9/13 Capital Collections Auction by Weschler's Auctioneers & Appraisers

WESCHLER’S

Friday, September 13, 2019

CAPITAL COLLECTIONS AUCTION Sale 1510

WESCHLER’S

WESCHLER’S CAPITAL COLLECTIONS AUCTION Friday, September 13, 2019

10AM

AUCTION SCHEDULE

WESCHLER’S Weschler’s has served the Nation’s Capital and beyond as fine art auctioneers and appraisers since 1890. The gallery is now owned and managed by fourth and fifth generation members of the Weschler family and is supported by a highly experienced administrative staff. As Weschler’s approaches their 130th year, Weschler’s renews its commitment to the highest level of professionalism in auction and appraisal services. Since its founding, Weschler’s has strictly adhered to the principle that the company own none of the items it auctions, acting solely as an agent for their consignors. Adam A. Weschler (1874-1951) Ralph A. Weschler, Sr. (1897-1966) Ralph A. Weschler, Jr. (1921-1982) Benjamin E. Weschler (1922-1993) William P. Weschler, Sr. (1926-2006) John S. Weschler, Sr. (1956-2011)

Sale Date

Sale Title

Consignment Deadline

Sept. 13, 2019

Capital Collections

n/a

Oct. 11, 2019

Folk Art and Chinese Export

n/a

Nov. 22, 2019

Designer Clothing, Handbags & Accessories

n/a

Dec. 13, 2019

Capital Collections

Oct. 25

CAPITAL COLLECTIONS AUCTION PROPERTY FROM THE ESTATES OF: An Annapolis Estate Mona S. Berman James Randall Carroll, Jr. A New York Estate Frank Svoboda Anne Harrison Wallace Patrick J. White IV

OTHER CONSIGNORS INCLUDE: Fred and Alice Goldsmith Irrevocable Trust A Local Trust A Direct Descendant of Chief Justice John James Marshall (1755-1835) A Private Collection of the Souza Family The Stoutenburgh Trust A Virginia Collector A Private Washington, DC Collection A Washington, DC Equity Organization Virginia G. Watkin Trust

AUCTION Friday, September 13, 2019 at 10 a.m. EXHIBITION Saturday, September 7 – 10 a.m. to 12 p.m. Sunday, September 8 – 11 a.m. to 2 p.m. Monday, September 9 – 10 a.m. to 4 p.m. Tuesday, September 10 – 10 a.m. to 4 p.m. Wednesday, September 11 – 10 a.m. to 4 p.m. Thursday, September 12 – 10 a.m. to 2 p.m. CATALOGUES $20 at the Gallery; $30 by First Class Mail; $55 Overseas In absentee bids this sale may be referred to as 1510 Front Cover: Lot 74 Back Cover: Lot 185 All lots subject to 22% buyer’s premium* as part of purchase price. (See clause 6 of the Conditions of Sale)

40 West Gude Dr Ste 100 Rockville, MD 20850 TEL 202/628-1281 FAX 202/628-2366 www.weschlers.com

SPECIALISTS IN CHARGE (202) 628-1281

MANAGER OF CAPITAL COLLECTIONS Judy Acs EUROPEAN & AMERICAN FURNITURE AND DECORATIONS William Weschler, Jr. Maria Griffin ASIAN WORKS OF ART William Weschler, Jr. FINE ART Colette Chipman Samuel Botsford, Assistant JEWELRY, COINS & WATCHES Mark Weschler 20TH CENTURY DECORATIVE ARTS Mark Weschler Samuel Botsford, Assistant RUGS AND TAPESTRIES Thomas Weschler CUSTOMER SERVICE DEPARTMENTS (202) 628-1281 Fax (202) 628-2366 ABSENTEE BIDS & CONSIGNOR PAYMENTS Linda Niehaus PURCHASER PAYMENTS Karen Weschler Munaker SHIPMENTS Deborah Knott

SPECIALIST DEPARTMENTS SPECIALIST DEPARTMENTS

FURNITURE AND DECORATIONS

Manager of Capital Collections Judy Acs 202-628-1281 info@weschlers.com

American Furniture and Decorations american@weschlers.com William Weschler, Jr.

Rugs, Carpets and Tapestries rugs@weschlers.com Thomas Weschler

European Furniture and Decorations european@weschlers.com William Weschler, Jr. Maria Griffin

Asian Works of Art asian@weschlers.com William Weschler, Jr.

FINE ARTS American and European Paintings, Drawings, Sculpture, Prints and Photographs fineart@weschlers.com Colette Chipman Samuel Botsford, Assistant

20th Century Decorative Arts 20thcentury@weschlers.com Mark Weschler Samuel Botsford, Assistant

Jewelry, Coins & Watches jewelry@weschlers.com Mark Weschler

CUSTOMER SERVICE DEPARTMENTS CLIENT SERVICES & ADMINISTRATIVE MANAGER Karen Weschler Munaker 202-628-1281 Fax 202-628-2366 APPRAISALS

CORPORATE MUSEUM SERVICES

AND

William Weschler, Jr. Thomas Weschler Mark Weschler AUCTIONEERS

Furniture, Decorations & Fine Arts William Weschler, Jr. Thomas Weschler

Thomas Weschler Leonard Weschler Mark Weschler Samuel Botsford

Jewelry and U.S. Coins Mark Weschler

METRO AUCTIONS

BIDS DEPARTMENT

Leonard Weschler, Co-Manager Samuel Botsford, Co-Manager Christine Messing, Assistant

Linda Niehaus SUBSCRIPTIONS Linda Niehaus PAYMENTS

SHIPPING Deborah Knott CATALOGUE PRODUCTION

COMMUNICATIONS Allison Mulholland BUSINESS DEVELOPMENT

GALLERY ASSISTANTS Ronnie Lyon Gregory Janrhett Charles Johnson Percy Waller EXHIBITION COORDINATOR

William Weschler, Jr. Thomas Weschler

Linda Niehaus Allison Mulholland Deborah Knott Christine Messing

Karen Weschler Munaker

Karen Weschler Munaker TRUSTS & ESTATES

CLIENT SERVICES

Ronnie Lyon

Christine Messing PHOTOGRAPHY Terence McArdle PRINTING Spectrum Printing & Graphics TRANSLATIONS Chen Wen

INFORMATION FOR BUYERS AND SELLERS EXHIBITION: You are strongly encouraged to attend exhibition and closely examine all lots of interest to you. Weschler’s will gladly assist you in providing condition reports upon request. The exhibition will be held the Saturday preceding the sale from 10 a.m. to 12 p.m., Sunday from 11 a.m. to 2 p.m., Monday, Tuesday and Wednesday from 10 a.m. to 4 p.m., and Thursday from 10 a.m. to 2 p.m. CATALOGUES: The catalogue for this auction is available at Weschler’s Gallery during the exhibition and auction for $20. Catalogues can be mailed for a cost of $30 and mailed overseas at a cost of $55. Annual catalogue subscriptions are available as well. Additional information may be obtained by contacting Linda Niehaus at (202) 628-1281. PRICE LISTS AND POSTCARDS: Post sale price lists are available free of charge, approximately three weeks after the sale or online. Weschler’s postcards are automatically sent to catalogue subscribers prior to each sale. PRE-SALE ESTIMATES: As a convenience to bidders, Weschler’s publishes pre-sale estimates of the value of each lot in the auction. Estimates are intended as a guide and should not be considered a prediction of the selling price. RESERVES: The “reserve” is a confidential minimum price agreed between the consignor and Weschler’s below which a lot will not be sold. Lots that have a reserve will not be marked as such, but the reserves will not be in excess of the low pre-sale estimates. Weschler’s will execute all reserves on behalf of the consignor by bidding through the auctioneer and placing successive or consecutive bids for a lot. The auctioneer may open the bidding on any lot on behalf of the consignor up to the reserve amount. In the event the bidding does not reach the reserve, the auctioneer will announce “Passed.” BIDDER REGISTRATION: Each bidder must be assigned a bidding number before bids can be recognized. Bidding number registration will be available during exhibition hours and during the auction. Bidders already registered with an annual Weschler’s bidding number do not re-register for each sale.

ABSENTEE BIDS: Bidders who cannot attend the auction may submit absentee bids using the Absentee Bid form at the back of this catalogue or available online. Absentee bids may also be placed through Weschler’s fax number, (202) 6282366, by email, bids@weschlers.com. Bids placed by fax must be confirmed by telephone or email. Our facilities for telephone bidding are somewhat limited so it is strongly recommended that you make arrangements at least 24 hours in advance. Please contact Linda Niehaus at (202) 628-1281 for specific information on absentee bids. Absentee bidders are urged to read the Information for Absentee Bidders at the back of this catalogue. CONDITION REPORTS: All property is sold “As Is” in accordance with the Conditions of Sale (clause 2) and neither the seller (Consignor), Weschler’s Auctioneers and Appraisers, LLC, nor any of our officers, employees or agents, make any representation, warranty or guarantee, nor assume any liability of any kind with respect to the condition of any lot offered for sale and no statement made at any time, whether oral or written, shall constitute such a warranty, guarantee or representation and are not intended to replace first hand inspection by a prospective buyer. Weschler’s is available to answer any questions or to provide any additional information regarding property offered; however, the purchaser hereby assumes all risks concerning and related, including but not limited to, the grading, quality, description, condition, authenticity, and provenance of a lot. BIDDING INCREMENTS: The auctioneer generally advances the bidding in the following incremental amounts: $100-499 $25 increments $500-999 $50 increments $1,000-1,999 $100 increments $2,000-4,999 $200 increments $5,000-9,999 $500 increments $10,000+ auctioneer's discretion PURCHASER PAYMENTS: Successful bidders are requested to make total payment for purchases by cash, wire transfer, Visa, MasterCard, Discover, American Express (1.5% fee), or pre-approved check on the day of sale. Buyers not known to Weschler’s and planning to pay with a personal or business check are required to supply us a bank letter of credit prior to the auction. If such arrangements are not made prior to the auction, purchases will be held by Weschler's until the check has cleared our bank. The standard 22%* Buyer’s Premium is added to the purchase price of all items sold. Maryland Sales Tax is computed on the total purchase price. The purchaser will be required

to pay the Sales Tax unless: (i) the property purchased is for resale and a valid Resale Tax number is presented to Weschler's business office at the time of payment, and the sales price is $200 or more; (ii) the sales price of precious metal bullion or coins is greater than $1000; or (iii) the property is being shipped to a buyer located outside the state of Maryland by an ICC/USDOT licensed shipper/carrier. On any cash transactions or series of transactions exceeding $10,000, Treasury Form 8300 will be filed. *Discount for Cash, Wire Transfer or Local and/or Approved Checks. REMOVAL OF PROPERTY: All purchases should be paid for and removed the day of sale, but in no event later than one week post-sale. Weschler’s will advise you on the best way to transport large items, and will help arrange for packing, insurance and shipping. Weschler’s assumes no responsibility for the acts or omissions of carriers or packers whether or not they are recommended by us. For further information please contact us at (202) 628-1281. EXPORTATION PERMITS: Certain lots may be subject to the provisions of the Endangered Species Act of 1973, the Marine Mammal Protection Act of 1972, and the Migratory Bird Act of 1982. In order to export these items, the buyer must obtain special licenses from the Department of the Interior, United States Fish and Wildlife Service. Some items may not be exported, and others may not be resold once purchased. Prospective bidders who intend to export or resell such items are solely responsible for obtaining such licenses and Weschler’s cannot, and will not, assure that such licenses can be obtained. COMMISSIONS: Weschler’s receives the standard 10 percent consignor’s commission on the hammer price of each lot that sells for more than $10,001; 15 percent for lots selling between $4,001 and $10,000; 20 percent for lots selling between $1,001 and $4,000; 25 percent or lots selling between $51 and $1,000; and 40 percent for lots selling under $50. For items of exceptional value, the consignor’s commission is negotiable at the time of consignment. If property carries a reserve and does not sell, a “buy back fee” is charged. A sample standard contract may be obtained by contacting Weschler’s office at (202) 628-1281. CONSIGNMENTS: If you have property to consign, please contact Weschler’s at (202) 628-1281 or email info@weschlers.com. Generally, items must be consigned at least six weeks prior to the scheduled auction date, but consignors are urged to consign as early as possible. Visit our website, www.weschlers.com, to view upcoming auction and deadlines.

CONDITIONS OF SALE The property listed in this catalogue will be offered and sold by Weschler’s Auctioneers and Appraisers, LLC (“Auctioneer”) as agent for the “Consignor” on the following terms and conditions. No employee is authorized to alter these conditions. All bidders and consignors acknowledge knowing and agreeing to these conditions. 1. REGISTRATION Prior to sale, all bidders must register with a Weschler’s representative and receive a bidding number. A bidding number will be required of the successful bidder at the fall of the Auctioneer’s hammer for each lot. 2. “AS IS” CONDITION The Auctioneer and the Seller (Consignor) assume no risk, liability or responsibility for the authenticity or the authorship of any property identified in the catalogue (that is, the identity of the creator or the period, culture, source or origin as the case may be, with which the creation of any property is identified herein). All property is sold “As Is” and neither the Auctioneer nor the Seller (Consignor) makes any guarantees, warranties or representations of any kind or nature with respect to the property, and in no event shall be responsible for the correctness or any implied warranty or merchantability or any implied warranty of fitness for a particular purpose as it relates to description, genuineness, attribution, provenance, safety, reliability or condition of the property. If any implied warranties of merchantability or fitness for a particular purpose can be construed from the catalogue, auction, or bill of sale, such warranties are disclaimed by the Auctioneer and the Seller (Consignor). No statement in the catalogue or made at the sale or in the Bill of Sale or invoice or elsewhere shall be deemed such a warranty, guarantee or representation or an admission of liability. 3. GUARANTEE Notwithstanding the preceding condition, if within 14 days of the date of the sale, on any lot, the purchaser must give notice in writing to the Auctioneer that the lot sold is a counterfeit and, if within 7 days after such notice the purchaser returns to the Auctioneer in the same condition as when sold, and gives written proof from a recognized impartial expert which establishes beyond reasonable doubt that the returned lot is in fact a counterfeit and that this was not indicated by a fair reading of the catalogue or the Auctioneer’s comments at the time of sale, the Auctioneer as agent for the Consignor will rescind the sale and refund the purchase price paid defined as the amount of the successful bid price, plus buyer’s premium. The guarantee is made only to the original purchaser of record (i.e., the registered bidder) and not any subsequent owners. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party. The term counterfeit is defined as a modern fake or forgery, and made with the intent to deceive.

4. WITHDRAWAL The Auctioneer reserves the right to withdrawal any property at any time before actual sale. 5. BIDDING Unless otherwise announced by the Auctioneer at the time of sale, all bids are per lot as numbered in the catalogue. The Auctioneer reserves the right to reject a bid from any bidder. The highest bid acknowledged by the Auctioneer shall be the purchaser. In the event of any dispute between bidders, the Auctioneer shall have the sole and final discretion either to determine the successful bidder, or to re-offer and re-sell the article in dispute. If the Auctioneer determines that any opening bid is not commensurate with the value of the article offered, he may reject the bid; and if, having acknowledged an opening bid he decides that any advance is not sufficient, he may reject the advance. 6. PURCHASER’S RESPONSIBILITY On the fall of the Auctioneer’s hammer, title to the offered lot passes to the highest bidder who, thereupon will pay the full purchase price therefore or such part as the Auctioneer may require. All deposits may be applied to any or all purchases made by the purchaser at this or any previous sale. All property shall be removed by the purchaser at his expense on the day of sale or within one week post-sale, if not so removed, may be sent by the Auctioneer to a public warehouse for the account, risk and expense of the purchaser. Any damage to or loss of any item purchased which is left with the Auctioneer after the day of purchase is the purchaser’s sole responsibility. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to the Auctioneer and the Consignor by law, including without limitation the right to hold the purchaser liable for the bid price, the Auctioneer at its option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser, or (b) re-sell the property on 3 days notice to the purchaser and for the account and risk of the purchaser, either publicly or privately, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs, including warehousing, the expenses of both sales, and the Auctioneer’s commission at its regular rates and all other charges due hereunder, and incidental charges. No claims shall be allowed after removal of goods and no article shall be re-sold for purchaser at the sale where purchased.

A premium equal to 22%* of the successful bid price up to and including $100,000, 20% of the successful bid price $100,001-$500,000, and 18% of the successful bid price over $500,000 will be added thereto and is payable by the purchaser as part of the total purchase price. Maryland Sales Tax is computed on the total purchase price. The purchaser will be required to pay the Sales Tax unless: (i) the property purchased is for resale and a valid Resale Tax number is presented to Weschler's business office at the time of payment, and the sales price is $200 or more; (ii) the sales price of precious metal bullion or coins is greater than $1000; or (iii) the property is being shipped to a buyer located outside the state of Maryland by an ICC/USDOT licensed shipper/carrier. On any cash transactions or series of transactions exceeding $10,000, Treasury Form 8300 will be filed. *Discount for Cash, Wire Transfer or Local and/or Approved Checks. After five (5) business days and the failure to pay in full, the Auctioneer reserves the right to charge the Purchaser’s credit card on file ten percent (10%) of the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges). After fourteen (14) days, the Auctioneer has the right to charge the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) to the Purchaser’s credit card on file. Buyers not known to the Auctioneer and planning to pay with a personal or business check are required to supply the Auctioneer with a bank letter of credit prior to the auction. If such arrangements are not made prior to the auction, purchases will be held by the Auctioneer until the check has cleared the bank. 7. RESERVES Unless the sale is advertised and announced as an unrestricted sale or sale without reserve, Consignors reserve the right to bid through the Auctioneer as agent on their own consignments. 8. ADDITIONAL CONDITIONS The Auctioneer reserves the right to cancel the sale or any portion thereof without prior or further notice, and to announce at any time additional conditions of sale.

GLOSSARY FOR PAINTINGS AND DRAWINGS The terms used in this catalogue have the meanings ascribed to them here. Please note that all statements in this catalogue as to authorship are made subject to the provisions in the Conditions of Sale printed in this catalogue.

Alma Woodsey Thomas (American 1891-1978)

In our opinion, a work by the artist. Attributed to Alma Woodsey Thomas (American 1891-1978) In our opinion, a work of the period of the artist, probably in whole, or in part a work by the artist. Studio of Alma Woodsey Thomas (American 1891-1978) In our opinion, a work by an unknown hand in the studio of the artist, possibly executed under the supervision of the artist. Follower of Alma Woodsey Thomas (American 1891-1978) In our opinion, a work in the style of the artist, of a later date, which is contemporary. Circle of Alma Woodsey Thomas (American 1891-1978) In our opinion, a work of the period of the artist, closely related to his style. Manner of Alma Woodsey Thomas (American 1891-1978) In our opinion, a work in the style of the artist, and of a later date. After Alma Woodsey Thomas (American 1891-1978) In our opinion, a copy of a known work of the artist. The terms signed, dated or inscribed mean that in our opinion, the signature date or inscription are by the hand of the artist. We also give the placement of signature on the canvas as follows: l.l. – lower left l.r. – lower right b.c. – bottom center

u.l. – upper left u.r. – upper right u.c. – upper center

The terms bears a signature, bears a date or bears an inscription mean that the work has a signature, date or inscription which may have been added by another hand. Dimensions are given height before width, unless otherwise stated, and to the nearest 1/4-inch. Pictures are framed unless otherwise noted. An asterisk (*) at the end of the description indicates that the print(s) in the lot has not been examined out of its mat and/or frame. While we do our best to protect the frames, we will not be responsible for damage, regardless of cause. While some defects and damages are mentioned in this catalogue, it is the responsibility of the purchaser to note the condition of each piece. *Color as shown in the catalogue may vary from the actual colors of the pieces as the process of photography and printing involves many transitions and changes.

ARTIST INDEX Paintings, Prints, Drawings, Maps and Sculpture Adams, William Seaver . . . . . . . . . . . . . . . . . . . . 216 Adler, Edmund . . . . . . . . . . . . . . . . . . . . . . . . . . . 180 American School, 19th Century . . . . . . . . . 206, 210 American School, 20th Century . . . . . . . . . . . . . 218 Audubon, John James (After) . . . . . 154, 155, 156, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157, 158 Barrias, Ernest . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 Basso, Angelo . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115 Berge, Edward Henry . . . . . . . . . . . . . . . . . . . . . 204 Bierman, Sandra. . . . . . . . . . . . . . . . . . . . . . . . . . 233 Blaeu, William. . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 Boulanger, Graciela Rodo . . . . . . . . . . . . . 200, 201 British School, 19th Century . . . . . . . . . . . . . . . 189 Carlson, John Fabian . . . . . . . . . . . . . . . . . . . . . 215 Carreño, Mario . . . . . . . . . . . . . . . . . . . . . . . . . . . 202 Catlett, Elizabeth . . . . . . . . . . . . . . . . . . . . . . . . . 236 Chagall, Marc . . . . . . . . . . . 237, 238, 239, 240, 241 Collet, Edouard Louis . . . . . . . . . . . . . . . . . . . . . 110 Cortès, Édouard Leon . . . . . . . . . . . . . . . . . 175, 176 Cox, Kenyon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222 Davis, Gene . . . . . . . . . . . . . . . . . . . . . 242, 243, 244 de Bock, Théophile Emile Achille . . . . . . . . . . . 174 de Segonzac, André Dunoyer. . . . . . . . . . . . . . . 179 de Sylvestre the Younger, Louis (Attributed to) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172 de Vaugondy, Gilles Robert . . . . . . . . . . . . . . . . 150 de Wit, Frederick . . . . . . . . . . . . . . . . . . . . . . . . . 130 Dolph, John Henry . . . . . . . . . . . . . . . . . . . . . . . 203 Dougherty, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . 214 Duesberry, Joellyn. . . . . . . . . . . . . . . . . . . . . . . . 245 Erté (Romain de Tirtoff) . . . . . . 111, 112, 113, 114 Escher, Maurits Cornelis. . . . . . . . . . . . . . . 246, 247 Faulkner, John . . . . . . . . . . . . . . . . . . . . . . . . . . . 190 Fonceca, Simon. . . . . . . . . . . . . . . . . . . . . . . . . . . 196 Fuller, Sue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226 Gausson, Léo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178 Gilliam, Sam . . . . . . . . . . . . . . . . . . . . . . . . . 229, 230 Gilot, Françoise. . . . . . . . . . . . . . . . . . . . . . . . . . . 248 Gray, Percy . . . . . . . . . . . . . . . . . . . . . . . . . . 207, 208 Halsall, William Formby . . . . . . . . . . . . . . . . . . . 217 Harders, Hans. . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 Harlowe, George Henry (Attributed to). . . . . . 191 Hirsch, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . . 231 Holloway, Edgar A. . . . . . . . . . . . . . . . . . . . . . . . 249 Inbar, Tolla . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185 Israëls, Jozef . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

Kaufmann, Wilhelm . . . . . . . . . . . . . . . . . . . . . . . 183 Kluge, Constantin. . . . . . . . . . . . . . . . . . . . . . . . . 177 Kollwitz, Käthe . . . . . . 250, 251, 252, 253, 254, 255 Laporte, George Henry . . . . . . . . . . . . . . . . . . . . 182 Lozowick, Louis . . . . . . . . . . . . . . . . . . . . . . . . . . 256 Lucas, Wilhelm . . . . . . . . . . . . . . . . . . . . . . . . . . . 184 Lucero, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . 227 Marsh, Reginald . . . . . . . . . . . . . . . . . . . . . . . . . . 224 Marchant, Edward Dalton . . . . . . . . . . . . . . . . . 213 Matisse, Henri. . . . . . . . . . . . . . . . . . . . . . . . . . . . 257 Mercator, Gerard . . . . . . . . . . . . . . . . . . . . . 151, 152 Miró, Joan . . . . . . . . . . . . . . . . . . . . . . . . . . 258, 259 Moran, Edward . . . . . . . . . . . . . . . . . . . . . . . . . . 205 Moreau, Auguste (After). . . . . . . . . . . . . . . . . . . 109 Moritz, Fredrich Wilhelm (Attributed to). . . . . 173 Moses, James Kivetoruk. . . . . . . . . . . . . . . . . . . 221 Nesbitt, Jackson Lee . . . . . . . . . . . . . . . . . . . . . . 260 O’Keeffe, Georgia. . . . . . . . . . . . . . . . . . . . . . . . . 225 Ortelius, Abraham . . . . . . . . . . . . . . . . 126, 127, 128 Owen, Robert Emmett . . . . . . . . . . . . . . . . . . . . 220 Pearlstein, Philip. . . . . . . . . . . . . . . . . . . . . . . . . . 223 Picasso, Pablo. . . . . . . . . . . . . . . . . . . . 186, 261, 262 Raphael, (After) Early 19th Century. . . . . . . . . 171 Reid, Robert Payton . . . . . . . . . . . . . . . . . . . . . . 194 Roberts, David . . . . . . . . . . . . . . . . . . . . . . . . . . . 192 Seutter, Matthäus . . . . . . . . . . . . . . . . . . . . . . . . . 149 Smith, David (Roland) . . . . . . . . . . . . . . . . . . . . 228 Soldantenkov, Igor. . . . . . . . . . . . . . . . . . . . 187, 188 Soto, Jesús Rafael . . . . . . . . . . . . . . . . . . . . . . . . 263 Souza, Francis Newton. . . . . . . . . . . . 197, 198, 199 Spear, Ruskin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195 Speed, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 Steinlen, Théophile Alexandre . . . . . . . . . . . . . . 264 Stevens, William Lester . . . . . . . . . . . . . . . . . . . . 219 Strombotne, James . . . . . . . . . . . . . . . . . . . . . . . 232 Sully, Thomas . . . . . . . . . . . . . . . . . . . . . . . . 211, 212 Tennant, John Frederick. . . . . . . . . . . . . . . . . . . 193 Thomas, Alma Woodsey . . . . . . . . . . . . . . . 234, 235 Wall, William Coventry . . . . . . . . . . . . . . . . . . . . 209 Wood, Grant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265 Wou-Ki, Zao . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266

Notes

CAPITAL COLLECTIONS AUCTION Friday, September 13, 2019 10 am Lots 1 - 266

RUGS AND TAPESTRIES 1

PROPERTY OF VARIOUS OWNERS 1 Serapi Rug Late 19th Century Rust ground with herati field centering a star medallion on blue-rust-ivory ground, complementary spandrels within a rosette and trellising vine guard border on rust ground. Reduced at both ends; major wear throughout. 11 ft 9 in x 8 ft 3 in (358 x 252 cm) $2,000-$3,000 Provenance: Donald McGrory Oriental Rugs, Great Barrington, MA

2 Hamadan Rug Second Quarter 20th Century Beige ground with rosette field centering an elongated stepped medallion on blue ground enclosing rosettes, botehs and geometric design on variegated ground within a rosette and trellising vine guard border on blue ground. 6 ft 8 in x 4 ft 4 in (203.2 x 132.1 cm) $800-$1,200 Provenance: Raymond Benardout Limited, London

2A Keshan Rug Second Quarter 20th Century Rose ground with palmette and trellising vine field within a complementary guard border on blue ground. 16 ft 2 in x 12 ft 8 in (492 x 386 cm) $800-$1,200

PROPERTY FROM THE ESTATE OF ANNE HARRISON WALLACE 3 Flemish Verdure Tapestry 19th Century Depicting two figures and steer in a landscape with castle in background. Reduced from a larger panel. 8 ft 10 in x 8 ft 7 in (269 x 262 cm) $700-$900 4 Flemish Verdure Tapestry 19th Century Depicting a palatial garden. Probably reduced from a larger panel. 8 ft 2 in x 13 ft 10 in (249 x 422 cm) $1,000-$1,500

ASIAN WORKS OF ART

PROPERTY FROM A PRIVATE WASHINGTON, DC COLLECTION 5 Indian Pink Sandstone Figure of Parvati Rajasthan, Circa 12th Century Standing in tribhanga; mounted on a later black painted wood stand. Height of Parvati: 15-1/2 in (39.3 cm); Height overall: 16-1/2 in (41.9 cm) $1,000-$1,500 Provenance: Christie’s, Amsterdam, Asian Ceramics and Works of Art, Sale 2584, May 20-21, 2003, lot 618

6 Khmer Baphuon Style Standstone Head of Shiva Angkor, Circa 11th Century Mounted on acrylic stand. Height of head: 5-1/2 in (14 cm); Height overall: 7 in (17.8 cm) $1,000-$1,500 Provenance: Christie’s, Amsterdam, Asian Ceramics and Works of Art, Sale 2584, May 20-21, 2003, lot 668

7 Gandharan Gray Schist Relief Stele with Kneeling Atlant Circa 2nd-3rd Century Mounted on a later dark gray painted wood stand. Stele height: 7-7/8 in (20 cm); Width: 18-1/2 in (47 cm) $1,000-$1,500 Provenance: Christie’s, Amsterdam, Asian Art, Sale 2786, May 20-21, 2008, lot 371

8 Gandharan Stucco Figure of Bodhisattva Circa 4th-5th Century Seated in vajrasana on base and both hands in dhyanamudra. Height of Bodhisattva: 15-7/8 in (40.2 cm) $2,000-$3,000

Provenance: Christie’s, Paris, Art d’Asie, Sale 5428, November 22, 2006, lot 426

9 Gandharan Gray Schist Figure of Maitreya Circa 2nd-3rd Century Seated in padmasana on base, both hands in dhyanamudra and his face with serene expression; mounted on a later metal base. Height of Maitreya: 13-1/4 in (33.7 cm) $3,000-$5,000 Provenance: Christie’s, Paris, Art d’Asie, Sale 5428, November 22, 2006, lot 427

10 Gandharan Gray Schist Relief Stele of Devotees Circa 2nd-3rd Century Mounted on a later dark gray painted wood stand. Stele height: 5-7/8 in (15 cm); Width: 16-1/2 in (42 cm) $1,000-$1,500

Provenance: Christie’s, Amsterdam, Asian Art, Sale 2786, May 20-21, 2008, lot 375

11 Thai Ratnakosin Style Giltwood Fragment of Vishnu and Garuda Late 19th Century Wear to gilt. Height: 40-1/2 in (102 cm) $1,000-$1,500 Provenance: Christie’s, Amsterdam, Asian Art, Sale 2786, May 20-21, 2008, lot 387

12 Khmer Angkor Vat Style Bronze Figure of Vajrapani Circa 12th-13th Century Seated in vajrasana and both hands holding the vajra; with verdigris patina to surface. Height: 4 in (10.2 cm) $1,000-$1,500 Provenance: Christie’s, Amsterdam, Asian Ceramics and Works of Art, Sale 2584, May 20-21, 2003, lot 678

13 Thai Ayudhya Style Bronze Figure of Shakyamuni Buddha 18th Century Seated in virasana on base, his right hand in bhumisparshamudra, the left hand resting on his lap, and his face with serene expression. Extremities of right hand chipped. Height of Buddha: 13-1/8 in (33.5 cm) $1,000-$2,000 Provenance: Christieâ&#x20AC;&#x2122;s, Amsterdam, Asian Art, Sale 2739, May 2, 2007, lot 432

14 Thai Ayudhya Style Bronze Head of Shakyamuni Buddha Circa 17th Century Mounted on a wooden stand. Height of head: 8 in (22.3 cm); Height overall: 13 in (33 cm) $1,500-$2,500 Provenance: Christieâ&#x20AC;&#x2122;s, Amsterdam, Asian Ceramics and Works of Art, Sale 2584, May 20-21, 2003, lot 662

15 Khmer Angkor Vat Style Gray Sandstone Torso of Vishnu Circa 12th Century Standing in samabhanga on a rectangular base; mounted on a later black painted wood stand. Four arms and head broken. Height of torso: 23-1/2 in (59.7 cm) $2,000-$3,000 Provenance: Christieâ&#x20AC;&#x2122;s, Amsterdam, Asian Ceramics and Works of Art, Sale 2584, May 20-21, 2003, lot 670

PROPERTY OF VARIOUS OWNERS 16 Khmer Sandstone Torso of Buddha 20th Century On a later black laminated wood base. Height of torso: 44 in (111.8 cm); Height overall: 48 in (121.9 cm) $1,000-$1,500

18 Burmese Partial Black Painted Alabaster Figure of a Reclining Buddha 19th Century On a later black laminated wood stepped base. Repair to one finger; painted base enhanced. Height: 14 in (35.6 cm); Length: 32 in (81.3 cm) $1,000-$1,500

17 Burmese Partial Painted Alabaster Figure of a Standing Buddha 19th Century On a later ebonized wood base. Overall traces of umber pigment; ushnisha repainted. Height of Buddha: 56-1/2 in (143.5 cm); Height overall: 69-1/2 in (176.5 cm) $1,500-$2,500

19 Various Ukiyo-e Artists (Japanese 18th-Early 19th Century) Actors: Seven Woodblock Prints The first four, by Toyohara Kunichika (1833-1900); the fifth, a diptych by Toyokuni III (Kunisada) (1786-1865); the sixth and seventh, a diptych and a triptych by Toyohara Chikanobu (18381912); each signed and sealed also with publishersâ&#x20AC;&#x2122; seals. Each an oban tate-e, unframed. Some trimmed; each with some faded colors, slight staining and creases. Largest: 14-3/4 x 10 in (375 x 254 mm) $1,000-$2,000

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PROPERTY FROM A PRIVATE WASHINGTON, DC COLLECTION

20 Chinese Polychrome and Gilt Stucco Figure of Shakyamuni Buddha Circa 17th Century Seated in vajrasana on a lotus base, both hands in dhyanamudra and his face with serene expression. Height: 16-1/2 in (41.9 cm) $1,000-$2,000 Provenance: Christie’s, Amsterdam, Asian Art, Sale 2739, May 2, 2007, lot 341 21 Chinese Cizhou Sgraffito and Molded Cream Glaze Pillow Song Dynasty (960-1279) The slightly concave top molded in low relief of a bird perched on a flowering branch within a sgraffito scrolling vine border; the sides molded in relief with a flowering peony. Restoration to left side of upper rim and chip. 5-1/4 x 11-1/4 x 10-3/8 in (13.3 x 28.6 x 26.3 cm) $800-$1,200 Provenance: Christie’s, Paris, Arts d’Asie, Sale 5020, November 26, 2002, lot 76 22 Chinese Lacquer Wood Figure of Guanyin Ming Dynasty (1368-1644) Seated in rajalilasana and the right arm resting on the raised knee; with surface lacquered red and green. Height: 15-3/4 in (40 cm) $1,000-$1,500 Provenance: Christie’s, Amsterdam, Asian Art, Sale 2786, May 20-21, 2008, lot 354

PROPERTY OF VARIOUS OWNERS

23 Two Chinese Bronze Censers and a Cloisonné Censer 18th-19th Century The first, with gold splash decoration, raised on three short feet centering a cast six-character pseudo Xuande seal mark; the second, with light-brown patina, raised on a ring foot enclosing a cast six-character pseudo Xuande seal mark; and the third, with wide lotus-form rim, raised on a ring foot enclosing an inscribed four-character pseudo Qianlong mark. Diameter of largest: 5-3/4 in (14.6 cm) $1,000-$1,500 24 Chinese Blue and White Porcelain Charger Kangxi Period (1662-1722) The reverse of the rim decorated with underglaze blue branches. Some scattered imperfections to the glaze; some chipping to foot rim. Diameter: 15-5/8 in (39.6 cm) $1,000-$2,000

PROPERTY FROM THE ESTATE OF ANNE HARRISON WALLACE 25 Chinese ‘Famille Rose’ Medallion Sgraffito Yellow Glaze Bowl and a ‘Famille Rose’ Bowl Daoguang Period (1821-1850) The first, with underglaze blue and iron-red seal marks, the interior cavetto painted in underglaze blue depicting roaring waves around rocks with lingzhi, and the exterior enamel painted with four flowering plants and lingzhi; and the second, the exterior painted with a band of court scenes above a band of four reserves of auspicious emblems. Height of first: 2-1/2 in (6.4 cm); Diameter: 5-3/4 in (14.6 cm) $2,000-$3,000

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PROPERTY OF VARIOUS OWNERS 26 Pair of Chinese ‘Famille Verte’ Rouleau Vases Early 20th Century Each round body enamel painted with a continuous garden scene of dignitaries and children at play beside a fence and pine trees, the circular neck enamel painted with four alternating black and iron-red shou characters; each base with underglaze blue double-encircled pseudo Kangxi mark. Each with scattered glaze imperfections. Height: 19-7/8 in (50.5 cm) $800-$1,200 27 Pair of Chinese ‘Famille Noir’ Club-Form Vases Last Quarter 19th Century Each in the Kangxi style with tapered panels enamel painted with birds perched on a flowering prunus. Height: 19-1/2 in (49.6 cm) $800-$1,000 28 Style of Namcheong (Chinese fl. 1840-1870) Landscape with Bridge and Landscape with Gate and Village: Two Works Each unsigned Each oil on paper; apparently in good condition. Each framed.* Each oval: 19 x 14 in (48.3 x 35.6 cm) $1,000-$2,000

29 Chinese Export ‘Famille Rose’ Part Dinner Service Qianlong Period (1711-1799) Consisting of: 13 Luncheon plates 13 Soup bowls 2 Sauceboats 1 Covered dish 2 Oval vegetable serving dishes 3 Small oval platters 1 Large oval platter 35 pieces. Diameter of luncheon plates: 9 in (22.9 cm); Length of large platter: 16-1/2 in (41.9 cm) $5,000-$10,000

30 Pair of Chinese Export ‘Famille Noir’ Club-Form Vases Late 19th-Early 20th Century Each square tapering body enamel painted on all four sides with alternating mounted warriors outside a pavilion and immortals and ladies in and outside a pavilion on a black-glazed ground, the narrowing flared necks enamel painted with similar scenes; each base with recessed underglaze blue six-character pseudo Kangxi mark. Each with some glaze imperfections. Height: 19-5/8 in (49.9 cm) $800-$1,200

31 Chinese â&#x20AC;&#x2DC;Famille Roseâ&#x20AC;&#x2122; Meiping-Form Vase Republic Period (1912-1949) The round tapering body with shoulders molded in relief with gilt highlighted iron-red bats on a peony painted grisaille scroll diaper band, beneath a narrowing neck and flared rim, the body enamel painted with a continuous pavilion garden scene with children; the recessed base with underglaze iron-red pseudo Qianlong seal mark. Height: 13 in (33 cm) $500-$700

32 Two Chinese Red Coral Figures of the Immortals Zhong Quan and Lu Doung Bin 19th Century Each holding their attributes; each on hardwood stands. Height of taller: 4-7/8 in (12.4 cm) $1,000-$2,000

33 Pair of Chinese Translucent Spinach-Green Jade Bowls First Quarter 20th Century Each raised on a ring foot; each on hardwood stands. Diameter of larger: 7-7/8 in (20 cm) $2,000-$3,000

SILVER

34 Pair of Chinese Export ‘George II’ Weighted Silver Convertible Five-Light Candelabra Teh Ling, Peking, Circa 1880-1940 With TEHLING, STERLING and 935 marks to edge of underside. Height overall: 19-1/8 in (48.6 cm) $1,500-$2,500

35 Chinese Export Silver Salver Luen Wo, Shanghai, Circa 1900 With LUENWO, SHANGHAI and Chinese character marks to the underside. Diameter: 12-1/2 in (31.8 cm) Weight: 32.7 oz $1,000-$2,000

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36 Four Reed & Barton Rococo Style Sterling Candlesticks Taunton, MA, First Half 20th Century Each impressed with factory mark above STERLING and 500/A. Height: 11-1/2 in (29.2 cm) Total weight: 76.7 oz $1,000-$1,500

37 Dominick & Haff Sterling Flat Table Service New York, Mazarin Pattern, Introduced 1892 Monogrammed Consisting of: 12 Dinner knives 12 Dinner forks 7 Luncheon forks 11 Salad forks 12 Seafood forks 10 Teaspoons 12 Soup spoons 12 Tablespoons 5 Sherbet spoons 6 Serving spoons Total number of pieces: 99 Total weight of weighable silver: 108.9 oz $1,000-$1,500

38 Dominick & Haff Sterling Flat Table Service New York, Pointed Antique Pattern, Introduced 1895 Monogrammed Consisting of: 8 Dinner knives 7 Luncheon knives 8 Butter knives 8 Dinner forks 8 Luncheon forks 8 Salad forks 8 Oyster forks 16 Fruit forks 8 Soup spoons 7 Demitasse spoons 1 Master butter knife 1 Two-tine butter pick 4 Serving spoons 1 Large serving fork 2 Jelly spoons Total number of pieces: 95 Total weight of weighable silver: 94.7 oz $800-$1,200

39 S. Kirk & Son/Stieff Repoussé Sterling Flat Table Service Baltimore, Stieff Rose Pattern, Introduced 1892 and Repoussé Pattern, Introduced 1828 Consisting of: Stieff Rose Pattern: 8 Luncheon knives 7 Butter knives 8 Luncheon forks 11 Salad forks 7 Oyster forks 7 Bouillon spoons 5 Soup spoons 4 Teaspoons 8 Demitasse spoons 7 Iced tea spoons 1 Master butter knife 4 Serving spoons 2 Cold meat forks Repoussé Pattern: 1 Pickle fork 7 Teaspoons 1 Sauce ladle 1 Pie server 1 Olive spoon 1 Cake knife 1 Sugar spoon 1 Cheese server 1 Egg server 1 Two-piece carving set 1 Bottle opener 1 Knife sharpener 1 Two-piece carving set Most with engraved initial D, some with engraved initial M; together with a

39 sample

Schofield ‘Baltimore Rose’ sterling sauce ladle and a Jenkins & Jenkins ‘Repoussé’ sterling teaspoon. Total number of pieces: 102 Total weight of weighable silver: 99.1 oz $1,000-$1,500

40 Towle Sterling Flat Table Service Newburyport, MA, Candlelight Pattern, Introduced 1934 Consisting of: 3 Dinner knives 10 Luncheon knives 15 Butter knives 4 Table forks 13 Luncheon forks 12 Salad forks 9 Soup spoons 24 Teaspoons 8 Iced tea spoons 1 Master butter knife 4 Serving spoons 1 Large serving fork 1 Two-piece carving set Total number of pieces: 106 Total weight of weighable silver: 102.6 oz $800-$1,200

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41 Towle Sterling Five-Piece Coffee and Tea Service Newburyport, MA, Louis XIV Pattern, Introduced 1925 Consisting of a coffeepot, teapot, creamer, two-handled covered sugar bowl and a waste bowl; each with monogrammed initial S; each underside impressed By Towle with lion mark, STERLING, 76160 and LOUIS XIV/ PATENTED/ MARCH 17.1925. Two dents to teapot and one dent to coffeepot, creamer and sugar. Height of coffeepot: 10-1/2 in (26.7 cm) Total weight: 74.6 oz $800-$1,200

42 William B. Durgin Co. Sterling Flat Table Service Providence, Fairfax Pattern, Introduced 1910 Consisting of: 11 Dinner knives 4 Butter knives 6 Serving spoons 12 Table forks 2 Gravy ladles 12 Luncheon forks 2 Lemon forks 8 Salad forks 1 Bon bon spoon 7 Oyster forks 1 Olive fork 3 Bouillon spoons 1 Olive spoon 30 Teaspoons 1 One-piece carving set 6 Iced tea spoons 2 Sugar spoons 9 Orange spoons 1 Cake server 1 Cheese knife 1 Jelly server 1 Master butter knife Total number of pieces: 122 Total weight of weighable silver: 117.4 oz $1,000-$1,500

sample

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43 Gorham Sterling Flat Table Service Providence, Hunt Club Pattern, Introduced 1930 Monogrammed Consisting of: 8 Tablespoons 8 Dinner knives 8 Bouillon spoons 8 Luncheon knives 8 Soup spoons 6 Butter knives 10 Teaspoons 8 Dinner forks 8 Demitasse spoons 6 Luncheon forks 8 Orange spoons 7 Dessert forks 1 Pie server 5 Salad forks 8 Ice cream forks Total number of pieces: 107 Total weight of weighable silver: 109.2 oz $1,000-$1,500

44 Twelve Van Buren Hammered Sterling Cups and an Associated Cocktail Shaker 20th Century The shaker marked STERLING; each cup marked VAN BUREN and STERLING. Height of shaker: 12 in (30.5 cm) Total weight: 68.8 oz $800-$1,200

45 Lunt Sterling Flat Table Service Greenfield, MA, Modern Victorian Pattern, Introduced 1941 Some pieces monogrammed Consisting of: 14 Dinner knives 9 Butter knives 22 Table forks 16 Salad forks 12 Tablespoons 12 Soup spoons 29 Teaspoons 10 Demitasse spoons 7 Iced tea spoons 2 Serving spoons 1 Serving fork 1 Bon bon spoon 1 Sugar spoon Total number of pieces: 136 Total weight of weighable silver: 133.3 oz $1,500-$2,000

46 Reed & Barton Sterling Three-Piece Tea Service and a Water Pitcher Taunton, MA, Hepplewhite Pattern, Introduced 1907 Consisting of a teapot, creamer and a two-handled covered sugar bowl, together with a water pitcher; each with monogrammed initial S; each underside impressed with factory mark above STERLING and pattern marks. Height of water pitcher: 9-3/4 in (24.8 cm) Total weight: 84.8 oz $1,000-$1,500

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47 Mexican Sterling Four-Piece Coffee and Tea Service with Tray Salvador de la Serna, 20th Century Consisting of a coffeepot, teapot, creamer and a waste bowl; each underside stamped with the 24 eagle mark and S. de la Serna/ 925/ Sterling/ Hecho en Mexico D.F. Height of coffeepot: 10-1/2 in (26.7 cm); Width of tray including handles: 22 in (55.9 cm) Total weight: 160.5 oz $1,500-$2,500

48 Pair of Spanish Colonial Silver Five-Light Candelabra 20th Century Height: 16-3/4 in (42.5 cm) Total weight: 204.9 oz $2,500-$3,500 49 German Silver â&#x20AC;&#x2DC;Knightâ&#x20AC;&#x2122; Flagon Georg Roth & Co., Hanau, Circa 1890-1920 Having a gilt interior; marked on base of stem and underside of bowl. Silver plated spear replaced. Height: 15-1/2 in (39.3 cm) Gross weight: 38.1 oz $1,000-$1,500

50 Pair of German 800-Silver ‘Pheasant’ Decanters Late 19th-Early 20th Century With 800 marks to the underside of tails. Length of larger: 14 in (35.6 cm) Total weight: 41.1 oz $800-$1,200

51 Italian Neoclassical Style 800-Silver Covered Dish Ricci & C. S.p.A., Alessandria, 1944-1968 The dish and cover with standard and maker’s marks. Diameter including handles: 15-3/4 in (40 cm) Gross weight: 56.2 oz $1,000-$1,500

52 French Partial Gilt Silver and Cut Glass Two-Bottle Decanter Stand Joseph-Théodore Vancombert, Paris, Circa 1777 The tray decorated with an engraved coat of arms; with Maison Commune mark on the right of the front, and with Paris charge, discharge and maker’s marks to the underside; decanter rack and tops with Paris discharge marks for 1768-1781. Height overall: 10-1/2 in (26.7 cm) Weight of stand and stoppers: 23.8 oz $600-$800

53 Seven George III-Victorian Silver Vinaigrettes Birmingham, 19th Century Consisting of: the first two, by Edward Smith, 1844; the third, by G. Wheeler & Co., 1858; the fourth, marked ET&Co, 1806; the fifth, by Cocks & Bettridge, 1806-1807; the sixth, by Thomas Shaw, 1834 (missing inside grill); and the seventh, marked CS, 1821; each fully marked. Width of largest: 1-3/8 in (3.5 cm) $800-$1,200

54 Four George III-Victorian Silver Nutmeg Graters and a Silver Plate Pomander 18th-19th Century Consisting of: a grater by Matthew Linwood, Birmingham, 1786; a grater by Joseph Willmore, Birmingham, 1817; a grater by Thomas Willmore, Birmingham, 1800; a grater by Charles Reily & George Storer, London, 1827; and a silver plate pomander. Length of largest nutmeg grater: 2-3/4 in (7 cm) $1,000-$1,500

55 Six George IV-Victorian Silver Vinaigrettes Birmingham, 19th Century Consisting of: the first four, by Nathaniel Mills, 1830-1847; the fifth, gilt-silver by Joseph Taylor, 1826; and the sixth, possibly by Thomas Shaw, 1827; each fully marked. Width of largest: 1-3/4 in (4.5 cm) $800-$1,200

56 Six Scottish Victorian-Edward VII Horn Snuff Mulls and a Pewter Snuff Mull Late 19th-Early 20th Century Length of largest: 5 in (12.7 cm) $800-$1,200

57 George IV Silver Assembled Chafing Dish on Burner Stand Paul Storr, London, First Half 19th Century Dish and cover with date marked for 1827 and the stand with obscure mark b, for 1817, or h, for 1823; the cover with engraved Bacon family crest and inscribed Mediocria Firma to one side and a lion rampant to the other side. Height overall: 6 in (15.2 cm); Width including handles: 12-1/2 in (31.8 cm) Total gross weight: 48.2 oz $2,000-$4,000

58 Victorian Silver Three-Piece Tea Set John & Henry Lias, London, 1845-1846 Consisting of a teapot, creamer, and doublehandled sugar bowl; each fully marked and impressed 249 to the underside. Height of teapot: 8-3/4 in (22.2 cm) Total gross weight: 61.4 oz $800-$1,200

59 Set of Four Edward VII â&#x20AC;&#x2DC;George IIâ&#x20AC;&#x2122; Silver Candlesticks Thomas Bradbury of Sheffield, London, 1905 Each fully marked to the edge of base. Height: 11-1/4 in (28.6 cm) Total weight: 112.7 oz $2,000-$3,000

60 Two 14-Karat Yellow-Gold Mounted Sterling Hinged Boxes The first, a Cartier rectangular black enamel cigarette case with a wide yellow-gold mounted band centering a rectangular panel depicting a yellow-gold and mother-of-pearl masted ship within a mother-of-pearl and abalone shell background opening to view a gilt wash interior, signed Cartier Sterling and 14K; and the second, Marcus & Co., the engine turned square compact having a raised 14-karat yellow-gold design with twelve square French-cut blue sapphires opening to view a gilt wash interior, signed 14K Sterling MARCUS & CO. Few areas of black enamel loss to first. Length of first: 6-1/4 in (15.9 cm) Width: 3-1/8 in (7.92 cm) Length of second: 3 in (7.6 cm) Width: 2-1/2 in (6.4 cm) Gross weight of first: 9.3 oz Gross weight of second: 3.6 oz $800-$1,200

61 Five Continental Boxes 18th-19th Century Consisting of: a silver and carved agate snuff box; an Austrian gilt silver and enamel box, marked SG, 1867-1872; a silvered box with an enameled potrait of Napoleon within an oval rose-stone mounted cartouche with pearl ribbons to the sides, marked RCo; a gilt metal and agate box; and a Dutch miniature round box. Cracks to the enameled portrait of Napoleon. Width of largest: 1-7/8 in (4.7 cm) $500-$700

PROPERTY FROM THE ESTATE OF ANNE HARRISON WALLACE 62 Lithuanian Silver Church-Form Tabernacle Makerâ&#x20AC;&#x2122;s mark in Cyrillic NE, Vilnius, Second Half 19th Century Having a saint on each side: St. John the Baptist, St. Paraskeva of the Balkans, St. Theodore and possibly St. Daniel of Moscow. Height: 11-3/4 in (29.9 cm) Weight: 39.3 oz $1,000-$2,000

PROPERTY OF VARIOUS OWNERS 63 Two Russian Gilt-Silver and Cloisonné Enamel Caviar Spoons and a Pair of Sugar Tongs Nikolai Alexeev, Moscow, Late 19th Century Each impressed with maker’s mark in Cyrillic NA and 84 kokoshnik mark. Length of spoons: 7 in (17.8 cm) Total gross weight: 6.2 oz $800-$1,200

64 Russian Gilt-Silver and Cloisonné Enamel Snuff Box Maker’s mark in Cyrillic M, Late 19th-Early 20th Century Underside impressed with maker’s mark in an oval cartouche and 84 kokoshnik mark. Height: 5/8 in (1.7 cm); Width: 2-7/8 in (7.3 cm); Depth: 2-1/4 in (5.7 cm) Total gross weight: 4.2 oz $500-$700

65 Two Russian Icons of St. Vladimir and The Mother of God Early 20th Century The first, with embossed and chased gilt silver oklad with enameled halo, with maker’s mark in Cyrillic NG and 84 kokoshnik mark; and the second, within a chased gilt metal oklad. Each: 8-3/4 x 7 in (22.2 x 17.8 cm) $700-$900

66 Russian Gilt Silver Mounted Icon of Christ the Pantocrator Maker’s mark in Cyrillic PYeF, Moscow, 1880-1890 Marked on oklad and halo with maker’s mark and 84 kokoshnik mark. 12-1/4 x 10-1/2 in (31.1 x 26.7 cm) $500-$700 67 Russian Gilt Silver Mounted Icon of Christ the Pantocrator Maker’s mark in Cyrillic SA, Moscow, 1908-1926 Impressed on oklad and halo with maker’s mark and 84 kokoshnik mark; set within a giltwood frame. Overall: 8-1/2 x 7 in (21.6 x 17.8 cm) $500-$1,000 68 Russian Partial Gilt Silver Mounted Icon of Christ the Pantocrator Zakharov Brothers, Probably Moscow, 1896-1908 Having an embossed frame with gilt and pierced halo; with a presentation plaque on the back for Dr. Nechaev at Samara, April 19th, 1904; impressed on edge of oklad and halo with maker’s mark and 84 kokoshnik mark. 10-3/4 x 8-3/4 in (27.3 x 22.2 cm) $800-$1,200

69 Russian Partial Gilt Silver Mounted Icon of Christ the Pantocrator Maker’s mark in Cyrillic PI, Assayer’s mark in Cyrillic MD, St. Petersburg, Dated 1876 Having an embossed frame with pierced halo; impressed on edge of oklad and halo with maker’s mark, city mark and 84 kokoshnik mark. Some alligatoring to painted surface. 12-1/4 x 10-1/2 in (36.2 x 26.7 cm) $1,000-$2,000

70 Russian Gilt Silver Mounted Icon of the Mother of God Zakharov Brothers, Probably Moscow, 1896-1908 Having an embossed frame with pierced halo; impressed on edge of oklad and halo with maker’s mark and 84 kokoshnik mark. 10-1/2 x 8-3/4 in (26.7 x 22.2 cm) $1,000-$2,000

EUROPEAN DECORATIONS 71

PROPERTY FROM A NEW YORK ESTATE 71 Russian Imperial Porcelain Manufactory Figure of a Fisherman After a Model by Jean-Dominique Rachette, St. Petersburg, 19th Century With faded underglaze blue mark to the underside. Height: 9 in (22.9 cm) $2,000-$3,000

72 Group of Five Viennese Enameled Silver Cabinet Articles 19th Century Including a goblet, a pair of vases, an ormolu and enamel footed dish and a cup; each decorated with Classical scenes and motifs. Restoration to foot rim of goblet. Height of tallest: 10 in (25.4 cm) Total gross weight of first three: 32.5 oz $3,000-$5,000

73 Three Austrian Limoges Enameled Vases Late 19th-Early 20th Century Each signed, the third with Rococo style silver mounted neck. Height of tallest: 10-1/4 in (26 cm) $1,000-$2,000

74 Royal Vienna-Type Porcelain ‘Venus bei Vulkan’ Vase Late 19th-Early 20th Century With underglaze blue shield mark to underside and titled in black; signed Görner pinx. Height: 16-1/2 in (41.9 cm) $800-$1,200

75 Four Limoges Enamel Miniature Plaques Late 19th-Early 20th Century The first, an old woman weighing gold after a painting formerly attributed to Rembrandt van Rijn; the second, with two young women, signed Kerlo in gilt; the third, a couple walking, signed RF; and the fourth, an oval portrait of mother with child on a guilloche enamel background, unsigned. Largest: 4-3/4 x 6-1/4 in (12.1 x 15.9 cm) $1,000-$2,000

PROPERTY OF VARIOUS OWNERS 76 Two Continental Miniature Enamel on Copper Plaques and a Miniature Profile Portrait of a Gentleman 18th-19th Century The first, possibly a portrait of William Juxon (1582-1663), Archbishop of Canterbury, holding a book and seated; the second, of two young girls beside a bird cage with a curious cat; the third, possibly by Louise Suzanne Duvigneau (German/French 1767-1823), pen and ink, heightened with white on gessoed paper. Largest: 4 x 2-7/8 in (10.2 x 7.3 cm) $1,000-$2,000 Provenance of first: By repute, Sotheby’s, London, 19 March 1942, lot 64

PROPERTY FROM A NEW YORK ESTATE

77 Three European Porcelain Miniature Plaques Late 19th-Early 20th Century The first, a self-portrait after Raffaello Sanzio da Urbino; the second, a profile portrait of a young shepherd, impressed 12 above L to reverse; and the third, Psyche and Cupid, probably after R. Dittrich, impressed 318 to reverse. Each unsigned. Largest: 5-7/8 x 4-1/8 in (14.9 x 10.5 cm) $800-$1,200

78 Five Continental Miniature Portraits of Classical Women and Allegorical Scenes Late 19th-Early 20th Century Each a watercolor on ivory: the first, with three mythological women, signed F. Schier. 895; the second, Portrait of the Marquise de Pompadour, after Maurice-Quentin Delatour, signed J. Kozany; the third, portrait of a lady with hat, signed Lucas; the fourth, portrait of a lady with chain, signed Audrey; and the fifth, â&#x20AC;&#x2DC;Rembrandt and Saskia in the Scene of the Prodigal Son in the Tavernâ&#x20AC;&#x2122;, after Rembrandt van Rijn. Largest: 5-1/2 x 4 in (14 x 11.4 cm) $1,500-$2,500

79 Two German Porcelain Plaques of Young Women Late 19th-Early 20th Century The first, en grisaille and pink, signed S.M. Laubespin; and the second, Grecian Bride after F.A. Kaulbach, unsigned and impressed 315. Larger: 10-1/4 x 8-5/8 in (26 x 21.9 cm) $800-$1,200

80 Two German Porcelain Allegorical Plaques Late 19th-Early 20th Century The first, Between Love and Riches after Anatole Vély; and the second, Songs of Spring after William-Adolphe Bouguereau; each unsigned and impressed 324 to reverse. Larger: 8-1/2 x 5-3/4 in (21.6 x 14.6 cm) $1,000-$1,500

81 Three German Porcelain Plaques of Young Women Late 19th-Early 20th Century The first, titled Ruth and with Germany in brown to reverse, after C. Landelle, signed Wagner; the second, portrait of young woman with a broad rim hat, unsigned; and the third, portrait of young woman with a purple dress, impressed 12 above initials within a circle. Largest: 7 x 5 in (17.8 x 12.7 cm) $1,000-$1,500

82 Four Austrian Porcelain Allegorical Cabinet Plates Late 19th-Early 20th Century Three with spurious Royal Vienna marks: the first, The Graces, titled Grazien and painted P in red; the second, Lotus Flowers, signed Porkes, with printed factory mark, impressed 24, titled Lotosblumen and painted 2124 in red; the third, ‘L’Echo’ after E. Bisson, signed O. Walther, with gilt flower mark; and the fourth, Love, with printed factory mark, titled Liebe and painted 348 and Dec. 11 in red and gilt. Some wear to raised decoration and enamel. Diameter of largest: 9-7/8 in (25.1 cm) $800-$1,200

83 Two Meissen Figural Groups of Putti Sharpening Arrows and Venus with Two Putti Late 19th-Early 20th Century The first, inscribed E26, impressed 85 and painted 19 in red; and the second, after a model by J.J. Kaendler, inscribed A65 and impressed 58. Each with underglaze blue crossed swords mark. The first with some losses to leaves. Height of taller: 8-1/2 in (21.6 cm) $800-$1,200

85 Meissen Allegorical Figure of The Hearing and Two Meissen Figures of Ladies with Flowers Late 19th-Early 20th Century The first, after a model by J.C. Schoenheit, circa 1772, inscribed E1 and impressed 100; the second, a young lady holding a basket with flowers, inscribed 14, impressed 1140 and painted 11 and a triangle in red; and the third, a young lady with a vase of flowers to her right, inscribed 6, impressed 1560 and painted 14 in red. Each with underglaze blue crossed swords mark. Height of tallest: 5-1/8 in (13 cm) $500-$700

84 Four Meissen Allegorical Figures Late 19th-Early 20th Century The first, a Saluting Putto after a model by A. Ringer, impressed 0173 and 84, and painted 29 in black; the second, a Putto Sharpening an Arrow after a model by J.J. Kaendler, inscribed C62, impressed 122 and painted 66 in brown; the third, The Fall after a model by J.F. Eberlein, inscribed A69, impressed 131 and painted 31 in gilt; and the fourth, Young Bacchus, impressed 0197 and 131, and painted 53 in black. Each with underglaze blue crossed swords mark. The last two with some losses to leaves. Height of tallest: 6 in (15.2 cm) $800-$1,200

86 Two Meissen Allegorical Figures of Love Each after a model by H. Schwabe, Late 19th-Early 20th Century The first, Putto Pressing Hearts, inscribed L107, impressed 137 and with painted 47 in black; and the second, Putto Caught in a Trap, inscribed L120, impressed 103 and painted 18 in black. Each with underglaze blue crossed swords mark. Height of taller: 7-3/4 in (19.7 cm) $1,000-$2,000

87 Pair of Meissen Nodding Head Figures of a Scholar and a Woman with Child 19th-20th Century The first, inscribed N 2187/40.51 and painted Sch: in puce; and the second, inscribed 2188/96 and painted Sch: in puce. Each with unglaze blue crossed swords mark. Age cracks to base, chair and back of Scholar. Height of taller: 8 in (20.3 cm) $2,000-$3,000

88 Two Meissen Figures of Harlequin with Columbine and a Boy Grafting a Tree 19th-20th Century The first, after a model by J.J. Kaendler, inscribed 553 and impressed 81; and the second, after a model by M.V. Acier, inscribed F69, impressed 42 and painted 19 in black. Each with underglaze blue crossed swords mark. Second figure with small restorations to stick in right hand and hanging knife. Height of taller: 8-1/2 in (21.6 cm) $800-$1,200

89 Three Berlin Porcelain Figures KPM, Late 19th-Early 20th Century The first, Venus with Cupid, inscribed C.M.; the second, Children with Nest of Birds, impressed 61; and the third, Young Lady with Flowers, with printed red factory mark, impressed L and painted 7 in green. Each with underglaze blue scepter mark. Restoration to wings of dove and Cupid on first. Height of tallest: 8-1/2 in (21.6 cm) $500-$1,000

90 Pair of Berlin Porcelain Plaques of a Young Boy and Girl KPM, Possibly by R. Dittrich, Late 19th-Early 20th Century Each impressed 158 and 237 and with impressed scepter above KPM marks. Larger: 9-3/8 x 6-1/4 in (24 x 15.9 cm) $1,000-$1,500

91 Pair of Berlin Porcelain Plaques of an Elderly Man and Woman KPM, Late 19th-Early 20th Century After paintings by Balthasar Denner (German 1685-1749); each with impressed scepter above KPM marks. 10 x 7-1/2 in (25.4 x 19.1 cm) $1,000-$1,500

92 Berlin Porcelain Plaque of ‘Biancchina’ KPM, T. Dietrich, Late 19th-Early 20th Century After a painting by Nathaniel Sichel (German 1843-1907); impressed with scepter above KPM marks and titled Biancchina nach N. Sichel in black to reverse; signed after N. Sichel and by T. Dietrich at bottom edge to the front. 9-3/4 x 7-1/4 in (24.8 x 18.4 cm) $1,000-$2,000 93 Berlin Porcelain ‘Orientalin’ Two-Handle Vase and a Royal Vienna-Type Ewer Late 19th-Early 20th Century The first, KPM and inscribed n. C. Kiesel, titled Orientalin in red to the underside, with underglaze blue scepter mark and impressed letters and numbers; and the second, titled Sei wieder gut! to the underside and with painted 20782 in red, with underglaze blue shield mark. Height of taller: 13-1/4 in (33.7 cm) $500-$700

PROPERTY OF VARIOUS OWNERS

94 Berlin Porcelain Plaque of ‘Marguerite’ KPM, Emil Eckardt, Late 19th-Early 20th Century After a painting by Jean-Baptiste Bertrand (French 1823-1887); impressed with scepter above KPM marks above letter F and titled Marguerite/ orgil. von/ J. Bertrand in black to reverse; the front signed Emil Eckardt/ Dresden to the bottom right corner. 16 x 10-1/4 in (40.6 x 26 cm) $800-$1,200

95 Berlin Porcelain Plaque of ‘Princess Louise of Prussia’ KPM, Emil Eckardt, Late 19th-Early 20th Century After a painting by Gustav Richter (German 1823-1884); impressed with scepter above KPM marks above letter F and titled Gustav Richter/ Louise/ Königin von Preussen/ Cop:/ A.L. Eckardt/ Dresden in black to reverse; the front signed Emil Eckardt/ Dresden to the bottom right corner. 16 x 10-1/4 in (40.6 x 26 cm) $1,500-$2,500 96 Sèvres-Type Ormolu Mounted Napoleonic Commemorative Tray Claire Maglin Rochette, Late 19th Century Polychrome and raised gilt decorated; the central Napoléon Ier portrait panel signed CRochette, surrounded by smaller oval panels depicting generals of the Revolutionary and Napoleonic Wars: Mal de Massena, Mal Lefèvre, Mal Ney, Pce Eugene de Beauharnais, Mal Davoust, Mal Bertrand, Pce Murat, and Mal Bessieres. Light wear to raised gilt decoration. Diameter overall: 20-3/8 in (51.7 cm) $1,000-$2,000

PROPERTY FROM A NEW YORK ESTATE 97 Italian Conch Shell Cameo Night Lamp ‘Galatea e Le Ninfe’ Late 19th-Early 20th Century On a three dolphin verdigris metal stand. Height: 11-1/4 in (28.6 cm) $500-$700

98 Two French Bronze Figures of Putto Late 19th Century The first, ‘Presents D’Amour’, signed D. Debut to the base; and the second, signed A. Moreau and inscribed Raingo Fres., also stamped Raingo and 2526. Height of taller: 14-1/2 in (36.8 cm) $1,000-$1,500

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99 Three French Bronze Figures First Half 20th Century Each with goldish-brown patina; consisting of a pair with shepherd and maiden, each signed Richard to the base; and a young fisherboy, signed Hobold to the base. Height of tallest: 11-3/4 in (29.9 cm) $500-$700

100 Three French Bronze Figures of Musicians Early 20th Century The first two with light-brown patina and the third with greenish-brown patina; the first, titled Sous Bois to the front of the base, signed M. Debut on verso side of base; the second, a young satyr playing the flute, unsigned; and the third, a drummer boy, signed Clodion to the base. Height of tallest: 11 in (27.9 cm) $600-$800

20TH CENTURY WORKS OF ART

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PROPERTY OF VARIOUS OWNERS 101 Emily Wilson (American b. 1959) Reedy Way Painted carved wood and steel wall sculpture of a flowering tree and dated 1999. Height: 30 in (76.2 cm); Width: 27 in (68.6 cm); Depth: 8 in (20.3 cm) $800-$1,200 Provenance: Jerald Melberg Gallery, Charlotte, NC

102 Emily Wilson (American b. 1959) Hydrangea Rill Painted carved wood and steel standing sculpture and dated 1998. Height: 90 in (228.6 cm); Width: 40 in (101.6 cm); Depth: 18 in (45.7 cm) $1,000-$2,000 Provenance: Jerald Melberg Gallery, Charlotte, NC

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103 Emily Wilson (American b. 1959) Wray Crescent Painted carved wood and steel wall sculpture of a flowering tree and birds and dated 2000. Height: 52 in (132 cm); Width: 35 in (88.9 cm); Depth: 8-1/2 in (21.6 cm) $800-$1,200 Provenance: Jerald Melberg Gallery, Charlotte, NC

105 PROPERTY FROM A NEW YORK ESTATE 104 Pair of Pairpoint ‘Puffy’ Reverse Painted Glass and Silvered Metal Boudoir Lamps First Quarter 20th Century Each shade stamped The Pairpoint Corp’n to interior; each base impressed Pairpoint with diamond mark, one also impressed C3064, and the other E3010. Wear to patina of base. Height of taller: 14-1/2 in (36.8 cm); Width of shade: 9-1/2 in (24.1 cm) $1,000-$2,000

105 Pairpoint ‘Puffy’ Reverse Painted Glass and Gilt Metal Boudoir Lamp First Quarter 20th Century The shade stamped The Pairpoint Corp’n and Patented July 9-1907 to interior rim; the base impressed Pairpoint with diamond mark, 3047-1/2, 8-1/2 and Made in U.S.A. Wear to patina of base. Height: 15-3/4 in (40 cm); Width of shade: 9-1/2 in (24.1 cm) $800-$1,200

106 Pairpoint Reverse Painted Glass and Silvered Metal Three-Light Table Lamp 20th Century The base impressed Pairpoint with diamond mark and D3082. Wear to patina of base. Height: 23-1/2 in (59.7 cm); Diameter of shade: 13-3/4 in (35 cm) $1,200-$1,800

PROPERTY OF VARIOUS OWNERS 107 Tiffany Studios ‘Woodbine’ Translucent Fractured Leaded Glass and Bronze Table Lamp Circa 1910 The domed shade with a border of trellising flowers and mottled green-white and amethyst glass on a honeycomb mottled green glass ground, on a threelight greenish-brown bronze base; the shade stamped TIFFANY STUDIOS/ NEW YORK and 1423-22; the underside of base stamped TIFFANY STUDIOS/ NEW YORK/ 444 and with TS decorative monogram. Height overall: 21-1/2 in (50.2 cm); Diameter of shade: 14 in (35.6 cm) $10,000-$15,000

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PROPERTY FROM THE ESTATE OF PATRICK J. WHITE IV

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108 Ernest Barrias (French 1841-1905) La Nature se Dévoilant Devant la Science Signed E. Barrias, also with inscribed and impressed foundry medallion Susse Fres Ed Paris Gilt bronze and marble sculpture on a mottled green marble rectangular base; tips of three left fingers missing. Overall height: 29-1/2 in (75 cm) $20,000-$30,000

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PROPERTY OF VARIOUS OWNERS 109 After Auguste Moreau (French 1834-1917) Le Char de L’Aurore Signed on back left side of carriage Auguste Moreau Bronze sculpture with light-brown patina; with impressed foundry medallion with PARIS/ AB above relief of two dogs and 10160. Height: 33-1/2 in (85.1 cm) $4,000-$6,000

PROPERTY FROM AN ANNAPOLIS ESTATE

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110 Edouard Louis Collet (Swiss 1876-1957) Nocturne Signed on base Collet and stamped */PARIS Partial red cold painted bronze sculpture with goldish-brown patina on a green marble oval base. Height overall: 39 in (48.3 cm) $1,000-$1,500

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111 Erté (Romain de Tirtoff) (Russian/French 1892-1990) The Wave Cold painted bronze sculpture in light-blue, silver, gilt and flesh tones, signed Erté l.l. and impressed Chalk & Vermilion and Sevenarts 347/ 375 l.r.; on a black plastic oval stand. Height overall: 17-3/4 in (45.1 cm) $1,500-$2,500 112 Erté (Romain de Tirtoff) (Russian/French 1892-1990) Emerald Night Cold painted bronze sculpture in black, emerald green, gilt and flesh tones, signed on base Erté and impressed on verso of base ©1989 Chalk & Vermilion and Sevenarts XI/ L. Missing ring on right hand. Height: 21-1/4 in (54 cm) $1,500-$2,500

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113 Erté (Romain de Tirtoff) (Russian/French 1892-1990) Pleasure of the Courtesan Cold painted bronze sculpture in black, purple, gilt and flesh tones, signed on reverse of base Erté and impressed ©1988 Chalk & Vermilion and Sevenarts 265/ 375. Height: 19 in (48.3 cm) $1,000-$1,500 114 Erté (Romain de Tirtoff) (Russian/French 1892-1990) Deco Cold painted bronze sculpture in black, gilt and flesh tones, signed on verso of base Erté and impressed ©1990 Chalk & Vermilion and Sevenarts 331/ 375. Some scratches to black paint on verso of skirt. Height: 20-1/8 in (51.1 cm) $1,500-$2,500 115 Angelo Basso (Italian b. 1943) La Luna Cold painted bronze sculpture in light-blue, brown, gilt, silver and flesh tones, signed on base A. Basso and impressed 120/ 175 Fine Art Acquisitions/ FAF/ ©1987. Height: 23-1/2 in (59.7 cm) $800-$1,200

PROPERTY OF VARIOUS OWNERS

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116 Hans Harders (German 1875-1955) Art Deco Dancer Incised H. Harders Chryselephantine and cold painted bronze sculpture, with foundry mark for Rosenthal and Maeder, Berlin. Together with a marble base. One hand detached; missing feather headpiece. Height with base: 12 in (30.5 cm) $2,500-$3,500

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117 Guido Gambone (Italian 1909-1969) Two Rectangular Trays Each glazed stoneware with Gambone Italy and donkey cipher marks to reverse. Size of larger: 11-1/4 x 8-3/8 in (28.6 x 21.2 cm) $800-$1,200

PROPERTY FROM THE VIRGINIA G. WATKIN TRUST

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118 Twelve Finn Juhl Rosewood and Navy Blue Leather Dining Chairs Model 108, Manufactured for Illums Bolighus, Circa 1946 Each side chair with branded manufactured mark Cabinetmaker Copenhagen Denmark Design: Finn Juhl and applied manufacturer’s metal label. Height: 28-1/2 in (72.4 cm); Depth: 20-1/2 in (52.1 cm); Width: 19-3/4 in (50.2 cm) $3,000-$5,000

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119 Finn Juhl Silver Inlaid Rosewood ‘Judas’ Dining Table Manufactured for Illums Bolighus, Designed in 1946 The oval extension dining table having thirty silver inlaid discs designating seating arrangements; together with two leaves each with six silver inlaid discs; underside with applied manufacturer’s metal label. Top with areas of fading, discoloration and water staining. Height: 28-1/4 in (71.8 cm); Length without leaves: 78-3/4 in (200 cm); Length of each leaf: 21-5/8 in (54.9 cm); Greatest width: 55 in (139.7 cm) $8,000-$12,000

120 Niels Vodder Rosewood Side Cabinet Model NV-57, Manufactured for Illums Bolighus, Circa 1960 Having two rectangular panel doors opening to view a maple interior with two adjustable shelves above three aligned drawers and two short drawers. The back panel with applied manufacturerâ&#x20AC;&#x2122;s metal label. Height: 54-7/8 in (139.4 cm); Width: 46-3/4 in (118.7 cm); Depth: 17 in (43.2 cm) $4,000-$6,000

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121 Niels Vodder Rosewood Credenza Model NV-54, Manufactured for Illums Bolighus, Circa 1960 Having two sliding tambour doors opening to view a maple interior with eight adjustable cutlery shelves and one long shelf. Underside with applied manufacturerâ&#x20AC;&#x2122;s metal label. Few small areas of veneer loss; some fading to top. Height: 34 in (86.4 cm); Width: 81-1/2 in (207 cm); Depth: 19-5/8 in (49.9 cm) $2,000-$4,000

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PROPERTY OF VARIOUS OWNERS 122 Pair of Marcel Breuer Black Leather and Chromed Steel ‘Wassily’ Armchairs Design Introduced 1925 Each with etched signature to leather backrest. Height: 29 in (73.7 cm); Width: 30-1/2 in (77.5 cm) $800-$1,200

PROPERTY FROM AN ANNAPOLIS ESTATE 123 Waterford ‘George III’ Style Crystal and Gilt Brass Ten-Light Basket Form Chandelier Modern Most prisms stenciled Waterford. Height approximately: 45 in (114.3 cm); Diameter approximately: 35 in (88.9 cm) $2,000-$3,000

124 Yamaha Ebonized ‘Conservatory’ Grand Piano Model C3, Serial No. E4920657, Circa 1985-1989 Together with a complementary bench. Length: 72 in (182.9 cm) $3,000-$5,000

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PROPERTY OF VARIOUS OWNERS

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125 Kawai Ebonized Baby Grand Piano Model KG-1D, Serial No. 1626963, Circa 1985 Together with a complementary bench. Length: 60-1/2 in (153.6 cm) $1,000-$2,000

ENGLISH AND CONTINENTAL MAPS, FURNITURE & DECORATIONS

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PROPERTY FROM THE FRED AND ALICE GOLDSMITH IRREVOCABLE TRUST 126 Abraham Ortelius (Belgian 1527-1598) Typus Orbis Terrarum from Theatrum Orbis Terrarum Engraved map by Frans Hogenberg (Flemish 1540-1590) with later hand-coloring, published Antwerp, Gilles Coppens de Diest, 1570; with center fold mark, scattered staining and creases especially to the margins. Framed.* Sight size: 350 x 508 mm (13-3/4 x 20 in) $20,000-$30,000

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127 Abraham Ortelius (Belgian 1527-1598) Maris Pacifici (‘Quod Velgo Mar del Zuer’....) Engraved map with later hand-coloring, published Antwerp, Gilles Coppens de Diest, circa 1589, possibly a later edition; center fold with light staining particularly to the borders. Framed.* Sight size: 356 x 508 mm (14 x 20 in) $3,000-$5,000

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128 Abraham Ortelius (Belgian 1527-1598) Typus Orbis Terrarum from Theatrum Orbis Terrarum Engraved map with later hand-coloring, published Antwerp, Gilles Coppens de Diest, 1598; with center fold mark and some toning to the border. Framed.* Sight size: 368 x 502 mm (14-1/2 x 19-3/4 in) $20,000-$30,000

129 William Blaeu (Dutch 1571-1638) Nova Totius Terrarum Orbis Geographica Ac Hydrographica Tabula Engraved map with later color outlining and coloring, probably a 19th century edition; with center fold. Framed.* Sight size: 419 x 546 mm (16-1/2 x 21-1/2 in) $4,000-$6,000

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130 Frederick de Wit (Dutch 1616-1689) Nova Orbis Tabula In Lucern Edita Engraved map with later hand-coloring, published Amsterdam, circa 1680, possibly a later edition; center fold with overall slight staining and toning particularly to the margin. Framed.* Sight size: 483 x 559 mm (19 x 22 in) $3,000-$5,000

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PROPERTY OF VARIOUS OWNERS 131 George III 2-1/2-inch Terrestrial Pocket Globe Leonard Cushee, London, Circa 1760 Globe with printed cartouche A New GLOBE of the EARTH/ by L Cushee; on a later tripod stand. Height overall: 6-3/4 in (17.1 cm) $1,000-$2,000

132 Regency 2-3/4-inch Terrestrial Pocket Globe Darton & Co., London, 1811 Globe with printed cartouche Darton & Co., Gracechurch Street/ London 1811; on a later tripod stand. Height overall: 6-3/4 in (17.1 cm) $1,000-$2,000

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133 Regency Alpine Decorated Mustard Yellow Painted Oval Tea Caddy Probably English, Early 19th Century Height: 3-7/8 in (9.8 cm); Width: 5-5/8 in (14.3 cm); Depth: 3 in (7.6 cm) $800-$1,200

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Provenance: Sallea Antiques, New Canaan, Connecticut

134 Regency Chinoiserie Penwork and Faux Tortoiseshell Decorated Jewelry Casket and a Russian Lacquer Hexagonal Tea Caddy 19th-20th Century The first, raised on brass paw feet, opening to view an aqua-blue paper lining and top fitted with light-blue felt; and the second, with views of the Kremlin, St. Basilâ&#x20AC;&#x2122;s Cathedral and other, opening to view a red lacquered interior. The first with three brass feet probably replaced. Size of larger: 3-1/2 x 7-7/8 x 8-1/4 in (8.9 x 20 x 21 cm) $1,000-$2,000

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135 Regency Ebony Inlaid Satinwood Table Chest of Drawers Early 19th Century The top fitted with a brass bail handle and raised on four brass animal paw feet. Minor repairs to veneer and inlay, loss to rear right side inlay and some repairs and cracks to side panels. 8-3/8 x 19 x 9 in (21.3 x 48.3 x 22.9 cm) $800-$1,200

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136 George II Black Japanned Tall Case Clock Circa 1725 Having a brass plate dial with applied cast and pierced brass spandrels and a black Roman and Arabic numeral pewter chapter ring with date aperture and pewter seconds dial, and having a crescent pewter banner inscribed Windmills & Elkins/ London; having a two-train movement striking a bell on the hour. Overall some cracking and losses to japanning and painted decoration; some cracks to sides of plinth. Height: 87 in (221 cm) $2,000-$3,000 Provenance: The Antique Home, London

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137 George II-III Satinwood Line Inlaid Figured Walnut Veneered Slant-Front Bureau Circa 1740-1760 The slanting hinged writing lid with gilt-tooled green leather inset interior panel enclosing an amphitheater interior with a central prospect door enclosing a niche flanked by a stepped arrangement with eight pigeonholes over six drawers. Overall repairs and minor losses to veneer and inlay; both sides with vertical cracks; brasses replaced; locks for the drawers missing. Height: 42-1/2 in (108 cm); Width: 37 in (94 cm); Depth: 21 in (53.3 cm) $2,000-$3,000 Provenance: Sotheby Parke Bernet & Co., London, November 18, 1977, lot 121

138 George III Satinwood Oval Paterae Inlaid Mahogany Serpentine Bachelorâ&#x20AC;&#x2122;s Chest of Drawers Circa 1760-1780 The conforming top above a brushing slide over four cockbeaded graduated drawers. Brasses replaced and one brass pull missing; some repairs to veneer and losses to applied beading over the skirt; some repairs and restorations and losses to legs, and bottoms of feet probably worn down; restorations to inlay of top. Height: 38-1/4 in (97.2 cm); Width: 45-1/2 in (115.6 cm); Depth: 22 in (55.9 cm) $2,000-$3,000 Provenance: Phillips, London, Sale 21514, December 12, 1977, lot 76

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139 Eight George III Style Mahogany Dining Chairs Last Quarter 19th Century Consisting of a pair of arms and six side chairs; each with rose textured chenille upholstered seat. Both arms with repairs to the crestrail and to stiles. $1,500-$2,500

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Provenance: Woburn Abbey Antiques Centre, Bedfordshire, England

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140 George III Mahogany Bachelorâ&#x20AC;&#x2122;s Chest of Drawers Circa 1790-1800 Having a cockbeaded top above a brushing slide over a false drawer and three graduated drawers; both sides fitted with short drawers. Some repairs to veneer and cockbeading; brasses replaced. Height: 31-1/2 in (80 cm); Width: 32 in (81.3 cm); Depth: 19-1/4 in (48.9 cm) $800-$1,200 Provenance: Phillips, London, Sale 21482, November 15, 1977, lot 70

PROPERTY FROM A LOCAL TRUST 141 George III Mahogany Library Armchair Last Quarter 18th Century With brass nail studded border and beige floral silk damask upholstery. Repairs to one rear leg. $700-$1,000

142 George III Partial Gilt Mahogany ‘Phoenix’ Pediment Mirror Last Quarter 18th Century Regilded. 48-1/2 x 22-1/2 in (123.2 x 57.2 cm) $1,000-$1,500

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PROPERTY OF VARIOUS OWNERS 143 George IV Rosewood Trestle-Base Sewing/Games Table Circa 1830 The hinged top opening to view a rosewood and satinwood game board over a frieze drawer and a pull-out remnant basket. Top with repaired crack; some repairs to crossbanding. Height: 28-1/4 in (71.8 cm); Width: 21-1/2 in (54.6 cm); Depth: 15-1/4 in (38.7 cm) $500-$700

PROPERTY FROM THE ESTATE OF ANNE HARRISON WALLACE 144 Twelve George III Style Mahogany Dining Chairs First Half 19th Century Each with rose flame-cut velvet upholstered slip seat. Some splats with cracks and repairs. $1,000-$1,500

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PROPERTY FROM A LOCAL TRUST

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145 Two George III Partial Gilt Walnut Mirrors Last Half 18th Century Each with some wear to gilding and repairs to the frame. Size of taller: 35 x 18-1/2 in (88.9 x 47 cm) $1,000-$1,500

PROPERTY FROM THE ESTATE OF ANNE HARRISON WALLACE 146 Dutch Baroque Style Marquetry Satinwood and Colored Marquetry Burl Walnut Side Cabinet Last Half 18th Century In three parts: having a removable cornice above two panel doors with flower and urn reserves; opening to view three shelves fitted with two central aligned drawers over three aligned drawers; the serpentine lower section having three graduated drawers raised on bun feet. Some losses and restorations to marquetry and veneer; both doors with vertical cracks; bun feet replaced. Height: 93 in (236.2 cm); Width: 74 in (188 cm); Depth: 26 in (66 cm) $2,000-$3,000

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AMERICAN FURNITURE & DECORATIONS

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INCLUDING MAPS AND AUDUBON PRINTS PROPERTY OF VARIOUS OWNERS 147 Steinway & Sons Mahogany Grand Piano Model M, Serial No. 171747, Circa 1915 Together with a complementary bench. Length: 67 in (170.2 cm) $4,000-$6,000

148 Steinway & Sons Ebonized Grand Piano Model O, Serial No. 190370, Circa 1918 Together with a complementary bench. Length: 70-3/4 in (179.7 cm) $4,000-$6,000

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PROPERTY FROM THE FRED AND ALICE GOLDSMITH IRREVOCABLE TRUST 149 MatthĂ¤us Seutter (German 1678-1757) Recens Edita Totius Novi Belgii in America Septentrionali Engraved map with later hand-coloring and outlining, published Augsburg, circa 1757; center fold with light scattered staining particularly to the margins. Framed.* Sight size: 508 x 584 mm (20 x 23 in) $1,000-$2,000

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150 Gilles Robert de Vaugondy (French 1688-1766) Carte De La Virginie Et Du Maryland Engraved map by Joshua Fry and Pierre Jefferson with later color outlining, engraved by Elisabeth Haussard, published Paris, circa 1755, probably a 19th century edition; with center fold. Framed.* Sight size: 508 x 667 mm (20 x 26-1/4 in) $1,000-$2,000

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151 Gerard Mercator (Flemish 1512-1594) Virginiae Item et Floridae Americae Provinciarum, nova Descriptio Engraved map with later hand-coloring, published by Amsterdam, HondiusJanssonius, 1623, possibly a later edition; center fold with some toning throughout especially to the border. Framed.* Sight size: 356 x 496 mm (14 x 19-1/2 in) $1,000-$2,000

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152 Gerhard Mercator (Flemish 1512-1594) America Siue India Nova Engraved map with later coloring, circa 19th century; with center fold. Framed.* Sight size: 381 x 470 mm (15 x 18-1/2 in) $2,500-$3,500

153 John Speed (British 1552-1629) America with Those Known Parts in That Unknown Worlde Both People and Manner of Buildings Engraved map with later hand-coloring, possibly later edition; center fold with some staining and toning particularly to the margins. Framed.* Sight size: 393 x 514 mm (15-1/2 x 20-1/4 in) $2,000-$3,000

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PROPERTY OF VARIOUS OWNERS

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154 After John James Audubon (American 1785-1851) Little Tawny Thrush. Ptiliogonyâ&#x20AC;&#x2122;s Townsendi. Canada Jay (Plate CCCCXIX) Hand-colored engraving and aquatint, 1838, engraved, printed and colored by R. Havell; with J. Whatman 1838 watermark u.r.; light mat toning; binding losses and accompanying minor losses at the left edge margin; very pale offsetting showing through from the reverse; hinged to matting with plastic tape u.l. and u.r. Framed. Plate size: 496 x 311 mm (19-1/2 x 12-1/4 in); Sheet size: 968 x 651 mm (38-1/8 x 25-5/8 in) $1,000-$2,000 155 After John James Audubon (American 1785-1851) Greenshank, View of St. Augustine & Spanish Fort East Florida (Plate CCLXIX) Hand-colored engraving and aquatint, 1836, engraved, printed and colored by R. Havell; with J. Whatman 1836 watermark l.l.; light mat toning; binding losses and accompanying minor losses at the upper margin; hinged to matting with archival tape u.l. and u.r.; creases u.l. Framed. Plate size: 381 x 521 mm (15 x 20-1/2 in); Sheet size: 651 x 965 mm (25-5/8 x 38 in) $2,000-$3,000

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156 After John James Audubon (American 1785-1851) Pine Creepin Warbler (Plate CXL) Hand-colored engraving and aquatint, 1836, engraved, printed and colored by R. Havell; with J. Whatman 1836 watermark u.l.; light mat toning; old binding holes and accompanying minor losses at the left margin; hinged to matting with plastic tape u.l. and u.r. Framed. Plate size: 496 x 311 mm (19-1/2 x 12-1/4 in); Sheet size: 968 x 651 mm (38-1/8 x 25-5/8 in) $1,000-$2,000

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157 After John James Audubon (American 1785-1851) Hyperborean Phalarope (Plate CCXV) Hand-colored engraving and aquatint, 1834, engraved, printed and colored by R. Havell; light mat toning; approximately 2-3/4-inch tear to u.l.; binding losses and accompanying minor losses at the upper margin; approximately 3/4-inch stain showing l.r. through from the reverse; hinged to matting with archival tape upper margin. Framed. Plate size: 311 x 502 mm (12-1/4 x 19-3/4 in); Sheet size: 648 x 968 mm (25-1/2 x 38-1/8 in) $1,000-$2,000

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158 After John James Audubon (American 1827-1838) Whip-poor-will (Plate LXXXII) Engraving with etching, aquatint and hand-coloring, 1837, engraved and colored by R. Havell; with J. Whatman 1837 watermark u.r., light toning to outer margins, possibly cleaned, hinged to matting with archival tape at u.r. and u.l. Framed.* Sight size: 660 x 508 mm (26 x 20 in) $3,000-$5,000 Provenance: Purchased by the Reference and Research Fund of the Municipal Archives of the City of New York, October 1985 Acquired from the above by present owner

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PROPERTY FROM A LOCAL TRUST 159 Pair of Chippendale Walnut Side Chairs Philadelphia, Circa 1760-1780 Each with rose, yellow and light-green ground floral brocaded upholstered slip seat. Each with replaced corner blocks. $1,000-$2,000

PROPERTY OF A DIRECT DESCENDANT OF CHIEF JUSTICE JOHN MARSHALL (1755-1835)

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160 Chippendale Mahogany Dished Birdcage Tip Top Tripod Tea Table Philadelphia, Circa 1770 Top slightly warped with some checking; top lacking ring and key replaced. Greatest height: 28 in (71.1 cm); Greatest diameter: 36 in (91.4 cm) $1,000-$2,000

PROPERTY OF VARIOUS OWNERS 161 Chippendale Curly Maple Highboy Philadelphia Area, 1760-1780 In two parts: the upper section with three aligned drawers, the outer two with secret lock, above four graduated drawers; the lower section with a deep drawer. Some repairs to rear back legs; one rear leg with repaired paw foot; brasses replaced. Height: 78-1/4 in (198.8 cm); Width: 44-1/4 in (112.4 cm); Depth: 21-3/4 in (55.2 cm) $3,000-$5,000

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PROPERTY FROM A LOCAL TRUST 162 Chippendale Mahogany Dished Birdcage Tip Top Tripod Candlestand Philadelphia, Circa 1770-1790 Top with repaired crack with underside having two butterfly patches and some repairs to lower side of standard; missing key. Height: 28 in (71.1 cm); Greatest diameter: 23 in (58.4 cm) $1,000-$2,000

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163 Federal Satinwood Inlaid Mahogany Demilune Fold-Top Card Table Probably Baltimore, Circa 1805 Top board with repaired cracks and some losses to inlay. Height: 28-1/2 in (72.4 cm); Width: 36 in (91.4 cm); Depth: 18 in (45.7 cm) $700-$1,000

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PROPERTY OF A DIRECT DESCENDANT OF CHIEF JUSTICE JOHN MARSHALL (1755-1835) 164 Federal Satinwood Inlaid Mahogany Pembroke Table New York, Circa 1790-1805 Having a bowfront and with demilune drop leaves above a frieze drawer and raised on square tapered legs with inlaid pilaster plinths and bellflower stringing. Scattered inlay losses and repairs to one leg at the plinth. Height: 20-3/4 in (52.7 cm); Width when closed: 21 in (53.3 cm); When open: 39-1/2 in (100.3 cm); Depth: 31-1/4 in (79.4 cm) $1,000-$1,500

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PROPERTY OF A DIRECT DESCENDANT OF CHIEF JUSTICE JOHN MARSHALL (1755-1835)

165 Chippendale Carved and Figured Mahogany Serpentine Fold Top Five-Legged Card Table Attributed to the Apprentice Workshop of Marinus Willett and Jonathan Pearsee, New York, Circa 1770 The top opening to view square corner candle holders and concave money pockets enclosing a playing surface, above an applied gadrooned skirt raised on acanthus leaf carved knees and cabriole legs above claw and ball feet, the rear movable leg swinging to reveal a concealed card drawer; right hinge stamped H. Tibats. Left hinge lacking two screws; lacking covered playing surface; triangular restorations to both corners at the hinge area. Height: 27-3/4 in (70.5 cm); Width: 34 in (86.4 cm); Depth: 16-3/4 in (42.5 cm) $30,000-$50,000 According to Morrison H. Heckscher in his well-regarded and often cited “The New York Serpentine Card Table”, Magazine Antiques, May 1973, pp 974-983, this table follows the characteristics of the Type I “Van Rensselaer” type games tables. Within that grouping, this table’s carvings place it within the B grouping. Further structural analysis, as expounded upon by Frank M. Levy in his August 1991 Winterthur Thesis, “The Most Opulent Form: A Structural Analysis of New York Five-Legged Card Tables”, pp. 33-44, clearly indicate this table belonging to The Apprentice Group of the Willett Pearsee Workshop. For similar examples: Sotheby’s, New York, Important Americana: Furniture, Folk Art, Silver, Porcelain, Prints and Carpets, January 20-21, 2012, lot 246 The Museum of Fine Arts, Boston (Richard Randall, American Furniture in the Museum of Fine Arts, Boston, entry 84), Descended in the Van Natta Family of Morristown, NJ The Museum of the City of New York, Mrs. Giles Whiting Collection, Descended in the Frost Family of Rochester, NY Note: As these tables tend to descend within New York families, it is worthwhile noting that the consignor is also a direct descendant of William Nelson Page (1854-1932), who held various business connections with Abram S. Hewitt, a former Mayor of New York City and a member of the famous Cooper-Hewitt family. Other prominent ancestors include the Taylor and Sandford Families from New York, NY and the Van Alstyne Family from Albany, NY. Weschler’s would like to thank Frank Levy for his assistance in the cataloguing of this exquisite piece.

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PROPERTY FROM A LOCAL TRUST 166 Queen Anne Walnut Wing Armchair Boston Area, Circa 1760-1780 With light-blue silk damask upholstery. Lacking casters; upholstery frayed. $2,000-$3,000

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PROPERTY OF VARIOUS OWNERS 167 Federal Mahogany Ladiesâ&#x20AC;&#x2122; Writing Desk Massachusetts, Circa 1820-1825 In two parts: the upper section having two triple arched glazed panel doors enclosing an orange-red stained interior with three niches above six drawers, all above two cockbeaded and aligned drawers; the lower section having a slightly slanting hinged green baize-lined writing panel. One scroll pediment repaired. Height: 68 in (172.7 cm); Width: 41-1/2 in (105.4 cm); Depth: 20 in (50.8 cm) $700-$900

PROPERTY FROM A LOCAL TRUST

168 3 of 8

168 Eight Federal Style Mahogany Shield-Back Dining Chairs In the Massachusetts Style, First Half 20th Century Consisting of a pair of armchairs and six side chairs; each with red leather upholstered seats. $1,000-$1,500

PROPERTY OF VARIOUS OWNERS 169 Classical Mahogany Wash Stand Philadelphia or Boston, Circa 1820 The stepped top with backsplash, fitted with three aligned drawers with pressed opalescent glass pulls above a pull-out slide to one side and over a stretcher shelf fitted with a drawer. Height: 44 in (111.8 cm); Width: 31 in (78.7 cm); Depth: 20-3/4 in (52.7 cm) $600-$800 170 Classical Mahogany Dressing Table with Mirror Probably Boston, Circa 1835 The base having a convex frieze drawer flanked by two convex deep drawers. Height: 60 in (152.4 cm); Width: 38 in (96.5 cm); Depth: 19-3/4 in (47.6 cm) $600-$800

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FINE ART

171 After Raphael (Raffaello Sanzio da Urbino), Early 19th Century Madonna della Sedia Unsigned Oil on canvas in ornate giltwood frame 30 x 30 in (76.2 x 76.2 cm) $1,000-$2,000

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172 Attributed to Louis de Sylvestre the Younger (French 1669-1760) Christ in the Temple Apparently unsigned; inscribed with artistâ&#x20AC;&#x2122;s name in graphite on stretcher Oil on canvas 27 x 20-1/2 in (68.6 x 52.7 cm) $1,000-$3,000

PROPERTY FROM THE ESTATE OF ANNE HARRISON WALLACE

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173 Attributed to Fredrich Wilhelm Moritz (Swiss 1783-1855) Carnival Scene, Passing the Town Hall in Arras Signed * Moritz l.c. on table in foreground Oil on canvas 32 x 43 in (81.3 x 109.2 cm) $1,000-$1,500 Provenance: Joseph Harrison, Jr. and by descent to current owner Exhibited: This work was part of the private collection of Joseph Harrison, Jr. and is listed in the exhibition catalogue of his collection: Catalogue of Pictures, Statuary and Bronzes in the Gallery of the Late Joseph Harrison, Jr., Rittenhouse Square, Philadelphia, 1874, no. 18.

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PROPERTY OF VARIOUS OWNERS 174 ThÃ©ophile Emile Achille de Bock (Dutch 1851-1904) Landscape with Birch Trees and Pond Signed Th de Bock l.l. Oil on canvas 23-1/2 x 17-1/2 in (59.7 x 44.5 cm) $1,000-$1,500

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PROPERTY OF A VIRGINIA COLLECTOR 175 Ă&#x2030;douard Leon CortĂ¨s (French 1882-1969) Flower Market Signed Edouard Cortes l.r.; also with Arnot registration number 3409 in red on stretcher Oil on canvas 13 x 18 in (33 x 45.7 cm) $10,000-$15,000 Literature: This work will be included in the forthcoming catalogue raisonne by Nicole Verdier. We would like to thank Nicole Verdier and Vicki Arnot for their kind assistance with cataloguing this work. Provenance: Arnot Gallery, New York, NY, purchased April 1949 Associated Gallery, New York, NY, April 27, 1949 A certificate of authenticity from Arnot Gallery will accompany this work.

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176 Ă&#x2030;douard Leon CortĂ¨s (French 1882-1969) Bookstalls Notre Dame Signed Edouard Cortes l.l.; also with Arnot registration number 3492 and copyright stamp on verso Oil on canvas 13 x 18 in (33 x 45.7 cm) $10,000-$15,000 Literature: This work will be included in the forthcoming catalogue raisonne by Nicole Verdier. We would like to thank Nicole Verdier and Vicki Arnot for their kind assistance with cataloguing this work. Provenance: Arnot Gallery, New York, NY, purchased June 1949 Associated Gallery, New York, NY, June 13, 1949 A certificate of authenticity from Arnot Gallery will accompany this work.

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PROPERTY FROM THE ESTATE OF FRANK SVOBODA 177 Constantin Kluge (French 1912-2003) Market Scene, Paris Signed C. Kluge l.r. Oil on canvas 30 x 38 in (76.2 x 96.5 cm) $3,000-$5,000

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PROPERTY OF VARIOUS OWNERS 178 Léo Gausson (French 1860-1944) A Bruyères-Sous-Laon Signed Léo Gausson l.r.; also inscribed with title, dated April 1, 1910 and signed on verso, and with Atelier Leo Gausson stamp on verso Oil on panel 9 x 14-1/2 in (22.9 x 36.8 cm) $1,000-$1,500 Provenance: Hammer Galleries, New York, NY, inventory number: 21298-5

179 André Dunoyer de Segonzac (French 1884-1974) Coastal Landscape Signed Andre Dunoyer de Segonzac l.c. Watercolor and ink on paper; overall with mild toning. Framed.* Sight size: 17 x 23-1/4 in (43.2 x 59.1 cm) $1,200-$1,800

PROPERTY FROM A NEW YORK ESTATE

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180 Edmund Adler (Austrian 1876-1965) Children Gathered in a Parlor Signed Edmund Adler l.l.; also numbered 21767 on verso Oil on canvas 21-1/4 x 26-1/2 in (54 x 67.3 cm) $3,000-$5,000

181 Jozef Israëls (Dutch 1824-1911) Woman Reading at a Table Signed Jozef Israels l.r. Oil on panel 15-1/4 x 19 in (38.7 x 48.3 cm) $7,000-$9,000

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PROPERTY FROM A LOCAL TRUST 182 George Henry Laporte (German 1799-1873) Portrait of Col. Talbot Murray on Horseback Signed G. H. Laporte and dated 1861 l.l. Oil on canvas 28 x 35-1/2 in (71.1 x 90.2 cm) $1,000-$2,000

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PROPERTY OF VARIOUS OWNERS 183 Wilhelm Kaufmann (Austrian 1895-1975) Mountain Rapids Signed Wilhelm Kaufmann l.r. Mixed media on paper backed by Masonite 20 x 25 in (50.8 x 63.5 cm) $1,000-$1,500

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184 Wilhelm Lucas (German 1884-1918) Landscape in DÃ¼sseldorf Signed and dated 06 W. Lucas DS; also titled on paper label affixed to verso Oil on canvas 20 x 25-3/4 in (50.8 x 65.4 cm) $1,500-$2,500

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185 Tolla Inbar (German b. 1958) Circle of Life Signed Tolla, numbered 1/12 and dated 2007 on base Bronze sculpture; together with a stand. 82 x 60 x 17 in (208.3 x 152.4 x 43.2 cm); Height of stand: 24 in (61 cm) $7,000-$9,000 Provenance: Adamar Fine Arts, Coral Gables, FL, purchased May 17, 2007 186 Pablo Picasso (Spanish 1881-1973) Picador et Taureau (Ramie 438) Earthenware glazed plate, 1959, with figures in underglazed black on white and raised ground painted with engobe color; stamped Madoura/ Plein Feu and Empreinte/ Originale de/ Picasso above underglazed black edition 97/100. Greatest diameter: 10-1/2 in (26.7 cm) $3,000-$5,000

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187 Igor Soldatenkov (Russian b. 1934) Still Life of Peonies Signed in Cyrillic l.r. Acrylic on canvas 39 x 35 in (99 x 88.9 cm) $1,500-$2,500

189 1 of a pair

188 Igor Soldatenkov (Russian b. 1934) Still Life of Gladioli with Blue and White Vase Signed in Cyrillic l.r. Acrylic on canvas 38 x 34 in (96.5 x 86.4 cm) $1,500-$2,500

189 British School, 19th Century Hounds and Setters Pursuing Quail: A Pair of Works Each unsigned Each oil on canvas Each: 15 x 19-1/2 in (38.1 x 49.6 cm) $1,000-$2,000

190 John Faulkner (Irish 1835-1894) The Smeltery Signed Faulkner RHA (Royal Hibernian Academy) l.l. and titled on paper label affixed to stretcher Oil on canvas 20 x 34 in (50.8 x 86.4 cm) $800-$1,200

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PROPERTY FROM A LOCAL TRUST 191 Attributed to George Henry Harlowe (British 1787-1819) Portrait of Miss Catherine Stanley Unsigned Oil on canvas 24 x 20 in (61 x 50.8 cm) $1,000-$2,000

PROPERTY OF VARIOUS OWNERS 192 David Roberts (British 1796-1864) Cityscape Signed David Roberts l.r. Oil on board 10-1/2 x 8-1/2 in (26.7 x 21.6 cm) $800-$1,200 Provenance: Cooling Galleries, London

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PROPERTY FROM A LOCAL TRUST 193 John Frederick Tennant (British 1796-1872) View of Windsor Castle Apparently unsigned; also with paper label on verso inscribed Tennant/ 145/ VCT Oil on canvas 32 x 48 in (81.3 x 121.9 cm) $1,000-$2,000

PROPERTY OF VARIOUS OWNERS 194 Robert Payton Reid (British 1859-1945) The Cottage Door Signed R. Payton Reid l.l. and titled indistinctly on verso Oil on board 14 x 10-1/4 in (35.6 x 26 cm) $2,000-$4,000 Provenance: Doig, Wilson & Wheatley, Edinburgh

195 Ruskin Spear (British 1911-1990) Portrait of a Sitting Cat Signed Ruskin Spear l.r. Oil on Masonite 14 x 12 in (35.6 x 30.5 cm) $800-$1,200

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196 Simon Fonceca (Anglo-Indian, fl. 1837-1856) Portrait of a Mother and Her Children Signed S. Fonceca, located Madras and dated May 1837 l.r. Watercolor and graphite on paper; overall with mild toning and minor losses to paper. Unframed. Sheet size: 19-1/2 x 13-1/2 in (49.6 x 34.3 cm) $800-$1,200

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Francis Newton Souza (1924-2002) Francis Newton Souza known as F.N. Souza, is one of India’s most important and prestigious contemporary painters. His artwork ranks as the most expensive by an Indian artist to have sold at auction. A founder of Mumbai’s highly influential Progressive Artists’ Group, he moved to London in the late 40s. His first recognition as an artist came in 1955, when his ‘Nirvana of a Maggot’ was published in Encounter magazine. Another of his books, 'Words and Lines' received literary acclaim when it was published in 1959. He migrated to New York in 1967 and shortly thereafter received the venerable Guggenheim International Award in recognition of his timeless and priceless contribution to the art society. Inspired by Picasso, and often referred to as the “Indian Picasso”, one of his more recurrent themes is that of male-female conflicts. The figures that give life to his paintings are deliberately distorted and reveal an uninhibited, realistic style. At the same time, there is a visible influence of the folk art of Goa, the Renaissance paintings as well as the European landscapes of the 18th and 19th centuries. Weschler’s is pleased to present three of his works from the Souza 1965 and 1968 collections; each displaying a wide spectrum and highlighting the regions of the globe and, in particular, his family’s aristocratic Indo-Portuguese background. Souza produced these works in Goa at the ancestral De Souza Mansions as well as his home in London. The F.N. Souza International Fine Art Foundation and Family Trust was started in memory of Francis Newton Souza over 12 years ago to preserve his legacy. All of the works are accompanied by a certificate of authenticity signed and notarized by F. N. Souza during his last family vacations in Goa and Karwar, just a year before his passing.

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PROPERTY FROM THE PRIVATE COLLECTION OF THE SOUZA FAMILY 197 Francis Newton Souza (Indian 1924-2002) Your Face, My Thane Signed and dated Souza 68 u.l.; also signed, titled, dated and numbered 10225 on verso Acrylic on canvas 35 x 23 in (88.9 x 58.4 cm) $150,000-$250,000

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198 Francis Newton Souza (Indian 1924-2002) Vatican Cityscape Signed and dated Souza 65 u.r.; also signed, titled, dated, located No 9. Belsize Park London NW 3 and numbered 11559 on verso Oil on canvas 32 x 56-1/2 in (81.3 x 143.5 cm) $200,000-$400,000

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199 Francis Newton Souza (Indian 1924-2002) Tres Cabecas em Lisboa Signed and dated Souza 68 l.l.; also signed, titled, dated and numbered 11012 on verso Oil on canvas 35-1/4 x 26 in (89.5 x 66 cm) $150,000-$250,000

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PROPERTY OF VARIOUS OWNERS 200 Graciela Rodo Boulanger (Bolivian b. 1935) Portrait of a Child with Bird Signed and dated G. Rodo Boulanger/ 74 l.r. Oil on canvas 18 x 15 in (45.7 x 38.1 cm) $1,500-$2,500

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201 Graciela Rodo Boulanger (Bolivian b. 1935) Two Children on a Rearing Horse Signed G. Rodo Boulanger l.l. Oil on canvas 46-1/2 x 35 in (118.1 x 88.9 cm) $3,000-$5,000

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202 Mario CarreĂąo (Chilean 1913-1999) Girl with Guitar Signed and dated CarreĂąo-44 l.l. and titled in graphite on verso Gouache on paper, with indistinct blindstamp on verso; with scattered losses. Framed. Sight size: 27-1/2 x 22 in (68.6 x 55.9 cm) $5,000-$10,000

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203 John Henry Dolph (American 1835-1903) The Standoff Signed JDolph l.l. Oil on panel 10 x 8 in (25.4 x 20.3 cm) $1,500-$2,500

PROPERTY FROM THE STOUTENBURGH TRUST 204 Edward Henry Berge (American 1876-1924) Duck Mother Signed Berge on base; also stamped Roman Bronze Works NY on base Bronze with golden-brown patina Overall height: 7 in (17.8 cm) $700-$900

PROPERTY OF VARIOUS OWNERS 205 Edward Moran (American 1829-1901) Country Landscape with Stone Church and Flock of Sheep Signed Ed. Moran l.l. Oil on canvas mounted on Masonite 21-1/2 x 35 in (54.6 x 88.9 cm) $3,000-$5,000 Provenance: By repute, purchased between 1870-1890 from the studio and gallery of Thomas Moran, Pennsylvania and by descent to current owner Note: By repute, this work was painted during a trip Edward and Thomas Moran made back to England, ca. 1870.

206 American School, 19th Century View of Lake George Unsigned Oil on canvas 18 x 32 in (15.2 x 81.3 cm) $1,000-$2,000

206

Provenance: By repute, purchased between 18701890 from the studio and gallery of Thomas Moran, Pennsylvania and by descent to current owner

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PROPERTY FROM THE STOUTENBURGH TRUST 207 Percy Gray (American 1869-1952) Eucalyptus Grove Signed Percy Gray and dated indistinctly l.l. Watercolor and graphite on paper; overall with mild toning. Framed.* Sight size: 19-1/2 x 15-1/2 in (49.6 x 39.3 cm) $2,000-$3,000

208 Percy Gray (American 1869-1952) A Road Through the Oaks Signed Percy Gray and dated 1933 l.l. Watercolor and graphite on paper; apparently in good condition. Framed.* Sight size: 15-1/2 x 19-1/2 in (39.3 x 49.6 cm) $2,000-$3,000

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PROPERTY OF VARIOUS OWNERS 209 William Coventry Wall (American 1810-1886) In the Allegheny Signed Wm. C. Wall and titled on verso Oil on canvas 20 x 30 in (50.8 x 76.2 cm) $1,000-$1,500

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210 American School, 19th Century Portrait of a Man Unsigned Oil on canvas 30 x 25 in (76.2 x 63.5 cm) $800-$1,200 Provenance: Christieâ&#x20AC;&#x2122;s, New York, Important American Furniture, Folk Art and Decorative Arts, October 21, 1995, lot 119 David Pottinger

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PROPERTY FROM THE ESTATE OF ANNE HARRISON WALLACE 211 Thomas Sully (American 1783-1872) Charles Kemble as ‘Fazio’ Inscribed Charles Kemble as Fazio/ This Copy made from Portrait of him/ Painted in 1833 TS in gray pencil on verso Oil on canvas 30-1/4 x 25-1/4 in (76.8 x 64.1 cm) $3,000-$5,000 Provenance: Likely acquired directly from the artist by Joseph Harrison, Jr. and then by descent to current owner. Thomas Sully and Joseph Harrison, Jr. were both board members of the Pennsylvania Academy of Fine Art. In Mr. Harrison’s catalogue of his private collection, the painting is listed as in the possession of Henry C. Carey in 1874. Exhibited: This work was part of the private collection of Joseph Harrison, Jr. and is listed in the exhibition catalogue of his collection: Catalogue of Pictures, Statuary and Bronzes in the Gallery of the Late Joseph Harrison, Jr., Rittenhouse Square, Philadelphia, 1874, no. 30. Note: This is likely no. 948 in Biddle and Fielding’s, The Life and Works of Thomas Sully, Da Capo Press, New York, 1970. The work is described as “Kemble, Charles. In character as ‘Fazio’. Copied from a former portrait. Begun Nov. 17, 1865, finished Dec. 1st, 1865. Bust.”

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212 Thomas Sully (American 1783-1872) Fanny Kemble as ‘Bianca’ Inscribed Fanny Kemble as Bianca in the Play of/ Fazio. Painted by T. Sully in 1833/ Copied in the year 1855 [sic] by T Sully in gray pencil on verso Oil on canvas 30 x 25-1/4 in (76.2 x 64.1 cm) $3,000-$5,000 Provenance: Likely acquired directly from the artist by Joseph Harrison, Jr. and then by descent to current owner. Thomas Sully and Joseph Harrison, Jr. were both board members of the Pennsylvania Academy of Fine Art. In Mr. Harrison’s catalogue of his private collection, the painting is listed as in the possession of Henry C. Carey in 1874. Exhibited: This work was part of the private collection of Joseph Harrison, Jr. and is listed in the exhibition catalogue of his collection: Catalogue of Pictures, Statuary and Bronzes in the Gallery of the Late Joseph Harrison, Jr., Rittenhouse Square, Philadelphia, 1874, no. 29. Literature: This is possibly no. 962 in Biddle and Fielding’s, The Life and Works of Thomas Sully, Da Capo Press, New York, 1970. The work is described as “Kemble, Frances Anne/ In the character of ‘Bianca’. Copied from a former portrait. Begun Nov. 16th, 1865, finished Nov. 30th, 1865. Bust.”

213 Edward Dalton Marchant (American 1806-1887) Portrait of Emperor Nicolas Unsigned Oil on canvas 30 x 25 in (76.2 x 63.5 cm) $1,000-$2,000

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Note: This is likely the portrait of Emperor Nicolas which was commissioned by Joseph Harrison, Jr. of Philadelphia, upon his return from Russia in 1852. Provenance: Likely acquired directly from the artist by Joseph Harrison, Jr. and then by descent to current owner. E.D. Marchant and Joseph Harrison, Jr. were both board members of the Pennsylvania Academy of Fine Art. Exhibited: This work was part of the private collection of Joseph Harrison, Jr. and is listed in the exhibition catalogue of his collection: Catalogue of Pictures, Statuary and Bronzes in the Gallery of the Late Joseph Harrison, Jr., Rittenhouse Square, Philadelphia, 1874, no. 180. It is noted as being painted from a miniature.

PROPERTY OF VARIOUS OWNERS 214 Paul Dougherty (American 1877-1947) Rocky Cove Signed Paul Dougherty l.r. Oil on canvas 36 x 48 in (91.4 x 121.9 cm) $4,000-$6,000

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215 John Fabian Carlson (American 1874-1945) Forest Peace Signed John F. Carlson l.l.; also titled and located Woodstock, N.Y. on verso Oil on canvas 12 x 15 in (31.1 x 38.1 cm) $3,000-$5,000

216 Willis Seaver Adams (American 1844-1921) View of Feather Street, Suffield, CT Signed and dated Adams/ 96 l.r.; also signed, dated and located on verso Oil on canvas 23-1/2 x 39 in (59.7 x 99 cm) $2,000-$3,000

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PROPERTY FROM THE ESTATE OF ANNE HARRISON WALLACE 217 William Formby Halsall (American 1841-1919) Fishermen in Rough Seas Signed W.F. Halsall l.l. Oil on canvas 12 x 36 in (30.5 x 91.4 cm) $3,000-$5,000

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PROPERTY OF VARIOUS OWNERS 218 American School, 20th Century Hay Bales Unsigned Oil on canvas 40-1/4 x 57-1/2 in (102.2 x 146.1 cm) $1,000-$1,500

220 Robert Emmett Owen (American 1878-1957) Long Winter Road Signed R. Emmett Owen l.l. Oil on canvas 30 x 40 in (76.2 x 101.6 cm) $1,000-$1,500

219 William Lester Stevens (American 1888-1969) Autumn Landscape Signed W. Lester Stevens N.A. l.r. Oil on canvas 18 x 20 in (45.7 x 50.8 cm) $1,000-$1,500

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221 James Kivetoruk Moses (American ca. 1900-1982) Water God Signed and located Kivetoruk Moses/ Nome A l.l. Watercolor and ink on paper mounted on paper board; with 2-inch horizontal tear u.l. and mild toning. Unframed. 8 x 11-1/2 in (20.3 x 29.2 cm) $6,000-$8,000

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222 Kenyon Cox (American 1856-1919) Study for Genius with Celestial Globe Signed Kenyon Cox l.r., also titled and inscribed to Cousin Ruth - X-mas, 1898 and inscribed Copley Print/ Copyright 1898 by/ Curtis & Cameron l.r. Graphite on paper mounted to board; overall with some toning and scattered loses to paper. Unframed. Sheet size: 9-5/16 x 6-1/2 in (24.3 x 16.5 cm) $800-$1,200 Note: This is a study for The Sciences mural located above the doorway of the Southwest Gallery of the Library of Congress, Washington, DC. As described on the Library of Congress website, â&#x20AC;&#x153;astronomy...leans forward on her throne to make measurements upon the celestial globe that a winged figure of genius holds up before her.â&#x20AC;?

223 Philip Pearlstein (American b. 1924) Two Figures Signed Philip Pearlstein and dated 67 l.l. Sepia wash on paper; with brown residue along l.r. edge; minor 1/4-inch tear along l.l. edge. Framed.* Sight size: 22 x 30 in (55.9 x 76.2 cm) $800-$1,200

224 Reginald Marsh (American 1898-1954) The Bowery Unsigned, dated Oct 15/ 1952 l.l. Ink on paper, verso with typewritten note written to Reginald Marsh from his student, Joyce Ryan; apparently in good condition. Unframed. Sheet size: 10-1/2 x 8-3/4 in (26.7 x 22.2 cm) $2,000-$3,000 Literature: Edward Laning, The Sketchbooks of Reginald Marsh, New York Graphic Society Ltd., Greenwich, CT, 1973, p. 47. Provenance: Frank K. M. Rehn, Inc., New York

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PROPERTY FROM A WASHINGTON, DC EQUITY ORGANIZATION 225 Georgia O’Keeffe (American 1887-1986) Untitled (Banana Flower) (Buhler Lynes 834) Apparently unsigned (verso inaccessible) Charcoal on paper, 1934; apparently in good condition. Framed.* Sheet size: 21-3/4 x 14-3/4 in (52.7 x 37.5 cm) $100,000-$150,000 Provenance: Purchased by the Equity Organization’s Arts Staff in 1948 directly from the artist for $100 with funds donated by Dr. Mary Alice Parrish An American Place, New York, NY Exhibitions: The Bermuda National Gallery, Hamilton, Bermuda, 1994 An American Place, New York, 1935, among nos. 17-20, as “Drawings, Banana Flowers?”

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PROPERTY OF VARIOUS OWNERS 226 Sue Fuller (American 1914-2006) Untitled Signed Sue Fuller and dated 61, etched into frame l.r. String and Lucite within plexiglass frame 24 x 36 in (61 x 91.4 cm) $2,000-$4,000 227 Michael Lucero (American b. 1953) Jughead from New World Series Signed Michael Lucero on verso Glazed ceramic jug; with 2-inch chip along hat on verso Height: 20 in (50.8 cm) $2,000-$3,000

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PROPERTY FROM A WASHINGTON, DC EQUITY ORGANIZATION 228 David (Roland) Smith (American 1906-1965) Untitled (Sculpture) Signed and dated â&#x2C6;&#x2020;â&#x2C6;&#x2018; 2-3-52 u.r., also inscribed indistinctly on verso Mixed media with white heightening on paper; apparently in good condition. Framed. Sheet size: 15-1/2 x 20 in (39.3 x 50.8 cm) $20,000-$30,000 Provenance: A Washington, DC Equity Organization, given as a gift by the artist in 1952 in exchange for a set of mounted photo enlargements of his works which had circulated as a traveling exhibition Exhibitions: The Washington, DC Equity Organization gave Smith his first solo traveling exhibition which ran from 1947-1952. We would like to thank Tracee Ng with the David Smith Catalogue Raisonne project for her assistance in cataloging this work.

PROPERTY FROM VARIOUS OWNERS

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229 Sam Gilliam (American b. 1933) Untitled Signed Sam Gilliam and dated 1962 on verso; also inscribed Sam Gilliam and dated 63 on stretcher Oil on canvas 18-1/8 x 18-1/8 in (46.1 x 46.1 cm) $7,000-$9,000

Note: We would like to thank the artist and his studio for confirming the orientation of this work.

PROPERTY FROM THE STOUTENBURGH TRUST 230 Sam Gilliam (American b. 1933) Untitled Signed Sam Gilliam and dated 77 l.r. Watercolor-stained Japan paper construction mounted on linen. Mounted in a plexiglass box. Overall: 20-1/4 x 16-1/4 in (51.4 x 41.3 cm) $3,000-$4,000

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231 Joseph Hirsch (American 1910-1981) Conversation Under the Big Top Signed J Hirsch l.l. Gouache, watercolor and ink on paper; apparently in good condition. Framed.* 21-1/2 x 30 in (54.6 x 76.2 cm) $800-$1,200

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232 James Strombotne (American b. 1934) Naked Room Signed Strombotne u.l. Oil on canvas 60 x 48 in (152.4 x 121.9 cm) $800-$1,200 Provenance: Acquired from the artist, 1967 Purchased in these rooms, March 30, 2012, lot 351 Exhibition: The Corcoran Gallery of Art, Washington, DC, 30th Biennial of Contemporary American Painting, February 24-April 9, 1967, no. 91

233 Sandra Bierman (American b. 1945) Woman with Cats Signed S. Bierman l.r. Oil on board 35-1/2 x 30 in (90.2 x 76.2 cm) $1,000-$1,500

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PROPERTY FROM THE ESTATE OF JAMES RANDALL CARROLL, JR. 234 Alma Woodsey Thomas (American 1891-1978) Untitled Signed and dated AW Thomas â&#x20AC;&#x2DC;60 l.r. Watercolor and ink on paper; with mild toning. Framed. 21-1/2 x 30-1/2 in (54.6 x 77.5 cm) $20,000-$30,000

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235 Alma Woodsey Thomas (American 1891-1978) Blue Opus II Signed and dated Alma Thomas/ 60 l.r.; also inscribed AC-120/ “Blue Opus II”/ 1960 and owner’s name on verso Acrylic on canvas 32 x 40 in (81.3 x 101.6 cm) $40,000-$60,000

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PROPERTY OF VARIOUS OWNERS 236 Elizabeth Catlett (American 1915-2012) On the Subway Lithograph, 1986, signed E. Catlett and numbered 115/300 and dated in graphite l.r.; apparently in good condition. Unframed. Sheet size: 584 x 445 mm (23 x 17-1/2 in) $1,000-$1,500

PROPERTY FROM THE FRED AND ALICE GOLDSMITH IRREVOCABLE TRUST 237 Marc Chagall (French/Russian 1887-1985) Isaiah (Mourlot 141) Lithograph in color, signed Chagall in white pencil l.r. and numbered 17/75 in white pencil l.l.; apparently in good condition. Framed.* Sheet size: 356 x 267 mm (14 x 10-1/2 in) $800-$1,200 Provenance: Ferdinand Roten Galleries, Inc., Baltimore, MD

PROPERTY OF VARIOUS OWNERS 238 Marc Chagall (French/Russian 1887-1985) Solomon Proclaimed King of Israel from Le Bible (Cramer 29) Etching in color, published circa 1958, signed M. Ch in graphite l.r. and numbered 82/100 l.l.; apparently in good condition. Framed.* Plate size: 299 x 241 mm (11-3/4 x 9-1/2 in) $3,000-$5,000 Provenance: ifa galleries, Washington, DC

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PROPERTY FROM THE FRED AND ALICE GOLDSMITH IRREVOCABLE TRUST 239 Marc Chagall (French/Russian 1887-1985) XXth Siecle: Hommage a Marc Chagall (Mourlot 572) Lithograph in color on Arches wove paper, 1969, signed Marc Chagall in graphite l.r. and numbered 1/75 in graphite l.l.. Framed.* Sight size: 400 x 292 mm (15-3/4 x 11-1/2 in) $3,000-$5,000 Provenance: Ferdinand Roten Galleries, Inc., Baltimore, MD

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240 Marc Chagall (French/Russian 1887-1985) The Tumblers (Les Saltanbiques) (Mourlot 591) Lithograph in color, 1969, signed Marc Chagall in graphite l.r. and inscribed epreuve dâ&#x20AC;&#x2122; artiste XXV/XXV in graphite l.l.; apparently in good condition. Framed.* Sight size: 635 x 445 mm (25 x 17-1/2 in) $10,000-$15,000 Provenance: Ferdinand Roten Galleries, Inc., Baltimore, MD

241 Marc Chagall (French/Russian 1887-1985) Sirene au Pin from Nice et la CĂ´te Dâ&#x20AC;&#x2122;Azur (Mourlot CS 35) Lithograph in color on Arches paper, 1967, signed Marc Chagall in graphite l.r., numbered 62/150 in graphite l.l. and published by Sorlier, Paris; apparently in good condition. Framed.* Sight size: 667 x 470 mm (26-1/4 x 18-1/2 in) $10,000-$15,000

PROPERTY OF VARIOUS OWNERS 242 Gene Davis (American 1920-1985) Black Popcorn from Series II Screenprint in color on canvas mounted on board, 1969, from an edition of 150 and signed GDavis on verso; apparently in good condition. Framed.* Sheet size: 603 x 762 mm (23-3/4 x 30 in) $1,000-$1,500

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243 Gene Davis (American 1920-1985) Battle for Grown Ups from Series II Screenprint in color on canvas mounted on board, 1969, from an edition of 150 and signed GDavis on verso; apparently in good condition. Framed.* Sheet size: 603 x 762 mm (23-3/4 x 30 in) $1,000-$1,500

244 Gene Davis (American 1920-1985) Ianthe from Series II Screenprint in color on canvas mounted on board, 1969, from an edition of 150 and signed GDavis on verso; apparently in good condition. Framed.* Sheet size: 762 x 508 mm (30 x 20 in) $1,000-$1,500

245 Joellyn Duesberry (American 1944-2016) Armstrongâ&#x20AC;&#x2122;s Creek, Montana Monotype on rag paper, 1994, inscribed II in pencil l.r., titled and dated on paper label affixed to verso; apparently in good condition. Framed.* Sheet size: 737 x 546 mm (29 x 21-1/2 in) $1,500-$2,500

245

Provenance: Troyer Gallery, Washington, DC

246 Maurits Cornelis Escher (Dutch 1898-1972) Encounters (Ontmoeting) (B./K./L./W. 331) Lithograph on wove paper, 1944, signed MC Escher in pencil l.r. and numbered No. 19/30; apparently in good condition. Framed.* Sight size: 476 x 356 mm (18-3/4 x 14 in) $12,000-$18,000

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247 Maurits Cornelis Escher (Dutch 1898-1972) Sphere Spirals (Bolspiralen) (B./K./L./W. 428) Woodcut in color, 1958, signed MC Escher in pencil l.l. and inscribed Eigendruck l.r.; with minor water damage l.l. Framed.* Sight size: 413 x 425 mm (16-1/4 x 16-3/4 in) $6,000-$8,000

248 Franรงoise Gilot (French b. 1921) Les Deux Enfants Lithograph, signed F. Gilot in graphite l.r. and numbered 88/100 in graphite l.l.; apparently in good condition. Framed.* Sight size: 610 x 400 mm (24 x 15-3/4 in) $800-$1,200

249 Edgar A. Holloway (British 1914-2008) Edgar Holloway, Etchings & Engravings: A Portfolio of Seven Works Etchings and engravings, including Self-Portrait, Eastcote, Essex Street Watergate, Grey Topper, Daisy Monica, Orchard Moon and The Afgan Hat, each signed, titled and numbered 25/40 in graphite, published by Merivale Editions, London, 1992, in original portfolio; each apparently in good condition. Three framed.* Sheet size: 381 x 254 mm (15 x 10 in) $3,000-$5,000

PROPERTY FROM THE FRED AND ALICE GOLDSMITH IRREVOCABLE TRUST 250 KĂ¤the Kollwitz (German 1867-1945) The Dance (Die Carmagnole) (Knesebeck 51) Etching and aquatint, 1901, unsigned; apparently in good condition. Framed.* Plate size: 527 x 343 mm (20-3/4 x 13-1/2 in) $1,000-$1,500

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251 Käthe Kollwitz (German 1867-1945) German Homework Exhibition (Plakat der Deutschen Heimarbeit-Ausstellung) (Knesebeck 95) Lithograph, 1906, signed Kathe Kollwitz in graphite l.r., published by H. Meysel, Berlin; apparently in good condition. Framed.* Sight size: 711 x 496 mm (28 x 19-1/2 in) $1,500-$2,500 252 Käthe Kollwitz (German 1867-1945) Self-Portrait (Selbstbildnis) (Knesebeck 126) Soft-ground etching, 1912, signed Kathe Kollwitz in graphite l.r.; apparently in good condition. Framed.* Plate size: 140 x 95 mm (5-1/2 x 3-3/4 in) $1,500-$2,500 253 Käthe Kollwitz (German 1867-1945) Self-Portrait (Selbstbildnis von Vorn) (Knesebeck 193) Woodcut, 1922/23, signed Kathe Kollwitz in graphite l.r.; apparently in good condition. Framed.* Sight size: 203 x 203 mm (8 x 8 in) $3,000-$5,000

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254 Käthe Kollwitz (German 1867-1945) Woman Meditating (Nachdenkende Frau) (Knesebeck 160) Lithograph, 1920, signed Kathe Kollwitz in graphite l.l.; apparently in good condition. Framed.* Sight size: 591 x 464 mm (23-1/4 x 18-1/4 in) $1,000-$1,500

PROPERTY OF VARIOUS OWNERS 256 Louis Lozowick (American 1892-1973) Storm Over Manhattan (Flint 127) Lithograph, 1936, signed and dated Louis Lozowick in graphite l.r., published by Associated American Artists, New York; apparently in good condition. Framed.* Sight size: 260 x 350 mm (10-1/4 x 13-3/4 in) $1,000-$1,500

255 Käthe Kollwitz (German 1867-1945) The People (Das Volk) from ‘Krieg’ (Knesebeck 190) Woodcut, 1922, signed Kathe Kollwitz in graphite l.r. and numbered B 24/100 in graphite l.l.; apparently in good condition. Framed.* Sight size: 393 x 330 mm (15-1/2 x 13 in) $3,000-$5,000

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257 Henri Matisse (French 1869-1954) Madame Pompadour (Pour Versailles) (Duthuit-Matisse 664) Lithograph, 1951, signed Matisse in graphite l.l.; apparently in good condition. Framed.* Image size: 393 x 318 mm (15-1/2 x 12-1/2 in) $7,000-$9,000

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PROPERTY FROM THE FRED AND ALICE GOLDSMITH IRREVOCABLE TRUST 258 Joan Mirรณ (Spanish 1893-1983) Untitled: From Revue XXth Siecle (Mourlot 583) Lithograph in color, 1968, signed Miro in graphite l.r. and numbered H.C. 20/25 in graphite l.l., published by XXth Siecle and printed by Mourlot, Paris; apparently in good condition. Framed.* Sheet size: 560 x 762 mm (22-1/8 x 30 in) $1,000-$2,000

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259 Joan Miró (Spanish 1893-1983) Série II (Dupin 87) Etching and aquatint in color, 1952, signed and dated Miro/1952 in graphite l.r. and numbered 13/13 in graphite l.l.; printed by Lacourière, Paris, published by Maeght, Paris; apparently in good condition. Framed.* Sight size: 375 x 453 mm (14-3/4 x 17-7/8 in) $10,000-$15,000

PROPERTY FROM THE ESTATE OF MONA S. BERMAN 260 Jackson Lee Nesbitt (American 1913-2008) Auction Barn Lithograph, 1989, signed Jackson Lee Nesbitt and dated in graphite l.r. and titled and numbered 106/250 in graphite l.l.; apparently in good condition. Framed.* Sight size: 445 x 343 mm (17-1/2 x 13-1/2 in) $800-$1,200

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PROPERTY OF VARIOUS OWNERS 261 Pablo Picasso (Spanish 1881-1973) Shakespeare (Mourlot 405) Lithograph on wove paper, 1965, signed Picasso in graphite l.r. and numbered 115/150 in graphite l.l.; apparently in good condition. Framed.* Sight size: 229 x 318 mm (9 x 12-1/2 in) $2,000-$3,000

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262 Pablo Picasso (Spanish 1881-1973) La Ronde de la Jeunesse Lithograph in color, 1959, signed Picasso in graphite l.r. and numbered 126/200 in graphite l.l.; apparently in good condition. Framed.* Sight size: 559 x 432 mm (22 x 17 in) $3,000-$5,000

263 JesĂşs Rafael Soto (Venezuelan 1923-2005) Hannover Screenprint on plexiglass with hanging metal rods, signed Soto in ink and stamped 123/200 on paper label affixed to underside. 7-3/4 x 3-1/2 x 21-1/4 in (19.7 x 8.9 x 54 cm) $3,000-$5,000

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264 Théophile Alexandre Steinlen (French 1859-1923) Group of Five Works Depicting Scenes of WWI Each a lithograph; the first, depicting two soldiers, 1915, signed Steinlen in graphite l.r. and numbered 44/100 in graphite l.l.; the second, inscribed Rien de change, signed Steinlen in graphite l.l. and numbered 120/120 in graphite l.r.; the third, inscribed Les Deux Corteges in graphite, signed Steinlen in graphite l.l. and numbered 120/120 in graphite l.r.; the fourth, depicting a group of figures, signed Steinlen and numbered 44/100 in graphite l.r.; and the fifth, depicting soldiers sleeping, signed within plate and numbered 4/400 in graphite l.r.; each apparently in good condition. Each unframed. Sheet size of largest: 565 x 378 mm (22-1/4 x 14-7/8 in) $1,200-$1,800

265 Grant Wood (American 1891-1942) Shriners’ Quartet (Czestochowski W-16) Lithograph on cream B.F.K. Rives paper, 1939, signed Grant Wood in graphite l.r., from an edition of 250, printed by George C. Miller, published by Associated American Artists, New York; apparently in good condition. Framed.* Sight size: 210 x 311 mm (8-1/4 x 12-1/4 in) $1,200-$1,800

PROPERTY FROM THE FRED AND ALICE GOLDSMITH IRREVOCABLE TRUST 266 Zao Wou-Ki (Chinese/French 1920-2013) Lithograph IX and Untitled: Two Works Each a lithograph in color, 1961 and 1959, each signed l.r.; the first numbered 36/125 l.l. and the second numbered 13/140 l.l., each published by L’Oeuvre Gravé; each apparently in good condition. Framed.* Sight size of each: 502 x 470 mm (19-3/4 x 18-1/2 in) $2,000-$3,000

END OF SALE The next Capital Collections auction will be held on December 13, 2019 Consignment deadline: October 25

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AUCTION SCHEDULE

Sale Date

Sale Title

Consignment Deadline

Sept. 13, 2019

Capital Collections

n/a

Oct. 11, 2019

Folk Art and Chinese Export

n/a

Nov. 22, 2019

Designer Clothing, Handbags & Accessories

n/a

Dec. 13, 2019

Capital Collections

Oct. 25

WESCHLER’S

Friday, September 13, 2019

CAPITAL COLLECTIONS AUCTION Sale 1510

WESCHLER’S

WESCHLER’S CAPITAL COLLECTIONS AUCTION Friday, September 13, 2019

10AM