Lucciana Viteri- Architecture Portfolio

ARCHITECTURE PORTFOLIO

PORTAFOLIO DE ARQUITECTURA

DIY UTOPIA HABITABLE BLOCK INTERIORS

The DIY Utopia project is a project that was born in response to the needs that have been generated in the cities from the health crisis of Covid-19. During the lockdown, we have understood that the spaces with natural lighting and ventilation as well as the outdoors are the most valuable spaces in our homes.

Spaces such as balconies and terraces became the most sought after and requested spaces by the inhabitants of the housing complexes. This is why DIY Utopia proposes a reinterpretation of the interior facade of the blocks of Barcelona, creating a new façade and retaking the Cerdas’ idea that the inner courtyard of the blocks is a space for leisure and recreation for the residents.

Through a structure designed to be assembled by the neighbors themselves, the exterior space of the buildings will be multiplied for the benefit of its inhabitants. The modules are designed to generate various types of environments such as green spaces, rest areas and recreational spaces.

The materials chosen for the construction of the modules were chosen so that the structure created can be assembled and disassembled in a simple way, ensuring that the materials can have a second life. Because all assembly will be dry, all components can be recovered. The project also incorporates green floor slabs to provide green outdoor space above the existing slabs in the interior courtyard.

CATALOGUE

1. Standard divisor

2. Hammock

3. Mobile partition

4. Vertical garden

5. Lattice

6. Vertical circulation

7. Flooring

8. Seats

PROTOTYPE 1:1

ESTALACTITA

EXTRUDED CERAMIC FAÇADE ELEMENT

By definition

*Estalactita is “An elongated and generally pointed calcareous formation hanging from the ceiling of some natural caves; it is formed by the evaporation of carbonated water in natural caves”. Stalactite is a vertical slat to be placed hanging on facades. They are intended for west-facing facades to avoid solar impact in the afternoon hours.

Estalactita is a piece that arises from the idea of understanding the façade of a building as a single object, preventing the eye from perceiving the height and the number of floors it could have.

The verticality of the piece manages to blur the horizontal lines created by slabs and window frames, as well as repetitive and boring modulations. The piece, in addition to varying in height from the anchor, allows the variation of its placement. Thus creating infinite possibilities of combinations between them. Referring again to the countless superimpositions of stalactites found in nature.

The piece allows the placement of pigments on one of its faces, to create a visual effect for the viewer walking along the roadway. Visually, the facade to which the Stalactite piece is applied immediately acquires a unique dynamism.

The manufacturing process of the Estalactita piece takes place in two stages. The first is the extrusion of the piece in all its length, the second is a cut in its anchor depending on the heights required for the composition of the façade.

Second prize in Category B, belonging to: ‘Ceramic products shaped by other methods’,- CEVISAMALAB 20

L’HOSPITAVERD URBAN CORRIDORS INTERVENTION

L’Hospitaverd is an urbanism project situated in Hospitalet, a vibrant city located in the metropolitan area of Barcelona, Spain. Hospitalet is known for its rich cultural heritage, diverse population, and dynamic urban environment. However, like many cities, it faces challenges related to urban congestion, limited green spaces, and a lack of pedestrian-friendly areas.

The purpose of the L’Hospitaverd project is to restructure the urban tissues of Hospitalet through acupunctural interventions, aiming to benefit the city’s inhabitants. The project seeks to create a more sustainable and livable urban environment by implementing strategic interventions that prioritize the insertion of green corridors and the enhancement of pedestrian-friendly spaces.

By introducing green corridors, the project aims to increase the presence of nature within the city, providing residents with access to green spaces for relaxation, recreation, and improved air quality. These green corridors will be carefully integrated into the existing urban fabric, creating a harmonious blend of nature and built environment.

The project will involve redesigning streets, sidewalks, and public spaces to prioritize the safety and comfort of pedestrians. By reducing car dependency and promoting walking, the project aims to create a healthier and more sustainable mode of transportation, while also fostering a sense of community and social interaction.

AXIS OF INTERVATIONS

AXONOMETRIC INTERVENTION

GREEN CORRIDORS

SEAM TFG

RESEARCH CENTER FOR RENEWABLE ENERGIES

The SEAM project is part of a larger scale project; El Nus Verd. El Nus Verd proposes the interpretation of the residual spaces of urban roads focused on a productive program in terms of energy and leisure for the neighbors of the surrounding neighborhoods, Bellvitge and El Gornal.

The Seam project site hypothesizes how a crossing under a road infrastructure can take on a character of place and human scale activities. The project is conceived as the ‘seam’ of the neighborhoods through the infrastructural barrier that today represents the Gran Via. It is interpreted that this particular site will be part of a new centrality due to its important location and proximity to major infrastructures such as the airport and port.

As for the structure of the project, a hybrid structure of concrete and wood is proposed. As it is a tall building, it is dimensioned as a vertebra that will help to be the main resistant mechanism of the wooden bodies that are attached to it.

>10.000 g/km NOx al día una reducción del 25-30%

Tratamiento de las vías con dioxido de Titanio para la fotocatálisis

Recogida de Aguas Pluviales para riego

Pluviometría anual: 612mm

Gran Vía: 20,685 m2 (590 mlineal)

Gran Vía produce >10.000 g/km NOx al día La fotocatálisis aporta una reducción del 25-30% de NOx.

Gran Vía: 12,659.22 litros/año

Pluviometría anual: 612mm

>10.000 g/km NOx al día una reducción del 25-30%

Pluviometría anual: 612mm

Aguas Pluviales

Recogida de Aguas Pluviales para riego

Gran Vía: 20,685 m2 (590 mlineal)

Gran Vía: 12,659.22 litros/año

Gran Vía: 20,685 m2 (590 mlineal) Gran Vía: 12,659.22 litros/año

Perforaciones en Gran Vía para dar luz al paso bajo la vía.

Recogida de Aguas Pluviales para riego Pluviometría anual: 612mm

Gran Vía: 20,685 m2 (590 mlineal) Gran Vía: 12,659.22 litros/año

Nuevo lateral de incorporación Perforaciones en Gran Vía para dar luz al paso bajo la vía.

Nuevo lateral de incorporación a Gran Vía

Perforaciones en Gran Vía para dar luz al paso bajo la vía.

Nuevo lateral de incorporación

ANANTAPUR CENTER FOR KIDS

The project is a minimal intervention on a children’s center located in Anantapur, India. The center is located in Kuderu, in the district of Anantapur. Kuderu is characterized by heavy rainfall from July to October -the average annual rainfall is 577.2 mm-. The temperature can become very high in some months. All these meteorological aspects have been taken into account for the improvement proposal.

The objective of the intervention is to act on the existing conditions to improve the overall quality of the space. The proposals focus on water management, thermal comfort and open spaces, among others. The interventions are small additions that can easily be made with local materials and techniques, and have a significant impact on the quality of the space offered.

The improvement proposals in the project are mainly based on interventions on the façade, roof, and exterior space.

WOVEN LATTICE

LATTICE IN EXISTING WINDOWS

WATTER COLLECTRION THROUGH FLOOR DRAINING SYSTEMS

WATER FILTERING AND TREATMENT

MOUNTAIN HOUSE

The Mountain House project aims to design a unique and functional residence nestled in the picturesque mountainous landscape. The purpose of this project is to create a harmonious blend of architectural design and natural surroundings, while also specifying the necessary construction details for its realization.

6 8

1. Chapa plegada de Zinc, con junta alzada doble engatillada.Tiras verticales (elZinc) (0.70x2.75m)

2.Tablero de soporte directo madera de alerce (e:20mm)

3. Rastrel de madera de Pino (3x6mm)

4.Tyvek

5. Aislante Termico de Lana de Roca (e:200mm)

6. Canal de recogida de aguas de PVC

7. Remate de fachada de chapa metálica plegada (elZinc)

8. Panel prefabricado contrachapado tricapa estructural EGO CLT (120mm) (EGOIN)

9. Rastrel horizontal de madera de pino (6x150mm)

10. Aislante térmico para fachada Lana de Roca de una densidad (e:200mm)

11. Tyvek para fachada

12. Montante vertical de madera de pino (60x40mm)

13. Chapa plegada de Zinc, junta alzada con doble engatillado. Tiras verticales (elZinc) (0.70x2.75m)

14.Cámara ventilada de aire de 30mm

15. Rastrel de soporte de pino (200x60mm)

1. Chapa plegada de Zinc, con junta alzada doble engatillada.Tiras verticales (elZinc) (0.70x2.75m)

2.Tablero de soporte directo madera de alerce (e:20mm)

3. Rastreles horizontales (150x60mm)

MODERNIST WAREHOUSE

RETROFITTING PROJECT

ARCHITECTURE INTERN: BUILT ARCHITECTURE

As an architecture intern I was in charge of the development of a preliminary project for the renovation of an industrial building for a new administrative use. During the internship we performed several tasks to start a concept design for the first deliveries and revisions with the client.

Explore various design options and achieve a didactic way to present the project through mockups. Achieve different options in a preliminary design to offer the best possible solutions for the existing structure.

The volumetric model was useful not only for the presentation of the project to the client, but also to understand the presence and importance of each of the parts of the building we were working with in order to achieve a better understanding of the interior space of the building.

ARCHIKUBIK VARIOUS PROJECTS

In my role as an Architect in Archikubik I was involved in architectural contests, working on projects ranging from urban planning to building design. This involved conceptualizing and developing innovative architectural solutions, considering both functional and aesthetic aspects. After, I was moved into a team which was in charge of a project in its construction phase, and had the chance to work on a project in a more tangible state.

I was responsible for creating 3D models and visualizations of the projects. Using 3D software and tools, I transformed architectural plans and drawings into realistic and visual representations.

ARCHIKUBIK VARIOUS PROJECTS

My duties and responsibilities included producing 2D and 3D drawings, and ensuring accuracy.

I was also responsible for improving the offices graphic representation techniques to effectively communicate design concepts and ideas.

I primarily worked in Barcelona, where I was based. However, there were occasional visits to Paris for project-related activities. The working environment was dynamic and fast-paced, requiring adaptability and the ability to meet deadlines.

Overall, my role as an Architect involved a combination of creative design thinking, technical expertise, and the ability to bring architectural visions to life through 2D and 3D representations.

CASTEJÓN RESIDENTIAL PROJECT IN QUITO ECUADOR

SITE ARCHITECT: PRODISEÑO ARQ.

As a site architect in Quito, Ecuador, my job was to work closely with engineers and construction workers to ensure the successful implementation of architectural plans. I was responsible for creating accurate as-built plans, documenting any changes made during construction. Additionally, I provided support to the senior site architect by coordinating architectural activities, reviewing design drawings, and ensuring compliance with building codes. Working on-site allowed me to address architectural challenges promptly and collaborate effectively with the construction team. Overall, my role required a strong understanding of architectural principles, excellent communication skills, and the ability to work collaboratively.

Losa T2 Segunda Planta Alta

The .net lighting installation was located in the Parc Central del Poblenou, a park with abundant trees in which large metal structures developed by the offices b720 and Jean Nouvel are submerged. The installation is adapted to and respectfully embraces the nature of the existing structure, which will serve as the site for the installations. The project is therefore inserted underneath the pre-existence, hanging from it.

For the assembly of the structure and the necessary fabrics, no special tools were required, other than a basic tool kit that included: spanners, pipe spanners, among other tools of daily use. In addition, in order to reach the structure, we will use extendable ladders provided by the university itself.

The mesh was anchored by means of metal tensors and 1mm diameter steel cable. The mesh was fixed by means of 1mm diameter steel cables, plastic flanges and metallic flanges around the existing structure previously protected with rubber. The circular substructure that supported the mesh was anchored to the existing structure with duly protected gripping straps.

WALL-X TEACHER ASSISTANT TALLER VERTICAL

As a Teacher Assistant at the Universitat Internacional de Catalunya, I had the privilege of assisting in an architecture workshop. My main responsibility was to guide and support groups of architecture students from 1st to 5th year as they worked towards their design goals within a four-day timeframe. I facilitated the design process, helping students develop their proposals from concept to prototype and ultimately to a 1:1 scale model. Collaborating closely with the students, I fostered a creative and collaborative environment, offering feedback and encouragement to overcome challenges. The workshop took place on the vibrant University Campus in Barcelona, providing an inspiring setting for architectural exploration. It was a fulfilling role that required strong communication, organizational skills, and a deep understanding of architectural principles. Witnessing the growth and creativity of the students was truly rewarding.