WESCHLER’S Since 1890 Since 1890
WESCHLER’S
Sale 1405A
WORKS OF ART FROM DEWEY & LEBOEUF LLP
10 AM Sale 1405
CAPITAL COLLECTIONS ESTATE AUCTION
Friday, February 1, 2013 WESCHLER’S
Saturday, February 1, 2013
WORKS OF ART FROM DEWEY & LEBOEUF LLP Friday, February 1, 2013 1PM
CAPITAL COLLECTIONS ESTATE AUCTION
556
WESCHLER’S Auctioneers & Appraisers Since 1890
505
131
Adam A. Weschler and Son, Inc. has served the Nation’s Capital as fine art auctioneers and appraisers since 1890. The gallery is now owned and managed by fourth and fifth generation members of the Weschler family and is supported by a highly experienced administrative staff. In our second century, Weschler’s renews its commitment to the highest level of professionalism in auction and appraisal services. Since its founding, Weschler’s has strictly adhered to the principle that the company own none of the items it auctions, acting solely as an agent for consignors.
596
Adam A. Weschler (1874-1951) Ralph A. Weschler, Sr. (1897-1966) Ralph A. Weschler, Jr. (1921-1982) Benjamin E. Weschler (1922-1993) William P. Weschler, Sr. (1926-2006) John S. Weschler, Sr. (1956-2011) CHAIRMAN OF THE BOARD William P. Weschler, Jr. Accredited Senior Appraiser American Society of Appraisers
584
OFFICERS
530
17
Thomas M. Weschler President Accredited Senior Appraiser American Society of Appraisers
Mar. 22 Feb. 1
Capital Collections Estate Auction
Mar. 22, 2013
n/a
Vintage Posters and Fine Art from Dewey & LeBoeuf LLP
Feb. 22, 2013
Sale Title
Sale Date
Consignment Deadline
AUCTION SCHEDULE 55
138
529
Capital Collections Estate Auction
May 17, 2013
132
Previews begin the Saturday prior to the auction
Leonard J. Weschler Treasurer / Secretary
WORKS OF ART FROM DEWEY & LEBOEUF LLP
AUCTION
Friday, February 1, 2013 at 1 p.m.
PREVIEW Saturday, January 26 – 9 a.m. to Noon Sunday, January 27 – 11 a.m. to 4 p.m. Monday, January 28 – 10 a.m. to 5 p.m. Tuesday, January 29 – 10 a.m. to 5 p.m. Wednesday, January 30 – 10 a.m. to 5 p.m. Thursday, January 31– 10 a.m. to 2 p.m. CATALOGUES $20 at the Gallery $25 by First Class Mail, $35 Overseas In absentee bids this sale may be referred to as 1405A Front Cover: Lot 583
All lots subject to 20% buyer’s premium* as part of purchase price. (See clause 6 of the Conditions of Sale)
WESCHLER’S Auctioneers and Appraisers Since 1890
909 E Street N.W. Washington, DC 20004 202/628-1281 FAX 202/628-2366 www.weschlers.com
SPECIALISTS IN CHARGE (202) 628-1281 MANAGER OF CAPITAL COLLECTIONS Leigh Snitiker
RUGS AND CARPETS Thomas M. Weschler EUROPEAN & AMERICAN FURNITURE AND DECORATIONS Leigh Snitiker Matthew S. Wilcox ASIAN WORKS OF ART William P. Weschler, Jr. FINE ART Danielle Isaacs Colette Chipman, Consultant JEWELRY, COINS & WATCHES Mark P. Weschler 20TH CENTURY DECORATIVE ARTS Leigh Snitiker CUSTOMER SERVICE DEPARTMENTS (202) 628-1281 Fax (202) 628-2366 ABSENTEE BIDS, PURCHASER & CONSIGNOR PAYMENTS Linda Amigh
FREE VERBAL ESTIMATES: Weschler’s experts will provide a free auction-value estimate by appointment in our gallery. Alternatively, photographs which clearly depict the items may be submitted in person, by mail or via email at info@weschlers.com, if accompanied
WRITTEN APPRAISALS: by descriptive information such as dimensions, condition, signatures, provenance, and other relevant data. Weschler’s experts will be happy to visit your location to view large collections for a nominal fee, refundable if the collection is consigned within one year.
Weschler’s experts provide written appraisals for insurance, tax, estate or sale purposes. The cost is based on the time involved and the scope of the appraisal. Please contact William P. Weschler, Jr. or Thomas M. Weschler at (202) 628-1281 for further information.
SPECIALIST DEPARTMENTS SPECIALIST DEPARTMENTS
FURNITURE AND DECORATIONS
Manager of Capital Collections Leigh Snitiker 202-628-1281 1-800-331-1430
American Furniture and Decorations american@weschlers.com Matthew S. Wilcox
Asian Works of Art asian@weschlers.com William P. Weschler, Jr.
European Furniture and Decorations european@weschlers.com Leigh Snitiker
Jewelry, Coins & Watches jewelry@weschlers.com Mark P. Weschler
Assistant to the Specialists judy@weschlers.com Judy Acs FINE ARTS American and European Paintings, Drawings, Sculpture, Prints and Photographs fineart@weschlers.com Danielle Isaacs Colette Chipman, Consultant
20th Century Decorative Arts 20thcentury@weschlers.com Leigh Snitiker Rugs, Carpets and Tapestries rugs@weschlers.com Thomas M. Weschler
CUSTOMER SERVICE DEPARTMENTS CUSTOMER SERVICE & ADMINISTRATIVE MANAGER Karen Weschler 202-628-1281 1-800-331-1430 Fax 202-628-2366 APPRAISALS Furniture and Decorations William P. Weschler, Jr. Thomas M. Weschler Fine Arts William P. Weschler, Jr. Thomas M. Weschler Jewelry and U.S. Coins William P. Weschler, Jr. Thomas M. Weschler Mark P. Weschler BIDS DEPARTMENT Linda Amigh SUBSCRIPTIONS Linda Amigh
PAYMENTS
ADMINISTRATIVE OFFICE
Linda Amigh
Virginia Weschler Linda Amigh Allison Mulholland Deborah Knott Olivia Wood
TRUSTS & ESTATES Matthew S. Wilcox, Director William P. Weschler, Jr. Thomas M. Weschler CORPORATE MUSEUM SERVICES
SHIPPING Olivia Wood
AND
William P. Weschler, Jr. Thomas M. Weschler
PHOTOGRAPHY Terence D. McArdle
AUCTIONEERS
COMMUNICATIONS ASSISTANT
Thomas M. Weschler Michael J. Weschler Leonard J. Weschler Mark P. Weschler
Christian Barclay
GALLERY ASSISTANTS G. Otis Davis Ronnie Lyon Gregory Janrhett Charles Johnson Brian Sullivan
CATALOGUE PRODUCTION Karen Weschler PRINTING Todd Allan Printing Co.
INFORMATION FOR BUYERS AND SELLERS PREVIEW:
ABSENTEE BIDS:
The preview will be held the Saturday preceding the sale from 9 a.m. to Noon, Sunday from 11 a.m. to 4 p.m., Monday, Tuesday and Wednesday from 10 a.m. to 5 p.m., and Thursday from 10 a.m. to 2 p.m. You are encouraged to attend the preview and to closely examine all lots of interest to you. Weschler’s staff will gladly assist you if requested.
Bidders who cannot attend the auction may submit absentee bids using the Absentee Bid form at the back of this catalogue or available online. Absentee bids may also be placed through Weschler’s FAX number, (202) 628-2366, by telephone, (202) 628.1281. Bids placed by telephone must be confirmed by FAX, letter or email. Our facilities for telephone bidding are somewhat limited so it is strongly recommended that you make arrangements at least 24 hours in advance. Please contact Linda Amigh at (202) 628-1281 for specific information on absentee bids. Absentee bidders are urged to read the Information for Absentee Bidders at the back of this catalogue.
CATALOGUES: The catalogue for this auction is available at Weschler’s Gallery during the exhibition and auction for $20. A catalogue admits two people to the auction. Catalogues can be mailed for a cost of $25 and mailed overseas at a cost of $35. Annual catalogue subscriptions are available by category. Additional information may be obtained by contacting Linda Amigh at (202) 628-1281.
PRICE LISTS AND POSTCARDS: Post sale price lists are available free of charge, approximately three weeks after the sale or online. Price lists are automatically sent to catalogue subscribers, as are Weschler’s postcards, published prior to each sale.
PRE-SALE ESTIMATES: As a convenience to bidders, Weschler’s publishes pre-sale estimates of the value of each lot in the auction. Estimates are intended as a guide and should not be considered a prediction of the selling price.
RESERVES: The “reserve” is a confidential minimum price agreed between the consignor and Weschler’s below which a lot will not be sold. Lots that have a reserve will not be marked as such, but the reserves will not be in excess of the low pre-sale estimates. Weschler’s will execute all reserves on behalf of the consignor by bidding through the auctioneer and placing successive or consecutive bids for a lot. The auctioneer may open the bidding on any lot on behalf of the consignor up to the reserve amount. In the event the bidding does not reach the reserve, the auctioneer will announce “Passed.”
BIDDER REGISTRATION: Each bidder must be assigned a bidding number before bids can be recognized. Bidding number registration will be available during exhibition hours and during the auction. Bidders already registered with an annual Weschler’s bidding number need not re-register for each sale.
CONDITION REPORTS: All property is sold “As Is” in accordance with Conditions of Sale clause 3 and neither Weschler’s nor the consignor make any express or implied warranty or representation as to the condition of any lot offered for sale and no statement made at any time, whether oral or written, shall constitute such a warranty or representation. Weschler’s staff is available to answer any questions or to provide any additional information regarding property offered; however, such condition reports do not constitute warranty and are not intended to replace first hand inspection by a prospective buyer.
BIDDING INCREMENTS: The auctioneer generally advances the bidding in the following incremental amounts: $100-499 $25 increments $500-999 $50 increments $1,000-1,999 $100 increments $2,000-4,999 $200 increments $5,000-9,999 $500 increments $10,000+ auctioneer's discretion
PURCHASER PAYMENTS: Successful bidders are requested to make total payment for purchases by cash, Visa or MasterCard or pre-approved check on the day of sale. Buyers not known to Weschler’s and planning to pay with a personal or business check are required to supply us a bank letter of credit prior to the auction. If such arrangements are not made prior to the auction, purchases will be held by Weschler's until the check has cleared our bank. The standard 20 percent* Buyer’s Premium is added to the purchase price of all items sold. District of Columbia 6 percent Sales Tax is added to that total, except for bidders who hold a valid District of Columbia re-sale tax number. *Discount for Cash, Wire or Local and/or Approved Checks.
www.weschlers.com
Please Note: The District of Columbia does not reciprocate with other jurisdictions and Weschler’s cannot accept tax numbers from other jurisdictions. Tax numbers must be registered at the time a bidding number is issued. For further information please contact Karen Weschler at (202) 628-1281 or at karen@weschlers.com.
REMOVAL OF PROPERTY: All purchases should be paid for and removed the day of sale, but in no event later than three days post sale. Weschler’s will advise you on the best way to transport large items, and will help arrange for packing, insurance and shipping. Weschler’s assumes no responsibility for the acts or omissions of carriers or packers whether or not they are recommended by us. For further information please contact us at (202) 628-1281.
EXPORTATION PERMITS: Certain lots may be subject to the provisions of the Endangered Species Act of 1973, the Marine Mammal Protection Act of 1972, and the Migratory Bird Act of 1982. In order to export these items, the buyer must obtain special licenses from the Department of the Interior, United States Fish and Wildlife Service. Some items may not be exported, and others may not be resold once purchased. Prospective bidders who intend to export or resell such items are solely responsible for obtaining such licenses and Weschler’s cannot, and will not, assure that such licenses can be obtained.
COMMISSIONS: Weschler’s receives the standard 10 percent consignor’s commission on the hammer price of each lot that sells for more than $5,001; 15 percent for lots selling between $2,001 and $5,000; 20 percent for lots selling between $1,001 and $2,000; 25 percent or lots selling between $51 and $1,000; and 40 percent for lots selling under $50. For items of exceptional value, the consignor’s commission is negotiable at the time of consignment. If property carries a reserve and does not sell, a “buy back fee” of 5 percent or $50, whichever is greater, is charged. A sample standard contract may be obtained by contacting Weschler’s office at (202) 628-1281.
CONSIGNMENTS: If you have property to consign, please contact us at (202) 628-1281 or at info@weschlers.com. Generally, items must be consigned at least six weeks prior to the scheduled auction date, but consignors are urged to consign as early as possible. Visit our website, www.weschlers.com, to view upcoming auction and deadlines.
CONDITIONS OF SALE The property listed in this catalogue will be offered and sold by Adam A. Weschler & Son, Inc. (“Auctioneer”) as agent for the “Consignor” on the following terms and conditions. No employee is authorized to alter these conditions. All bidders and consignors acknowledge knowing and agreeing to these conditions.
1. REGISTRATION Prior to sale, all bidders must register with a Weschler’s representative and receive a bidding number. A bidding number will be required of the successful bidder at the fall of the Auctioneer’s hammer for each lot. 2. “AS IS” CONDITION The Auctioneer and the Consignor assume no risk, liability or responsibility for the authenticity or the authorship of any property identified in the catalogue (that is, the identity of the creator or the period, culture, source or origin as the case may be, with which the creation of any property is identified herein). All property is sold “As Is” and neither the Auctioneer nor the Consignor makes any warranties or representations of any kind or nature with respect to the property, and in no event shall be responsible for the correctness or any implied warranty or merchantability or any implied warranty of fitness for a particular purpose as it relates to description, genuineness, attribution, provenance, safety, reliability or condition of the property. If any implied warranties of merchantability or fitness for a particular purpose can be construed from the catalogue, auction, or bill of sale, such warranties are disclaimed by the Auctioneer and the Consignor. No statement in the catalogue or made at the sale or in the Bill of Sale or invoice or elsewhere shall be deemed such a warranty or representation or an admission of liability. 3. GUARANTEE Notwithstanding the preceding condition, if within 14 days of the date of the sale, on any lot, the purchaser must give notice in writing to the Auctioneer that the lot sold is a counterfeit and, if within 7 days after such notice the purchaser returns to the Auctioneer in the same condition as when sold, and gives written proof from a recognized impartial expert which establishes beyond reasonable doubt that the returned lot is in fact a counterfeit and that this was not indicated by a fair reading of the catalogue or the Auctioneer’s comments at the time of sale, the Auctioneer as agent for the Consignor will rescind the sale and refund the purchase price paid defined as the amount of the successful bid price, plus buyer’s premium. The guarantee is made only to the original purchaser of record (i.e., the registered bidder) and not any subsequent owners. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party. The term counterfeit is defined as a modern fake or forgery, and made with the intent to deceive.
4. WITHDRAWAL The Auctioneer reserves the right to withdrawal any property at any time before actual sale. 5. BIDDING Unless otherwise announced by the Auctioneer at the time of sale, all bids are per lot as numbered in the catalogue. The Auctioneer reserves the right to reject a bid from any bidder. The highest bid acknowledged by the Auctioneer shall be the purchaser. In the event of any dispute between bidders, the Auctioneer shall have the sole and final discretion either to determine the successful bidder, or to re-offer and re-sell the article in dispute. If the Auctioneer determines that any opening bid is not commensurate with the value of the article offered, he may reject the bid; and if, having acknowledged an opening bid he decides that any advance is not sufficient, he may reject the advance. 6. PURCHASER’S RESPONSIBILITY On the fall of the Auctioneer’s hammer, title to the offered lot passes to the highest bidder who, thereupon will pay the full purchase price therefore or such part as the Auctioneer may require. All deposits may be applied to any or all purchases made by the purchaser at this or any previous sale. All property shall be removed by the purchaser at his expense on the day of sale and, if not so removed, may be sent by the Auctioneer to a public warehouse for the account, risk and expense of the purchaser. Any damage to or loss of any item purchased which is left with the Auctioneer after the day of purchase is the purchaser’s sole responsibility. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to the Auctioneer and the Consignor by law, including without limitation the right to hold the purchaser liable for the bid price, the Auctioneer at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) re-sell the property on 3 days notice to the purchaser and for the account and risk of the purchaser, either publicly or privately, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs, including warehousing, the expenses of both sales, and the Auctioneer’s commission at its regular rates and all other charges due hereunder, and incidental charges. No claims shall be allowed after removal of goods and no article shall be re-sold for purchaser at the sale where purchased.
www.weschlers.com
A premium equal to 20 percent* of the successful bid price up to and including $50,000, and 12 percent of the successful bid price over $50,000 will be added thereto and is payable by the purchaser as part of the total purchase price. The District of Columbia Sales Tax is computed on this total purchase price. The purchaser will be required to pay the Sales Tax unless exempted through possession of a valid District of Columbia Sales Tax number. *Discount for Cash, Wire or Local and/or Approved Checks.
After five (5) business days and the failure to pay in full, the Auctioneer reserves the right to charge the Purchaser’s credit card on file ten percent (10%) of the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges). After fourteen (14) days, the Auctioneer has the right to charge the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) to the Purchaser’s credit card on file. Please Note: The District of Columbia has no arrangement of reciprocity with any other jurisdiction and the Auctioneer cannot honor a Sales Tax number from any other jurisdiction. Buyers not known to the Auctioneer and planning to pay with a personal or business check are required to supply the Auctioneer with a bank letter of credit prior to the auction. If such arrangements are not made prior to the auction, purchases will be held by the Auctioneer until the check has cleared the bank. 7. RESERVES Unless the sale is advertised and announced as an unrestricted sale or sale without reserve, Consignors reserve the right to bid through the Auctioneer as agent on their own consignments. 8. ADDITIONAL CONDITIONS The Auctioneer reserves the right to cancel the sale or any portion thereof without prior or further notice, and to announce at any time additional conditions of sale.
GLOSSARY FOR FURNITURE & DECORATIONS The terms used in this catalogue as to authorship, period, culture, source and origin are made subject to the provisions in the Conditions of Sale printed in this catalogue. George III Satinwood Inlaid Mahogany Sideboard Circa 1800 This heading, with the date, indicates a piece that in our opinion is essentially of the period with no major alterations or restorations. George III Satinwood Inlaid Mahogany Sideboard This heading, without the date, indicates a piece that in our opinion is essentially of the period but has been significantly altered or restored. George III Style Satinwood Inlaid Mahogany Sideboard This heading, with the word style, indicates a piece that in our opinion was made as an intentional copy of an earlier work. While some defects and damages are mentioned in this catalogue, it is the responsibility of the purchaser to note the condition of each piece.
GLOSSARY FOR PAINTINGS AND DRAWINGS The terms used in this catalogue have the meanings ascribed to them here. Please note that all statements in this catalogue as to authorship are made subject to the provisions in the Conditions of Sale printed in this catalogue. Christopher Wool (American b. 1955)
In our opinion, a work by the artist. Attributed to Christopher Wool (American b. 1955) In our opinion, a work of the period of the artist, probably in whole, or in part a work by the artist. Studio of Christopher Wool (American b. 1955) In our opinion, a work by an unknown hand in the studio of the artist, possibly executed under the supervision of the artist. Circle of Christopher Wool (American b. 1955) In our opinion, a work of the period of the artist, closely related to his style. Manner of Christopher Wool (American b. 1955) In our opinion, a work in the style of the artist, and of a later date. After Christopher Wool (American b. 1955) In our opinion, a copy of a known work of the artist. The terms signed, dated or inscribed mean that in our opinion, the signature date or inscription are by the hand of the artist. We also give the placement of signature on the canvas as follows: l.l. – lower left l.r. – lower right l.c. – lower center
u.l. – upper left u.r. – upper right u.c. – upper center
The terms bears a signature, bears a date or bears an inscription mean that the work has a signature, date or inscription which may have been added by another hand. Dimensions are given height before width, unless otherwise stated, and to the nearest 1/4-inch. Pictures are framed unless otherwise noted. An asterisk (*) at the end of the description indicates that the print(s) in the lot has not been examined out of its mat and/or frame. While we do our best to protect the frames, we will not be responsible for damage, regardless of cause.
ARTIST INDEX Abbott, Berenice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 555, 556 Alexander, John. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 512 Arnoldi, Charles. . . . . . . . . . . . . . . . . . . . . . . . . . . . 529, 558, 559 Bailey, Vernon Howe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 504 Bengston, Billy Al . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 547, 548 Bidner, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 550 Bosman, Richard . . . . . . . . . . . . . . . . . . 541, 542, 543, 560, 561 Bradbury, Bennett Schroeder. . . . . . . . . . . . . . . . . . . . . . . . . 511 Briselli, Susan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 551 Calame, Ingrid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 562 Carey, June. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 523 Christenberry, William . . . . . . . . . . . . . . . . . . . . . . . . . . 553, 554 Dahlquist, Richard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 522 DiGiorgio, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 520 Dill, Laddie John. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 528 Dine, Jim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 563, 564 Fish, Janet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 506 Fonseca, Caio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 565 Frankenthaler, Helen. . . . . . . . . . . . . . . . . . . . . . . . . . . . 566, 567 Gornik, April . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 568, 569, 570 Grant, Gordon Hope . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 502 Grant, Lanny . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 513 Graves, Nancy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 570A Hagberg, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 516 Hallam, Kerry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 524, 525, 526 Heilmann, Mary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 571 Held, Al . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 572 Herrmann, Frank S. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 503 Hodgkin, Howard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 573 Homitzky, Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 507 Hughes, Manuel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 533 Jacobsen, Antonio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 505 Jacquette, Yvonne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 574 Juarez, Roberto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 527 Kahn, Wolf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 575 Kasimir, Luigi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 576 Kushner, Robert. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 531, 577 Lang, Cay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 552 Leclerc, Eugene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 603 Leger, Fernand . . . . . . . . . . . . . . . . . . . . 578, 579, 580, 581, 582 LeWitt, Sol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 583 Lichtenstein, Roy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 584 Mangold, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 585, 586 Mazur, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 519 McNamara, Joseph. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 549 Meyerowitz, Joe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 557 Miles, Richard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 514 Moore, Jay. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 509, 510
Muench, Charles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 508 Neher, Ross. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 544 Oldenburg, Claes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 587, 588 Pavlicek, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 535 Pfaff, Judy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 589 Porter, Liliana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 545 Richards, Bruce . . . . . . . . . . . . . . . . . . . 536, 537, 538, 539, 540 Rockburne, Dorothea . . . . . . . . . . . . . . . . . . . . . . . . . . . 590, 591 Saba, Richard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 532 Shepherd, Kate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 592, 593 Situ, W. Jason . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 521 Steffen, Bernard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 594 Steir, Pat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 595 Stella, Frank. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 596, 597, 598 Stevens, Bradley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517, 518 Stuart, Michelle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 534 Tinqua, Attributed to. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 501 Turrell, James. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 599 Wool, Christopher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 530 Yamaguchi, Takako . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 600, 601 Zakanitch, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 515 Zucker, Joe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 602
NOTES
WORKS OF ART FROM DEWEY & LEBOEUF LLP Friday, February 1, 2013 1 p.m. Lots 501 - 609 View items in the sale and leave bids online at www.weschlers.com Register to bid live online at www.artfact.com
501
PROPERTY OF DEWEY & LEBOEUF LLP 501 Attributed to Tinqua (Cantonese School, Mid-19th Century) Courtyard with Garden: Two Works Each unsigned Each a gouache on pith paper; each apparently in good condition. Each framed.* Sight size of each: 7 x 11 in (17.8 x 27.9 cm) $1,000-$2,000
501
502
502 Gordon Hope Grant (American 1875-1962) Ships on the Beach Signed Gordon Grant AWS and dated 1951 l.r. Watercolor on paper; apparently in good condition. Framed.* Sight size: 21 x 29-1/2 in (53.3 x 75 cm) $800-$1,200
503 Frank S. Herrmann (American 1866-1942) Ship at Sea Signed F.S. Herrmann l.r. Oil and gouache on paper; apparently in good condition. Framed.* Sight size: 32 x 27 in (81.3 x 68.6 cm) $500-$1,000
503
504 Vernon Howe Bailey (American 1874-1953) View of New York from Central Park and View of Manhattan and the Brooklyn Bridge: Two Works Each signed Vernon Howe Bailey l.r. The first, ink on paper and the second, pencil on paper; each apparently in good condition. Each framed.* Sight size of first: 15-1/2 x 11-1/2 in (39.3 x 29.2 cm); Sight size of second: 14-1/2 x 21 in (36.8 x 53.3 cm) $700-$900
504
504
505
505 Antonio Jacobsen (Danish/American 1850-1921) The Advance at Sea Signed A. Jacobsen, dated 1885 and inscribed 705 Palisade Av West Hoboken, NJ l.r. Oil on canvas 22 x 36 in (55.9 x 95.4 cm) $10,000-$15,000 Provenance: Sotheby’s, New York, Sporting and Marine Paintings and Sculpture, Friday June, 5, 1992, lot 234
506 Janet Fish (American b. 1938) Begonia Signed Janet Fish and dated 99 l.r. Watercolor on paper; apparently in good condition. Framed.* Sheet size: 36 x 40 in (91.4 x 101.6 cm) $5,000-$7,000
506
507 Peter Homitzky (American b. 1942) Kingston Towline Signed Homitzky and dated 84 l.r.; also inscribed Kingston on verso Acrylic on canvas 48 x 42 in (121.9 x 106.7 cm) $1,000-$2,000
507
508
508 Charles Muench (American b. 1966) Cloaked in Winter Signed Charles Muench l.l. and inscribed Charles M/© 2002 on verso Oil on canvas 20 x 24 in (50.8 x 61 cm) $800-$1,200
509
509 Jay Moore (American b. 1964) Sunny Morning, Buffalo Fork Signed Jay Moore l.l.; also inscribed “Sunny Morning, Buffalo Fork”/ © 2001/ Jay Moore/ N43° 50.269’/ W110° 30.089’ on verso Oil on canvas 16 x 20 in (40.6 x 50.8 cm) $4,000-$5,000
510
510 Jay Moore (American b. 1964) Buffalo Valley Storm Unsigned; inscribed Buffalo Valley Storm/ ©2002/ Jay Moore/ N 43° 50.707/ W 110° 24.0091 on verso Oil on canvas 16 x 20 in (40.6 x 50.8 cm) $4,000-$5,000
511 Bennett Schroeder Bradbury (American 1914-1991) August Seas Signed Bennett Bradbury l.r. Oil on canvas 24 x 48 in (60.9 x 121.9 cm) $800-$1,200
511
512 John Alexander (American b. 1945) Mexicans and Melons - No Place but Texas Unsigned; titled, dated Aug 1979 and signed John Alexander on paper label affixed to verso Mixed media on paper; apparently in good condition. Framed.* Sight size: 29 x 38-1/2 in (73.7 x 97.8 cm) $800-$1,200
512
513 Lanny Grant (American b. 1953) Frost Lace Signed Lanny Grant l.r. Oil on panel 12 x 16 in (30.5 x 40.6 cm) $2,000-$3,000
513
514
515 1 of 2
516
514 Richard Miles (American b. 1938) Celestial Glory Signed Richard A. Miles/Š l.r.; also titled and dated Feb 2004 on verso Oil on canvas 30 x 37 in (76.2 x 94 cm) $800-$1,200
515 Robert Zakanitch (American b. 1935) North America and South America: Two Works Each signed R. R. Zakanitch and dated 92 l.r. Each a watercolor on rag board; each apparently in good condition. Each framed.* Sight size of each: 10 x 16 in (25.4 x 40.6 cm) $1,000-$2,000
516 Robert Hagberg (American 20th Century) The Touch of Sun Signed R. Hagberg Š l.r.; also titled on paper label affixed to verso Oil on canvas 18 x 24 in (45.7 x 61 cm) $700-$900
517
518
518 Bradley Stevens (American b. 1954) Potomac Meditation Signed B. Stevens l.l. Oil on canvas 30 x 42 in (76.2 x 106.7 cm) $800-$1,200 517 Bradley Stevens (American b. 1954) Illumination of Mt. Moran Signed B. Stevens l.r. and inscribed Bradley Stevens/ Illumination of Mt. Moran/ 28 x 22/ oil on linen/ 2000Š on verso Oil on linen 28 x 22 in (71.1 x 55.9 cm) $600-$800
519
519 Michael Mazur (American b. 1935) Bay II Inscribed Bay II/Mazur 1989 on verso Acrylic on panel 12 x 72 in (30.5 x 182.9 cm) $800-$1,200
520
521
520 Joseph DiGiorgio (American b. 1941) Texas Wild Flowers Unsigned Oil and pastel on five sheets of paper; apparently in good condition. Framed as one.* Overall: 41-1/2 x 147-1/2 in (105.4 x 374.6 cm) $700-$900
521 W. Jason Situ (American b. 1949) Afternoon Sunlight: Yosemite Signed W.J. Situ OPA l.r.; also signed and dated 2001 on verso and titled on paper label affixed to verso Oil on linen 18 x 24 in (45.7 x 61 cm) $1,500-$2,500
522 522 Richard Dahlquist (American b. 1944) Back Country Signed R. Dahlquist l.l. Oil on canvas 18 x 24 in (45.7 x 61 cm) $1,000-$2,000
523
524
523 June Carey (American 20th Century) Golden Gate Signed June Carey Š/ASMN l.r. Oil on canvas 20 x 30 in (50.8 x 76.2 cm) $800-$1,200 524 Kerry Hallam (American b. 1937) New York Harbor Signed Kerry Hallam l.r. Mixed media on nautical chart; apparently in good condition; accompanied by certificate of authenticity issued by Chalk & Vermilion Fine Arts, Inc., Greenwich, CT. Framed.* Sight size: 48 x 36-1/2 in (121.9 x 92.7 cm) $1,000-$2,000
525 Kerry Hallam (American b. 1937) Long Island Sound- Eastern Part Signed Kerry Hallam l.r. Mixed media on nautical chart; apparently in good condition; accompanied by certificate of authenticity issued by Chalk & Vermilion Fine Arts, Inc., Greenwich, CT. Framed.* Sight size: 32 x 48 in (81.3 x 121.9 cm) $1,000-$2,000
525
526
526 Kerry Hallam (American b. 1937) Cape Cod Signed Kerry Hallam l.r. Mixed media on nautical chart; apparently in good condition; accompanied by certificate of authenticity issued by Chalk & Vermilion Fine Arts, Inc., Greenwich, CT. Framed.* Sight size: 35-1/2 x 44 in (85.9 x 111.8 cm) $1,000-$2,000
527 Roberto Juarez (American b. 1952) Arrow Root Signed Roberto Juarez and titled on verso Oil on canvas 24 x 108 in (61 x 274.3 cm) $3,000-$5,000
527
528
528 Laddie John Dill (American b. 1943) Light Traps: A Pair of Works Each signed Laddie John Dill and dated 2000 on verso Each welded and polished aluminum bas reliefs Each overall: 36 x 23-1/2 in (91.4 x 59.7 cm) $600-$800
529
529 Charles Arnoldi (American b. 1946) Marathon Unsigned Acrylic on canvas 45 x 70 in (114.3 x 177.8 cm) $10,000-$15,000
530
530 Christopher Wool (American b. 1955) Untitled Apparently unsigned; inscribed Christopher Wool/ Untitled (D59)/ 1997/ Enamel on rice paper on gallery label affixed to verso Enamel on rice paper 66 x 48 in (167.6 x 121.9 cm) $200,000-$300,000 Provenance: Luhring Augustine Gallery, New York Note: Gallery has stated the work may be signed on verso
531 Robert Kushner (American b. 1949) White Peony and White Peony II: Two Works Each signed Robert Kushner, titled and dated 02 l.r. and l.l. respectively Each ink on paper with applied gold leaf; each apparently in good condition. Each framed.* Sheet size of first: 13 x 19 in (33 x 48.3 cm); Sheet size of second: 19 x 13 in (48.3 x 33 cm) $800-$1,200
532
531 1 of 2
533 1 of a pair
532 Richard Saba (American 20th Century) Sound Post Unsigned Acrylic on canvas 80-1/2 x 73-1/2 in (204.5 x 186.7 cm) $800-$1,200
533 Manuel Hughes (American b. 1938) Ribbons: A Pair of Works Each signed Hughes u.c. Each a pastel on paper; each apparently in good condition. Each framed.* Sight size of each: 20 x 26 in (50.8 x 66 cm) $700-$900
534
535
536 Panel 1 (left)
534 Michelle Stuart (American b. 1940) Moonlight (Manhattan) Unsigned; inscribed Michelle Stuart/ Moonlight (Manhattan) 1990/ 44 x 88� (inches)/ encaustic, earth, pigment, and plants on paper label affixed to verso Mixed media on paper mounted on board 40 x 73 in (101.6 x 185.4 cm) $800-$1,200
535 John Pavlicek (American b. 1946) From the North (White 3) Unsigned Collage with applied gold leaf on paper; apparently in good condition. Framed.* Sight size: 29-1/2 x 50 in (75 x 127 cm) $1,500-$2,500
536 Bruce Richards (American b. 1948) Weather Change: A Triptych Each signed Bruce Richards, titled and inscribed with medium and first and third panels dated 2001 on verso Each oil on canvas Overall: 48 x 204 in (121.9 x 518.2 cm) $2,000-$3,000
537
537 Bruce Richards (American b. 1948) Modern Living Signed Bruce Richards, titled and dated 2001 on verso Oil on canvas 61 x 54 in (154.9 x 137.2 cm) $1,000-$2,000
538 Bruce Richards (American b. 1948) Odyssey I Signed Bruce Richards and titled and dated 01 on verso Oil on canvas 46-1/8 x 39-1/8 in (117.1 x 99.3 cm) $1,000-$2,000
539 Bruce Richards (American b. 1948) Odyssey II Signed Bruce Richards on verso; also inscribed Š Bruce Richards ‘01/ Odyssey (11)/ oil/ canvas/ 46-1/8 x 49-1/8 on verso Oil on canvas 46-1/8 x 49-1/8 in (116.8 x 124.5 cm) $1,000-$2,000
538
539
540
541
540 Bruce Richards (American b. 1948) Odyssey III Signed Bruce Richards on verso; also inscribed © Bruce Richards 01’/ Odyssey (III)/ oil/ canvas/ 46-1/8 x 56-1/8 on verso Oil on canvas 46-1/8 x 56-1/8 in (117.5 x 142.2 cm) $1,000-$2,000
541 Richard Bosman (Australian b. 1944) Study for Tides: A Diptych Signed Bosman l.r.; also dated 1990 on paper label affixed to verso Acrylic on paper; apparently in good condition. Framed.* Sheet size of each: 19 x 44 in (48.3 x 111.8 cm) $700-$900
542
542 Richard Bosman (Australian b. 1944) Pier II Signed Bosman on verso; also titled and dated 1990 on a paper label affixed to verso Oil on canvas 28 x 84 in (71.1 x 213.4 cm) $800-$1,200 Provenance: Galería La Máquina Espanõla, Madrid Brooke Alexander Gallery, New York
543
544
543 Richard Bosman (Australian b. 1944) Study for Harbor Lights Signed Bosman l.r.; also dated 1990 on label affixed to verso Acrylic on paper; apparently in good condition. Framed.* Sheet size: 30 x 22-1/4 in (76.2 x 56.5 cm) $1,000-$2,000 545 Liliana Porter (Argentine b. 1941) The Way Signed Liliana Porter l.r. Mixed media on paper; apparently in good condition. Framed.* Sheet size: 40 x 59-1/2 in (101.6 x 151.1 cm) $2,000-$3,000
546 No Lot
544 Ross Neher (American b. 1949) The Libation Bearers Unsigned Oil on linen 60 x 72 in (152.4 x 182.9 cm) $2,000-$3,000
545
547
547 Billy Al Bengston (American b. 1934) Alamo (Yellow) Unsigned Lacquer and polyester resin on aluminum, inscribed Billy Al Bengston/ The Alamo 1969 (Yellow)/ 36 x 34�/ Ed. 3/20 on paper label affixed to verso 36 x 34 in (91.4 x 86.4 cm) $3,000-$5,000
548
548 Billy Al Bengston (American b. 1934) Alamo (Brown) Unsigned Lacquer and polyester resin on aluminum, inscribed Billy Al Bengston/ The Alamo 1969 (Brown)/ 36 x 34�/ Ed. 20/20 on paper label affixed to verso 36 x 34 in (91.4 x 86.4 cm) $3,000-$5,000
549 Joseph McNamara (American 20th Century) The Words Signed Joseph McNamara on verso Acrylic on canvas 46-3/4 x 61-3/4 in (118.7 x 156.8 cm) $700-$900
549
550
551 1 of 2
550 Robert Bidner (American 1930-1983) Second Street Townhouse Signed Bidner and dated 1983 on verso Oil on canvas 48-1/4 x 64-1/2 in (122.6 x 163.8 cm) $1,000-$2,000
551 Susan Briselli (American 20th Century) Still Life: Two Works The first, signed Briselli l.r., the second, unsigned Each a hand-painted photograph; each apparently in good condition. Each framed.* Sight size of first: 18-3/4 x 14-1/2 in (47.6 x 36.8 cm); Sight size of second: 18-1/4 x 14-1/2 in (46.4 x 36.8 cm) $800-$1,200
552 1 of 4
553
552 Cay Lang (American b. 1948) Achilles Heel, Private Parties, Rhapsody and Bethlehem Partial View: Four Works Each an ektachrome photograph, 1984-1987, the third, signed Cay Lang l.r. and numbered 19/25 l.l. in pen, the others apparently signed; each apparently in good condition. Each framed.* Sight size of each: 18-3/4 x 18-1/2 in (47.6 x 47 cm) $1,000-$2,000
553 William Christenberry (American b. 1936) Palmist Hand, Havana Junction, Alabama Signed with artist’s monogram in ink on verso; also titled, dated and inscribed Printed 1988 Chromogenic print on Kodak paper, linen hinged at top corners; in good condition. Framed. Sight size: 17-1/4 x 22 in (43.8 x 55.9 cm) $2,500-$3,500
Note: Rhapsody was taken out of its frame, and a signature was found; the other three works have not been taken out of their frames.
554
554 William Christenberry (American b. 1936) 5¢ Wall, with Johnson Grass, Demopolis, Alabama, 1980 Signed with artist’s monogram in ink on verso; also titled, dated and inscribed Printed 1988 Chromogenic print on Kodak paper, linen hinged at top corners; in good condition. Framed. Sight size: 20 x 24 in (50.8 x 61 cm) $2,500-$3,500
555 Berenice Abbott (American 1898-1991) Lyric Theater Signed Berenice Abbott in pencil l.r. Photograph, later impression; apparently in good condition. Framed.* Sight size: 16-1/2 x 21 in (41.9 x 53.3 cm) $3,000-$5,000
555
556 Berenice Abbott (American 1898-1991) Nightview, New York Gelatin silver print, 1932, signed Berenice Abbott in pencil l.r. and numbered 34/100 in pencil l.l.; apparently in good condition. Framed.* Sight size: 40 x 30 in (101.6 x 76.2 cm) $15,000-$20,000
556
557 Joe Meyerowitz (American b. 1938) Porch Scenes, Provincetown: Five Works Each a chromogenic print; each apparently in good condition. Each framed.* Sight size of each: 9-1/4 x 7-1/4 in (23.5 x 18.4 cm) $800-$1,200
557 1 of 5
558
559
558 Charles Arnoldi (American b. 1946) Untitled (Orange) Monotype on handmade paper, 1990, signed Arnoldi in pencil l.r.; apparently in good condition. Framed.* Sheet size: 787 x 584 mm (31 x 23 in) $800-$1,200
559 Charles Arnoldi (American b. 1946) Untitled (Blue) Monotype on handmade paper, 1990, signed Arnoldi in pencil l.l.; apparently in good condition. Framed.* Sheet size: 787 x 584 mm (31 x 23 in) $800-$1,200
560
560 Richard Bosman (Australian b. 1944) Night Span Lithograph in color, signed Bosman in pencil l.r. and numbered 16/30 in pencil l.l.; apparently in good condition. Framed.* Plate size: 483 x 1226 mm (19 x 48-1/4 in) $700-$900
561
562 1 of 3
561 Richard Bosman (Australian b. 1944) Night Haul Woodcut in color, signed Bosman in pencil l.r. and numbered 19/35 in pencil l.l.; apparently in good condition. Framed.* Sheet size: 559 x 851 mm (22 x 33-1/2 in) $700-$900
562 Ingrid Calame (American b. 1965) Untitled (Trace 1, 2 & 3): Group of Three Works Each an etching with Chine collĂŠ, each signed Ingrid Calame in pencil l.r. and numbered 22/35 in pencil l.l.; each apparently in good condition. Each framed.* Sheet size of each: 635 x 635 mm (25 x 25 in) $1,500-$2,000
563
563 Jim Dine (American b. 1935) A Temple Flora (Strelitzia) (D’Oench and Feinberg 12) Hand-colored etching, 1978, signed J. Dine in pencil l.r. and numbered III in pencil l.l.; apparently in good condition. Framed.* Sight size approximately: 610 x 451 mm (24 x 17-3/4 in) $2,000-$3,000
565
564
564 Jim Dine (American b. 1935) A Temple of Flora (Iris) (D’Oench and Feinberg 13) Hand-colored etching, 1978, signed Jim Dine in pencil c.l. and numbered 10/30 in pencil l.l.; apparently in good condition. Framed.* Sight size: 610 x 451 mm (24 x 17-3/4 in) $3,000-$5,000 565 Caio Fonseca (American b. 1959) Three String Giallo Etching and aquatint in color, 2006, signed indistinctly in pencil l.r. and numbered 41/50 in pencil l.l.; apparently in good condition. Framed* Plate size: 762 x 1016 mm (30 x 40 in) $1,000-$2,000
566 Helen Frankenthaler (American 1928-2011) Orange Downpour (Harrison 27) Pochoir in color printed on white Arches Imperial Rough watercolor paper, 1970, signed Frankenthaler and dated 9/30/1970 in pencil l.r. and numbered 35/50 in pencil l.l.; apparently in good condition. Framed.* Sheet size: 775 x 559 mm (30-1/2 x 22 in) $3,000-$5,000
566
567 Helen Frankenthaler (American 1928-2011) Wind Directions (Harrison 28) Pochoir in color printed on white Arches Imperial Rough watercolor paper, 1970, signed Frankenthaler and numbered 2/50 in pencil l.l.; apparently in good condition. Framed.* Sheet size: 775 x 558 mm (30-1/2 x 22 in) $2,500-$3,500
567
568
569
570
568 April Gornik (American b. 1953) Palatine Light Etching, 2002, signed April Gornik in pencil l.r. and numbered 13/30 in pencil l.l.; apparently in good condition. Framed.* Sight size: 489 x 387 mm (19-1/4 x 15-1/4 in) $800-$1,200
569 April Gornik (American b. 1953) Light Through Trees Etching, 2002, signed April Gornik in pencil l.r. and numbered 13/30 in pencil l.l.; apparently in good condition. Framed.* Sight size: 489 x 387 mm (9-1/4 x 15-1/4 in) $800-$1,200
570 April Gornik (American b. 1953) Edge of the Forest Etching, 2002, signed April Gornik in pencil l.r. and numbered 13/30 in pencil l.l.; apparently in good condition. Framed.* Sight size: 489 x 387 mm (19-1/4 x 15-1/4 in) $800-$1,200
570A
570A Nancy Graves (American 1940-1995) Stuck, The Flies Buzzed Etching, aquatint and dry point on copper, separate silkscreen and embossing on Magnani paper, 1990, signed Nancy Graves and numbered 68/68 in pencil l.r.; printed by Vigna Antoniniana and edited by 2RC editions; apparently in good condition. Framed.* 1194 x 2286 mm (47 x 90 in) $3,000-$5,000
571
571 Mary Heilmann (American b. 1940) Jazz Etching in color, 2002, signed M. Heilmann in pencil l.r. and numbered 8/25 in pencil l.l.; apparently in good condition. Framed.* Plate size: 826 x 552 mm (32-1/2 x 21-3/4 in) $1,500-$2,500
572 Al Held (American 1928-2005) Pachinko Woodcut in color, 1989, signed Al Held in pencil l.l.; apparently in good condition. Framed.* Sight size: 660 x 838 mm (26 x 33 in) $1,000-$2,000
572
573
574 1 of 10
573 Howard Hodgkin (British b. 1932) Nick Etching and aquatint, 1977, signed Hodgkin in pencil l.r. and numbered 6/100 in pencil l.l.; apparently in good condition. Framed.* Sheet size: 476 x 578 mm (18-3/4 x 22-3/4 in) $2,000-$3,000
574 Yvonne Jacquette (American b. 1934) Two Ferries Passing: Suite of Ten Works Each a soft ground etching and aquatint in color, 1982, each signed Yvonne Jacquette in pencil l.r. and numbered 8/8 in pencil l.l.; each apparently in good condition. Each framed.* Plate size of each: 406 x 393 mm (16 x 15-1/2 in) $8,000-$10,000
574 1 of 10
575 Wolf Kahn (German/American b. 1927) Barn Above Pond Serigraph in color, 2002, signed Wolf Kahn in pencil l.r and numbered 91/99 in pencil l.l.; apparently in good condition. Framed.* Sight size: 870 x 845 mm (34-1/4 x 33-1/4 in) $800-$1,200
576 1 of 2
575
576 Luigi Kasimir (Austrian 1881-1962) New York and Brooklyn Bridge No. 2: Two Works Each an etching in color, each signed Luigi Kasimir in pencil l.c.; each apparently in good condition. Each framed.* Sight size of first: 450 x 292 mm (18 x 11-1/2 in); Sight size of second: 318 x 470 mm (121/2 x 18-1/2 in) $1,500-$2,500
577 Robert Kushner (American b. 1949) White Anemone State I and White Anemone State II: Two Works Each a woodblock print in color on silk, 1989, each signed Robert Kushner in pencil l.r. and numbered 1/21 in pencil l.r.; each apparently in good condition. Each framed.* Plate size of each: 279 x 381 mm (11 x 15 in ) $800-$1,200
577 1 of 2
578
580
579
578 Fernand Leger (French 1881-1955) Femme au Poudrier Lithograph in color, 1959, signed F. Leger in pencil l.r. and numbered 5/180 in pencil l.l.; apparently in good condition. Framed.* Sight size: 533 x 432 mm (21 x 17 in) $500-$700
579 Fernand Leger (French 1881-1955) Amoureaux Dans La Rue Lithograph in color, 1959, signed F. Leger in pencil l.r. and numbered 5/180 in pencil l.l.; apparently in good condition. Framed.* Sight size: 533 x 432 mm (21 x 17 in) $500-$700
580 Fernand Leger (French 1881-1955) L’Opera Lithograph in color, 1959, signed F. Leger in pencil l.r. and numbered 5/180 in pencil l.l.; apparently in good condition. Framed.* Sight size: 533 x 432 mm (21 x 17 in) $500-$700
581
582
581 Fernand Leger (French 1881-1955) La Tour Eiffel Lithograph in color, 1959, signed F. Leger in pencil l.r. and numbered 5/180 in pencil l.l.; apparently in good condition. Framed.* Sight size: 533 x 432 mm (21 x 17 in) $500-$700
583 Sol LeWitt (American 1946-2007) Wavy Brush Strokes Silkscreen monoprint in color, 1998, apparently signed on verso; apparently in good condition. Framed.* Sheet size: 1410 x 1410 mm (55-1/2 x 55-1/2 in) $8,000-$12,000 Provenance: Pace Prints, New York, NY Note: According to Pace Prints, the work is signed Sol LeWitt and numbered 12 on verso.
582 Fernand Leger (French 1881-1955) La Piscine Lithograph in color, 1959, signed F. Leger in pencil l.r. and numbered 5/180 in pencil l.l.; apparently in good condition. Framed.* Sight size: 483 x 648 mm (19 x 25-1/2 in) $500-$700
583
584
584 Roy Lichtenstein (American 1923-1997) Red and Yellow Apple (Corlett 195) Woodcut in color on handmade Iwano Kizuki Hosho paper, 1983, signed Roy Lichtenstein and numbered 43/60 in pencil l.c.; apparently in good condition. Framed.* Sheet size: 724 x 959 mm (28-1/2 x 37-3/4 in) $5,000-$7,000
585 Robert Mangold (American b. 1937) Double Column A, B, C: Set of Three Works Each a soft ground and aquatint etching in color, 2006, each signed R. Mangold in pencil l.r. and numbered 12/40 in pencil l.l.; each apparently in good condition. Each framed.* Sheet size of each: 756 x 254 mm (29-3/4 x 10 in) $8,000-$10,000
585 1 of 3
586
586 Robert Mangold (American b. 1937) Two Columns B Etching and relief in color on mulberry paper mounted on Arches Cover white, 2004, signed R. Mangold in pencil l.r. and numbered 11/30 in pencil l.l.; apparently in good condition. Framed.* Sheet size: 1092 x 806 mm (43 x 31-3/4 in) $6,000-$8,000
587
588
587 Claes Oldenburg (American b. 1929) Ice Cream Desserts (Axsom and Platzker 147) Etching and aquatint in color, signed C.O. in pencil l.c. and numbered 23/50 in pencil l.l.; apparently in good condition. Framed.* Plate size: 343 x 533 mm (13-1/2 x 21 in) $1,000-$2,000
588 Claes Oldenburg (American b. 1929) Wristwatch Rising (Axsom and Platzker 233) Lithograph in color, signed C.O. in pencil l.r and numbered 105/125 in pencil l.l.; apparently in good condition. Framed.* Sight size: 514 x 616 mm (20-1/4 x 24-1/4 in) $2,000-$3,000
589 Judy Pfaff (American b. 1946) Yoyogi II Woodblock in color, signed J. Pfaff in pencil l.r. and numbered 42/75 in pencil l.l.; apparently in good condition. Framed.* Sheet size: 800 x 914 mm (31-1/2 x 36 in) $1,000-$2,000
589
590
590 Dorothea Rockburne (American b. 1934) Devine Ray Lithograph in color on Transpagra, 1981, signed Rockburne and numbered 37/44 in pencil l.r. and titled Devine Ray in pencil l.l.; apparently in good condition. Framed.* Sight size: 1016 x 889 mm (40 x 35 in) $700-$900
591
591 Dorothea Rockburne (American b. 1934) Melancolia Lithograph in color on Transpagra, 1981, signed Rockburne and numbered 12/40 in pencil l.r. and titled Melancolia in pencil l.l.; apparently in good condition. Framed.* Sight size: 813 x 991 mm (32 x 39 in) $700-$900
592
592 Kate Shepherd (American b. 1961) Still Gallery, View Between Reds, Thread Line Serigraph in color, 2001, signed Shepherd in pencil l.r. and numbered 42/45 in pencil l.l.; apparently in good condition. Framed.* Plate size: 762 x 1016 mm (30 x 40 in) $800-$1,200
593
593 Kate Shepherd (American b. 1961) White Boat, Deep Sea, Dented Cloud Serigraph in color, signed Kate Shepherd in pencil l.r. and numbered 42/45 in pencil l.l.; apparently in good condition. Framed.* Sheet size: 851 x 965 mm (33-1/2 x 38 in) $800-$1,200
594
594 Bernard Steffen (American 1907-1980) Untitled: Two Works Each a chromolithograph, each signed Bernard Steffen in pencil l.r and numbered 16/35 in pencil l.l.; each apparently in good condition. Each framed.* Sheet size of each: 737 x 838 mm (29 x 33 in) $800-$1,200
594
595 Pat Steir (Dutch/American b. 1938) Waterfall Aquatint and etching in color, 1987, signed Pat Steir, titled Waterfall and dated in pencil l.c. and numbered AP 6/10 in pencil l.r.; apparently in good condition. Framed.* Sight size: 1372 x 1060 mm (54 x 41-3/4 in) $1,000-$2,000
595
596
596 Frank Stella (American b. 1936) Polar Co-ordinates Variant 1a (Axsom 127) Offset lithograph and screenprint in color, 1980, signed F. Stella and numbered 15/20 and dated ‘80 in pencil l.l. quadrant; apparently in good condition. Framed.* Sheet size: 965 x 952 mm (38 x 37-1/2 in) $8,000-$10,000
597
597 Frank Stella (American b. 1936) Polar Co-ordinates Variant IIIa (Axsom 128 ) Offset lithograph, screenprint and letter press in color, 1980, signed F. Stella and numbered 7/32 and dated ‘80 in pencil l.l.; apparently in good condition. Framed.* Sheet size: 965 x 959 mm (38 x 37-34 in) $8,000-$10,000
598 Frank Stella (American b. 1953) Shards Variant 1a (Axsom 149 ) Offset lithograph and serigraph in color, 1982, signed F. Stella and numbered 16/38 and dated ‘82 in pencil l.r.; apparently in good condition. Framed.* Sheet size: 1117 x 997 mm (44 x 39-1/4 in) $3,000-$5,000
598
599 James Turrell (American b. 1943) First Light: Two Works Each an etching and aquatint, 1989-1999, each signed James Turrell in pencil l.r.; each apparently in good condition. Each framed.* Sight size of each: 864 x 1168 mm (34 x 46 in) $4,000-$6,000
599
599
600
600 Takako Yamaguchi (Japanese b. 1952) Quaretto I and Quaretto II: Two Works Each a serigraph and etching in color with gold leaf, each signed Takako Yamaguchi in pencil l.r. and numbered 11/50 in pencil l.l.; each apparently in good condition. Each framed.* Sight size of each: 597 x 597 mm (23-1/2 x 23-1/2 in) $1,500-$2,000
600
601
601 Takako Yamaguchi (Japanese b. 1952) Quaretto III and Quaretto IV: Two Works Each a serigraph and etching in color with gold leaf, each signed Takako Yamaguchi in pencil l.r. and numbered 11/50 in pencil l.l.; each apparently in good condition. Each framed.* Sight size of each: 597 x 597 mm (23-1/2 x 23-1/2 in) $1,500-$2,000
601
602 Joe Zucker (American b. 1941) Ponce Duels Seminole Chief Misha Gosh Lithograph with hand-coloring, acrylic veneer and foil, 1984, signed Joe Zucker in pencil l.r. and numbered 18/18 in pencil l.l.; apparently in good condition. Framed.* Sheet size: 914 x 1219 mm (36 x 48 in) $3,000-$5,000
602
603
603 Eugene Leclerc (Canadian 1885-1968) Gaspe Trader Signed E. LeClerc and titled Parcel polychrome decorated wood ship model within a wood and Plexiglas case Model approximately: 31-1/2 x 50 in (78.7 x 127 cm) $800-$1,200
604
604 Steuben Blue Aurene Vase Early 20th Century Having a bulbous body with short everted rim. Engraved on underside Steuben. Height: 8-1/2 in (21.6 cm) $500-$700
606
605
605 Pair of Cedric Hartman Brass and Granite Occasional Tables Designed Circa 1970s Each having a circular black granite top raised on a brass base. Each impressed on underside of base Cedric Hartman, Made in USA and with model number. Height: 23-1/2 in (59.7 cm); Diameter of top: 17 in (43.2 cm) $1,500-$2,500
606 Pair of Cedric Hartman Brass and Granite Occasional Tables Designed Circa 1970s Each having a circular black granite top raised on a brass base. Each impressed on underside of base Cedric Hartman, Made in USA and with model number. Height: 23-1/2 in (59.7 cm); Diameter of top: 17 in (43.2 cm) $1,500-$2,500
607 Pair of Cedric Hartman Brass and Granite Occasional Tables Designed Circa 1970s Each having a circular black granite top raised on a brass base. Each impressed on underside of base Cedric Hartman, Made in USA and with model number. Height: 23-1/2 in (59.7 cm); Diameter of top: 17 in (43.2 cm) $1,500-$2,500
607
609 1 of a pair
608
608 Two Christopher Spitzmiller Peachbloom Glaze Table Lamps Modern Each with mahogany base and brass fittings. Each with maker’s paper label on underside of base. Height of tallest: 21-1/4 in (54 cm) $1,000-$2,000
609 Pair of Neoclassical Style Ochre Marble Urns on Pedestal 20th Century Each urn carved with grape leaves raised on a cylindrical pedestal. One urn broken at socle. Height of urns: 22-3/4 in (57.8 cm); Height of pedestals: 43-1/4 in (110 cm) $800-$1,200
END OF SALE
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