Bisanzio 2004 Bibliografia

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Krickelberg-Pütz . Anke-Angelika Krickelberg-Pütz. “Die Mosaikikone des Hl. Nikolaus in Aachen-Burtscheid.” Aachener Kunstblätter  (), pp. –. Kris . Ernst Kris. Catalogue of Postclassical Cameos in the Milton Weil Collection. Vienna, . Kritovoulos . Kritovoulos. History of Mehmed the Conqueror. Translated from Greek by Charles T. Riggs. Princeton, . Kronenburg –. J. A. F. Kronenburg. Maria’s heerlijkheid in Nederland.  vols. Amsterdam, –. Kronig . J. O. Kronig. “Deux tableaux de maîtres primitifs néerlandais, dans le collections d S.M., le Roi de Portugal.” Le Arts  (), p. . Krüger . Klaus Krüger. Der frühe Bildkult des Franziskus in Italien: Gestalt- und Funktionswandel des Tafelbildes im . und . Jahrhundert. Berlin, . Krusevac . Moravska Srbija—ljudi i dela. Exh. cat. by Adam Stosib and Desanka Milosevib. Krusevac, Narodni Muzej, . Kubiski . Joyce Kubiski. “Orientalizing Costume in Early Fifteenth-Century French Manuscript Painting (Cité des Dames Master, Limbourg Brothers, Boucicaut Master, and Bedford Master).” Gesta , no.  (), pp. –. Kuniholm and Striker . Peter Ian Kuniholm and Cecil L. Striker. “Dendrochronology and the Architectural History of the Church of the Holy Apostles in Thessaloniki.” Architectura , no.  (), pp. –. Kuryluk . Ewa Kuryluk. Veronica and Her Cloth: History, Symbolism, and Structure of a “True” Image. Cambridge, Mass., . Kuzev . Aleksand>r Kuzev. “Srednovekovna sgrafito Keramika monogrami of Varna.” Bulletin du Musée National de Varna  (). Kv7t . Jan Kv7t. Italské vlivy na pozdn7 románskou knizˇní malbu v Cechách / Les influences italiennes sur la miniature en Bohême à la fin de l’époque romane. Prague, . La Chapelle . Ariane de La Chapelle. “Les papiers et les filigranes des dessins du corpus pisanellien du musée du Louvre, état des recherches.” In Pisanello: Actes du colloque organisé au Musée du Louvre, edited by Dominique Cordellier and Bernadette Py, vol. , pp. –. Paris, . La Favia . Louis M. La Favia. The Man of Sorrows: Its Origin and Development in Trecento Florentine Painting. Rome, . Labarte –. Jules Labarte. Histoire des arts industriels.  vols. d ed. Paris, –. Laborde –. Léon Laborde. Les ducs de Bourgogne: Études sur les lettres, les arts et l’industrie pendant le XVe siècle et plus particulièrement dans les Pays-Bas et le duché de Bourgogne.  vols. Paris, –. Labowsky . Lotte Labowsky. Bessarion’s Library and the Biblioteca Marciana: Six Early Inventories. Rome, . Lafontaine-Dosogne –. Jacqueline LafontaineDosogne. Iconographie de l’enfance de la Vierge dans l’Empire byzantin et en Occident.  vols. Brussels, –. Lafontaine-Dosogne . Jacqueline Lafontaine-Dosogne. “Une icône d’Angelos au Musée de Malines et l’iconographie du Saint-Jean Baptiste aislé.” Byzantion  (), pp. –. Lafontaine-Dosogne . Jacqueline Lafontaine-Dosogne. “L’illustration de la première partie de l’hymne Akathiste et sa relation avec les mosaïques de la Kariye Djami.” Byzantion  (), pp. –. Lafontaine-Dosogne a. Jacqueline Lafontaine-Dosogne. “L’art byzantin en Belgique en relation avec les Croisades.” Revue Belge d’Archéologie et d’Histoire de l’Art  (), pp. –. Lafontaine-Dosogne b. Jacqueline Lafontaine-Dosogne. Histoire de l’art byzantin et chrétien d’Orient. Louvain, . Lafontaine-Dosogne . Jacqueline Lafontaine-Dosogne. “Le Monastère du Sinai: Creuset de culture chrétienne (Xe– XIIIe siècle).” In East and West in the Crusader States: Contexts, Contacts, Confrontations, edited by Krijnie Ciggaar, Adelbert Davids, and Herman Teule, vol. , pp. –. Louvain, . Laiou . Angeliki E. Laiou. Constantinople and the Latins: The Foreign Policy of Andronicus II, –. Cambridge, Mass., . Laiou –. Angeliki E. Laiou. “The Byzantine Economy in the Mediterranean Trade System, Thirteenth–Fifteenth Centuries.” Dumbarton Oaks Papers, nos. – (–), pp. –. Laiou . Angeliki E. Laiou. “Venice as a Center of Trade and of Artistic Production in the Thirteenth Century.” In Il Medio Oriente e l’Occidente nell’arte del XIII secolo, edited by Hans Belting, pp. –. Bologna, . Laiou . Angeliki E. Laiou. “Observations on the Results of the Fourth Crusade: Greeks and Latins in Port and Market.” Medievalia et Humanistica  (), pp. –. Laiou . Angeliki E. Laiou. “Sto Vyzantio ton Palaiologon: Oikonomika kai politistika phainomena.” In Euphrosynon:

Aphieroma ston Manole Chatzedake, edited by Evangelia Kypriaou, vol. , pp. –. Athens, . Laiou . Angeliki E. Laiou, ed. The Economic History of Byzantium: From the Seventh through the Fifteenth Century.  vols. Washington, D.C., . Lambakes . G. Lambakes. “The Monastery of Saint John the Prodromos.” Deltion / Christianike Archaiologike Hetaireia, ser. , no.  (), pp. –. Lamberz . Erich Lamberz. “Die Schenkung des Kaisers Johannes VI. Kantakuzenos an das Kloster Vatopedi und die Schreibzentren Konstantinopels im . Jahrhundert.” In Acts of the XVIIIth International Congress of Byzantine Studies, Moscow , edited by Ihor Sevcenko et al., vol. , pp. –. Shepherdstown, . Lamberz . Erich Lamberz. “The Library of Vatopaidi and Its Manuscripts.” In The Holy and Great Monastery of Vatopaidi: Tradition, History, Art, vol. , pp. –, –. Mount Athos, . Lamberz . Erich Lamberz. “Bibliotheke kai bibliographoi tes Mones Batopediou sto proto miso tou ou aiona: E periptose tou Kallistou.” In Hiera Mone Vatopaidiou: Historia kai techne, pp. –. Athens, . Lamberz . Erich Lamberz. “Das Geschenk des Kaisers Manuel II. an das Kloster Saint-Denis und der Metochitesschreiber Michael Klostomalles.” In Lithostroton: Studien zur byzantinischen Kunst und Geschichte. Festschrift für Marcell Restle, edited by Birgitt Borkopp and Thomas Steppan, pp. –. Stuttgart, . Lambros –. S. P. Lambros. Catalogue of the Greek Manuscripts on Mount Athos.  vols. Cambridge, –. Lambros . S. P. Lambros. “Lakedaimonioi bibliographoi kai ktetores kodikon kata tous mesous aionas kai epi tes Tourkokratias.” Neos Hellenomnemon  (), pp. –. Land . Norman E. Land. “Two Panels by Michele Giambono and Some Observations on St. Francis and the Man of Sorrows in Fifteenth-Century Venetian Painting.” Studies in Iconography  (), pp. –. A. Lane . Arthur Lane. “Medieval Finds at Al Mina in North Syria.” Archaeologia  (), pp. –. B. Lane . Barbara G. Lane. Hans Memling: Die grossen Meister der Malerei. Frankfurt, . F. Lane . Frederic C. Lane. Venice, a Maritime Republic. Baltimore, . Lane-Poole . Stanley Lane-Poole. “Coins of the Urtuki Turkumans.” In Catalogue of the Oriental Coins in the British Museum, vol. , The Coins of the Turkum’an Houses of Seljook, Urtuk, Zengee, etc. London, . Lang . David M. Lang. Studies in the Numismatic History of Georgia in Transcaucasia. New York, . Lange . Reinhold Lange. Die byzantinische Reliefikone. Recklinghausen, . Lapidus . Ira M. Lapidus. Muslim Cities in the Later Middle Ages. Cambridge, Mass., . Larner . John Larner. Marco Polo and the Discovery of the World. New Haven, . Lasko . Peter Lasko. Ars sacra, –. d ed. New Haven, . Lassithiotakes . Kostas E. Lassithiotakes. “Ho Hagios Phragkiskos kai he Krete.” In Pepragmena tou . Diethnous Kretologikou Synedriou, vol. , pp. –. Athens, . Laurent . Vitalien Laurent. Les bulles métriques dans la sigillographie byzantine. Athens, . Laurent –. Vitalien Laurent. Le corpus des sceaux de l’Empire byzantin.  vols. Paris, –. Laurent . Vitalien Laurent. Les mémoires du grand ecclésiarque de l’Église de Constantinople Sylvestre Syropoulos sur le Concile de Florence (–). Rome, . Laurina . Vera K. Laurina. Ikony Borisoglebskoi tserkvi v Novgorode. N.p., . Laurina . Vera K. Laurina. “Dionisii I iskusstvo Moskvy XV–XVI stoletii.” In Drevnerusskoe iskusstvo: Khudozhestvennye pamiatniki russkogo Severa, edited by Gennadii V. Popov. Moscow, . Lavalleye –. Jacques Lavalleye. Les primitifs flamands II: Répertoire des peintures flamandes des quinzième et seizième siècles. Collections d’Espagne .  vols. Anvers, –. I. Lavin . Irving Lavin. “Addenda to ‘Divine Inspiration.’” Art Bulletin , no.  (), pp. –. M. Lavin . Marilyn Aronberg Lavin. “Piero della Francesca’s Flagellation: The Triumph of Christian Glory.” Art Bulletin  (). M. Lavin . Marilyn Aronberg Lavin. Piero della Francesca: The Flagellation. New York, . M. Lavin . Marilyn Aronberg Lavin. SeventeenthCentury Barberini Documents and Inventories of Art. New York, .

Lavoix . Henri Lavoix. “Les arts musulmans: De l’ornementation arabe dans les oeuvres des maîtres italiens.” Gazette des Beaux-Arts  ( July ), pp. –. Layton . Evro Layton. The Sixteenth Century Greek Book in Italy: Printers and Publishers for the Greek World. Venice, . Lazarev . Viktor N. Lazarev. “Duccio and ThirteenthCentury Greek Icons.” The Burlington Magazine  (), pp. –. Lazarev . Viktor N. Lazarev. “Byzantine Icons of the Fourteenth and Fifteenth Centuries.” The Burlington Magazine  (), pp. –. Lazarev . Viktor N. Lazarev. “Studies in the Iconography of the Virgin.” Art Bulletin  (), pp. –. Lazarev . Viktor N. Lazarev. Iskusstvo Novgoroda. Moscow, . Lazarev –. Viktor N. Lazarev. Istoriia vizantiiskoi zhivopisi.  vols. Moscow, –. Lazarev . Viktor N. Lazarev. “Zhivopis’ i skul’ptura Novgoroda.” In Istoriia russkogo iskusstva, edited by I. E˙. Grabar’, vol. , pp. –. Moscow, . Lazarev . Viktor N. Lazarev. “Dionisii i ego shkola.” In Istoriia russkogo iskusstva, edited by I. E˙. Grabar’, vol. , pp. –, –. Moscow, . Lazarev . Viktor N. Lazarev. “La Trinité d’Andrei Roublev.” Gazette des Beaux-Arts  (December ). Lazarev . Viktor N. Lazarev. “Dva novykh panianika stankovoi zhivopisi paleologovskoi epokhi.” Zbornik Radova Vizantoloskog Instituta  (), –. Lazarev . Viktor N. Lazarev. “Saggi sulla pittura veneziana dei secoli XIII–XIV: La maniera greca e il problema della scuola cretese.” Arte Veneta  (), pp. –. Lazarev a. Viktor N. Lazarev. Andrei Rublev i ego shkola. Moscow, . Lazarev b. Viktor N. Lazarev. “Saggi sulla pittura veneziana dei secoli XIII–XIV: La maniera greca e il problema della scuola cretese.” Arte Veneta  (), pp. –. Lazarev . Viktor N. Lazarev. Storia della pittura bizantina. Turin, . Lazarev . Viktor N. Lazarev. Theophanes der Grieche und seine Schule. Vienna, . Lazarev . Viktor N. Lazarev. Novgorodskaia ikonopis’. Moscow, . Lazarev . Viktor N. Lazarev. Vizantiiskaia zhivopis’. Moscow, . Lazarev . Viktor N. Lazarev. Moskovskaia shkola ikonopisi / Moscow School of Icon-Painting. Moscow, . Lazarev . Viktor N. Lazarev. Istoriia vizantiiskoi zhivopisi.  vols. Rev. ed. Moscow, . Lazarev . Viktor N. Lazarev. Studies in Byzantine Painting. London, . Lazarev . Viktor N. Lazarev. L’arte russa delle icone dalle origini al’inizio del XVI secolo. Milan, . Lazarev . Viktor N. Lazarev. Russian Icon: From Its Origin to the Beginning of the Sixteenth Century. Collegeville, Minn., . Lazarev . Viktor N. Lazarev. Studies in Early Russian Art. London, . Lazarev and Mneva . Viktor N. Lazarev and Nadezhda E. Mneva. “Pamiatnik novgorodskoi rez’by XIV veka (Liudogoshchenskii krest).” In Vizantiiskoe i drevnerusskoe iskusstvo, edited by Viktor N. Lazarev, pp. –. Moscow, . Lazarev and Mneva . Viktor N. Lazarev and Nadezhda E. Mneva. “The Lyudogoshcha Cross: A th-Century Example of Novgorod Wood Carving.” In Boris A. Kolchin, Wooden Artefacts from Medieval Novgorod, pp. –. Oxford, . Lazarevib . Stefan Lazarevib. Zakon o rudnicima despota Stefana Lazareviba. Edited by Nikola Radojcib. Belgrade, . Lazarevib . Stefan Lazarevib. Knjiz˘evni radovi. Edited by –Dord–e Trifunovib. Belgrade, . Lazaris a. Stavros Lazaris. “L’illustration des traités hippiatriques byzantins: Le De curandis equorum morbis d’Hiéroclès et l’Epitomè.” Medicina nei Secoli , no.  (), pp. –. Lazaris b. Stavros Lazaris. “Les rapports entre l’illustration et le texte de l’Epitomè, manuel byzantin d’hippiatrie.” Archives Internationales d’Histoire des Sciences  (), pp. –. Lazzaroni and Muñoz . Michele Lazzaroni and Antonio Muñoz. “Un buste en bronze d’Antonio Filarete représentant l’empereur Jean Paléologue.” Comptes Rendus, Académie des Inscriptions et Belles-Lettres (), pp. –. Le Suffleur . David Le Suffleur. “L’oeuvre de Pisanello exposée à la Bibliothéque Nationale.” L’Illustration (May , ), pp. –. Le Tourneau and Millet . Marcel Le Tourneau and Gabriel Millet. “Un chef-d’oeuvre de la broderie byzantine.” Bulletin de Correspondance Hellénique  (), pp. –.

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