LEARN MORE Mark Anthony Wilson, a Berkeley architectural historian, has been writing and teaching about American architecture for more than 35 years. His 2011 book Bernard Maybeck: Architect of Elegance (Gibbs Smith, $60, 240 pages) takes an in-depth look at the architect’s work.
baronial scale here, also using textured concrete to look like carved stone on the massive overmantel and placing volutes under each end. Custom-made Arts and Crafts tiles with folk animal patterns in warm earth tones form a picturesque frieze below the mantel. The dining room, adjacent to the living room at the northeast corner of the house, retains its original board-and-batten ceiling paneling. Large, square-latticed casement windows provide views of the backyard brook and the many mature trees beyond.
IN THE WOODSY country village of Mill Valley in 1902, some leading citi-
zens founded the Marin Outdoor Art Club. Its aim was similar to that of Berkeley’s Hillside Club, of which Bernard Maybeck was a founding member: to preserve the natural beauty of the local environment. In 1904, members asked Maybeck to design a clubhouse, which stands intact at 1 Blithedale Avenue. The club still serves its original purpose, also hosting public events like the annual Garden Tour and renting venue space for weddings and other gatherings. The Outdoor Art Club is a fairly modest building, but its exterior is striking. It sits at the back of a wooded fenced lot, with a garden and planter boxes along one side. The walls are mainly composed of rows of French doors separated by narrow bands of wood sheathed in redwood shakes. The steeply gabled roof is flanged outward above the walls to admit the maximum amount of light into the main room, or great hall. An unusual feature of the exterior is Maybeck’s ingenious system of roof supports. He extended the crossbeams supporting the grand-scale king posts in the great hall’s ceiling through the outer walls about three feet, where they meet upright wooden posts that pierce the eaves. As a result, the hall
is an open, free-flowing space uncluttered by wooden columns intruding into the floor area. These extended roof beams are similar in purpose and appearance to the flying buttresses of a Gothic cathedral. The great hall itself has a cathedral-peaked roof w ith massive open bea ms. The k ing posts have carved pendants at the bottom, with carved dragon heads at the end of short cross-tie beams. The French doors along the walls f lood the hall with natural light, connecting indoors with out; at the north end of the room, a large fieldstone fireplace sits behind a raised platform used by lecturers and performers at club events. This building has a timeless quality, like that of all great art. Maybeck’s Marin masterpieces are eloquent testimony to the fine craftsmanship and environmental sensitivity that were his hallmark. m
This page: The assembly room and the exterior of the Outdoor Art Club in Mill Valley. The club was similar to one in Berkeley founded by Maybeck and other local residents.
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