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Fo r t L a u d e r d a l e c o n t i n u e d . . .
Nova Southeastern University
Harn Museum of Art
www.moafl.org
www.harn.ufl.edu
Demons, gods, ghosts and beasts are the subjects of this midcareer retrospective of the work of Pana-
manian-based artist, Isabel De Obaldía, who explores the art of ancient cultures. GAINESVILLE Thru 05.27.12
Sebastião Salgado: World Witness
www.harn.ufl.edu
Considered one of the most highly recognized photojournalists in the world, Salgado focuses on people who are politically, economically and culturally excluded from the promise of global development. In this exhibition, Salgado documents famine in Africa and manual labor around the world.
Open Engagement represents 25 international artists who explore, recreate and imagine the nuances of love and war artists becoming recog- across time and place. nized in an artistic realm traditionally held HOLLYWOOD by men. This exhibit features 87 works by 10.29-01.29.12 25 exceptional women Artist Unknown/ artists who reflect JaThe Free World pan’s rich and innovative ceramic culture.
10.16-12.31.12
Thru 08.2012
Soaring Voices: Contemporary Japanese Women Ceramic Artists Harn Museum of Art
Open Engagement: Strategies in Art, Love and War Harn Museum of Art
Art and Culture Center of Hollywood artandculturecenter.org
This US premiere of a first-of-its-kind exhibition features hundreds of images of vernacular photography found online by artists John
www.harn.ufl.edu
Soaring Voices demonstrates the shift in Japanese society toward individual women
1. Isabel De Obaldía, Blue Idol (Idolo azul), 2008, sand cast glass, 17 x 8 x 5”, Mary-Anne Martin Fine Art, NY 2. Etsuko Tashima, Cornucopia 03-III, 2003, stoneware and glass, photo ©Taku Saiki 3. Sergio Vega, Tropical Rococo (detail), 2002, RC print, Museum Purchase, funds provided by the Caroline Julier and James G. Richardson Acquisition Fund 4. Photograph from the exhibition Artist Unknown/The Free World “pairings”, anonymous images collected by John D. Monteith and Oliver Wasow
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