DocWeek 2013 Program

SPLENDOR FEAR SEX DRUGS ROCK&ROLL WONDER DEATH

AND ALL THE OTHER THINGS YOU LOVE "Bob Dylan and D.A. Pennebaker - 1966 European Tour" Photo Credit Unknown - Courtesy Pennebaker Hegedus Films

2013 Program docweek.org.au

DOC CELEBRATING WEEK DOCUMENTARY Adelaide // 25 February − 3 March

DOCWEEK 2013 // Australian International Documentary Conference

Born in South Australia in 1987 as the Australian National Documentary Conference, the Australian International Documentary Conference is now the pre−eminent documentary industry event in the Asia Pacific region.

The conference is organised by AIDC Ltd., a not for profit industry support organisation that sees its main purposes in providing an industry platform for knowledge sharing, creating opportunities for high level networking and promoting Australian documentaries and factual programs in Australia and overseas.

With producers and broadcasters flying in from Australia and the World annually, the conference is a market place as well as a forum for ideas. During 4 days in February Adelaide is the location where new program deals are discussed and international collaborations initiated. The results of these conversations will feature on our television screens in the months and years to follow. The conference and market is open for all documentary and factual program makers, broadcasters and other industry professionals.

For more information on how to participate, visit the ’industry programs’ link on docweek.org.au

Presented by the Australian International Documentary Conference Principal Government Partners

Summer School Partners

Major Government Partner

Major Partner

Event Partners

Supporters

acknowledgements The docweek team would like to thank the AIDC Board, our Government Partners and sponsors, our supportErs, contract staff and volunteers who have contributed to the success of DocWeek.

Board Co−Chair: Helen Leake Co−Chair: Dr Mitzi Goldman Secretary: Janine Pearce Treasurer: Lori Flekser Alan Erson Karena Slaninka

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Philippa Campey Tanya Denning Ray Pedretti Penelope McDonald Britt Arthur

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DOC WEEK STAFF

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Executive Director: Joost den Hartog General Manager: Rob Richards Office & Marketing Manager: Nadia Parker Communications Coordinator: Ade Suharto Marketplace and International Relations Manager: Caroline Man Conference Manager : Sarah Lancaster Communications Manager : Jacky Smith Finance: Mel Weeks Julia Overton

Gregg Mitchell Gary Seaman

Tobin Lush

Mosaic Audio Visual Free Range Future

Craig Williams

Nick Crowther Yuri Tomanek

Print Solutions Chris Doak

DocWeek TVC / Promo Director Mitchell Keire

DOCWEEK 2013 // MESSAGE FROM THE MINISTER FOR THE ARTS I’d like to extend a warm South Australian welcome to all visitors for the inaugural Documentary Week, or DocWeek 2013.

DocWeek is an exciting new initiative from the Australian International Documentary Conference (AIDC), presented within the 2013 Adelaide Festival. South Australia is proud to host the AIDC and now we are delighted to see what has been a mostly "industry only" conference take a big step into the public arena.

South Australia has a proud tradition of supporting and producing outstanding documentary. Last year, Adelaide’s own Paul Gallasch, received the AIDC’s F4 Award for

CONTENTS

Outstanding New Documentary Talent with his film "Killing Anna." Paul then went on to win the Australian Documentary prize at the Sydney Film Festival and received official selection at the Bootleg Film Festival Toronto.

02 // Acknowledgements

Now we have a new and exciting element to add to our Festival program with a week−long celebration of the art of documentary filmmaking.

06 // Highlights

I wish you an interesting, inspiring and enjoyable time in Adelaide at the inaugural DocWeek.

11 // D.A. Pennebaker & Chris Hegedus

03 // Welcome Messages 05 // Ticketing Information & Map

08 // F4 : First Factual Films

14 // China Next The Hon John Hill

15 // DocWeek Summer School

Minister for the Arts

16 // Austrian Reality: The Films of Nikolaus Geyrhalter

MESSAGE FROM THE CO CHAIRS We are excited to present the expansion of the AIDC into a unique and comprehensive celebration of documentary in our inaugural Documentary Week (DocWeek) program. The week of screenings, speakers and events builds upon and enhances the conference at the centre of our activities. It allows the general public to engage in the fascinating world of documentary.

There will be screenings of current and retrospective work by internationally acclaimed master

filmmakers that include over 30 handpicked classic documentaries, a competition strand for new talent; the F4 Award, master classes facilitated by visiting international guests and artist conversations.

We look forward to welcoming you all to Adelaide and to immersing you in a world of ideas, issues and documentary art and culture.

17 // Broadcaster Showcase & Regional Program 18 // Australia’s Living Memory 23 // Schedule

Mitzi Goldman and Helen Leake Co Chairs AIDC

Welcome to Documentary Week 2013 DocWeek celebrates documentary film and television.

DocWeek has grown out of the Australian International Documentary Conference (AIDC), an annual industry conference and market for professional film and television makers and broadcasters from around the world. AIDC has a 25 year long history, but happened, until now, behind the scenes and out of the eye of the general public. It is the backstage area of the television and cinema world.

During DocWeek we are providing everybody with a backstage pass and invite you into the world of factual program making and the art of documentary cinema.

DocWeek offers an extensive screening program, the DocWeek Summer School, special events and Q&A sessions.

DocWeek is complimentary to other film festivals, as it doesn’t look for the hottest films of the moment, but celebrates the work of a limited number of carefully selected filmmakers, organisations or topics.

DocWeek is the ultimate introduction to the wonders of documentary cinema.

I would like to thank our major partners, the Government of South Australia through ArtsSA, Flinders University and Fox Creek Wines for their generous support and for believing in our vision.

Join the DocWeek events and rub shoulders with filmmakers and television executives, enjoy the extraordinary work of some of the world’s most celebrated documentary makers and be amongst the first to see what the next generation of Australian talent has to offer.

Joost den Hartog Director

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DocWeek Adelaide 2013 25/02/13

WORTH MAKING A FILM ABOUT PROUD EVENT PARTNER OF DOCWEEK & THE AUSTRALIAN INTERNATIONAL DOCUMENTARY CONFERENCE

DOCWEEK 2013 // Tickets

Special Event

Access

Disclaimer

All ticket prices include GST and an admin fee. A $2 booking fee will be added to the prices listed below at time of purchase.

To buy tickets for An Evening of Conversation with Honorary Oscar winner D.A. Pennebaker and Chris Hegedus call BASS on 131 246 or visit www.bass.net.au

DocWeek supports and accepts the companion card, to book tickets using your companion card. To book a wheelchair space or to advise us of your access needs, please call 08 8394 2595. Wheelchair spaces and Companion Card tickets cannot be booked online.

Program details are correct at the time of printing but are subject to change where necessary and without notice. Please check website for updates.

AUSTRALIAN INDUSTRY DOCUMENTARY CONFERENCE

Park at UPark during DocWeek to take advantage of these parking rates:

During DocWeek the Australian Industry Documentary Conference (AIDC) is taking place at the Intercontinental. For further information on the conference side of things visit www. aidc.org.au

165 – 185 Rundle Street (above Hungry Jacks)

Cost is $30 including all fees (see page 11 for further information) There are over 30 documentary films scheduled during DocWeek (see schedule on page 23 for venue, date and time)

Full Screening Pass - $120

Admission Conditions

Book online

Online at www.docweek.org.au .Once you purchase your tickets online you will receive Classification of Films a receipt via email. You will need to present All screenings are classified R18+ unless otherwise indicated your receipt at the box office in order to collect your tickets. If you require any STREET STREET STREET further booking information call our office Entry on 08 8394 2594.

A valid receipt must be presented for entry DocWeek tickets can be purchased online to all paid sessions via credit card (Visa or MasterCard) at www.docweek.org.au

Latecomers

At the Venue

Latecomers may only be admitted at the discretion of the usher

Single-session tickets can be purchased at the venue (for sceenings at the venue on that day only) from 1 hour before the screening.

Ticket and Pass Information

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If you wish to attend only the screen craft program within the Conference - ideal for those who have no interest in the business side of things - then you purchase an AIDC Limited Pass.

Passes and tickets are non-refundable and non-transferable

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AIDC Full and Limited Passes - Please note, STREET all DocWeek screenings and Summer School Sessions are included if you have purchased either an AIDC Full or Limited Industry Pass.

You are required to reserve your tickets, and information on how to do so will be included in the email you receive after purchasing your AIDC or Industry Pass.

If you wish to attend DocWeek and the Conference in full - including the screen business and screen craft programs - then you purchase an AIDC Pass.

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DOCWEEK highlights // Opening Night Screening: Festival in Adelaide

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Join us for the Opening Night screening ’Festival In Adelaide’. $17 single tickets including gst and admin fee.

See page 18 for further information.

// 7pm / Monday 25 February / Palace Nova Cinema

Film Australia Collection. © NFSA

A WEEK OF OUTDOOR SCREENINGS FREE! Proudly supported by Splash Adelaide, FREE DocWeek highlight screenings will take place on the grounds of Adelaide College for the Arts (AC ARTS). Food and drink will be available to purchase. Limited seating provided.

Bring your picnic rug.

Stay tuned via facebook and twitter and visit www.splashadelaide.com.au for film titles www.docweek.org.au

// 7.30pm for an 8.30pm start / Monday 25 February - Saturday 2 March Adelaide College for the Arts

Pozible Pitch Session This is your day to wakeup with a wand in your hand and make a creative person’s deepest desire come true.

Come along and watch as some of Australia’s most talented filmmakers pitch their projects and ideas to YOU. As part of the audience be entertained by pitches for documentary and factual films that will knock your socks off and then decide whether you want to help these artists along the way.

Pozible is a crowdfunding platform that has been developed for artists, musicians, filmmakers and all creative people to help make great things possible.

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If you fall in love with the project or the filmmakers why not pledge some support - all donations will receive a reward. You could even gain your first credit on a blockbuster film!

Help plant a creative seed. Feel the team spirit and share in the passion as you watch the filmmakers open your eyes to their story. You will be rewarded.

A unique event.

Pitch sessions held at the beginning of selected films. Check online in February.

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DOCWEEK highlights // F4: first factual films F4 showcases first films from Australian emerging documentary filmmakers in a competitive program.

Film entries are judged on how well the director demonstrates his/her creative vision through the approach to their subject, communicating a clear sense of directional style and creative authorship.

Mary Meets Mohammad

Canning Paradise

Audrey of the Alps

Feel Home

Be amongst the first to see the work of four up and coming documentary filmmakers at selected venues during DocWeek.

A panel of high profile documentary executives, including international and national broadcasters and producers will select the F4 Award for Outstanding New Documentary Talent during DOCWEEK. See pages 8 & 9 for this years F4 selected films.

DocWeek At Adelaide Zoo The ABC’s natural history and wild life programs have travelled to television screens all over the world. Numerous awards have been won and the natural history unit became the breeding ground for, what is now, a thriving community of independent wild life filmmakers. During DocWeek, ABC Library Sales will bring a highlights program of their rich catalogue of films to the Adelaide Zoo. See some of the best natural history filmmaking during free daily screenings at the Santos Conservation Centre throughout the duration of DocWeek.

// 2-4pm daily / Sunday 24 February - Sunday 3 March / Santos Conservation Centre / Adelaide Zoo

Free entry Presenting Partners

image courtesy of ABC Archives'

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F4 : FIRST FACTUAL FILMS //

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The F4 Screening and Development Program is presented by Flinders University and showcases first films from 4 Australian emerging documentary filmmakers. One of the filmmakers will be selected by an international jury of professionals to win the 2013 F4 Award for Outstanding New Documentary Talent winner during DocWeek. The selection will be based on how well the director demonstrates their creative vision through the approach to their subject, camera, and audience.

Feel Home 2012 / 12mins / Australia

Director & Producer // Leonie Blignaut

Synopsis

Director Biography

Feel Home depicts the social fabric of a small, single industry community in South Africa through the members of the local homing pigeon racing club. The local colonial style hotel provides the employment, and the club provides the recreation. South Africa has changed, but not Matjiesfontein. Winter Saturday mornings are spent staring at the sky, awaiting the arrival of winged competitors in one of the world’s most unique races.

Leonie Blignaut is an award winning short filmmaker and accomplished video editor. She has directed, shot and edited TVCs, documentaries and corporate videos for a variety of clients, including National Geographic, Subaru and Canon, and her work as a videographer has taken her to locations as far afield as Jamaica, Mexico, Poland and Madagascar. Leonie is also an experienced stills photographer, whose work has appeared in food, fashion and travel magazines worldwide.

// 7pm / Tuesday 26 February / Palace Nova Cinema 6.30pm / Wednesday 27 February / Iris Cinema Leonie Blignaut

Mary Meets Mohammad 2012 / 82mins / Australia Director & Producer // Heather Kirkpatrick

Synopsis

Director Biography

A modern day fairy tale about an unlikely friendship between two people who happen to find themselves on the same island. One through birth and one through tragedy. Mary is an elderly pensioner and an avid member of a knitting club. Mohammad is an Afghan refugee and one of the first to take residence in a new refugee detention centre in rural Tasmania.

In Mary Meets Mohammad the world we live in is summarised in the most beautiful way.

Heather majored in documentary during her postgraduate Convergent Journalism course at the University of Tasmania in 2004. Since then she has travelled solo through the Democratic Republic of Congo and the streets of Rwanda filming stories of war displaced people and rap-artist genocide orphans. When news of the detention centre emerged in Tasmania, Heather had just arrived home after working overseas for some time. Heather saw the strength in Mary’s story and decided to fully commit herself to making a longer film.

// 7pm / Wednesday 27 February / Palace Nova Cinema 6.30pm / Thursday 28 February / Iris Cinema Heather Kirkpatrick

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F4 : FIRST FACTUAL FILMS // Canning Paradise 2012 / 90mins / Australia

Director & Producer // Olivier Pollet

Synopsis All problems start when mankind loses its connection with the land. Canning Paradise is a skillful report of cause and effect. Capitalism’s fury is unleashed over Papua New Guinea after the European Union strikes a deal with the country to allow canned tuna from PNG to enter the Union duty free. The result is ruthless foreign investment and an environmental and social disaster. A story about human rights violation happening only a one and a half hour plane ride away from Cairns.

Paris before moving to Australia. It was after graduating from the University of Technology in Sydney that Olivier embarked on the Canning Paradise adventure in order to shed some light on the huge social and environmental impact that the tuna industry has in the Pacific. He is also the founder of the Sydney based production company Fourth World Films which aims to promote independent investigative stories in Australia and the Oceania. Olivier is an honorary research associate for the Australian Centre For Independent Journalism.

// 6.30pm / Tuesday 26 February / Iris Cinema 7pm / Friday 1 March / Palace Nova Cinema

Director Biography Olivier Pollet is a young journalist and independent documentary filmmaker, passionate about human rights, the environment and development issues. His love for travelling and exploring different cultures started at a very young age, having lived in 6 different countries.

He started studying history and anthropology in

Olivier Pollet

Audrey of the Alps 2012 / 76mins / Australia

Director // Grace McKenzie Producer // Claire Jager

Synopsis

Director Biography

You’re in your early twenties and you need to figure out what’s next. The world around you is overwhelming and the idea of joining the end of a long cue isn’t that attractive. So, you run for the hills.

Audrey and her boyfriend become sheep herders for a summer season, leading their flock over the common pastures at high altitude.

Grace has been working as an assistant editor in Melbourne on feature films, most recently The Cup, directed by Simon Wincer, Last Dance, directed by David Pulbrook and Mental, directed by PJ Hogan; as well as editing video footage for Simon Wincer’s theatre show Outback Spectacular. She has also worked with award-winning documentary filmmaker Brian McKenzie as Production Assistant, Additional Camera Operator, Research Assistant and Sound Recordist on Love’s Harvest and on location in India for Meet Me Under the Mango Tree.

Join Audrey on a personal journey through the French Alps and through her relationship with her boyfriend. Experience the discrepancy between her romantic expectations of peasant farming and the more realistic take on the matter by her employers, the owners of the sheep.

Audrey of the Alps is a poetic story about the meaning of life.

Grace’s body of work includes solo and group photography exhibitions in Melbourne and Perth and cinematography for a feature length documentary, No One Eats Alone, directed by Paola Bilbrough.

Audrey of the Alps is Grace’s first feature documentary.

// 7pm / Tuesday 26 February / Palace Nova Cinema 6.30pm / Wednesday 27 February / Iris Cinema Grace McKenzie

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Film Australia Collection Celebrating 100 years Years of the nation’s Nation’saudiovisual Audiovisual memory Heritage The National Film and Sound Archive of Australia is the proud custodian of the Film Australia Collection, preserving and providing access to the nation’s documentary record – our collective memory.

Discover the Film Australia Collection online or contact us at faclibrary@nfsa.gov.au

nfsa.gov.au

an evening of conversation with american filmmakers //

D.A. Pennebaker & Chris Hegedus Australian Premiere

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D.A. Pennebaker and Chris Hegedus are pioneers of documentary filmmaking and one of the most respected teams in documentary today. They will host a special evening of conversation and show highlights of their career, spanning over 50 years, in Adelaide at Elder Hall. Pennebaker and Hegedus have collaborated on more than 20 feature−length documentaries ranging from a variety of subjects including politics, music and food.

Pennebaker has been making films for over 50 years and his iconic 1965 film Don’t Look Back, a portrait of Bob Dylan’s first tour to the UK and his last as an acoustic performer has been voted the best music documentary of all time. Pennebaker, will be awarded with an Honorary Academy Award in February 2013. The Oscar statuette is for extraordinary distinction in lifetime achievement and exceptional contributions to the state of motion picture arts and sciences. Pennebaker will fly direct to Adelaide after the Oscar Night celebrations in Los Angeles, accompanied by his wife and filmmaking partner Chris Hegedus.

The highly anticipated evening of conversation will cover a 60−year eyewitness account of popular American culture. Featuring Bob Dylan, Jimi Hendrix, JFK, David Bowie, Depeche Mode, Bill Clinton, Germaine Greer and more.

Pennebaker Hegedus film Depeche Mode 101; an account of life on the road with 80’s band Depeche Mode and their fans is screening at Palace Nova Cinema directly after the Inconversation with session. (see page 12 for further details) Other Pennebaker and Hegedus films shown during DocWeek include the ground breaking Primary and their most recent work Startup.com and Kings of Pastry. DocWeek will conclude with a screening of the favourite The War Room.

An Evening of Conversation with D.A. Pennebaker and Chris Hegedus // 8pm / Thursday 28 February / Elder Hall Book at www.bass.net.au or call 131 246 $30 full / $20 concession (Pensioner, Fulltime Student with ID, Unemployed) $25 Group bookings 10 + To book call 08 8205 2220

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D.A. Pennebaker // Primary 1960 / 53mins / USA

A film by Robert Drew, Richard Leacock, Albert Maysles and D.A. Pennebaker.

into crowded hotel rooms, and and hovered around their faces as they awaited polling results.

Primary follows John F. Kennedy and Hubert Humphrey as they battle it out to become the Democratic Party’s 1960 presidential candidate in the Wisconsin primary.

Primary marks the birth of a new cinema genre − Direct Cinema. This is your chance to see a piece of cinema history on the big screen, whilst one of its legendary creators is visiting Adelaide.

This film was a breakthrough in documentary film style.

Through the use of mobile cameras and lighter sound equipment, the filmmakers were able to follow the candidates as they wound their way through cheering crowds, crammed

// 8:30pm / Wednesday 27 February / Iris Cinema 4pm / Friday 1 March / Mercury Cinema

Depeche Mode 101 1989 / 120mins / USA

A film by Chris Hegedus, D A Pennebaker and David Dawkins.

Depeche−Mode−movie−contest", they are travelling across America on a bus, and they are about to meet the band and attend the concert at the Rose Bowl where there will be in excess of 60,000 attendees.

Remember the sound of the ’80’s? Remember Depeche Mode? With their synthesizers and a backing track instead of a drummer, they were largely responsible for that sound.

Depeche Mode 101 focuses on the live performance at the Rose Bowl as well as the spirit of their fan base. It weaves together the adventures of the band, the bus full of fans, and the backstage experience.

Your favorite band or performer is having a competition. If you win, you will travel across the country on a bus, with the other winners, then meet the band and attend the final leg of their concert. It’s the ultimate road trip.

101 is a film that follows a group of fans in the 1980’s who are doing just that – they have won the "be−in−a−

// 10pm / Thursday 28 February / Palace Nova Cinema

Startup.com 2001 / 108mins / USA

A film by Chris Hegedus and Hehane Noujaim

Sound familiar? But it’s not all fun and games.

"Startup.com may be to our time what Wall Street was to the ’80s." - Entertainment Weekly "One of the most involving pieces of eavesdropping you’re likely to experience." − New York Times

This is an intimate, behind−the−scenes view of the dot com mania, including the rise and fall of their dream. The stock market, technical difficulties, copycat competition, personal conflict and much more – it all tests the strength of their business.

The Internet – websites, online shopping, Facebook, Twitter, blogs – it’s part of our daily life. But for some like Mark Zuckerburg, Bill Gates, Steve Jobs, Jeff Bezos, it is daily life.

Startup.com follows the adventures of two childhood friends who become entrepreneurs as their Internet dream becomes reality. They create an award winning website, within a year they have raised 60 million dollars, hired hundreds of employees and rubbed shoulders with President Clinton.

Kings of Pastry 2009 / 84mins / France

A film by Chris Hegedus & D.A. Pennebaker "Forget Masterchef. This is the culinary hurt locker" – Herald Scotland If you love food, especially dessert and pastry, then you’ll love this film.

The film captures the high stakes drama of the competition including the constant scrutiny of master judges some of whom are the world’s most renowned chefs, and the final race against the clock to carry all their creations − including their fragile sugar sculptures − through a series of rooms to a final buffet area without shattering them.

Imagine 16 French pastry chefs gathered for three intense days of mixing, piping and sculpting everything from delicate chocolates to six−foot sugar sculptures.

Watch the passion, sacrifice, disappointment, and joy in their quest to become one of the Kings of Pastry.

This is the Meilleur Ouvrier de France competition, the ultimate recognition for every pastry chef; it is a dream and an obsession.

// 6pm / Saturday 2 March / Mercury Cinema

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If you enjoyed the story of Facebook in The Social Network, then you’ll love this real−life story about friendship and values, and the dawn of the Internet Age.

// 8pm / Friday 1 March / Mercury Cinema

Chris Hegedus // Moon Over Broadway 1998 / 98mins / USA

A film by Chris Hegedus and D.A. Pennebaker Have you ever wondered what it’s like to be in the cast of a Broadway show?

Cited by The New York Times as "the best documentary of the year", the film features hilarious turns by its leading actors − and even funnier behind−the−scenes sequences, as everyone mounting this high−risk Broadway production goes into nail−biting overdrive.

This film puts you behind the scenes, become the fly−on−the−wall backstage and experience a fresh, eye−opening, no−holds−barred look at the big bang adventure of producing a Broadway hit.

From endless rewrites to opening night (which playwright Ludwig dubs "a bar mitzvah from hell.") this is a glimpse of Broadway as never seen before.

The Broadway show is "Moon Over Buffalo", starring Carol Burnett and Philip Bosco, a comedy about a low−rent Lunt and Fontaine, hell−bent upon recharging their careers.

// 2pm / Saturday 2 March / Mercury Cinema

"Completely enjoyable and fascinating!" − Woody Allen

Don´t Look Back 1967 / 95mins / USA A film by D.A. Pennebaker "What I wanted to do was just be present when Dylan enacted his whole life and show you what he deals with and what interests him." D.A. Pennebaker This is your chance to go on tour with Bob Dylan.

Put yourself in this place − It’s 1965, springtime, England, you’re on a three week tour with Dylan and his entourage.

You watch him perform, you listen to his backstage conversations, you hush as he relaxes after the show, and you see him interact with fans, media and other musicians.

This film puts you in that place. It is an intimate portrait of one of the most influential songwriters of our times. Bob Dylan is the force that blew us out of one era and into another.

If you love the 60’s, pop−culture, Bob Dylan, or any of the experiences and feelings that come with them, then you’ll love this film.

Named best music documentary of all times, Don’t Look Back is essential viewing.

// 7pm / Saturday 2 March / Palace Nova Cinema

Town Bloody Hall 1979 / 88mins / USA

A film by Chris Hegedus and D.A. Pennebaker On the evening of April 30, 1971 standing room only feminists packed New York City’s town Hall to watch Norman Mailer, who had just written The Prisoner of Sex, debate with a panel of passionate feminists.

The subject was Women’s Liberation, an issue on which Mailer seemed like the devil’s own advocate.

The panel of woman included journalist and lesbian spokeswoman, Jill Johnston; legendary literacy critic

Diana Trilling; president of The National Organisation of Women (NOW), Jacqueline Ceballos; and possibly his toughest match Australian academic and journalist and a major feminist of the mid 20th century, Germaine Greer.

The audience offered their opinions and roared their approval and disdain throughout the debate .

// 4pm / Sunday 3 March / Mercury Cinema

The War Room 1993 / 96mins / USA

A film by Chris Hegedus and D A Pennebaker Do you remember Bill Clinton? As the 42nd President of the United States, most of his daily life was made public – even if it wasn’t all good for his reputation.

But do you remember seeing inside the presidential campaign headquarters?

The chaos, the pettiness of the staff, the romance, the complications, the scandals and the emotional highlights from this office − these were not often made known to the public.

The War Room however, puts you right inside the campaign headquarters. Watch Clinton’s ship as it navigates through the chaos. As the key staff organise and execute strategies for such events as the Democratic National Convention, the debates with George Bush and H. Ross Perot, and the final, nail−biting days leading up to the election itself.

The War Room is an uplifting film that restores a sense of confidence in American politics.

As clever and engaging as The West Wing, but real.

// 8pm / Sunday 3 March / Mercury Cinema

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CHINA NEXT

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Come on a journey into Chinese culture. These documentaries depict contemporary China – the people of China, their life and their society. They preserve the culture of Chinese communities, in a time of unprecedented and rapid changes in this ancient culture.

KJ

2008 / 93mins / Hong Kong A film by Kingwai Cheung At 17 many teenage boys are hanging out with friends in the mall, playing PlayStation or Xbox, updating their Facebook status, managing the pressure of school and struggling with new emotions.

But classical music genius KJ is different – or is he? He has been studying the piano for most of his life, and at age 11 he won the Best Pianist title at the prestigious Hong Kong Interscholastic Competition in Music.

This extraordinary film moves back and forward between KJ as a young boy and as a teenager, piecing together the context for him

questioning the meaning of life. He has begun to incessantly question "why piano?" and "what is in life, if not music?".

Get to know KJ in this endearing film − watch him grow up, watch him perform, and go deep down into his mind, his thoughts, struggles and his choices. It is a story of a genius, and a story of us all.

KJ had an 8 months long cinema run in Hong Kong.

Only one screening in Adelaide, don’t miss it.

// 8pm / Tuesday 26 February / Mercury Cinema

1428

2009 / 116mins / China A film by HARHUU (aka HU LINPING) What happens after a devastating earthquake where tens of thousands have lost their lives and millions have become homeless? No electricity, no water, military trucks, soldiers, rubble, ruins, debris. Where do you go? What do you do?

Life as you know it no longer exists, there is no work the next day, no grocery shopping on the weekend.

This is the story of The Great Sichuan Earthquake that took place at 14:28 on May 12, 2008. From 10 days to 210 days

after the quake, these are the scenes that never made it to official TV and news reports.

This is a touching story of survival and how a society and government copes with such as tragedy. Follow the emotional challenges as well as the logistical challenges of rebuilding these cities, homes and communities again.

Winner of Best Documentary at the Venice Film Festival

// 2pm / Friday 1 March / Mercury Cinema

Go Grandriders 2012 / 90mins / Taiwan A film by Hua Tien−hau This is an upbeat story of a group of retirees, who are still very young at heart.

17 Grandriders – who’s average age is 81 years old − embark on a 13−day, 1178km road−trip across the country on their scooters.

Of them, 2 have gone through cancers, 4 need hearing aids, 5 suffer from high blood pressure, 8 have coronary diseases and every one of them has symptoms of joint degeneration.

But this doesn’t stop them. And nor do the other challenges including objections from family members, taking driver’s

A CLEAR SKY 2012 / 72mins / China

A film by HARHUU (aka HU LINPING) This is the story of the Gerituan family, who move from the highlands of Mongolia to the city.

In the highlands, amongst other things, the camels are their life. They tend to them, feed them, and even arrange an Association to ensure their safety near train tracks.

They are joyful and happy.

But in the name of economic advancement a rich coalfield is discovered beneath their land, and they are forced to overcome the challenges presented by this new

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development. They must find a different livelihood so they reluctantly migrate to the cities.

This is the story of their transition from being nomadic herdsman on the highlands to becoming tour guides in the city.

This film is a beautiful account of a very rarely seen country, it’s camels and it’s people. And the strengths of these people as they overcome the shifting nature and ever growing commercialism of society.

A Clear Sky continues where the Story of the Weeping Camel ends.

// 6pm / Sunday 3 March / Mercury Cinema

license tests, aging bodily functions, not to mention weather and road conditions.

The trip is not without casualties. Crashes and fatigue are a plenty and the main initiator of the ride, goes in and out of hospital and whilst in between admissions tries to catch up with the group. His philosophy is that an organiser should also be a motivator.

Come on this journey with the Grandriders and be inspired by their courage and determination.

// 4pm / Saturday 2 March / Mercury Cinema

docweek summer school

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Proudly presented by Flinders University and Adelaide College of the Arts, DocWeek 2013 introduces DocWeek Summer School. This is your chance to get up close and personal with international filmmakers and key industry people. These interactive sessions give audience members the opportunity to engage with the artists and enablers and get an insight in the complex and exciting processes that take place behind the scenes of the film and television industry.

TOPIC: Social Entrepreneurship, the Power of Documentary and What it Takes to be a Producer with an Agenda.

MAIN Speaker // Ben Tsiang // FOUNDER CNEX & Producer // China Production companies are creative businesses. A financial analyses of risk and gain lies at the heart of every decision.

as well as justifying going against, or bending, small business economic conventions, can be a hard process.

In documentary production the decision process is not only informed by enterprise thinking, but often by the message embedded in the film and the audience reach of that message.

This session will demonstrate that creativity is not only captured in the end product, the film, but is an intrinsic part of the business side of filmmaking.

Navigating this process, strategising to achieve maximum impact

// 10am / Friday 1 March / Adelaide College for the Arts

TOPIC: The Art of Self Publishing and How to Build a Career on the Internet SPEAKERS // Alex Ross // YouTube Videographer // UK CORY McABEE // FILMMAKER & MUSICIAN // USA The Internet has opened up distribution channels available to anyone.

Where conventional industries are still reluctant in their thinking about self publishing because of the lack of financing models and investment returns, a growing number of emerging artists and online entrepreneurs have pioneered models that form the basis for successful careers.

Hear first hand from some of the best operators on the web and learn how they captured huge audiences and build their careers on the basis of their high quality content and the strength of their following.

// 10am / Saturday 2 March / Adelaide College for the Arts

TOPIC: Creative Collaboration and How to Benefit from Sticking With a Winning Team

Nikolaus Geyrhalter and Wolfgang Widerhofer // Director & Editor NGF // Austria Collaboration is the bread and butter of the film industry.

Whilst the director garners the main acclaim, it is the people behind the scenes that are of equal importance to the success of the collaboration.

The traditional roles in film production were first defined in the early days of the Hollywood Studios, and still stand today.

Compared to other art forms and creative businesses, this model seems archaic.

In documentary the teams are smaller and more flexible.

People take on multiple roles and the intellectual stimulation between team members ensures an environment for rigor and excellence.

Hear from longstanding team Nikolaus Geyrhalter and Wolfgang Widerhofer about what keeps them working together, what their processes are and where their collaborations pay off.

// 10am / Sunday 3 March / Adelaide College for the Arts

SHOW ME THE MAGIC 2012 / 75mins / Australia

Director & Producer Cathy Henkel Producer Trish Lake DocWeek, in partnership with the South Australian Film Corporation, is proud to present a special screening of Show Me The Magic by Cathy Henkel. Show Me The Magic captures an important part of Australia’s cinema history through the works of legendary Cinematographer Don McAlpine. Featuring Bruce Beresford, Gillian Armstrong,

Baz Luhrmann and Hugh Jackman, the film reveals Don’s exceptional contribution to decades of filmmaking in Australia and Hollywood. What the film shows is that besides Don’s craftsmanship, it’s his exceptional qualities as a human being and his rock solid partnership with his wife of over 45 years, Jeanette, that form the ingredients to his brilliant career. Revel in the magic Don creates on set and in the beauty of the man himself.

// 4pm / Wednesday 27 February / Mercury Cinema

BOOK NOW // www.docweek.org.au

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Austrian Reality: The Films of Nikolaus Geyrhalter

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Nikolaus Geyrhalter’s unique cinematic style makes him one of Europe’s most recognisable documentary filmmakers. A style characterised by meticulous framing and an obsession with aesthetics.

In Geyrhalter’s case, this search for the perfect image doesn’t stand in the way of the story. In fact, the visual treatment and the extremely skillful editing propel the poignancy of the stories. Using only visual aids, he leads his audiences very subtly down the path of social engagement.

Abendland 2011 / 90mins / Europe

A film by Nikolaus Geyrhalter At 2am while most of us are asleep, there is a whole world out there that continues to operate.

Security cameras, hospitals, the postal system sorting tomorrow’s mail, freight companies, nightclubs, surveillance teams, police, sex workers, and so much more.

center; as Spanish guards patrol a fence; and as hundreds, maybe thousands, of revelers sing, eat rotisserie chicken and drain beer steins, at a Bavarian playground.

If you like to watch, then you’ll love the beautiful camera work and careful editing of this film, that allows you to explore this often hidden world – the world at night.

This is Europe at night, a nocturnal point of view of the processes and the service providers who live their day by night.

Watch as people take calls at a Dutch suicide prevention

// 8:30pm / Tuesday 26 February / Iris Cinema 8pm / Saturday 2 March / Mercury Cinema

Our Daily Bread 2005 / 92mins / Europe

people, crops, animals, they all play a supporting role in the logistics of this system which provides the standard of living – the food − we expect.

A film by Nikolaus Geyrhalter Food – how is it produced? Some of us might grow it in our backyards or buy from the local farmers market, but the majority of us still visit the supermarket each week. Who do the supermarkets buy from? How do the commercial farmers ensure that they have enough products to supply the chains?

This film is widescreen tableau of a feast, which isn’t always easy to digest − and in which we all take part.

It is a pure, meticulous and high−end film experience that enables you to form your own point of view.

Welcome to the world of industrial food production and high−tech farming − conveyor belts, machines, chemicals,

// 8pm / Wednesday 27 February / Mercury Cinema 2pm / Sunday 3 March / Mercury Cinema

Danube Hospital 2012 / 75mins / Austria A film by Nikolaus Geyrhalter Danube Hospital is Nikolaus Geyrhalter’s latest film. Carefully framed like all of his films, Nikolaus manages to craft a highly engaging piece of screen poetry. The subtle humor in the film is achieved in the edit. For those of us who love Geyrhalter’s unique style, this is another great occasion to feed our addiction.

This film takes you into the "staff only" areas of Vienna’s main hospital. The beautifully shot scenes take you from the

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neo−natal unit to the morgue, from the helipad on the roof to keyhole surgery a few floors down and many places in between.

It is a portrait of one of Europe’s largest hospitals, showing the daily routines, the relationships between the people and the machines, and what makes this powerful and highly complex institution tick.

// 6pm / Friday 1 March / Mercury Cinema

Broadcaster Showcase

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Documentaries have always been part of the bread and butter of our public broadcasters. Initially the ABC, later SBS and most recently NITV, have all embraced documentaries. The programs aired by our national broadcasters hold up a mirror, inform and make us remember our important occasions and events and ever so often, they help us define what it means to live in Australia. Join ABC, SBS and NITV as they reveal their upcoming programming and preview a highlight of their new season.

ABC TV is the national broadcaster, providing all Australians with quality and diverse programming and a trusted news service that is internationally recognised and a truly Australian voice.

With four major TV channels and a ground–breaking catch up service iview, ABC TV offers increased choice allowing Australians to engage with them, when, where, and how they choose.

SBS − The Special Broadcasting Service − is a rare beast: inclusive, courageous, interested in individuals and trusted

by Australians.

December 2012 marks a milestone in Australian history.

For the first time a nation wide, free to air, fully indigenous television channel will launch; NITV.

Through SBS Radio, SBS Television and SBS Online, SBS tells the stories of humankind in more languages than any other broadcaster in the world.

National Indigenous Television was founded in 2007 and has been broadcasting through the Foxtel network.

The move to free to air was announced as part of the Federal Government’s budget in May of this year.

The Special Broadcasting Service was set up especially to serve Australia’s unique multicultural society.

The programming tells our own stories, covers national and international news from an Australian perspective, and provides the best programming from around the world, making ABC TV a unique, independent media organisation.

// ABC highlight will be screened at 6pm / Tuesday 26 February / Mercury Cinema

// SBS highlight will be screened at 6pm / Wednesday 27 February / Mercury Cinema

Join the team of NITV as they showcase their upcoming program slate and screen a highlight of their upcoming season.

// NITV highlight will be screened at 6pm / Thursday 28 February / Mercury Cinema

Regional program

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Country Arts SA is one of South Australia’s largest arts organisations, providing arts and services across regional South Australia through a range of programs and initiatives, the management of performing and visual arts venues and the provision of grant funding which supports the creative endeavours of communities and individuals.

Each year Country Arts SA brings the arts to life, touring world class productions that entertain and challenge a wide variety of audiences in our performing arts centres in Mount Gambier, Port Pirie, Renmark, Noarlunga and Whyalla.

Following DocWeek in Adelaide, highlights of the screening program will tour the regional South Australia for the first time. This unique program is the ultimate introduction to the wonders of documentary. Don’t Look Back (see page 13) Feel Home (see page 8) and Festival In Adelaide (see page 18) will be shown as part of the regional touring program at the following locations:

// 7pm / Wednesday 6 March /

Middleback Theatre, Whyalla // 7pm / Thursday 7 March /

Northern Festival Centre, Port Pirie // 7pm / Friday 8 March /

Chaffey Theatre, Renmark Still ’Dont Look Back’ Courtesy Pennebaker Hedegus Films

BOOK NOW // www.docweek.org.au

// 17

Australia´s Living Memory

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The National Film and Sound Archive of Australia (NFSA) is the proud custodian of the Film Australia Collection, preserving and providing access to the nation’s documentary record − our collective memory.

The NFSA has selected some of the most significant documentaries in the Film Australia Collection to screen at DocWeek. The opening night screening ’Festival In Adelaide’ will take place at Palace Nova Cinemas and the other highlights during DocWeek will be shown at the State Library of South Australia.

The Film Australia Collection represents the documentary record of Australia, dating back to 1913. This is a rare opportunity to see these Government funded productions and celebrate the centenary of the nation’s documentary heritage.

The NFSA is the nation’s living archive, collecting, preserving and sharing our rich audiovisual heritage.

Program curated by courtesy of the National Film and Sound Archive of Australia.

Opening Night Screening: Festival in Adelaide 1962 / 53mins / Australia / © NFSA

This film is a priceless account of the preparation and highlights of the 1962 Adelaide Festival of the Arts.

Thousands of visitors flock to Adelaide during the two− week period of the Festival. Sir Malcolm Sargent and the London Philharmonic Orchestra open the program; Zoe Caldwell stars in St. Joan; the Menhuins give chamber concerts; there is an exhibition of Australian painting, and a production of La Traviata. Outdoor shows include jazz performances and a floating ballet on the lake.

Watch highlights from the performances, hear from the directors and staff as they bring it all together, laugh at the antics. Adelaide mostly looks like itself, with a few blanks that are now filled in by buildings.

This 1962 floral carpet will no doubt be the talk of the town once more.

// 7pm / Monday 25 February / Palace Nova Cinema

School Bookings Only 11am / Wednesday 27 February / Hetzel Theatre, State Library of South Australia (Situated in the historic Institute Building) Contact the State Library Booking office on 08 8207 7258 FREE Film Australia Collection. © NFSA

Stanley Hawes Retrospective 86mins

The two films in this program are highlights from the extraordinary career of Stanley Hawes, a British born documentary film producer and director. From 1946 until 1969, Hawes was the Producer−in−Chief of the Australian National Film Board.

// 6pm / Tuesday 26 February / Hetzel Theatre, State Library of South Australia (Situated in the historic Institute Building) FREE

The queen in australia

School in the mailbox

1954 / 68mins / Australia / © NFSA

1946 / 18mins / Australia / © NFSA

The Queen in Australia was the first ever colour, feature− length documentary made in this country. It covers the entire two month Royal visit to Australia – from dancers at the Tivoli, to cricket with the Don, to wood chopping at Wagga Wagga.

School in the Mailbox explores the extraordinary organisation and planning that was involved in delivering lessons to children living in remote regions of Australia, by plane, train, buggy and even camel.

Film Australia Collection. © NFSA

South Australia on Film

Refer to Docweek website for film titles

1930 – 1970 / 90mins / Australia / © NFSA

These five short films present a slice of South Australia that you may not have seen before. From the city of Adelaide through the eyes of European migrants, to a film made to entice immigrants from Great Britain to the idyllic life that

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was possible in Adelaide; from children living on the Nullarbor Plain to the attractions of the 1963 Royal Adelaide Show. In the spirit of the slogan ’SA Great’ this is a proud account of life in South Australia."

// 6pm / Thursday 28 February / Hetzel Theatre, State Library of South Australia (Situated in the historic Institute Building) FREE

Neighbours 105mins total

The two films in this program capture stories from our Asian neighbours. In Calcutta Christmas, explore a quiet oasis in the middle of noisy Calcutta, where 35 elderly Anglo− Indians believe that Britain is their true home. And go on a journey with Vietnam Symphony, into an underground maze of hidden tunnels where students and teachers from the Film Australia Collection. © NFSA

Hanoi National Conservatory of Music lived, studied, and played for 5 years during the Vietnam War. This film paints a portrait of life then and now in a rapidly changing nation.

// 6pm / Wednesday 27 February / Hetzel Theatre, State Library of South Australia (Situated in the historic Institute Building) FREE

Calcutta Christmas

Vietnam Symphony

1998 / 53mins / Australia

2005 / 52mins / Australia

A Film Australia National Interest Program. Produced in association with SBS Independent. © NFSA

A Film Australia National Interest Program in association with Stonebridge Productions. Developed with the assistance of the Australian Film Commission. Produced in association with the NSW Film and Television Office and SBS Independent. © NFSA & ScreenNSW

Film Australia Collection. © NFSA

Yirrkala Film Project 132mins total

Pain for This Land

The three films in this program are from renowned ethnographic filmmaker Ian Dunlop, who in 1970 embarked on a 12-year project documenting the lives of the Aboriginal community Yolngu, of the Yirrkala.

Hear from the Yolngu elders as they discuss the challenges that arise from the nearby open cut mine, the impact of alcohol, and their fears for the future. Observe the daily life at Djarrakpi, with elders teaching their children the practices of local food gathering and bark painting.

These rare films capture the unique and moving stories of the Yolgnu, reflecting the determination to continue their traditional culture in a fast changing landscape.

// 6pm / Friday 1 March / Hetzel Theatre, State Library of South Australia (Situated in the historic Institute Building)

1970-71 / 43mins / Australia

Narritjin at Djarrakpi: Part One 1974 / 50mins / Australia

Narritjin at Djarrakpi: Part two 1974 / 39mins / Australia A Film Australia National Interest Program produced in association with the Australian Institute of Aboriginal and Torres Strait Islander Studies, © NFSA Warning: Aboriginal and Torres Strait Islander viewers are advised when watching this program that it contains images of deceased persons.

FREE

Film Australia Collection. © NFSA

Why Cant They Be Like We Were Series 1976 / 132mins / Australia / © NFSA

This is a set of 10 short films about growing up in the 1970s and includes the early works of the now internationally acclaimed director Phillip Noyce and cinematographer Dean Semler.

Watch through the eyes of several young adolescents as they tell their stories: A 16-year-old encountering prejudice as she struggles to find work; a young male ballet student and his concept on masculinity; the affect of a parent’s divorce on the siblings; finding independence; living up to parents expectations; sex role stereotyping of girls; having fun with friends; getting in trouble with the police; peer group pressures; and more. These groundbreaking films provide honest and raw accounts of adolescent life in 1976. How much has changed since then?

Refer to Docweek website for film titles

// 6pm / Saturday 2 March / Hetzel Theatre, State Library (Situated in the historic Institute Building)

School Bookings Only 11am / Thursday 28 February / Hetzel Theatre, State Library of South Australia (Situated in the historic Institute Building) Contact the State Library Booking office on 08 8207 7258 FREE

Film Australia Collection. © NFSA

BOOK NOW // www.docweek.org.au

// 19

Presenting

Adelaide Cinémathèque Seniors on Screen Screen Seekers and many more fiestas… + venue for hire

mercury cinema

The heart of Screen Culture in South Australia (08) 8410 1934 mercurycinema.org.au

proudly supporting DocWeek DA Pennebaker and Chris Hegedus: An evening of conversation Elder Hall North Terrace | Thursday 28 February 2013 Book at bass.net.au www.elderhall.adelaide.edu.au

MEDIA RESOURCE CENTRE

Bringing you the world’s best films Arthouse, Hollywood, Festivals and Events

THE BEST VALUE FOR THE FINEST IN FILM

JOIN ONLINE TODAY, TO FIND OUT MORE GO TO

www.palacenova.com/movieclub

www.palacenova.com • Rundle Street East • 8232 3434 facebook: Palace Nova Eastend Cinemas twitter: @PalaceNova

“We save stories and we share them” The State Library of South Australia is proud to support DocWeek Open Mon-Wed 10am-8pm, Thur-Fri 10am-6pm, Sat-Sun 10am-5pm North Terrace, Adelaide (08) 8207 7250 - www.slsa.sa.gov.au

SCHEDULE // FILMS & EVENTS

VENUE

SUN MON TUES WED THURS FRI 1 SAT 2 SUN 3 PAGE 24 FEB 25 FEB 26 FEB 27 FEB 28 FEB MAR MAR MAR 18

Opening Night Screening

Palace Nova Cinema

7pm

SPLASH outdoor screening program

AC Arts Lawn, Light Square

From 7.30pm

From 7.30pm

From 7.30pm

From 7.30pm

From 7.30pm

From 7.30pm

DocWeek At Adelaide Zoo

Adelaide Zoo

2-4pm

2-4pm

2-4pm

2-4pm

2-4pm

2-4pm

NFSA-Australia’s Living Memory (Different films each session)

Hetzel Theatre, State Library of SA

6pm

11am 6pm

11am 6pm

6pm

An Evening with D.A. Pennebaker and Chris Hegedus

Elder Hall, North Terrace

Primary

Iris Cinema

Primary

Mercury Cinema

Depeche Mode 101

Palace Nova Cinema

Startup.com

Mercury Cinema

Kings of Pastry

Mercury Cinema

Moon Over Broadway

Mercury Cinema

Don’t Look Back

Palace Nova Cinema

Town Bloody Hall

Mercury Cinema

The War Room

Mercury Cinema

Abendland

Iris Cinema

Abendland

Mercury Cinema

Our Daily Bread

Mercury Cinema

Danube Hospital

Mercury Cinema

KJ

Mercury Cinema

Go Grandriders

Mercury Cinema

A Clear Sky

Mercury Cinema

1428

Mercury Cinema

Show Me The Magic

Mercury Cinema

F4 – Feel Home

Palace Nova Cinema

F4 – Feel Home

Iris Cinema

F4 - Mary Meets Mohammad

Iris Cinema

F4 - Mary Meets Mohammad

Palace Nova Cinema

F4 –Canning Paradise

Iris Cinema

F4- Canning Paradise

Palace Nova Cinema

F4 – Audrey Of The Alps

Iris Cinema

F4 – Audrey Of The Alps

Palace Nova Cinema

7pm 76mins

Broadcaster Showcase

Mercury Cinema

6pm ABC TV

2-4pm

06 2-4pm

6pm

07 18

8-9.30pm

11

8.30am 53mins

12 4pm 53mins

12

10pm 120mins

12 8pm 108mins

12 6pm 84mins 2pm 98mins 7pm 95mins

12 13 13 4pm 88mins 8pm 96mins

8.30pm 90mins

13 13 16

8pm 90mins 8pm 92mins

16 2pm 92mins

6pm 75mins

16 16

8pm 93mins

14 4pm 90mins

14 6pm 72mins

2pm 116mins

14 14 15

4pm 7pm 12mins

08 6.30pm 12mins

08 6.30pm 82mins

08

7pm 82mins

08

6.30pm 90mins

09 7pm 90mins 6.30pm 76mins

09 09 09

6pm SBS

6pm NITV

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// 23

cWeek o D h it w p enROtTsCEaRnID rtnershi a d u p t s ’s y d it n s a r aff nive “Flinders U creenNAaMndAREMMeAdC ia st with extraordinary S e offers the portunity to engag makers. This unique op d incredible ned documentary film of documentary an w g al world reno es our understandin stories in our loc ible ich access enr ight into the incred s .” gives us in nd the wider world a community r erspoonduction Coordinato h t o W n o r Aliso reen Pr

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Sc ecturer, d Media Senior L t of Screen an en Departm niversity U s r Flinde

inspiring achievement,

inspiring creativity 6621

CRICOS No. 00114A

flinders.edu.au