Jewish Quarterly Art Reviews from 1955 Onwards

Spring 2001: Pilgrims and Pawnbrokers by Mathew Reisz

Winter 2000-1: Painters Painting the City by Andrew Burgess

Winter 2000-1: Monkeys, Madonnas and Murderesses by Laura Phillips

Autumn 2000: Freud’s Alternative Story by Lesley Chamberlain

Spring 2000: A Modern Haggadah by Matthew Reisz

Spring 2000: A View From Above by Mark Godfrey

Winter 1999-2000: A Modern Haggadah by Matthew Reisz

Autumn 1999: Story Time Appendix A by Anna Sherbany

Summer 1999 Art, Theory and the Holocaust by Monica Bohm-Duchen

Summer 1999: An Artist’s Protest Against Atrocity by Agi Katz

Spring 1999: Wolf Mankowitz in Ireland by Gerald Davis

Winter 1998-99: Standing Still Still Standing by Sylvia Paskin and Jane Liddell-King

Winter 1998-99: Story Time

Spring 1998: Lost and Found in America by Musya Glants

Autumn 1997: Resident Alien by Sigalit Landau

Summer 1997: Lily Markiewicz by Leslie Hakim

Summer 1997: You Don’t Paint Or Another Way of Looking at Art by Lily Markiewics

Summer 1997: The Slumber Artist by Robert Cohen

Winter 1996-97 Claire in Bloom by Claire bloom and Elena Lappin

Winter 1996-97: Meir Appelfeld by Dan Jacobson

Autumn 1996: The Viewer’s Shadow by Louise Sylvester

Autumn 1996: Stylistic Second Cousins by David Cohen

Spring 1996: Fertility Watercolor by Edori Fertig

Summer 1994: Michael Rothenstein by Sylvia Paskin

Spring 1994: Ways of Seeing the Unseeable by Monica Bohm-Duchen

Summer 1993: Jewish Rebirth The Works of Jacques Lipchitz by Avigdor W. G. Poséq

Autumn 1992: Two large Eyebrows by Carol Ockman

Autumn 1992: The Life of Mark Gertler by Naomi Fabian-Miller