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Annual
October 5&6, 2012
Delaware Friends of Folk Delfolk.org
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Friday, October 5 • Folk Hero Finalists . . Bio Page 7:00 Salvage Kin (last year’s winner) . . . . . . . . . . 6 7:30 Jamie Tindle . . . . . . . . . . . . . . . . . . . . 6 8:00 Steffi & Tim . . . . . . . . . . . . . . . . . . . . 7 8:30 Jessica Graae . . . . . . . . . . . . . . . . . . . 7 9:00 Stephen DiJoseph . . . . . . . . . . . . . . . . 7 9:30 Trini . . . . . . . . . . . . . . . . . . . . . . . . . 8 10:00 Honey Badgers . . . . . . . . . . . . . . . . . . 8
announcing the winner at 10:00
Saturday, October 6 12:00 Folk Hero Contest Winner . . . . . See Above 1:00 Bad Wheel Jonny & the Broke Spokes . 10 2:00 Chapel Street Junction . . . . . . . . . . . 12 3:00 Sand Creek . . . . . . . . . . . . . . . . . . . . 13 4:00 Kids Stage: Joe Baione // Workshop: Chris English 5:00 Chris English . . . . . . . . . . . . . . . . . . 18 6:00 ellen cherry . . . . . . . . . . . . . . . . . . . 20 7:00 Joe Baione Quartet . . . . . . . . . . . . . . 22 8:00 John Flynn . . . . . . . . . . . . . . . . . . . . 24 9:00 The Philadelphia Jug Band . . . . . . . . 26
Welcome to the Delmarva Folk Festival!!! We’ll all have fun and to make sure, these rules must be followed: 1. No glass containers of any kind 2. No pets 3. No open fires - there will be a community bonfire 4. No littering (trash barrels are provided) 5. Children must be supervised 6. Bicycle riding cannot happen in the stage areas, be respectful of pedestrians on paths, your safety is our first concern. 7. Camping in designated areas only - take only pictures, leave only footprints 8. Parking in designated areas only 9. Unsafe horseplay or unacceptable behavior will not be tolerated. If you put yourself or others at risk, you will be escorted off the property. 10. Not responsible for personal injury or loss* 11. No underage drinking on the premises will be tolerated. All coolers are subject to search if you’re not legal to drink in a bar, you won’t be permitted to drink here either. *Disclaimer: Guests/patrons agree to hold Delaware Friends of Folk, vendors, staff, performers, agents, and members of the board harmless from any claims, including, but not limited to theft damage or loss of property and any personal injuries while on this event grounds or during or after arrival and departure.
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President’s Letter ongratulations! That was what I started hearing C around 2:00 p.m. the Saturday of last year’s festival. I was confused until it was explained to me that the Delmarva Folk Festival had finally passed a landmark and was “in the black” – financially solvent. That was enormous! That a small organization such as Delaware Friends of Folk could put on music festival that was genuinely solvent was HUGE! It had taken 20 years to get there.
According to Webster’s Dictionary, “a volunteer is someone who undertakes a service while having no legal concern or valuable consideration, who from their free will, stresses an end to be achieved.”
As lovely as the kudos were, I was well aware that they were misplaced in being given to ME. You see, those recognitions belong to those that came long before me. Some life paths away from the Delmarva Peninsula, along with others - like the members of the Delaware Friends of Folk board - have been the building blocks that began the evolution that is the Delmarva Folk Festival. They deserved the congratulations. They developed the vision and the plan. They struggled to stay true to their vision and continued to move the fledgling group forward. They immersed themselves in areas of knowledge beyond their comfort zones so that the plan was put together with thought and integrity. They brought together people of many different perspectives so that our mission of bringing folk music to Delaware was successful. They put their creativity to work. They celebrated those different perspectives. All the while moving forward.
In our instance, the end to be achieved is bring folk music to Delaware. One of the ways we do that is through the Delmarva Folk Festival. MANY people undertake a service, from their free will, to achieve this Festival. The volunteers follow their passion. (“A powerful or compelling emotion or feeling, a strong enthusiasm or desire for anything” according to dictionary. com) Whether the passion is to be able to hear original music; save money (volunteers come to this festival on Saturday for free); get a chance to camp in the Fall in Delaware; or just hang out with friends and have a great time – they come here to the Festival to make sure the job gets done and done well. They make it possible for our guests to be comfortable here and have a good time. That’s crucial. In order to have a great audience we have to have a great volunteer base.
Others took notice. For the past 2 years, the Philadelphia Folk Festival, our much bigger brother to the North, has had an “Unsung Heroes Contest”. It’s sounds just like Delaware Friends of Folk “Folk Heroes Contest” that we’ve been running for the past 5 years.
So, I say to all of YOU – CONGRATULATIONS! Best regards, Nancy McGee President of Delaware Friends of Folk
Good luck to this year’s Folk Heroes contestants and “Hats Off” to the Philly Folk Festival for knowing a great idea when they hear of it.
Intoxicated behavior is potentially dangerous and never amusing.
So, the Folk Process continues... Delaware Friends of Folk and this festival are run completely by volunteers.
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From the Field Farm
T
time but remember that old cliché, “All work and no play makes volunteers cranky” or something like that. One good thing is that every year it seems a little easier which is nice because we are not getting any younger!
he turkeys are back. I am not talking about the ones who visit my farm every fall to help prepare for the Delmarva Folk Festival, I am talking about the ones that fly. You may wonder why this is significant, so I will explain. When these birds arrive every year, I know the Festival is not far away. They always show up a month before, prowling through the garden and searching the woods, looking for a place to winter.
I would like to thank all the board members for their hard work handling the technical problems that may come up and also for getting such a great line up of bands this year. Hopefully everyone will have a safe and enjoyable time and so far it looks like the weather will be great. Oops, maybe I shouldn’t have said that! But just have faith!
Along with the birds come the smiling faces of all our friends who help make this event happen. I am always amazed how things come together during the work parties. Everyone has a different talent and they are more than happy to share their knowledge and material when a problem pops up. For example, once I needed some plumber’s tape and someone just happened to have some in their pocket. I needed a piece of three-quarter inch plywood to fix the floor in our camper and BAM, someone shows up with plywood and two pizzas! Thank you, Ethel, we were getting real hungry!
By the way, we have a small collection of items found from previous festivals - you may check out our Lost & Found Tent. Tent pegs, some rope, a coffee mug or two, a beer huggie and old tee shirt. I am very aware of the sentimental value folks my have for their personal things. I recall when I was young, I would sit for hours watching my Grandfather whittle a piece of wood. I loved the way he could make those white chips fly like snowflakes with his beautiful Swiss Army knife, which I would have given anything to own. My Grandfather knew how much I loved that knife. So, when he was in the hospital, knowing he was not going to make it through the night, and knowing he had whittled his last piece of wood he called me into his room, just before he passed on, he sold me the knife. Thanks, Grandad!
Needless to say, we all have a good time which can make our jobs a lot easier. As I have mentioned before, these people have become like family and I love them all. Don’t get me wrong, it is not all play
The Field Family wishes you a peaceful, happy time at this year’s festival. We look forward to seeing everyone and would like to thank you for all your support! Lonnie, Sonja & Wesley
Lonnie Field, Sr. and his own illustrations
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Please support our advertisers because they support
Delaware Friends of Folk. DELAWARE MADE Apparel • Gifts • Souvenirs And Much More Like A General Store Of Old But More...
32 W. Loockerman St, Dover, Delaware 19904
(302) 736-1419
Hours Of Operation: Monday - Friday 10 am - 6 pm Saturday 10 am - 5 pm
Usually the 2nd Saturday of the Month from Noon - 3:00 p.m.
See you October 13th!
Delaware Friends of Folk Monthly Coffee House Series Held at the Wesley College Chapel Located on the corner of W. Division & N. Bradford Streets Usually the Third Saturday Each Month Music Starts at 7:30 p.m. • Fresh Ground Coffee • Fresh Baked Cookies
(whose proceeds go to the Maurice Shockley Acoustic Stringed Instrument Scholarship Fund)
We bring top regional acts to Dover for the best cheap date in town! Information & pricing for each Coffee House: Call (302) 827-FOLK or look up Delfolk.org
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4:00 Kids’ Concert Hour with Joe Baione
Made possible by a generous grant from:
Kids Area Activities Saturday
Saturday Workshop Tent
Face Painting Story Book Reading Games with Prizes Activities to Stimulate the Senses • Temporary Tattoos • Bubble Fun
4:00 Chris English
• • • •
NORTH AMERICAN
Free Guitar Workshop
Chris will show you ways to perform blues style. He may show you guitar tips & methods that will benefit players of all levels. This will be a laidback, non-intimidating workshop, with no performance pressure and some time for Q&A.
FOLK MUSIC AND DANCE ALLIANCE
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Folk
Hero
Finals
We’ve been doing this since 2007! You can compete, yourself, in 2013!
Friday 7:00 . . . . . Salvage Kin (last year‘s winner) Salvage Kin, in name and in song, speaks of hardship and difficulties. If you listen closely, the lyrics draw from life experiences and inner struggles and convey some secret sadness. If you listen closer still, through the sadness, you may hear the words and sounds of, not just hardship, but peace; restoration. What is salvage? To save, recover, rescue or restore that which was broken or destroyed. What is kin? Family, relatives, relations, nearest and dearest; kinfolk. The members of Salvage Kin, Matt Peters, Tracey Peters, and Audrey Moore, feel that this name reflects the family hardships they have endured, as well as the spiritual state of man in that because of man’s sin, all men are broken or fallen, and that the Lord Jesus Christ came to salvage man from death by grace, to be used for new purposes and made to be kin to God, the Father. Their music is the result of their experiences and the grace of God that has been active in their lives. They find and make peace in the music that they create, and they desire to share that peace with others. First formed in 2010, Salvage Kin has played at various venues some of which include: Delaware Friends of Folk Coffeehouse, Espresso N’ Ice Open Mic, Cool Dog Concert Series, The Young Bean of Clayton, DE, a Quinceañera, and the 2011 Delmarva Folk Festival. The music they make is meant to move its listeners, and accomplishes this through use of dynamics, harmonies, and thought provoking lyrics. Thanks to the musical group, Jenny & Tyler, Salvage Kin was pleased to release their first four-song EP in the summer of 2012. The EP is available online at Itunes, Spotify, and Amazon. Salvage Kin was also pleased to recently have had the opportunity to play a show in Lynchburg, Virginia, at a venue called The Factory. They hope to continue to expand the locations of their venues and has planned to record a full length album during the following year.
Friday 7:30 . . . . . . . . . . . . . Jamie Tindle Jamie lives in Dover. He calls his music genre: Ambient / Experimental / Psychedelic. Also, he likes to say: Lay Not Up Your Treasures Where Moth And Rust Doth Corrupt. I play Guitar, amongst other instruments, within MOSSANDMIST, and As Well As WANDERING GALLEY ... Check it out, tis good music to drift upon... I can’t stand Hip-Hop music, and am proud of it. Herbivore. Strings, bells, chimes and incense fill my dwelling. PUT DOWN YOUR CELL PHONES AND VIDEO GAMES AND GO OUTSIDE
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Friday 8:00 . . . . . . . . . . . . . . . . . . . . . Steffi & Tim Steffi and Tim both attended the University of Delaware, receiving music performance degrees in voice and trombone, respectively. They met in London in 2008 while participating in the same study-abroad program and immediately recognized a connection. Between Tim’s background in piano and Steffi’s love of singing, they found themselves hanging out around a piano at the University. They began making music together as a hobby, initially covering their favorite singer/songwriters, including Erin Bode, Melody Gardot, and Ingrid Michaelson. Realizing their potential as a duo, they began the quest to learn the “Great American Songbook,” which launched them into gigging as a band. Outside of band activities, they are both professional church musicians: Tim is the organist at Calvary Baptist Church in Newark, and Steffi is a cantor for the DAFB Catholic Chapel. Having recently begun writing songs, they are pursuing new opportunities to share their gifts and story. http://steffiandtim.wordpress.com/our-music/
Friday 8:30 . . . . . . . . . . . . . . . . . . . . Jessica Graae Jessica says, : I am a singer/songwriter, actor and writer, based in Wilmington, Delaware. Originally from Capitol Hill, DC, I’ve lived in NYC, St. Louis and Copenhagen.”
Friday 9:00 . . . . . . . . . . . . . . . . . Stephen DiJoseph Anything can happen when multi-instrumentalist / composer / producer Stephen DiJoseph enters a studio. Whether it’s the percussive grooves of his solo guitar and vocals, the backing drives of a firey rhythm section, the quirk and funk of his trademark solo “Pianopoetry,” or the ease and flow of his ambient productions and collaborations, DiJoseph the recording artist is a man of many skills and moods. “Though technical preparation is required,” he emphasizes, “It’s all about what I feel.” And what Stephen feels is made unique by another very “outspoken collaborator” as he refers to his experience of living with Tourette’s Syndrome. “Tourette’s showed up for me around the same time as my passion for music. I was around 6 years old,” DiJoseph recalls. With that passion and “partnership” with Tourette’s, he has fashioned an award-winning career, garnering praise and accolades for his multi-genre CD releases and video productions. Dijoseph’s pursuit of a musical career began with drum lessons in 4th grade. Within a year he began asking for a keyboard and lessons. Influenced by his favorite progressive rock and jazz icons, Stephen soon gravitated towards classical piano studies and composition. At 17, his uncle Louis gave him an old Harmony guitar and with it he began exploring songwriting. “My aim with the guitar has always been to create something interesting that would support a good vocal melody”. Stephen is now in production of his first autobiographical movie A SynapTic Adventure: Tourette’s and Beyond. In it, DiJoseph tells the story of growing up in “the dark” as it were, trying to understand the strange urges, movements and compulsions that filled his childhood.” My intention here is to tell this story from an emotional perspective. I hope to convey a very relatable feeling to the viewer.”
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Friday 9:30 . . . . . . . . . . . . . . . . . . . . . . Trini Lima Always a fan first before the musician is a mantra that Trini follows, she has grown up and respected all genres of music all her life as well as a self trained vocalist, A Lover of Hard Rock/Heavy Metal acts, and an activist for females in the business, she has looked up to vocalists like Doro Pesch(Warlock), Johnette Napolitano(Concrete Blonde) and Ann and Nancy Wilson(Heart) all her life, as well as some male influences like John Arch(Fates Warning, Arch/Matheos) and Ronnie James Dio predominately and among many others. Mainly soloing in open mics, events, and competitions, style has been over the years dubbed as “Melodic, Power, Acoustic Rock”, Following the beat of her own drum, armed with a vocal arsenal of echos of her influences of diverse ranges, arpeggios, soulful ghost melodies, raspy grittiness, aggression and passion. She has performed on numerous occasions with other artists in her area, experienced the studio side of recording, and aside from her own personal original works, she has a fierce love of covers, harmonies and duets....always a Team Player, and is strong for melody vocal arrangement. Endeavoring to take it to the next level from being a solo artist to duo or trio act, would definitely prefer fronting a band in the future, and hopes to contribute a demo or cd release in the very near future featuring her original compositions. “I tell people all the time its been a nightmare finding the right people to work with that believe and appreciate my works and show initiative, passion, drive, trust and reliability, someone who can work yet still have a good time in conceiving a project and or song(s)...someone who can have my back and I have theirs...and this isn’t exclusively in relation to other musicians but the ones who work behind the scenes as well. It hasn’t been easy on my end balancing my personal life and networking to make something happen, going out there on my own, just my songs, guitar and my voice, I’m hoping it will all change for the best here soon.” Trini will be continue to sharpen herself and write more material, perform out and about when she can and is expecting to bring on some additional musicians for the acoustic rock side she has been doing and potentially work on a side project for a 80’s hard rock cover band. “Oh that”s a given for me because that’s a win win fun thing to do for yourself and for the people out there that love hearing the classic stuff on a weekend night somewhere, everybody has a good time with that and exposure is always a bonus....”
Friday 10:00 . . . . . . . . . . . . . . . . . . Honey Badgers A folk/Americana duet from Newark, Delaware, comprised of Erin Magnin and Michael Natrin. Imagine Ingrid Michaelson & Regina Spektor singing with Paul Simon and Bob Dylan, except they’re stuck in Delaware and have a harmonium, are obsessed with cats, and ride scooters. Sometimes, a voice will hit you unexpectedly and come across all at once as pure and refined and innocent. This is what happened when the duet known as The Honey Badgers met in 2007. It took a few years of convincing, but eventually singer-songwriter Michael Natrin won over Erin Magnin. She joined him with her violin and vocal chords, and after rehearsing and writing together for less than a year, they officially became the duet known as The Honey Badgers. Mixing her jazzy soprano with his folksy sailor tunes, they began performing to very responsive crowds. With the release of their debut EP entitled Booth Bay, they plan to bring you along with them to a very authentic and harmonious musical destination. Co-winners of the WSTW Hometown Heroes Homey Award for Best Collaboration of 2011, winner of the 2012 SCPAB battle of the bands.
2 1 :00 Satu rday! t a s y a l p r e n n i W
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Delaware Friends of Folk Board: Nancy McGee...................................... Chairman Kelly Crumpley...................................Vice Chair Rob Fox................................................. Treasurer Rick Hudson John Kidd
Melissa Lim........................................... Publicity Storm Longhauser Giani Siri Mary Zeller Jan Crumpley....Secretary, Webmaster (non-voting)
Delmarva Folk Festival Chairs: Festival Chair..........................................Storm Longhauser Festival Co-Chair............................................... Mary Zeller Building/Facilities.............................................Lonnie Field Building/Facilities................................................ John Kidd Building/Facilities.........................................Kelly Crumpley Ad Sales..............................................Kelly & Jan Crumpley Sound/Stage...........................................Paul Gummerman Site Clean-up......................................... Storm Longhauser Backstage Food ....................................................Giani Siri Vendors................................................................. Rob Fox Charity.............................................................. Mary Zeller
Volunteers......................................................... Mary Zeller Entertainment..................................................... John Kidd Concessions.................................................... Joe Hartman Program Editor / Program Cover Design .........Jan Crumpley Publicity........................................................... Melissa Lim Photographer..................................................... Eric Young Merchandising..............................................Roger Cornish Ticket Sales.......................................................Matt Crane Kids Activities................................................ Nancy McGee Folk Hero Contest.........................John Kidd / Jan Crumpley Web Site........................................................Jan Crumpley
Help Wanted:
Earle Teat Music
You can lend a hand for the next festival or all throughout the year! Contact us about these opportunities:
Delaware’s Music Superstore
3098 N. DuPont Hwy. Dover, Delaware 19901 (302) 736-1937 (302) 736-3204 fax www.earleteatmusic.com
• volunteers • board positions • junior editor email: delfolk@gmail.com
Also see our other location
in Delmar, Delaware (302) 846-9997
Fender • Gibson • Martin Taylor • Peavey Don’t ever let your friends drive drunk. 9
Saturday 1:00 . . Bad Wheel Jonny & the Broke Spokes Bad Wheel Jonny and the Broke Spokes have gained a few members since their
last hurrah on the Delmarva Folk Festival stage. Bad Wheel Jonny, aka Jonathan Guessford, and Emily Reisinger were named the first Delmarva Folk Heroes in 2007. The Spokes began forming around him in 2008 and are now comprised of John Kidd on harp, Craig Koska on four string archtop tenor guitar, Rick Schuman on cajon drum, Sandy Shalk on electric guitar, John Green on bass guitar, and Melissa Lim with percussion and vocals. Their focus is mainly on performing Bad Wheel’s original songs and a few covers that lend themselves to “getting their spokes broke.” Bad Wheel Jonny and the Broke Spokes have since played at the Delaware Friends of Folk coffeehouse, Kipona Fest in Harrisburg, Bellevue State Park, Cooldog House Concerts (THANKS PAUL!!), Kennett Flash, Gyspy Haven Farm, WSTW’s Hometown Heroes, assorted diners, street corners, and speak-easies, and last but not least, in Bad Wheel’s salmon pink man cave.
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Delaware Friends of Folk Presents
Tom Paxton November 17, 2012
7:30 p.m. Wesley College Chapel - W. Division & N. Bradford Sts. - Dover, DE
Tom Paxton is one of the great songwriters of the last century and will be reckoned as one of the greats in this new century, as well. Tom Paxton’s place in folk music is secured not just by hit records and awards, but by the admiration of three generations of fellow musicians. An internationally recognized and loved cultural figure, he has always chosen goodwill over commercial success. His generosity has taken the shape of a benefit concert performance for a little girl fighting leukemia, or a personal note of encouragement to an up-and-coming songwriter. This is the man who wrote and lives the words, “Peace will come, and let it begin with me.” Prices: $15 for DFF Members & Military and $20 for non-members • half price for ages 13-18, free for ages 12 and below. Tickets are general admission and limited seating. Advance tickets are only sold online as $20 at DELFOLK.ORG to be held at the gate - appropriate discounts for members, military & children will receive a voucher for future concerts at the door. There will be tickets available the day of the show. Doors do not open until 7:00 p.m. Nov. 17th. N O P H O N E R E S E R VAT I O N S W I L L B E TA K E N .
For more information Tel. 302-827-FOLK
www.Delfolk.org facebook.com/groups/delfolk • twitter.com/delfolk
This engagement of Tom Paxton is made possible by a Special Presenters Grant through funding by the Delaware Division of the Arts, the Mid Atlantic Arts Foundation, and the National Endowment for the Arts.
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Saturday 2:00 . . . . . . . . . . . . . Chapel Street Junction Chapel Street
Junction is a five piece band based in Newark, DE. Instrumentation includes: guitar, fiddle, banjo, bass, mandolin and harmonica. Although rooted in Bluegrass, the band has many traditional Country and Irish songs, as well as some Ragtime and cover tunes. Homegrown Cafe and The Howard House are some of the venues were we perform live. Its not uncommon for the band to have occasional guest musicians play with the band or alternate sets with us. Traditional American music is what we’re all about.
BARNYARD BLUEGRASS FESTIVAL
Saturday October 20, 2012 1011 Massey Church Road Smyrna, DE 19977 Gates open at 12 - Music at 1:00 Featuring:
Danny Paisley and The Southern Grass (3 and 6pm) Flatland Drive (1 and 4pm) The Jersey Corn Pickers (2 and 5pm) Late nite shows with
Sean Cheezum, Coffin Fly,
and more starting at 8pm!
Advanced Tickets:
$20
Day of Event:
$25
Rough Tent Camping: $5 pp For more information, call Lisa at 302-423-6052
Check out Barnyard Bluegrass Festival on Facebook!!!
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Paul “Lightning Boy” Sedacca - Banjo, Fiddle, Mandolin,Harmonica and Vocals, Fiddle Mike Chevalier - Fiddle and Vocals, Ron “Ronnie B” Beard - Mandolin, Guitar, Bouzouki and Vocals, Scott “Parkin Lot” Perlot - Vocals and Guitar, Mark Rahn - Upright Bass On their web page, they say, “Sounds Like A Mule being attacked by a swarm of locusts...”
Saturday 3:00 . . . . . . . . . . . . . . . . . . . . . . Sand Creek S
and Creek, in one form or another, has been making music since 1978. Along with Lonnie Field, great songs, players, singers, songwriters, and friends have been the constants. If Lonnie doesn’t play, it’s not Sand Creek, and if Lonnie does play, more than likely it is Sand Creek. This band, with all of its changes, has in many ways been the interpreter of Lonnie’s music. Some consider Sand Creek to be the “house band” at the Delmarva Folk Festival. Warm, intimate, funny, and in-yourface original songs, together with spirited playing and melt-in-your-mouth harmonies have been with the band since the beginning. Lonnie’s songs are a mixture of humor and satire from real life experiences. Some of the songs will hit close to home. Others will take you far away. All are sure to give you a new way to look at the world. Within the past year the band completed its first music video, providing the soundtrack for a documentary on the killer nor’easter that hit Delaware in March of 1962. That storm was witnessed by a young Lonnie Field. As always, members drift in and out of the band. Today’s version features, John Kidd, Dave Cotullas, Bob Hamel, Deloy Moore, and Ossi Becke. John got fully immersed around 1999 and hasn’t crawled out yet. He adds harmonica, vocals, and percussion. Deloy was an early member of the Sand Creek Gang, drifted away on his many other band and solo projects, and now lives in Charlottesville, VA. He’s a multi-instrumentalist in the truest sense, likely migrating from guitar to mandolin to dobro to banjo and back to guitar in one set. Bob has been keeping the band on the beat, playing bass with the boys for about four years. Dave is the new guy in the Creek, adding tasty lead and rhythm guitar while standing downstream from the rest. He has lately grown very fond of a certain “Blondie”. Dave’s talents are in high demand as a side player in several other groups and he is also an expert sound technician. If there’s a house drummer for the Festival, it’s Ossi Becke who has been on stage nearly every year, often with more than one band. Together, these
individual musical talents blend and enhance each other to create a truly unique sound. Sand Creek’s music is a mix of contemporary folk, blues, bluegrass, country, and rock. Influences come from a broad range; from Steve Goodman and John Prine, to Johnny Cash and Willie Nelson, to Jimmy Buffett, The Band, Grateful Dead, Bruce Springsteen, Tom Waites, Bob Dylan, Warren Zevon, Hank Williams, Woodie Guthrie, and Minnie Moore.
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Think when you drink, don’t drink and drive!
2011 Photos taken by Eric Young YoungsStudio.com
Take the lead to be a designated driver. 14
This is a tiny sample. Eric does a wonderful job for us each year. These photos are for sale each on his own website
Don’t ever let your friends drive drunk. 15
We specialize in BBQ grills, rubs, sauces, accessories and catering! 1040 S. State Street Dover, Delaware 19901 (302) 730-0100 www.bbqgrillscatering.com
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See you next year October 4-5, 2013
Hartly Feed & Hardware Co.
324 Main St • Hartly, DE 19953 • Phone: (302) 492-0775 17
Saturday 5:00 . . . . . . . . . . . . . . . . . . . . Chris English Chris English was born and raised in Salisbury, Maryland and started playing guitar at age 11. His older brother Kent introduced him to the blues during the 1960’s, which started him on a lifetime passion. Chris concentrated on slide guitar and harmonica at this time teaching himself, using open tunings. Over the years he has been true to his art learning the subtleties that make each blues special. Delta style is his forte, singing, playing guitar and harp, stamping out the time on an old wooden coca cola crate. He also uses vintage guitars from the 20’s and ‘30’s to replicate the sound and feeling of the blues he has studied and loves. Chris’ new release titled “Chris English 1/13/07” is his third CD. This is a live, solo, performance of traditional blues and originals. He released second CD, “Lowdown in the House”, in July 2004. His first CD, recorded in 1996, “Live at the Avalon”, is a combination of solo and his three-piece band. Performance / Lecture Currently, Chris is teaching a course in Blues, that he created, at Salisbury University, Salisbury MD, titled “Blues, the Roots of Rock and Roll”. This lecture course includes live performances to demonstrate different styles of blues. It also explores the Just Folks - a contemporary folk social and economic music program heard every climate that shaped the Saturday night from 8:00 till 11:00 folk music as well as the p.m. on Public Radio Delmarva 89.5 musicians that crafted FM WSCL Salisbury, 90.7 FM WSDL it. Ocean City, and streaming live at www.publicradiodelmarva.net.
WSCL
Thanks for your support! 18
Downtown Dover Merchants invite you to enjoy these upcoming events: First Friday in November Friday, Nov. 2nd 5pm – 7pm Downtown Dover Corridor Capital Holiday Celebration Wednesday, Nov. 28th 6pm – 7:30pm City Hall
Delaware’s
Largest & Oldest Metaphysical and Occult Shop
First Friday in December Friday, Dec. 7th 5pm – 7pm Downtown Dover Corridor
115 W. Loockerman St.
Home for the Holidays Saturday, Dec. 1st 11am – 4pm Downtown Dover Corridor
Dover, Delaware 19904 Mon. - Sat. 10:00 am 6:00 pm Phone (302) 678-4545
For more information: downtowndoverpartnership.com facebook.com/DowntownDover twitter.com/downtowndover
Website bellbookandcandle.biz
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Saturday 6:00 . . . . . . . . . . . . . . . . . . . . . ellen cherry ellen cherry is a singer, songwriter, musician, designer, artist, producer, recording engineer, and human.
Baltimore based songwriter and performer, ellen cherry (lowercase letters
intentional) has recorded and released original music continuously since 1997. In 2012, ellen released her newest and most intimate work yet, a piano-based album produced by Caleb Stine, entitled “Please Don’t Sell the Piano”. In addition to her personal compositions, ellen is working with the Maryland Historical Society on new music she will create, inspired by their 4-year-long Civil War exhibit, is a Strathmore Artist-in-Residence in 2012 and a 2011 Baker Artist Award winner (including the Semmes G. Walsh special music prize). In 2009, ellen composed an original score for Nana Project’s shadow puppet piece, “Alzonzo’s Lullaby”, inspired by the true story of a circus train wreck south of Chicago, in 1918. The piece was awarded one of the most prestigious puppetry awards, the UNIMA-USA Citation of Excellence. In 2012, ellen premiered another original composition to compliment Nana Projects’ newest work, “Eureka!”. The team has been commissioned for another original work by the Strathmore, inspired by the life and diary of Opal Whiteley, to debut in 2013. With fellow Baltimore based jazz musician/ writer Sandy Asirvatham, ellen is co-producing (and is the visual alchemist for the live performance) “MOBTOWNmoon”, a genre-defying new interpretation of Pink Floyd’s classic, “Dark Side of the Moon”, which will debut in 2013, and features some of Baltimore’s finest working musicians from all musical corners. ellen also wrote, performed and recorded an original song commissioned by the FOX Networks that was nominated for an Emmy in 2010. She is currently serving on the Board of Directors for the Monarch Academy, a Baltimore City Public Charter School in an effort to satiate her passion for education and help further the idea of arts integration learning in Public Schools. She has been awarded Maryland State Arts Council Individual Artist Awards for Vocal Performance (2007) and Music Composition (2009) and founded her own studio and label, Wrong Size Shoes, in 2004. Mixing equal parts of pathos and humor throughout her songs, ellen cherry is mysterious and powerful on stage and her banter gives audiences a peek into a whimsical, curious mind. She seamlessly fuses her love of History, Poetry, and Literature with the Usual Suspects of Love, Loss, and Despair, with a powerful, commanding voice and skill on both guitar and piano.
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Don’t ever let your friends drive drunk.
Festival Vendors BBQ Grills
Chappys North Food Cart For Woodness Sake Just for Fun & Co Tracy Lynn Fashion Jewelry Oh Baby Tie Dye Taylor Made Design Unique Earrings Deborah Wright Hand Crafted Jewelry
Please visit them today! They support Delaware Friends of Folk, they deserve your support, too!
LANDSCAPE ARCHITECTURAL SERVICES, L.L.C. Registered Landscape Architects LAND, SITE & PARK PLANNING Matthew T. Spong, Principal R.L.A., A.S.L.A. P.O. Box 293 • Dover, Delaware 19903 Phone: (302) 284-4578 FAX: (302) 284-0301 WEB: www.las-llc.net 21
Saturday 7:00 . . . . . . . . . . . . . . . . Joe Baione Quartet The relative rarity of vibraphonists in the his-
that has inspired the young veteran vibist to reach for the stars. Following the release of his first album in 2005 the eminent jazz critic Dr. Herb Wong noted that ”Baione’s CD is refreshing and not the same old rinky-tink sound you hear in vibe players today.” This disc delivers on the promise of that first effort and demonstrates the continued development of one of the most gifted mallet men in jazz today.
tory of jazz remains one of the musical genre’s true mysteries. Despite the natural beauty of the instrument’s sound and the historical importance and celebrated popularity of its most famous players – Lionel Hampton, Milt Jackson and Bobby Hutcherson – comparatively few artists have chosen to make the vibraphone their primary means of expression. Fortunately, Joe Baione has and on Oh Yeah!!! - his second outing as a leader and impressive successor to his distinguished debut The Superhero – he shows that the vibes and the mallets with which he plays them are in very good hands.
On Oh Yeah!!! Baione builds upon the success of The Superhero using the same stellar sextet instrumentation with one important addition to the lineup – that is the enlistment of veteran producer Todd Barkan as a member of the team. Barkan, who regularly worked with Hampton-Jackson-Hutcherson triumvirate of vibists (as well as many other of the music’s most important artists) during his years as owner of the legendary Keystone Korner says, “In addition to being one of the hardest swinging members of his generation of vibers, Joe consistently reaches his listeners with the distinctiveness of his musical voice as both a truly creative virtuoso on his instrument and an increasingly compelling composer. In short , both his playing and his tunes speak more and more clearly and strongly to us.”
A native of the state of Delaware, Baione grew up in a jazz drenched musical environment. His father, the clarinetist-saxophonist-educator Jim Baione, is a graduate of Philadelphia’s prestigious Combs Conservatory of Music, where he earned both his B.A. and B.Mus. Ed. degrees and first met Joe’s musician mother, Barbara. The other musical members of the Baione family include Joe’s two older brothers, bassist Tom and guitarist Jimmy. Following in his father’s foot steps, Joe studied both music education and jazz performance, graduating from the University of Maryland in 1995. Since then he has gone on to become a passionate and creative band teacher by day and an energetic and innovative band leader and performer at night. Baione is also President of Delaware Charitable Music, Inc. and serves as producer of the annual Jazz, Blues & BBQ in the Park, a festival he co-founded with the mission of bringing live jazz and blues to the young people of his community.
Baione’s performance resume continues to grow. He has performed at the prestigious Rochester Int. Jazz Festival, Air Jamaica Jazz and Blues Festival in Montego Bay, Temecula Valley Jazz Festival, The Cape May Jazz Festival, Grand Marais Jazz Festival, The Rehoboth Beach Autumn Jazz Festival, West Oak Lane Jazz Festival, Longwood Gardens Wine and Jazz Festival and The Clifford Brown Jazz Festival. Performance venues include, The Jazz Bakery, Dizzy’s Club Coca-Cola in NYC’s Lincoln Center, The Kimmel Center, The Iridium and Zanzibar Blue in Philadelphia and Sydney’s Blues and Jazz Restaurant, just to name a few. In the past two years Baione has opened for Michael Bolton, Monty Alexander, Joey DeFrancesco, Dave Brubeck and many others.
In 2003, Joe had the good fortune to meet saxophonist/composer Benny Golson, when the jazz legend participated in a series of clinics and benefit concerts in Delaware. The two forged a lasting friendship and Golson became an important mentor to the vibraphonist, encouraging him to pursue his dual dream as a jazz musician and music educator. Golson’s appraisal of Baione as “a young man with vision who is able to realize the future today” is one
Baione has won several awards including “Teacher of the Year” in 2003, “Emerging Jazz Artist” in 2005 by Philadelphia Weekly and “Rising Star of Tomorrow” by Jazz at Lincoln Center.
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NEW!
Irish Session
The Fourth Friday each month 7:00 p.m. Meet at the Museum of Rural Life, on the Courthouse Square, on the corner of Second and Gay Streets, in Denton, Maryland Along with Celtic Harvest & their Maryland friends! Info email: jan@crumpley.com
Bring your ears or instruments & ears!
Intoxicated behavior is potentially dangerous and never amusing.
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Saturday 8:00 . . . . . . . . . . . . . . . . . . . . . . John Flynn In an era of deep division, John Flynn’s songs call us
Web and the Feather”, a song John wrote for Camp Dreamcatcher, a therapeutic summer camp for children dealing with HIV/AIDS. The album also contains a strikingly spare reinterpretation of Bruce Springsteen’s “She’s the One,” which Flynn originally recorded for the Boss’s 60th birthday at the request of Helen Leicht for Philadelphia AAA radio trailblazer WXPN. The End of the Beginning was recorded and produced by current handyman, former TV and radio personality, and always musician, Harvey (remembered fondly throughout the Philadelphia region as “Harvey in the Morning”). Harvey sings and plays many of the instruments on the album. Other friends and luminaries featured on the album include Native American flutist Bill Miller, folk vocal group Brother Sun, slide-guitar virtuoso Pat Wictor, tuba and bass guitar legend Freebo (Bonnie Rait, Joni Mitchell), Pitz Quattrone on didgeridoo, and Philadelphia treasures Joshua Yudkin on keyboards and Cheryl Prashker on percussion. “Every song I write always feels like my first,” Flynn says of the trade he’s practiced for more than three decades. ‘I guess that’s why I love it so much. It’s almost like that Buddhist concept of the beginner’s mind. Each song challenges you to seek and see new possibilities. Maybe that’s where the album title came from. After all these years, I feel like I’m just getting warmed up.” Few people who knew John Flynn as a boy would have predicted the path his life would take. A self-professed “straight arrow”, as a senior at Ridley High in suburban Philadelphia, Pennsylvania, the former altar boy who once strummed a New Year’s Day banjo in the world famous Mummers parade was named president of the National Honor Society and Scholar Athlete of the Year while receiving two congressional nominations to the United States Naval Academy. John was making plans to play lacrosse for Navy when he found out he would not be able to take his guitar with him to Annapolis. Although music had always been an important part of John’s life, he was surprised to realize how much he had come to rely on his beloved Guild twelve-string. The thought of leaving it behind, even for a few months, caused him to begin to admit to himself that he had other dreams. John abruptly changed course and began writing songs in earnest. He put himself through Temple University playing in bar bands. Though his degree was in political science, he abandoned the idea of studying law when he was offered a staff songwriting position at Combine Music in Nashville, following Billy Swan’s Top 40 country recording of John’s song “Rainbows and Butterflies”. (Continues on page 25)
together as they speak for the wounded, the weary, and the afflicted; for the prisoner, the soldier, and all the forgotten ones who walk unseen in our midst. Fusing the vision of an activist with the unblinking eye of a truth-teller, John Flynn’s music speaks deeply to the heart and the spirit. A wordsmith and poet of rare clarity, he evokes our shared humanity as he addresses the times we live in through songs that resound with awareness, irony, humor and compassion. The open heartedness and resonant decency in Flynn’s work have made him a staple of Phil Ochs Song Nights across the country, and brought him the respect and friendship of longtime heroes like Kris Kristofferson and Arlo Guthrie. Sally Millbury Steen of Pacem in Terris calls John Flynn “A troubadour of justice, mercy and hope.” John Flynn opens his new CD, The End of the Beginning with the lines “Like river stone, it may be that some edges get worn smooth, or maybe it’s just that these days you don’t have as much to prove”. These words seem to capture not only the mood of the disarmingly acoustic release, but also something of the 54 year-old singer-songwriter himself. The End of the Beginning reveals Flynn as an artist and a man, comfortable in own his skin and in full command of his craft. The disc contains eleven songs by Flynn, whom Ramblin’ Jack Elliott once called the undiscovered “John Lennon of the Plasma Generation!” (Flynn admits that Mr. Elliott may have been under the influence of an enthusiasm-generating beverage at the time of this characterization.) The title song is a duet that finds Flynn reflecting on the journey, while sharing the singing chores with his long-time supporter and friend Kris Kristofferson. “A Song from the Subliminal Hymnal” is a whimsical, koan-like invitation to lateral thinking. “Crazy as Ever” is a song John wrote for Beth, his wife of 27 years. “The Giving Stone” is a parable about innocence and generosity. “My Horizontal Smile” is a high-spirited declaration of bootstrap beatitude. “Democracy (the Weed)” is an anthem for the young people manning the barricades from Cairo to Oakland that Flynn recently performed in Zuccotti Park for the Occupy Wall Street movement. “The Crow” is haunting canticle about guilt and betrayal that John sings with his accomplished daughter, singer-songwriter Sarah Flynn. “When I Throw Stones” is an island-tinged warning about the toxicity of our country’s political discourse. “Prison Bible”, about one inmate’s journey of redemption, is a song that Mary Armstrong of Philadelphia’s City Paper , extols,“could bring a tear to a glass eye”! “The Cup” is a song for the grieving, especially those returning from war. And the album closes with “The
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John Flynn (continued)
The Delmarva Folk Festival is sponsored
It was Swan who first introduced John to Kris Kristofferson. Since then Kris has written liner notes for John, sung on three of Flynn’s CDs and even recited the lyrics to John’s song “Without You with Me” at Stephen Bruton’s funeral. Today, John’s shows draw from a significant body of work, ranging from his early country offerings to story songs, love songs, songs for kids, funny songs, songs of social justice, and meditations on loss, tolerance, faith and hope. The 54 year-old father of four spurned touring when his children were young, but as the kids grew older superlatives began to welcome their dad’s arrival to the national folk stage. In 2005, Arlo Guthrie invited John to join musical legends like Willle Nelson and Ramblin’ Jack Elliott on the historic “Train to New Orleans” tour following Hurricane Katrina. And Ticket Magazine wrote that “John Flynn is at the near end of a long line of American poets, thinkers and folk artists stretching from Henry David Thoreau, Ralph Waldo Emerson and Walt Whitman, all the way up to Kris Kristofferson”. John resides in the Brandywine area of Northern Delaware with his family and his running partner, Chief, the world’s most exuberant Frisbee-catching German shepherd.
in part by a grant from the …
Like many other non-profit arts organizations across the state, Delaware Friends of Folk owes a debt of gratitude to the DDOA for the wonderful work they do supporting the arts in Delaware. This program is made possible, in part, by a grant from the Delaware Division of the Arts, a state agency dedicated to nurturing and supporting the arts in Delaware, in partnership with the National Endowment for the Arts.
www.artsdel.org
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Saturday 9:00 . . . . . . . . . . . . . Philadelphia Jug Band W hat common thread can keep a professor of psychiatry in Ohio, a professor of business administration in
Band, and the Even Dozen Jug Band. The records made by these groups were a source of new songs as well as original interpretations of old numbers.
Pennsylvania , a museum director in New Jersey, and a systems programmer in North Carolina together for almost 40 years? It’s jug band music, pure and simple.
By 1964, the Ridgerunners included Dave Gauck on jug, washtub bass, and occasional vocals; Frank Zemlan and Jim Klingler on guitar and vocals; Steve Miller on washboard, kazoo, and vocals; and Sandy Shaw on vocals. In 1965, the band was briefly called the Keystone County Ragtime Euphoria Jug Band. By the late 1960’s, it was known as the Philadelphia Jug Band. Sandy eventually left the band for more esoteric pursuits.
The Philadelphia Jug Band traces its roots to the early 1960’s when its four core members (Dave Gauck, Jim Klingler, Steve Miller, and Frank Zemlan) were students at Council Rock High School in Newtown, Bucks County, Pennsylvania, not far from Philadelphia. The “folk music revival” was rapidly spreading across America, and Philadelphia was one of America’s great folk meccas.
When Dave, Jim, Steve, and Frank graduated from high school and went to college, many thought the Philadelphia Jug Band would cease to exist. But the members could not let the music go. Even though they attended different colleges, the guys visited each other regularly and played for themselves, at coffee houses, school events, and wherever there was an open mike or a quiet street. During the summers when they were back home in Newtown, they carried on as before. They never missed the annual Philadelphia Folk Festival. They played in the campground until the wee hours of the night, formally at various workshops, and elsewhere with anyone who wanted to join in.
In 1962, Dave, Jim, Steve, Frank, and other classmates formed a group known as the Ridgerunners and began playing mainstream, popular folk music. They performed well-known folk tunes such as Tom Dooley, If I Had A Hammer, House of the Rising Sun, and Charlie on the MTA. Their music soon evolved into more ethnic, authentic, and personal forms. The early band included up to thirteen members and provided entertainment for themselves and others. First, they performed informally at parties throughout the area and then by request at local civic events, grange halls, and church basements. Eventually the band performed, with some regularity, at The Cellar, a coffee house under a delicatessen in Levittown. They also played on the streets and in various eateries along the Delaware River, and in bohemian tourist communities such as New Hope, Pennsylvania.
The band members pursued graduate studies, had families, relocated, and settled into careers, but the music continued. Dave found his way to North Carolina after living in upstate New York. Jim returned to the Philadelphia area after a tour in the Navy. After a long stay in New York City, Steve moved to Maine, Ohio, Vermont, and finally New Jersey. Frank eventually settled in Cincinnati.
In 1963, Dave and Steve went to the second annual Philadelphia Folk Festival. It was organized by the Philadelphia Folk Song Society and held in Paoli, a suburb of Philadelphia. The Jim Kweskin Jug Band was featured in the Saturday night concert. As soon as Dave and Steve heard the Kweskin band, they knew immediately that this was music the Ridgerunners should play. The next week they got a washboard, jug, washtub, and Kweskin’s first album. When their band got together again, the new sound was introduced. From then on, whenever there was a folk music event in Bucks County, jug band music was heard. Yet, they were not the only jug band ragtimers in town. The Yardley Mountain Frog Stompers, made up of older guys (in their twenties!) including a math teacher from Council Rock, preceded them. This band provided local inspiration for the Ridgerunners, as well as some ‘R’ rated lyrics.
Despite all the changes and moves, the band fell into a pattern. Everyone was able to get together three times a year -- Memorial Day weekend, New Year’s Eve, and, of course, at the Philadelphia Folk Festival. Through the 1970’s , special gigs also brought them together. These included opening for Arlo Guthrie (and moving his grand piano) at a performance in Philadelphia; performing at Old City Sunday near Independence Mall in Philadelphia; kicking off the July 4th Bicentennial festivities at New York City’s Battery Park; and recording at a local radio station. The Jug Band had its 15 minutes of fame, 3 seconds at a time, when a Philadelphia TV station included a clip of the band in its opening news video collage for several years. Members
The Ridgerunners played just about every tune Kweskin recorded. The band quickly found more music on contemporary records as well as those featuring the original jug bands from the 1920’s. New jug bands temporarily appeared on the scene. These included Dave Van Ronk and His Ragtime Jug Stompers, the True Endeavor Jug
Dave Gauck- washtub bass, jug Jim Klingler- guitar, vocals, kazoo, jug Steve Miller- washboard, vocals, kazoo Frank Zemlan- guitar, vocals Bob Beach- harmonica, vocals and a cast of thousands or at least hundreds
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Ask about our Maurice Shockley Memorial Scholarship Fund
The 35th JUNE JAM WILL BE HELD ON JUNE 15, 2013. BEST ROCK FEST IN DELAWARE Combine the national acts with the best of the East Coast’s touring bands, a spotlight for favorite local musicians, fun and games for children, vendors to satisfy almost any need and a shady spot under a tree to enjoy the day for 1000-plus members and their guests Since 1979, with a modest beginning, the event has grown to the point where in 1995, over $13,000 was raised for over a dozen needy individuals along with several deserving charitable organizations - all helping people in our local area.
More information available at our website: delfolk.org/maurice.html
Dover Health Care Center Victor Epps, B.S., D.C. Chiropractor www.doverhealthcarecenter.com doverhealthcarecenter@gmail.com facebook.com/DHCC.Epps Walk-ins Welcome
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V
o l u n t e e r s
See this list? We’d love to put your name on it next year! It takes a LOT of FOLKS to put on a Folk Festival. We need YOU!
Festival Chairman: Storm Longhauser
DFF President: Nancy McGee
Friedman, David Friedman, Millie Dill, Storm Longhauser, Jan Crumpley, Kathy Doyle, Shellie Field, Sara Field, Patty Field, Nancy McGee, Gabe Rhodes, Sandy Fitzcharles, Amy Fitzcharles, Zeke Zeller
DFF Vice President: Kelly Crumpley
Treasurer/Insurance: Rob Fox
DFF Board: Nancy McGee, Storm Longhauser, Rick Hudson, Giani Siri, Rob Fox, John Kidd, Melissa Lim, Kelly Crumpley, Mary Zeller, Jan Crumpley (Secretary, nonvoting)
Vendors: Rob Fox
Festival Co-Chair: Mary Zeller
Y k Webmaster: Jan Crumpley
Ad Sales: Kelly Crumpley (Chair), Tim Spong, John Kidd, Zeke Zeller BBQ Grills: Rob Fox, Billy Haneline, Robert Andrews (Andy), George Best, Christine Fox
Folk Hero Contest: John Kidd, Jan Crumpley (Co-Chairs), Kelly Crumpley, Storm Longhauser
n a h
Beer Sales: Mary Zeller (Chair), Zeke Zeller, Jenn Ballard, Dee Dill, Jen Holsopple, Kelly Crumpley, George Makdid, Robert Lewonas, Kim Torres, Henry Torres, Melissa Lim Fordham Reps: Walt Trifari, Kelly Trifari, Wesley Field
Charity: Colleen Weil (Chair), Mary Zeller, Summer Morris, Jonathan Guessford
T
Concessions: Joe Hartman (Chair), Clarence Brackin, Robin Hartman
! uo
Volunteer Coordinator: Mary Zeller (Chair), Nancy McGee, Storm Longhauser, Kelly Crumpley
Entertainment: John Kidd (Chair), Nancy McGee, Storm Longhauser, Rob Fox, Jan Crumpley, Kelly Crumpley Facilities: John Kidd (Chair), Lonnie Field, Sr., John Chason, Wally Hampton, Pat Cahill, Jay Ross, Clarence Brackin, George Makdid, Henry Torres, Mary Zeller, Zeke Zeller
Hospitality: Giana Siri (Chair). Leo Siri
Kids Activities: Nancy McGee (Chair), Gabby Dill, Amanda Malamut, Caitlan McGee
Merchandise: Storm Longhauser (Chair), Patty Hartsmanngruber, Madonna Holt, Colleen Weil, Amy Fitzcharles, Lisa Sipple Parking: Mike Reynolds, Chris Botteon, Sean Holjes, Steve Swann, Ken Norquest, Jason Kinnarman, Cameron McKinney, Chris Holjes, Jon Brancu, Joanne Norquest, Syd Swann, Chris Norquest, Jared Dill, Zeke Zeller, Rachel McLean, Larissa Moore, Nathan Jackson, Anthony Natol, Matt Heritage, Emily Harvey Photography: Eric Young Publicity: Melissa Lim (Chair), Jan Crumpley Security: John Chason, Greg Shupe, Tyler Chase, Chris Holjes, Joanne Norquest, Mike Reynolds, Jim McGiffin, Ronnie Schilling, Aaron Wnorowski, Danny Souva, Chris Norquest, Syd Swann, Gary Johnson, Steve Josefowski , Keith Wnorowski, Robert Lewonas, Joey Goggin
Sound/Lights: Paul Gumerman (Chair), John Kidd, Mike Hastings, Wally Hammond, Jay Ross, Zeke Zeller Emcees: John Kidd (Chair), Jan Crumpley, Jim McGiffin, Salvage Kin
Signs: Kelly Crumpley, Zeke Zeller, John Kidd
Stagehand: Timothy Spong
Site Clean-up: Storm Longhauser
Ticket Sales: Matt Crane, Mary Zeller, Marsha Mills, Billie
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Delaware Friends of Folk
would like to express our sincerest THANKS to Wesley College for their support in
2012! Think when you drink, don’t drink and drive!