A R U B A
ALL PHOTOS BY BRUCE BUCK
CLoCKWIse froM LefT: a grand gathering room; the cover of Caribbean Elegance; decorative Elegance yet functional jars; the perfect perch; graceful accents and details refine old World classics.
ELEGANCE IN DESIGN
As the colonizing nations of Western Europe competed for control of the Caribbean, their planters and merchants brought with them their fine European furniture. But they soon discovered the heat and humidity of the islands were too powerful for the wooden furniture to endure. So local craftsmen were given the task of duplicating imported furnishings using sturdier woods indigenous to the islands. The reproductions proved to be less identical and more interpretive as the years went by. Thus were born the distinctive island design styles. Michael Connors, a distinguished scholar of West Indian decorative arts and furniture, explores this evolution in Caribbean Elegance (New York City: Henry N. Abrams, Inc., 2002). Connors, founder of the art and antiques company Michael Connors International, is the author of several similar books on island design and has designed two lines of colonial-style furniture; he is often credited with establishing colonial West Indian furniture as an independent collecting field. A favorite among design aficionados, his Caribbean Elegance presents the islands’ alignment of form and function, and focuses on the historical events and socioeconomic factors that contributed to the development of Caribbean furniture designs. Its 176 pages include the vivid color photography of Bruce Buck. Connors reveals that although the region’s heritage dates back more than 3,000 years, the development of West Indian furniture did not begin until the 18th century. Over the succeeding 300 years, Spain, England, Holland, Denmark and France all influenced furniture design in the Caribbean. Add to that African and North American influences, as well as expressions from the Caribbean’s history of slavery, and the result is an international art form representing a melting pot of style. 98
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