody wants from me, but on my own terms, on my own time, with the tools of a lifetime chasing what's next.” — What So Not

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NEW MUSIC SNG. 3 ARE LEGEND x IMOGEN HEAP WHAT YOU SAY

SPINNIN' RECORDS / AVAILABLE NOW

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After months of igniting festival crowds around the world, 3 Are Legend's long awaited anthem “What You Say” finally arrives. Uniting Steve Aoki and Dimitri Vegas & Like Mike under their collaborative 3 Are Legend

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moniker with Grammy Award-winning artist Imogen Heap, the release delivers a soaring, emotionally charged take on one of the most recognizable vocals in modern music. Released earlier in July on Dim Mak during their 30 year anniversary celebration, the record transforms a beloved classic into an explosive mainstage moment without losing the emotion from the original. Already familiar to fans who have caught 3 Are Legend's recent live sets, "What You Say" has

have

become one of the trio's most requested unreleased tracks, earning a reputation as a standout festival weapon thanks to its euphoric builds, cinematic tension, and unforgettable vocal hook.

helped define the sound of contemporary dance music, "What You Say" represents another ambitious crossover that blurs the lines between electronic music and timeless songwriting.

From Tomorrowland to stages across the globe, the track has consistently sparked some of the biggest crowd reactions of the set, making its official release one fans have eagerly anticipated. For Steve Aoki and Dimitri Vegas & Like Mike, whose combined careers

Bringing Imogen Heap's iconic vocal into the world of 3 Are Legend feels both unexpected and inevitable, resulting in a collaboration that celebrates the enduring impact of the original while introducing it to a new generation of listeners. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

NEW MUSIC SNG. ALPHA 9

WARNING SIGNS

DREAMSTATE RECORDS / AVAILABLE NOW

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ALPHA 9, the concept-driven cosmic trance project spearheaded by acclaimed producer ARTY, returns to Dreamstate Records with "Warning Lights," the third single of his ongoing 2026 release series. A progressive trance transmission steeped in cinematic suspense, the track advances the story

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of ALPHA 9, a genetically engineered, AIpowered government asset who returns to Earth to discover the planet on the verge of destruction; and that he may hold the key to its salvation. Driven by celestial arpeggios, organ-laced builds and thunderous synth sequences, "Warning Lights" unfolds like the soundtrack to an impending planetary emergency. The instrumental gradually intensifies as layers accumulate, transforming its atmospheric

opening into a full-scale sonic code red as ALPHA 9 confronts the fate of humanity. "Warning Lights" continues the evolving narrative introduced through ALPHA 9’s previous Dreamstate Records releases, "Dark Matter" and "Ascend." The first two chapters earned coverage from EDM Tunes, Trance Attack, Midnight Dance Music, Just a Wee Music Blog, Frontview Magazine, Find Your Sounds, Radio and Music, Drop Times, Party Time Magazine, Beat for Beat and Perspective, while

drawing radio support from Armin van Buuren, Andrew Rayel, Markus Schulz, AVIRA, DIM3NSION, JES and Farius. The release also expands ALPHA 9’s immersive storytelling universe beyond the music itself. The episodic series will be accompanied by custom A9 journal entries, offering fans a deeper look into the developing narrative and the voyager’s mission, alongside a special ALPHA 9 DJ Mix that further explores the project's cosmic trance soundscape. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

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NEW MUSIC SNG. BASSTRIPPER STAY WITH ME

BASSRUSH RECORDS / AVAILABLE NOW

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Belgium’s Basstripper continues his meteoric rise with "Stay With Me," a new melodic drum & bass collaboration with fellow Belgian singer-songwriter Eda Hinkova, out now on Bassrush Records. Balancing emotional weight with festival-ready production, the single finds the two artists exploring the

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lingering pull of a connection that refuses to disappear. Hinkova’s vocal sits at the center of the track, with parts of her topline looped and chopped throughout the production. Brass, darker synths, metallic stabs and guitar gradually build around it before the track moves into full drum & bass. It gives the record an emotional edge while still keeping the energy and impact you would expect from a Basstripper production.

On the vocal side, Eda Hinkova has been building her own place within the drum & bass scene, combining songwriting with a more emotional approach to the genre. Her growing catalog includes collaborations with SubDocta, DRZ, YUSSI, Osprey, Sub Killaz, Eskei83 and Atmos, while she continues to develop her own sound as a vocalist and artist. Together, Basstripper and Hinkova find common ground on "Stay With Me," pairing the Belgian producer’s detailed, melody-

driven production with Hinkova’s intimate vocal delivery for a track that lingers long after its final note. “Some connections can never truly be broken. Even when they’re no longer visible in the physical world, they continue to exist somewhere. This track is about holding on to that feeling.”—BASSTRIPPER

M O V I N G E L E C T R O N I C M U S I C F O R WA R D

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NEW MUSIC SNG. BT

MERCURY & SOLACE (SASHA REMIX)

BLACK HOLE RECORDS / AVAILABLE NOW

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Somewhat impossibly, it’s been (wait for it) ... almost thirty years since progressive house evangelists BT and Sasha’s names featured together on the same release. Indeed, you’d need to roll right the way back to 1997 and the latter’s epic 12 minutes on BT’s

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"Remember" for their last interconnective moment. All of which makes what we’re looking at here quite exceptional. Now we’d love to tell you that this prog house lover’s grail-level bucket list item is the result of years-long negotiations between the two houses. It was though as simple as Sasha dropping BT a line last year and requesting the parts. After giving it a first ID-revealing airing last autumn, it's been popping up on Sasha's setlists ever since.

filmic production ideals, progressive trance textures and

That’s led (somewhat inevitably) to feverish fan discussion regarding a release. And, well, that time ... is this time, with the bragging rights falling to Black Hole Recordings. Since it gleamed into existence on his ‘Moments In Still Life’ album, Brian Transeau’s remained famously tight-lipped around the enigmatically titled meaning behind "Mercury & Solace."

bleeding-edge FX. Sasha has located its "fruit of life" vocal shamanics in the opening half, while quartering Jan Johnson’s dubbed up and time-stretched its effortlessly eternal "reach out for me" refrain in the latter. That comes backed by a drawn down tempo, while he’s upped its b-line chug and swapped BT’s hi-hats for a more funked up perc roll, all of which expand its atmospheres to no end.

Originally released in 1999, it stands as one of BT’s defining works, weaving together his M O V I N G E L E C T R O N I C M U S I C F O R WA R D

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NEW MUSIC SNG. DEEP FOREST

SHINING FOR LOVE (REMIX) MOTH Music / AVAILABLE NOW

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Led by visionary producer Eric Mouquet, Deep Forest has become synonymous with a pioneering fusion of electronic music and global sonic traditions. Renowned for weaving ethnic vocal recordings, immersive ambient textures, and rhythmic electronic elements into rich soundscapes, the project

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has consistently crafted music that transcends genre and geography. Deep Forest’s work serves as a bridge between cultures, creating expansive and emotionally resonant listening experiences that have connected with audiences worldwide. Now based in South Africa’s Western Cape after being raised in London, Seth Tabatznik creates acoustic folk that bridges ancient wisdom with modern sound. Mentored by Nick Mulvey and inspired by guitar teacher

deep, elastic

Rainer Scheurenbrand, Seth’s soulful, earth-reverent compositions reflect a deep synthesis of spiritual exploration and lived experience. "Shining For Love" opens with a contemplative pan flute melody drifting over Seth Tabatznik’s emotive vocal delivery, creating an intimate sense of anticipation. As the track unfolds, it blossoms into a soaring melodic house journey, driven by pulsing percussion, a propulsive kick pattern, and a

bassline. Deep Forest masterfully balances contrasting energies throughout the track, allowing euphoric dancefloor rhythms to coexist with the organic warmth and atmospheric elegance of the pan flute. The result is a soundscape that feels both expansive and emotionally grounded. Bringing his signature depth and textural richness to the production, Deep Forest delivers a remix that is sure to strike a chord with fans of Massano, Anyma, and ARTBAT. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

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NEW MUSIC SNG. DISCO DOM STREAM

Disco Dom reveals a euphoric new single, "There Is Life." Tethered to an intoxicating topline, the vocals on "There Is Life" touch on the vitality found in a nurturing romance.

France-born, Miami-based producer Dombresky, known for his funky, feel-good house tracks, also performs as Disco Dom, his alter-ego dedicated to classic soul, funk, and disco.

Driving the glittering atmosphere is a spiritlifting rhythm, which unfurls across rich bass guitar licks, cosmic swooshes, crunchy synth lines, wah-wahing guitar riffs, bright melodic ripples, and layers of lush, late-night vibrancy.

Marking his debut on Insomniac Records,

Disco Dom launched at EDC Las Vegas 2021,

THERE IS LIFE

INSOMNIAC RECORDS/ AVAILABLE NOW

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reaching a fever pitch with his inaugural single "Be The One" featuring Yung Bae, along with a recent refunk of the Jackson 5's enduring groover "ABC." The pair of singles have drawn 2.52 million and 425.7k streams, respectively. The artist gained 150K+ cross-platform followers and over 5 million impressions after sharing his now viral "Stephanie - Disco Dom Refunk" edit from his sold out 2025 Hollywood Palladium show.

“I felt like this track was the perfect way to close out the summer - it’s about finding your way back to what really matters. Everything moves so fast and we are all rushing to get to the next moment. Disco Dom’s message with ‘This is Life’ is to slow down, connect with each other and let yourself open up to life again - that’s what matters to me” — Disco Dom

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NEW MUSIC SNG. ELY OAKS

F_CK IT (I DON'T WANY YOU BACK) JINX RECORDS/ AVAILABLE NOW

STREAM

Fast, bright and made to work just as well on the radio as it does at peak time in a club or on a festival main stage, "F_ck it (I don't want you back)" is the new single from Ely Oaks and sirinens, out now on JINX Music. The record takes one of the most recognizable breakup songs of the 2000s - a blunt message

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to a cheating ex - and rebuilds it around Ely's signature sound: a high-tempo electronic beat, a clean, straight-to-the-point structure and an energy built for big rooms, turning a bitter kiss-off into something a crowd can shout back at the DJ booth. It follows Ely's single "Self Aware," released on September 11, and his remix of Gryffin, BUNT. and Inéz's "World Away," which released on September 18, in a year that has already brought his official remix of Taylor Swift's

"Opalite" and "Gravity," his collaboration with Steve Aoki and SACHA, to name only a few. Released by Eamon in 2004, the original spent four weeks at No. 1 in the UK, led Billboard's European Hot 100 and became the first charttopper in UK history with an explicit word in its title. Twenty-two years later, it has landed in the hands of one of the busiest touring names in dance music. "The idea came from Siri [sirinens] and we both absolutely love the original Eamon song. It's

definitely one of those songs that immediately triggers an emotion especially if you know it from earlier times. The moment I realized that this version really added something special was when the chords of the bass came into play. It adds more energy and also a darker vibe, compared to the laid back beat of the original. This gives the whole song almost a new meaning. After it went viral across Instagram and TikTok, I'm so happy to finally share this full version with everybody." — Ely Oaks M O V I N G E L E C T R O N I C M U S I C F O R WA R D

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NEW MUSIC SNG. JOSH WINK FUTURAMA

OVUM RECORDINGS / AVAILABLE NOW

STREAM

Sometimes inspiration arrives from the most unexpected places. For Josh Wink, it came as a decades-old recording. While digging through his archives in 2025, the Philadelphia producer and DJ stumbled upon a tape of his first-ever

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Los Angeles performance, a rave called "Futurama" held in 1994. Hearing it again after more than thirty years brought back a flood of memories and a renewed connection to the sounds and energy that shaped his early years. That rediscovery became the spark behind “Futurama" Wink's new single out now on Ovum Recordings. Rather than recreating the past, Wink used it

as a starting point. The track draws inspiration from the era's acid lines, tension, and raw spirit while firmly pushing into the present. It's a record that feels familiar without looking backward, combining the hypnotic qualities of classic acid techno with the precision and depth of modern production. Built around rolling grooves and steadily unfolding momentum,"“Futurama" captures the feeling of being pulled deeper into the dancefloor. There's a sense of nostalgia in its DNA, but the

track never relies on it. Instead, it channels the excitement of discovery that defined the early rave years and translates it for today's clubs and festivals. With "Futurama," Wink isn't revisiting history for the sake of nostalgia. He's reconnecting with the curiosity and creative energy that first drew him into dance music and proving that those instincts remain as powerful today as they were in a Los Angeles warehouse back in 1994. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

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NEW MUSIC SNG. TIMMY TRUMPET CHASE THE FEELING

SPINNIN' RECORDS / AVAILABLE NOW

STREAM

When Timmy Trumpet sat down with One World Radio at Tomorrowland back in July, he had no intention of announcing an album. It came out anyway - an unguarded moment on air, a Freudian slip that put the record into the world before anyone planned to. Now the rest of the picture arrives. Alongside his new

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single "Chase The Feeling," a collaboration with German hitmaker Alle Farben featuring Brighton singer, songwriter and producer ALEXX, Timmy is revealing the full tracklist and release date for "REVELATIONS," the 15-track vocal album landing on October 23, 2026, six years after his debut body of work "Mad World." The single itself is a feel-good, endlesssummer house anthem, taking his signature live trumpet sound from the stage into the

married in Budapest. The breakup led Timmy

studio and pairing it with a big, bright melodic chorus and a hook that hits on the first listen - made for sunrise, sunset and everything in between, and built to keep summer alive well into the winter months. Behind that optimism sits a far more personal record. "REVELATIONS" was written by Timmy during a challenging year after his long-term relationship ended. He had proposed to his partner in a widely publicized event and later

to change his music style, moving away from festival hits to songwriting that helped him cope with his emotions. His first release after the breakup, "Not A Place" featuring Oaks, showed a new level of emotional depth. The following song, "Chase The Feeling," reflects his journey to reconnect with life and feelings. Together, these songs illustrate the emotional progression of "REVELATIONS," exploring themes of heartbreak, self-reflection, acceptance, and hope. M O V I N G E L E C T R O N I C M U S I C F O R WA R D

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“Be Entertained While You Wait!”

BEATSELECTOR Magazine Autumn 2026