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tačke kada skoro prestaje da bude slučaj. Posmatranje i „hvatanje“ slučaja nisu puka igra već postepeno prerastaju u sistem. Slučajni raspored mrlja zabeležen baš u trenu kada najviše odgovara senzibilitetu umetnika deluje kao preuveličani segment onog ranije minuciozno rađenog „kamena“. Ne samo preuveličan već i agresivan i nametljiv. Po svome emotivnom naboju, sadašnja dela su suprotna introvertiranim prekapanjima po lavirintima sopstvenog bića prepoznatim na ranijim grafikama. Međutim, već tada možda se moglo naslutiti, bar po formatima gromada koje su obrađivane, da sledi otvaranje ka svetu, skoro egzibiciono pokazivanje sebe i svog jedinstvenog, najindividualnijeg postojanja, direktnog otiska sopstvenog, fizičkog tela korišćenog istovremeno i kao umetnički predmet i kao sredstvo kojim se radi. Ova dela nastala su iz neposrednog impulsa života njihovog stvaraoca. Umetnost je ovde shvaćena kao neprekidan podstrek za preispitivanje umetnikovog mentalnog i fizičkog postojanja. Autor postaje isključivi protagonista sopstvene umetnosti, integrisan u aktuelnosti, u vremenu i prostoru, okrenut sopstvenom, izvornom, osetljivom ljudskom biću.
at the very moment it suits best the artist’s sensibility, impresses on as an exaggerated segment of the previously minutely processed “stone”. Not only exaggerated, but also aggressive and intrusive. In their emotional charge her current works are the opposite of introverted probing into the labyrinths of her own being recognizable in her earlier prints. However, even than it was possible to surmise, at least by the sheer sizes of large rocks she had processed, that her opening towards the world was following, and almost exhibitionistically showing herself and her unique, most individual existence, direct print of her own physical body, used simultaneously as an object of art and as an artistic medium. These works have come into being from spontaneous impulses of the artist’s life. Art is here understood as a permanent impetus for re-examination of the artist’s mental and physical existence. The artist becomes an exclusive advocate of her own art, integrated into the actual time and space, turned to her own, authentic, sensitive human being. Тranslated by Petar Vujičin