O'Keeffe: The Georgia O'Keeffe Museum Magazine

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Horizons

A Retrospective Introducing O’Keeffe to Audiences Abroad THE WORK OF GEORGIA O’KEEFFE (1887–1986) IS AMONG THE most well-known in America, just as the artist is herself. O’Keeffe gained renown in the 1920s as one of the country’s leading modernists, and from then until her death in 1986, she and her work garnered extraordinary and increasing attention in the American art community and with the American public. Indeed, interest in O’Keeffe and her work continues to escalate and she remains one of the nation’s most celebrated artists and icons. O’Keeffe’s work, however, is generally unknown beyond American shores, a situation for which Alfred Stieglitz (1864–1946) was primarily responsible. As the country’s first modernist photographer and its first advocate of modern art, he introduced O’Keeffe’s work to the New York art community in 1916. That year he became her dealer, and in 1924 he became her husband and was her most ardent promoter. Stieglitz made O’Keeffe’s art accessible to New Yorkers with annual exhibitions that he organized from 1923 until his death in 1946, and by 1929 his promotional efforts had led to sales that made O’Keeffe a millionaire by today’s standards, which provided her with complete financial independence and security. In the beginning decades of the twentieth century, Stieglitz resented the fact that American art was not regarded with the same degree of importance as that of European art. He became committed to the then-revolutionary idea that American artists could create an indigenous art that would be valued with the same acclaim as that of the Europeans. As a result, he refused to send the work of any of the artists he supported to exhibitions outside the United States. Those artists included Arthur Dove, Marsden Hartley, John Marin, Paul Strand, and O’Keeffe. Stieglitz felt that if people wanted to see American art, they should come to America. Thus, the works of these artists were and remain little known in Europe.

AN AMERICAN ICON WHO IS LITTLE-KNOWN ABROAD

By Barbara Buhler Lynes

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