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SISTER ACT Main Stage Westâ&#x20AC;&#x2122;s production brims with raw honesty.
After Iâ&#x20AC;&#x2122;m Gone â&#x20AC;&#x2DC;Memory of Waterâ&#x20AC;&#x2122; finds secrets in death BY DAVID TEMPLETON
â&#x20AC;&#x2DC; Joe Williams
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WONDROUSLY ALIVE. A REAL JOY RIDE.â&#x20AC;?
SAM RILEY GARRETT HEDLUND AND KRISTEN STEWART AMY ADAMS TOM STURRIDGE DANNY MORGAN ALICE BRAGA ELISABETH MOSS WITH KIRSTEN DUNST AND VIGGO MORTENSEN
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orgiving someoneâ&#x20AC;&#x2122;s just like throwing a switch,â&#x20AC;? says Vi, a recently deceased British housewife and mother, to her not-quite-grieving daughter Mary. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s just a decisionâ&#x20AC;&#x201D;and afterwards youâ&#x20AC;&#x2122;re free.â&#x20AC;? In Shelagh Stephensonâ&#x20AC;&#x2122;s 1996 play The Memory of Water, running through April 7 at Main Stage West theater, forgiveness does not come easily. Not for Mary (a grounded, moving Allison Rae Baker) or for her two estranged sisters, the highstrung Teresa (Bronwen Shears, all brittle nerves and frozen ďŹ re) and the serially lovesick Catherine (Shannon Rider, never better). It is only Mary, an unhappy doctor haunted by past mistakes and obsessed with a young memory-loss patient, whoâ&#x20AC;&#x2122;s begun seeing her dead mother (a lovingly passiveaggressive Mary Gannon Graham) popping up dressed to the nines, dispensing hard motherly adviceâ&#x20AC;&#x201D;
despite having died of Alzheimerâ&#x20AC;&#x2122;s a few days before. As the sisters come together to make funeral plans and divide up momâ&#x20AC;&#x2122;s stuff, itâ&#x20AC;&#x2122;s clear that neither daughter remembers her mother exactly the same way. Death, it seems, has somewhat improved Viâ&#x20AC;&#x2122;s mothering skills. In none of her daughtersâ&#x20AC;&#x2122; memories was she particularly attentive or supportive, and the result of her parentingâ&#x20AC;&#x201D; either outright neglectful or overly controlling and manipulativeâ&#x20AC;&#x201D;is that all three sisters are now riproaring emotional messes. Teresa, who owns a homeopathic remedy company with her reluctant husband Frank (a nicely understated Keith Baker) recites cookbook recipes to calm her rapidly unraveling nerves. She was the one who cared for Vi during her illness, and she clearly resents her sistersâ&#x20AC;&#x2122; lack of empathy for her sacriďŹ ce. Catherine is only concerned about the state of her relationship with her current ďŹ&#x201A;ing Xavier, the latest in a string of 78 failed hook-ups. Once described as a cross between Chekhov and Neil Simon, The Memory of Water, nicely directed for MSW by John Craven, swings wildly between moments of genuine piercing pain and stretches of spot-on, laugh-out-loud comedy. Paul Huberty, as Maryâ&#x20AC;&#x2122;s married lover Mike, is hilarious, especially in a sequence where he tries desperately to unfreeze himself after being locked outside in the cold. Stephensonâ&#x20AC;&#x2122;s lovely writing, tightly woven and focused, becomes a bit diluted in the ďŹ nal thirty minutes, losing some of its potency as the playwright piles on so many sudden revelations, secrets, and hidden betrayals that it all threatens to become shrill and overwrought. That said, the play works. The steady magniďŹ cence of the cast and the raw, clear-sighted honesty of Stephensonâ&#x20AC;&#x2122;s characters combine into a thought-provokingâ&#x20AC;&#x201D;and largely unforgettableâ&#x20AC;&#x201D;evening of theater. â&#x20AC;&#x2DC;The Memory of Waterâ&#x20AC;&#x2122; runs ThursdaySunday through April 7 at Main Stage West. 104 N. Main St, Sebastopol. Thurs-Sat at 8pm; 5pm matinees on Sundays. $15-$25; Thursdays, pay what you will. 707.823.0177.