mover-magazine.com
The
POWERFUL ISSUE
№30 (2022)
:Helena Bendini model:
THE POWERFUL ISSUE
OUR CONTACTS:
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h
Editor’s
LETTER
ello, our powerful reader!
Now is not an easy time… You need to stay strong and have this inner strange inside. Is it difficult? Yes! Is the situation feels strange? Absolutely yes! But our strength is in ourselves. if we don't feel it, it's time to recognize it!
The fashion business has gone through hard times, but it has made it even deeper, more flexible, stronger from the inside, and helped to find its loyal customers. We in MOVER believe in the power of people, magazines, and business in general. Only better at the corner. Never stop on your way, and we will go hand in hand through this. Powerful issues that's all you need!
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CONTENTS
16
COV ER STO RY
Take your passion
EDITORIAL 20
Sunbeam
30
Pupa
50
Dreams
56
Gina Garcia
66
Dream in Zuzeum
74
Flower tenderness
84
Dare
92
Inside of me
98
Red Threads
104 Deprivation
FASHION 28
Non-invasive beauty treatments
48 Dior unveiling new boutique in Seoul 52
TUDOR Royal
58 Flora Wonders: a ‘By the Numbers’ Look at Tiffany & Co.’s Spring 2022 Blue Book Collection 60
Time for vintage
106
30 PEOPLE 21
Quirina Lechmann
38
Solve Sundsbo
46
Herb Ritts
62
Jürgen Teller
CULTURE 40
Heat Wave
80
Museo del Novecento
88
Art is never getting old
97 “Father & soldier” 100 From Provence to the shores of the Mediterranean
FP Models Agency and Academy in Dubai! www.fpmodels.ae fpmodels.dubai fpmodels.dubai fpmodels.academy
Become a part of the global fashion community!
Agency: @fpmodels.dubai Model: @nichi_bear Ph: @thejoshstudio Mua: @tamishakmakeup Clothes: @ma_ko_art
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Editor-in-chief Alexa Seny Correspondent Arina Yaganova Production Mode production Designer Eugene Oliinyk
All rights reserved. The opinion of the authors of publications may not coincide with the point of view of the editorial board. Any reproduction of materials or their fragments in any language is possible only with the written permission of the publisher. When quoting, a reference to the journal is required. All rights to articles, illustrations, other materials, as well as artistic design belong to the editorial staff of the magazine. The advertiser is responsible for the accuracy of the information provided in the advertisement as well as for the compliance of the advertisement content with the legal requirements.
MODE PRODUCTION photo/video content • lookbook • campaign • fashion show • fashion brand creation mode-production.com
mode.production
Production: @mode.production Agency: @fp_model_school_rus @fp_model_agency_rus Ph: @nata_ph Style: @pridymaimnenik MUAH: @anyanemkova Booker: @booker_fpmodels Clothes: @c_d.vintage
| СOVER STORY
Take your
PASSIOn 16 mover-magazine.com
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Make-up artist: @laurarandazzo.mua Photographer: @lucadifazio_ Clothes: GAELLE_PARIS Model: Helena Bendini mover-magazine.com
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| EDITORIAL
sunbeam Photo: David Rodriguez @davidofficialclub Model: Leticia Gonzalez @leticiagonzalezconcepcion
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“Sunbeam” (2022) is a photographic series composed of portraits that include mysterious, whimsical and surreal elements, combined with classic aesthetics inspired by the photography of Horst P. Horst and his photographs of bathers.
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Rodríguez recreates in his work a sophisticated and elegant world where primary colours (blue, yellow, red) burst with extremely loose brushstrokes, endowing each image with unusual energy.
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It highlights the concept of beauty that the photographer has. For this reason, he intensely studied classical poses through Greek sculpture and traditional painting, imbuing them with an aura of mystery through a classical sense of composition and situation of the model.
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| PEOPLE
Quirina
LECHMANN Swiss and Belgian Coloratura Soprano living in Switzerland
Tell us a little bit about yourself and what was the starting point and a reason for your career? I was always a performer who loved to sing. As a child I loved being in front of people, whether it was to play the piano, sing, dance, do playback, recite poems, show pictures or just talk didn’t matter. Later, after receiving criticism and more importantly criticizing myself a lot, it became more difficult, but still, music was my way of getting out there and showing people my true self. Then, when it was time to do my studies, it became harder. My parents had certain expectations I didn’t share. I wanted to go into music, but they were adamant that I study something “real”. So, I went to University, studied languages and got my teacher’s diploma for ESL (English as a second language) and DAF (Deutsch als Fremdsprache). Still, I couldn’t be without music, kept playing the piano and then enrolled at conservatory for classical singing (behind my parents’ backs). The real reason for my career in singing, however, came after finishing my studies and finally meeting someone who believed in me. So, one day – quite out of the blue – I enrolled in a singing masterclass, got a new singing teacher, and started doing my own thing. How did you find yourself in concerts organization? My boyfriend – and sometimes partner in crime, Gianin Conrad is an installation artist, a sculptor. He makes the things in museums that, most people question. If you see it, you ask yourself: What is that? Why would anyone do this? Why is this art and why would the museum exhibit this? – showed me that it’s easier to organize than wait for opportunities. So, after trying, and thus organizing a first performance, I started doing it again and again, becoming bolder: Next to small concerts, I’ve written and performed experimental music plays, made a CD with my own translations of Mozart Arias and started a music and art space called “Scala Trun” last year. Tell us more about your experience which is connected to the music? Next to singing in my own concerts and musical theatres, I take on roles in opera productions. I’ve sung small parts like Virtù in Monteverdi’s “Lincoronazione di Poppea”, and bigger, more theatrical and funny parts like Adele in Strauss’ “Fledermaus”. However, I’ve also done some theatre – with extra singing parts for me – and played roles like Flavia Brent/Belinda Blair in Michail Frayns “Noises Off ”. Increasingly I enjoy writing my ownplays and taking existing music from various composers to give the right feeling to them. Sometimes I also compose own parts in these. Until now mainly the recitativos, but who knows where it’s headed. 26
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Ph: @kseniya.polishchuk_ph Style: @mmila_milk & @julia.balanik
At the moment I’m looking forward to showing off my Verdi-knowledge and dramatics: I’ll be singing Violetta (La Traviata) in Wales this Spring.
Can you tell us about exhibitions which were created by your ideas? I see myself as an artist, but more a performance artist, than an exhibition artist. So, I collaborate in exhibitions as a performance artist, who creates her own performances, without asking the artist for input. I’m very lucky to sometimes be allowed to do something with Gianin Conrad’s exhibitions: At the Kunstraum Engländerbau, Vaduz (Lichtenstein), for example, or at the Gallery Base-Alpha, Antwerp (Belgium), where I could use the installation playing with electric-voltage and the way our brains perceive the reality of the world. I loved interpreting these views and using the idea of electric-voltage for my singing. In one part, I depicted my impression of the electric chair. I have, however, also worked on new concepts with him. For the Intra Muros Art Festival in Winterthur, for example, we created “das Ding mit der Schönheit” together, both taking what we can and know into the concept, so an ever-changing clay sculpture could be seen, as well as a video projected on it and me performing with it. There was a combination of me moving and singing on the video and me in the live performance, working on the sculpture while singing.
| PEOPLE How can you describe yourself as a person and as a professional of what you are doing? I’m a person who likes to be busy and do a lot. I don’t like to not have a reason to get up in the mornings, because of not having a plan. This does not mean that I need every hour planned and lots of meetings, but I love the thrill of having an idea and start working on it. I like having various things going on next to one another. At the moment, for example, I teach some English at a grammar school, learn new roles for a program in New York and repeat the role of Violetta for the spring production. Next to that I’m starting up new projects for next winter and spring. Even though I like to keep rolling, I take every smallest part of my life and my ideas very seriously. I want to give my best and in that way being the professional I am, keeping in mind that my best is not your best, or your best is not my best. Every working experience is something important. Can you remember the most interesting and special one for you? I think the most special for me, was also my biggest experiment: The “Musik-Pick-Nick”, was some kind or experimental real-life-play, wherein a host took guests out of the city into the woods for an afternoon of eating, drinking, music and enjoyment. The concept of the story was a picnic and the historic ideas behind it. The performance itself was giving the guests food and music. Again, the idea of the story of the play was doubled in the performance. The music started from a classical piano and voice serenade, went to sounds and voice play in nature, then to the experiment of violin and bass with voice, then a Pied Piper of Hamelin sort of parade, and finally back to all three instruments and voice classically put together. The idea was luckily considered so good, that I won a prize for it (which made the performance possible). I remember the trouble we had getting the piano into the woods, the work I did preparing baskets and cooking for all the guests and thus being so tired already before the performance.
Since when you found yourself in music and which instruments can you play? I started playing the piano when I was six, after singing for myself all the time, and nagging my parents for piano lessons. When I was seven, I also went to flute lessons for two years, because school dictated it. Later, I believe I was around 10, I met an organist and started playing that instrument for a while as well. I also played around with the instruments we had at home: a children’s violin and a banjo. I took piano lessons until I was 18, when I changed to singing for good. What advice can you give to people who want to start a similar career as you? Find your voice and find out what you love, whether that’s performing or organizing, writing new plays or composing, try it, then you’ll know. It’s hard and a lot of work, but you have to get yourself out there. Don’t keep your ideas inside, show them and build your audience. Every experience – whether positive or negative – teaches you. Keep on working on yourself always, life is learning
How can you show love to music and people through your work? I show my love of music by pouring myself into it, interpreting it, giving it life and feeling. When I perform, I love to watch my audience (if possible). Their faces say it all: the contentment, the love, the expectation, the surprise – or the hate. After a performance, many people like to come and congratulate. This is the time I can see whether I had an impact or not. I love to see men and women so in love with my music that they linger around to hold on to their feeling of connectedness to the arts.
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NON-INVASIVE
beauty treatments
W
ith a constant pressure of retaining a youthful look as we grow older, both men and women are seeking assistance to do so. With many celebrities now coming out publicly expressing regrets about their plastic surgeries like Courtney Cox, the question many ask is if there are alternatives to invasive treatments. According to Valeska Schubert (BBAIM) of VSR Medical Aesthetic Clinic at Wimpole Street, London, there are numerous effective non-invasive beauty treatments. Whilst invasive treatments may be lasting and deliver incredible results, there is always a risk that things go wrong with non-reversible results, even when treated by highly reputable clinics. Non-invasive treatments, on the other hand, will often need regular booster treatments. For those who are averse to invasive treatments that involve surgery, Valeska recommends treatments such as skin boosters, mesotherapy or face peels. With a degree in Medical Aesthetics from the British Board of Anti-Ageing Medicine as well as training with some of the leading cosmetic doctors in the USA, South Korea and Europe, she is one of the leading practitioners and authorities of non-invasive beauty treatments in the UK. Mesotherapy is a non-invasive non-surgical treatment. Mesotherapy is commonly known as biorejuvenation that rejuvenates the skin through transdermal micro-injections of a multi-vitamin solution and natural plant extracts. Whilst mesotherapy doesn’t work for around 5% of patients, the other 95% have seen spectacular results according
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By Angelina Kali
| FASHION to Valeska. Her views about the effectiveness of mesotherapy is in line with other renowned doctors who categorically state that the treatment greatly reduces wrinkles and lines as well as very effective in removing cellulite or excess fat from all parts of the body including the face. A less costly alternative to mesotherapy is skin boosters. Skin boosters according to Valeska works by delivering deep-skin hydration which improves the skin’s elasticity, tone and texture as well as stimulate collagen production that restores the skin’s natural luminosity and repair aging skin. Skin peels have been around for quite some time now. Its longevity as a beauty treatment clearly illustrates its effectiveness in treating a range of skin conditions including wrinkles, fine lines, acne and acne scarring, enlarged pores, dark areas and age spots. Valeska believes that a thorough examination of the client’s skin and health must be undertaken so that the treatment can be ideally tailored to the client’s condition to achieve the best results. I had heard so much about mesotherapy but had never tried it. So when I was offered to try it at Valeska’s VSR beauty clinic I just had to accept, all in the name of journalistic research of course. Valeska really took time to analyse my skin. With the results she then proceeded to tailor the most suitable treatment for my skin condition. All I can
say is wow after having had my mesotherapy treatment. I understand that for the best and long lasting results, I need a few more treatments. Having seen the amazing results after only one visit, I will soon be back to complete the course of treatments. If you are really scared of surgical beauty treatments but still want to keep a youthful and healthy appearance, I highly recommend trying out one of the non-invasive beauty treatments offered by VSR Medical Aesthetic Clinic. Having visited many beauty clinics, I would rate VSR 5 out of 5 which is the same rating as it has on Google ratings.
Valeska Schubert (BBAIM) VSR Medical Aesthetic Clinic 18 Wimpole Street London W1G 8GD www.vsrclinic.co.uk
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| EDITORIAL
Stylist: @mazzlumi Hair: @maria_hairwork MUA: @natasha.soulstyle Ph: @k.annie419 MA: @fp_model_agency Clothes: @2_wb_
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pupa
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| PEOPLE
SOLVE SUNDSBO
BIOGRAPHY / CAREER The fashion photographer and filmmaker was born October 14, 1970 in Norway and later has moved to London, where he has studied in London College of Communication. After he left college, he went working for the photographer Nick Knight as his assistant. He has gained appreciation and admiration from people in his work by cause of his particular vision in approaching different techniques such as use of new technologies from 3D printing to hand painted retouch. He worked and keeps on working with Vogue Italia, I-D, Visionaire, New York Times, Dazed and Confused, Pop, W, Chinese Vogue, V and Love. Additionally, Solve Sundsbo made impressive campaigns for fashion brands and beauty products as Chanel, Cartier, Mugler, Lancome, Hermes, H&M and many other not any less powerful brands. Not to forget to mention, but the photographers filming career is as much important, as he made short film advertising for a lot of well-known brands. Considering his work, he owns an award like “Emmy Award’’ which he won in 2011 for “14 Actors Acting’’. Therefore, while living in London, today, he keeps on blooming his career, which we may follow by seeing in various editorials and never for a second stops to amaze his admirers.
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ANALYSING ARTIST’S WORK Moving on, to analyse deeply of Solve Sundsbo photography, we may really understand to a greater extent of his style, work process and talent that differentiates him from other artists. For example, looking at his piece for V Magazine titled “Twigs”, we may not only see the performance of the models act, but as well the photographer’s interaction with her. Solve Sundsbo was able to capture the outline of her posture in movement and adding to it his side of special effects. In this case, the editing work on technologies was shown. He made the model look more liquid and lighter, as if she was flowing together with this neon lights fire, which may identify her inside energy, that without the photography wouldn’t be seen realistically in an eye of human nature. In this campaign, the photographer displays simply not a model alone, but the photography's graphic art, fashion and also the diffusion of something mysterious. The similar idea goes, in his work for Vogue Italy, the beauty section. The photographer once again, makes a cooperation with the new technologies’ tools, that helps him tell a story and reach out emotionally the client. The advertising here, is in a close look that is a portrait style. There is only a model and a small brunch of flowers close to her, he made a blurry abstraction, that makes the society remember that people and the nature are growing as a whole together. In Solve Sundsbo photography, there is more of behind stories than just the images. His style is exclusive for the magazines or a photography industry as he is able to transmit a fantasy and a precise message without an actual typed texted or having to showing entire film.
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HEAT WAVE 40 mover-magazine.com
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Photo: @DanNguyenPhoto Model: Jerel Anderson @JerelAndersonOfficial @QModels Fashion Styling: @DanNguyenInsta Key Hair+ Key Makeup: @DanNguyenInsta Lead Hair Assistant: Sam Groeneveld @Styledby_SammyG from @LureVancouver 1st Assistant Photo+Hair+Fashion Styling: @Styledby_SammyG from @LureVancouver
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| PEOPLE
HERB RITTS Music videos
Life and career August 13, 1952 - December 26, 2002 Fashion photographer of celebrities, models and other cultural figures of 1980s and 1990s Black and white photography; portraits; style of Greek sculpture that emphasise the human shape He was born in a jewish family and began working in family furniture business. His father was a businessman and a mother worked as an interior designer He studied in Bard College and majored in economics / art history Became interested in photography with his friend Richard Gere while living in Los Angeles After he made one shot of an aspiring actor in front of an old jacked up Buick, it gained Ritts some coverage. He photographed Brooke Shield for Elle cover 1981, Olivia Newton-John for her album in 1981 and replicated cover pose with Madonna in 1986. As well as took photos of Johnny Depp, David Bowie, Britney Spears, Michael Jackson and many others. Produced covers and photos for Vogue, Vanity Fair, Elle, Interview and Rolling Stones. Created campaigns for Donna Karan, Chanel, Versace, Armani, Levi’s, Calvin Klein, Valentino... He was openly gay. 46 mover-magazine.com
His first directed video was of Madonna in 1989 in ‘’Cherish’’. Ritts also directed the video music for Michael Jackson, in which took part Naomi Campbell. Other then that he also worked on directing and acting, in such videos as for Jennifer Lopez, Shakira ‘’ Underneath your clothes’’, Britney Spears 2001 ‘’ Don't let me be the last to know’’. Overall shot 11 videos during his whole career.
Death Ritts died from pneumonia at age of 50. According to his publicist he was HIV-positive. But at the end of the day his immune system was compromised.
| PEOPLE
“For me, a portrait is something from which you feel the person, their inner quality, what it is that makes them who they are.” Herb Ritts, 1999
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DIOR UNVEILING
new boutique in SEOUL —
SEONGSU-DONG
To mark the occasion of the maria grazia chiuri-designed fall 2022 fashion show in Seoul (April 30, 2022, at Ewha womans university), the first défilé organized by DIOR in the republic of korea, the house is inaugurating, on may 1, a unique concept store located in seongsu-dong. A former industrial zone, this district is enjoying a renaissance and represents the innovative, cutting-edge spirit of a new generation with boundless creative energy. To celebrate this Effervescence, DIOR envisioned an exclusive ephemeral space, designed to evolve with the seasons and the collections in keeping with the heritage of DIOR. Welcoming visitors, a spectacular structure recalls the emblematic façade of 30 montaigne with its metallic mesh – evoking the excellence of the couture ateliers through fabric, or as monsieur DIOR liked to call it, “the sole vehicle of our dreams.” Within this fabulous open-air construction – roofless, like a grandiose theater – is a stunning garden, inspired by both korean nature and french gardens; a nod to monsieur DIOR’s love of Flowers, dotted with activities to discover along the way. At the heart of this exceptional setting, combining heritage and audacity, the DIOR boutique, conceived as a luminous glass showcase, reveals the different worlds of the house through reinterpreted DIOR symbols. The DIOR union women’s line – created by maria grazia chiuri – is housed in an architectural wooden module inspired by the curves of a skateboard ramp, while multiple versions of the iconic DIOR book tote
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Bag adorn an irresistible lounge dedicated to its personalization: the book tote room. The DIOR chez moi capsule and its precious silk scarves guarantee the gentle notes of life, alongside a shoe paradise where DIOR sneakers are spotlighted. All these objects of desire are set against a décor composed of original pieces by korean designers such as kwangho lee, who has created sculptural furniture in polystyrene foam, and jeonghwa seo, whose furniture fuses metals and natural materials such as wood or straw. A tribute to korean craftsmanship, the house icon toile de jouy is revisited on traditional hanji paper, made with mixing mulberry fiber and natural wood pulp in the republic of korea. The final surprise is the collaboration between DIOR and korean digital design company d’strict, known for its immersive media art. Together they recreated the atmosphere of christian DIOR’s childhood villa in granville, and the infinite beauty of his garden with its enchanting roses. A magical view of the tailored greenery can be seen from within the café DIOR, offering a poetic escape dedicated to aesthetes. This timeless experience propels DIOR’s heritage into the future, exalting the house’s inventiveness and modernity. Reservations can be made via the DIOR seongsu app, which is available to download on the official DIOR website from april 22, 2022. mover-magazine.com
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Male Model: Datlas Erre Male Model / Ph: Danimo Art Fashion Designer: Laura Ravelli Del Vascello
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TUDOR Royal
r
With its integrated metal bracelet, notched or diamond-set bezel and automatic movement, the TUDOR Royal range is the epitome of versatile and affordable sport-chic
oyal is a name first used by TUDOR in the 1950s to emphasise the superior quality of its watches. With this heritage in mind, the TUDOR Royal range offers selfwinding sport-chic watches with integrated bracelets that are as affordable as they are uncompromising. Boasting first-class technical performance and a refined aesthetic, this line sits at the crossroads between classic and sports watches. It comes in stainless steel or gold and steel and is offered in four sizes with nine possible dials.
TUDOR ROYAL IS #BORNTODARE Since its founding in 1926, TUDOR has endeavoured to produce the best possible watches at the best possible price. This mission, bold then as it is now, is inspired by the vision of the brand’s founder Hans Wilsdorf. The inventor of several cornerstones of modern fine watchmaking – wristwatch precision, waterproofness and the self-winding mechanism – Wilsdorf dreamed of devising a watch that was technically perfect while remaining affordable, and so created the TUDOR brand to bring his dream alive. The TUDOR Royal range forms part of this uncompromising heritage, promising its future owner no less than the best possible quality at the best possible price. Made in Switzerland from a block of one of the most robust stainless steels in existence, 316L steel, the case on the TUDOR Royal models is waterproof in all circumstances and to 100 metres (330 feet) below sea level thanks to its screwdown crown and case-back. The movement – the pinnacle of Swiss watchmaking expertise – is finely decorated despite not being visible and is adjusted to the highest chronometry standards in the watchmaking industry. Finally, the smooth and seamless “five-link” metal bracelet stands out thanks to the quality of its design, manufacturing and finish. All these things and more come together to produce the famous TUDOR quality, a philosophy summarised by the brand’s signature, #BornToDare – always striving to do better. 52
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Four satin-brushed and polished case diameters in 316L steel or 316L steel and yellow gold: 28 mm, 34 mm, 38 mm and 41 mm
Notched bezel in 316L steel or yellow gold, and diamondset bezel for the 28-mm version
Variety of sunray satin finish or mother-of-pearl dials with applied or diamond Roman numerals
Date function, and day of the week for the 41-mm diameter
Baton hands with grade A Swiss Super-LumiNova® luminescent material
Five-year transferable guarantee with no registration or periodic maintenance checks required
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CASE 41, 38, 34 or 28-mm 316L steel case with polished and satin finish BEZEL Notched bezel in 316L steel or yellow gold, alternating cut grooves and polished finish For the 28-mm model, 316L steel or yellow gold bezel set with diamonds WINDING CROWN 316L steel or yellow gold screw-down winding crown with the TUDOR logo in relief DIAL Black, silver, champagne-colour or blue, sunray-finish, with or without diamonds Gem-set white mother-of-pearl (34 and 28 mm only) Appliqué Roman numerals Day of the week at 12 o’clock (41 mm only) Date at 3 o’clock CRYSTAL Sapphire crystal WATERPROOFNESS Waterproof to 100 m (330 ft) BRACELET Integrated bracelet in 316L steel or 316L steel and yellow gold, 5 rows, satin-brushed external and central links, polished intermediate links, with folding clasp and safety catch MOVEMENT Self-winding mechanical movement, Calibre T603 (41 mm) or T601 (38 and 34 mm) or T201 (28 mm) POWER RESERVE Approximately 38 hours FUNCTIONS Hour, minute and second hands at the centre Semi-instantaneous date at 3 o’clock Semi-instantaneous day of the week at 12 o’clock (41-mm model only) Stop-seconds for precise time setting OSCILLATOR Nivarox, adjustment via index assembly Frequency: 28,800 beats/hour (4 Hz) TOTAL DIAMETER T603: 33.3 mm T601: 26 mm T201: 17.5 mm THICKNESS T603: 5.5 mm T601: 4.6 mm T201: 4.8 mm JEWELS 25 jewels
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SPORT-CHIC WATCH WITH INTEGRATED BRACELET The TUDOR Royal range is the ultimate in balance, elegance and versatility. The characteristic notched bezel, with its alternating surface polish and cut grooves, is just one of the design details that give the Royal its unique personality. With its integrated metal bracelet ensuring an uninterrupted line with the case, TUDOR Royal embodies fluidity and unmistakable style. Characterised by its three wide satin-brushed links set between two slimmer polished elements, the smooth quality of its surfaces and edges emphasises the importance that TUDOR places on ensuring its comfort on the wrist. Available in stainless steel or with alternating links in stainless steel and yellow gold, the meticulous finishes of the models in this range cater to every taste. Available in four sizes, the TUDOR Royal is designed to fit any wrist. The 41-mm version is particularly distinctive as its mechanical movement displays the day at the same time as the date. The 28-mm version features a mother-of-pearl dial with a diamond-set bezel.
SPORT-CHIC WATCH WITH REFINED DIALS The TUDOR Royal range has adopted the sunray motif for its dials. Available in black, silver, champagne-colour or blue, the sunray motif radiates from the centre of the dial, creating elegant lighting effects and reflections that accentuate the chic character of the Royal. The range is completed by a diamond-set mother-of-pearl version for the smallest diameter. For a final touch of chic, TUDOR has added applied Roman numeral hour markers to its TUDOR Royal watches. All dials offer these applied numerals, which can be replaced by eight diamond-set hour markers.
THE TUDOR GUARANTEE Since the brand’s creation by Hans Wilsdorf in 1926, and in line with his vision of the ideal timepiece, TUDOR has been consistently creating watches that are as robust, durable, reliable and precise as possible. Bolstered by this experience, and confident in the superior quality of its watches, TUDOR offers a
five-year guarantee for all its products sold after January 1st, 2020. This guarantee does not require the watch to be registered or submitted to periodic checks and is transferable.
ABOUT TUDOR TUDOR is an award-winning Swiss-made watch brand, offering watches with sophisticated style, proven reliability and unmatched value for the money. The origins of TUDOR date back to 1926, when “The Tudor” was first registered as a brand on behalf of the founder of Rolex, Hans Wilsdorf. He officially set up the Montres TUDOR SA company in 1946 to produce watches that respect the traditional Rolex philosophy of quality at a more affordable price point. Because of their robustness and affordability, throughout their history TUDOR watches have been chosen by the boldest adventurers on land, in the air, underwater and on ice. Today, the TUDOR collection includes iconic lines such as Black Bay, Pelagos and Royal. Since 2015, TUDOR has also offered models with mechanical Manufacture Calibres with multiple functions and superior performance. mover-magazine.com
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FLORA WONDERS:
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A ‘By the Numbers’ Look at Tiffany & Co.’s Spring 2022 Blue Book Collection
glamorous glimpse of the facts and figures behind Tiffany & Co.’s newest Blue Book Collection, BOTANICA. Fascinating details abound. Taking inspiration from Tiffany & Co.’s enduring heritage of innovation, the House has created a collection of contemporary high jewelry studded with world-class gemstones and diamonds, revealed in the Spring 2022 Blue Book Collection, BOTANICA. Tiffany flawlessly showcases its extraordinary craftsmanship in this latest lush landscape of jewels. The designs of the collection evoke natural themes from Tiffany’s history, a reflection of exquisite detail and reverence for the past. An artisan replicated orchid blooms in platinum, embellishing each with round rose-cut, modified rose-cut and round sparkling diamonds. The thistle, an additional theme, snakes wildly into a burst of intricately enchanting jewels. To recreate the angular shapes of thistles, trillion-cut gemstones were set by hand at perfect angles. Other themes interwoven into the pieces reimagine floral motifs deeply rooted in the House’s heritage of creative inspiration. Many of the collection’s opulent interpretations of flora seamlessly capture the wonders of nature — sculpted into bejeweled statements of splendor that include those of the late master designer Jean Schlumberger. Wisterias, thistles, dandelions and orchids are reborn as transformational high jewelry. Take a look at the numbers behind the jewelencrusted BOTANICA creations:
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V·I·N·T·A·G·E Vintage is a French word. The term was introduced by winemakers to denote the class of rare wines stored in the cellars for many years. The longer storage time the better the drink (taste, bouquet and color), the more valuable and more expensive it is. At some point, the modern fashion industry picked up the idea of French winemakers and introduced a new fashion trend to the world called “vintage”. Clothing has been for centuries, 'one of the most visible indicators of gender and social status. Vintage is seen as to identify the consumer values and social status, because some vintage items are rare or hard to find nowadays, so if the consumer was able to pay an enormous amount money for it, it shows his status in front of others.
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Fashion is cyclical. Every new season there are some styles, elements, accessories which are similar to what was created in different decades of the XX century. Fashion experts say that 90s is the last decade when something radically new was created. Traditionally, vintage is items that are over 20 years old. But in fact, the age line is already blurred. Anyway, things can be both branded and no name. Even dresses from the 1950s, made in some little no-name atelier, can be incredibly luxurious. As we know all new is well forgotten old. Here we have an example of wide leg jeans which are in trend nowadays and when they were in trend after hippy subculture began. Same situation with wide shoulder jackets. Bags from new collections of the world's brands resemble those that Brigitte Bardot, Jacqueline Kennedy and Princess Diana were walking around with, back in the 20th century. As an example, Fendi and Dior bags from the early 2000s are now most popular bags again. In fact, they have not yet grown to the concept of vintage, anyway all the world's stores already refer them as vintage bags. In vintage clothing and accessories, it is rather important their relevance in today's day and at the same time a clear reflection of their era. With the beginning of industrialization and the advent of new means of communication, fashion has become very transient. It is known to repeat itself every 20 years, unwittingly or directly borrowing ideas, details and inspiration of the previous era. The value of vintage is that the models which released 20 or 60 years ago, can fit organically into a modern closet, as long as the cut and fabrics have modern features. As we know you can buy vintage cloths in second hands and vintage stores. It is a really good opportunity for our planet to use less resources in a way of fabrics and do not make new cloths. We know that vintage it is something we can combine with a new style cloth it will save our planet and peoples working facilities. More than that vintage and retro it is that kind of style that will never dye. You always going to find something new in it and try it on. It can start from accessories and finish with the full gorgeous look. mover-magazine.com
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Jürgen Teller Jürgen Teller is a famous German photographer, known for his shocking style, in which he often goes beyond the generally accepted framework of beauty. He has collaborated with publications such as Vogue, Purple, i-D, and has shot ad campaigns for Céline, Louis Vuitton, Marc Jacobs, Adidas, and Vivienne Westwood. The iconic photographer Jürgen Teller is known for portraits shot in an intentionally “random” manner. His “amateur” aesthetics had a huge impact on fashion photography. Teller is not at all interested in where the line is between high art and craft, or even between art and “not art”. The question is what is considered quality work. For a German artist in the first place – the ability to capture the very essence of the heroes: their soul, mood and emotions, their temperament and charisma. As the last one is the quality of the shooting itself. He moved to London in the mid-80s after studying at the Munich School of Photography, Jürgen Teller began his career by filming for music magazines – it was through the prism of the rock scene that he perceived both fashion and art.
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Intentionally “random” photographs of Jürgen Teller are created exactly as it seems to the viewer – quickly and unexpectedly. The photographer takes two cameras at once, so as not to wait for a pause between flashes and not to lose precious “live” moments. To establish personal contact with the model, he needs for the maximum honesty of photography, Teller uses as few equipment as possible and a minimum of people. Teller removes almost intuitively, without thinking through every step, and painstaking work begins already at the selection stage. Jurgen Teller shot many rock stars, famous actresses and top models, invariably showing their unique image, lively and liberated. In order not to miss the situation in which the character of a person will reveal itself in all unpredictability, the artist is always armed with a camera. Jürgen Teller took off his first serious project at the age of 35, when during the year he photographed all the girls who came to his studio, located on a small street in West London, to do model photo tests. Throughout the year (from 1998 to 1999), agencies send girls to him for photo tests, and Jürgen removed each at the door of his studio, like at the door to a new life. September 1, 1999 the book “Jourgen Teller. Go-Sees” – 470 pages of photos of English girls who dreamed of a serious career as a super-model! 470 pages of unfulfilled hopes. A kind of sociological study, made in the form of a typology, uniting all the participants in this spontaneous photo project together, as well as those false hopes that were the purpose of their visit to the photographer. It was this project that glorified young Jürgen Teller and transferred it from the category of a photographer taking model tests to the category of “modern artist”.
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Elena
KERINA PR specialist, model
H
ow did you come to the direction of PR and advertising? This is my second degree, I just wanted to go to school. I was well aware that I was versed in various fields, but I knew almost nothing about how advertising works. Then I thought, I want to know this and understand this field. I ended up being so fascinated by it that I graduated with honors and am already doing advertising as my job. You're constantly evolving in different directions, is there something you want to do that you're not ready to do yet? I think I've tried most of the things I've been interested in. Something suited me, something remained a skill. I might want to learn how to sew and design clothes, but I just have ideas for now. What do you consider your greatest achievement? I have many achievements in different directions: I am a unique specialist, I develop in the things that interest me, I know most of my idols, I saw the countries that I wanted to see. But the main achievement is the acceptance of myself, as I am. I am glad that I achieved this, that I am in harmony with myself. How not to lose yourself while searching for your vocation? Allowing yourself to try and make mistakes is normal. Always remember that vocation, work, hobbies are all
parts of you, not the other way around. Accept yourself and remember who you are and you won't get lost. You've been modeling for about a year, but you've already taken part in over 70 shoots, has it been difficult for you? It was a big misconception to think it was easy. But it's often mentally and physically challenging. Any shoot is a team effort, it requires preparation. Sometimes a beautiful shot can cost your health, but I love it all. Who is your favorite model and why? I've never been into fashion, but I do have a favorite model, Iman. I think she's beautiful. She has an amazing, memorable stride, and she excels at presenting images, making it so easy, but with a kind of mystery. Iman is charming, intelligent and beautiful, I admire her as a model and as a person. What inspires you in your work and in your various endeavors? In different areas, I have my own examples and people who inspire me. But I never know where inspiration will come from, because it could be anything. What are your plans for the next five years? Lately I feel like everything around me and inside me is changing, and it definitely doesn't lend itself to planning. It's hard for me to answer this question, but I plan to enjoy life, do what I like, and time will tell how it will really be. mover-magazine.com
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Dream in Zuzeum Ph: Zoya Ignatova MUAH: Anete Kapkalne Model: Everita Kondratjeva
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OLGA DZHULARDOVA Olga Dzhulardova is a designer and creator of the clothing brand Olga Dzhulardova. Olga's love for fashion manifested in her childhood. And although, after school, she chose a different profession, the calling found her by itself. In 2021, the Olga Dzhulardova collection first appeared on the Wildberries marketplace. In the same year, cooperation with the Central House of Designers began. In an interview, Olga told how the history of the Olga Dzhulardova brand began, to whom the first collection was dedicated, and when the boutique will open in Moscow. olgadzhulardova do.dress dodress
Ph: @ph.alessandra Models: @__kokoeva__d @taya.zaikina MUAH: @morozovbeauty Clothes: @do.dress
lga, tell us about the first collection. How was the idea of its creation born? What difficulties did you encounter when starting up? The first collection that came out under the Olga Dzhulardova brand was created in the fall of 2018 and is called “Inspiration”. The images included in it are 6 guipure dresses. It took me a long time to come up with the idea of creating a brand. There were a lot of doubts and questions, first of all, who might like my creations, who would wear my clothes, and how I could interest potential buyers. There was a feeling of underestimation and dissatisfaction with oneself. My husband and close friend Irina helped me with this. My husband has always believed and believes in my strength and is the first critic of my collections. And Irina, at that time, supported me in every possible way. She set me up for positive and stimulating actions on her part: she helped me start running Instagram, ordered tailoring from me, and said that I definitely needed to organize my own brand. Everything I did, she really liked. Irina is an empathetic, gentle and sympathetic person. She is a psychologist by education and writes beautiful poetry. I dedicated my first collection to her. All images from “Inspiration” are light, airy, and feminine, like Irina herself. We organized the shooting of the first collection in the studio with another photographer friend, and Irina and I acted as models. The Olga Dzhulardova brand aims to develop clothing for women. What does your potential client look like? Are there any plans to work on a collection for men? The brand Olga Dzhulardova develops only women's clothing. Perhaps someday we will come to the men's one, but this is not yet in the plans for the near future. Although my husband has been asking me for a long time to design and sew something for him. So far, I am guided by what inspires me, namely female images.
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Our potential client can be viewed from two sides based on the brand's direction. Firstly, design activity – the development of exclusive collections, such as “Inspiration”, “Flame”, “Delight”, and “Nature”. In this case, basically, one sample per model is sewn off. Models are complex in execution. Hand or machine embroidery, knitting, and expensive fabrics are used. Collections are designed to receive pre-orders for existing models. A potential client, in this case, is a wealthy woman who leads an active lifestyle, takes care of herself, looks excellent, and is self-confident. She can have her own business, a remarkable career, and a family simultaneously. She understands fashion trends, matches them, and has an excellent physical shape. She is mobile, travels a lot, and attends various social events. In the second case – activities on marketplaces. We study the specifics of the work and how and when to present the product correctly. In this case, the potential client is an average buyer: a woman aged 30 to 50, with an average income, family, children, and husband. She is always on the move and must be ready for the holidays, and various family and school events, taking into account all the family's interests. She needs comfortable clothes, both for home and everyday life, to live in the rhythm of a big city. What do you focus on trends, versatility, and comfort when creating collections? When creating collections, the Olga Dzhulardova brand focuses on trends and tendencies in modern fashion. And the reality is that comfort is one of the main trends. Nevertheless, the main idea is that we strive for our own style, for those external signs by which the Olga Dzhulardova brand will be recognized. This is a romantic style with handmade elements, sincerity, and warmth, designed to awaken femininity, beauty, and harmony with oneself and the world around. At the end of 2021, you started collaborating with the Central House of Designers. What does cooperation with CHD mean for a designer? Working with CHD, in my opinion, is an excellent opportunity for young designers and emerging brands to express themselves, raise their status in their own eyes, and motivate further development. In the initial stages, young brands do not always have enough opportunities and resources to develop their
points of sale (online or offline stores). And the CHD provides this opportunity. Moreover, this organization assumes all the powers to constantly attract customers. Many thanks to the organizers of this project. Which of the foreign and domestic designers do you look up to? Whose style is close to you? Do you actively follow someone's activities? Among foreign designers, my idols are Balmain, Alexander McQueen, Philosophy di Lorenzo Serafini, Prada, Fendi, Alessandra Rich, and Oscar de la Renta. If we talk about Russian – Ulyana Sergeenko, Vika Gazinskaya, Alena Akhmadullina, and Igor Chapurin. Do you think fashion has changed significantly in recent years? What does the modern consumer need? I cannot say that fashion has changed significantly, even though there was a pandemic, and now many political events are taking place. A woman remains a woman and in any situation wants to be beautiful. Also, fashion is very cyclical. Many trends of past years have returned and are returning to us in a new modern interpretation: puffy sleeves, corsets, long dresses, and so on for a long time. What are the future plans for the Olga Dzhulardova brand? Dreaming of opening a boutique in Moscow? Plans – to develop in the given directions, which were mentioned above. Shortly, it is planned to create a website with the ability to order designer clothes and the development of accounts on social networks. In other words, the development of own points of sale is the main direction. The Olga Dzhulardova brand boutique in Moscow is a big dream and a goal we are moving towards. We are sure that the day will come when this goal will be achieved, as there is a great desire and aspiration!
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Flower tenderness
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Production: @mode.production Agency: @fp_model_agency_rus @fp_model_school_rus Ph: @ph.lastseenever Style: @frau_matlina Muah: @korennova_mua Md: @ek_lerrrr @viejva @marine_sue_ Clothes: @by_matlina
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Museum del Novecento in Milan, Italy is one of the first and most representative museums of modern art in the world. There you can find many exhibits related to classical art and restored art exhibits. In this article I gonna talk about Lucio Fontana and his art works about cutting canvases The 20th Century Museum (Museo del Novecento) is located in Milan, in Lombardy in northern Italy, in the Palazzo dell'Arengario. The building began to be built in 1937 during the era of Benito Mussolini. The palace was designed by architects Portaluppi, Magistretti, Muzio and Griffini. In 1999, there was talk of creating a museum with a collection of modern works of art. To do this, they decided to restore the Arengario Palace in order to adapt the interior of the building to the general theme of the modern exhibition. Only the famous spiral staircase, along which you climb inside the glass tower, was left untouched. The Novecento Museum opened on December 6, 2010. It contains about 400 works of Italian art of the twentieth century, including paintings, sculptures and spatial installations. In the museum you can see both the permanent exhibition and temporary exhibitions in the “Focus” hall. One of the most famous and sensational works of the museum: “Composition” by Kandinsky, “Shit of the artist” by Manzoni, “Prodigal son” by Kiriko, “Nude” by Picasso, “Girl running on the balcony” by Balla, “Still life with a mannequin” by Morandi, “Figure” Sironi and others.
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The Novecento Museum is divided into thematic rooms, which can be used to trace the chronology of the development of contemporary art. It works like this - the higher you go up, the newer and more modern the work is exhibited. The first floor is dedicated to international avant-garde artists. Here are the works of Picasso, Kandinsky, Jaker, Matisse, Lage. Also here are the works of expressionists of the 40s and the works of Italian artists of the current Arte Povera of the 60s.
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The second floor is dedicated to the futurists. Here is a rich collection of works by artists such as Umberto Boccioni, Giacomo Balla, Carlo Carra, Ardengo Sofiti, Mario Sironi, Achilles Funni and Gino Severini. The museum also has separate halls representing artists Giorgio de Chirico, Morandi and Lucio Fontana, whose works of art are very significant for Milan. His spatial work “Structure in Neon”, visible even from the street, was presented at the Triennial in 1951. The second work of the Fountain "Plafond" was created for the hotel "Bay" on the island of Elba. The third and fourth floors will present you the work of Burri, Kunellis, "Group T", Merz and other creators. The best part of the museum is on the 3rd floor in a Lucio Fontana part. Fontana was born in 1899 in a creative family: his father had a workshop where monumental monuments were erected on the graves. At the age of 10, Lucio became a student there. Despite his fame as an artist, he is a sculptor
by education: in 1927, he entered the Brera Academy in Milan and became interested in cubism. First, the artist made an incision or hole on the canvas with a tool, and then with his hands he gave the hole the desired shape. Dissecting the picture, he sought to make it three- dimensional: the volume should have created shadows from the edge of the section. To create the effect of depth, behind the Fontana glued black fabric to the canvas. So the feeling of emptiness and space turned out. In the late 40s, Fontana came up with spatial installations, most of which were destroyed. These were corridors and rooms lit by neon tubes, where viewers could enter and experience extraordinary sensations, as if plunging into unreal space. They were first shown at the Walker Art Center in Minneapolis in 1966 and at an exhibition at the Stedelijk Museum in Amsterdam in 1967. Almost immediately after it, the installations were destroyed, because at that time no one suspected that they might have any value. mover-magazine.com
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Ph: David Rodriguez @davidofficialclub Md: Patricia Botrán @patricia_botran Md/MUAH: Nazaret Rodriguez @nazaret_rcerezo
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ARTis never GETTING
In this article we going to look at famous artists history and their works. More than that we going to find similarities between works of old artists ant an artist of our days
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ené Magritte is one of the most enigmatic masters of the 20th century. The Belgian surrealist painter chose as his motto; “The visible is not the same” and bizarrely combined in his works ordinary objects that surround us in everyday life with images familiar to everyone from myths and works of literature and painting. At first glance there is no logical connection in this combination, it violates the usual order of things. Magritte invites the viewer to fantasize, dream and wonder, creating his own garden of illusion. The world of his images is a world of fantasies, sometimes quite difficult for concrete understanding. His paintings are peculiar philosophical formulas, the essence of which is defined by objects interacting with each other – unexpectedly combined, but incompatible in ordinary life. The paintings of René Magritte are like advertising posters; the images he created have forever entered the mass culture. He is loved and quoted by everyone from fashion designers to Hollywood filmmakers, from musicians to bankers. Magritte's portrait was featured on the 500 Belgian franc bill.
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The Belgian's art is especially precious to advertising agencies, which never tire of exploiting the iconic characters of his work; watches, underpants, shoes, plates and even airbuses are decorated with them. Critics say Magritte was the first to make Surrealism acceptable to the masses, which ensured his fame and popularity. And this is partly true. If you compare the Belgian with a colleague in the genre – Salvador Dali, you can clearly see that Magritte is indeed devoid of provocative characteristic of Dali. Magritte's nudes are schematic, serving only a demonstrative function, to guide the viewer into the world of the painting.
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ykut Aydogdu is an artist from Istanbul who creates unusual paintings in which fantasy intertwines with reality. Beautiful girls, bright flowers and strange elements turn illustrations into puzzles that one wants to solve. Aykut Aydogdu can be rightly called a master of a digital painting. Inspired by famous movies, books and comics, or simply by the beauty of the world around him, Aykut Aydogdu creates unique, unlike anything else illustrations. Tenderness and avant-garde, sensuality and brightness of images are closely intertwined in Aykut Aydogdu's works, which creates a feeling of complete immersion in the world of augmented reality. Fantasy reality, beautiful and extremely colorful. Today his portfolio contains many diverse works, performed on a commercial basis. Among them are covers of popular magazines, posters and movie posters. His surreal figurative works mainly
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focus on the dilemmas of everyday life in modern man. On his doubts and experiences, fears and hopes. Aikut Aydogdu has developed his own unique style of figurative art, creating surreal, enigmatic illustrations that reflect the most intense and incomprehensible feelings that haunt the hearts of those who suffer or have already suffered because of love. It's hard to believe he hasn't made a single brushstroke in creating his work. He is a typical surrealist, and his portfolio is vast and varied in themes and styles. The artist let the viewer decide for himself what is real and what is not. The creative individuality of the author is strong and vivid, it has preserved its identity, resisting the temptation to imitate the modern legislators of surrealist painting.
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alvador Dali is one of Spain's most famous artists and has become an integral part of world pop culture. He became famous not only for his art, but also for his carefully constructed scandalous image, his eccentric behavior, and his defiant statements about himself and his surroundings. Characteristics of Salvador Dali's work: he is best known for his Surrealist paintings, although he worked in different styles – beginning with Impressionism and Cubism in his youth and ending with Neoclassicism in his later period. He was a jack-of-all-trades: he created illustrations, advertising logos and interiors, wrote memoirs, screenplays and artwork, published cookbooks and lithographs. He was not shy about borrowing and numerous allusions to the paintings of his favorite masters – Velázquez, Vermeer and others. Dali creates a new mythology – not a mythology of the past, but a dramatic mythology of the future; color, bizarre forms, the very movement of lines have a special symbolic meaning with him. He composes mon strous, terrifying, and illuminating anticipatory compositions. Through piles of associative pictorial rows, through the temptations of invented and existing vices and sins, from the abyss of despair and fear, transforming and spiritu ally purifying himself, he seeks to help man get rid of disbelief and find the way to the true faith. Judgments, actions, paint ings of Salvador Dali, all carried a light touch of mad ness. This man was not just a surrealist painter, he was the epitome of surrea lism.
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inside of me
Production: @mode.production Agency: @fp_model_school_rus @fp_model_agency_rus Ph: @nata_ph Style: @pridymaimnenik MUAH: @anyanemkova Booker: @booker_fpmodels Clothes: @c_d.vintage
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Tirailleurs by Mathieu Vadepied © Photo : Marie-Clémence David © 2022 - Unité Korokoro - Gaumont - France 3 Cinéma - Mille Soleils - Sypossible Africa
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“FATHER & SOLDIER” by Mathieu Vadepied, starring Omar Sy, Alassane Diong and Jonas Bloquet to open Un Certain Regard
Produced by Bruno Nahon and Omar Sy, Father & soldier is the second feature film of director, screenwriter and cinematographer Mathieu Vadepied. The film highlights the story of the Senegalese infantry men, forgotten heroes of World War One, forced to leave their homeland and fight to liberate France. The Franco-Senegalese co-production, shot in France and Senegal, tells the story of Bakary Diallo, a father, who enlists in the French army in 1917 to join Thierno, his 17-year-old son, who was drafted by force. Sent to the front, father and son will have to face the war together. Galvanized by the fervor of his officer who wants to lead him to the heart of the battle, Thierno comes of age while Bakary does everything to pull him out of the combat and bring him home safe and sound. Bathed in a brilliance reminiscent of the Autochrome Lumière, Father & soldier sways between the ochre of the earth and the blue of the uniforms, between natural light and the darkness of the trenches. By shooting on the land of the Peuls, near the Mauritanian border, Mathieu Vadepied evokes another tragic dimension of colonization, when France sought soldiers in West Africa. The world premiere of Father & soldier will open Un Certain Regard on Wednesday, May 18, before the Jury, which will announce its award winners on Friday, May 27. mover-magazine.com
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RED THREADS 98 mover-magazine.com
Photographer: Andrey Lukovnikov Makeup Artist: Inna Torbunova Creative Director: Ekaterina Lukovnikova Model: Diana Afitserava
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Saint-Paul-de-Vence Because there is the famous Golden Dove and was part of favorite holiday resorts of Picasso, Matisse or Chagall, Saint-Paul-deVence is a real architectural nugget.
Gassin Perched at 200 meters above sea level on a rock in the Var, Gassin offers panoramic views of the Gulf of Saint-Tropez. Medieval village with stainless charms, there are all the southern classics: the place to play pétanque, cafes where to sip pastis and the shops that celebrate Provence.
From PROVENCE to the SHORES of the MEDITERRANEAN A guided tour of the most beautiful villages in the south of France 100 mover-magazine.com
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Les Baux de Provence In a countryside where the wind caresses olive trees, crickets sing their serenade, lavender perfumes the landscape and the sun browns the skins, the Baux de Provence bring to life a south at the height of authenticity. At his feet, the quarries of the Val d'Enfer, where Jean Cocteau shot the Testament of Orpheus in 1959.
Mougins Located in the Cannes hinterland, as the south of France does best, the old Mougins is a real Provençal postcard. On the heights, you walk through small stone streets, climbed by ivy and squares where fountains sit. Not to mention that we can see, in the distance, the Mediterranean bordering the Croisette.
Eze Plunging over the Mediterranean, the village of Eze offers a breathtaking panorama. At the bend of its mazes, we also discover a neo-classical church or exotic gardens where you can admire the ruins of an old castle. mover-magazine.com
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Saignon Charming village in the Luberon, Saignon compiles all the Provençal elements that make you dream: small stone houses, ivy climbs, fountains, viewpoints where you can admire the lavender fields... All perched on the edge of the Claparèdes plateau.
Gordes At the top of the list of the most beautiful villages in Provence, Gordes seduces with its typical architecture, in stone, but also and above all for its superb bird's eye view of the Luberon. The most? There is a fabulous hotel: La Bastide de Gordes. 102 mover-magazine.com
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Lourmarin Almost as famous as its castle, Lourmarin is one of the safe values, passing through the Luberon. Surrounded by vineyards and olive trees, the typical Provençal village brings together glaciers, cafes that open onto southern squares and shops.
Ramatuelle From Saint-Tropez, just follow the famous Pampelonne beach road to reach Ramatuelle. Charming village that went to perch on the foothills of the hill of Paillas. With the Mediterranean in mind, we discover a tangle of mazes populated by typical cafes and shops celebrating the Provençal art of living.
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deprivation Ph: @dilyusa.photo Models: @livnerogggg @anyvanov
MUAH: @aigul_212 Style: @gets001 Art director: @yankolis
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