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suburbanization has homogenized the landscape, fragmented vast amounts of natural habitat and exacerbated dependency on the automobile. The photography presented in this exhibition encourages contemplation regarding modern land-use practices and the particulars of place.
replete with art historical references. Thru 11.06
Project Atrium: Melanie Pullen Museum of Contemporary Art, Jacksonville
11.19-03.11.12
Project Atrium: Gustavo Godoy Museum of Contemporary Art, Jacksonville www.mocajacksonville.org
Known for his unconventional and large sculptures, this Los Angeles-based artist creates interactive constructions made of plexiglass, plywood and wall polish, simultaneously playful and
photographs are based on vintage crime-scene images she mined from the files of the Los Angeles Police Department, the County Coroner’s Office and other primary sources. Thru 01.08.12
Shared Vision: The Sondra Gilman and Celso GonzalezFalla Collection of Photography Museum of Contemporary Art, Jacksonville www.mocajacksonville.org
The Sondra Gilman www.mocajacksonville.org Collection presents For her series, High a selection of modern Fashion Crime Scenes, and contemporary Pullen focused on the violent past of her adopted city, Los Angeles, during the tumultuous years of the 1940s and 1950s. Her
photographs by such celebrated figures as Eugène Atget, Alfred Stieglitz and Edward Weston. 10.07-01.08.12
Eugene Savage: The Seminole Paintings
The Cummer Museum of Art & Gardens www.cummer.org
In the 1930s, Eugene Savage became enchanted with the Seminole Indian tribe and began to depict them in paintings and works on paper—each presents Seminole tra-
1. Gustavo Godoy, Fast-formal Object: Big Blue, 2010, mixed media construction, 18 x 32 x 19’ 2. Melanie Pullen, Dorothy (Barrel Series) [detail], 2003, C-print, plexi face mount, Ace Gallery, Beverly Hills, 2005 3. William Eggeleston, Memphis (Tricycle), ca. 1969-70, dye transfer print 4. Eugene Savage, Orchid Trail, 1935, oil on canvas on Masonite board, 13 x 13”
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