ARTFULY MAGAZINE ISSUE 3 - NOV 2018

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Artfuly CURATED ORIGINAL ART NOV 2018:

WHERE DO SURREALISTS GET THEIR INSPIRATION?

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INTERACTIVE: CLICK THE ART IMAGES FOR MORE DETAILS Artfuly


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A B O U T A R T F U LY . C O M A R T F U LY I S A N O N L I N E A R T M A R K E T P L A C E , C U R AT I N G T H E B E S T & M O S T E X C I T I N G G L O B A L TA L E N T . W E S E L L O N LY O R I G I N A L , H A N D C R E AT E D A R T W O R K S A N D W E C O N C I E R G E D E L I V E R T O YO U R D O O R G L O B A L LY .


F ro n t c o v e r ( pARTFULY.COM a r t i a l ) a r t w o r3k Queen’s Inner Sanctum Lorraine S adler 51 C M X 81 C M G o u a c h e o n Pa p e r

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S p i r i t We a v e r 61 C M X 8 6 C M G o u a c h e o n Pa p e r


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LORRAINE SADLER ENGLAND, UK SURREALIST Lorraine has always been a deeply philosophical being, who can ponder on almost anything in order to create. However her deepest inspiration comes from nature and its mysterious workings. An idea can be born from something as simple as a leaf, and then evolve into a metaphorical narrative on the meaning of life. T h e r e i s a l s o a n i n t a n g i b l e ‘s p i r i t ’ l e d a s p e c t to her painting - she can reach euphoric states o f m i n d v e r y e a s i l y, s i m p l y v i a e x e r c i s e a n d connecting to the beauty of the natural world, and this euphoria translates through her paintings. In her early ar t career, she focussed on realistic drawings, and she still gains immense satisfaction out of intricately rendering the details of her observations, but finds that painting is now far more about expressing her feelings and perspective on life.

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Lorraine says that her ar tistic message is to take time to appreciate the wonders of the world in which we live and to awaken to the magic that modern life so often blinkers our view of.

Duality of the Soul 51 C M X 51 C M Gouache on Other

Life on the Edge 61 C M X 4 6 C M Gouache on Other


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Cosmic Connection 61 C M X 81 C M Gouache on Other

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L o r r a i n e i s a b o r n a r t i s t w h o’s ar tistic expression has found many forms, those being in the past as a professional dancer, and being an ar tist is to her, simply a way of being and also about having an insatiable desire to express thoughts and feelings that reside deep within.

Joy - A Branch of Happiness 61 C M X 76 C M G o u a c h e o n Pa p e r

L u n a r Wa ke 76 C M X 61 C M G o u a c h e o n Pa p e r


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She states that being an ar tist is a cathar tic process and perhaps also a way of reaching out to find your tribe - there are few things more hear t warming than having somebody profoundly resonate with something you have created.

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S t r u c t u re s o f L i f e . . L X I V ARTFULY.COM

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Oil on Canvas

VA N E S S A J O N G E B L O E T NETHERLANDS SURRE ALIST, E XPRE SS ION IST This Dutch ar tist currently has 2 main series of works: her quixotic landscapes and her impossibly realistic resin pieces. B o r n i n A m s t e r d a m i n 1 9 6 9 , Va n e s s a w a s trained as a decorative painter and worked producing faux marble finishing, gilding and other decorative techniques, reflected by the realism in her resin work. Her inspiration comes from discovering the wonders of the micro world. She is interested in the way the same structures are found in other, completely different circumstances and contexts. S h e s t a t e s : t o m e , ‘ L i f e’ i s t h e p r i m a l f o r c e that moves ever ything in the universe from one physical state to the next.

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S t r u c t u re s o f L i f e . . L X X V I I 15 0 C M X 9 0 C M Oil on Canvas


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With the possibilities we have today to study life from the tiniest par ticle to the l a r g e s t s c a l e , i t ’s a m a z i n g t o s e e h o w t h e same structures appear ever ywhere: a walnut looks like a human brain, some types of stone resemble aerial photos of Nordic fjords while when we see pictures of neurons we wonder about their delicate p l a n t - l i k e ‘ r o o t s’. From microscopic details to the largest scale in space, life seems to manifest itself ever ywhere in similar structures.

S t r u c t u re s o f L i f e . . LV I I I

S t r u c t u re s o f L i f e . . L X

S t r u c t u re s o f L i f e . . L X I

90CM X 90CM

90CM X 90CM

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Oil on Canvas

Oil on Canvas

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T h e s t r u c t u re s o f L i f e . . LV I 4 6 C M X 61 C M Mixed on Canvas


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And since no matter ever disappears, all the components of which it consists are over and over rearranged, structuring and forming pat terns, cycle after cycle

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T h e s t r u c t u re s o f L i f e . . X LV I I 46CM X 59CM Mixed on Canvas

S o i n m y w o r k , i t ’s a l w a y s a b o u t structures: clouds, cracks, cells etc. I want to study and capture these ‘ S t r u c t u r e s o f L i f e’ In this light, if matter never disappears but just changes into another physical state, is there even a distinction between ‘ n a t u r a l ’ a n d ‘a r t i f i c i a l ’ ? I f a s p i d e r builds a web, we call it natural, so if big animals like ourselves create things, isn’t that just par t of one big system, recycling all matter that exists infinitely? F o r m e i n t h e e n d , L i f e’s a myster y and all I can do is look at it and wonder…

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Resin ar t works installed on a wall

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T h e i r s e c re t s 7 5 C M X 10 0 C M Acrylic on Canvas


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YELENA REVIS SYDNEY, AUSTRALIA ABSTRAC T, SURRE ALIST, EXPRESSIONIST Ye l e n a ’s a r t w o r k s a r e o f t e n b r i g h t a n d fun, featuring whimsical, naïve-looking people and animals - however don’t let the child-like subjects fool you - her ar tworks are beautifully executed and in person they look almost too per fect to have been created by hand. In each of her ar tworks there is some strange mystical meaning for the viewer to unravel. At ar t school and university she studied realistic ar t and painted stilll i f e’s , l a n d s c a p e s , p o r t r a i t s a n d t h e h u m a n figure. She then went on to create strange, bizarre, mystical images and to combine the incongruous and distor t the form, so therefore her ar t was transformed into surrealism.

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Magic night 7 5 C M X 10 0 C M Acrylic on Canvas

Pink madness 101 C M X 101 C M Mixed on Canvas

Ye l e n a f i n d s h e r I n s p i r a t i o n t o b e a subtle substance, it can arise in different ways: the contemplation of surrounding objects, reading a book or the memor y of a n i g h t ’s s l e e p . S h e c a n s e e , f o r e x a m p l e , a green apple, and it inspires her to write a new storyline.


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She uses 2 main techniques: in the first she utilises a unique process which is ‘pouring’ or ‘wet-in-wet’; that is, she floods the canvas with paint, allowing the colours to run t o g e t h e r f r e e l y. W h e n t h i s i s d r y, s h e b u i l d s u p l a y e r s o f colour, hardly using pencil and regarding her brush as the main tool. Each wash is allowed to dr y before the next to prevent a muddy effect.

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F o r h e r o t h e r ‘e c l e c t i c ’ style, which is influenced by surrealism, abstraction, impressionism and pop ar t, she uses the power of strong i m a g e r y, c o m b i n e d w i t h vibrant colours to create her own unique ‘Expressionist S u r r e a l i s m ’. T h i s s t y l e u t i l i s e s a process involving the deconstruction of each image into a number of parts and then reconstructing with layers

Pa r a d i s e v o y a g e 101 C M X 76 C M Acrylic on Canvas Artfuly


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Fiery zodiac 76 C M X 101 C M Mixed on Canvas


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... of detail, using a variety of textures combined with rich and vibrant colours. Ye l e n a h a s e n j o y e d c o n s i d e r a b l e success in her career so far (previously a s Ye l e n a D y u m i n a n d r e c e n t l y h e r l a s t name has changed to Revis), exhibiting in traditional exhibitions and galleries in Russia, Europe, and Asia (Ar t Revolution Ta i p e i , e v e r y y e a r s i n c e 2 0 1 1 ) , U S A and Australia, not to mention being represented by Ar tfuly since 2014.

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The artist in her Sydney studio Artfuly


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NEW ART WORKS


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NEW ART WORKS


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A R E YO U A N ARTIST? FIND OUT HOW TO BECOME REPRESENTED HERE A L R E A DY A N A R T F U LY A R T I S T ? - F E AT U R E I N T H I S M A G A Z I N E

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THANKS TO: F E AT U R E D A R T I S T S

D i s c l a i m e r : T h i s m a g a z i n e h a s b e e n d e s i g n e d p r i m a r i l y f o r o n l i n e d i s t r i b u t i o n . P r i n t s a re a v a i l a b l e v i a t h e I S S U U w e b s i t e , a n d w h i l s t w e e n d e a v o u r t o s o u rc e h i g h re s o l u t i o n i m a g e s , t h e y a re n o t a l w a y s a v a i l a b l e f ro m o u r a r t i s t s .


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