Focused by David Johnson
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PPA Member Articles PPGH Meetings/Events Image Competition Regional Events Publisher Teri Whittaker, CPP Editor Theresa Campbell Graphic Design/Layout Theresa Campbell Jeanie Galvanni Copy Editor & TPPA Rep Nicki Evans Simpson Proof Readers Dixie Dobbins, M.Photog., Cr., CPP Karen Butts, M.Photog., CPP Hallie Keller, CPP Kevin Falcon Teresa Casillas Kathy Scalf Photographers Kevin Falcon Denzal Lovett
Well, summer is coming to a close and busy season is upon us; but, busy as I know most of you will be, I hope that you are able to take an evening each month and join us for our meetings this fall. I love seeing every one of your smiling faces! We hold our elections at our September meeting and it is important for our members with voting privileges (Professional Active Members, Degreed Professional Active Members and Lifetime Members) to participate in the vote either in person or through online voting. We are fortunate to have Gail Nogle present this month’s evening program. I hope you will all come join us for the election and then stay to enjoy Gail’s presentation. Rick Ferro, Disney World’s preferred wedding photographer will be joining us for an all-day program in October on weddings. And we will be rounding out the fall speaking programs in November with Melanie Hall and Nick Fisher with off-camera flash during the day and couples posing in the evening. Our Holiday Party and Awards Presentation is scheduled for Sunday, December 4th. Please stay tuned for the details about this; but, in the meantime, be sure to mark it on your calendar! Before closing, I wanted to bid one final farewell to our Past President Chris Bechtold who recently passed away. We are forever grateful to Chris for his dedication and service to the guild. Chris, you are missed. I look forward to seeing you on September 20th. Teri Whittaker, CPP
PPGH WORKSHOP SERIES PRESIDENT’S MESSAGE
CONTENTS
Hi, Fellow Members! Congratulations to all our members who did so well at IPC!!! Folks, we are surrounded by some mighty talented individuals. Please see inside the Viewfinder for a listing of our members and their achievements.
Teri P.S. Another reminder to sign up for Photogenesis in San Marcos (September 30 – October 2, 2016). You will be glad that you did! Go to tppa.org to learn more. ON THE COVER: "The inspiration for Focused spawned from a national fashion magazine concept request. The magazine asked if I could provide 6-8 images to support their upcoming Victorian Issue. With three days’ notice, a motivated model and I collaborated on this beautiful low key Victorian image! With proper metering techniques, appropriate lighting, and modifiers I was able to separate the model’s black clothing from the black background and flooring. This image and others were accepted by the magazine and published a few days later. Soon afterwards, I decided to enter “Focused” in the PPGH’s monthly print competition in which it was judged as being worthy of a merit, scoring 82/80/78." ~ David Johnson, CPP
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PROFESSIONAL PHOTOGRAPHERS GUILD OF HOUSTON 2016 BOARD OF DIRECTORS
To contact your officers or director, just click on their name.
Chairman of the Board Belinda Stanford M.Photog.,Cr.,CPP
President Teri Whittaker, CPP
Vice-President Aileen Harding M.Photog., CPP
Secretary Kevin Falcon,CPP
Treasurer Nikky LaWell, CPP
Executive Director Tom Hathcock M.Photog.,CPP, PPGH-Past President
Director - Membership Laura Mansur, CPP
Director Alison Carlino, CPP
Director Sherry Piché, CPP
Director Kathy Kinser, CPP
Audit Chairman: Greta Jacobs-Mee, CPP Bylaws Chairman: Tom Hathcock, M.Photog., CPP Dixie Dobbins, M.Photog., Cr., CPP Alvin Gee, M.Photog., Cr., CPP Clean Up Board Liaison: Teri Whittaker, CPP Communications/Graphic Design Chairman: Alison Carlino, CPP Jessi Marri Becker Kelli Leake Ethics Chairman: Dixie Dobbins, M.Photog., Cr., CPP Mindy Harmond, CPP Hallie Keller, CPP
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PPGH COMMITTEE MEMBERS
Curley Marshall Cr., CPP Belinda Stanford, M.Photog., CR., CPP Fellowship Chairman: Teri Whittaker, CPP Image Competition Board Liaison: Sherry Piche´, CPP Chairman: Vera Brock Sandy Buller, CPP Blair Haynie, CPP Duane Blocker Librarian Chairman: Curley Marshall, Cr., CPP Booker Shelton Membership: Chairman: Laura Mansur, CPP Sandy Buller, CPP, Karen Butts, M. Photog., CPP, Kevin Falcon, CPP, Kathy Kinser, CPP, Hallie Keller, CPP, Kim Christensen
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Mentor Program /Certification Chairman: Curley Marshall, Cr., CPP Nominating Chairman: Tom Hathcock, M.Photog., CPP Karen Butts, M.Photog., CPP Dixie Dobbins, M.Photog.,Cr.,CPP Alvin Gee, M.Photog., Cr., CPP Kim Hartz, M.Photog., CPP PPGH Workshop Series Board Liaison: Tom Hathcock, M.Photog., CPP Chairman: Teresa Casillas Procedures and Controls Board Liaison: Teri Whittaker, CPP Vicki Longoria Social Media Board Liaison and Chairman: Kevin Falcon,CPP
Telephone Board Liaison: Kathy Kinser Karen Butts, M.Photog., CPP, Vera Brock, Rebeca Calzado, Juliana Cedeno, Ursula Chester, Tara Flannery, CPP, Aileen Harding, M.Photog., CPP, Kelli Leaker, Lynda Meyer, Danielle Moore, Sadiqa Sevier, Booker Shelton Web Site Board Liaison: Kevin Falcon, CPP Web Master: Duane Blocker Marvin Labohm, Tom Hathcock, M.Photog., CPP Welcoming Board Liaison: Curley Marshall, Cr., CPP Tom Hathcock, M.Photog., CPP
2017 NOMINATION SLATE OF OFFICERS/DIRECTORS. The Nominating Committee must carefully review the eligibility requirements for each officer and director and see that the nominees meet these requirments and are willing to serve in the capacity for which they are being nominated. After careful consideration, the Nominating Committee has chosen the following Active Members who they feel will diligently and timely perform the duties of that office as required by PPGH bylaws. The following slate of Officers and Directors for 2017 are: Chairman of the Board President Vice-President Secretary Treasurer Director - Membership Director Director Director
Teri Whittaker, CPP Aileen Harding,M.Photog. CPP Kevin Falcon, CPP Nikky LaWell, CPP Kathy Kinser, CPP Laura Mansur, CPP Alison Carlino, CPP Teresa Casillas Kat Mack
Nomination will be taken from the floor for all positions except Chairman of the Board. Please plan to attend the PPGH business meeting (Free) on September, 20th, 2016. Only active members can vote. Voting can be done online and in person at the meeting. Members will be notified when the online voting has been enabled.
2016 INTERNATIONAL PRINT COMPETITON PPGH MEMBER RESULTS CATEGORIES / DEFINITION: Diamond Medalist – Merited all 4 images, Loaned all 4 images Platinum Medalist – Merited all 4 images, Loaned on 3 images Gold Medalist – Merited all 4 images, Loaned on 2 images Silver Medalist – Merited all 4 images, Loaned on 1 image Bronze Medalist – Merited all 4 images
PPGH 2017 / IPC RESULTS
Congratulations to the following members on their incredible success at IPC! Francie Baltazar-Stonestreet – Platinum Medalist (Open)
Linda Meyer – Loaned 1 image, Merited 1 image
Aileen Harding – Platinum Medalist (Open)
Curley Marshall – Loaned 1 image
Cat Dybala – Gold Medalist (Open)
Laura Mansur Guerra – Merited 2 images – 1 image Showcased
Sherry Piche – Silver Medalist (Open) – 2 images Showcased
Dixie Dobbins – Merited 2 images
Karen Butts – Silver Medalist (Open) – 1 image Showcased
Rhonda Floyd – Merited 1 image
Cat Dybala – Silver Medalist (Master Artist) – 1 image Showcased
Yvette Griffith – Merited 1 image
Kimberly Kuhlman – Silver Medalist (Open)
Ann O’Neill Deal – Merited 1 image
Teri Whittaker – Bronze Medalist (Open) – 2 images Showcased
Diana Waguespack – Merited 1 image
Melanie Hall – Bronze Medalist (Open) – 1 image Showcased
And Cat Dybala also received the IPC 50 bar this year (she has received at least 50 merits in IPC from both photographic open and master artist entries since she began entering competition)
Cindy Crofford – Bronze Medalist (Open)
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SUMMERFEST WINNERS
TPPA Print Competition Results for PPGH Members Francie Baltazar-Stonestreet:
• Presidential Award Highest Scoring Print Case • Best Portrait of a Man • Best Portrait of a Wedding or Social Event • Best Photographic Open by a Master • Best General Album by a Master • Kodak Gallery Award • Portrait of a Child – Distinguished Image • Top 10 Print Case • 4 for 4
Melanie Hall: • • • •
Best Multi-Maker Album by a Master Portrait of a Man – Distinguished Image Top 10 Print Case 4 for 4
Aileen Harding:
• Best Illustrative Wildlife • Best Illustrative by a Master • Illustrative Wildlife – Distinguished Image • 4 for 4
Karen Butts:
• • • •
Best TPPA First Time Entry Portrait of a Child – Distinguished Image Top 10 Print Case 4 for 4
Yvette Griffith: • Best Classic Portrait • President’s Theme
Cat Dybala: • Best Restoration
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Mischief in the Making by Karen Butts, M.Photog., CPP
WELCOME: Tom Moss
I am a resident of Southwest Louisiana, born in Pennsylvania and grew up in California. I worked in/out of photography since 1985; my education and training started in the eighties and continues. My education was at Moorpark College in California, minor in Photojournalism. Today's work is in digital and an occasional project with black and white film. Proficient in the darkroom with black and white and color films. I still have the darkroom setup in my house. I edit my digital work with Photoshop. Currently, my primary work is with portraits and head shots for actors, makeup artists, and hairdressers.
• How you got into photography: My grandmother gave me a film camera while in college and I fell in love after while acing my first Photography class in college. My mother gave me her Canon G2 digital point and shoot and then my passion reignited and exploded in 2004. • Your education in photography as well as any other degrees: Advertising/ Journalism BA from Southwest Texas State, 1 year in the MBA program at University of St. Thomas • Your business and what you like to photograph: I own Integrity Images (Print/Video/Photography). I enjoy corporate headshots, groups, industrial shots, events, seniors, engagements, weddings, products, landscapes, architecture, homes, pools, and aerial photography • Your family and other interests: I have been married to my beautiful bride Christie since 4-1898. Our sweet son Michael Reiland Ill, passed on in 2003 from a heart defect. We adopted our amazing daughter GraceAnn in 2004. We love to travel, read books, watch movies, play drums, volunteer at church and hang out with friends • Anyone who has influenced you as a photographer: My grandmother and father were both into photography. Grandmas's passion and talent were more into painting landscapes. I am a fan of Peter Lik's work. Ansel Adams inspired me early on. • Anything else that you would like to share: It has been an honor to have had some of my photographs get published in magazines, newspapers, posters, and websites for global viewers. Some of my photographs have helped a few of my home remodeling clients win building industry awards.
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NEW MEMBERS
WELCOME: Michael Reiland
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PPA's IPC Judges Workshop - July 31 - August 3, 2016
FROM OUR MEMBERS
by Karen Butts, M.Photog., CPP
The Judges’ Workshop, was held during the “Olympics of Photography,” AKA, the International Photographic Competition, at Gwinnett College, in Lawrenceville, Georgia. Attending this workshop was an opportunity of a lifetime! I would like to thank PPGH for the generous scholarship which helped me attend! It was thrilling to rub shoulders with the “best of the best” in the world of photography. Not only did our class of 25 students have the opportunity of witnessing IPC judging first hand, we had the privilege of hanging out with the International Jurors during lunch and in the evenings. While sipping on a glass of wine, I had the pleasure of listening to Tim Kelly and Chris Duncan strum beautiful tunes on Chris’s guitar. In the background was the humming of conversations amongst photographers from across the country. I especially enjoy getting to know my social media friends and making new ones. One evening, after my new “BFFs” and I finished getting our exercise we ran into International Juror, Cary Garrison, M.Photog., Cr., CPP who gave us a one hour, private lesson in lighting. The main tip that I picked up from Cary was how to determine the placement of the main light in relationship to your subject. Pretend you are the subject and take your arm and hold it straight out to your side. Now raise it up 45 degrees, half way between vertical and horizontal. Then move it forward 45 de-
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grees, while keeping your head facing forward. Imagine your arm is coming out of your temple. The main light should be placed where your arm is pointing. If your head turns, then you need to move the light. On another note, it was exhilarating to witness fellow photogs as they received word that one of their images had earned a merit or had received the distinction of Loan or Showcase! Many of them will also be recognized in January as Medalists at Image USA in San Antonio! With such a talented group of photographers in the class, there was a lot of celebrating going on as well as learning! What an inspirational week! PHOTOGRAPHIC COMPETITION
What does all of this mean, you ask? Let me first explain that entering International Photographic Com-
no blown highlights in the background. How could it not merit?! But, IT DID NOT MERIT! At first, I was disappointed and disillusioned! However, I learned a lot from this experience. The one comment that stuck out in my mind was that the white socks killed the image. Lesson
learned! Color plays a big part in the overall composition. White reflects all light, therefore it attracts the most attention, especially when it is placed next to black; your eye goes to the area of greatest contrast. Hmmm, their feet is not where I wanted the viewer to look! I think this experience was the beginning of my obsession with “color and composition” and how they are “joined at the hip.” I learned such a big lesson by not meriting! RANDOM TIPS AND COMMENTS LEARNED AT THE WORKSHOP:
• Over saturation is not recommended. • Don’t overdo just because you can. • When in doubt, leave it out. • There is no such thing as a fatal flaw in an image. • The judges are FOR the maker! • Stay true to yourself and trust your gut. Don’t try and copy other photographers. MY EXPERIENCES IN CLASS
We had two, fantastic instructors, Dave Huntsman, M.Photog.Cr., CPP, F-ASP from Kentucky and Rick Avalos, M.Photog.,Cr. from Colorado. They were very knowledgeable but also made the class so much fun. The class exercises included three main activities, 1) STUDY 2) OBSERVATON and 3) PRACTICE. 1) STUDY: We began by reviewing the 12 Elements of a Merit print (My heart stopped when one of my images appeared in the slideshow!) The Photographic Exhibition Committee (PEC) of PPA uses the 12 elements as the “gold standard” to define a merit image. PEC trains judges to be mindful of these elements when awarding images a merit so they can be placed in the International Photographic Exhibition at Imaging USA, the annual convention. The use of these 12 elements connects the modern practice of photography and its photographers to the historical practice of photography begun nearly two centuries ago. Twelve elements have been defined as necessary for the success of an art piece or image. Any image, art piece, or photograph will reveal some measure of all twelve elements, while a visually superior example will reveal obvious consideration of each one. Instead of listing the 12 Elements here, I will THE VIEWFINDER Fonts: Aparajita and Mistral
FROM OUR MEMBERS
petition is how one becomes a Master Photographer through PPA. The journey usually begins by “testing the waters” at the local and state levels. SWPPA Regional competition is where it really begins, as merits earned at this level will end up earning a merit in IPC, if you follow through. A total of 25 merits are required for a degree with 13 coming from Exhibition merits (photographic competition) and 12 additional merits, which may be any combination of the four merit types: Exhibition, Electronic Imaging, Speaking or Service. Service merits can be earned by volunteering or by attending PPA approved classes, such as Texas School, Imaging USA or an all-day program, such as Ross Benton’s enlightening seminar, “Photoshop WoW Factor,” which was presented to PPGH in August. I remember when I finally mustered up the nerve to start entering local competition at PPGH. Initially, I was pretty scared. When my images would come up, I thought my heart was going to force its way out of my chest! But as time went on, I became more comfortable as I realized that no one knew who the maker was. I’ll never forget the excitement I felt when I thought I finally had a merit worthy image called “Our Journey Together” (See image below). I just knew that it was going to merit! I was proud of the composition and the lighting; the title helped tell the story; the children’s clothing matched; there were
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FROM OUR MEMBERS
provide several links where you will discover some wonderful explanations of them. The first one, by Dave Huntsman, one of our instructors, is the best, in my opinion. Twelve Elements of a Merit Image by Dave Huntsman, Click on Photographers PPA’s Twelve Elements of a Merit Image Video, Part 1 by PPA President, Michael Timmons PPA’s written explanation of the Twelve Elements 2) OBSERVATION: We had the chance to sit in on the actual judging and also observe the judges critiquing the images. These are what you pay for, if you so choose, when you upload your images for competition. Watching the live critiques was invaluable in picking up proper terminology for this task. (Critiques are different than the comments made when an image is being judged.) 3) PRACTICE: Through mock judging, we practiced scoring and challenging both physical prints and digital images. Critiquing images was also on our agenda. Rick pretended to be the maker of the image and was very creative in coming up with difficult scenarios to cause us to “think on our feet!” It was rather entertaining, if you weren’t the one “on the spot!” This gave us hands on experience in utilizing the skills that were being taught.
sent to you by PPA • Submit your application within 4 years of taking the Judges’ School RESPONSIBILTIIES OF A JUROR
• Maintain the integrity of every photographic merit awarded to the entries • Create the proper atmosphere and mindset conducive to performing their task with the maker’s best interests at heart • Conduct themselves ethically and exhibit the highest level of integrity and respect for image makers and fellow jurors • Critically view the images and evaluate the maker’s execution and interpretation of the subject matter. • Evaluate the maker’s understanding and congruent application of the 12 elements • Remain unbiased and fair, while keeping an open mind • Be able to evaluate the full gamut of subject matter in the image • Fully reward creative and technical ability of the maker • Be liberal in the interpretation of imaginative thought and style CHARGING OF THE INTERNATIONAL JURORS The class was able to start the day in the • Realize that technical excellence is objective, while the other 11 elements are more subjective same room with Affiliate Jurors. It was exciting to be there on the first day when the Interna- • Understand that the standard of technical excellence must not be discounted tional Jurors were charged. There was a video IPC JURORS: You can see a current list of International presentation shown to charge the jurors before the competition began. This on-line version is a Jurors and learn more about them by clicking on this link. bit outdated, but you will get the general idea. I DISTRICT JUDGING was honored and shocked to see two of my imDistrict judging differs from International judging in ages in the presentation! I’m sure that they will that numerical values are placed on images instead of a be creating a new one which will include the up- thumbs up or thumbs down. (In 2017, numeric scores coming changes for 2017. will also be given at IPC.) Therefore, it is critical that ju-
REQUIREMENTS FOR BECOMING A PPA JUROR:
• Attend the IPC Judges’ School • Having earned a Master of Photography Degree with an 5 additional Exhibition Merits • S ubmit five Juror in Training Evaluations from four PPA approved juror sites with at least 75 images submitted in the competition • S ubmit ten, printed images of your best work • S ubmit four, recorded, mock critiques on images 7 SEP 2016 Fonts: Aparajita and Mistral
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rors have the courage to utilize the entire range to preserve the educational value of competition. One must deliver the proper score, regardless of how high or how low. No one benefits when images are all scored in a limited range. First, the judge must decide on a category, then determine the number within the category. 95-100 90-94 85-89 80-84
EXCEPTIONAL SUPERIOR EXCELLENT DESERVING OF A MERIT
75-79 70-74 65-69
ABOVE AVERAGE AVERAGE BELOW EXHIBITION STANDARDS
MAJOR CHANGES COMING FOR NEXT YEAR
It was recently announced that major changes will be in effect for next years’ IPC Competition due to substantial growth over the past few years. Following are a few of the significant changes. For complete details of the changes, go to this link. • Loan panels will consist of 5 jurors instead of 6. • IPC will also give numeric scores as has been done at Districts. • Images scoring 80 to 84 at will not be considered for Loan, only images scoring 85-94. • Images scoring 95-100 will be automatic Loans. • Review of “Outs” will no longer be utilized. • Entries in Artist Competition will require guide images with each entry. • In Photographic Open category, elements made by other artists are not permitted, however brush strokes and textures are allowed.
FROM OUR MEMBERS
Judges are encouraged to settle their score in the middle of the category range and discouraged from giving an image a score that is on the edge of a category, such as an 80 or an 85. Whenever there is a distinct discrepancy between an individual score and that of the panel, the juror’s duty is to challenge that score. One juror’s score may be significantly higher than the other jurors. That juror may have seen supporting factors in the image that other jurors may have overlooked. Conversely, their score may be significantly lower than the panel. A juror may have seen some areas of concern or technical issues that may have been overlooked as well. Either way, a juror must present their case and then listen intently to what other jurors have to say. It is very possible they saw things that may have alluded a judge. Judges must be flexible and listen to the comments of other judges and respond accordingly. If a judge wishes to challenge a score, they should try to do so at once. However, there are times when they can’t get the image or score off their mind. For that reason, even after the image has been scored, it is subject to recall for reconsideration. The person challenging is allowed to fully express himself or herself without interruption. Each juror in turn presents their viewpoint. At times, the jury chairman, who may also challenge, may comment prior to the concluding rebuttal.
School and my primary reason for attending was to become a better local judge. The main purpose of competition is to help photographers become better at what they do and to raise the level of photography as a whole. This is also the goal of PPGH. The school cleared up a misconception that I had; that the elements were listed in order of their importance. This is incorrect. They all have equal value. However, there is only element that is not subjective and that is technical excellence. A technical flaw is not up for debate. Yes, the other elements can be subjective, but the Photographic Exhibition Committee carefully places judges with varying strengths and personalities from “fluffy” to “toughie” on each panel in order to balance out the scoring to give every image a fair chance. Impact tends to carry a little more weight on a Loan panel, because that process moves very quickly. Since it has already merited, judges are looking at the big picture and not the details as much, so impact place a big part in the decision making. By studying the 12 Elements of a Merit image and striving to include them in your images, your work will definitely rise to the next level. I would also encourage you to purchase some Loan and Showcase books and study these beautiful images. You can purchase older ones at a discount through Marathon Press. Use these books as a learning tool and an inspiration, but listen to your heart and develop your own style. Be brave, you can do this! I challenge every one of you to enter next month’s PPGH competition. ABOUT THE AUTHOR: KAREN BUTTS, M.Photog., CPP
Karen's passion is art. Her love of art led her to this wonderful profession of photography. Her goal is to create artistic, heirloom portaits of newborns and children to be cherished for generations. Karen is a Certified Professional Photographer, Master of Photography, Gold Medalist for 2013 and 2014, Platinum Medalist for 2015, Silver Medalist for 2016, and will receive her Photographic Crafstman degree from PPA in January of 2017.
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TETHERING TO SHOOT HEADSHOTS
FROM OUR MEMBERS
by Kevin Falcon, CPP
The Headshot. You know, that simple, easy, fantastic looking head and shoulders image that everyone needs for their LinkedIn or Facebook profile. But when you get people to be honest with you, they seem to not like their headshot image as much as they initially said. It’s funny how that works. Every photographer can create a headshot and there are many different methods to capturing it. In this article I want to explain how you can use tethering to create a better headshot. Many people have never tethered their camera to a computer to capture images. It is a valuable tool that can insure that your “get that image” before your client leaves the session. C’mon, you know there’s at least one session you wished you could have had a do over! I currently use Adobe Lightroom software to capture and view the images on my computer. For this example, we’ll refer to Lightroom when discussing tethering. There are several different software that allows tethering which can be viewed here: https:// www.tethertools.com/tethering-software/. Tether Tools is a company that specializes in products that support photographers and filmmakers who shoot tethered. You know that you already have the tools to capture tethered, right? It’s just that, well, you haven’t tried it yet. OK, so let’s lay it out for you. A camera, USB cable, a computer, and tethering software are the essential items that you need. You already have a 5-foot USB cable that came in the box with your camera. And that disc of software you probably never installed has the camera utility software that you can use to tether if you don’t use Lightroom. The only warning to tether capture is that if you are an early adopter of new cameras, then you may need to visit the software manufacturer’s website to ensure that the camera is supported by the software. An update of your software may be required. So you get the tether software installed, connect your camera to the computer via the USB cable and fire up the tethering software. Using Lightroom 6, use the menu path: File > Tethered Capture > Start Tethered Capture… See screenshot 1 for reference.
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A pop-up box will appear where you’ll need to complete a few fields in order to tell Lightroom where you want the images to be saved. Provide the following information to complete the tethering set up: A folder name; a naming convention (you can create a preset to help on future sessions); a destination (where on your hard drive) to store the images; metadata; and keywords. See screenshot 2 for reference.
OK, now you are ready to rock-n-roll. Oh yeah, you need a client too! Once the software detects the camera, you can start capturing images. A word of caution… If you are a spray and pray, machine gun photographer, you will probably get frustrated with tethered capture. You’ll probably overwhelm the computer with the numerous files flowing from camera and into the computer. I have experienced software lock-up due to the camera pushing hundreds of megabytes of images in a very short time. Just keep this in mind. When capturing a headshot client, you should not have an issue.
FROM OUR MEMBERS
OK, so now you are capturing images to your computer, why again would you want to do all this for a simple headshot?? And you are correct; you don’t have to do this to capture a great headshot. So let me share why I use this method for my headshot clients. I believe that it has helped me to become a better headshot photographer, partly because I can view the images as the session progresses and I can adjust the lighting, posing, and tempo of the session as needed. Also, feedback from my clients, right there in the session, on whether they just like the image or LOVE the image is a key factor on why I use this method. When my session is done, I know exactly which image(s) my clients love there is no need for a review session. Note: This process works whether you are capturing one person or many such as capturing a images for small business. I can remember that my first few experiences with tethering were a little frustrating. Mainly because I had not yet worked out my new tethered session workflow and process to make sure the session is a relaxed & fun experience for the client. After practice and learning the flow of tethered capture, you will also see the benefits of using this method.
ABOUT THE AUTHOR: KEVIN FALCON
Kevin Falcon, CPP, is a husband, friend, educator, consultant, blogger, & basenji owner. Serving the greater Houston area, he enjoys working with clients to provide strong, clean executive portraits as well as other commercial photography assignments. Locally, he is very active with the Professional Photographer's Guild of Houston (PPGH), a PPA affiliate, where he has served on the board since 2013, currently serving as the 2016 board secretary. He is currently working towards his Photographic Craftsman degree.
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GO TO PPA.COM/ SUPER1DAY TO REGISTER! HOUSTON | LIGHTROOM - THE PHOTOGRAPHER'S STARTING POINT | COURSE #TX29 | KEVIN FALCON, CPP
Lightroom revealed! During this course, you'll gain an essential understanding of everything you can do, using this Adobe Lightroom 6. You'll cover the Library, Develop, Slideshow and Print Modules and walk away, working faster, smarter and better! Learn how to import images and organize files with keywords and metadata. Discuss viewing and managing images and learn to use the Filmstrip feature. Delve into the Develop Module and explore quick collections as well as the best ways to find and filter your photos. You'll even discover how to create slideshows and the best ways for printing and publishing your images. Whether you're a beginner just discovering Lightroom or an experienced user looking to up your skills, this class is invaluable. Perfect your workflow and free up your life – today! Course Date: Wednesday, October 5, 2016 | Course Hours: 9am - 5pm | Items to Bring: PREREQUISITES FOR THIS LIGHTROOM TRAINING COURSE Laptop computer with Lightroom installed (PC or Mac and power cord). Notebook to take notes during class. Knowledge of your operating system and basic computer navigation is required for this class. Lightroom 6 is being taught. If you are a Lightroom 5 or older user, there may be features not available in older versions.
PPGH SUPER 1-DAY
Location: United Way of Greater Houston | 50 Waugh Dr | Houston, TX 77007 | 713-685-2300 | contact@kfalcon.com | 281-560-2686 | www.falconphotography.net
HOUSTON | REFINING AND OPERATING A HOME STUDIO | COURSE #TX09 | NIKKY LAWELL, CPP
Do you want to start a home-based studio, or maybe grow the one you have? Before you make a move, take this course and learn from the experience and expertise of Instructor Nikky LaWell. Walk through the pros and cons of a home studio, the needs of your business and the needs of your family. Explore how to design a space that works for your studio yet doesn't blur with your home life. Discuss how to maximize the area you have and even use current property and landscaping for background. You'll even have the opportunity to get hands-on and do a shoot at Nikky's own studio. This course is all about coming in with ideas and walking away with a plan to make it happen. So, if you're serious about a home-based studio, don't miss out! Course Date: Thursday, October 6, 2016 | Course Hours: 9:30am- 5pm | Items to Bring: Camera and photos of your current space or a dream board of your future space. We'll have a hands on session. Location: LaWell Photography | 9411 Albury Dr. | Houston, TX 77096 | 713-523-4916 | nikky@lawellphoto.com | www.lawellphoto.com
THE WOODLANDS | PROFESSIONAL SERVICES PROMOTIONAL VIDEO | COURSE #TX15 | ROBERT BRAYTON, CPP Print is good, but let's be honest - it's video that attracts and engages. And what do you know? You have a DSLR camera that does video too! So put it to good use as you learn how to make a professional commercial video to showcase your business. Join Robert Brayton as he teaches you how to shoot, capture and edit your video for a compelling promotion. We're not talking about an in-home YouTube video but a top notch segment, selling your photography services. So take a page from other experts and get your business out there. This is a fast-paced, hands-on program you don't want to miss – with video results that will catapult your business! Course Date: Thursday, October 6, 2016 | Course Hours: 9am- 5pm | Items to Bring: Note-taking materials, video capable DSLR camera with lens assortment, fluid head tripod, camera slider (optional), fast laptop with Adobe PremierPro. Continuous lights, and wireless microphones will be provided. Location: Faith Community Bible Church | 19315 Ella Boulevard | Spring, TX 77388 | 281-353-9281 | ppa@photovideosound.com 713-857-7265 www.photovideosound.com
HOUSTON | DOWNTOWN AQUARIUM | COURSE #TX32 | BOOKER SHELTON JR Step out of automatic mode and step outside! In this course, you'll spend the day outdoors, discovering everything your digital camera can do! Learn about the various modes, what they do and when to use them. Explore the functions available like shutter speeds, ISOs and f-stops. Take a walking field trip around the downtown area as you scout for shots, experiment with your camera and discover all the ways you can be creative in your craft. From action shots to landscapes, explore everything your camera and you can do. So, step up your skills, step up your pace and step out of automatic mode. This course gives you the knowledge and the confidence you need! Course Date: Sunday, October 9, 2016 | Course Hours: 9am- 4pm | Items to Bring: Students should bring note taking materials and camera. Camera manual is highly suggested but not mandatory. Location: Downtown Aquarium | 410 Bagby St. | Houston, TX 77002 | 713-454-3820 | prenticephotography@yahoo.com | 713-454-3820 | www.prenticephotography.com
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HOUSTON | "LIGHT IT, SHOOT IT, SELL IT"- JUST IN TIME FOR THE HOLIDAYS |COURSE #TX33 | MARSHA HUDSON This program will teach you how to simply light your subject with one light, one stand and one umbrella and be able to photograph under any condition. The second segment of the program will focus on a live demonstration of posing and composition that will flatter any couple or family. Finally, the program will cover aspects of marketing and tips on how to produce gallery wraps, metal prints, and other custom products that will wow your clients. There will be live models and hands-on shooting demonstrations. All participants will walk away with some great portraits, creative ideas and marketing tips that with add to their portfolio and to their cash flow just in time for the holiday season. Course Date: Sunday, October 9, 2016 | Course Hours: 10am - 4:30pm | Items to Bring: a sack lunch/snacks, money for lunch, Camera, Flash, Camera Manual, Pocket Wizards or Slaves (if you have them) Location: Marsha Anderson Photography Studio | 888 West Sam Houston Pkwy South | Houston, TX 77042 | 832-860-3080 | goodday2day@aol.com | 832-860-3080
MISSOURI CITY | RETAIL RESEARCH AND PACKAGING: MALL CRAWL | COURSE #TX12 | CAROL ANDREWS, M. PHOTOG.CR., ABI | NIKKY LAWELL, CPP
Like it or not, photographers – at least successful ones – are in the retail business. This class takes a fun, yet unique approach, teaching you how to improve yours sales process, your product packaging and your profits by learning from traditional retailers. Meet at the Memorial City Mall and embark on a "mall crawl" field trip with Instructors Carol and Nikky. Enjoy the experience of retail research and then discuss what worked, what didn't and why. You'll explore how to implement your findings into your pricing, packaging and sales for profitability you'll love. So, join us and hit the mall!
Location: Memorial City Mall | 303 Memorial City Way | Houston, TX 77024 | Houston, TX 77024 | 713-542-8040 | stingarita1@gmail.com | 713-203-8691 | www.carolandrewsfineart.com
THE WOODLANDS ARCHITECTURAL PHOTOGRAPHY COURSE #TX14 ROBERT BRAYTON, CPP
This day is for those photographers wanting to branch out. If you're ready to see what architectural and real estate photography is all about – and how you can use your work in commercial markets – then this class is for you! Learn what it takes to achieve the type of commercial photography companies want. You'll discuss the basics of architectural and real estate styles and understand the equipment, process, workflow and editing that's involved. Take it from Instructor Robert Brayton as he guides you on marketing, pricing, conceptual designs and real-world applications for this genre. If you're looking to break out of the mold of traditional photography, this course shows you the opportunities available. Explore them today! Course Date: Thursday, October 13, 2016 | Course Hours: 9am - 5pm | Items to Bring: Note-taking materials, DSLR camera with a wide and medium lens, tripod, off-camera flash, computer with pen tablet, and Lightroom or Photoshop. Location: Faith Community Bible Church | 19315 Ella Boulevard | Spring, TX 77388 | 281-353-9281 | ppa@photovideosound.com 713-857-7265 www.photovideosound.com
PPGH SUPER 1-DAY
Course Date: Sunday, October 9, 2016 | Course Hours: 12 pm - 7pm | Items to Bring: Bring a notebook, your pricing information and packaging.
HOUSTON | CAPTURE ONE PRO - AN INTRODUCTION | COURSE #TX30 | KEVIN FALCON, CPP
Spend the day, learning the ins and outs of Capture One, and what this program can do for your business. You'll focus on file organization, basic editing and output functions so you can do your job better, faster and with incredible results. Instructor Kevin Falcon covers the Capture One interface, the myriad of tools and how to use them. Discuss all-important features like importing images and organizing files using keywords and metadata. Learn how to view, find and manage your photos when you need them. You'll also delve into basic editing tools, manipulating color, composition and exposure. Before you're done, you'll learn how to export your photos to create finished products clients will love. From input to output, edits and enhancements, Capture One can get your workflow and your studio on the right track. Learn it today! Note: This course is focused on the beginner Capture One user but experienced users will also benefit from the many tips and tricks covered. Course Date: Friday, October 14, 2016 | Course Hours: 9am - 5pm | Items to Bring: PREREQUISITES FOR THIS CAPTURE ONE TRAINING COURSE - Laptop computer with Capture One Pro installed (PC or Mac). You can download a 30 day trial if you want to test the software during the course. Capture One Pro 9 is being taught. If you are using an older version of Capture One Pro, there may be features not available in older versions. Power cord. Notebook to take notes during class.Knowledge of your operating system and basic computer navigation is required for this class. Location: United Way of Greater Houston | 50 Waugh Dr | Houston, TX 77007 | 713-685-2300 | contact@kfalcon.com | 281-560-2686 | www.falconphotography.net
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SEP 2016 18
GO TO PPA.COM/ SUPER1DAY TO REGISTER!
HOUSTON | OFF-CAMERA FLASH | COURSE #TX13 | ALISON CARLINO, CPP It may seem a bit scary but it's time – time to take that flash off your hot shoe and discover what you can really do! In this class, you'll explore the magic of off camera flash (OCF) as you learn how to control the quality, quantity and color of light on your subject. Instructor Alison Carlino has 13+ years of experience with OCF so if it can be done, she's done it. Discuss the basics of what you need, the must-have equipment and the looks you can create. Discover the various settings that different situations require. Learn phrases like "Phottix Mitros," "Profoto strobes" and "Odin Transceivers," and work with speedlights, modifiers and gels. You'll even get a solid review of posing for males and females and how to flatter any client. End the day with live demos and even time for you to get behind your camera and shoot. Walk away, in love with OCF, wondering why you waited so long! Course Date: Friday, October 14, 2016 | Course Hours: 9am - 5pm | Items to Bring: Bring your camera gear, mid to wide lens,
PPGH SUPER 1-DAY / SWPPA
off camera flash gear if you have it, & something to take notes on. We will break for lunch and head into Rosenberg to eat. Lunch is not covered by this class. Location: Carlino's Photography | 1905 Dowling Dr. | Richmond, TX 77469 | 832-595-7874 | ocfgirl11@gmail.com 832-595-7874 | www.carlinosphotography.com HOUSTON | SUPER SENIORS | COURSE #TX31 | AILEEN HARDING, M. PHOTOG., CPP SHERRY PICHE, CPP
If you want to explode your Senior business, this is THE class for you! In this course, you'll walk through the entire process, learning how to handle each step with skill and confidence. Begin with the all-important consultation and discover how to uncover needs and set expectations for the entire experience. Then, move straight into the shoot, exploring various looks and sets that truly capture these milestone moments. Bring your camera as you get to participate in a mini-shoot, experimenting with posing and lighting styles that wow. Finish the process, prepping for a sales session and discuss how to walk you clients through it all. Design, capture and sell the images that every Senior wants! This is your way! Course Date: Saturday, October 15, 2016 | Course Hours: 9am - 5pm | Items to Bring: Camera, Tripod-if you have one, Knowledge of how your camera works (i.e. manual setting for shutter speed and aperture, how to white balance), Any lighting modifiers you may want to use outdoors, Something to take notes. Location: Piche Photography | 1307 Hopkins Park Drive | Houston, TX 77094 | 281-814-4669 | aharding22@gmail.com | www.aharding.net
REGISTER TODAY! SAVE THESE DATES! Put these dates on your calendar for 2017! The Southwest PPA District competition will be held on March 24th and 25th in Oklahoma City at the Tower Hotel during the Southwest Expo and Conference. The Expo and Conference will run from the 25th thru the 27th. Block out those dates now on your schedule.
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ROSS BENTON: PHOTOSHOP WOW FACTOR  
by Theresa Campbell
Wow, Indeed!
workflow. It is worth ten times more! He even taught us how to use the Burn Tool to burn with color and how to add textures to images. As I mentioned, this was definitely a WOW workshop. I would highly recommend anyone who missed it, or missed purchasing the workbook to look up his site and get it. The information Ross imparted to us was invaluable and I am excited to implement it as part of my new workflow. Thank you, Ross, for a thorough and fantastic training!
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PPGH EVENTS
If you missed Ross Benton's presentation at the August meeting you missed out in a big way. During the day long training, Ross covered an enormous amount of Photoshop tips and tricks designed to aide in your workflow and polish your product offerings. He began the training with providing photos for us to practice with during his presentation. He shared tips for everything from workflow to skin retouching to adding textures and using layer masks. His workflow is streamlined and efficient through the use of Photoshop actions and profiles. He showed us how to record actions and save profiles and how to apply them to a series of files in Adobe Bridge. He culls his images quickly with minimal processing through the predefined actions and shows two to three images with each pose as options for the client. He goes through each grouping, double checking exposure and color and then sends the files through Bridge to Photoshop's Image Processor to present to the client for selection. After the selections are made he fine tunes the images in Camera Raw. He detailed settings for us for use with the camera, monitor, and print lab to ensure the highest quality output. In Photoshop he shared many shortcuts for navigation and to make adjustments to images quickly and efficiently. He demonstrated creating actions and using filters to adjust skin tones. He utilizes several Photoshop filters including Topaz Labs, Nik Filter Suite, Imagenomic Portraiture, and Noiseware to aide in quick retouching and professional finishes. Ross led us through hands-on training of dodging and burning, compositing, and using layer masks, providing shortcuts and tips throughout the training. He has detailed many of these items in a workbook titled "Wow Factor" that he sells for approximately $20. Most of us present purchased the workbook as it was loaded with excellent tips to speed up your
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HONE YOUR SKILLS IN IMAGE COMPETITION
NEW MEMBERS:
IMAGE COMPETITION / GUILDS FROM OUR MEMBERS
Did you know you can enter the PPGH Local Photographic Competition at any level of membership? The image competition held at our monthly PPGH meetings is a great way to hone your skills and get feedback from proven and respected professionals in this industry. These talented individuals volun-
teer their time to judge images and provide valuable feedback utilizing the 12 elements of a merit image. You can earn merits on a local level and progress your image to the next level of competition to earn recognition and even degrees through the Professional Photographers of America. All district competitions lead to the annual International Photographic Competition. Visit the links below to learn more about entering competition.
To learn about the guidelines for entering image competition at PPGH meetings visit: http://www.ppgh.org/Resources/ Documents/Image%20Competition/2015%20PPGH%20Image%20 Comp%20Rules.pdf
Follow along with image judging on the Game Day App, downloadable from https://printcompetition.com/. Membership is optional but if you join Print Competition.com you can search thousands of archival images to see scores and hear audio from the image competitions. It is a terrific resource.
To learn about upcoming competitions throughout the region visit:
http://www.ppa.com/competitions/
OTHER GUILDS AROUND When you are traveling around Texas, stop by and visit one of the local affiliate guilds. TEXAS Click on the links below to find out more about each one. Be sure to tell them you are from PPGH.
LOCAL AFFILIATES
Austin · San Antonio · Professional Photographers of San Antonio Austin Professional Photographers Association Tyler · Professional Photographers Forum of East Texas Bryan/College Station · Waco · Heart of Texas Professional Photographers Brazos Valley Professional Photographers Association Dallas · Dallas Professional Photographers Association Ft. Worth · Fort Worth Professional Photographers Association Lubbock · South Plains Professional Photographers Association
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IMAGE COMPETITION AWARDS
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AUGUST IMAGE COMPETITION WINNERS
First Place Master (tie) Little Miss Sophisticate
by Karen Butts, M.Photog., CPP
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AUGUST IMAGE COMPETITION WINNERS
First Place Master (tie) Blowing Off Steam
by Aileen Harding, M.Photog., CPP
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AUGUST IMAGE COMPETITION WINNERS
Second Place Master Penelope
by Karen Butts, M.Photog., CPP
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AUGUST IMAGE COMPETITION WINNERS
Third Place Master Morning Fog
by Armando Chacon, M.Photog., Cr.
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AUGUST IMAGE COMPETITION WINNERS
First Place Active Bundled Beauty by Laura King
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AUGUST IMAGE COMPETITION WINNERS
Second Place Active Focused by David Johnson, CPP
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SEP 2016 28
A BEGINNER'S BUSINESS JOURNEY
FROM OUR MEMBERS
by Duane Blocker
An Aspiring Member's Transition.
Hi all, welcome to my journey. I attended Texas School in 2015 and from there joined PPGH as an aspiring member. I’ve had the opportunity to attend several of the education sessions offered and the monthly meetings. I’ve also volunteered in various capacities with the organization. After attending Texas School, Kansas School, and SummerFest this year I decided to transition to an active member, which means starting a small business. Now I have never run a small business nor really ever been a part of one. I spent a career programming mainframe computers. I am retired from the computer business but I would like a small business that would pay for education and equipment while reducing the draw on my retirement income. I took the CPP written test at SummerFest and passed and I’ve acquired equipment through the years. So the first steps as I was told, were to get a DBA (doing business as) filing with the county, in my case, Harris county. Now I have to say this was painless. You need to determine a business name, such as “Duane Blocker Photography” and search to see if anyone has already claimed that name. You can do this with an online search, the website is http://www.cclerk.hctx. net/Personal_Rec/Assumed_Names.aspx. If no one is using that name, there is a form to print out and take down to your local courthouse that handles these transactions. After doing this, I own the name for 10 years at a cost of $16. The second step is to get a sales tax license, this can be done online. The website is http://www. window.state.tx.us. I will tell you that you need to file your sales tax and its payment, if any, every quarter whether you sell $0 or not. This is important because if you do not file the $0, the IRS will send you a bill for what they think a photographer should have made and collected sales tax. This is not something you want to be guessed at. There you have it, I am now a business, that part was simple and very low cost. But what is a small business and how do you run one? Just what have I signed up for? Now I have received a few phone
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calls, but not for sessions or information, just wanting to sell me credit card processing machines. For now I have a ton of questions on running a photography business, starting with am I even good enough to charge for my images. Fear has been a big obstacle for me. I need to put myself out there, but I will not sell images that I don’t believe are of above average quality. I want to create beautiful images that reflect the clients inner person. Business To Do’s: There are items I know I need to do: • Get a business bank account. • Write a definition of success. • Write a business plan. • Find a mentor • Create my CPP images. • Determine what products I will sell • Determine my Cost of Goods (CoG). • Pick a Lab Questions To Answer: Here is a list of questions that I’m in the process of answering that of course are leading to yet more questions. • Who are my clients? • How do I find an accountant? • What do I need to track money wise and what is the best way to do it? • Do I use quickbooks or something else? • What about mileage? • How do I use my Tax ID for equipment purchases? • What products should I sell? • How much time do I want to spend on the business? • Do I need a logo? • What should I outsource? • What should I do for marketing? The items to do and the list of questions will continue to grow. I am hoping this will start a dialog among the aspiring members and those with years of experience so that we can all grow along this process together. I would like to create a forum where we could share ideas, not sure what that would be, but something more that a monthly article.