LEEDS COLLEGE OF ART
TACIT KNOWLEDGE BA (HONS) FINE ART LEEDS COLLEGE OF ART 2008 2011
BA(HONS) FINE ART
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2011 LEEDS COLLEGE OF ART
TACIT KNOWLEDGE BA (HONS) FINE ART LEEDS COLLEGE OF ART 2008 2011
BA(HONS) FINE ART
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2011
BOARD: 1 of 3
CONCEPT: The concept title for the Fine Art yearbook is What We Cannot Say. This is a term developed from the end of year exhibition title Tacit Knowledge. Tacit knowledge itself is knowledge that cannot be transferred by means of writing it down or verbalising it. It has been explained as ‘know how’ and is applicable to fine art in the sense that you cannot simply be told how to become a successful artist/practitioner.
FINE ART YEARBOOK Tim Wan Edward Webb Vickie Simpson Liam Hine
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Telephone
Website
I am interested in destructive
+44 (0) 7845 359 129
john@shaw.co.uk
www.john-shaw.co.uk
practices, in an aesthetic defined by the material transmutated through violence and chance. I use the
JOHN SHAW
throwing, smashing and shooting of things to explore extended painting through video and installation.
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Blood on the floor
Projected Face
Blood on the floor
Projected Face
Blood on the floor
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Telephone
Website
+44 (0) 7845 359 129
naomi@wallis.co.uk
www.naomi-wallis.co.uk
NAOMI WALLIS
My paintings are about a process and the act of doing, but underneath that there is the imprint of emotion. Blue to me can represent a range of emotions. The process remains the same, but the stains represent my varying emotions.
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Blood on the floor
BOARD: 2 of 3
FINE ART YEARBOOK
DESIGN DIRECTION: From the outset, our design direction has aimed to be flexible and fluid with a high level of contingency within each graduate showcase and every double page spread. The use of a twelve column grid for a square format publication allows for a free-looking set of layouts that maintain a professional edge whilst complimenting the discipline of fine art.
Throughout the publication images are fragmented and often reappear multiple times across each spread. This idea has been developed in order to reflect the concept’s focus on troubled communication and how there is difficulty in transmitting tacit knowledge in relation to the discipline. Typefaces are deliberately light so not to detract from the imagery on show.
Tim Wan Edward Webb Vickie Simpson Liam Hine
NAMES 22.5pt Uppercase Quicksand
MA R G I N S 08mm 08mm 12mm 08mm
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BLEED
Christian: Book Surname: Light
Top Bottom Left Right
3mm
COLUMNS 12
B ODY CO P Y 7.5pt/13.5pt Courier New Regular
GUTTER
MODULES
3mm
12
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Telephone
Website
+44 (0) 7845 359 129
louie@mulhern.co.uk
www.louie-mulhern.co.uk
LOUIE MULHERN
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Blood on the floor
Projected Face
Wall
I explore ideas of street art as a
making posters and now plastics. I
legitimate art form that can work
have an archive of photographs to
in different surroundings. I have
document my work doing this I can show
experimented with different materials
others how I work. I try to convey.
LOW SPECIFICATION:
MID SPECIFICATION:
HIGH SPECIFICATION:
210 x 210mm Cover 4 pages, text 108 pages
210 x 210mm Cover 4 pages, text 108 pages
210 x 210mm Cover 4 pages, text 108 pages
Four colour process
Four colour process
Four colour process
Text: 120gsm Challenger Edixion [uncoated] Cover: 300gsm Challenger Edixion [uncoated]
Text: 120gsm Challenger Edixion [uncoated] Cover: 300gsm Challenger Edixion [uncoated]
Text: 90gsm Challenger Edixion [uncoated] Cover: 300gsm Challenger Edixion [uncoated]
1000 units
1000 units
1000 units
No special finishes
Clear foil on cover
Clear foil on cover
BOARD: 3 of 3
DESIGN SPECIFICATION:
PREFERRED PRINT SPECIFICATION:
210 x 210mm 108 pages + cover
1000 units
88 pages: student work 20 pages: intro, contents and special spreads
Text: 90gsm Challenger Edixion [uncoated] Cover: 300gsm Challenger Edixion [uncoated] Four colour process Cover type to be foil blocked [clear]
FINE ART YEARBOOK Tim Wan Edward Webb Vickie Simpson Liam Hine