1105_BO

Page 1

Serving Sonoma, Napa & Marin Counties • FEBRUARY 2-8, 2011 • bohemian.com • VOL. 32.38

The Sound and the

Fiore Dogboy, ‘Doonesbury’ & death threats p19

Pulitzer-winning animator Mark Fiore

Frankenfish Flap p9 | Curious Comforts p13 | Acerbically Adam p21


INDULGE YOURSELF

You’re invited to DR. HENRY’S SUPPER CLUB

Thursday, February 10, 6:45pm Come to our Supper Club and learn about what’s new in cosmetic surgery and enjoy a great catered supper in a fun, informal setting. Plus, you’ll get a free follow up consultation and learn how you can look your best!

Seating is limited. RSVP now.

Kimberly Henry

P L A S T I C S U R G E RY

141 Lynch Creek Way Petaluma

350 Bon Air Road Greenbrae

707.778 .2 313

415 . 924.1313

W W W. D R K I M B E R L Y H E N R Y. C O M

02

02.02.11-02.08.11

THE BOHEMIAN

MD


Cla Classes asses b begin egin th this is M March arch Enroll now! En roll no w! Turn Your Passion for Nutrition into a Career Become a certified Nutrition Consultant:

Become a certified Natural Chef:

Enhanced nutrition training and hands-on learning will help you begin your new career in as little as 15 months.

Master natural culinary arts and Eating For Health™ nutrition and begin your new career in as little as 5 months.

Find out more: Call any time for an advising appointment or join Dr. Ed Bauman over the phone on February 9 at 6:00 PM • Dial-In Number: 1-712-432-3100 • Access Code: 611488 CA: Berkeley , Penngrove, Santa Cruz • Boulder, CO • Distance Learning

www.baumancollege.org w ww.bauma ancollege g .org • (800)987-7530 ((800 0)987 ) 7530 THE BOHEMIAN

02.02.11-02.08.11

03


Unity Churc ch of Santa Rosa presents:

Healing an nd Wholenesss Fair Saturday, Feb e ruarry 12, 11am - 6pm 2OG 5HGZRR RG +Z\ 6DQWD 5RVD Ă‚ -542-7729 ĹšFREE E Lectures 12:00pm 5HQp -HQNLQV Âł6RXQG +HDOLQJ &LUFOH´ 1:00pm 0HODQQLH 7K 7 RPDV Âł$Q 2YHUYLHZ RI WKH ,QWXLWLYH $UW´ 2:00pm (OL]DEHWK &XSS Âł<RX $UH WKH &RORUV <RX &KRRVH´ 3:00pm 5HY .DWK\ 0F&DOO Âł7KH 0DJLF RI 'UHDPV´ 4:00pm 'DYLG 4XLJOH\ Âł6RPDWLF +HDOLQJ´ 5:00pm 0DU\ (OOHQ 2Âś0HDUD Âł$ &RXUVH LQ 0LUDFOHV´

Ĺş15 minute healling sessions for $20 each. All day! Amega Am A Wand by Cheryl Andersen Psychic Readings by Deer Dommitz Massage & AcuA therapy by Robert Labensart Therapeutic Massage by b Kimberly Cotterill or Elizabeth t Walsh Hypnotherapyy by Katy Redmon Massage byy masseurs from Massage Envy Spa a Neuro-Muscular Therapy by Shoshana Frieden Astrologyy Readings by Rev. Kathy McCall* Shamanic Healling//Read dings by b Miche h alla McGi M Givern or Sar a ah h Dole Body Postture Pain Relief by Dana Davis Tarot Read a ings by Melannie Thomas* Feldenkrais by Charlotte Chavez Emotional Freedom Technique (EFT) by Cynthia Jac cobs Ceremonial Sound Healing by RenĂŠ Jenkins* Acupuncture, Shiatsu u, Deep Tissue Massage by Nancy Malloy Somatic Healing by David Quigley* Aura-Soma Color Therapy by Elizabeth Cupp* *These healers are also giving free lectures!

ĹšFor more information on each of the healers: www.UnityofSantaRosa.org Vegan food, re r freshments, and products on sale.

04

02.02.11-02.08.11

THE BOHEMIAN


<=2; :60

2WP[[T]VX]V cWT 27? Yes, you can fight illegal speeding tickets By Paul Sarran

;

ike most upstanding citizens, when we get a speeding ticket, we pay it. Without thinking. We are not inclined to question authority. Especially not the authority of the CHP. However, when my wife got her third speeding ticket in the same place, on Barnes Road between River Road and Dennis Lane, in Santa Rosa, I thought, “Wait a minute— something’s wrong here.â€? I began to research. And thanks to David Brown’s book How to Fight Your Ticket and Win, I learned that if a radar speeding ticket is issued in a location where the posted speed is not justified by an engineering speed study, the ticket is illegal. (See California Vehicle Code § 40800–40808.) Even if the officer testifies that in addition to the LIDAR, he visually determined your speed, legally he is an incompetent witness and none of his testimony can be used. That is the law. Perhaps my wife’s tickets were actually illegal, I realized. I decided to find the speed study for Barnes Road. CALTRANS didn’t have it. They were very helpful, though, and suggested I try a more local authority. Sonoma County Public Works had the study, and also issued a statement that there was no valid study for the road, which they provided free of charge. The most recent study dates back to March of 1989. Since, for the purpose of speeding convictions, the study is not supposed to be more than five years old, I knew we had a legitimate case. All three tickets were issued illegally. Unfortunately, my wife had already pled guilty to the first two, as a compliant and trusting citizen would. We were left with a sense of injustice. We could have gotten those tickets removed by visiting the DMV with a copy of the court’s judgment of dismissal for cause, but we have to take the time to do it. That is a cost. So we requested a formal trial with the officer present. In order to use these documents in court, I sent copies of the papers we had to the CHP, along with requests for the officer’s notes from the back of the ticket. We also

requested that the CHP produce a valid speed study as part of the discovery process. We got a letter back from the CHP with the officer’s notes and a statement saying that they were not in possession of a valid speed study. The day of the trial, several CHP officers present stated that the officer was out tending to an accident and would be late. We sat in court all day. The officer never did show. We were the last to be heard that day. When the judge offered all kinds of reduction bargains, we remained firm and refused. The judge offered to drop the case, since the officer hadn’t shown. We didn’t accept. We showed the judge the speed study, the declaration of lack of valid survey and the note from the CHP that they were not in possession of a valid study. Shocked, the judge immediately dismissed the case “in the interest of justice.� That is what we wanted, and that is why we spent all day waiting: to have our day of being heard in court, and to have justice. During this process, we were told that the CHP “dot their i’s and cross their t’s,� and that they would never operate an illegal speed trap. This is a myth. All three of the officers who issued those tickets simply ignored the law. Officers have issued hundreds of tickets at that spot on Barnes Road—all illegal since 1996! I think the individual officers and the CHP owe their victims damages. We paid fines, got points on our licenses, experienced raised insurance rates and could have lost our license or job because of points on our licenses. It is their fault, and they should be held responsible for the damages they caused. They can’t say they didn’t know. They are the first ones to tell us that ignorance of the law is no excuse. This warrants legal suits against the CHP. They got it wrong, and they should have to pay for breaking the law.

They are the first ones to tell us that ignorance of the law is no excuse.

REACH YOUR

POTENTIAL

INTRO SPECIAL

$10/10 days

IN 2011

UNLIMITED YOGA New Students Only Local Residents

nrafaelyoga.com www.sa St., 2nd Floor, San Rafael, CA d n 2 1295

YOUR JOURNEY STARTS HERE...

:PVS KPVSOFZ TUBSUT OPX t &OUFS B TBGF QMBDF XIFSF ZPV XJMM EJTDPWFS IPX QPXFSGVM ZPV USVMZ BSF t .FFU PUIFST PO UIF TBNF QBUI BOE TNJMF BT UIFZ DIFFS ZPV PO t 5IJT JT B QMBDF GPS GSFFEPN GSJFOET BOE GVO t 8FhMM IFMQ ZPV EFGZ UIF MJFT UIBU ZPV DBOhU UIBU ZPVhSF OPU HPPE FOPVHI BOE MFU HP PG UIF UJSFE PME TUPSJFT UIBU IPME ZPV CBDL t .BLF B EFDJTJPO $PNF JO DVU MPPTF FYQFSJNFOU BOE VOMFBTI ZPVS VOUBQQFE QPUFOUJBM

You'll never be the same again, and you'll feel so good you'll wonder why you didn't do this sooner.

NOW IS YOUR TIME

AMAZE YOURSELF

Open Mic is a weekly feature in the Bohemian. We welcome your contribution. To have your topical essay of 700 words considered for publication, write openmic@bohemian.com.

THE BOHEMIAN

02.02.11-02.08.11

05


aUR O\URZVN[

H YRaaR_`-O\URZVN[ P\Z J

'#& 5XUcW Bc BP]cP A^bP 20 ($# # ?W^]T) & & $!& ! 5Pg) & & $!& !''

FWT] bWT½b aTUTaaX]V c^ ŸfTTS ½ bWT½b PRcdP[[h aTUTaT]RX]V ?2? Pb fT[[

438C>A

6PQT <T[X]T

9 2AA2?@

Tgc ! ! 2>=CA81DC8=6 FA8C4A

;TX[P]X 2[PaZ Tgc % 2>?H 438C>A

6Pah 1aP]Sc Tgc $ 20;4=30A @D44=

:PcT ?^[PRRX Tgc ! 8=C4A=

BWT[Qh ?^_T 2>=CA81DC>AB

<XRWPT[ 0\b[Ta 0[PbcPXa 1[P]S A^Q 1aTib]h AXRWPaS e^] 1dbPRZ 9PX\T 2aTb_^ BdiP]]T 3P[h APRWT[ 3^eTh 9TbbXRP 3da 1aXP] 6aXUUXcW 3PTSP[db 7^fT[[ 9P\Tb :]XVWc :h[XT <T]S^]RP A^cWcP]P >dRW 9d[XP]T ?^XaXTa 9^]PW APbZX] 1adRT A^QX]b^] AXRZ A^\PV^bP BPaP BP]VTa 3PeXS BPb^] 0[P] BRd[[Th 4[XiPQTcW BTfPaS <XRWPT[ BWP_Xa^ 1adRT BcT]V[ 3PeXS CT\_[Tc^] C^\ C^\^aa^f

F8=4 F0C4AB743B Thanks for your article discussing the relationships between water use and declining fish populations (“The Wrath of Grapes,� Jan. 26). As a local hydrologist who has worked on both fisheries restoration and vineyard development studies, I am well-versed in these issues. The article discusses several important concepts, one being the misconception that groundwater and surface water are not connected, the second being cumulative impacts. When permits are evaluated on a project-byproject basis without comprehensive study of the watershed as a whole, streams can be significantly impacted even though individual project impacts may be small. These concepts highlight the disconnect between the compartmentalized

regulatory framework and the interconnectedness of the natural world. In order to move past the “blame game� and develop effective strategies for managing these watersheds, our approach must acknowledge this interconnectedness. The application of computer models which are capable of simulating the relationships between groundwater f low, surface water f low and water use is one solution. These models provide a means of leveraging monitoring data into a comprehensive understanding of watershed conditions and provide a means of evaluating cumulative water-use impacts in a given watershed. The tools are available; it is simply a matter of finding the desire and resources to apply them.

?A>3D2C8>= <0=064A

7Paah 0[[Xb^] B4=8>A 34B86=4A

9PRZXT <dYXRP Tgc ! " ;0H>DC 0AC8BCB

6Pah 1aP]Sc CPQX 3^[P]

94A4<H :>1>A 740;3B1DA6

3>=½C 20;; 8C ÂźF443½ >A Âź1D3½ >A Âź27A>=82½ >A Âź274410½ >A Âź<0AH 90=4½ >A ÂźB?;855B½ >A Âź?>C½ >A Âź60=9½ >A Âź?D55 ?D55 68E4½ >A ;8:4 4E4= Âź<0A89D0=0½ Hey Bohemian, I hate to sound like a “broken record,â€? but I am really tired of reading self-rants from your “broken record,â€? as well as the numerous broken records through the media entourage. This, of course, referring to the terminology used throughout Kylie Mendonca’s “The Year We Were Too Busy Taking Bong Hits to Legalize Marijuanaâ€? (Dec. 29). How about as a New Year’s resolution for 2011 we try and stick to the scientific/medical terminology that is used when discussing medical plants/species/genetics? Throughout all of 2010 we saw the media refuse the scientific evidence behind medical cannabis. This was in part due to the media’s usage of terms like weed, marijuana, terrorist of the national forest, pothead, stoners, etc. Ms. Mendonca must know that when she’s referring to “weed,â€? she’s actually referencing PCP as well as cannabis—under the federal government’s eye. She must also realize that when using the term “marijuanaâ€? she’s only playing into the government’s use of derogatory techniques. The term marijuana was used as slang, but meant in a derogative sense to downplay the Mexican Army’s use of the cannabis (scientific name) plant for medicinal qualities. I was a little saddened to see this article just pages after a wonderful perspective on WikiLeaks (What will we find out about Ms. Woosley?). The article regarding Mr. Assage was a great perspective on our current government—and how truly transparent and democratic this system really is. But then, just as you start to question those around you, you turn right back to the Prohibition era and/or Reefer Madness stance. Maybe someone is a little paranoid? My real goal behind this letter? Kylie, would you like to meet for coffee sometime?

AH0= 2>==4;;H

B0=C0 A>B0

03E4AC8B8=6 34B86=4AB

BTP] 6T^aVT <PaZ BRWPd\P]]

Kylie Mendonca responds: If by “coffee,� you mean “weed,� then yes.

03E4AC8B8=6 38A42C>A

;XbP BP]c^b Tgc ! $ 03E4AC8B8=6 022>D=C <0=064AB

9^W] B\XcW Tgc ! # <TaRTSTb <da^[^ Tgc ! & BdbP] < Bd[R Tgc ! %

2>E4A ?7>C> >5 <0A: 58>A4 1H A82: A><06>B0 B0= 5A0=28B2> 27A>=82;4 2>E4A 34B86= 1H :0A0 1A>F=

28A2D;0C8>= <0=064A

CWT 1>74<80= fT[R^\Tb [TccTab T \PX[ P]S UPgTb R^\\T]cX]V ^] ^da R^eTaPVT ^a ^cWTa c^_XRb ^U [^RP[ X]cTaTbc ?[TPbT ZTT_ P[[ [TccTab Pc ! f^aSb ^a [Tbb bXV] cWT\ P]S X]R[dST P SPhcX\T _W^]T ]d\QTa P]S bcaTTc PSSaTbb U^a eTaXUXRPcX^] ;TccTab fX[[ QT _dQ[XbWTS Pc ^da SXbRaTcX^] P]S ST_T]SX]V ^] cX\T[X]Tbb ^U R^]cT]c FT aTbTaeT cWT aXVWc c^ TSXc U^a [T]VcW R[PaXch P]S PRRdaPRh Pb Z]^f] c^ db BT]S [TccTab c^) 4SXc^a cWT =>AC7 10H 1>74<80= '#& 5XUcW Bc BP]cP A^bP 20 ($# # 5Pg) & & $!& !'' 4 \PX[) [TccTab/Q^WT\XP] R^\ 1TR^\T P UP] ^] UPRTQ^^Z R^\ P]S U^[[^f db ^] CfXccTa /]QPhQ^WT\XP]

BcTeT >[b^] Tgc ! B0;4B >?4A0C8>=B <0=064A

0bW[Th ;Pi^fbZX Tgc ! $

?D1;8B74A

A^bT\Pah >[b^] Tgc ! 24> 4G42DC8E4 438C>A

3P] ?d[RaP]^

=>AC7 10H 1>74<80= J8BB= $"! $#L X]R^a_^aPcX]V cWT B^]^\P 2^d]ch 8]ST_T]ST]c Xb _dQ[XbWTS fTTZ[h ^] FTS]TbSPhb Qh <Tca^bP 8]R [^RPcTS Pc) '#& 5XUcW Bc BP]cP A^bP 20 ($# # ?W^]T) & & $!& ! * UPg) & & $!& !''* T \PX[) TSXc^a/ Q^WT\XP] R^\ 8c Xb P [TVP[[h PSYdSXRPcTS _dQ[XRPcX^] ^U cWT

06

02.02.11-02.08.11

R^d]ch ^U B^]^\P Qh Bd_TaX^a 2^dac ^U 2P[XU^a]XP STRaTT =^ (#'" <T\QTa) 0bb^RXPcX^] ^U 0[cTa]PcXeT =TfbfTTZ[XTb =PcX^]P[ =Tfb_P_Ta 0bb^RXPcX^] 2P[XU^a]XP =Tfb_P_Ta ?dQ[XbWTab 0bb^RXPcX^] ETaXUXTS 0dSXc 2XaRd[PcX^] BdQbRaX_cX^]b _Ta hTPa ) B^]^\P 2^d]ch &$* ^dc ^U R^d]ch ( CWXaS R[Pbb _^bcPVT

THE BOHEMIAN

_PXS Pc BP]cP A^bP 20 5A44 38BCA81DC8>=) CWT 1>74<80= Xb PePX[PQ[T UaTT ^U RWPaVT Pc ]d\Ta^db [^RPcX^]b [X\XcTS c^ ^]T R^_h _Ta aTPSTa 0SSXcX^]P[ R^_XTb \Ph QT _daRWPbTS U^a ^]T S^[[Pa _PhPQ[T X] PSeP]RT Pc CWT 1>74<80=½b ^UUXRT CWT 1>74<80= \Ph QT SXbcaXQdcTS ^][h Qh Xcb PdcW^aXiTS SXbcaXQdc^ab =^ _Tab^]

\Ph fXcW^dc _Ta\XbbX^] ^U cWT _dQ[XbWTa cPZT \^aT cWP] ^]T R^_h ^U TPRW XbbdT CWT 1>74<80= Xb _aX]cTS ^] # aTRhR[TS _P_Ta ?dQ[XbWTS Qh <Tca^bP 8]R P] PUUX[XPcT ^U <Tca^ =Tfb_P_Tab —! <Tca^bP 8]R


n! e s n a H n a I , s t a r C on g

osmosis D A Y S P A S A N C T U A R Y

! w i t h a c h a m p i on a g o Y m a r k i B Do l Nor -Cal ua inner, 8th Ann 2nd place w s sh Champion ip Regional Yoga

FEBRUARY FEB RU RU UA A RY RY R ROMANCE OM A N CE SPECIAL SPEC SPE CIAL C IAL

Yo g a D o B ik r a m

$

ffer 49 Intr o O en ts wh o en ts or st ud er a ye ar fo r ne w st ud ov in s as n a cl ha ve n’ t ta ke

Best Yoga Studio 2010

tes Available! Gift Certifica

W ils on er of 7t h & on th e co rn a Ro sa nt Sa , et St re 52 2 W ils on

642 7 0 7.5 4 5 .9 ntarosa.com gaofsa www.bikramyo

Santa Rosa

’s showers bby and men Expanded lo s ok bo , ng othi More yoga cl s. ie or ss and acce

osmo

sis

R GIFT CA

D

Cedar Enz Cedar Enzyme zyme B Bath, ath, 75-min Swedish Swediish M Massage assage & S pecial V aleentine’s G ifts Special Valentine’s Gifts $209 per peer person person IInstant G Gift ft C Certificates fi Available l bl O Online l

O S M O S I S . C O M ΠF R E E S T O N E Π7 0 77 823-8231 A S U S TA I N A B LY M A N A G E D G R E E N S PA

You are invited to the 12th Annual

PAWS FOR LOVE Saturday, February 12, 2011 6:00 to 10:00pm Finley Community Center W. College at Stony Point, Santa Rosa ♼ heartfelt art created by rescue animals ♼ live and silent auctions ♼ wines by Foppiano and Kenwood ♼ gourmet hors d’oeuvres

All proceeds benefit animals in need

dhyana Center of Health Sciences “a place for all people to heal learn & grow� = Ayurvedic Educational Programs & Community Workshops

! Full Service Dentistry ! 21 Years in Practice ! Cosmetic Dentistry

= Pancha Karma Retreats = Individualized Therapeutic Treatments

! All ages welcome!

7740 Atkinson Rd., Sebastopol, CA Âť dhyanacenter.com

For information and tickets: www.pawsforlove.info or 707.544.3974

Feel at Home with Your Dentist!

! Warm environment with knowledgable staff

Weekly “by donation� clinics

Admission: $30 advance / $40 at door VISA/MC accepted

Rose Lucchese DDS 568 Petaluma Ave Sebastopol

707-829-0692 THE BOHEMIAN

02.02.11-02.08.11

07


David E. Marcus, M.D.

board certified, american board of plastic surgery Specializing in:

Breast, Body & Facial Plastic Surgery "MTP /PO 4VSHJDBM 5SFBUNFOUT #PUPY t 4DVMQUSB t 3FTUZMBOF t 1FSMBOF t ÉŠFSNBHF t -BTFS 3FTVSGBDJOH Beauty t Joy t ConďŹ dence t (FOUMF 5PVDI t /BUVSBM MPPLJOH 3FTVMUT

www.drdavidmarcus.com

707-575-1626

Best Plastic Surgeon

1128 Sonoma Avenue, Santa Rosa, CA Member, American Board of Plastic Surgery Member, American Society of Plastic Surgeons Fully Accredited In-OďŹƒce Surgical Suite Visa, AmEx, & Mastercard Accepted Financing Available

There’s No Place Like

TONE MORE

YOGA

DANCE

ZUMBA

PILATES 850 Fourth Street . Santa Rosa 707.526.3100

www.tonefitness.com Try your first 30 days of unlimited classes for only

$50

Mention this ad for a special BoHo reader gift! 08

02.02.11-02.08.11

THE BOHEMIAN

4HE "EST .EW $ISPENSARY .ORTH OF THE 'OLDEN 'ATE


news for Sonoma, Marin & Napa Counties

“Official Newspaper of the Spindles, R.I.P.�

/9.@A 1AD24 BC4=6;

y 1A40:8=6 B8;4=24 Æ> lVci id WgZV` i]Z h^aZcXZ [dg BVg^V 8Vgg^aad =^\] HX]dda!Ç YZXaVgZY @VnaV @ZVgcZn! ]Va[lVn i]gdj\] ]Zg Z^\]i"b^cjiZ heZZX] Vi Vc VhhZbWan ]dcdg^c\ BVgi^c Aji]Zg @^c\ ?g# dc ?Vc# &) Vi i]Z HVciV GdhV"VgZV ]^\] hX]dda# Æ> lVci id hiVcY je ]ZgZ VcY iVa` VWdji i]^h WZXVjhZ cd dcZ ZkZg YdZh#Ç L^i] '%,! +)( k^Zlh dc NdjIjWZ Vh d[ i]^h lZZ`! V k^YZd d[ @ZVgcZnÉh heZZX] ]Vh \gdlc ^cid V igjZ ^ciZgcZi hZchVi^dc! gZedhiZY dc Wad\h! Il^iiZg! VcY ;VXZWdd` fj^X`Zg i]Vc ndj XVc nZae ?jhi^c 7^ZWZg# @ZVgcnÉh ZadfjZci ed^hZ XdkZgh i]Z gVh] d[ iZZc hj^X^YZh dkZg i]Z eVhi nZVg Wn `^Yh l]d ]VY WZZc egZhhjgZY! Wjaa^ZY VcY idgbZciZY [dg WZ^c\ \Vn! VcY ]dl i]ZhZ ^cX^YZcih ^che^gZY @ZVgcn id XdbZ dji Vh V aZhW^Vc ^c [gdci d[ ]Zg Zci^gZ hX]dda# 6h h]Z eVXZh i]Z hiV\Z ^c V l]^iZ"Wjiidc Ydlc dm[dgY VcY _ZVch! @ZVgcZn ZmeaV^ch ]dl h]Z [^cVaan XVbZ id iZgbh l^i] ]Zg [ZZa^c\h idlVgY di]Zg \^gah V[iZg eVgi^X^eVi^c\ ^c V eZg[dgbVcXZ d[ GZci Vi i]Z H^mi] HigZZi EaVn]djhZ i]^h eVhi hjbbZg# Æ> lVh ^c V eaVXZ l]ZgZ > `cZl > XdjaY VXXZei bnhZa[# L]ZgZ > XdjaY WZ VXXZeiZY# L]ZgZ > lVh a^WZgViZY!Ç hVnh @ZVgcZn! l]d gZX^iZY i]Z heZZX] h^m i^bZh dc i]Vi ;g^YVn id hijYZcih VcY dcXZ bdgZ Yjg^c\ Vc ZkZc^c\ VhhZbWan [dg eVgZcih# @^Yhd[fjZZgh#Xdb ]Vh XVaaZY @ZVgcZn ÆXdjgV\Zdjh WZndcY WZa^Z[Ç [dg i]Z heZZX]! Wji @ZVgcZn ]ZghZa[ gZb^cYh jh i]Vi ^i ^h h^beaZ g^\]ih i]Vi h]ZÉh add`^c\ [dgÅg^\]ih i]Vi WZ\^c l^i] iZaa^c\ i]Z igji] VcY cdi add`^c\ WVX`# <dd\aZ Æ=^\] HX]dda HZc^dg 8dbZh Dji NdjIjWZÇ id lViX] i]Z heZZX]#

8C½B 0;8E4 The makers of the Frankenfish claim that salmon farmed from genetically-modified eggs ‘are exactly the same as any other North Atlantic salmon.’

B_Pf] ^U 5aP]ZT]UXbW

Forget genetically engineered seeds—FDA approval of genetically engineered animals could be coming By Alastair Bland

0

genetically engineered salmon that grows twice as fast as unaltered fish could find its way into markets and restaurants if the Food and Drug Administration gives the creature the green light of federal approval, an action that food-safety watchdog groups suspect may be imminent. The fish, designed by the Massachusetts biotech firm AquaBounty Technologies, is an Atlantic salmon enhanced with a growth hormone from a Chinook salmon and a gene promoter from an ocean fish called a pout. Creators of the state-of-the-art salmon, trademarked as AquAdvantage and sardonically nicknamed by its many critics

the “Frankenfish,� tout it as a sustainable and healthy seafood choice that could satisfy consumer demand while diverting fishing pressure from badly depleted wild stocks. In a report released in Sept. 2010, the FDA concluded that commercial production and consumption of AquAdvantage salmon would not likely have negative environmental or human health consequences. But many opponents of genetically engineered foods believe too many uncertainties remain about long-term impacts of genetically engineered fish to merit approval of AquaBounty’s product as a human food. Environmentalists warn that the salmon could escape from captive breeding sites, compete with wild salmon for food and mates, and interfere with natural spawning activity.

y ?40A;H F78C4B

“[AquaBounty is] using this idea that it’s in closed containment so it won’t get out,� says Casson Trenor, the senior markets campaigner with Greenpeace in San Francisco. “The thing is, there’s no guarantee it will stay this way. Aquaculture facilities have escapes.� Already, its creators have taken extreme caution in handling AquAdvantage salmon. The fish, which was designed in the 1990s, has only been grown to adulthood in Panama, where any escaped salmon would quickly succumb to the fatally warm tropical ocean waters. Siobhan DeLancey, an FDA spokeswoman, assured the Bohemian in an email that her agency is not considering any commercial production of the genetically altered salmon outside of Panama. She noted, however, that this could & %

;ZWgjVgn ^h 9ZciVa =ZVai] Bdci]ÅcZlh id jh ÅbZVc^c\ ^iÉh i^bZ id hide WZ^c\ V ÆhdX^Va [adhhZgÇ VcY hiVgi \Zii^c\ hZg^djh VWdji iZZi]# >iÉh Vahd Vc ZmXZaaZci dXXVh^dc id hX]ZYjaZ i]Vi adc\"YZaVnZY iddi] XaZVc^c\# L]Vi VWdji i]dhZ l]d ]VkZ cd YZciVa ^chjgVcXZ VcY cd bdcZn4 8]ZX` dji i]Z [gZZ YZciVa ZbZg\ZcXn YVnh d[[ZgZY je b^Ybdci] Wn 9g# 6cYn BX8dgb^X`! 9#9#H# BX8dgb^X` l^aa egdk^YZ VcndcZ l]d ]Vh V YZciVa ZbZg\ZcXn dg ^h h^bean ^c cZZY d[ V iZZi] XaZVc^c\ [gZZ igZVibZci dc V [^ghi"XdbZ! [^ghi"hZgkZ WVh^h# 6XXdgY^c\ id Wjh^cZhh bVcV\Zg A^hV BX8dgb^X`! i]Z [gZZ igZVibZci ^h V lVn id \^kZ WVX` id i]Z Xdbbjc^in Yjg^c\ V Y^[ÒXjai ZXdcdbn# <Zi ÉZb eZVgan l]^iZ dc ;ZW# * VcY ;ZW# &. Vi 9g# BX8dgb^X`Éh d[ÒXZ# -** ;djciV^c\gdkZ EVg`lVn! HVciV GdhV# .VbÄ(eb# ;gZZ# ,%,#*,.#...(#

THE BOHEMIAN

Ă…AZ^aVc^ 8aVg`

02.02.11-02.08.11

09


%.

5A0=:4=58B7

change if growers submit applications to produce the fish in locations elsewhere, which AquaBounty seems to be counting on. Its website states that AquAdvantage salmon “are designed for on-shore facilities that can be built closer to consumers to reduce the need for energy-intensive shipping and transportation�— a vision that does not seem to include fish production six nations south of Mexico. The website also says, “The introduction of landbased salmon farms in the U.S. would spur investment into this industry in our country.� AquaBounty, whose role in AquAdvantage salmon production would be solely as an egg supplier to third-party buyers, has designed its fish such that “AquAdvantage salmon eggs only become sterile females,� according to AquaBounty’s CEO, Dr. Ronald Stotish, who corresponded with the Bohemian via email. These salmon will be triploids, or animals bearing three complete sets of chromosomes per cell. AquaBounty claims this sterility safeguard will eliminate risk of genetically modified genes creeping into wild salmon populations. But test batches of eggs hatched by AquaBounty rendered as many as one fertile offspring (diploid fish with two sets of chromosomes to each cell) per 100 eggs, and AquaBounty’s permit application, now under review, allows for up to 5 percent of their salmon’s eggs to become fertile diploid offspring. Researchers at Purdue University in Indiana and at the University of Stirling in Scotland have described several mechanisms that could occur in wild fish populations if fertile genetically engineered salmon escape. In their worst-case hypothetical scenarios, extinction results. In its 172-page report, the FDA recognized an “extremely small� risk of AquAdvantage salmon escaping and establishing themselves as a manmade invasive species. This would require “escape (or intentional malicious release) of a large number of reproductively competent broodstock from the [Prince Edward Island] egg production facility.� Highsecurity physical barriers make such an event unlikely, the report says. Even if no genetically engineered fish ever escape, says Assemblyman Jared Huffman, D-San Rafael, the mere presence of farmed salmon meat harms wild salmon by hamstringing efforts to preserve the streams in which wild fish spawn. Sen. Mark Begich, D-Alaska, has publicly expressed the same concern. Huffman recently introduced Assembly Bill 88, legislation that, if passed into law, would require any genetically modified salmon sold in California be labeled as such. Sen. Begich may introduce a similar bill which would require labeling of genetically engineered fish nationwide. AquaBounty’s representatives have balked at the idea. In an email to the Bohemian, AquaBounty’s Stotish said his company favors existing federal laws which require genetically engineered foods to be clearly labeled only if the product is “compositionally different.� “Because fish grown from AquAdvantage salmon eggs are exactly the same as any other North Atlantic salmon, there is no legal authority to label the fish,� Stotish says. Indeed, the FDA stated in its September report that AquAdvantage salmon flesh —from the sterile, triploid females—is nutritionally no different than wild salmon

10

02.02.11-02.08.11

THE BOHEMIAN

meat and poses no foreseeable health hazards to humans. Diploid specimens which are expected to enter the market in very small numbers were not extensively studied, however, and the FDA could not rule out possible allergenicity. AquaBounty itself has directed or overseen all research conducted on AquAdvantage salmon and provided the results to the FDA, which based its report on the data. Marianne Cufone, of the consumer watchdog group Food & Water Watch, says the testing “was very closed-door in its nature� and that the “information provided to the public has been woefully inadequate,� amounting to just a handful of documents on the FDA’s website. “We’re concerned because the testing [of the salmon] involved no FDA participation,� Cufone says. “They just took conclusions from the very company that developed the product.� At the Center for Food Safety, regulatory policy analyst Colin O’Neil notes that AquaBounty’s “application was lying on the FDA’s desk for 10 years, and then the public received only 10 days in September to look at the information.� AquaBounty’s reluctance to identify its fish to consumers is a red flag, according to Assemblyman Huffman. “If [AquaBounty] believes their product is so benign, they should have no problem with identifying it,� says Huffman, who worries that FDA approval of the product could lead down a slippery slope of deregulation, with California’s current prohibitions on farming salmon in open-ocean pens facing increased likelihood of being lifted. The open-ocean salmon farming industries of British Columbia, eastern Canada, and northern European nations have already devastated—and even destroyed—many wild populations of salmon, according to scientists in many nations. Yet AquaBounty’s Stotish assures that his company’s salmon will have net positive effects. In an email to the Bohemian, he writes, “Because the seas are fished virtually to extinction, the only way to ensure consumers get what they want is to use every tool in our toolbox.� In a poll conducted in part by Food & Water Watch, 78 percent of participants said they opposed the legalization of genetically engineered salmon as food. Though many consumers will almost certainly opt against purchasing the product if they are provided with the labeling information to do so, local chef Duskie Estes believes many others will eat it up. “Sadly, I think there will be a market for [genetically engineered salmon],� says Estes, who, with her husband, owns Zazu Restaurant in Santa Rosa, Bovolo in Healdsburg and Black Pig Meat Co. “I don’t think it would turn people off at all, even if it was labeled.� Huffman’s bill is now undergoing legislative review. In all, 14 elected officials in California and several dozen House representatives and senators have spoken out against AquaBounty’s fish. In Alaska, Sen. Begich has introduced a bill that aims to prohibit outright genetically engineered fish from being sold in the United States. Estes notes that the public has final executive power in approving or rejecting food products via the money they spend as consumers. Such a selective process cannot function, however, if buyers don’t know what they’re buying. AquaBounty Technologies hopes to keep it that way.


4?22; G<;2

AdbWX]½ AXeTab

Lake Sonoma flows and flood control— not a pure science? By Juliane Poirier

B

ustaining a “natural� flow of water in tributaries of the Russian River is tricky business. If too much flows too fast, fish eggs nested in the gravel, aka redds, can get scoured, as can the banks of the waterway (aka erosion). Flow can be altered abruptly by storms and by releases from the Warm Springs Dam, a 30-million cubic-yard dam created by the Army Corps of Engineers for flood control and water supply. The resulting Lake Sonoma can store 381,000 acre-feet of water and release up to 29,600 cubic feet per second (cfs), and it’s the Corps of Engineers who decides how and when water escapes. But not everyone is pleased by Corps decisions. One angry Santa Rosa fisherman complained to me that the Corps a few weeks ago “blew out fishing on the Russian River just as the conditions were getting good.� The fisherman, choosing to remain anonymous, wrote, “The f low increased from 160 cfs to 2,000 cfs in 24 hours. It chased fisherman up the bank and could have washed Chinook, coho and steelhead redds out of Dry Creek’s main stem� because the release “had no relationship with the weather and natural stream f low at the time.� Did the redds get blasted out by this? When I ask this of Bill Hearn, National Marine Fisheries Service biologist, he pointes me to the Russian River Biological Opinion, a NMFS paper that claims scouring of coho salmon and Chinook salmon redds is likely to be caused when releases into Dry Creek are at 5,000 cfs. Hearn summarized by saying that “most redds in the three-mile segment between Warm Springs Dam and Pena Creek are scoured during major release operations.� Not good for fish. Peter LaCivita, a Corps biologist, defends the releases determined by those he refers to as the Corps’ “water-management folks in Sacramento� who “look at the projected rainfall and at how much water is in the flood pool, and try to release enough water from the dam to get to the bottom of the flood pool before the rain starts filling up the reservoirs.� When asked whether the fish get any

consideration in the releases made last week, for example, LaCivita says, “I believe we went up to 1,700 cfs last week, and we did maintain that release at that level long enough to get some fresh gauge readings below the dam and to calibrate our flows, then ramped back down to much lower numbers after that.� Was damage done to redds during that flooding? “Flood control releases have some impact to steelhead and salmon in Dry Creek,� Hearn claims, “limited to the more upstream reaches.� According to Hearn, the Corps has agreed to habitat restoration activities to mitigate impacts in more downstream reaches of Dry Creek. What about the Russian River between Healdsburg and the mouth of the Russian River at Jenner—are the salmon and steelhead adults, juveniles or eggs harmed there by these gushes of water? “The flood releases,� Hearn says, “very likely do not have significant impacts� on these fish in the main stem of the river. As for ruined sport-fishing opportunities, Hearn explains that the NMFS, though it “administers the Endangered Species Act for marine and anadromous species, the Magnuson-Stevens Act which addresses conservation and protection of commercially harvested fish species and the Marine Mammal Protection Act,� doesn’t have the regulatory muscle to force the Corps to alter releases unless endangered fish species are being adversely impacted. “We readjust releases depending on what circumstance calls for,� says LaCivita. “I think you need to appreciate the fact that storms are part of the ecosystem, that higher flows are needed for spawning salmon swimming upstream to spawn, and that you need a certain amount of flow to move the finer sediments out of the gravel where the fish spawn. A pulse flow of 1,700 cfs at best is not unlike a routine storm.� Very serious storm conditions, LaCivita points out, have created flows of 35,000 cfs at Guerneville. “The two dams, Lakes Mendocino and Sonoma, control only 15 percent of the entire runoff for the Russian River watershed,� he says. “And there’s some art to this. It’s not a pure science.�

One angry fisherman complained that the Corps of Engineers ‘blew out fishing on the Russian River.’

LEARN MORE AT

smellthechallah.org

THE BOHEMIAN

02.02.11-02.08.11

11


“The best fertilizer is the gardener's shadow� Stop By Today! 807 Washington St Calistoga, CA 94515 (707) 942-4100

Construction Services We specialize in custom grow room design. Have a licensed contractor design, construct, and install your grow room!

Selection Wide selection of hydroponic and organic gardening supplies!

Grow Squad The New Harvest team has more than 40 years combine growing experience and can advise you on all aspects of growing!

Everything You Need to Grow Like a Pro www.NewHarvestHydro.com

FEBRUARY FEBRUAR RY 11, 12 + 13, 2011

Your vision‌ my resources, dedication and integrity‌ Together, we can catch your dream.

Hydro to Organic

Suzanne Wandrei EcoGreen Certified

88 :]^Sh :O\RaQO^S :]^Sh :O\RaQO^S ;OW\bS\O\QS ;OW\b \ S\O\QS TTree r ee Pruning P r uning

LLawn a w n Maintenance M a in t en a nce

SSprinklers pr ink ler s

GGutters u t t er s Cleaned Cle aned

DDrip rip IIrrigation rrig a t ion

GGarage ar age CCleaning le aning

TTrimming r imming & SShaping ha ping

CClean-up le an-up & HHauling auling

30 3 0Y Years ears E Experience xp e rie nc e

1-877-222-6023 1 - 877-222- 6 023

7 707-575-8347 07- 575 - 83 47 FFREE REE Estimates E s timat es / Serving Ser ving Sonoma, Sonoma, Marin Marin & NNapa a pa

12

02.02.11-02.08.11

THE BOHEMIAN

2006 Sebastopol Realtor of the Year

Coldwell Banker Residential Brokerage 101 Morris Street - Suite. 100 Sebastopol, CA 95472 cell: 707.292.9414 Please call cell first office direct: 707.824.4260

www.suzannewandrei.com

Lowest prices for quality products and expert service

Largest Inventory Free Consultation

20% off for 1st time customers

707.575.GROW (4769) Extended Store Hours: mon–fri 10–8 sat–sun 10–6 ÂŁĂˆÂŁÂŁĂŠ-iL>ĂƒĂŒÂœÂŤÂœÂ?ĂŠ,`ĂŠUĂŠ->Â˜ĂŒ>ĂŠ,ÂœĂƒ> sweetleafhydro.com


3<<1 1?6;8

<D;C810;; It’s all about the food and not about the glitz for Miriam Donaldson, pictured among Blue Label’s homespun decór.

4;8I014C7 B4F0A3

1PS 0bb Pc cWT 1T[eTSTaT Blue Label’s Miriam Donaldson slings delectable farm food without airs By Leilani Clark

Âş

H

ou want to see the secret room?� says Miriam Donaldson, chef at the Blue Label Restaurant, leading me into a small, dark utility closet. “Close the door,� she whispers. She scurries up a precariously balanced ladder, heading straight through a pitch-black hole in the ceiling. Luckily, we’re both bolstered by beer and shots from the 440 Club—her idea. A careful climb leads to a musty, pipe-strewn attic, and then to the belvedere cupola that gives the historic Belvedere House and the connecting bar its name. Donaldson smokes a cigarette in front one of the windows that look out onto bustling Mendocino Avenue and tells the story about how she ended up running the Blue Label

kitchen—a story that begins with running out of gas in San Diego County and ends, for the time being, here. Donaldson isn’t the type of chef that meets over a glass of expensive wine in some highclass restaurant atop a skyscraper. No, the 30year-old Kentucky-bred chef ’s territory is more laid-back, scrappier—think converted trailers, beer love and sailor’s language. She describes everything from food to formative kitchen experiences as “bad-ass� and “awesome.� She’s had no formal training—unless you count art school and self-taught farming techniques— and she brags not about the last bigwig that she’s served, but about how she and her husband lived in a house with no plumbing or electricity for three years. Her first professional kitchen work began at a funky cafe in a San Diego beach town,

where she ended up after running out of gas on her way to San Francisco. “I had a dollar in my pocket. A cute boy behind the counter at a cafe helped me out, and I ended up dating him for five years,� Donaldson says, laughing. Unlike many of her peers, she never attended cooking school, choosing to go the art route. She still paints—surrealist canvases inspired by fables. “I’ve always worked in restaurants,� Donaldson says. “Food is really great because it’s f lexible and you get cash money and you can go buy art supplies and stuff.�

4

ventually, Donaldson went to work at the Parkhouse Eatery, a popular San Diego restaurant. Around that time, she met Sonoma County–bred musician Josh Norwitt. Norwitt’s grandparents owned a 160-acre ranch in Petaluma—bought for cheap over 40 years ago because of its proximity to a &) THE BOHEMIAN

02.02.11-02.08.11

13


&(

1;D4 ;014;

former dump site—and the couple decided to move up to Northern California. “We moved up here to learn how to farm,� explains Donaldson. “I was worried the zombies were coming—still am a little,� she says. They checked out books on organic farming from the library, lived in a converted roll-top trailer and both went to work at Della Fattoria, a bakery and cafe in Petaluma known for using farm-fresh ingredients. Donaldson took on owners Lisa and Aaron Weber as mentors, in both ingredients and approach. “That was my first Northern California food experience,� says Donaldson. “In San Diego, it’s all about glitz on the plate. Half the time, it’s pre-packaged stuff bought from Sysco. I’d never seen somebody say, ‘Yeah, I grew this and now I’m going to cook it and sell it.’ It was mind-boggling to me. It was a sea change.� Inspired by life on the ranch, she began keeping a journal, writing what the food grown on the land tasted like versus what she thought it would taste like. The transparency of the Della Fattoria kitchen fascinated her as well. “There’s this whole mystic chef thing where people think the chef knows exactly what’s going on at all times, that they don’t reference anything. But they had such an inside-out kitchen,� she says. Donaldson took that inspiration and ran with it, opening Humble Pie in 2007, on sheer impulse, really, after she discovered that the previous manager of the small space next to her favorite bar, Penngrove’s Black Cat, had retired. “I went straight home and I was like, ‘Dude, fuck our jobs, let’s open something.’ We opened the restaurant in two weeks; I lost about 20 pounds. We slept on the kitchen f loor. There was just no time. That was kind of intense. Turns out it’s like that all the time.�

:

nown for the homemade quality of the food, Humble Pie gained a small but rabidly dedicated following. (“Best restaurant in Sonoma County� was a not-uncommon phrase.) In October of last year, however, when Donaldson was nine months pregnant, she and Norwitt closed the doors at Humble Pie. Norwitt had planned to get a full-time job while Donaldson stayed at home to take care of the baby, paint and garden. But when the opening-day chef left Blue Label soon after New Year’s Eve, Donaldson gathered up her recipes, along with her sous chefs Beau Churchill and Shahin Kalentari—“The heart and soul of the kitchen,� she says—and returned to work. Like Humble Pie, Blue Label focuses on the homemade. Hand-crafted root beer and ketchup made entirely from scratch complement a menu that encapsulates comfort food with a modern twist.

14

02.02.11-02.08.11

THE BOHEMIAN

“Suppers� include a hefty, f lavorful meatloaf laden with carrots, served with a side of roasted garlicky Brussels sprouts and creamy mashed potatoes. Meat aficionados will dig the gargantuan whiskey pork chop, or the woodsman stew concocted of rabbit and potatoes. It’s a hearty, lodge-esque menu, with a touch of home-cooked tradition. “There’s a lot to be said for food that we’ve seen cooked our entire lives, that has memories attached to it—it’s so much richer,� says Donaldson. “It becomes a twoway experience, and that’s pretty bad-ass.� As Donaldson’s garden sprouts on her Petaluma farm, she plans to incorporate more fresh vegetables into the plates, bringing to fruition a full realization of the “farm food� label.

‘We opened the restaurant in two weeks; I lost about 20 pounds. We slept on the kitchen floor.’

“I really see Mendocino Avenue as the Silk Road of agriculture,� Donaldson says as we tour the lower floor, where a taxidermied buffalo head hangs in the foyer above a manual typewriter, an antique washing machine and a record player next to a stack of vinyl. “American food has this really bad reputation for being really crappy, but I look at it as farm food. And I see Santa Rosa as a farm city. It’s totally unique like that.� In the kitchen, the sous chefs prep for the evening ahead (Donaldson points out the automatic dishwasher excitedly, since the dishes at Humble Pie were washed by hand). With our beer buzzes fading, Donaldson talks a bit about the future plans for Blue Label. With a larger space, possibilities include the opening of a cafe in the bright sunroom to the left, and an expanded, more creative menu with a little more finesse. “Humble Pie was a really unique experience, because it was so small that you could do whatever you wanted,� says Donaldson. “You develop this relationship with people, and you can bring it back to basics without having to put a lot of f lash onto it, just really focus on the cookery and the f lavor. It takes trust for the customers to think it’s worthwhile without putting a lot of glitz and tits on it. That’s what I’m trying to bring to Santa Rosa: food that is trusted enough that you don’t have to put a lot of airs onto it.�


16;6;4 Djg a^hi d[ Cdgi] 7Vn gZhiVjgVcih ^cXajYZh V l^YZ gVc\Z d[ eaVXZh lZ Zc_dn VcY i]^c` ndj b^\]i lVci id `cdl VWdji# 6aa lZgZ gZk^ZlZY Yjg^c\ i]Z eVhi ild nZVgh VcY VgZ hjW_ZXi id bZcj! eg^X^c\ VcY hX]ZYjaZ X]Vc\Zh# 8Vaa Òghi [dg XdcÒgbVi^dc# ;dg ZmeVcYZY AZiÉh :Vi a^hi^c\h! k^h^i lll#Wd]Zb^Vc#Xdb# 8dhi/ 2 JcYZg &'0 2 &(" '%0 2 '&" '+0 2 DkZg ', GVi^c\ ^cY^XViZh i]Z adl id VkZgV\Z Xdhi d[ V [jaa Y^ccZg [dg dcZ eZghdc! ZmXajh^kZ d[ YZhhZgih! WZkZgV\Zh VcY i^e#

H D C D B 6 8 D J C I N 8:CIG6A 8DJCIN 7^higd '.

L:HI 8DJCIN 9Éh 9^cZg

9^cZg# # 8aVhh^X Y^cZg hZgk^c\ V WZkn d[ WgZV`[Vhi YZa^\]ih! Vh lZaa Vh YZa^\]ih [dg di]Zg bZVah idd# 7gZV`[Vhi! ajcX]! VcY Y^ccZg YV^an# ,'+% =ZVaYhWjg\ 6kZ! HZWVhideda# ,%,#-'.#-%-%#

AVggn K^idÉh 77F Hbd`Z]djhZ

7VgWZXjZ# " # Hdji]Zgc"hinaZ VcY hadl"Xdd`ZY [gdb V X]Z[ l]dÉh ldg`ZY l^i] Lda[\Vc\ EjX` VcY 6a^XZ LViZgh# O^c\ +-&& AV\jcV EVg` LVn! HZWVhideda# ,%,#*,*#(',,#

Hjh]^ IdoV^

?VeVcZhZ# # HeVgZ! XaZVc VbW^VcXZ VcY hdbZ d[ i]Z [gZh]Zhi hjh]^ ndjÉaa ZkZg ZVi# AjcX] VcY Y^ccZg! IjZh"Hjc# ,*(& =ZVaYhWjg\ 6kZ! HZWVhideda# ,%,#-')#.--+#

I]V^ Edi

I]V^# # 6 adXVa [Vkdg^iZ [dg Vji]Zci^X I]V^ gZX^eZh l^i] eVY I]V^! Xjgg^Zh! Zmdi^X VeeZi^oZgh VcY Zcig‚Zh# AjcX] VcY Y^ccZg YV^an# +.+& HZWVhideda 6kZ VXgdhh [gdb LZhi 6bZg^XV 7Vc` ! HZWVhideda# ,%,#-'.#---.#

CDGI= 8DJCIN 7^higd GVae]

:a 8dfj^

EjZgid G^XVc# " # 6ji]Zci^X VcY YZa^X^djh EjZgid G^XVc ]dbZ Xdd`^c\# EaVc dc ajcX]^c\ ZVganÄi]Z eaVXZ [^aah je [Vhi# )%% BZcYdX^cd 6kZ! HVciV GdhV# ,%,#*)'#--+-#

>iVa^Vc$BZY^iZggVcZVc# " # Hadl ;ddY [gdb Cdgi]Zgc 8Va^[dgc^V"hdjgXZY ^c\gZY^Zcih# ;VWjadjh bVYZ"^c"]djhZ edg` hVcYl^X]Zh! e^ooVh VcY hVajb^! AjcX] VcY Y^ccZg YV^an# &%+ BVi]Zhdc Hi! =ZVaYhWjg\# ,%,#)(&#'.+'#

;aVkdg

=ZVaYhWjg\ 7Vg <g^aa

@^g^c

8]^cZhZ# # HeZX^Va^o^c\ ^c BVcYVg^c! HoZX]jVc VcY EZ`^c\ hinaZh# @^g^cÉh edi hi^X`Zgh VgZ i]Z WZhi ^c HdcdbV 8djcin# AjcX] VcY Y^ccZg! Bdc"HVi0 Y^ccZg! Hjc# ',%% NjajeV 6kZ! HVciV GdhV# ,%,#*'*#&.*,#

B^`ZÉh Vi i]Z 8gdhhgdVYh

7jg\Zgh# # 6aa `^cYh d[ Wjg\Zgh ^bV\^cVWaZ0 [g^Zh ;g^YVn dcan! cd h]V`Zh! YV ?Zih# AjcX] VcY Y^ccZg! Bdc" HVi# ,++* DaY GZYlddY =ln! 8diVi^# ,%,#++*#....#

G^h^W^h^

>iVa^Vc# " # 6c dVh^h d[ jgWVc^in i]Vi l^aa igVchedgi ndj id CZl Ndg`! EVg^h ZkZc# I]Z bZcj `ZZeh [gZh]an hZVhdcVa VcY X]Vc\Zh lZZ`an# AjcX]! Bdc";g^0 Y^ccZg YV^an# &*) EZiVajbV 7akY C! EZiVajbV# ,%,#,++#,+%%#

HVaÉh 7^higd

>iVa^Vc# " # 6 c^XZ cZ^\]Wdg]ddY eaVXZ [dg e^ooV! eVhiV VcY heZX^Vah a^`Z X^dee^cd# AjcX] VcY Y^ccZg YV^an# .&. AV`Zk^aaZ 6kZ! EZiVajbV# ,%,#,+*#*.%%#

H D C DB 6 K6 AA : N 8VgcZgdh 7^higd L^cZ 7Vg

7^higd# " # <Zi Vc ]dcZhian egZeVgZY eaViZ d[ ZmXZaaZcXZ! gZVhdcVWan eg^XZY! Vi i]^h kZg^iVWaZ eVaVXZ d[ XgZeZh# AjcX]! IjZh";g^0 Y^ccZg! IjZh"HVi# +'% ;^[i] Hi! HVciV GdhV# ,%,#*)+#'.'.#

8Va^[dgc^V Xj^h^cZ# " # ;gZh] VcY dg\Vc^X l]^iZ"iVWaZXadi] [ddY Vi eVeZg"cVe`^c eg^XZh# AjcX] VcY Y^ccZg! Bdc"HVi# .+ DaY 8djgi]djhZ HfjVgZ! HVciV GdhV# ,%,#*,(#.+.*#

l^i] Zbe]Vh^h dc hZV[ddY# <ZcZgdjh edgi^dch! deZc `^iX]Zc! djih^YZ Y^c^c\# 9^ccZg YV^an# (%) 7dYZ\V 6kZ! EZiVajbV# ,%#,+'#&.%&#

7^higd# # 8aVhh^X VcY XaVhhnÄW^higd [ddY Vi ^ih WZhi# L^cZ WVg# AjcX]! Bdc";g^0 Y^ccZg YV^an# &%. EaVoV Hi! =ZVaYhWjg\# ,%,#)((#&(-%#

7dkdad

6bZg^XVc# " <djgbZi Wjg\Zgh VcY ediZci XdX`iV^ah [gdb i]Z dlcZgh d[ 8ngjh# >i V^cÉi [VcXn! Wji ^iÉh Vl[jaan \ddY! l^i] idecdiX] ^c\gZY^Zcih VcY adl eg^XZh# AjcX] VcY Y^ccZg YV^an# ')* =ZVaYhWjg\ 6kZ! =ZVaYhWjg\# ,%,#)((#((((#

HXdeV

>iVa^Vc# # ;dg igjZ IjhXVc [aVkdgh# 8Vc WZ XgdlYZY! Wji ndj \Zi id hZZ l]Vi i]Z cZ^\]Wdgh dgYZgZY# 9^ccZg! IjZh"Hjc# &%."6 EaVoV Hi! =ZVaYhWjg\# ,%,#)((#*'-'#

8Va^[dgc^Vc# # 6h [VcXn Vh [d^Z \gVh"X]Zhicji [gdi] eVg[V^i [dg Y^ccZg! Vh h^beaZ Vh ]jZkdh gVcX]Zgdh [dg WgZV`[Vhi! VcY Vaa hjeZgW# 7gZV`[Vhi! ajcX] VcY Y^ccZg YV^an0 WgjcX]! Hjc# &('* 7gdVYlVn! HdcdbV# ,%,#.(&#'%)'#

Bjge]nÉh >g^h] EjW

EjW [VgZ# # 8VhjVa! ]dbZn eaVXZ hZgk^c\ cd"cdchZchZ ejW \gjW a^`Z h]Ze]ZgYÉh e^Z# AjcX] VcY Y^ccZg YV^an# )+) ;^ghi Hi :! HdcdbV# ,%,#.(*#%++%#

I]Z GZY <gVeZ

E^ooV# " # 9ZaZXiVWaZ CZl =VkZc" hinaZ i]^c"Xgjhi e^ooVh l^i] [gZh] ^c\gZY^Zcih VcY V YVooa^c\ VggVn d[ idee^c\h# AjcX] VcY Y^ccZg YV^an# *'. ;^ghi Hi L! HdcdbV# ,%,#..+#)&%(#

I]Z GZhiVjgVci Vi HdcdbV B^hh^dc >cc

8Va^[dgc^V Xj^h^cZ# # >c i]^h ldgaY" XaVhh heV hZii^c\ hVbeaZ HdcdbV 8djcin"^che^gZY Y^h]Zh dg Vc ZaZ\Vci igVY^i^dcVa WgjcX]# 9^ccZg YV^an0 WgjcX]! Hjc# &-&)% HdcdbV =ln! 7dnZh =di Heg^c\h# ,%,#.(.#')&*#

K^cZnVgYh >cc

?VeVcZhZ# # <djgbZi hjh]^! Zmdi^X hZVhdcZY hZVlZZY hVaVY! gdWViV \g^aa heZX^Vai^Zh VcY egZb^jb hV`Zh# AjcX] VcY Y^ccZg! Bdc";g^0 Y^ccZg dcan HVi# '))+ EVi^d 8i! HVciV GdhV# ,%,#*)'#-'-'#

I]V^ DgX]^Y I]V^# " # G^X] I]V^ [ddY bVYZ l^i] Xg^he! [gZh] ^c\gZY^Zcih! gZVhdcVWan eg^XZY# AjcX] VcY Y^ccZg YV^an# &%%* K^cZ Hi! =ZVaYhWjg\# ,%,#)((#%*&*#

HeVc^h]# # 6ji]Zci^X [ddYh [gdb HeV^c! [gZh] [^h] d[[ i]Z [^gZ Wgd^aZg! ZmiZch^kZ iVeVh! Vh lZaa Vh eVZaaVh VcY bdgZ# :be]Vh^h dc dg\Vc^X# DeZc [dg ajcX] VcY Y^ccZg! LZY"Bdc# -))* HdcdbV =ln# =^\]lVn &' ! Vi 6YdWZ 8Vcndc GdVY! @ZclddY# ,%,#-((#)*%%#

EVbedh]

IgjX A^c]

Lda[ =djhZ

DhV`Z Hjh]^ 7Vg <g^aa

>cY^Vc# " # 8aZVc! [gZh]! ZmX^i^c\ igVY^i^dcVa >cY^Vc [ddY# 8]^X`Zc i^``V bVhVaV ^h ^cYZhXg^WVWan \ddY# AjcX] VcY Y^ccZg! IjZh"Hjc# *' B^hh^dc 8^gXaZ! HiZ &%! HVciV GdhV# ,%,#*(-#((+,#

K^ZicVbZhZ# # Ndjg WVh^X K^ZicVbhZ [VgZ! egZeVgZY id eZg[ZXi^dc# <gZVi [dg a^\]i bZVah# AjcX] VcY Y^ccZg! IjZh"HVi# -&% BX8aZaaVcY 9g! L^cYhdg# ,%,#-(-#+,)+#

GdnVa 8]^cV#

8]^cZhZ# # HbVgi Y‚Xdg! egd[Zhh^dcVa hZgk^XZ! kZgn hda^Y ldcidc hdje# AjcX]! Bdc";g^ VcY Hjc0 Y^ccZg YV^an# (%-% BVgadlZ GY! HVciV GdhV# ,%,#*)*#'.&&#

HDJI= 8DJCIN 8ZcigVa BVg`Zi

:XaZXi^X# # 9ZXZci e^ooV VcY ZmXZaaZci WgZlh# Ild ldgYh/ WZZg W^iZh AjcX]! Hjc";g^0 Y^ccZg YV^an# ,'* ;djgi] Hi! HVciV GdhV# ,%,#*)*#'((,#

8Va^[dgc^V Xj^h^cZ# # ;^h] ^h i]Z i]^c\ Vi i]^h V^gn hedi i]Vi [ZVijgZh adXVa VcY hjhiV^cVWaZ [ddYh# Adih d[ edg` Y^h]Zh! iddÄVcY i]ZnÉgZ ^chVcZan \ddY# 9^ccZg YV^an# )' EZiVajbV 7akY! EZiVajbV# ,%,#,,-#..%%#

NVd"@^`j

8jX^cV EVgVY^hd

Gjhh^Vc G^kZg 7gZl^c\ 8d

?VeVcZhZ# " # ;gZh] hjh]^ l^i] ^c\gZY^Zcih [adlc ^c [gdb ?VeVc hiZVah i]Z h]dl ^c i]^h edejaVg cZ^\]Wdg]ddY gZhiVjgVci# AjcX] VcY Y^ccZg YV^an# ',%% NjajeV 6kZ! HVciV GdhV# ,%,#*,-#-&-%#

Cdgi]Zgc >iVa^Vc# " # 9Za^X^djh ^ccdkVi^kZ [VgZ# AjcX]! Bdc"HVi0 Y^ccZg YV^an# &&) EZiVajbV 7akY C! EZiVajbV# ,%,#,-'#&&(%#

9Z HX]b^gZ

=ZVgin Xdci^cZciVa# " # >c[dgbVa!

8Va^[dgc^Vc# " # Hi^X` l^i] i]Z h^beaZ! XaVhh^Xh Y^h]Zh! Vh i]Zn ValVnh h]^cZ# AjcX]! IjZh";g^0 Y^ccZg! IjZh" Hjc0 WgjcX]! HVi"Hjc# &(,)% 6gcdaY 9g! <aZc :aaZc# ,%,#..+#))%&#

B 6 G > C 8 D J C I N 8:CIG6A B6G>C 6g^\Vidj ?VeVcZhZ ;ddY id <d

?VeVcZhZ# # 8]ZVe! YZa^X^djh VcY gZVYn id \d# AjcX] VcY Y^ccZg YV^an# B^gVXaZ B^aZ EaVoV! '%)+ ;djgi] Hi! HVc GV[VZa# )&*#)*(#-..%#

8^igjh He^XZ

I]V^$8Va^[dgc^Vc# # I]V^ bZZih 8Va^[dgc^V! l^i] [gZh] [gj^i VXXZcih! a^\]i ]ZgWh VcY he^XZh! VcY V \gZVi &+

THE BOHEMIAN

02.02.11-02.08.11

15


&*

bVc\d"YjX` hjbbZg gdaa# AjcX] VcY Y^ccZg! Bdc"HVi# &))) ;djgi] Hi! HVc GV[VZa# )&*#)**#%)))#

E^ooZg^V E^XXd

E^ooV# " # I]Z lddY"[^gZY dkZc `ZZeh i]^c\h Xdon! VcY i]Z dg\Vc^X ^c\gZY^Zcih VcY egdYjXZ bV`Z ^i Vaa iVhin# AjcX] VcY Y^ccZg! HVi"Hjc0 Y^ccZg dcan! Bdc";g^# ('d BV\cda^V 6kZ! AVg`hejg# )&*#.)*#-.%%#

Hda ;ddY

EjZgid G^XVc# # ;aVkdg[ja! Vji]Zci^X VcY ]dbZ"hinaZ Vi i]^h EjZgid G^XVc ZViZgn! l]^X] ^h Vh ]daZ"^c"i]Z"lVaa Vh i]Zn XdbZ# AjcX] VcY Y^ccZg YV^an# Ild HVc GV[VZa adXVi^dch/ ,(' ;djgi] Hi# )&*#)*&#),+*# .%& A^cXdac 6kZ# )&*#'*+#-.%(#

NZi LV]

8]^cZhZ# # 8VcÉi \d lgdc\ ]ZgZ# HeZX^Va 9jc\ZcZhh XgVW Y^h]Zh [dg Y^ccZg0 Y^b hjb [dg ajcX]# AjcX] VcY Y^ccZg YV^an# &'(- ;djgi] Hi! HVc GV[VZa# )&*#)+%#.--(#

L:HI B6G>C

Lynn’s Thai

Restaurant

Distinctive & Aromatic Thai Cuisine

B <Éh 7jg\Zgh 7ZkZgV\Zh

6bZg^XVc# # I]Z jai^bViZ ^c 6bZg^XVc Xj^h^cZ# 8g^hen [g^Zh! \ddY Wjg\Zgh VcY [g^ZcYan adXVah X]dl^c\ Ydlc# '%&, H^g ;gVcX^h 9gV`Z 7akY! ;V^g[Vm# )&*#)*)#%+**#

C^X`Éh 8dkZ

HZV[ddY$XdciZbedgVgn 6bZg^XVc# # ;gZh] [gdb i]Z WVn dnhiZgh! jehXVaZ hZV[ddY! hdbZ hiZV`h VcY V \gZVi Wjg\Zg# 7gZV`[Vhi! ajcX] VcY Y^ccZg YV^an# '(')% HiViZ GdjiZ &! BVgh]Vaa# )&*#++(#&%((#

E^cZ 8dcZ 9^cZg

:XaZXi^X# # ;jc`n Y^cZg bZZih jehXVaZ W^higd# 6bW^i^djh Y^h]Zh! a^`Z X]Zggn" lddY"hbd`ZY edg` ad^c l^i] aVkZcYZg \Vhig^fjZ! VcY hiZV` Vj ed^kgZ l^i] eZeeZgXdgc WgVcYn hVjXZ VgZ hZgkZY ^c ]dbZn Vibdhe]ZgZ# 7gZV`[Vhi! ajcX] VcY Y^ccZg YV^an# 8adhZY Bdc# +% ;djgi] Hi! Ei GZnZh# )&*#++(#&*(+#

or your weetheart

@:.99 /6A2@

38=8=6

>550;;H 1DA=B >ž H>D cottish poet and national treasure Robert Burns loved the haggis so much that in 1787 he wrote a poem to his adored food, perhaps even as he stared down into a pot of the bizarre dish, simmering in the stomach lining of the very sheep from whence it came.

S

For those curious about this culinary wonder, the back shelves at Gross Out (Grocery Outlet, for those uninitiated into the lexicon of the bargain market where products go to die) have purportedly produced cans of the gnarly Scottish fare, a sausagy concoction of sheep’s heart, liver, lungs, oatmeal and spices that have simmered in the animal’s stomach for at least three hours. Feel disgusted if need be, but know that haggis has been described by its fans as having an “excellent nutty and delicious savory avor.â€? Of course, another way to explore the joy of haggis is to attend the Robert Burns Party, scheduled for Feb. 5 at Monroe Hall. Organized by the Santa Rosa Scottish Dancers, this Burns night is part of a worldwide celebration of Robert Burns’ life and poetry, and includes performances by Scottish Highland, step dancing, a silent auction and a “kilt quiltâ€? rafe. Sheep’s organs will not be the only food available. Admission also includes sausages, homemade shortbread, caesar salad and a potato bar chockfull of “neeps and tatties.â€? Look for secret asks peeping out of pockets, since a dram or three of whisky is the traditional choice for washing it all down. All proceeds from the event beneďŹ t scholarships for students and families in the Scottish Dancer’s classes. And don’t worry, haggis hurling is not on the bill—at least not this year. Celebrate haggis (and Robert Burns!) on Saturday, Feb. 5, at Monroe Hall. 1400 W. College Ave., Santa Rosa. 6pm. $10–$20. 707. 588.8753.

Leilani Clark

;]\ROgÂłAObc`ROg Â’ :c\QV( (! Âł!^[ Â’ 2W\\S`( "(! Âł'^[

&"' 5`OdS\abSW\ 6eg 1]bObW /^^ZS DOZZSg >ZOhO /Q`]aa T`][ :]eS¸a eee Zg\\bVOW Q][ % % %'! '! Chocolate Raspberry Framboise Valentine Princess Cake Sweetheart Cake for Two Chocolate dipped Strawberries Assorted Valentine Cookies and Cupcakes

CDGI= B6G>C EdgiZaa^ Gdhh^

>iVa^Vc# # IVhin VcY V[[dgYVWaZ [VgZ ^c V Xdon hZii^c\# AjcX]! IjZh"HVi0 Y^ccZg! IjZh"Hjc# -+- <gVci 6kZ! CdkVid# )&*#-.'#+&%%#

>a E^XXdad 8V[[Z

>iVa^Vc# # 7^\! VbeaZ edgi^dch Vi i]^h egZb^Zg hedi dc HVjhVa^idÉh he^g^iZY lViZg[gdci# 7gZV`[Vhi VcY ajcX] YV^an# ++% 7g^Y\ZlVn! HiZ (! HVjhVa^id# )&*#'-.#&&.*#

?dZÉh IVXd Adjc\Z HVahVg^V

Hjh]^ GVc

?VeVcZhZ# # I]^h WZVji^[ja gZhiVjgVci ViigVXih adXVah VcY idjg^hih l^i] ^ih [gZh] XViX]Zh# 6 l^YZ hZaZXi^dc d[ c^\^g^! YZeZcY^c\ dc l]ViÉh [gZh]# AjcX]! Bdc";g^0 Y^ccZg! Bdc"Hjc# &%, 8VaZYdc^V Hi! HVjhVa^id# )&*#(('#(+'%#

NOW SERVING BREAKFAST IN SEBASTOPOL

7225 HEALDSBURG AVE ¡ SEBASTOPOL 707-829-8101 1445 TOWN & COUNTRY DRIVE ¡ S ANTA ROSA 707-527-7654 1353 LINCOLN AVE ¡ CALISTOGA 707-942-1443

02.02.11-02.08.11

THE BOHEMIAN

8 D J C I N J E K6 AA : N

HDJI= B6G>C

BZm^XVc# # Bdhian Vji]Zci^X BZm^XVc bZcj l^i] 6bZg^XVc hiVcYWnh# AjcX] VcY Y^ccZg YV^an0 iV`Zdji! idd# (-' B^aaZg 6kZ! B^aa KVaaZn# )&*#(-(#-&+)#

16

C 6 E 6

IdbbnÉh Ld`

8]^cZhZ# " # IVhin VcY [^aa^c\ 8]^cZhZ [VgZ l^i]dji i]Z \gZVhn lZ^\]"Ydlc# C^XZ kZ\ZiVg^Vc hZaZXi^dch! idd# AjcX] VcY Y^ccZg! Bdc"HVi0 Y^ccZg dcan! Hjc# (%%& 7g^Y\ZlVn 6kZ! HVjhVa^id# )&*#(('#*-&-#

7gjcX] Vi GZYY ^h ZmXZei^dcVa# AjcX]! Bdc"HVi0 Y^ccZg YV^an0 WgjcX]! Hjc# +)-% LVh]^c\idc Hi! Ndjcik^aaZ# ,%,#.))#''''#

7jhiZgÉh 7VgWZXjZ

7VgWZXjZ# # 6 kZgn Wjhn gdVYh^YZ YZhi^cVi^dcÄ[dg V gZVhdc# >iÉh i]Z ]di hVjXZ! VkV^aVWaZ ^c ild ]ZVih/ gZ\jaVg VcY ]di# 6cY i]Z ]di! Vh i]Z h^\c hVnh! bZVch Æ]di Ç AjcX] VcY Y^ccZg YV^an# &'%, ;ddi]^aa 7akY! 8Va^hid\V# ,%,#.)'#*+%+#

8]ZX`Zgh

8Va^[dgc^V# # EZg[ZXi XVhjVa hedi [dg Y^ccZg WZ[dgZ i]Z bdk^Z# Ign i]Z eVc‚ZY X]^X`Zc VcY WjiiZgcji hfjVh] gVk^da^# AjcX] VcY Y^ccZg YV^an# &)&) A^cXdac 6kZ! 8Va^hid\V# ,%,#.)'#.(%%#

B^\jZaÉh

BZm^XVc"8Va^[dgc^Vc# # JaigVXVhjVa hZii^c\ VcY aV^Y"WVX` hZgk^XZ WZa^Zh i]Z YZa^X^djh `^iX]Zc bV\^X l^i]^c0 X]^aVfj^aZh VgZ aZ\ZcYVgn# 7gZV`[Vhi! ajcX] VcY Y^ccZg YV^an# &)(, A^cXdac 6kZ! 8Va^hid\V# ,%,#.)'#+-+-

GZYY

8Va^[dgc^V Xj^h^cZ# " # G^X] Y^h]Zh WVaVcXZY Wn hjWiaZ [aVkdgh VcY XVgZ[ja nZi XVhjVa egZhZciVi^dc#

9 DL C K6 AA : N 6aZm^h 7V`^c\ 8d

8V[Z# " # 6aZm^h ZmXZah Vi WV`ZY \ddYh VcY d[[Zgh `^aaZg WgZV`[Vhih VcY hZch^WaZ hdje"ÉcÉ"hVaVY ajcX]Zh# &*&, I]^gY Hi! CVeV# ,%,#'*-#&-',#

8ZaVYdc

<adWVa Xdb[dgi [ddY# # GZaVmZY hde]^hi^XVi^dc ^c ^ci^bViZ cZ^\]Wdg]ddY W^higd hZii^c\ Wn i]Z XgZZ`# HjeZg^dg l^cZ a^hi# AjcX]! Bdc" ;g^0 Y^ccZg! Bdc"HVi# *%% BV^c Hi! HiZ <! CVeV# ,%,#'*)#.+.%#

8daZÉh 8]de =djhZ

6bZg^XVc hiZV`]djhZ# " # =VcYhdbZ! jehXVaZ &.*%h"ZgV hiZV`]djhZ hZgk^c\ X]de]djhZ XaVhh^Xh a^`Z Ygn"V\ZY edgiZg]djhZ hiZV` VcY 7aVX` 6c\jh [^aZi b^\cdc# LVh] Ydlc i]Z gZY bZVi l^i] V ÆcdhiVa\^VÇ XdX`iV^a# 9^ccZg! IjZh"HVi# &&'' BV^c Hi! CVeV# ,%,#'))#+('-#

H^ZcV

8Va^[dgc^V"IjhXVc# # Hde]^hi^XViZY! iZggd^g"^c[dgbZY Xdd`^c\ XZaZWgViZh i]Z adXVa VcY hZVhdcVa! l^i] ZaZXig^X XdbW^cVi^dch a^`Z hdggZa"lgVeeZY V]^ ijcV ejiiVcZhXV# 7gZV`[Vhi! ajcX] VcY Y^ccZg YV^an0 WgjcX]! Hjc# -,* 7dgYZVjm LVn! CVeV# ,%,#'*.#%+((#


D6;2?62@

Bdhi gZk^Zlh Wn ?VbZh @c^\]i# CdiZ/ I]dhZ a^hi^c\h bVg`ZY ĂˆL8É YZcdiZ l^cZg^Zh l^i] XVkZh# I]ZhZ l^cZg^Zh VgZ jhjVaan dcan deZc id i]Z ejWa^X Wn Veed^cibZci#

HDCDB6 8DJCIN

HWgV\^V ;Vb^an K^cZnVgYh

North County

:Y HWgV\^V bV`Zh hiZaaVg 8VW ^c O^c Xdjcign# ...% 9gn 8gZZ` GdVY! =ZVaYhWjg\# DeZc YV^an! &&VbÄ*eb# ,%,#),(#'..'#

7ZaaV K^cZnVgYh

I]dbVh <Zdg\Z :hiViZh

L8 HeZX^Va^o^c\ ^c O^c[VcYZa! 7ZaaV K^cZnVgYh [Vgbh i]gZZ k^cZnVgYh ^c HdcdbV 8djcin/ 7^\ G^kZg GVcX] ^c 6aZmVcYZg KVaaZn! VcY i]Z A^an =^aa :hiViZ VcY 7ZaaZ 8Vcndc ^c 9gn 8gZZ` KVaaZn# .,&& L# 9gn 8gZZ` GdVY! =ZVaYhWjg\# DeZc YV^an! &&VbÄ)/(%eb# -++#*,'#(**'#

8deV^c L^cZ 8ZaaVgh

E^cdi e^dcZZg 9Vk^h 7ncjb ]jc\ je i]Z ]dhZ XaVbe VcY hdaY ]^h ZhiViZ! Wji i]Z \ddY l^cZ hi^aa [adlh ^c gZbdYZaZY iVhi^c\ gddb [ZVijg^c\ V adc\ WVg VcY k^cZnVgY k^YZdh# Gjhh^Vc G^kZg 8]VgY! E^cdi VcY O^c0 hlZZi WZggn [aVkdgh VcY adc\"aVhi^c\ [^c^h]Zh# 8VkZh XdbeaZiZY [dg idjgh ^c '%&%# -%,* LZhih^YZ GdVY! =ZVaYhWjg\# &&VbÄ*eb! YV^an# IVhi^c\ [ZZ! *# ,%,#)(&#-%(&#

7Vgc"hinaZ iVhi^c\ gddb egdk^YZh eVcdgVb^X k^Zl d[ i]Z Gjhh^Vc G^kZg KVaaZn VcY V eZZ` ^cid i]Z XZaaVg [gdb l]ZcXZ ZbVcViZ adl"VaXd]da! [ddY"[g^ZcYan! Xdci^cZciVa"hinaZ HngV] VcY E^cdi Cd^g XgV[iZY l^i] hjWiaZ dV`! [dgZhi"[addg cdiZh VcY Xdda YVg` [gj^i [aVkdgh dc V hbddi] [^c^h]# ,-%% :Vhih^YZ GdVY! =ZVaYhWjg\# DeZc I]jghYVnÄHjcYVn! &&VbÄ*eb0 IjZhYVnÄLZYcZhYVn! Wn Veed^cibZci# ,%,#-(+#--''#

IldbZn 8ZaaVgh

;ZioZg K^cZnVgYh

CZhiaZY ^c i]Z ÆEZiVajbV \VeÇ VcY heZX^Va^oZh ^c XgZVi^c\ Vgi^hVc! ]VcYXgV[iZY E^cdi! 8]VgY VcY HngV]# *-,* AV`Zk^aaZ =ln#! EZiVajbV# 7n Veed^cibZci# ,%,#,+*#'&&,#

:kZc Vh V XdgedgViZ \^Vci! ;ZioZg gZiV^ch ^ih XdchX^ZcXZ VWdji i]Z ZVgi]! i]Z \gVeZh! i]Z aVcY VcY ^ih l^cZ# 8]VgYdccVn ^h l]Vi ;ZioZg YdZh ZheZX^Vaan lZaa# I]Z l^cZgn Vahd ]Vh V hbVaa YZa^ VcY ^cc# &(+%& DaY G^kZg GdVY! =deaVcY# DeZc YV^an! &%VbÄ*eb# -%%#-)+#-+(,#

;g^io JcYZg\gdjcY L^cZgn

EVgian jcYZg\gdjcY iVhi^c\ gddb dkZgadd`h i]Z ]^aa Xdjcign cdgi] d[ 9gn 8gZZ` KVaaZn Vi i]^h [Vb^an"dlcZY ZhiViZ# HVjk^\cdc 7aVcX! O^c[VcYZa! 8VWZgcZi HVjk^\cdc eajh Adhi 8Vcndc l^cZh [dgbZgan d[ DV`aVcY # ')+.& 9jiX]Zg 8gZZ` GdVY! 8adkZgYVaZ# IVhi^c\ &%/(%Ă„)/(% YV^an0 * [ZZ# ,%,#-.)#((-.#

;gVbZY Wn i]Z heVX^djh Zck^gdch! i]gdj\] V bVhh^kZ \aVhh lVaa! V eVcdgVb^X &% b^aa^dc k^Zl d[ i]Z Gjhh^Vc G^kZg KVaaZn VlV^ih iVhiZgh# (%%% LZhih^YZ GdVY! =ZVaYhWjg\# DeZc YV^an! .VbÄ*eb# -%%#*%*#)-*%#

Adc\WdVgY K^cZnVgYh

>[ hZg^djh hjg[Zgh VgZ hV^Y id Vci^X^eViZ Vc VeegdVX]^c\ lVkZ l^i] [dXjhZY XdciZbeaVi^dc! i]Zc ^i dcan [daadlh i]Vi i]ZnÉY ejghjZ l^cZbV`^c\ l^i] XdggZhedcY^c\ hijY^djhcZhh# I]ViÉh i]Z XVhZ Vi Adc\WdVgY# * ;^iX] Hi#! =ZVaYhWjg\# DeZc I]jghYVnÄHVijgYVn! &&VbÄ,eb0 HjcYVn! &&VbÄ*eb# ,%,#)((#(),(#

B^X]Za"HX]ajbWZg\Zg

=^\]an gZXdbbZcYZY! Wji Wn Veed^cibZci dcan# I]Z [Vb^an ]Vh WZZc bV`^c\ l^cZ ^c ;gVcXZ [dg )%% nZVgh# LZaa"`cdlc [dg 8]VgYdccVn# )&** L^cZ 8gZZ` GdVY! =ZVaYhWjg\# ,%,#)((#,)',#

Fj^k^gV L^cZgn

8Zgi^[^ZY W^dYncVb^X egdYjXZg i]Vi egdbdiZh XgZZ` hiZlVgYh]^e VcY hiZZa]ZVY"hVabdc"]VW^iVi gZhidgVi^dc# 9gn 8gZZ` O^c[VcYZa ^h V gZ\jaVg [Vkdg^iZ0 BdjgkƒYgZ VcY di]Zg G]Â?cZ kVg^ZiVah VgZ djihiVcY^c\# 6h i]Z hiZZa]ZVY ]VkZ aViZan gZY^hXdkZgZY! Fj^k^gV ^h ldgi] gZijgc^c\ id nZVg V[iZg nZVg# ).%% 9gn 8gZZ` GdVY! =ZVaYhWjg\# DeZc YV^an! &&VbĂ„*eb# -%%#'.'#-((.#

Add` [dg h^c\aZ"k^cZnVgY YZh^\cViZ O^c[VcYZahÄ\dg\Zdjh [gj^i WdbWh# '),(, =ln# &'&! HdcdbV# DeZc YV^an! &%VbÄ+eb# ,%,#.)%#)%%%#

=dbZlddY

=dbZlddY d[[Zgh iVhi^c\ ^c V hbVaa! hdbZl]Vi Y^h]ZkZaZY ^cYddg d[[^XZ dg Vc djiYddg YZX`# >cYddgh ^h l]ZgZ i]Z iVhin WaVX` da^kZ VcY WgZVY hVbeaZh VgZ! VcY i]Z [da`h VgZ adl"egZhhjgZ VcY [g^ZcYan# ;gZZ iVhi^c\! Vcni]^c\ ndj a^`Z# '(&'% 7jgcYVaZ GdVY! HdcdbV# DeZc YV^an! &%VbÄ)eb# ,%,#..+#+.(*#

AVcYbVg` K^cZnVgYh

8]VgYdccVn! 8]VgYdccVn! 8]VgYdccVn# &%& 6YdWZ 8Vcndc GdVY! @ZclddY# DeZc YV^an! &%VbÄ)/(%eb# ,%,#-((#%%*(#

C^X]dahdc GVcX]

Eajbe?VX` L^cZgn

EVgi d[ i]Z ]j\Z Zbe^gZ ^c eVgi ]ZabZY Wn H#;# bVndg <Vk^c CZlhdb# HngV]! BZgadi VcY bdgZ# +'% DV`k^aaZ 8gdhhgdVY! DV`k^aaZ# DeZc YV^an! &%VbÄ )eb# ,%,#.)*#&''%#

GdjcY EdcY :hiViZ

:hiViZ 8VWZgcZi HVjk^\cdc VcY HVjk^\cdc 7aVcX hZgkZY iVWaZh^YZ dc i]Z iZggVXZ l^i] hXgjbei^djh [ddY eV^g^c\h# L]d XVcÉi ^bV\^cZ Xdon^c\ je cZmi id i]Z W^\ \Vh"Wjgc^c\ ]ZVgi]! lViX]^c\ i]Z hjc hZi VcY hVkdg^c\ i]Vi Gji]Zg[dgY Yjh`4 -,* Gji]Zg[dgY GdVY! Gji]Zg[dgY# IVhi^c\h Wn Veed^cibZci YV^an! &&Vb id )eb# '*# ---#(%'#'*,*#

HjbbZgh :hiViZ L^cZh

:mXZaaZci BZgadi VcY i]Vi gVgZhi d[ WZVhih! 8]VgWdcd# HbVaa iVhi^c\ gddb VcY [g^ZcYan hiV[[# &&,& IjWWh AVcZ! 8Va^hid\V# DeZc YV^an! &%VbÄ)/(%eb# ,%,#.)'#**%-#

Hi# Hje‚gn

South County

L8 7Zhi `cdlc [dg ^ih 8]VgYdccVnh VcY V l^cZgn idjg [gdb i]Z YZei]h d[ i]Z XVkZh id i]Z ]Z^\]i d[ i]Z egdeZginÉh \gVcYbdi]Zg dV`# )'%% CVeV GdVY! HdcdbV# DeZc YV^an! &&VbÄ+eb0 idjgh Wn Veed^cibZci# ,%,#.(-#--''#

@ZaaZg :hiViZ

Hd_djgc 8ZaaVgh

K# HViij^

LZhilddY L^cZgn

Downvalley

Mid County @ZcYVaa"?VX`hdc

@"? egdYjXZh i]Z edejaVg l^cZh \gVX^c\ bdhi 6bZg^XVc iVWaZh# 6bVo^c\ \VgYZch! VcY \gZVi eaVXZ id ZmeadgZ [ddY VcY l^cZ eV^g^c\h# *%%, ;jaidc GdVY! ;jaidc# DeZc YV^an! &%VbÄ*eb# ,%,#*,&#-&%%#

H^Yjg^ L^cZgn

6 E^cdi"]ZVkn haViZ# .-% 6^glVn 8djgi! HiZ# 8! HVciV GdhV# 7n Veed^cibZci# ,%,#*,-#(--'#

=de @^ac L^cZgn

7di] eaZVhVci VcY gjgVa! =de @^ac ]Vh Vc ZmigZbZan edejaVg Xg^he l]^iZ l^cZ I]djhVcY ;adlZgh l]^X] hZaah dji ZkZgn nZVg# I]Z \gdjcYh VgZ \dg\Zdjh! g^\]i dc i]Z Gjhh^Vc G^kZg# +%*% LZhih^YZ GdVY! =ZVaYhWjg\# DeZc YV^an! &%VbÄ*eb# ,%,#)((#+).&#

8a^cZ 8ZaaVgh

[^ghi ldbVc id dlc VcY deZgViZ V l^cZgn ^c i]Z kVaaZn# :c_dn i]Z 8VWh# (%'' Hi# =ZaZcV =ln# C# Vi AdY^ AVcZ ! Hi# =ZaZcV# DeZc YV^an! &%Vb"*eb# -%%#.+(#.+.-#

West County

8dbeaZm Wji a^hhdbZ HdcdbV KVaaZn 8VW ^h i]Z hiVg Vi Xdb[dgiVWaZ iVhi^c\ hVadc _jhi d[[ i]Z HdcdbV EaVoV i]ViÉh Vh Xdb[dgiVWaZ Vh V a^k^c\ gddb# Cd cZZY id [ZVg h^i"Ydlc! Veed^cibZci" dcan iVhi^c\h0 _jhi [dXjh dc Hd_djgcÉh aVlc X]V^g ad\d VcY gZaVm# &)& :# CVeV Hi#! HdcdbV# 8dbea^bZciVgn iVhi^c\ Wn Veed^cibZci# ,%,#.(-#,'&'# Ldc`n l^cZ hX^Zci^hi XgV[ih hd^a" Yg^kZc l^cZh d[ WZ\j^a^c\ XdbeaZm^in [gdb i]Z egdb^h^c\ 6ccVYZa :hiViZ k^cZnVgY! dc i]Z lZhiZgc [gdci^Zg d[ HdcdbV KVaaZn# IjX`ZY VlVn ^c ]^hidg^X Ydlcidlc HdcdbV! i]Z ]VcYhdbZan [jgc^h]ZY iVhi^c\ hVadc ^h V XVhjVa hZii^c\ [dg V hZg^djh h^i"Ydlc iVhi^c\ d[ [ddY"[g^ZcYan E^cdi Cd^g VcY hdbZ d[ i]Z bdhi hVkdgn G]�cZ lZhi d[ i]Z G]�cZ# && :# CVeV Hi#! (! HdcdbV# =djgh Wn Veed^cibZci0 iVhi^c\ [ZZ &%# ,%,#.(*#(')+#

;gZZhidcZ K^cZnVgYh

I]Z XVhjVa! V^gn heVXZ ^h [jgc^h]ZY ^c V l]^iZlVh]ZY Xdjcign ;gZcX] i]ZbZ# K^h^idgh VgZ ZcXdjgV\ZY id h^i Ydlc Vi adc\ iVWaZh VcY ZkZc ]VkZ V e^Xc^X# &',), :a 8Vb^cd 7dYZ\V! ;gZZhidcZ# DeZc ;g^YVnÄBdcYVn! &%VbÄ)eb# ,%,#-,)#&%&%#

BVg^bVg :hiViZ

6 \gZVi hide [dg adXVah dc V HjcYVn Yg^kZ# 6cY i]Z E^cdi ^h [VciVhi^X# &&)%% <gVidc GdVY! HZWVhideda DeZc YV^an! &&VbÄ)eb# ,%,#-'(#)(+*#

L^cZ IVhi^c\ d[ HdcdbV 8djcin

6 c^XZ hide [dg V c^WWaZ VcY V h^e dc i]Z lVn id i]Z XdVhi# ;ZVijgZY l^cZh X]dhZc [gdb Vc ZXaZXi^X adXVa hZaZXi^dc0 eg^oZY VaadXVi^dch d[ L^aa^Vbh HZanZb E^cdi Vahd [dg hVaZ# 8]ZZhZ eaViZh! YZX` hZVi^c\! VcY V eZaaZi hidkZ [dg X]^aan V[iZgcddch# '*&,. =ln# &&+! 9jcXVch B^aah# DeZc LZYcZhYVnÄBdcYVn cddc id +eb# 8adh^c\ kVg^Zh0 XVaa V]ZVY# ,%,#-+*#%*+*#

East County 7Vgi]dadbZl EVg` L^cZgn

6 hXZc^X adXVaZ [dg hdbZi]^c\ i]Vi hdjcYh a^`Z ^i WZadc\h ^c V =Zcgn ?VbZh cdkZa# HVjk^\cdc 7aVcX VcY 8VW VgZ `^c\h ]ZgZ# &%%% K^cZnVgY AVcZ! HdcdbV# DeZc YV^an! &&VbÄ)/(%eb# ,%,#.(*#.*&&#

B6G>C 8DJCIN 7VXX]jh KZcjh

6 igZcYn eaVXZ [dg WZ\^ccZgh VcY idjg^hih# <gZVi eaVXZ id aZVgc i]Z WVh^Xh# ,+. 7g^Y\ZlVn! HVjhVa^id# DeZc YV^an! cddcÄ,eb# )&*#((&#'%%&#

C6E6 8DJCIN

Upvalley 7Zg^c\Zg K^cZnVgYh

L8 I]^h ]^hidg^X l^cZgn d[[Zgh hdbZ hZkZc YV^an idjgh [dg cdb^cVa [ZZh! bdhi d[ l]^X] ZcY \gViZ[jaan l^i] V \aVhh VcY V he^c i]gdj\] i]Z jcYZg\gdjcY l^cZ"V\^c\ ijccZah# DeZc YV^an! &%VbÄ+eb hjbbZg ]djgh # '%%% BV^c Hi#! CVeV# ,%,#.+(#,&&*#

8adh EZ\VhZ L^cZgn

L8 EgVXi^XVaan Vc Vgi bjhZjb# 6 '!-%%"hfjVgZ"[ddi ÆXVkZ i]ZViZgÇ eaVnh [gZfjZci ]dhi id eVgi^Zh VcY bdgZ# IVhi^c\ [a^\]i d[ [djg l^cZh! gZY VcY l]^iZ! &%# &%+% 9jcVlZVa AVcZ! 8Va^hid\V# DeZc YV^an! &%/(%VbÄ*eb# -%%#(++#-*-(#

;gZZbVg` 6WWZn >c &--&! ?dhZe]^cZ InX]hdc lVh i]Z

:meZXi id [^cY i]Z iVhi^c\ gddb XgdlYZY l^i] V ]VggVhhZY hiV[[! Wji Hi# Hje‚gn [ZVijgZh Vc ^ciZgZhi^c\ Vgi \VaaZgn l^i] X]Vc\^c\ Zm]^W^i^dch# -))% Hi# =ZaZcV =ln#! Gji]Zg[dgY# DeZc YV^an! &%VbÄ*eb# -%%#.)'#%-%.# I]dj\] V gZ\jaVg hide dc i]Z idjg^hi X^gXj^i! ^i gZbV^ch X]Vgb^c\ ^c i]Z >iVa^Vc hinaZ# L^i] cd Y^hig^Wji^dc ZmXZei k^V i]Z CZi! l^cZh XVc dcan WZ ejgX]VhZY dch^iZ# &&&& L]^iZ AVcZ! Hi# =ZaZcV# DeZc YV^an! .VbÄ+eb# ,%,#.+(#,,,)#

@D6?9

?7854A ?0E8CC F8=4B hat’s going on with that cowgirl, there? What’s she doing with that lasso? “People ask me all the time,â€? says Suzanne Phifer Pavitt. Her answer, avored with hints of a Georgia drawl, is that it really depends: cowgirl’s either got an eye on keeping her partner close in, or else she’s of a mind to rope a new one. Since landing in the ďŹ rst category, Phifer Pavitt and husband Shane have made sure that they made a weekly time slot in their busy lives for each other: a “date night.â€? No, this had nothing to do with the so-titled 2010 movie starring Tina Fey and Steve Carell. But, yes, they did get a bump from that.

W

Once upon a time, the Phifer Pavitts were enjoying one of their admittedly “more elaborate date nights,â€? in Italy, when they asked, “If we could do whatever we wanted, what dream would we live?â€? During a subsequent Napa jaunt, they settled that question and closed on a little property just off the Silverado Trail. Naturally, it’s not the ďŹ rst time that a couple of highying professionals pined to rusticate amid the vines here, where such stories are as unremarkable as the one where two people meet and fall in love, etc. But the Phifer Pavitts are on an enduring honeymoon with their project, have energetically communicated their theme and created a casual space for visitors to kick back and enjoy the one wine they produce: “Date Night.â€?

7aVX` HiVaa^dc L^cZgn

GrafďŹ tied with cowgirl sass, lit with recycled, fencewire “chandeliers,â€? the brand-new winery’s interior is furnished with hay bales. A sometime-working 1946 Farmall tractor ornaments the front of the building, itself largely remade from a recycled redwood barn. The massive plank bar comprises two slices from the trunk of what must have been a granddaddy of a walnut tree.

9Vg^djh]

Plum jelly plays second to blueberry and cream aromas, as “Date Nightâ€? Cabernet Sauvignon ($75) opens. Red plum jam, plum skin avors play the tart, while apricot and assorted stone fruit swim in full-bodied, spicy sangria-like avors; cocoa warms the margins of the substantive ďŹ nish. Grown in Pope Valley and made by Ted Osborne of Olabisi, this Cab is their only wine. If you fancy it, get a hold of it.

DlcZY Wn V eV^g d[ B^YlZhi a^fjdg" Y^hig^Wji^dc WVgdch l]d ]^gZY V XVeVWaZ l^cZbV`Zg VcY Zck^h^dc ^i id WZ V gZiV^a"YZhi^cVi^dc l^cZgn# I]Z l^cZh egdYjXZY d[[h^iZ [dg cdl VgZ fj^iZ \ddY# )%-. H^akZgVYd IgV^a! CVeV# DeZc YV^an! &%VbÄ*eb# ,%,#'*(#&)%%# :mdi^X adXVaZ! l^i] \^Vci Xdajbch VcY V EZgh^Vc i]ZbZ! 9Vg^djh] ^h _jhian [Vbdjh [dg ^ih 7dgYZVjm# )')% H^akZgVYd IgV^a! CVeV# DeZc YV^an! &%/(%VbÄ*eb# ,%,#'*,#'()*#

;Vg C^ZciZ

L8 ;Vg C^ZciZ lVh [djcYZY ^c &--* Wn ?d]c 7Zchdc! V É).Zg d[ i]Z 8Va^[dgc^V <daY Gjh] VcY jcXaZ d[ i]Z [Vbdjh 6bZg^XVc ^begZhh^dc^hi eV^ciZg L^chadl =dbZg# I]Z ZhiViZ WdVhih WZVji^[ja \VgYZch Vh lZaa Vh i]Z [^ghi bdYZgc"Wj^ai l^cZ XVkZh ^c Cdgi] 6bZg^XV# &(*% 6XVX^V 9g^kZ! CVeV# 7n Veed^cibZci# ,%,#.))#'-+&#

Phifer Pavitt Wines, 4660 Silverado Trail, Calistoga. Tastings by appointment. 707.942.4787. Phifer Pavitt pour their “Date Night� Cabernet Sauvignon on Feb. 14, 6pm to 9pm, at the Calistoga resort Solage. The special Valentine’s Day menu includes oysters and sparkling wine “Napaphrodisiac� options. Solage, 755 Silverado Trail, Calistoga. 866.942.7442.

James Knight

GdWZgi H^ch`Zn K^cZnVgYh

>c i]Z ad[in! WVgca^`Z ]VaaÄVh ZaZ\Vci Vh V i]ZViZg! Vh hda^Y Vh V h`^ adY\ZÄk^h^idgh XVc iV`Z ^c i]Z iVc` gddb VXi^dc0 Vi aZVhi! i]Z \aZVb^c\ hiV^caZhh hiZZa! [gVbZY Wn lddY VcY hidcZldg` VcY WgZlejW"hinaZ X]Va`WdVgY bZcjh ^bWjZh i]Z heVXZ l^i] V hZchZ d[ ZcZg\Zi^X ^bbZY^VXn# Æ<ajiidcdjh ;a^\]iÇ eV^gh hVkdgn bjcX]VWaZh egZeVgZY ^c i]Z \djgbZi YZbdchigVi^dc `^iX]Zc l^i] W^dYncVb^XVaan [VgbZY 8VgZgdh E^cdi Cd^g VcY 7dgYZVjm kVg^ZiVah# Cdi id ldggn/ i]ZgZÉh cd [a^\]i [dg VhXZi^Xh d[[ZgZY! hd \d [dg ^i# +('% H^akZgVYd IgV^a! CVeV# DeZc &%VbÄ)/(%eb YV^an# ,%,#.))#.%.%#

GdXXV ;Vb^an K^cZnVgYh

I]Z 8Va^[dgc^V K^cicZgÉh 8ajW cVbZY GdXXVÉh '%%) 8VW Æi]Z WZhi d[ i]Z WZhi#Ç

&&(% BV^c Hi#! CVeV# DeZc BdcYVnÄ HVijgYVn! &ebÄ+eb# ,%,#'*,#-)+,#

@cdaa 6kZ#! CVeV# DeZc YV^an! &&/(%VbÄ )/(%eb# ,%,#'**#,,%%#

IVhiZ Vi DmWdl

IgjX]VgY K^cZnVgYh

9^hXdkZg gZ[gZh]^c\ l]^iZ kVg^ZiVah 6aWVg^Šd VcY KZgbZci^cd ^c hina^h] hZii^c\ VXgdhh [gdb DmWdl BVg`Zi! i]Zc bdkZ dc id E^cdi Cd^g [gdb 8VgcZgdh e^dcZZg BV]dcZn K^cZnVgYh0 LViZghidcZ L^cZh! idd# ,%- ;^ghi Hi#! CVeV# HjcYVnÄI]jghYVn! &&VbÄ,eb0 ;g^YVnÄHVijgYVn! &&VbÄ.eb# IVhi^c\ [ZZ &%# ,%,#'+*#.+%%#

IgZ[Zi]Zc L^cZgn

HdbZ Xg^i^Xh XaV^b IgZ[Zi]ZcÉh ]ZnYVn lVh ^c i]Z É+%h! Wji i]Z l^cZgn egdkZh i]Zb lgdc\ l^i] YZeZcYVWaZ! YZa^X^djh l^cZh# IgZ[Zi]Zc ^h dcZ d[ i]Z daYZhi l^cZg^Zh ^c CVeV# &&+% DV`

THE BOHEMIAN

L8 Cd bViiZg ]dl ViiZci^kZ ndj VgZ id i]Z Y^gZXi^dch! cd bViiZg ]dl bjX] ndj hijYn i]Z fjV^ci! ]VcY"YgVlc bVe [djcY dca^cZ! cd bViiZg ]dl k^\^aVcian ndj lViX] i]Z higZZi VYYgZhhZh cjbZg^XVaan Xa^bW Vadc\ DaY HdcdbV GdVY! ndj l^aa ^cZk^iVWan b^hh IgjX]VgY K^cZnVgYh# L]Vi [daadlh ^h V i]gZZ" ed^ci ijgc dc V Wa^cY! ild"aVcZ gdVY! l^i] V h^c\aZ i]dj\]i ^c ndjg ]ZVY/ ÆI]^h l^cZ ]VY WZiiZg WZ ldgi] i]Z ^chjgVcXZ YZYjXi^WaZ#Ç 7ji l^i] 8VWZgcZi i]^h \ddY! ^i ^h# ('() DaY HdcdbV GdVY! CVeV# 7n Veed^cibZci# ,%,#'*(#,&*(#

02.02.11-02.08.11

17


ffree ree events events aatt W Whole hole F Foods oods M Market® arket® healthy he allthy eeating ating ed education ucattion cooking cooking demos demos

samples, samples, raffles raffle a s & more more

santa rosa, santa rosa, 22/19, /19, 111–3 1–3 coddingtown, co d gtown dding n, 22/19, /19, 111–2 1–2 ssebastopol, eba b stopol, 22/19, /19, 1–4 ssonoma, on noma, 33/12, /12, 111–3 1–3 www.wholefoodsmarket.com www w..wholefoodsmarkeet.com

Bring your Sweetheart for a Romantic Evening with

Celebrate Valentine’s Day at Rancho Nicasio

Monday, February 14th

THE BAGUETTE QUARTETTE

SPECIAL VALENTINE’S DAY MENU ENTRÉES Flame Broiled Filet Mignon served with a mushroom marsala sauce and potatoes au gratin

Garlic & Rosemary Rack of Lamb served with roasted fingerling potatoes, butternut squash, and greens

Fresh Seafood Paella with mussels, clams, prawns, scallops, cod and saffron rice

Reservations Advised

415-662-2219 On the Town Square

Nicasio, California www.ranchonicasio.com

18

02.02.11-02.08.11

Prime Rib of Beef au Jus with a baked potato and Yorkshire pudding

Grilled Wild Alaskan Salmon with champagne sauce and creamy polenta

Dungeness Crab Louie Salad

THE BOHEMIAN

SANTA ROSA SEAFOOD MARKET Fresh Caught &Guaranteed

Superbowl Crab Feast #RABS ,OBSTERS s ""1 /YSTERS Sushi grade seafood /YSTERS FOR THE HALF SHELL Clams & Mussels

.ORTH "AY S LARGEST shellfish selection! Retail Store Wed-Sun, 11am-6:30pm

707.280.2285 946 Santa Rosa Ave Santa Rosa corner of SR Ave & Petaluma Hill Rd


32.AB?2

24=C4A >5 0CC4=C8>= Cartoonist Mark Fiore after winning the Pulitzer. Fiore is the first recipient to win for online animation.

A82: A><06>B0 B0= 5A0=28B2> 27A>=82;4

CP[ZX]V ?XRcdaTb FP[ZX]V CP[[ No topic off-limits for Pulitzerwinning cartoonist Mark Fiore By Jessica Dur

Âş

H

ou are the most talented cartoonist in America and you should run on television,� says a fan. “God have mercy on you,� preaches a frantic woman— obviously not a fan. “Find a real job,� coaches a Marine. These are the messages left on Mark Fiore’s voicemail, the ranting from which he posts on his website for all to hear. Some are gracious, many mean. More than one person expresses a concern to kick his ass. Not bad for a Pulitzer Prize winner. Although Mark Fiore, who appears Feb. 12 at the Schulz Museum in Santa Rosa, is not seriously afraid for his life, he has received death threats. It’s not surprising, then, that Fiore works out of a converted warehouse in an undisclosed location in San Francisco. When I approach, I notice his name doesn’t even appear on the call box outside his studio.

But while the attention may have changed Fiore’s public profile, it hasn’t altered his work one bit. “No topic is taboo or off-limits,� Fiore tells me, echoing that as a political cartoonist, it’s his “responsibility to take a stand, even if it’s unpopular.� When he won the Pulitzer Prize for editorial cartooning last year, Mark Fiore became the first person ever to receive the award for work that does not appear in print. Though political cartoonists blossomed in the 19th century, and the category of editorial cartooning was created in 1922, Fiore is a modern-day pioneer of the trade. “The undisputed guru of the form,� according to the Wall Street Journal, Fiore broke free from print a decade ago to create flashanimated political cartoons online that, thanks to the internet and according to his website, are “seen by millions, probably even scrillions.� Given the professionalism of Fiore’s cartoons, I expect lots of fancy-looking equipment and shiny surfaces when I visit his studio. But much like the outgoing, relaxed cartoonist himself, the studio

is cozily unkempt: piles of paper and sketch pads are presided over by a towering bookcase stuffed full of actual books. For a digital artist, Fiore still swims in the world of print. Any political cartoonist needs constant fodder for the satire mill, and what’s bad for the citizenry is often good for Fiore. When I mention Bush, he grins: “He’s been beddy, beddy good to me.� When it comes to the current presidency, he admits, “As a cartoonist, I wanted McCain, but as a citizen, I wanted Obama.� And although Fiore’s perspective is unequivocally progressive, he lampoons both the right and the left. His Sarah Palin chokes on her words and says things like “All we have to fear is grizzly bears—and we can shoot ’em,� yet his Obama has been featured as a boxer who gouges his own eye out after letting the conservatives beat him up. Ultimately, Fiore’s work exposes the raw grit of political hypocrisy. As George Orwell once said, “In a time of universal deceit, telling the truth is a revolutionary act.� Last year, NPR’s website featured his cartoon “Learn to Speak Tea Bag,� which parodies the Tea Party’s over '% THE BOHEMIAN

02.02.11-02.08.11

19


&.

WIN FRONT ROW ROW SEATS SEA ATS TO AT TO

JJERRY E R R Y SEINFELD! ERR S EINF E I N FEL ELD!

att W a Well Wells el l s F Farg Fargo argo Cent C Center enter er o on n Marc M March arch 4th 4 4th! t h!

Powered P owered by owere by Richard Richard Todd, Richar To T odd, dd, owner owner of owne of BCC B BC CC Builders B uilder s of of Santa Sant anta Rosa Ro sa

Smart S mar t Comedy, mar C Comedy omedy dy, y, it’s it’s llike it lik ike NPR‌on NPR‌o NPR ‌on Acid! A Aci ci d ! EVERYTHING E V ERY T H I N G SONOMA SO N O M A C COUNTY, O U N T Y, PLUS P LUS POLITICS P O L I T I C S ) COMEDY CO M EDY P O P CULTURE CU LT U R E ) LIVE L I V E MUSIC M USI C ) WORLD WO R L D F A M OUS G U E ST S POP FAMOUS GUESTS Fueled F uele e led b byy Sonom S Sonoma onoma County County ty T To Tourism ouris urism Bure B Bureau urea u & Sonoma S onoma County onom County ty W Winegrape inegrap negrape Commission Co m m i s s i o n

3 T TO O 6 6,, WEEKDAY WEEKDA W E E K DAY AFTERNOON A AFTERNOONS F TER NOONS ON O N 135 11350 35 0 A AM M KSR K KSRO SRO

Streaming S treaming o on n K KSRO.com SRO.com a and nd iitunes t u ne s

<0A: 58>A4

reliance on terms like “nazi� and “socialist� to criticize the current administration. As a result, an incensed Bill O’Reilly branded NPR “a left-wing jihadist deal� after calling Fiore’s cartoon “not funny, stupid and unnecessary.� Fiore later wrote that the controversy was “just great,� because it accomplished the sort of discussion he’s after. He also seized the opportunity to speak out about the danger of splitting people into easy bipolar categories. “As a matter of fact,� he wrote, “I myself am a left-leaning, pro-gay-marriage San Franciscan, Catholic, anti-Bush, antiNader guy who guts his own fish, has cut down trees with a chain saw and took political science classes with Mary Cheney. Is your head imploding yet?�

5

Ayurvedic

Indian Head Massage

Women’s Health Specialists confidential compassionate nonjudgmental More Than Just Health Care...

707.537.1171 www.cawhs.org

• relief from tension headaches, eyestrain, and sinusitis • improves mobility in neck and shoulders • balances energy

Margery Smith 707.544.9642 20

02.02.11-02.08.11

THE BOHEMIAN

iore’s interest in cartooning began in childhood, with Garfield and Doonesbury. “I was brought into the news through cartoons,� he says. “Not because of some brilliantly written editorial, but because of funny pictures.� His eyes light up when he speaks of the “perfect design� of newspapers and the Sunday-edition cartoons. “Eventually,� Fiore notes, “I was drawn inside to something deeper, to the editorial cartoon.� In ninth grade, an English teacher one day told him, “Do anything you want this period, but you must give me something by the end of it.� Echoing the Cold War climate, an astute Fiore drew a cartoon of a kid sitting under a tree watching a truckload of dissembled nuclear warheads rolling by. His teacher informed him that political cartooning was something people did for a living, and his passion blossomed. When it comes to his skills, then and now, Fiore is modest. “I was not naturally talented,� he admits, “I just liked it.� In the mid-’90s, while working at a copy store to foot the bills, Fiore scanned one of his cartoons in color for the first time. The digitized result amazed him. After an uninspiring turn as a staff cartoonist in “a terribly stifling fluorescent, windowless office,� Fiore fled the print world for good in 2002. He’s never looked back. “Animation gives me the opportunity to tap into people’s emotions, given the range of color, motion, sound and music. It’s like getting to pull back someone’s skull and poke different parts of their brain,� he says, chuckling. By literally putting faces on issues, Fiore infuses the serious with the silly. Fiore’s chirpy talking gun, for example, is featured most recently in “Shooting from the Lip,� a response to the tragedy in Tucson. The gun calls for an “eight-day waiting period for dangerously confrontational political speech� because “guns don’t kill people, words kill people!� Then there’s the hopelessly grumpy conservative Mr. Dan, growling at the innocently practical Dogboy. “Mr. Dan! ‘Don’t ask, don’t tell’ is going to be repealed,� Dogboy announces—to which Mr. Dan responds, “Good, now we can ask who’s gay and tell

them to leave!� There’s also the playfully sinister Knuckles, a black-hooded oaf who delights in torturing people, and Pokey, a hypodermic needle who’s eager to keep the death penalty alive and well in America.

‘The syndicates have done more to kill cartooning than the internet.’ Fiore’s is essentially a one-man show; he has no research assistant, and only just hired voice actors about a year ago. (He and his wife still lend their vocal cords.) Every week, he combs both print and online news for a worthwhile and often underplayed story that he can turn into a one- to two-minute cartoon. Like all satirists, he must tap into the archetypes that reach the largest number of people. “Advertising serves the role that literature once did,� Fiore says. “There was a time when Americans had books, like the Bible or Huck Finn, to unite them, but these days it seems like advertising is our common language.� A self-syndicated artist, Fiore sells his cartoons to a number of media outlets, including the San Francisco Chronicle’s SFGate.com, where they run each Thursday. When it comes to syndicated cartoons, he is frank: “The syndicates have done more to kill cartooning than the internet.� After all, it’s much easier for newspapers to pay less for a sure thing (The Family Circus, anyone?) than to take a chance on something new. He bemoans the syndicates’ use of grandfathered cartoonists who, though great, are squeezing out local, regional cartoonists whose hearts are still beating. For someone who mucks around in the grime of American politics, Fiore is remarkably upbeat. In addition to spending his weekends “unplugged,� he manages to stay positive by focusing on what’s possible. He calls for his viewers to “Turn cartoons into action!� with his site’s “Do Something� link, which lists helpful (and hopeful) sites related to his cartoons, like SNAP (Survivors Network of those Abused by Priests), a comforting salve to Fiore’s hilariously irreverent “Hierarchy Complicitus� about the misdeeds of the Vatican. As for the future? Fiore remains characteristically cynical and optimistic in the same breath. “I hope we screw things up enough,� he says, “that we are forced to innovate solutions in order to save ourselves.� Mark Fiore appears twice on Saturday, Feb. 12, at the Charles Schulz Museum. From 10–11:30am, Fiore leads a master class for adult cartoonists ($32–$40; reservations at 707.284.1263). From 1–3pm, Fiore appears in the museum to draw, meet fans and answer questions ( free with museum admission). 2301 Hardies Lane, Santa Rosa. 707.579.4452.


.?A@ 612.@

<0=½B <0= Adam Carolla’s pull-nopunches schtick is heavy on LOLs and light on BS—especially for the Bay Area.

APXbX]V 2PX] Expert provocateur Adam Carolla rants his way to glory By David Sason

B

Âş

irius calls me twice a year,� says Adam Carolla on the phone from his Los Angeles home, “and says, ‘Hey man, you interested in doing some satellite radio and thumbing your nose at the man and doing your own thing?’ I go, ‘Yeah, how much?’ They go, ‘Oh, we don’t have any money.’ I go, ‘All right, why don’t you call me when you do.’� To drive the point home, Carolla proceeds in his signature way: “Don’t open the phone book and call roofers and go, ‘Hey man, do you have an inherent interest in putting a roof on my house?’ The answer is, ‘No, but if you give me money, I’ll come to your house and put a roof on it. I’m a roofer, it’s my business. I have a fundamental interest in putting a roof over my family and paying the fucking bills.’� As a radio host (Loveline), TV host (The Man Show), producer (Crank Yankers), film actor (The Hammer) and even a contestant on Dancing with the Stars, Adam Carolla is a media renaissance man. But throughout his storied entertainment career—and surely from his days as a construction worker and boxing

instructor—he could best be described as a talker. The nasally humorist, who brings his multimedia standup comedy show to Napa’s Uptown Theatre this Friday, rants on all annoying happenings both mundane and grandiose, to the delight and sometimes chagrin of his audience. His specialty recently spread to a highly successful podcast and a bestselling book, titled In Fifty Years We’ll All Be Chicks . . . And Other Complaints from an Angry Middle-Aged White Guy. Carolla loves talking so much that our scheduled 10-minute chat exceeds 20 minutes, prompting me to end it—strange for a celebrity interview. But don’t get it twisted. Mr. Verbose is always working. After Howard Stern left terrestrial radio in 2006, Carolla was touted as Stern’s morningradio successor and enjoyed a successful syndication before cutbacks led to the show’s end in 2009. Although his free podcast is the most downloaded daily broadband show, with over 5 million monthly downloads and over 150,000 daily listeners, the lack of censorship is not as important to Carolla as it was to Stern. “It’s not because I have pride,� he says of podcasting rather than accepting offers from

radio stations like Live 105 and the like, “and it’s not because I’m a dick, but I make more money doing the podcast, and it’s a better gig for me.� Carolla is refreshingly candid when asked about hypothetically receiving an exorbitant offer for work, say, tomorrow. “Tomorrow? How about later today? Absolutely!� says the 46-year-old father of two. “If someone wanted to step up in some crazy way and back up the Brinks truck . . . well, I’m not sure why they need to back it up. I feel like they could drive it up my driveway and I could just walk around to the back.� Both onstage and online, some of Carolla’s most engaging content is his singular political opining which sometimes conf licts with the increasingly dogmatic landscape in America today. Case in point: after a reasonable dissertation on the liabilities of illegal immigration, an enthusiastic listener called to agree—before suggesting firebombing all migrant tunnels. “I guess there’s always the danger of that, but I don’t affiliate myself with one party or the next,� Carolla says. “I love the Bay Area, but the thing about many of the '' THE BOHEMIAN

02.02.11-02.08.11

21


PA I D A D V E R T I S I N G S E C T I O N

'&

ART

0DLQ 6WUHHW LQ GRZQWRZQ 1DSD z 192+ 25* IDFHERRN FRP QDSDYDOOH\RSHUDKRXVH

G A L L E R Y

Llewellyn A FI N E A RT G A L L E RY Y

$ODVGDLU )UDVHU 1DWDOLH +DDV 7+,6 )5,'$< )HE SP ²

´2QH RI WKH Ă€QHVW Ă€GGOH SOD\HUV 6FRWODQG KDV HYHU SURGXFHG Âľ

American Dipper (Cinclus Mexicanus)

Oseguera

'DLOH\ 9LQFHQW *UDPP\

B y A pp o i n t m e n t

707-887-2373 6525A First Street, Forest ville, C A

RIVERFRONT ART GALLERY

132 PETALUMA BLVD. NORTH, DOWNTOWN PETALUMA

707-778-4ART(4278)

WWW.RIVERFRONTARTGALLERY.COM

Contemporary/Museum Framing

Art Through Two Lenses January 2 - February 27

Joann Lustig Jewelry

John Hanses Photography

Conceptual Art Gallery

707.473.9600 707.474.9600 www.hammerfriar.com Sebastopol Gallery

150 N. Main St. Sebastopol 829-7200

Call Today to Advertise! 707.527.1200 sales@bohemian.com 22

02.02.11-02.08.11

THE BOHEMIAN

)UL )HE SP ²

1RPLQHHV

%HVW &RXQWU\ 3HUIRU PDQFH E\ D 'XR RU *URXS ZLWK 9RFDOV

030< 20A>;;0

people in your progressive community is they’re assholes.� He explains: “I want to keep abortion legal, every girl over 15 to have access to birth control, everyone to have the morning-after pill on their nightstand, and I think if you’re a homeowner and pay your taxes and you want to grow a fucking pot plant in your backyard, that should be your goddamned business, and I don’t like assault rif les being sold to felons, and I want people to have to register their guns, and . . . I’ve got a ton of left-wing leanings. But as soon as I say, ‘Beef up the border,’ someone goes, ‘Hey, you fucking racist Charlton Heston! Why don’t you go hang out with your gun buddies down at the Klan rally?’�

I have an ‘interest’ in doing the next book because somebody said, ‘Here’s a nice chunk of change.’ Subsequently, Carolla’s book masterfully skewers both sides of the aisle, making him a new kind of everyman driven more by common sense and life experience than any political party platform or economic class. His views make so much sense that it’s hard to argue with any of it. The right wing (whom he calls “knuckle draggers� for their views on gay marriage and other social issues) gets it just as bad from the avowed atheist comedian in hilarious chapters like “God, Religious Tolerance, and Other Shit That Doesn’t Exist.� Next up for Carolla is another book due to the success of In Fifty Years We’ll All Be Chicks, which is currently the No. 1 selling audiobook on iTunes. (“I have an ‘interest’ in doing the next book because somebody said, ‘Here’s a nice chunk of change, would you please write a follow-up to the book you just wrote.’�) With his current tour, his ongoing podcasts and similar opportunities, Carolla seems closer than ever to what he calls his “fuck-you money,� an amount he says enables ultimate occupational freedom. “Sadly, I squandered most of my fuckyou money on exotic automobiles,� he tells me. “But here’s the good news: If I had my fuck-you money, we wouldn’t be talking right now, right? I’d be like, ‘Fuck you, I’m sleeping in.’� Adam Carolla appears on Friday, Feb. 4, at the Uptown Theatre. 1350 Third St., Napa. 8pm. $39. 707.259.0123. www.adamcarolla.com.


@A.42

2A086 B27F0ACI

74;?5D; 740;8=6 Alice Ripley and Asa Somers: Worth the drive.

@dXTc Bc^a\

‘Next to Normal,’ ‘Talking With’ explore inner peace By David Templeton

3

epression, suicide and bipolar disorder are unlikely subject matters for a Broadway musical, but as the Pulitzerwinning Next to Normal proves, sometimes the least promising idea can give life to the most satisfying works of art. Created by Tom Kitt and Brian Yorkey, the hard-hitting show won several Tony awards on Broadway. Directed by Michael Greif (who also directed the original production of Rent), Next to Normal now comes to San Francisco, where it’s just opened a four-week run at the Curran Theater, bringing with it Alice Ripley, who won a Tony for her creation of the lead role in the show. Diana, played with raw and riveting intensity by Ripley, has been struggling with bipolar disorder for years. Diana’s loving, long-suffering husband, Dan (Asa Somers, heartbreaking in the role), has allowed the need to heal his wife to consume his world and eclipse the needs of his family. Dan and Diana’s teenage daughter, Natalie (a vulnerably appealing Emma Hunton), is an overachieving oddball at school, resentful of her mother’s emotional absence and the unpredictable, embarrassing antics that keep her from inviting friends home from school. Natalie’s tentative friendship/courtship with amiable pothead Henry (Preston Sadleir)

eventually leads her into a path of tentative adolescent self-destruction, as Gabe, Natalie’s older brother, takes Diana’s side. Initially, he appears as his mother’s only sympathetic support system (he encourages her not to take her drugs), but in a head-turning first-act twist, Gabe is revealed to be at the root of Diana’s illness, a jarring illustration of just how far her illness has progressed. The entire production, fueled by a tight, onstage rock band playing Yorkey’s electrifying score, is grounded in compassion and keenly observed details of Diana’s day-to-day inner life. But the best parts of Next to Normal are its honest depictions of how Diana’s struggles are affecting those around her. As Diana rides a wave of therapies and treatments, Next to Normal draws provocative material from the growing desperation of her doctors (all played by Jeremy Kushnier), and the increasingly determined Dan, who just wants to help but very possibly may not be able to. The songs dig deep, stretching from the cagy opening number “Just Another Day� and Dan’s lovely “I Am the One� to Diana’s searing electroshock number “Wish I Were Here� and the rousing, life-affirming anthem “Light.� That such material can be presented with so much humor and insight and still constitute no-holds-barred Broadway entertainment is quite a feat. In its stirring climax, the show becomes a celebration of those willing to risk caring for people whose love does not come without danger. In addition to theater fans, Next to Normal is proving to be of special interest to folks involved in the mental health system. The Sonoma and Marin County NAMI chapters (National Alliance on Mental Illness) have arranged a special “awareness night� for the evening of Feb. 11, with discounted tickets available to NAMI members.

FUNCTIONAL ART

wo ie ni ti amo

konoronhkwa

s’agapo Bahibik

Je t’aime

Doostat d aram

miluji te

Just say... I Love You,

VALENTINE fine & fashion jewelry beautiful handmade gifts supporting local artists since 1999 146 N. Main St., Sebastopol 707.829.3036 ~ Daily 10:30 to 6:00pm, Sunday til 5:00pm www.artisanafunctionalart.com

By John Olive

<

eanwhile, another show with “eventâ€? written all over it is FOG Theater’s Talking With . . . , opening this weekend at Spreckels Performing Arts Center. Written by Jane Martin, the show is directed by Sheri Lee Miller and stars a dream cast of North Bay actresses. Essentially a series of monologues and first-person stories about some hard lesson that each character has faced and learned from, the production features Madeleine Ashe, Mollie Boice, Danielle Cain, Kendall Carroll, Joan Felciano, Kimberly Kalember, Priscilla Locke, Sheri Lee Miller and Audrey Tatum. (Elly Lichenstein, originally announced as part of the cast, was forced to withdraw after the sudden illness of her husband, the much-loved theater-supporter RenĂŠ Bonel, who passed away Sunday evening). Taken with Next to Normal, the cleverly written show is another sensitive examination—with plenty of humor to balance the pain—of the inner strength and determination that can, with love and patience, turn tragedy into triumph.

‘Next to Normal’ runs Tuesday–Saturday through Feb. 20 at the Curran Theatre. Tuesday–Saturday at 8pm; 2pm matinees, Wednesday, Saturday and Sunday. 445 Geary St., San Francisco. $30–$99. 888.746.1799. ‘Talking With . . .’ runs Thursday– Sunday through Feb. 20 at the Spreckels Center. Thursday–Saturday at 8pm; Sunday matinee at 2pm. 5409 Snyder Lane, Rohnert Park. $15. 707.588.3400.

Directed by John Shillington

THEATRE

SEASON

2010/2011

Recommended for age 12 and above. Produced by special arrangement with Samuel French, Inc.

January 28, 29 at 8:00 PM February 2, 3, 4, 5 at 8:00 PM February 5, 6 at 2:00 PM

Newman Auditorium Santa Rosa Junior College Elliott Ave and Emeritus Circle, Santa Rosa Campus

Box Office: 707.527.4343 Hours: Wed, Thurs, Fri 12PM – 5PM Tickets available one hour before each show in the Newman Auditorium lobby.

Tickets: $10-$15 Buy Tickets Online:

www.santarosa.edu/theatrearts THE BOHEMIAN

02.02.11-02.08.11

23


369:

BDB84 C0DCA8<

C74 <D70<<03 0;8 >5 <0=6H <DCCB Eyesore Sam gets his due in new doc.

7TaT 3^VVXT

‘Worst in Show’ examines ugly-dog craze By Richard von Busack

F

orst in Show, about Petaluma’s World’s Ugliest Dog Contest, shows that this competition is no place for the merely rough-looking dog or the dog as homely as a mud fence. I’d started watching it while eating dinner. Thirty seconds in, I knew that wasn’t going to fly. Dammit, these dogs were ugly. When I was a kid, we would have quoted that playground gag about shaving their butts and teaching them to walk backward. This oldest and most prestigious uglydog competition is relatively small-scale; it’s held annually at the Sonoma-Marin Fair, and first prize is $1,600. But the funniest thing happens while watching this sweet, hilarious and startlingly touching documentary by John Beck (former Press Democrat staff writer turned filmmaker) and Don Lewis, which screens this week at the SF IndieFest: the problems of an uglydog become secondary to the personalities of the human competitors. Interviewed here is Susie Lockheed, the woman who rescued and nurtured threetime champion dog Sam, a snaggle-toothed, cataract-eyed creature whose physique was like a plucked and rotting turkey. Happily, we learn that Sam was not just traffic-stoppingly ill-favored but also snappish. Lockheed keeps the champ’s ashes and his many press clippings, including the headlines occasioned

24

02.02.11-02.08.11

THE BOHEMIAN

by his passing (“Heart Fails Ugliest Dog�). The most hardened competitor in recent years is Dane Andrew, an actor and photojournalist who speaks of a dynasty of ugly dogs that he’s breeding. A familiar face on the talk-show circuit, Andrew is at one point seen introducing his world-famous ugly dog Rascal to actress Jane Russell. When we see Andrew holding Rascal up to sniff Jayne Mansfield’s gown at an exhibit of movie stars’ clothes, it’s clear what dreams of celebrity intoxicate him. Challenging this contender, in contests filmed over the last three years, are such dogs as Winston, a scar-faced and slouchy but otherwise unexceptional looking Alsatian or something. As in a beauty contest, the sad backstory of the dog is hoped to improve his odds of winning; poor Winston, rescued by Santa Rosa resident Ashley Brown, had been left behind after Hurricane Katrina. Also seen competing is Icky, a Chinese crested, and Pabst, a particularly saurian-looking Boxer with an underbite like a cash-register drawer. Odds would seem to favor the Chinese crested. It’s a breed that can really bring on the ugly: shrimpy, twitchy, covered with warts and wens. With its nearly hairless, livercolored hide punctuated with brushy tufts of white hair, this is a breed of dog that’s never going to out-cute Lassie. And yet the 2010 contest is surprisingly resolved with an upset victory by Kathleen Francis, a K-Mart clerk from Clearlake; not to spoil the secret of her winning dog Abby, but if breeding tells, inbreeding shouts. Certainly, the filmmakers try to go meta, interviewing experts on ideas of beauty and ugliness. Stanford professor Deborah Rhode notes that there used to be laws restricting the extremely ugly against public appearance, and SFSU’s Aaron Kerner holds forth on the attraction of ugliness itself. And believe it or not, even an ugly-dog contest can spark ethical issues: “It changes the tenor of the whole contest to enter a sick dog,� says a judge. In 2008, Gus, a oneeyed and three-legged dog, bloated from cancer therapy, went for the gold. That the dog was loved, that the prize money paid for his chemo and that he was certainly ugly enough to win was beside the point to some. Not that it’s suspected of having been tried, but the judges keep on guard against the possibilities of owners mutilating a dog to make it ugly enough for the competition. The real trouble, as we see in the backstories of the owners and the lengths they go to win, is the ego on the line, a problem that’s treated comically at a far smaller-scale ugly-dog competition in Benicia visited during the closing credits. With appearances by Vicki DeArmon from the Sonoma-Marin Fair and a soundtrack by Danny Sorentino, the documentary is stamped with locals surrounding the contest. Ultimately, Worst in Show inspires respect for the lesser trumpeted qualities of a dog: its lack of aesthetic concern, and its essential carelessness about whether its owner could win any prizes for its nonexistent beauty. ‘Worst in Show’ screens as part of the SF IndieFest on Wednesday, Feb. 9, and Sunday, Feb. 13, at the Roxie Theater in San Francisco. For showings and ticket info, see www.sfindie.com.


:<C62 0.=@ New Movies

i]Z^g a^kZh VcY a^kZa^]ddYh# L^i] 8]g^h 8ddeZg! Idbbn AZZ ?dcZh! 7Zc 6[[aZX` VcY @Zk^c 8dhicZg# 69

7^ji^[ja

8djcign Higdc\

G0 &(- b^c# 9^gZXiZY Wn 6aZ_VcYgd <dco{aZo >Š{gg^ij 7VWZa VcY hiVgg^c\ ?Vk^Zg 7VgYZb Cd 8djcign [dg DaY BZc ! 7^ji^[ja [daadlh i]Z aVhi lZZ`h d[ 7VgXZadcV Xg^bZ Wdhh JmWVa! V YZkdiZY [Vi]Zg ign^c\ id egdk^YZ [dg ]^h X]^aYgZc V[iZg gZXZ^k^c\ V iZgb^cVa Y^V\cdh^h# Cdb^cViZY [dg 6XVYZbn VlVgYh ^c i]Z 7Zhi ;dgZ^\c AVc\jV\Z ;^ab VcY 7Zhi 6Xidg 7VgYZb XViZ\dg^Zh# JA

;gdb EgVYV id CVYV E<"&(0 &%, b^c# HZchZ VcY HZch^W^a^in AVi^cV"hinaZ# 6[iZg i]Z^g [Vi]ZgÉh YZVi]! ild eg^k^aZ\ZY h^hiZgh 8Vb^aaV 7ZaaZ VcY 6aZmV KZ\V ! aZ[i eZcc^aZhh! VgZ [dgXZY id bdkZ ^c l^i] i]Z^g Vjci ^c :Vhi Adh 6c\ZaZh# 69

I]Z GddbbViZ E<"&(0 .( b^c# I]^h gZbV`Z d[ i]Z ZVgan É.%h i]g^aaZg H^c\aZ L]^iZ ;ZbVaZ VYYh V XdaaZ\^ViZ idjX] Vh HVgV B^c`V @Zaan \Zih Vhh^\cZY id Ydgb l^i] GZWZXXV AZ^\]idc BZZhidg # 6h i]Z eV^g WdcY! ^i WZXdbZh ^cXgZVh^c\an XaZVg i]Vi GZWZXXV ^h cdi l^i]dji V [Zl ehnX]dad\^XVa bVaVY^Zh# L^i] GZWZXXVÉh [g^ZcY a^hi d[ dcZ WZ^c\ V XaZVg ^cY^XVi^dc d[ jiiZg ^chVc^in! HVgV hZZ`h ZhXVeZ [gdb ]Zg ehnX]di^XVaan YZgVc\ZY gddbbViZ WZ[dgZ Vaa ]Zaa gjch addhZ# GD

HVcXijb G0 &%. b^c# EgdYjXZY Wn VjiZjg ZmigVdgY^cV^gZ ?VbZh 8VbZgdc# L]Zc V igde^XVa hidgb h]dlh je! heZajc`^c\ ZmeZgi ;gVc` BX<j^gZ G^X]VgY GdmWjg\] VcY V \gdje d[ gV\iV\ XVkZ Y^kZgh VgZ [dgXZY ^cid i]Z YZei]h d[ Vc jc`cdlc XVkZgc# JchjgZ l]Zi]Zg Vc ZhXVeZ a^Zh YZZeZg l^i]^c! i]Z iZVb bVgX] [dglVgY! ]de^c\ id hjgk^kZ gV\^c\ lViZgh VcY i]Z jcbVeeZY jcYZg\gdjcY# Jc[dgijcViZan! i]ZnÉgZ cdi ign^c\ id \Zi id i]Z XZciZg d[ i]Z ZVgi]! cdg l^aa i]ZgZ WZ XVkZ bdchiZgh dg Va^Zch# I]Z iV\a^cZ [dg i]^h bVn]Zb ^h i]Vi ^iÉh ^che^gZY Wn igjZ ZkZcihÅ_jhi a^`Z 6kViVgÅVcY _jhi a^`Z 6kViVg! ^iÉh ^c ("9# GD

E<"&(0 &&' b^c# ;gZh] dji d[ gZ]VW! Xdjcign h^c\^c\ hjeZghiVg @Zaan 8VciZg <lncZi] EVaigdl ViiZbeih id gZhjggZXi ]Zg edejaVg^in i]gdj\] V cZl idjg# H]Z hedih V Wg^\]i! ndjc\ bjh^X^Vc cVbZY 7ZVj =jiidc <VggZii =ZYajcY VcY eZghjVYZh ]^b id \d dc idjg l^i] ]Zg! Wji ^chiZVY @Zaan [^cYh i]Vi ]Zg bVcV\Zg VcY ]jhWVcY I^b BX<gVl lVcih id [ZVijgZ V WZVjin fjZZc ijgcZY h^c\Zg Vh i]Z l]^iZ"]di deZc^c\ VXi# =^aVg^in YdZhcÉi ZchjZ# GD

I]Z 9^aZbbV E<"&(0 &&- b^c# >iÉh \jn XdYZ id aZi bVaZ [g^ZcYh `cdl l]Zc hdbZi]^c\ Vl[ja ^h \d^c\ Ydlc# Hd l]Zc Gdccn K^cXZ KVj\]c Y^hXdkZgh C^X`Éh @Zk^c ?VbZh l^[Z ^h Zade^c\ l^i] Vcdi]Zg bVc! Gdccn bjhi bjhiZg je i]Z XdjgV\Z id YZa^kZg i]Z \g^b cZlh# KVj\]cÉh hVgYdc^X l^i ^h V bjhi"]VkZ [dg Vcn WgdbVcXZ! Wji i]Z gZVa VXXdbea^h]bZci ]ZgZ ^h XVhi^c\ L^cdcV GnYZg Vh C^X`Éh l^[Z! l]dÉh hlZZi Wji Vahd ]^Y^c\ hdbZi]^c\ Vi i]Z hVbZ i^bZ# GD

I]Z ;^\]iZg G0 &&* b^c# 9^X`n 8]g^hi^Vc 7VaZ XdjaY ]VkZ WZZc V XdciZcYZg! ]Z XdjaY ]VkZ WZZc V hdbZWdYn! ^chiZVY ]ZÉh i]Z Ygj\\ZY"dji Wgdi]Zg id BVg` LV]aWZg\Éh B^X`Zn# L^i] a^iiaZ X]VcXZ d[ hjXXZhh! B^X`Zn cZZYh id h]^[i \ZVgh! eji ]^h [jaa ViiZci^dc ^cid i]Z g^c\ VcY ^\cdgZ ]^h igdjWaZY Wji"]ZVgi"d["\daY daYZg Wgdi]Zg# >h i]ZgZ gddb [dg X]Vbe^dch]^e \adgn VcY ]Veen ZcY^c\h ^c i]^h GdX`n"a^`Z YgVbV4 BVg` LV]aWZg\Éh ild nZVgh d[ egZ" egdYjXi^dc Wdm^c\ igV^c^c\ hVnh hd# GD

I]Z <gZZc =dgcZi

G0 &(' b^c# I]Z \gZVi EVja <^VbVii^ hiVgh Vh 7VgcZn EVcd[h`n ^c i]^h VYVeiVi^dc d[ i]Z cdkZa Wn BdgYZXV^ G^X]aZg# HeVcc^c\ )% nZVgh VcY i]gdj\] bVcn i^bZ h]^[ih! i]^h hegVla^c\ [^ab iZaah i]Z hidgn d[ 7VgcZnÉh [g^ZcYh]^eh! [V^aZY bVgg^V\Zh VcY ejghj^i d[ ]^h igjZ adkZ# JA

E<"&(0 &%- b^c# HadjX]n! bZVc VcY dYYan jc[jccn a^`Z ^ih hiVg l]Zc ]ZÉh d[[ ]^h \VbZ# 7VhZY dc V adc\"gjcc^c\ gVY^d hZg^Va &.(+ÄÉ*' VcY V h]dgi"a^kZY &.++ IK h]dl! i]^h [^ab kZgh^dcÅV b^aYZlZY egdeZgin bdgZ i]Vc V k^VWaZ ^YZV [dg V [^abÅ ^h iV^adgZY [dg hiVg HZi] Gd\Zc# Gd\ZcÉh 7g^ii GZ^Y ^h V igjhi"[jcY XVhZ! EVg^h =^aidc l^i] V eZc^h! ejgedhZaZhh jci^a ]Z bZZih i]Z ^c\Zc^djh @Vid 6h^Vc bjh^XVa e]Zcdb ?Vn 8]dj # L^i] \gZZc"hXgZZc VcY hijci YdjWaZh! 8]dj XVc WZ bVYZ id add` Vh ^[ ]Z XdjaY [^\]i# I]Z :c\a^h] aVc\jV\Z \^kZh 8]dj V W^\\Zg WViiaZ! VcY! ldghZ! i]ZgZÉh i]Z bViiZg d[ i]Z gdaZ Vh ^i ^h [gVbZY/ Gd\Zc Wjaa^Zh Wdi] 8]dj VcY i]Z [^ab# 6h i]Z WZVgY! 8VbZgdc 9^Vo ^h igZViZY l^i] l]Vi XdjaY dcan WZ YZhXg^WZY Vh XdciZbei# I]^h <gZZc =dgcZi ^h ]ZVk^an ^cid dg^\^c hidgnÅV `^hh d[ YZVi]! Yjg^c\ djg hjeZg]Zgd \aji# ;gdb i]ZgZ! i]Z [^ab \dZh ^cid lVcidc 7ajZh 7gdi]ZghÄ hinaZ XVg"lgZX`V\Z id bV`Z je [dg ^ih aVX` d[ ejgedhZ# >iÉh V cdcbdk^Z! eji id\Zi]Zg l^i] hXZcZh i]Vi ZmeaV^c l]n i]ZgZÉh V hXZcZ l]ZgZ i]ZgZÉh V hXZcZ# Gk7

7aVX` HlVc

I]Z >aajh^dc^hi

G0 &%- b^c# CViVa^Z EdgibVc eaVnh V XdYYaZY WVaaZi YVcXZg l]d \Zih ]Zg W^\ WgZV` id [^cY ]ZghZa[ igVeeZY Vbdc\ g^kVa! Y^gZXidg VcY hbdi]Zg^c\ bdi]Zg eaVnZY Wn 7VgWVgV =Zgh]Zn ^c i]Z aViZhi [gdb 9VggZc 6gdcd[h`n E^ # >c i]Z gZ]ZVghVa hXZcZh! i]Z XVbZgV he^ch VgdjcY l^i] i]Z YVcXZgh! VcY lZ ]ZVg i]Z hXj[[^c\ d[ [ZZi VcY i]Z ]Vgh] eVci^c\ d[ i]Z YVcXZgh# >iÉh Vaa ]VgY! Vc\j^h]"g^YYZc ldg`! Wji l]Zc i]Z bjh^X XdbbZcXZh! 7aVX` HlVc [^cVaan [ZZah a^`Z V \gZVi bdk^Z! h^bean WZXVjhZ i]Z IX]V^`dkh`n ldjaY bV`Z jh WZa^ZkZ Vcni]^c\# 6i HjbbZg[^ZaY 8^cZbVh# Gk7

I]Z @^c\Éh HeZZX]

Also Playing 6cdi]Zg NZVg E<"&(0 &'. b^c# B^`Z AZ^\]Éh aViZhi hiVgh ?^b 7gdVYWZci VcY Gji] H]ZZc Vh V ]Veen! \ZcZgdjh XdjeaZ YZVa^c\ l^i] V ]^\]" bV^ciZcVcXZ [g^ZcY AZhaZn BVck^aaZ l]dhZ YZiZg^dgVi^c\ XdcY^i^dc [dgXZh i]Z XdjeaZ id gZi]^c` i]Z^g [g^ZcYh]^e# JA

7VgcZnÉh KZgh^dc

7ajZ KVaZci^cZ G0 &'% b^c# 8^cYn B^X]ZaaZ L^aa^Vbh ^h V cjghZ bVgg^ZY id 9ZVc GnVc <dha^c\ ! V ]djhZeV^ciZg0 i]Z ild VgZ hZZc dc i]Z^g [^ghi YViZh VcY nZVgh aViZg Vi l]Vi bVn WZ i]Z ZcY d[ i]Z^g bVgg^V\Z# 9^gZXidg 9ZgZ` 8^Vc[gVcXZÉh ^ci^bViZ VcY [g^\]iZc^c\an XadhZ hijYn d[ i]Z WVY h^YZ d[ adkZ ]Vh egdWaZbh/ Xdc[jh^c\ i^bZ [gVbZh VcY hdbZ W^ih d[ ^c[d i]Vi hZZb id ]VkZ WZZc aZ[i ^c i]Z Y^gZXidgÉh ]ZVY Yjg^c\ i]Z ]Vggdl^c\an adc\ egZ"egdYjXi^dc# L]Vi lZ hiVgi id hZZ! i]Vc`h id L^aa^VbhÉ VXi^c\! ^h hdbZi]^c\ W^\\Zg i]Vc i]^h XdjeaZÉh [ZjY0 ^iÉh bdgZ a^`Z i]Z lVg d[ i]Z WdYn VcY i]Z hdja# BdgZ i]Vc Vcni]^c\! 7ajZ KVaZci^cZ bV`Zh ^i XaZVg l]Vi V iZgg^WaZ i]^c\ ÆgdbVci^X YZhi^cnÇ ldjaY WZ ^[ ^i gZVaan Zm^hiZY# 6h [dg L^aa^Vbh! h]Z h^bean \^kZh i]Z h^c\aZ WZhi [ZbVaZ eZg[dgbVcXZ d[ i]Z nZVg# Gk7

I]Z 8dbeVcn BZc G0 &%( b^c# B^\]i WZ ]VgY id hfjZZoZ dji i]Z iZVgh! Wji ]ZgZÉh Vcdi]Zg k^Zl d[ i]Z <gZVi GZXZhh^dc! l^i] Vc Vaa" hiVg XVhi eaVn^c\ Ydlch^oZY ZmZXji^kZh [dgXZY id gZYZ[^cZ

4=>D67 C> 3> H>D 8= ‘35 Shots of Rum’ screens Feb. 4 and 6 at SSU’s Sonoma Film Institute. See Film, p35.

E<0 -% b^c# HnakV^c 8]dbZi I]Z Ig^eaZih d[ 7ZaaZk^aaZ Wg^c\h id i]Z hXgZZc b^bZ ?VXfjZh IVi^Éh jcegdYjXZY &.*+ hXg^ei VWdji i]Z [g^ZcYh]^e WZilZZc V ndjc\ ldbVc VcY Vc dji"d["ldg` bV\^X^Vc ^c HXdiaVcY# 6i i]Z GV[VZa# JA G0 &&- b^c# 8da^c ;^gi] \^kZh V YZZean V[[ZXi^c\ edgigVnVa d[ V h]VbZ"lgVX`ZY bVc Wdgc VcY WgZY id WZ V hed`ZhbVc! nZi l]d ^h ]VcY^XVeeZY l^i] V Xg^eea^c\ hiVbbZg# >c i]Z &.(%h! ;^gi] ^h i]Z 9j`Z d[ Ndg`! V [Vb^an bVc l^i] ild YVj\]iZgh VcY V l^[Z cVbZY :a^oVWZi] =ZaZcV 7dc]Vb 8VgiZg # I]Z hiVbbZg^c\ 9j`Z! `cdlc id ]^h [Vb^an Vh Æ7Zgi^Z!Ç ^h i]Z d[[^X^Va heVgZ id i]Z ]Z^g! cZmi ^c a^cZ id i]Z eg^cXZ d[ LVaZh# 6 hjeZgaVi^kZan XVhi <jn EZVgXZ ZbWdY^Zh i]^h :YlVgYÉh jeeZg"XaVhh h]VY^cZhh VcY bdchigdjh Zci^iaZbZci# I]Z eg^cXZ ^h i]Z adkZ haVkZ d[ V il^XZ"bVgg^ZY 6bZg^XVc cVbZY H^behdc0 ]^h V[[V^g VcY ]^h ^cY^[[ZgZcXZ id ldgaY igdjWaZh Æ=^iaZg l^aa hdgi i]Zb djiÇ VgZ ejh]^c\ ZkZcih id V Xdchi^iji^dcVa Xg^h^h# I]Z bVc iVeeZY id hdakZ ^i ^h A^dcZa Ad\jZ <Zd[[gZn Gjh] ! Vc 6jhigVa^Vc heZZX] i]ZgVe^hi iVh`ZY l^i] ]Zae^c\ i]Z Yj`Z [^cY ]^h kd^XZ dc i]Z ZkZ d[ :c\aVcYÉh Zcign ^cid LdgaY LVg >># Bdhi d[ I]Z @^c\Éh HeZZX] ^h Vc ^che^gZY VXidgÉh YjZa VWdji i]Z Xdc[a^Xi WZilZZc eg^YZ VcY cZZY# Gjh]Éh l^i VcY c^bWaZcZhh XdjciZged^cih i]^h hidgn d[ bV_Zhin! l]^X] ^h Vabdhi ZmVXian Vh igV\^X Vh ^i ^h Xdb^X# Gk7

I]Z BZX]Vc^X G0 &%% b^c# ;ZVgaZhh d[ ineZXVhi^c\! ?Vhdc HiVi]Vb hiVgh Vh V egd[Zhh^dcVa VhhVhh^c l]d Vhh^\ch ]^bhZa[ V Æi]^h

i^bZ ^iÉh eZghdcVaÇ b^hh^dc V[iZg ]^h eVa VcY bZcidg! =Vggn! ^h bjgYZgZY# 7Zc ;dhiZg eaVnh =VggnÉh hdc! Vahd ZV\Zg [dg gZkZc\Z! l]d iV\h Vadc\ [dg hdbZ ijidg^c\! idd# 69

Cd Hig^c\h 6iiVX]ZY G0 &&% b^c# HigZZi"XgZYaZhh Wji cdi hd WVY gdbXdb ^h V higdc\ XdbZWVX` [dg >kVc GZ^ibVc# 8Vc lZ WZa^ZkZ i]Vi CViVa^Z EdgibVc ^h V WZVji^[ja A#6# e]nh^X^Vc l]d ldg`h a^`Z V bVc^VX VcY lVcih V hZm a^[Z l^i] cd YZbVcYh4 L]n cdi# 8Vc 6h]idc @jiX]Zg eaVn 6YVb! V a^`VWaZ Wji cdi Wg^aa^Vci Vhe^g^c\ IK hXg^eilg^iZg l]d ajX`h ^cid bZZi^c\ i]Z YZbVcYh d[ i]Z VWdkZ"bZci^dcZY :bbV4 CVijgVaan# GZ^ibVc XVhi ]Va[ i]Z jcYZg"(% hiVcYje XdbZY^Vch ^c A#6# id h]dl je ^c W^i eVgih# <gZiV <Zgl^\ hiZVah ZkZgn hXZcZ h]ZÉh ^c# 7ji EdgibVc ^h Vh jcZVhn l^i] XgjYZ XdbZYn Vh @jiX]Zg ^h l^i] i]Z hde]^hi^XViZY h^YZ d[ l^i# I]ZgZÉh V hbVgiZg! bZVcZg ^cY^Z XdbZYn ^c i]^h [^ab! VcY GZ^ibVc WZVih ^i Ydlc VcY hiVaah ^i0 ^i Vgg^kZh Vi ^ih ed^ci VcY i]Zc hi^X`h VgdjcY [dg V ]Va["]djg add`^c\ [dg hdbZi]^c\ id Yd# Gk7

GVWW^i =daZ E<"&(0 .& b^c# 6 XdjeaZ 6Vgdc :X`]Vgi! C^XdaZ @^YbVc hjgk^kZ i]Z Z^\]i] bdci] V[iZg i]Z^g hdc lVh VXX^YZciVaan `^aaZY Wn V eVhh^c\ Yg^kZg# 6h i]Z bdi]Zg! 7ZXXV! @^YbVc g^h`h WZ^c\ Wdm"d[[^XZ ed^hdc i]gdj\] Y^heaVn^c\ jcbVcV\ZY Vc\Zg# > lVh bdgZ iV`Zc l^i] i]Z hidgn d[ ]jhWVcY =dl^Z 6Vgdc :X`]Vgi ! l^i] ]^h ZY\Z d[ [dmn hjWkZgh^kZcZhh ZkZc ^c ]jhWVcYan Yjin# ;^cZ hjeedgi^c\ ldg` Wn HVcYgV D] Vh V WZgZVkZY bdi]Zg! B^aZh IZaaZg Vh i]Z ndjc\ Yg^kZg VcY 9^VccZ L^Zhi! l]d \^kZh i]Z heZZX] Zc\^cZZgZY id hide i]Z h]dl ^i YdZh # GVWW^i =daZÉh V^b ^h cdi id _Zg` iZVgh Wji id ZckZade V k^ZlZg ^c V igV\ZYn! VcY i]^h idd hjXXZZYh# I]Z YgVbVi^X XgZhXZcYd ^h Wgd`Zc je ^cid XjW^hi Vc\aZh VcY hadl"bdi^dc ]dggdg! VWhigVXi^c\ V bdi]ZgÉh jci]^c`VWaZ adhh! [VXZi^c\ ^i a^`Z V _ZlZa# Gk7

I]Z G^iZ E<"&(0 &', b^c# L]daZhdbZ 8Vi]da^X ]dggdg ^h WVX` ^c i]ZViZgh ^c i]^h [^ab WVhZY dc BVii 7V\a^dÉh BV`^c\ d[ V BdYZgc :mdgX^hi VWdji V hZb^cVgn \gVYjViZ ViiZcY^c\ ZmdgX^hb hX]dda Vi i]Z KVi^XVc# 6ci]dcn =de`^ch eaVnh ;Vi]Zg AjXVh IgZkVci! Vc daY ]VcY Vi \Zii^c\ i]Z edhhZhhZY id Xdj\] je ^gdc cV^ah# ;gdb HlZY^h] Y^gZXidg B^`VZa =€[higŽb &)%- # 69

HdbZl]ZgZ G0 ., b^c# =di"h]di bdk^Z VXidg ?d]ccn BVgXd HiZe]Zc 9dg[ iV`Zh V ijgc [dg i]Z WZiiZg l]Zc ]^h &&"nZVg"daY YVj\]iZg XdbZh id a^kZ l^i] ]^b [dg Vc jcY^hXadhZY eZg^dY d[ i^bZ# 8aZd :aaZ ;Vcc^c\ hVakV\Zh ]^h a^[Z [gdb ]^h dlc

YZhigjXi^kZ WZ]Vk^dg! ^bWj^c\ BVgXd l^i] V bZVc^c\ YZZeZg i]Vc i]Z =daanlddY a^[ZhinaZ VcY ^YZci^XVa"il^c hig^eeZg h^hiZgh# 6h i]Z gZaVi^dch]^e WZilZZc [Vi]Zg VcY YVj\]iZg WjYh! hd YdZh i]Z fj^Zi eZg[dgbVcXZ d[ HiZe]Zc 9dg[[ VXXZciZY Wn ;Vcc^c\Éh hedi"dc YZa^kZgn# GD

IgjZ <g^i E<"&(0 &&% b^c# BVii^Z Gdhh =V^aZZ HiZ^c[ZaY ! V hZa[" VhhjgZY &)"nZVg"daY! Vgg^kZh ^c ;dgi Hb^i]! 6g`#! ^c i]Z ZVgan &--%h id igVX` Ydlc Idb 8]ZcZn ?dh] 7gda^c ! i]Z ]^gZY ]VcY l]d bjgYZgZY ]Zg [Vi]Zg# I]Z h]Zg^[[ a^hih hdbZ J#H# bVgh]Vah l]d XdjaY igVX` ]^b# BVii^Z X]ddhZh GZjWZc ÆGddhiZgÇ 8d\Wjgc ?Z[[ 7g^Y\Zh ! gji]aZhh VcY YZVY id [ZVg! ^[ d[iZc YZVY id i]Z ldgaY# BVii^Z d[[Zgh i]Z bVgh]Va V *% gZlVgY id Xgdhh ^cid i]Z 8]dXiVl aVcYh id gZig^ZkZ 8]ZcZn# L]^aZ lV^i^c\ [dg ]^h YZX^h^dc! BVii^Z ZcXdjciZgh AV7dZj[ BVii 9Vbdc ! V [VcXn! WjX`h`^c" XdkZgZY gVc\Zg l]d ^h hZZ`^c\ 8]ZcZn [dg V egZk^djh bjgYZg Ydlc ^c IZmVh# I]Z i]gZZ! gZajXiVcian bViX]ZY! YgVl XadhZg id i]Z `^aaZg Wji [ZjY Vadc\ i]Z lVn# 7g^Y\Zh ajaah jh l^i] ]^h iV`Z dc i]Z eVgi! Yd^c\ i]^c\h i]Vi ?d]c LVncZ lVhcÉi XVeVWaZ d[ Vh Vc VXidg! ZmegZhh^c\ i]Z YZheZgViZ jcYZgh^YZ d[ V Waj[[! V gdlY^Zg aZkZa d[ Wj[[ddcZgn VcY V fj^iiZgÉh YZheV^g# I]Z 8dZch ]VkZ i]Z WgVkZgn id YZa^kZg i]Z YdlcWZVi XdYV id i]^h hidgn aZ[i dji ^c &.+.# >i ^cXgZVhZh i]Z hiVijgZ d[ i]^h [^ab! ^ih YZei]! WZVjin VcY hVYcZhh# Gk7

K^h^dc/ ;gdb i]Z A^[Z d[ =^aYZ\VgY kdc 7^c\Zc CG0 &&& b^c# BVg\VgZi]Z kdc IgdiiV Wg^c\h id i]Z hXgZZc i]Z hidgn d[ 8]g^hi^Vc bnhi^X =^aYZ\VgY kdc 7^c\Zc! i]Z &'i]"XZcijgn 7ZcZY^Xi^cZ cjc VcY edZi VcY XdbedhZg VcY e]nh^X^Vc VcY e]^adhde]Zg # # # l]d X]VaaZc\ZY i]Z a^b^iZY gdaZ egZhXg^WZY [dg ldbZc ^c gZa^\^djh dgYZgh# >c <ZgbVc l^i] :c\a^h] hjWi^iaZh# 6i i]Z GV[VZa# JA

I]Z LVn 7VX` E<"&(0 &&& b^c# EZiZg LZ^gÉh [^ghi [^ab ^c hZkZc nZVgh ^h WVhZY dc i]Z igjZ hidgn d[ Vc ZhXVeZ [gdb dcZ d[ HiVa^cÉh \jaV\h Yjg^c\ i]Z &.)%h# I]Z eg^hdcZgh [aZY dc [ddi [gdb H^WZg^V id i]Z =^bVaVnVh VcY WZndcY # 8da^c ;VggZaa ^h i]Z hiVcYdji Vh V iViiddZY Gjhh^Vc Xg^b^cVa l]d [dgXZh ]^h lVn ^cid i]Z ZhXVeZ ViiZbei0 ]Z gZkh je i]^h [^ab l^i] Vc ^c\gVi^Vi^c\ VXXZci VcY ]VgY"W^iiZc bdiidh/ Æ<gViZ[ja ^h [dg Yd\h Ç 6c Vabdhi bVhiZge^ZXZ! YVbeZcZY Wn LZ^gÉh higV^\]i" [dglVgY iVaZ"iZaa^c\ l]Zc ]Z b^\]i lZaa ]VkZ h]VYZY i]^h [^abÉh Wjgc^c\ hjch l^i] V h]VYdl d[ V YdjWi# Gk7 Film capsules by Richard von Busack, Alaric Darconville, Ugo Lambui and Rothtana Ouch.

N O R T H B AY M O V I E T I M E S www.sonomamovietimes.com www.marinmovietimes.com www.napamovietimes.com THE BOHEMIAN

02.02.11-02.08.11

25


SPONSORED BY CHARLES M. SCHULZ MUSEUM & NORTH BAY BOHEMIAN

NE W!

BOHEMIAN READERS’ SPECIAL

2 FOR 1 READERS PASS

EVERY SECOND SATURDAY

Saturday, February 12 • 1–3pm Meet Pulitzer prize-winning editorial cartoonist

Mark Fiore Mention Bohemian Readers Pass at the Front Desk for Your Discount

Regular admission: $10 Adults, $5 Seniors & Children Discount valid for equal or lesser value

707-579-4452 www.SchulzMuseum.org

CHARLES M. SCHULZ MUSEUM 2301 HARDIES LANE, SANTA ROSA

SWEETHEARTS SW WEETHEARTS OF THE WEETHEARTS

8888 90 90 92 92 944

96 96 98 100 100 102 102 104 104 106 1006

TUNING

VOLUME

RADIO RA RAD RADIO DIO A Benefit for KWMR Featuring

Jane Selkye & Chris Kee Barbara Higbie & Katrina Krimsky Eric & Suzy Thompson Molly & Jack Tuttle

February 12 The Dance Palace Point Reyes Station Door at 7:00, Show at 8:00 $25 - Tickets at KWMR.ORG

it’s been your sweetheart for years

26

02.02.11-02.08.11

THE BOHEMIAN

coffee, cof ffee f e, elix xers & elixers froz zen mixers frozen 435 Santa 435 S a RRosa Sant osa AAve, ve, Santaa RRosa Sant osa 7707.578.S-OIL(7645) 07.578.S-OIL(7645)


0NYR[QN_ ;\_aU /Nf 2cR[a`

C6E6

Sing Out Time was that college a cappella groups existed mainly in nerdy hamlets of dorm rooms and YouTube channels, performing David Bowie and Of Montreal songs for the camera and each other. Glee, of course, has changed all that, but the innate thrill of arranging a song for voices hasn’t been dulled, and probably never will. Napa hosts an annual A Cappella Extravaganza which pulls from the best cavalcades of California croon, and this year’s lineup is top-notch: the Scattertones, from UCLA, sing Lady Gaga’s “Telephone� and Kanye West’s “Stronger�; Naked Voices do “Superfreak� and “Bohemian Rhapsody�; and the UC Berkeley Men’s Octet do Seal’s “Kiss from a Rose� and who knows what else on Saturday, Feb. 5, at Napa High School. 2475 Jefferson St., Napa. 7:30pm. $20. 707.253.3705.

H6C G6;6:A

Total Captivation Getting lost in the headphones was never so easy. Born in Ethiopia, the singer Meklit Hadero grew up in Brooklyn before moving to San Francisco to study political science. Luckily, someone convinced her to drop out of college, because her voice is a greater force for good than any Robert Dahl text could hope to be. With the richness of Nina Simone but the intimacy of Jolie Holland, Hadero’s phrasing feels like a conversation with a good friend and a couple of lowballs. With a new album, On a Day Like This, she’s taken NPR by storm; she also stays connected to social issues in her work. Catch her on Saturday, Feb. 5, at the Osher Marin Jewish Community Center. 200 N. San Pedro Road, San Rafael. 8pm. $22–$26. 415.444.8000.

2;0BB82 90II

Fh]c^] <PabP[Xb P]S cWT ;X]R^[] 2T]cTa 9Pii >aRWTbcaP bfX]V X]c^ cWT FT[[b 5PaV^ 2T]cTa ^] 5TQ (

H:76HIDEDA

Everybody Wants You’ve got to be pretty bold to write a song claiming to know what everybody on the face of the earth wants. If you go for it, make sure it’s something vague, OK? Tears for Fears tried it with “Everybody Wants to Rule the World.� The Party of Five theme song announced everybody wants to be “closer to free.� Dean Martin sang that everybody needed somebody sometimes; R.E.M. averred that everybody hurts; Billy Joel remarked that everybody has a dream. But Shawn Mullins, whose 1998 one-hit-wonder “Rockabye� has been carbon-copied into his new single “Light You Up,� declares: “Everybody wants a f latscreen.� Why, Shawn, why? Find out when he plays a free KRSH-FM radio-promotion show on Friday, Feb. 4, at Hopmonk Tavern. 230 Petaluma Ave., Sebastopol. 6pm. Free. 707.829.7300.

H6CI6 GDH6

Country Strong When you see Hank Williams at the age of two, you know you’re destined for a life in country music. At least that’s the way it was for Nashville star Rodney Crowell. Most know Crowell from his great records (Diamonds & Dirt), his marriage to Roseanne Cash (1979–1992) and his tenure in Emmylou Harris’ legendary Hot Band. No one really knew about the fistfights, guns, preachers, sex, drinking, infidelity and drugs of Crowell’s youth, however, until the release of his book Chinaberry Sidewalks. Chronicling an essentially white-trash upbringing outside of Houston, Texas, Crowell writes remarkably about his early struggles, especially with his parents, whom he clearly still loves deeply. Meet him when he blows through town on Friday, Feb. 4, at Copperfield’s Books. 2316 Montgomery Drive, Santa Rosa. 7pm. Free. 707.578.8938.

H:76HIDEDA

Chop Chop Sturgeon’s Mill is a working mill that sawed its first redwoods in 1914, and a group of preservationists in Sonoma County are hoping to restore it and keep it open to the public as a museum dedicated to early logging. Located on Green Hill Road, it’s really quite a site, redolent of all those burl- and saw-blade-scattered roadside stops in Humboldt County, and it deserves restoration. To that end, a documentary film called ‘New Life at Sturgeon’s Mill’ has been made, and concurrently the West County Museum opens its new exhibit, “Logging in Western Sonoma County.� It’s like Sebastopol all of a sudden digs cutting down trees! See the film on Saturday, Feb. 5, at the Sebastopol Veterans’ Auditorium. 282 S. High St., Sebastopol. 4pm. Free. 707.829.6711.

6PQT <T[X]T THE BOHEMIAN

02.02.11-02.08.11

27


C74 0CA4 =0?0 7KXUVGD\ )HEUXDU\

7RZHU RI 3RZHU )ULGD\ )HEUXDU\

$Q (YHQLQJ ZLWK

$GDP &DUROOD 6XQGD\ )HEUXDU\

$Q (YHQLQJ ZLWK

.HQQ\ *

6DWXUGD\ )HEUXDU\

:$5

7KXUVGD\ )HEUXDU\

-RVK 5LWWHU DQG WKH 5R\DO &LW\ %DQG 6DWXUGD\ 0DUFK $OZD\VÂ?3DWV\ &OLQH 6DWXUGD\ 0DUFK

$Q (YHQLQJ RI &ODVVLF

/LO\ 7RPOLQ

F X U T f g \ T a \ G[ X T g e X

6XQGD\ 0DUFK

*UHWFKHQ :LOVRQ

The King’s Speech Fri & Sat, Feb 4 & 5, 6:00 & 8:30pm Sun, Feb 6, 1:00 pm Monday - Thursday, Feb 8 - 10, 7:00pm

$OO VKRZV DQG RYHU $PSOH SDUNLQJ

7KLUG 6W 1DSD _ )ROORZ XV RQ IDFHERRN WZLWWHU )RU PRUH LQIRUPDWLRQ YLVLW

ZZZ XSWRZQWKHDWUHQDSD FRP

rgine e b u A

Live Gypsy Jazz Music! Sun, Feb 6, 7:30pm reserved seating- $25

“My Fair Lady� (1964) Monday, Feb 21, 7:00pm $8 Vintage Film Series presented by the Sebastiani Theatre Foundation

An And An ndd Ca Cafe afffee a

• FURNITURE • FRUIT LABELS • GARDEN ANTIQUES •

We’ve got your BACK Great Prices! Coffee too!

Antique Society 21 100 dealers! Our

st year!

2661 Gravenstein Hwy So. (Hwy 116) on Sebastopol’s Antique Row Open daily! 707 829.1733

www. AntiqueSociety .com

28

02.02.11-02.08.11

THE BOHEMIAN

TOYS & DOLLS • ARTS & CRAFTS • POST MODERN • COUNTRY • CALIFORNIA

VINTAGE V INTAG NTAGEE EMPOR EMPORIUM EMPORRIUM RIUM

PRIMITIVES • JEWELRY • LIGHTING • KITCHEN TOOLS • ARCHITECTURAL • GLASS

Tickets 707-996-9756 476 1st St. E. Sonoma, CA www.sebastianitheatre.com


:B@60 0<;02?A@ HDCDB6 8DJCIN ;g^ZcYh 6c\Zah

A^kZ DV` 7VgdfjZ DgX]ZhigV eZg[dgb l^i] \jZhi XdjciZgiZcdg 8]g^hide]Zg ;g^iohX]Z# -" &*# ;ZW ) Vi -! =dan ;Vb^an :e^hXdeVa 8]jgX]! &*%% : 8diVi^ 6kZ! Gd]cZgi EVg`# ;ZW * Vi &! Hi EVig^X`Éh :e^hXdeVa 8]jgX]! .%%% HdcdbV =ln! @ZclddY! -,,#.&)#768=#

<gVXZ EdiiZg i]Z CdXijgcVah

GdX` dji dc ndjg WgZV` l^i] @GH= ajcX] i^bZ XdcXZgi# ;ZW , Vi cddc# ;gZZ# =debdc` IVkZgc! '(% EZiVajbV 6kZ! HZWVhideda# ,%,#-'.#,(%%#

AdjYdc LV^clg^\]i >>>

AZ\ZcYVgn h^c\Zg"hdc\lg^iZg `cdlc [dg dYZh id YZVY gdVY`^aa VcY ]jbdgdjh dWhZgkVi^dch dc a^[Z# ;ZW ( Vi -# (&" (+# 9VcXZ EVaVXZ! ;^[i] VcY 7 higZZih! Ei GZnZh HiVi^dc# )&*#++(#&%,*#

LdbZc ^c Bjh^X 7ZcZ[^i

6cc @g^c^ih`n XdcYjXih XdcXZgi d[ [ZbVaZ XdbedhZgh eaVnZY Wn Vaa"ldbVc dgX]ZhigV l^i] heZX^Va \jZhih# ;ZW + Vi (# '*# 7ZiinZ EdZio ;Zg\jhdc =Vaa! HVc 9dbZc^Xd Bjh^X 8dchZgkVidgn! &*%% 7jiiZg[^ZaY GY! HVc 6chZabd# )&*#'*-#&.'&#

C6E6 8DJCIN

?VX`^Z <gZZcZ

8Vei^kVi^c\ h^c\Zg"hdc\lg^iZg VcY bjai^"^chigjbZciVa^hi l^i] deZcZg =dcZnbddc# ;ZW - Vi .# ''" '*# Bnhi^X I]ZVigZ! '( EZiVajbV 7akY C! EZiVajbV# ,%,#,+*#'&'&#

AZh B^hZgVWaZh

;jaa dgX]ZhigV VcY gZVg"hXgZZc egd_ZXi^dch XdbeaZbZci XdcXZgi kZgh^dc d[ 7gdVYlVn bjh^XVa# ;ZW )"* Vi -0 ;ZW *"+ Vi '# ')# HegZX`Zah EZg[dgb^c\ 6gih 8ZciZg! *)%. HcnYZg AVcZ! Gd]cZgi EVg`# ,%,#*--#()%%#

H]Vlc Bjaa^ch

ÆGdX`VWnZÇ ]^ibV`Zg eaVnh [gZZ V[iZg" ldg` h]dl ^c Xdc_jcXi^dc l^i] @GH=" ;B# ;ZW# ) Vi +# ;gZZ# =debdc` IVkZgc! '(% EZiVajbV 6kZ#! HZWVhideda# ,%,#-'.#,(%%#

DcZ C^\]i >c EVg^h

EdZign VcY bjh^X l^i] V l]daZ haZl d[ gZcdlcZY GdbV _Voo bjh^X^Vch# ;ZW + Vi ,/(%# '*# HZWVhi^Vc^ I]ZVigZ! ),+ ;^ghi Hi :! HdcdbV# ,%,#..+#.,*+#

B6G>C 8DJCIN BZ`a^i =VYZgd

:i]^de^Vc"Wdgc h^c\Zg lg^iZh VcY eZg[dgbh hdc\h ^c[ajZcXZY Wn _Voo! hdja! [da` VcY ]Zg ]Zg^iV\Z# ;ZW * Vi -# ''" '+# Dh]Zg BVg^c ?88! '%% C HVc EZYgd GY! HVc GV[VZa# )&*#)))#-%%%#

Bdi]Zg =^eh

C^X`^ 7aj]b deZch# ;ZW ) Vi .# '%" (%# EVab 7Vaagddb! &%% NVX]i 8ajW 9g! HVc GV[VZa# )&*#(-.#*%,'#

8Va^[dgc^VÉh jchjc\ ehnX]"ede ]ZgdZh#

6 8VeeZaaV :migVkV\VcoV

?d^c J8 7Zg`ZaZnÉh BZcÉh DXiZi! HXViiZgidcZh! CV`ZY Kd^XZh VcY BZc d[ =Vgbdcn ^c Vc ZkZc^c\ d[ ^chigjbZci" [gZZ kdXVa bVhiZgn# ;ZW * Vi ,/(%# '%# CVeV KVaaZn 9^hig^Xi 6jY^idg^jb! '),* ?Z[[Zghdc Hi! CVeV# ,%,#'*(#(,%*#

;gVhZg =VVh

BVhiZg HXdii^h] [^YYaZg 6aVhYV^g ;gVhZg VcY XZaa^hi CViVa^Z =VVh eZg[dgb a^kZ# ;ZW ) Vi -# '*" (%# CVeV KVaaZn DeZgV =djhZ! &%(% BV^c Hi! CVeV# ,%,#''+#,(,'#

<gVcY C^\]i [dg H^c\Zgh

;^ghi HVi d[ i]Z bdci] Vi -! kdXVa^hih [gdb VgdjcY Cdgi]Zgc 8Va^[dgc^V VcY WZndcY iV`Z ijgch dchiV\Z# E^Vcd VXXdbeVc^bZci Wn ]dhi G^X]VgY :kVch# &*# ?Vgk^h 8dchZgkVidgn! &,&& BV^c Hi! CVeV# ,%,#'**#*))*#

>Yda CK

IZZch eZg[dgb WZ[dgZ V eVcZa d[ _jY\Zh id WZ CVeV KVaaZnÉh cZmi hjeZghiVg# ;ZW *! ;ZW &(! ;ZW '% Vi )0 [^cVah! ;ZW '+ Vi ,# &%" '*# CVeV KVaaZn DeZgV =djhZ! &%(% BV^c Hi! CVeV# ,%,#''+#,(,'#

A^kZ Bjh^X ?Vbh

;g^ VcY HVi c^\]i a^kZ bjh^X _Vbh Vi i]Z \VaaZgn! + id -/(%# 6gi^hih d[ i]Z KVaaZn! &(.- ;^ghi Hi! CVeV# ,%,#'+*#.%*%#

IdlZg d[ EdlZg

JgWVc hdja bjh^X l^i] É+%h gddih

the last day saloon

edcYZgh i]Z ZiZgcVa fjZhi^dc/ L]Vi ^h =^e4 ;ZW ( Vi -# (*" )*# Jeidlc I]ZVigZ! &(*% I]^gY Hi! CVeV# ,%,#'*.#%&'(#

nightclub & restaurant OPEN AT 4 PM tHURS. - sATURDAY AND ANY DAY A SHOW IS SCHEDULED

09B/@

DON’T FORGET‌WE SERVE FOOD TOO!

Mc Near’s Dining House

AVAILABLE FOR PRIVATE PARTIES, BANQUETS, FUNDRAISERS AND OUTSIDE PROMOTERS 707.545.5876 2/2 7:30 PM SHOW > $5 > FOLK MUSIC

HDCDB6 8DJCIN 6fjh 8V[Z

;ZW * Vi &%/(%Vb! =de`^c VcY L^c\Z# &-. = Hi! EZiVajbV# ,%,#,,-#+%+%#

Breakfast • Lunch • Dinner BBQ • Pasta • Steak FRI 2/4 • 8:00PM DOORS • $21 • 18+ ELECTRONICA

A North Bay Hootenanny Production

6jWZg\^cZ

LZY Vi ,! deZc b^X# ;ZW ( Vi )/(%! H]Vc\]V^ 8dlWdnh l^i] 9Vk^Y I# 8VgiZg0 Vi ,! E^X`edX`Zi :chZbWaZ! E^cZ CZZYaZ! A^iiaZ Adhi 7dnh# ;ZW ) Vi )! BddcWZVbh0 Vi -/(%! HVidg^ :megZhh# ;ZW *! 7dW BVgaZn W^gi]YVn l^i] Hda =dg^odc! 9? <jVXVbdaZ# IjZh Vi ,! aVY^ZhÉ h]dlXVhZ l^i] IVlc^Z# ,** EZiVajbV 6kZ! HZWVhideda# ,%,#-'.#',''#

7Vg`^c\ 9d\ GdVhiZgh

Jen Tucker Band

CONSPIRATOR FEAT

+ Kyle Martin & the Fall Flowers + The Orchid Killers

MARC BROWNSTEIN & ARON MAGNER FROM THE DISCO BISCUITS

2/4 9:00 PM SHOW > $15 > MOTOWN COVERS

PRIDE + DJ MATT & JOY MCKILLOP

SAT 2/5 • 7:00PM DOORS • $16 • 16+ POP ROCK/ALT ROCK

THE LOST BOYS

2/5 9:30 PM SHOW > $8 > ROCK COVERS (AC/DC TRIBUTE BAND)

;^ghi HVi bdci]an Vi *! Jc^kZgHdja edZign VcY bjh^X deZc b^X# &-&(( HdcdbV =ln! HdcdbV# ,%,#.(.#&.%*#

ADD/C

TUE 2/8 • 8:00PM DOORS • $23 ADV/$26 DOS • 18+ AMERICANA/ROOTS/ROCK/BLUES

+ ELECTRIC FUNERAL

7VgaZn =deh IVkZgc

I]jgh! 9? ?EH# ;g^! ?Zcc^[Zg IjX`Zg# (+-- 7d]Zb^Vc =ln! DXX^YZciVa# ,%,#-,)#.%(,#

(OZZY ERA BLACK SABBATH TRIBUTE)

7VgcY^kV

2/6 1:00 PM SHOW > $10 > ALL AGES

7g^mm

+ JAM SESSIONS BY T.R.A.D. J.A.S.S. 2/9 7:30 PM SHOW > $7 > ALL AGES

JACKIE GREENE PLUS HONEYMOON

+ HOODWINK

FRI 2/11 • 8:00PM DOORS • $19 ADV/$21 DOS • 18+ FUNK/JAM BAND

THE NATURAL GAS JAZZ BAND

LZY! 7VgcY^kV Ig^d WajZ\gVhh VcY _Voo # '(& 8ZciZg Hi! =ZVaYhWjg\# ;ZW *! 9dc^ =VgkZn# &+ @ZcijX`n Hi! EZiVajbV# ,%,#,++#-&+'#

KARL DENSON’S TINY UNIVERSE

A North Bay Hootenanny Production

8Vh^cd

PLUS LYNX

JASON WEBLEY

:kZgn di]Zg I]jgh! deZc b^X# &,%%% 7dYZ\V =ln! 7dYZ\V# ,%,#-,+#(&-*#

+ THE CRUX + BEN WEINER

8]gdbZ Adijh

;ZW (! 8VhV GVhiV! AVoV Bdg\Vc gZ\\VZ # ;^ghi ;g^ bdci]an! ;jc`VYZa^X ;g^ l^i] 9? AVonWdn VcY 9? Hn`l^Y^i# ;ZW *! OdY^V` Æ6fjVg^jh#Ç ;ZW +! HjeZgWdla eVgin# *%& BZcYdX^cd 6kZ! HVciV GdhV# lll#X]gdbZadijhhg#Xdb#

SAT 2/12 • 7:30PM DOORS • $21 ADV/$26 DOS • 21+ PINK FLOYD TRIBUTE BAND

AN EVENING WITH

2/10 8:30 PM SHOW > $10 > ROCK/METAL SFARZO PRESENTS ROCK THURSDAYS 2/11 9:00 PM SHOW > $10/13 > REGGAE

HOUSE OF FLOYD FRI 2/18 • 7:00PM DOORS • $13 ADV/$16 DOS • 21+ EXPERIMENTAL

EARL ZERO

8dXdÉh

LZY! a^kZ bjh^X# I]jgh! gZ\\VZidc# (% ;g^ Vi .! iZX]cd VcY ]djhZ 9?#

GABBY LA LA

From Kingston, Jamaica

+ MILITIA OF LOVE + DJ JACQUES

PLUS ODD BIRD AND FORREST DAY SUN 2/20 • 7:00PM DOORS • $21 ADV/$23 DOS • 18+ SINGER/SONGWRITER

2/12 8:30 PM SHOW > $10 > ROCK

PAT JORDAN BAND + HIGH SPEED WOBBLE + TOMMY RICKARD

TODD SNIDER PLUS ELIZABETH COOK

2/18 9:00 PM SHOW > $30 > REGGAE BONAFIDE SOUND PRESENTS

THUR 2/24 • 8:00PM DOORS • $21 ADV/$26 DOS • 21+ DUBSTEP/GLITCH/WEST COAST

LADY SAW

DOUBLE D PRODUCTIONS PRESENTS

MONSTERS OF BASS TOUR

FEATuring IRIE DOLE

FREQ NASTY, MARTY PARTYAND OPIUO

2/19 9:30 PM SHOW > $10 > DANCE ROCK

WITH

NOTORIOUS

2/25 9:30 PM SHOW > $10/13 > ROCK

ROYAL BLISS

WED 3/2 • 6:30PM DOORS • $26 ADV/$29 DOS • 21+ ROCK

+ BOBA FLEX + OCEANS DIVIDE

ROBIN TROWER

all shows are 21+ unless noted for reservations: 707.545.5876 540C74A ;>E4

B>5C C>D27

Nicki Bluhm opens for the Mother Hips Feb. 4 at the Palm Ballroom in San Rafael. See Concerts, above.

For All Ages Shows • No Children Under 10 Allowed

707.545.2343

23 Petaluma Blvd, Petaluma

120 5th street @ davis street santa rosa, ca

707-765-2121

lastdaysaloon.com

www.mcnears.com

THE BOHEMIAN

02.02.11-02.08.11

29


:b`VP

'.

0?6A60Âś@ 05<602

HVi! bZgZc\jZ! gZ\\VZidc! ]^e"]de# Hjc! XjbW^V# IjZh Vi -! hVahV YVcX^c\ l^i] aZhhdc# '& ;djgi] Hi! EZiVajbV# ,%,#,+*#&-+(#

8d[[ZZ 8Vio

LZY Vi +! deZc b^X# I]jgh! HX^ZcXZ 7joo 8V[Z hZZ AZXijgZh # HVi Vi '! WajZ\gVhh _Vb# +,+& HZWVhideda 6kZ! HZWVhideda# ,%,#-'.#++%%#

;^ghi :Y^i^dc

:kZgn I]jgh! @VgVd`Z# &-'% : LVh]^c\idc 6kZ! EZiVajbV# ,%,#,,*#('%%#

;aVb^c\d Adjc\Z

LZY VcY I]jgh! `VgVd`Z# ;ZW )! ;jcYVbZciVah# ;ZW *! <gddkZ ;djcYVi^dc# Hjc! hVahV l^i] aZhhdch# IjZh! hl^c\ c^\]i l^i] aZhhdch# ',,, ;djgi] Hi! HVciV GdhV# ,%,#*)*#-*(%#

;g^Vg IjX`Éh

LZY VcY HVi! `VgVd`Z# ;g^! 9? B^`Z# -'%& DaY GZYlddY =ln! 8diVi^# ,%,#,.'#.-),#

<gVo^VcdÉh 8ajW <

:kZgn HVi! @Zk^c 9jg`^c Ig^d _Voo kdXVa # &,% EZiVajbV 7akY C! EZiVajbV# ,%,#,+'#*..,#

<jVnV`^ BViZ 7Vg

I]jgh! deZc b^X# +,-' HZWVhideda 6kZ! HZWVhideda# ,%,#-')#++))#

=debdc` IVkZgc

;^ghi LZY bdci]an Vi ,/(%! 9ZVY 9VcXZ l^i] i]Z I]j\o# ;ZW ) Vi +! [gZZ h]dl l^i] H]Vlc Bjaa^ch0 Vi -! 9Vccn HdgZci^cd# ;ZW *! 8gVon ;Vbdjh! L]^h`Zn I]^ZkZh# Bdc! BdcYVn C^\]i :YjiV^cbZci l^i] 9?h ?VXfjZh VcY <jVXVbdaZ gZ\\VZ # ;ZW , Vi cddc! <gVXZ EdiiZg i]Z CdXijgcVah hZZ 8dcXZgih # IjZh! deZc b^X c^\]i# '(% EZiVajbV 6kZ! HZWVhideda# ,%,#-'.#,(%%#

>cc Vi i]Z I^YZh

HVi Vi ,! BVeaZ Egd[Vci hdad e^Vcd # 7Vn K^Zl GZhiVjgVci# -%% =ln &! 7dYZ\V 7Vn# -%%#*)&#,,--#

AVhi 9Vn HVaddc

;ZW )! Eg^YZ VcY ?dn! 9? BVii BX@^aade# ;ZW *! 699$8 ig^WjiZ WVcY # Bdc! `VgVd`Z# &'% ;^[i] Hi! HVciV GdhV# ,%,#*)*#'()(#

Best Music Venue Best Place for Singles to Meet

BV^c HigZZi HiVi^dc

IjZh! Dji d[ i]Z 7ajZ hl^c\ # &+'-% BV^c Hi! <jZgcZk^aaZ# ,%,#-+.#%*%&#

FRI ! FEB 4 ! 10PM ! $15

NORRISMAN

BVhVaV ?VX`Éh

I]jgh! GV\Vh id G^X]Zh >cY^Vc # ,.-& DaY GZYlddY =ln! 8diVi^# ,%,#,.*#''*&#

PLUS SPECIAL GUESTS CALM.O.DEE & DUB SQUAD

BX IÉh 7jaaeZc

SAT ! FEB 5 ! 9PM ! $10

LZY! deZc b^X l^i] 6c\Za^cV# I]jgh! `VgVd`Z l^i] 8djcign 9Vc# &+')+ ;^ghi Hi! <jZgcZk^aaZ# ,%,#-+.#((,,#

ENDOXI

WITH

VS THEM

BdcgdZ 9VcXZ =Vaa

SAT ! FEB 12 ! 9PM ! $10

I]jgh VcY Hjc! 8^gXaZh Éc HfjVgZh 9VcXZ 8ajW# &)%% L 8daaZ\Z 6kZ! HVciV GdhV# ,%,#*'.#*)*%#

THE REAL NASTY

WITH

DIEGO’S UMBRELLA

Bjge]nÉh >g^h] EjW

FRI ! FEB 18 ! $10

1-OCTANE

PLUS SPECIAL GUESTS

Bnhi^X I]ZVigZ

FRI ! FEB 19 ! $15

;ZW )! 8dche^gVidg# ;ZW *! Adhi 7dnh# ;ZW -! ?VX`^Z <gZZcZ hZZ 8dcXZgih # '( EZiVajbV 7akY C! EZiVajbV# ,%,#,+*#'&'&#

JOSE NETO BAND FRI ! FEB 25 ! $15

WONDERBREAD 5

Cdgi]lddY GZhiVjgVci

I]jgh Vi ,! i]Z I]j\o Xdhb^X gdX` # &.)%% =ln &&+! BdciZ G^d# ,%,#-+*#')*)#

SAT ! FEB 26 ! $7

CLUSTERFUNK!

BIG GAY FARMER

Cjiin >g^h]bVc

IjZh Vi .! `VgVd`Z# ..* E^cZg GY! HVciV GdhV# ,%,#*))#&)),#

EVeVÉh IVkZgcV

;ZW )! EjahVidgh# ;g^ Vi ,! a^kZ bjh^X# HVi

30

02.02.11-02.08.11

Bright Eyes’ newest grows up without cynicism ew bands could open an album with a two-and-a-halfminute monologue about time-travel, UFOs and the third dimension and succeed. Bright Eyes is one of the few. The three-piece’s new full-length, The People’s Key (comin out Feb. 15), begins with a sermon of sorts from Refried Ice Cream guitarist Denny Brewer (a friend of frontman Conor Oberst), who muses “If there is no such thing as time, you’re already there . . .â€? But Oberst & Co. don’t spend their entire 10th studio release gazing into space. Nor does sad-bastard Oberst spend it peering adolescently navelward. Instead, between ights of sci-ďŹ ďŹ‚avored fancy, Key is an almost self-consciously grownup record, in which the singer spits pearls of thirty-something wisdom with some cynicism and a good deal of hope. On the opening track, Oberst sings “I do my best to sleep through the caterwaul / the classists, the posture and avant-garde.â€? On “Beginner’s Mind,â€? he declares “The sunshine’s so clichĂŠ, just like love and pain.â€? The Oberst on Key sounds light years away from the raw, confessional voice that crooned “As somewhere we all dieâ€? on Digital Ash in a Digital Urn and lashed out at George Bush in the notorious single “When the President Talks to God.â€? Musically, it’s Bright Eyes’ most polished and muscular album to date. Though producer Mike Mogis discovered the drum machine long ago, it anchors the piano and guitar melodies on Key in tight, measured hooks. “Approximated Sunlightâ€? marches to a dashboard-rattling bass, while “Jejune Starsâ€? builds on frantic guitar licks and dissolves repeatedly into cymbal crashes. Bright Eyes takes a deďŹ nite risk in making this, their “serious adult record.â€? Arcade Fire tried it this summer and got stuck in suburban banality. But Key ponders the mundane and, Lynch-like, still contemplates the stars. “We used to dream of time machines, now it’s said we’re posteverything,â€? Oberst laments in “Approximated Sunlight.â€? His strength on Key is that he still manages to dream.

F

LZY Vi ,/(%! ig^k^V c^\]i# :kZgn di]Zg Bdc! `c^ii^c\ c^\]i# :kZgn hZXdcY IjZh! deZc b^X# )+) ;^ghi Hi! HdcdbV# ,%,#.(*#%++%#

HOT UPCOMING ACTS

PLUS SPECIAL GUESTS

3A40<8=6 >= ½:4Hž

THE BOHEMIAN

Rachel Dovey

Vi , VcY Hjc Vi )! @Z[^ <gZZ` # Hjc Vi &/(%! <gZZ` YVcXZ aZhhdch0 Vi (/(%! a^kZ bjh^X VcY WZaanYVcXZ h]dl# *+-- AV`Zk^aaZ =ln! EZiVajbV# ,%,#,+.#-*)*#

E]dZc^m I]ZViZg

LZY Vi +! _Voo _Vb# ;ZW *! H^hiVh ^c i]Z E^i! 8gZbVidg! 7I9! EjWa^fjdgh# Hjc Vi *! gdX` VcY WajZh _Vb# Bdc Vi ,! ndjc\ eZdeaZÉh 66# IjZh Vi ,! VXdjhi^X 6bZg^XVcV _Vb# '%& LVh]^c\idc Hi! EZiVajbV# ,%,#,+'#(*+*#

EaVoV 7^higd

;ZW )! ? @Zk^c 9jg`^c Ig^d# )'% ;^ghi Hi :! HdcdbV# ,%,#..+#))++#

Fj^cXnÉh EjW 8V[Z

LZY! =jbe 9Vn l^i] 9?h 6gb^c! @dcZm VcY 7ZhZi# I]jgh! `VgVd`Z# HVi! CdX]Zh 8Va^ZciZh l^i] 9? ="HbddkZ# +*.% 8dbbZgXZ 7akY! Gd]cZgi EVg`# ,%,#*-*#&%,.#

GZY GdhZ 8V[Z

HVi Vi +! Gdc 9jW^c DcZ BVc 7VcY WajZh # &,,% E^cZg GY! HVciV GdhV# ,%,#*,(#.,)&#

GZYlddY 8V[Z

LZY Vi +! adXVa bjh^X# I]jgh Vi ,/(%! deZc b^X# ;g^"Hjc! a^kZ bjh^X# IjZh Vi +/(%! HHJ c^\]i deZc b^X VcY edZign


gZVY^c\# -')% DaY GZYlddY =ln! 8diVi^# ,%,#,.*#,-+-#

G^iV├Йh GZhiVjgVci Adjc\Z

LZY Vi -! WajZh _Vb l^i] HdcdbV 8djcin 7ajZh HdX^Zin# I]jgh Vi -! ;g^ VcY HVi Vi .! Hjc Vi - `VgVd`Z# &(- 8Va^hid\V GY! HVciV GdhV# ,%,#*(,#%(%-#

G^kZg GdX` 8Vh^cd

;ZW )! @6 Ndjg 9?# ;ZW *! 8]^cZhZ CZl NZVg XZaZWgVi^dc# ('*% =ln &'-! <ZnhZgk^aaZ# ,%,#-*,#',,,#

GdX`Zg DnhiZg[ZaaZg├Йh

I]jgh! 6gVcc =Vgg^h# &))&* =ln &! KVaaZn ;dgY# ,%,#-,+#&.-(#

I]Z GdX`h

;g^! Ajhi l^i] <Zgdc^bd! GdW 8ZgkVciZh VcY \jZhi 9?h hZmn Ide )% # HVi! 9Z_V Kj l^i] <Zgdc^bd daY"hX]dda WZVih # &)+ @ZcijX`n Hi! EZiVajbV# ,%,#,-'#%*.'#

H^ooa^c\ IVcYddg

LZY! GV\Vh id G^X]Zh h^iVg # )%. BZcYdX^cd 6kZ! HVciV GdhV# ,%,#*,.#*...#

HeVcX`n├Йh

LZY! 9?h I^VcV VcY 8]Vg# I]jgh Vi .! 9? 9gVn AdeZo# Hjc Vi -! `VgVd`Z# -'%& DaY GZYlddY =ln! 8diVi^# ,%,#++)#%&+.#

IdVY ^c i]Z =daZ EjW

C^X`Za GdhZ

Hjc! Bdc! LZY";g^! 9? YVcXZ# -)- 7 Hi! HVc GV[VZa# )&*#)*)#***&#

&. 7gdVYlVn 8ajW

;ZW ' Vi +! 7jYYn DlZc0 Vi .! ]djhZ eVgin Wdd\^Z# ;ZW (! 6XVX^V# ;ZW )! Cdgg^hbVc! 8Vab#D#9ZZ! 9jW HfjVY# ;ZW *! :cYdm^! Kh I]Zb# ;ZW + Vi &! :g^`V 6ahigdb l^i] 9VaZ 6ahigdb├Йh ?Voo HdX^Zin0 Vi .! E]^a =VgY\gVkZ VcY i]Z 8dci^cZciVah# Bdc Vi .! deZc b^X# IjZh Vi .! Jo^aZkh`n @dgin 9jd l^i] heZX^Va \jZhih# &. 7gdVYlVn! ;V^g[Vm# )&*#)*.#&%.&#

Cd CVbZ 7Vg

EVeZgb^aa 8gZZ` HVaddc

LZY! @Zk^c BX8dccZaa! 9Vc 9^X`hdc VcY E]^a LddY# & 8Vhigd! ;dgZhi @cdaah# )&*#)--#.'(*#

EZg^├Йh H^akZg 9daaVg

LZY! deZc b^X# I]jgh! gZ\\VZ 9? c^\]i# ;g^! daY"hX]dda 9? c^\]i# HVi 9? c^\]i# &'*% A^cXdac 6kZ! 8Va^hid\V# ,%,#.)'#)&%&# I]jgh Vi -! 9dj\aVh =djhZg dg 7g^Vc @a^cZ# *%* A^cXdac 6kZ! CVeV# ,%,#'*(#&&&&#

9dlcidlc ?dZ├Йh =nYgd <g^aa

;g^"HVi! WajZh# Hjc Vi ,! Hl^c\ HZkZc# &)%( A^cXdac 6kZ! 8Va^hid\V# ,%,#.)'#.,,,#

CVeV <aVhh

I]jgh Vi ,! 9gjbbZgh├Й 9Za^\]i l^i] 6gi 8VkV\cVgd Ygjb _Vb # '-.* HdaVcd 6kZ! CVeV# ,%,#'**#(*))#

GVcX]d C^XVh^d

DmWdl EjWa^X BVg`Zi

Hjc! 7gVY 7Vcc# '*% :cigVYV 9g! CdkVid# )&*#--(#.),,#

'*+ Cdgi]

Hjc Vi )! HVahV"a^id# ;ZW +! 9Vc^ad# (%* =VgWdg K^Zl 9g! HVjhVa^id#

I]jgh Vi -! deZc b^X# &)&* ;^[i] 6kZ! HVc GV[VZa# )&*#)*)#+)''#

8Va^hid\V >cc

:kZgn Bdc! VXdjhi^X deZc b^X# '. 7gdVYlVn! ;V^g[Vm# )&*#)*.#..&%#

I]jgh! 9? 9VkZ# Bdc! 9dccn BVYZgdh├Й Egd ?Vb# -'&% DaY GZYlddY =ln! 8diVi^# ,%,#,.*#,-,-#

7ZagdhZ I]ZVigZ

;g^"Hjc! =ZgW <^Whdc _Voo # &(), A^cXdac 6kZ! 8Va^hid\V# ,%,#.)'#''((#

;ZW )! 8]VgaZh L]ZZa 7VcY# ;ZW *! 9? ?VbZh# .%' BV^c Hi! CVeV# ,%,#'*-#'((,#

;ZW *! 7jYYn DlZc 7VcY# BV^c HigZZi! Ei GZnZh HiVi^dc# )&*#++(#&++&#

G^X`Zn├Йh

B6G>C 8DJCIN

7gVccVc├Йh <g^aa

DaY LZhiZgc HVaddc

IgVYZl^cYh

:kZgn Hjc! GdX` ├Йc├Й Gdaa HjcYVn HX]dda# *', 7Vg]Vb 6kZ! HVciV GdhV# ,%,#*)'#%.-%#

I]jgh! `VgVd`Z# ;g^"HVi! a^kZ bjh^X# &'%* BV^c Hi! Hi =ZaZcV# ,%,#.+(#).'&#

8dbeVYgZh

;ZW )! 9├Й7jcX]dkjh! Gjhin <Vji]^Zg# ;ZW *! GVcX]d 6aahiVgh# Idlc HfjVgZ! C^XVh^d# )&*#++'#''&.#

I]Z Odd

6cV├Йh 8Vci^cV

;g^ Vi .! B^X]VZa 6gV\dc FjVgiZi# Hjc Vi (! BVa H]VgeZ├Йh 9^m^ZaVcY# Bdc Vi -/(%! @^bgZV# IjZh Vi -/(%! deZc b^X l^i] 9Vb^g# ,*, 7g^Y\ZlVn! HVjhVa^id# )&*#(('#&(.'#

Bdc! deZc b^X l^i] E]^a i]Z HZXjg^in <jVgY# &&+ ;^[i] Hi! HVciV GdhV# ,%,#*))#-+'(#

IjZh"I]jgh! aZhhdch l^i] YVcX^c\# ;dgbZgan @dY^V` ?VX`├Йh# ;g^"HVi! 9? YVcX^c\# I]jgh VcY HVi! &- VcY dkZg# HVi Vi +! `VgVd`Z# '*+ EZiVajbV 7akY! EZiVajbV# ,%,#,+*#*,''#

C6E6 8DJCIN

HVjhVa^id HZV]dghZ

HX]dZcWZg\ <j^iVgh

;ZW )! HiZk^Z 8dnaZ# &%+ BV^c Hi! I^Wjgdc# )&*#,-.#%-)+#

HaZZe^c\ AVYn

Bdc Vi -! deZc b^X l^i] H^bdc 8dhiV# '( 7gdVYlVn! ;V^g[Vm# )&*#)-*#&&-'#

Hb^aZn├Йh

LZY Vi -! AVggn├Йh `VgVd`Z# Hjc! deZc b^X# Bdc! gZ\\VZ# )& L]Vg[ GY! 7da^cVh# )&*#-+-#&(&&#

HiVi^dc =djhZ 8V[Z

;ZW +! I]gZZ <jnh CVbZY Bd G 7 # &&&-% HiViZ GdjiZ &! Ei GZnZh HiVi^dc# )&*#++(#&*&*#

IjZh Vi +! AdXVah C^\]i# +&% ;^ghi Hi! CVeV#

E^XV E^XV BV^oZ @^iX]Zc

;^ghi ;g^ bdci]an Vi +! hVahV YVcXZ eVgin# DmWdl EjWa^X BVg`Zi! +&% ;^ghi Hi! CVeV#

GV^cWdl Gddb

I]jgh Vi .! `VgVd`Z l^i] ├Ж9dX├З BVgi^c 9jgVcY# ;g^"HVi Vi &%! 9? YVcX^c\# Hjc! HVahV HjcYVnh# -%+ ;djgi] Hi! CVeV# ,%,#'*'#)),&#

H^ad├Йh

LZY Vi ,! _Vb hZhh^dc# ;ZW *! EZiin I]Z[i Idb EZiin ig^WjiZ # *(% BV^c Hi! CVeV# ,%,#'*&#*-((#

H^akZgVYd GZhdgi

;g^"HVi! =Vaa & gdX` # &+%% 6iaVh EZV` GY! CVeV# ,%,#'*,#%'%%#

JkV IgViidg^V

LZY VcY ;g^! E]^a^e Hb^i] i]Z <ZciaZbZc d[ ?Voo# Hjc! Y^ccZg e^Vcd l^i] 9dccn BVX# IjZh! ?VbZh IdYY VcY IZY I^beZg _Voo Yjd # &%)% 8a^cidc Hi! CVeV# ,%,#'**#++)+#

8jX^cV

Feb

0?6A60┬╢@ 05<602 Across the bridge

Sun

Feb

;^ccZ\Vc├Йh BVg^c

LZY! `VgVd`Z l^i] BVg` EdlZg# Bdc! deZc b^X l^i] @8 IjgcZg# -,, <gVci 6kZ! CdkVid# )&*#-..#&*&+# HVi! <aVblVkZ =Veen =djg l^i] 7gVcYdc 7 VcY 6 ?j`ZWdm# Hjc! i]Z BdgdcZh XaVhh^X ejc` # ,&& ;djgi] Hi! HVc GV[VZa# )&*#)*+#)-'-#

<Zdg\Z├Йh C^\]iXajW

LZY! hiVcYje XdbZYn hZZ 8dbZYn # ;ZW )! ;VWjadjh ;aZh] LZVedch! ;aVcZa]ZY! =^aaW^aan Hig^`Z ;dgXZ# ;ZW *! i]Z :Y\Z# -)' ;djgi] Hi! HVc GV[VZa# )&*#''+#%'+'#

>gdc Heg^c\h EjW 7gZlZgn

;ZW '! ?:9 6bZg^XVcV # ;ZW * Vi '! ?Voo\^iVc# ,+* 8ZciZg 7akY! ;V^g[Vm# )&*#)-*#&%%*#

BVbV├Йh GdnVa 8V[Z

HVi Vi &&! ;gZYZg^X` C^\]i]Vl` WajZh VcY _Voo # Hjc Vi &&! 8Vgdanc 9V]a Wdd\^Z"ldd\^Z e^Vcd # (-, B^aaZg 6kZ! B^aa KVaaZn# )&*#(--#('+&#

BdnaVc├Йh 7gZlZgn

I]jgh Vi -/(%! _Vb hZhh^dc# &* GdlaVcY LVn! CdkVid# )&*#-.-#=DEH#

A ND A

S H OW

4 DтАЩbunchovus WITH RUSTY G AUTHIER 8:00pm / No Cover

Sat

9ZH^akV├Йh

;djgi] HigZZi IVkZgc

Reservations Advised

DI NN E R Fri

Feb

I]jgh Vi +/(%! 7dcc^Z =VnZh# *&% HVc 6chZabd 6kZ! HVc 6chZabd# )&*#)*)#'.)'# LZY! `VgVd`Z# ;g^! 9? @Zc 6aidc# &*(* H CdkVid 7akY! CdkVid# )&*#-.'#*%*&#

Lunch & Dinner Sat & Sun Brunch

THE RANCHO ALLSTARS 5 Great Dance Music 8:30pm

SUPERBOWL SUNDAY PARTY! 6 P REGAME BRUNCH 11amтАУ3pm HAPPY HOUR MENU 3тАУ6pm DINNER 5тАУ9pm

тЩетЩетЩетЩетЩетЩетЩетЩетЩетЩетЩетЩетЩетЩетЩе 9ZVY @ZccZYnh ;a^eeZg

I]Z gZbcVcih d[ Wdi] WVcYh gZa^kZ \adgn YVnh l^i] cZl h^c\Zgh# ;ZW ) Vi DV`aVcY BZigd#

A^iiaZ 9gV\dc

Nj`^b^ CV\Vcd Wg^c\h HlZY^h] ZaZXigd"ede id [gZZ ^c"hidgZ# ;ZW * Vi 6bdZWV H;#

Idbbn <jZggZgd

Egd h`ViZ aZ\ZcY VcY ZaZXigdc^X bjh^X^Vc XZaZWgViZh gZXdgY gZaZVhZ# ;ZW * Vi 8V[Z Yj CdgY#

HZWVYd]

Adj 7Vgadl 8d# Wg^c\ i]Z WV`Z hVaZ WVX` dc idjg0 l^i] FjVh^# ;ZW - Vi <gZVi 6bZg^XVc Bjh^X =Vaa#

7^\ 7d^

L]ZgZ├Йh 6cYgZ (%%%4 >c i]Z bZVci^bZ! i]^h YjYZ├Йh gjcc^c\ i]^c\h# ;ZW - Vi i]Z >cYZeZcYZci#

6a 7# HjgZ

CZl ?VX` Hl^c\ Vgi^hi ]^ih i]Z _Voo XajW ^c Z[[ZXi bdYZ# ;ZW . Vi Ndh]^├Йh H;# BdgZ HVc ;gVcX^hXd ZkZcih Vi lll#h[hiVi^dc#Xdb#

CELEBRATE VALENTINEтАЩS DAY AT RANCHO NICASIO BRING YOUR SWEETHEART FOR A

ROMANTIC EVENING WITH LIVE MUSIC AND FABULOUS FOOD & DRINKS

тЩетЩетЩетЩетЩетЩетЩетЩетЩетЩетЩетЩетЩетЩетЩе Fri

Feb 11 Sat

Feb 12 Sun

Feb 13 Mon

Feb 14

T HE LINDA IMPERIAL BAND

Powerful Vocalist, Original Songs 8:30pm

SHANA MORRISON

A Sweetheart of a Singer 8:30pm

MIKE LIPSKIN & DINAH LEE

Special Valentine Songs 4:00pm / No Cover

SPECIAL VALENTINEтАЩS DAY SHOW

WITH

THEE BAGUETTE QUARRTETTE

7:00pm

415.662.2219

On the Town Square, Nicasio www.ranchonicasio.com

THE BOHEMIAN

02.02.11-02.08.11

31


:B@60

A4?02:43 106B Grace Potter left behind a promising solo opportunity to keep fronting the Nocturnals—and it’s paid off.

BcPcT ^U 6aPRT

Talking coolness and collaboration with Grace Potter By Alan Sculley

C

wo years ago, it looked for all the world that Grace Potter’s band, the Nocturnals, might have reached the end of the line. After two studio albums, the group was on thin ice; the bassist had left, and Potter was about to record a solo album with respected producer T-Bone Burnett. “I think like every band in the whole world, there’s that moment of truth, where you figure out whether you’re going to make pop music or if you’re going to remain in a comfortable ether of coolness,� Potter says in an interview, explaining the key problem within the group. “And I want to be cool, but I don’t care about being cool as much as I care about making a career out of this—a long, fruitful career.� Hence, thanks to a reshuffling of members, Grace Potter and the Nocturnals are very much a band again. Potter’s solo album with Burnett is on hold while the group releases a stirring new self-titled album showcasing an identity, focus and confidence that didn’t exist during their first five years together. “I think it all comes down to growing up,� says Potter, who sings and plays keyboards and guitars. “I don’t think we’ve hit our prime. I think we’re just finding it. It’s like we’ve been prepubescent this whole time in our musicality and our performance and our sexuality and our comfort onstage. This is like we’ve graduated college, and now it’s time for real life.� Leaving an opportunity with multi-Grammy winner Burnett might seem odd, but, she says, “I wasn’t ready for that. Obviously, the temptation for a woman to go break off solo, if she’s got talent and she’s got a voice, is great. But I wanted the band. I wanted to remain true to what made me the way I am, what helped me

32

02.02.11-02.08.11

THE BOHEMIAN

make music and make it good.� At the helm of Grace Potter and the Nocturnals is Mark Batson, who’s worked with such heavyweights of hip-hop as Eminem, Jay-Z and Dr. Dre. Baston co-wrote six of the album’s 13 songs with Potter and also fostered an atmosphere in the studio that helped the band to tap into its primal side. “We just wanted the spirit, the vibe and the energy as if we were onstage,� Potter said. “So what Mark would do is he would bring in 10 to 20 girls and people into the booth, so it was like we were at a live show. Everyone he was bringing into the studio, we’re talking about poets, we’re talking about artists, actresses, actors, rappers, I mean, it was really a genre-bend and a mindfuck. But it was a great time for us to experience all of these different types of people.� The energy of the sessions translates emphatically. On “Paris (Ooh-La-La),� “Hot Summer Night� and “Only Love,� Potter exudes sensuality, sass and passion, while the Fleetwood Mac–like pop of “Tiny Light� and “Colors� makes for a rich, well-rounded album. And though the band has finally come into its own, Potter is even more excited about what lies ahead. “I do have great hopes and aspirations for the future,� she said. “I think that’s the best thing we have going for us, [that] nothing is ever good enough. We’re constantly trying to make our music more profound, more important, more realistic and more fabulous. I think that that’s it. It’s really not ever taking ‘good enough’ for good enough.� Grace Potter and the Nocturnals play a free all-ages show on Monday, Feb. 7, at the Hopmonk Tavern. 230 Petaluma Ave., Sebastopol. Noon. Free. 707.829.7300.


.?A 2C2;A@ <=2;6;4@ ;ZW ) ;gdb * id ,eb# 8^in =Vaa 8djcX^a 8]VbWZgh! eV^ci^c\h Wn 9Vk^Y 8daa^ch# &%% HVciV GdhV 6kZ! HiZ &%! HVciV GdhV# ,%,#*)(#(%&%# ;gdb + id -eb# 6gih <j^aY d[ HdcdbV! Æ;ZWgjVgn BZbWZghÉ H]dl#Ç &)% : CVeV Hi! HdcdbV# ,%,#..+#(&&*#

;ZW * ;gdb * id ,eb# AZZ Ndjc\bVc <VaaZg^Zh! ÆJc^fjZan Ndjc\bVc!Ç cZl eV^ci^c\h Wn EVja Ndjc\bVc# &(&+ A^cXdac 6kZ! 8Va^hid\V# ,%,#.)'#%*-*# ;gdb * id -eb# 7VX`higZZi <VaaZgn! ÆHbVaa HD;6 Ldg`h!Ç hbVaa! V[[dgYVWaZ Vgi [gdb Hdji] 6 Y^hig^Xi# Jg^WZ HijY^dh! )+& HZWVhideda 6kZ! HVciV GdhV# ,%,#*(,#.*%,#

;ZW + ;gdb ' id )eb# BVg^c HdX^Zin d[ 6gi^hih! ÆDeZc 8gV[i VcY HXjaeijgZ#Ç (% H^g ;gVcX^h 9gV`Z 7akY! Gdhh# )&*#)*)#.*+&#

.?A Galleries HDCDB6 8DJCIN 6gih <j^aY d[ HdcdbV ;ZW )"'-! Æ;ZWgjVgn BZbWZghÉ H]dl#Ç GZXZei^dc! ;ZW )! + id -# LZY"I]jgh VcY Hjc"Bdc! && id *0 ;g^"HVi! && id -# &)% : CVeV Hi! HdcdbV# ,%,#..+#(&&*#

7VX`HigZZi <VaaZgn ;ZW *! [gdb * id -! ÆHbVaa HD;6 Ldg`h!Ç hbVaa! V[[dgYVWaZ Vgi [gdb Hdji] 6 Y^hig^Xi# HVi! && id *! VcY Wn Veed^cibZci# Jg^WZ HijY^dh! )+& HZWVhideda 6kZ! HVciV GdhV# ,%,#*(,#.*%,#

8]VgaZh B HX]jao BjhZjb :cY^c\ ;ZW +! ÆEdgigV^ih d[ HX]jao#Ç I]gdj\] ;ZW '&! ÆHZVgX]^c\ Dji CZl IZgg^idgn/ :meZg^bZcih ^c ĂˆEZVcjih#ÉÇ I]gdj\] ?jc &.! ÆI]Z 7gdlch VcY i]Z KVc EZaih/ H^Wa^c\h ^c ĂˆEZVcjih#ÉÇ ;ZW ."?jc *! ÆIjgc 6cdi]Zg EV\Z#Ç *" -# Bdc";g^! cddc id *0 HVi"Hjc! &% id *# '(%& =VgY^Zh AVcZ! HVciV GdhV# ,%,#*,.#))*'#

8^in =Vaa 8djcX^a 8]VbWZgh I]gdj\] ;ZW &%! eV^ci^c\h Wn 9Vk^Y 8daa^ch# GZXZei^dc! ;ZW )! * id ,# &%% HVciV GdhV 6kZ! HiZ &%! HVciV GdhV# ,%,#*)(#(%&%#

<VaaZgn DcZ I]gdj\] ;ZW ',! Æ:Vgi]! L^cY VcY ;^gZ!Ç V bjai^bZY^V deZc _jg^ZY h]dl# ?Vc &*! * id -# '%. LZhiZgc 6kZ! EZiVajbV# ,%,#,,-#-',,#

<aVhZg 8ZciZg I]gdj\] ;ZW '*! ÆI]Z 8]Va^XZ Egd_ZXi!Ç eV^ci^c\h! hXjaeijgZh VcY e]did\gVe]n Wn kVg^djh Vgi^hih# 6gi 6jXi^dc! ;ZW '+ Vi */(%# *), BZcYdX^cd 6kZ! HVciV GdhV# ,%,#*+-#*(-&#

C74 =4F ;0=3 Retablos painted by Mexican migrants are on display at SSU through Mar. 31. See Galleries, below. =VbbZg[g^Vg <VaaZgn I]gdj\] ;ZW &*! Æ;^\bZcih$;gV\bZcih!Ç ldg` Wn HVcYn 9ZZ`h! 6L <ZgWZg! ?Zcc^[Zg =^gh][^ZaY! BVgn ?Vgk^h! ?VX`^Z BVi]Zh BX8Vgi]n! L^aa^Vb DÉ@ZZ[[Z VcY ?ZgZb^V] =ViX]Zg# IjZh";g^! &% id +# HVi! &% id *# &(. =ZVaYhWjg\ 6kZ! =ZVaYhWjg\# ,%,#),(#.+%%#

=ZVaYhWjg\ 8ZciZg [dg i]Z 6gih I]gdj\] ;ZW! Vgi ldg` [gdb Z^\]i adXVa ZaZbZciVgn hX]ddah# ;ZW '"'-! ÆL]ZgZ L^aY I]^c\h 6gZ!Ç ldg` Wn &% _jg^ZY Vgi^hih# 9V^an! && id +# &(% EaVoV Hi! =ZVaYhWjg\# ,%,#)(&#&.,%#

=ZVaYhWjg\ BjhZjb Dc\d^c\! XdbegZ]Zch^kZ eZgbVcZci Y^heaVnh YZhXg^WZ VheZXih d[ =ZVaYhWjg\ VcY cdgi]Zgc HdcdbV 8djcin ]^hidgn# IjZh"Hjc! && id )# ''& BVi]Zhdc Hi! =ZVaYhWjg\# ,%,#)(&#(('*#

?djgcZn 8ZciZg <VaaZgn I]gdj\] ;ZW '+! ÆEVcVbV/ 7gZV`^c\ i]Z 8]V^ch!Ç e]did _djgcVa^hb Wn Edgi^V HX]cZ^YZg# Bdc";g^! . id *0 lZZ`ZcY ]djgh Wn Veed^cibZci# &+%& ;djgi] Hi! HVciV GdhV# ,%,#*,-#'&'&#

AaZlZaanc <VaaZgn I]gdj\] ;ZW &*! ldg` Wn 6cYgZl 6bZgVa! HVcYgV DhZ\jZgV! BVg\VgZi LVYZ! 7gjXZ Lda[Z VcY 9Zcc^h =VncZh# +*'*"6 ;^ghi Hi! ;dgZhik^aaZ# ,%,#--,#'(,'#

AdXVa 8dadg <VaaZgn I]gdj\] ;ZW -! ÆHbVaa Ldg`h!Ç Vgildg` Wn Gdc HjbcZg! EVbZaV LVaaVXZ! ?dYn H]^ee! ;adgZcXZ 7gVhh! ?jYn =ZcYZghdc VcY HVgV 7VgcZh# 9V^an! &% id *# 8adhZY LZYcZhYVnh# &*-% :Vhih]dgZ GY! 7dYZ\V 7Vn# ,%,#-,*#',))#

EZiVajbV 6gih 8ZciZg I]gdj\] BVg &(! Æ;Vb^an IgZZ/ ;^cZ LddYldg`^c\ ^c Cdgi]Zgc 8Va^[dgc^V!Ç lddYXgV[i Wn '* Vgi^hih# '(% AV`Zk^aaZ Hi Vi :Vhi LVh]^c\idc! EZiVajbV# ,%,#,+'#*+%%#

EZiVajbV =^hidg^XVa BjhZjb ;ZW ("6eg (! Æ;a^\]i!Ç V ig^WjiZ id 6k^Vi^dc# LZY"HVi! &% id )0 Hjc! cddc id (0 idjgh Wn Veed^cibZci dc Bdc"IjZh# '% ;djgi] Hi! EZiVajbV# ,%,#,,-#)(.-#

FjZgX^V <VaaZgn ;ZW )"'-! Æ7dYn!Ç Zm]^W^i d[ [^\jgZh# I]jgh"Bdc! && id *# '*&.( =ln &&+! HiZ 8! 9jcXVch B^aah# ,%,#-+*#%')(#

<gVidc <VaaZgn

Fj^X`h^akZg B^cZ 8dbeVcn

I]gdj\] ;ZW ',! Æ;^[i] 6ccjVa >ck^iVi^dcVa :m]^W^i^dcÇ l^i] ldg` Wn (% Vgi^hih# IjZh"Hjc! &%/(% id +# .%)- <gVidc GY! <gVidc# ,%,#-'.#-.&'#

I]gdj\] ;ZW ',! Æ7V`Zgh 9doZc '%&&#Ç I]gdj\] BVg +! Æ=ZVgildg`h K>>!Ç VccjVa l^cYdl Y^heaVn d[ k^ciV\Z XdaaZXi^WaZ hXjaeijgZ Wn Bdcin Bdcin#

I]jgh"Bdc! && id +# ++,& ;gdci Hi! ;dgZhik^aaZ# ,%,#--,#%,..#

G^kZg[gdci 6gi <VaaZgn I]gdj\] BVg +! ÆH]dl^cÉ dc i]Z G^kZg!Ç eV^ci^c\h Wn kVg^djh Vgi^hih# IjZh"I]jgh VcY Hjc! &%/(% id +# ;g^"HVi! &%/(% id -# &(' EZiVajbV 7akY C! EZiVajbV# ,%,#,,*#)6GI#

Gjhh^Vc G^kZg 6gi <VaaZgn I]gdj\] ;ZW '-! ÆAdkZ/ HlZZi VcY Hdjg#Ç 9V^an! &% id +# &+'%% ;^ghi Hi! <jZgcZk^aaZ# ,%,#-+.#.%..#

HZWVhideda 8ZciZg [dg i]Z 6gih :cY^c\ ;ZW *! ÆAVYn AjX`Ç VcY Æ=dl id 9Zhigdn 6c\Zah#Ç IjZh";g^! &% id )0 HVi! & id )# +,-% 9Zedi Hi! HZWVhideda# ,%,#-'.#),.,#

HdcdbV 8djcin BjhZjb :cY^c\ ;ZW +! ÆBVY HX^ZcXZ/ :meZg^bZcih ^c @^cZi^X VcY GdWdi^X 6gi!Ç hXjaeijgZh Wn kVg^djh Vgi^hih# IjZh" Hjc! && id )# )'* HZkZci] Hi! HVciV GdhV# ,%,#*,.#&*%%#

HdcdbV KVaaZn BjhZjb d[ 6gi :cY^c\ ;ZW +! Æ;aZiX]Zg 7Zcidc/ I]Z 6gi^hiÉh HijY^d!Ç VcY ÆA^k^c\ LVaah/ 6 8daaVWdgVi^kZ >chiVaaVi^dc#Ç I]gdj\] BVg &)! ÆA^[Z d[ BV`^c\!Ç Vgildg` Wn ?^b BZaX]Zgi! ?jcZ HX]lVgXo VcY @Vn HZ`^bVX]^# ;gZZ" -# LZY"Hjc! && id *# **& 7gdVYlVn! HdcdbV# ,%,#.(.#HKB6#

Jc^kZgh^in A^WgVgn 6gi <VaaZgn I]gdj\] BVg (&! ÆB^gVXaZh dc i]Z 7dgYZg!Ç [da` gZiVWad eV^ci^c\h [gdb X]jgX] VaiVgh YgVlc Wn BZm^XVc b^\gVcih id i]Z JH# Bdc";g^! - id *0 HVi" Hjc! cddc id *# HHJ! &-%& : 8diVi^ 6kZ! Gd]cZgi EVg`# ,%,#++)#)')%#

B6G>C 8DJCIN 6gi Ldg`h 9dlcidlc I]gdj\] ;ZW -! ÆDaY =Zgd Hdc\!Ç e]did\gVe]n Zm]^W^i VcY Wdd` Wn B^\jZa ;Vg^Vh# I]gdj\] ;ZW '*! eV^ci^c\h Wn :Yni]Z 7gZhcV]Vc# IjZh" HVi! &% id *# &((, ;djgi] Hi! HVc GV[VZa# )&*#)*&#-&&.#

7da^cVh BjhZjb I]gdj\] ;ZW ',! Æ>c i]Z :nZ d[ i]Z 7Z]daYZgÇ ^c bV^c \VaaZgn0 e]did\gVe]h Wn Aj`Vh ;ZaobVcc ^c e]did\gVe]n \VaaZgn0 eV^ci^c\h Wn Idb HdaiZho ^c 8dVhiVa BVg^c 6gi^hih \VaaZgn# ;g^! & id *0 HVi"Hjc! cddc id *0 VcY Wn Veed^cibZci# )- L]Vg[ GY! 7da^cVh# )&*#-+-#%((%#

<VaaZgn GdjiZ DcZ I]gdj\] ;ZW '%! Æ'+i] 6ccjVa ?VcjVgn ?jg^ZY H]dl!Ç _jg^ZY Wn GZcZ ()

THE BOHEMIAN

02.02.11-02.08.11

33


. 2

((

YZ <jobVc d[ DV`aVcY BjhZjb# LZY"Bdc! && id *# &&&%& =ln &! Ei GZnZh HiVi^dc# )&*#++(#&(),#

=ZVYaVcYh 8ZciZg [dg i]Z 6gih I]gdj\] ;ZW '%! Æ7gZV`^c\ GVc`h/ =jbVc$CVijgZ!Ç \gdje h]dl XjgViZY Wn 7g^Vc @Vga# Hjc";g^! cddc id )# 7aY\ .))! ;dgi 7Vggn! HVjhVa^id# )&*#((&#',-,#

BVg^c 8dbbjc^in ;djcYVi^dc I]gdj\] BVg &,! Æ;dgb^c\ V A^[Z/ EVi]h ^c HijY^d 8gV[i!Ç 7Vja^cZh 8gV[i <j^aY bVhiZg! VeegZci^XZ _djgcZnbVc VccjVa Zm]^W^i^dc# DeZc Bdc";g^! . id *# * =Vb^aidc AVcY^c\! HiZ '%%! CdkVid#

BVg^c =^hidgn BjhZjb Dc\d^c\! ÆIgZVhjgZh [gdb i]Z KVjai!Ç adXVa Vgi^[VXih0 Vahd! ÆGVcX]^c\ VcY GdX`^cÉ Vi DadbeVa^Ç [ZVijgZh ]^hidgn d[ HiViZ EVg`0 Vahd! Æ<gdl^c\ i]Z ;jijgZ/ ;Vgb^c\ ;Vb^a^Zh d[ BVg^c#Ç IjZh";g^! eajh hZXdcY VcY i]^gY HVi bdci]an! && id )# 7dnY <ViZ =djhZ! &&'* 7 Hi! HVc GV[VZa# )&*#)*)#-*(-#

DÉ=Vcadc 8ZciZg [dg i]Z 6gih I]gdj\] ;ZW ')! ÆAVnZgh!Ç e]didh Wn 7Vggn IdgVcid VcY XdaaV\Zh Wn G^X` 7Z\cZVjY0 Vahd! ÆGZXdcY^iZ AVcYhXVeZh!Ç eV^ci^c\h Wn BVgiV ?d]VchZc# IjZh"HVi! &% id '0 Vahd Wn Veed^cibZci# +&+ I]gdX`bdgidc 6kZ! B^aa KVaaZn# )&*#(--#)((&#

iVa` l^i] HVgV] LZiiZg# Dc\d^c\ e]did\gVe]n Zm]^W^i^dc ZmeadgZh CVeV 8djcinÉh ldgaYl^YZ ^c[ajZcXZ# <ddYbVc A^WgVgn! &'&. ;^ghi Hi! CVeV# ,%,#'')#&,(.#

2C2;A@ Comedy

C6E6 8DJCIN

B6G>C 8DJCIN

9^ GdhV EgZhZgkZ Idjgh VkV^aVWaZ HVi Vi &%! && VcY cddc gZhZgkVi^dc gZfj^gZY VcY IjZh" ;g^ Vi &%! &&! &' VcY & gZhZgkVi^dc gZXdbbZcYZY # <VaaZgn ]djgh/ LZY" ;g^! ./(% id (# HVi! Wn Veed^cibZci dcan# *'%% 8VgcZgdh =ln! CVeV# ,%,#''+#*..&#

=Zhh 8daaZXi^dc L^cZgn Dc\d^c\! djihiVcY^c\ eg^kViZ XdaaZXi^dc [ZVijg^c\ ldg` Wn 6cYn <daYhldgi]n! ;gVcX^h 7VXdc! ;gVc` HiZaaV VcY di]Zg bdYZgc bVhiZgh# 9V^an! &% id */&*# ))&& GZYlddY GY! CVeV# ,%,#'**#&&))#

BVg^c BD86

AZZ Ndjc\bVc <VaaZg^Zh

I]gdj\] ;ZW ',! ÆGZXdc[^\jgVi^dc!Ç Heg^c\ bZbWZg Zm]^W^i^dc VcY HiVgh VlVgYh0 Vahd! Æ6gi^hih d[ i]Z 8ZYVgh d[ BVg^c#Ç LZY"Hjc! && id )! CdkVid 6gih 8ZciZg! =Vb^aidc ;^ZaY! *%% EVab 9g! CdkVid# )&*#*%+#%&(,#

;ZW *"'-! ÆJc^fjZan Ndjc\bVc!Ç cZl eV^ci^c\h Wn EVja Ndjc\bVc# GZXZei^dc! ;ZW *! * id ,# Dc\d^c\! \gdje Zm]^W^i d[ eV^ci^c\h VcY hXjaeijgZ# Bdc"HVi! &% id *# Hjc! &&")# &(&+ A^cXdac 6kZ! 8Va^hid\V# ,%,#.)'#%*-*#

BVg^c HdX^Zin d[ 6gi^hih

Bjbb CVeV 8jkZZ

;ZW +"'+! ÆDeZc 8gV[i VcY HXjaeijgZ#Ç GZXZei^dc! ;ZW +! ' id )# Bdc" I]jgh! && id )0 HVi"Hjc! &' id )# (% H^g ;gVcX^h 9gV`Z 7akY! Gdhh# )&*#)*)#.*+&#

I]gdj\] BVg &(! ÆNZhiZgYVn VcY IdYVn!Ç e]did\gVe]h Wn 6gi Gd\Zgh# 9V^an! &% id *# -))* H^akZgVYd IgV^a! Gji]Zg[dgY# ,%,#.+,#,,)%#

B;6 6gi HeVXZ

CVeV 8djcin =^hidg^XVa HdX^Zin <VaaZgn

I]gdj\] BVg ,! ÆGZVa VcY K^h^dcVgn!Ç eV^ci^c\h Wn ?VcZ @^h`VYYdc! AVjgV AZc\nZa VcY G^X]VgY LZ^cWZg\Zg# -', ;djgi] Hi! HVc GV[VZa# )&*#,&(#(%-,#

I]gdj\] ;ZW '-! Æ;gdb 7ViiaZh]^eh id 6egdc Hig^c\h/ =dl LL>> 8gZViZY CVeVÉh Hl^c\^cÉ ;^[i^Zh!Ç LL>>Éh ^beVXi dc CVeV Xdjcin# ?Vc (% Vi '/(%! XjgVidg

HiVcYje 8dbZYn :c_dn V \ddY aVj\] ZkZgn LZY Vi -! l^i] V Y^[[ZgZci XdbZY^Vc [ZVijgZY lZZ`an# ;ZW '! ?Vhdc GZhaZg VcY B^`Z 7ZiVcXdjgi# ;ZW .! 9Zcc^h 7aV^g VcY EVig^X` ?VnZ# -# <Zdg\ZÉh C^\]iXajW! -)' ;djgi] Hi! HVc GV[VZa# )&*#''+#%'+'#

IjZhYVn :kZc^c\ 8dbZYn BVg` E^iiV ]dhih dc\d^c\ ZkZc^c\h l^i] ZhiVWa^h]ZY Xdb^Xh VcY je"VcY"XdbZgh# IjZh Vi -# &*" '%# &)' I]gdX`bdgidc I]ZVigZ! &)' I]gdX`bdgidc 6kZ! B^aa KVaaZn# )&*#(-(#.+%%#

C6E6 8DJCIN 6YVb 8dgdaaV 8dbZY^Vc d[ IK! gVY^d VcY edYXVhi [VbZ ^c ]^aVg^djh hiVcYje VXi# ;ZW ) Vi -# (.# Jeidlc I]ZVigZ! &(*% I]^gY Hi! CVeV# ,%,#'*.#%&'(#

Events HDCDB6 8DJCIN 7^c\d Ign ndjg ajX` l^i] GdhZaVcY A^dch 8ajW [^ghi I]jgh d[ ZVX] bdci] Vi +/(%# KZiZgVch BZbdg^Va 7j^aY^c\! &(*& BVeaZ 6kZ! HVciV GdhV# lll#gdhZaVcYa^dch#Xdb#

:"LVhiZ 9^hedhVa Idhh ndjg Wgd`Zc gdWdih VcY di]Zg ZaZXigdc^Xh ^c 7dn HXdjih [jcYgV^hZg# ;ZW *! . id )# @d]aÉh! (,)+ 6^glVn 9g^kZ! HVciV GdhV# -%%#.-&#.%&.#

:Vi^c\ 9^hdgYZg GZXdkZgn 8dc[ZgZcXZ VcY hX]daVgh]^eh [jcYgV^hZg# ;ZW )"*! -/(% id *# ,*# AjXX]Zh^ 8dbbjc^in 8ZciZg! ('% C BX9dlZaa 7akY! EZiVajbV# ,%,#,,-#,-).#

;^ghi ;g^YVnh dc ;djgi] LVcYZg i]gdj\] Wjh^cZhhZh VcY \VaaZg^Zh ^c 8djgi]djhZ HfjVgZ VcY =^hidg^X GV^agdVY HfjVgZ VcY iV`Z ^c hdbZ d[ HVciV GdhVÉh [^cZhi Vgih Vadc\ l^i] [ddY! Yg^c`h VcY ZciZgiV^cbZci# ;^ghi ;g^ bdci]an! ) id -# ;gZZ# 9dlcidlc HVciV GdhV! ;djgi] VcY 7 higZZih! HVciV GdhV# ,%,#*,%#%&'-#

=VcYbVYZ KVaZci^cZh HiVbe! XdaaV\Z! YgVl! hiZcX^a VcY hZl ndjg dlc dcZ"d["V"`^cY kVaZci^cZh [dg adkZY dcZh# K^ciV\Z bViZg^Vah egdk^YZY0 XdX`iV^ah VkV^aVWaZ! ]Zaa nZV]# ;ZW * Vi *# (%# ='= =diZa! '&. =ZVaYhWjg\ 6kZ! =ZVaYhWjg\# ,%,#('&#,-&&#

=Veen IZZi] ;gZZ ZbZg\ZcXn YZciVa igZVibZci \^kZc dc [^ghi XdbZ! [^ghi hZgkZY WVh^h# ;ZW * VcY &.! . id (# 9g BX8dgb^X`! -** ;djciV^c\gdkZ E`ln! HVciV GdhV# ,%,#*,.#...(#

YZbdchigVi^dch# ;ZW * Vi &! XaZbVi^h# ;gZZ# 8diiV\Z <VgYZch! (..* :bZgVaY 9g! EZiVajbV# ,%,#,,-#-%'*#

Gjb^Éh 8VgVkVc EdZign d[ Gjb^! =V[^o! G^a`Z! @]VW^g VcY di]Zgh eajh EZgh^Vc YZa^XVX^Zh# ;ZW * Vi ,# '%# HZWVhideda BVhdc^X AdY\Z! (,( C BV^c Hi! HZWVhideda# ,%,#-'.#--,&#

HbVaa HD;6 Ldg`h 6gih Y^hig^Xi deZch ^ih \VaaZg^Zh! d[[Zg^c\ hbVaa! V[[dgYVWaZ Vgildg`# ;ZW *! * id -# ;gZZ# HD;6! Hdji] d[ 6! HVciV GdhV# ,%,#(('#&'&'#

HjbbZg C^\]ih HVciV GdhV L^cZiVhi^c\! djiYddg Y^c^c\! Vgih! XgV[ih VcY bjh^X [^ghi [g^YVnh bdci]an! + id .# GV^agdVY HfjVgZ! ;djgi] VcY L^ahdc higZZih! HVciV GdhV# ,%,#).%#*%(.#

B6G>C 8DJCIN @dYd HVbjgV^ eZgXjhh^dc^hih XZaZWgViZ (%i] Vcc^kZghVgn d[ YVcXZ! b^bZ! iV^`d VcY bdgZ ^c DcZ :Vgi] Idjg# ;ZW * Vi -# '*" *%# BVg^c 8ZciZg! &% 6kZcjZ d[ i]Z ;aV\h! HVc GV[VZa# lll#`dYd#Xdb#

HigZVb^c\ LZaa"7Z^c\ 9Vn"adc\ ldg`h]de d[ e]nh^XVa ^begdk^hVi^dc id igVch[dgb ZcZg\n VcY ZmeZg^ZcXZ k^iVa^in# ;ZW +! &% id )# (*" ,*# 9VcXZ EVaVXZ! ;^[i] VcY 7 higZZih! Ei GZnZh HiVi^dc# )&*#++(#&+()#

C6E6 8DJCIN 7VXX]jh i]Z GVhXVa 7VXX]VcVa^Vc ]^hidgn d[ l^cZ hZZc i]gdj\] )!%%% nZVgh Wn heZV`Zg ?Vc H]gZb eajh l^cZ! [ddY VcY bjh^X# ;ZW ( Vi *# (*# A^cXdac I]ZViZg! &%% 8Va^[dgc^V 9g! Ndjcik^aaZ# ,%,#.))#..%%#

8dlWdnh 8VWZgcZi 6ccjVa [jcYgV^hZg [dg Hjc VcY HiVgh hX]dda XZaZWgViZh l^aY lZhi l^i] Y^ccZg! l^cZ VcY bjh^X# ;ZW *# &%%# 8]VgaZh @gj\! '-%% BV^c Hi! Hi =ZaZcV# ,%,#.+,#&.-)#

Food & Drink HDCDB6 8DJCIN 8gVW EVhiV 6aa ndj XVc ZVi# ;ZW *! * id .# )%" )*# Gd]cZgi EVg` 8dbbjc^in 8ZciZg! *)%& HcnYZg AVcZ! Gd]cZgi EVg`# ,%,#*-)#&)&*#

HngV] HVijgYVn IVhiZ HngV]h eV^gZY l^i] [VcXn [ddYh# ;ZW *! && id )/(%# '*" (%# 6b^hiV K^cZnVgYh! ((&% 9gn 8gZZ` GY! =ZVaYhWjg\# ,%,#)(&#.'%%#

L^cZ 8]dXdaViZ ;VciVhn <djgbZi X]dXdaVi^Zgh VcY YZhhZgi X]Z[h eV^g i]Z^g lVgZh l^i] [^cZ l^cZh# ;ZW *! & id )# *%# GdYcZn Higdc\ K^cZnVgYh! &&)** DaY GZYlddY =ln! =ZVaYhWjg\# ,%,#)((#%..-#

B6G>C 8DJCIN

0 <0=H B?;4=3>A43 C78=6 Notion: Creative hosts a handmade-Valentines workshop Feb. 5 at the H2H Hotel. See Events, adjacent.

34

02.02.11-02.08.11

THE BOHEMIAN

Egjc^c\ 9Zbdh ?d^c 7gjXZ H]Vc`h [dg ild \VgYZc

=4E4A 8= 74A F8;34BC 3A40<B Belva Davis on life as a groundbreaking TV journalist

s the first black female TV journalist on the West Coast, Belva Davis has reported on important news stories from the birth of the Black Panther movement to the rise of the AIDS epidemic. Davis reads from her new memoir, Never in My Wildest Dreams: A Black Woman’s Life in Journalism, at Book Passage on Feb. 5. “I did not attend college,� Davis says, on the phone from San Francisco, “so I was always scrambling. I didn’t know the mandated course study, all the things they teach you to make sure you are intellectually capable. I depended on survival skills.� Davis’s hard scramble led to interviews and meetings with figures from Martin Luther King Jr. to the Queen of England. In 1977, she went to Cuba as part of a delegation led by future Oakland mayor Ron Dellums and was one of only two reporters allowed an interview with Fidel Castro. The other reporter? Barbara Walters. “There’s always been a joke about how she came to the island with a million-dollar budget, hair and makeup, and then there was me with my one cameraman and producer,� Davis laughs. Davis’ hardest story was covering the Harvey Milk and George Moscone assassinations. After receiving a call from her daughter, who was working at city hall that day, Davis rushed downtown as soon as possible. Hours later, she reported on the story to a television audience. “They say that you reach down to find a well of strength in terrible moments,� Davis says. “We saw our job as bringing calm and balance to the story. But all of us were totally shaken, and for me it as a really tough night.� Despite her amazing career, the pioneering journalist remains stoic about her legacy. “I don’t think of myself as anything but someone who is continually trying to get out the viewpoints of people who have been overlooked,� she says. Belva Davis appears on Saturday, Feb. 5, at Book Passage. 51 Tamal Vista Blvd., Corte Madera. 2pm. 415.927.0960. Leilani Clark

A

;g^YVn C^\]i 7^iZh >ciZgVXi^kZ XaVhhZh l^i] iVhiZh ZkZgn ;g^ Vi +# ,*# 8VkVaad Ed^ci! +%& BjggVn 8^gXaZ! ;dgi 7V`Zg! HVjhVa^id# ---#+*&#'%%(#

EaVhi^X 7V\h HjX` 8dbbjc^in [dgjb dc h^c\aZ"jhZ XVggn"dji WV\h l^i] bVndgh! hjeZgk^hdgh VcY \gdXZgh# ;ZW ' Vi -/&*Vb# ;gZZ# 8^in =Vaa 8djcX^a 8]VbWZgh! &%% HVciV GdhV 6kZ! HiZ &%! HVciV GdhV# ,%,#*)-#,*-'#

0?6A60Âś@ 05<602

C6E6 8DJCIN

BV\^X! BnhiZgn L^cZ <djgbZi [ddY! l^cZ VcY bV\^X d[ GdW OVWgZX`n WZcZ[^i 6aYZV 8]^aYgZc VcY ;Vb^an HZgk^XZh# ;ZW * Vi ,# *%# ?jYYÉh =^aa L^cZgn! '((' H^akZgVYd IgV^a! CVeV# ,%,#'')#-'++#

;ddY IgjX` ;g^YVn

L^cZg^Zh d[ CVeV KVaaZn

;^ghi ;g^ bdci]an! * id b^Yc^\]i! [ddY igjX`h [gdb i]gdj\]dji 7Vn 6gZV \Vi]Zg id d[[Zg i]Z^g lVgZh# DmWdl EjWa^X BVg`Zi! +&% ;^ghi Hi! CVeV# ,%,#''+#+*'.#

:c_dn i]ZbZY [ddY VcY l^cZ eV^g^c\h ;g^"Hjc# &%# :kZgn ;g^! ) id +! [^cZ l^cZ VcY Vgi^hVc X]ZZhZ# ;ZW )"*! e^ci c^\]i# ;ZW *"+! X]dXdaViZ YZXVYZcXZ# L^cZg^Zh d[ CVeV KVaaZn!

&'-* CVeV Idlc 8ZciZg! CVeV# -%%#('-#,-&*#

Field Trips HDCDB6 8DJCIN 7dYZ\V 7^gYlVa` :meadgZ gZ\^dcÉh g^X] W^gY VgZV# GV^c XVcXZah# ;ZW *! - id (# ;gZZ# 7dYZ\V 7Vn =^\]lVn DcZ# -%% =ln &! 7dYZ\V 7Vn# ,%,#'&,#*&%(#


;^ghi ;g^YVn ;^abh

0?6A60Âś@ 05<602

;^ghi ;g^ bdci]an Vi ,! \d WVX` ^c i^bZ l^i] hdbZ d[ 8]VgaZh HX]jaoÉh [Vkdg^iZ XaVhh^X [^abh# ;ZW ) Vi ,! Æ=ZaaÉh 6c\ZahÇ hiVgg^c\ ?ZVc =Vgadl# (# 8]VgaZh B HX]jao BjhZjb! '(%& =VgY^Zh AVcZ! HVciV GdhV# ,%,#*,.#))*'#

>iVa^Vc ;^ab HZg^Zh ;gZZ [^ab ;g^ Vi ,# ;ZW )! ÆI]Z 7Vg BVg\]Zg^iVÉh ;g^ZcYh#Ç 8VgdaZ :aa^h 6jY^idg^jb! HG?8 EZiVajbV! EZiVajbV#

>iVa^Vc Bdk^Z C^\]i 8ja^cVgn hX]dda hZgkZh je >iVa^Vc [VgZ Vi +/(% VcY >iVa^Vc"aVc\jV\Z [^abh l^i] :c\a^h] hjWi^iaZh Vi , dc i]Z [^ghi ;g^ d[ ZkZgn bdci]# ;ZW )! Æ;ZgY^cVcYd Z 8Vgda^cV#Ç *" &*# K^kV! ,&+% @ZVi^c\ 6kZ! HZWVhideda# ,%,#-')#..&(#

CZl A^[Z Vi Hijg\ZdcÉh B^aa 9dXjbZciVgn ZmeadgZh a^[Z d[ adXVa hiZVb"edlZgZY hVlb^aa# ;ZW * Vi )# ;gZZ# HZWVhideda KZiZgVcÉh 6jY^idg^jb! '-' H =^\] Hi! HZWVhideda#

B6G>C 8DJCIN

<0AC8= 0=3 <0;2>;<

BdcYVn C^\]i Bdk^Zh

’ve always wondered what Malcolm X and Martin Luther King Jr. might have talked about if they’d ever had a chance to dialogue. Malcolm X was decidedly more radical than King, and until he went to Mecca and had a change of heart, the Nation of Islam speaker and activist promoted change “by any means necessary,� advocating for the right of African-Americans to defend against oppression through violence. King, minister and believer in Gandhi-inspired nonviolent methods of resistance, obviously didn’t feel the same way. What might have happened if the two ended up in a small room together? In his 1987 one-act play The Meeting, Jeff Stetson attempts to answer the question. The scenes take place in a Harlem hotel room, where Malcolm X and his bodyguard, Rashael, rest up before a doomed appearance at the Audubon Ballroom. Martin Luther King Jr. sneaks up the back stairs for a secret meeting with Malcolm X, and spirited debate about the ways to improve life for blacks in a white-dominated, racist American society ensue (as do a couple rounds of arm wrestling). Described as fascinating but “contrived� by New York Times reviewer D. J. R. Bruckner, the play explores the differing viewpoints of the two men while meditating on their shared common goals. The Meeting is part of a month-long series of events at Sonoma State University honoring Black History Month. Other events include a Civil Rights reenactment (Feb. 10); spoken word artist Ise Lyfe’s one-man show Is Everybody Stupid? (Feb. 10); hip-hop author and speaker Michael Eric Dyson (Feb. 21); the Black Comedy Jam (Feb. 17); New Yorker writer Jamaica Kincaid (Feb. 17); and the Oakland Interfaith Gospel Choir at the Green Music Center (Feb. 26). The Meeting is performed on Tuesday, Feb. 8, at SSU’s Warren Auditorium. 1801 E. Cotati Ave., Rohnert Park. 8pm. Free. 707.664.2382. For all events, see www. sonoma.edu/as/asp.

Bdhian 7g^i^h] ;^ab ;Zhi

‘The Meeting’ highlights SSU’s Black History Month lineup

I

Leilani Clark

IdaVn =^`Z <j^YZY lVa` VcY eZgb^i dg^ZciVi^dc# ;ZW + Vi &%Vb# ;gZZ# IdaVn AV`Z GZ\^dcVa EVg`! 8Vccdc AVcZ! EZiVajbV# ,%,#*+*#'%)&#

Film HDCDB6 8DJCIN (* H]dih d[ Gjb >ciZgcVi^dcVa X^gXaZ d[ [g^ZcYh h]VgZ

VeVgibZci Wj^aY^c\ ^c EVg^h# ;gZcX] l^i] :c\a^h] hjWi^iaZh# ;ZW ) Vi ,0 ;ZW + Vi )# +# HdcdbV ;^ab >chi^ijiZ! LVggZc 6jY^idg^jb! HHJ! &-%& : 8diVi^ 6kZ! Gd]cZgi EVg`# ,%,#++)#'+%+#

7^`Z ;^ab ;Zhi^kVa LZZ`an [^abh WZ\^c Vi , VcY WZcZ[^i HdcdbV 8djcin 7^XnXaZ 8dVa^i^dc VcY IZVb Hl^[i# ?Vc '.! ÆFj^X`h^akZgÇ VcY ÆGZY A^\]i <d#Ç *# Hed`Z ;da` 8nXaZgn! '%& 8ZciZg Hi! =ZVaYhWjg\# ,%,#*)*#%&*(#

:kZgn Bdc Vi ,/(%! Zc_dn V XaVhh^X [^ab# ;ZW ,! ÆHiVgYjhi BZbdg^Zh#Ç ;gZZ# B^aa KVaaZn A^WgVgn! (,* I]gdX`bdgidc 6kZ! B^aa KVaaZn# )&*#(-.#)'.'! Zmi &&+# ;ZW , Vi ,! ÆIdee Il^ch/ JcidjX]VWaZ <^gah#Ç ;ZW - Vi ,! ÆI]Z >eXgZhh ;^aZ#Ç ;ZW . Vi ,! Æ7dn#Ç ;ZW &% Vi ,! Æ7ZcZVi] =^aa +%#Ç &%#*%# GV[VZa ;^ab 8ZciZg! &&&- ;djgi] Hi! HVc GV[VZa# )&*#*'+#*-)*#

HdbZi]^c\Éh <dccV A^kZ EdgigV^i d[ a^[Z! [g^ZcYh]^e! VcY bdk^Zh Vh gZXVaaZY Wn =daanlddY X^cZbV Vgi^hih# ;ZW - Vi +# ;gZZ# 7Vn BdYZa K^h^idg 8ZciZg! '&%% 7g^Y\ZlVn! HVjhVa^id# )&*#(-&#)&'(#

I]VX`ZgnÉh I^bZ 9dXjbZciVgn [daadlh [gZZ"he^g^iZY Cdgi]Zgc 8Va^[dgc^Vc dc ]^h hZVgX] [dg ]^h W^dad\^XVa [Vi]Zg# ;ZW * Vi -# ;gZZ# 9VcXZ EVaVXZ! ;^[i] VcY 7 higZZih! Ei GZnZh HiVi^dc# )&*#++(#&%,*#

C6E6 8DJCIN IjZhYVn C^\]i ;a^X`h ;gZZ [^ab ZkZgn IjZh Vi ,# Hi =ZaZcV A^WgVgn! &).' A^WgVgn AVcZ! Hi =ZaZcV# ,%,#.+(#*'))#

Lectures HDCDB6 8DJCIN 6gi^hih ^c 8dckZghVi^dc 6gi^hih BVg` EZgabVc VcY @jgi @Zbe Y^hXjhh i]Z^g ÆA^k^c\ LVaahÇ ^chiVaaVi^dc# ;ZW * Vi )# ;gZZ# HdcdbV KVaaZn BjhZjb d[ 6gi! **& 7gdVYlVn! HdcdbV# ,%,#.(.#,-+'#

HX^ZcXZ 7joo 8V[Z :kZgn I]jgh Vi +/(%! \Vi]Zg l^i] hX^Zci^hih VcY VbViZjg hX^ZcXZ [Vch id Y^hXjhh lZZ`an ide^Xh# ;ZW (! ÆCjbWZgh/ GZVa! >bV\^cVgn VcY 8dbeaZmÇ l^i] Gd\Zg =djhZ# ;ZW &%! ÆH]V`ZheZVgZ VcY HX^ZcXZÇ l^i] ?dhZe] ?Vn 8^bd# ( YdcVi^dc# 8d[[ZZ 8Vio! +,+& HZWVhideda 6kZ! HZWVhideda# ,%,#'.'#*'-&#

HZVhdc [dg Cdck^daZcXZ HZg^Zh ]dcdgh bZbdgn d[ <VcY]^ VcY BVgi^c Aji]Zg @^c\ ?g# ;ZW , Vi */(%! Æ6 HZVhdc [dg Cdck^daZcXZ/ 7j^aY^c\ 8dbeVhh^dcViZ 8dbbjc^in!Ç [gZZ! HVciV GdhV A^WgVgn! I]^gY VcY : higZZih! HVciV GdhV# ,%,#-')#*'%'#

C6E6 8DJCIN 6h` V =^hidg^Vc GZhZVgX] 6Yk^hdgn 8djcX^a iVX`aZ idj\]

fjZhi^dch! [^ghi Hjc bdci]an Vi '/(%# ;gZZ# CVeV 8djcin =^hidg^XVa HdX^Zin! <ddYbVc A^WgVgn! &'&. ;^ghi Hi! CVeV# lll#cVeV]^hidgn#dg\#

:a^oVWZi] 7VgY# ;ZW - Vi ,! ÆI]Z DgVXaZ d[ HiVbWdjaÇ l^i] B^X]VZa 9Vk^Y Aj`Vh# *& IVbVa K^hiV 7akY! 8dgiZ BVYZgV# )&*#.',#%.+%#

Readings

Theater

HDCDB6 8DJCIN

HDCDB6 8DJCIN

EZiVajbV 8deeZg[^ZaYÉh 7dd`h

8ngVcd

;ZW - Vi )! ÆBVY AdkZÇ l^i] HjoVccZ HZa[dgh [dg iZZch # &)% @ZcijX`n Hi! EZiVajbV# ,%,#,+'#%*+(#

:YbdcY GdhiVcYÉh XaVhh^X adkZ hidgn eZg[dgbZY Wn V XVhi d[ _jhi i]gZZ VXidgh# I]gdj\] ;ZW '%# &%" '*# HdcdbV 8djcin GZeZgidgn I]ZVigZ! &%) C BV^c Hi! HZWVhideda# ,%,#-'(#%&,,#

HVciV GdhV 8deeZg[^ZaYÉh 7dd`h ;ZW ) Vi ,! Æ8]^cVWZggn H^YZlVa`hÇ l^i] GdYcZn 8gdlZaa# '(&+ Bdci\dbZgn 9g! HVciV GdhV# ,%,#*,-#-.(-#

>c[jh^dch IZV]djhZ ;ZW ( Vi */(%! ;ZVijgZY EdZi HZg^Zh l^i] gZVY^c\ Wn <dg NVhlZc! bjh^X Wn GdWZgi =ZgoWgjc# +.-- BX@^caZn! HZWVhideda# ,%,#-'.#&&-&#

BVgg^dii 8djginVgY ;ZW - Vi */(%! Æ8aZVc ;ddYh [dg HjhiV^cVWaZ <ddY =ZVai]Ç l^i] IZggn LVaiZgh# &,* GV^agdVY Hi! HVciV GdhV#

B6G>C 8DJCIN 7dd` EVhhV\Z ;ZW ' Vi &%Vb! ÆIVaZh [gdb i]Z 8]^cZhZ OdY^VXÇ l^i] Da^kZg 8]^c0 Vi ,! Æ>c i]Z H]VYdl d[ i]Z 7jYY]VÇ l^i] BViiZd E^hidcd# ;ZW ( Vi ,! Æ8jii^c\ [dg HidcZÇ l^i] 6WgV]Vb KZg\]ZhZ# ;ZW ) Vi &! Æ>c i]Z KVaaZn d[ i]Z H]VYdlÇ l^i] ?VbZh @j\Za0 Vi ,! Æ7ZndcY ;dg\^kZcZhhÇ l^i] E]^a 8djh^cZVj VcY Xdcig^Wjidgh# ;ZW * Vi '! ÆCZkZg ^c Bn L^aYZhi 9gZVbh/ 6 7aVX` LdbVcÉh A^[Z ^c ?djgcVa^hbÇ l^i] 7ZakV 9Vk^h0 Vi )! ÆI]Z BVaZ 7gV^cÇ l^i] AdjVcc 7g^oZcY^cZ0 Vi ,! ÆI]Z Adhi 7dd`h d[ i]Z DYnhhZnÇ l^i] OVX]Vgn BVhdc# ;ZW , Vi &! ÆAjcX] ^c EVg^h/ 6 AdkZ Hidgn! l^i] GZX^eZhÇ l^i]

9djWi Hidgn d[ hjhe^X^dc XVhi dc V eg^ZhiÉh WZ]Vk^dg# I]gdj\] ;ZW &(0 ;g^"HVi Vi -! Hjc Vi '# &*" '(# GVkZc I]ZViZg! &&* Cdgi] Hi! =ZVaYhWjg\# ,%,#)((#+((*#

<gVcYeVÉh =dbZ K^YZdh Hdad i]ZViZg e^ZXZ l^i] k^YZd lg^iiZc VcY eZg[dgbZY Wn ;gZY 8jgX]VX`# ;ZW )"&'0 ;g^"HVi Vi -# &*# 8^ccVWVg I]ZViZg! (((( EZiVajbV 7akY C! EZiVajbV# ,%,#,+(#-.'%#

G^c\ d[ ;^gZ Bjh^XVa VcY i]ZVig^XVa ig^WjiZ id ?d]ccn 8Vh]# I]gdj\] ;ZW &(0 ;g^"HVi Vi -! Hjc Vi '# &*" (.# H^mi] HigZZi EaVn]djhZ! *' L H^mi] Hi! HVciV GdhV# ,%,#*'(#)&-*#

H]V`ZheZVgZ! 6Wg^Y\ZY 6aa d[ L^aanÉh ldg` ^c dcZ l^aY g^YZ# ;ZW )"*# &*" &-# 8adkZgYVaZ EZg[dgb^c\ 6gih 8ZciZg! '%. C 8adkZgYVaZ 7akY! 8adkZgYVaZ# ,%,#-.)#''&)#

IVa`^c\ L^i] HZg^Zh d[ bdcdad\jZh VYYgZhhZh kVajZ d[ ZXXZcig^X^in# ;ZW )"'%0 I]jgh"HVi Vi -! Hjc Vi '# &*# HegZX`Zah EZg[dgb^c\ 6gih 8ZciZg! *)%. HcnYZg AVcZ! Gd]cZgi EVg`# ,%,#*--#()%%#

Kd^XZ d[ i]Z EgV^g^Z I]ZVig^XVa [da`iVaZ ]Vg`Zch WVX` id ZVgan YVnh d[ gVY^d# ;ZW '"* Vi -0 ;ZW *"+ Vi '# &%" &*# CZlbVc 6jY^idg^jb! HVciV GdhV ?jc^dg 8daaZ\Z! &*%& BZcYdX^cd 6kZ! HVciV GdhV# ,%,#*',#)()(#

B6G>C 8DJCIN

<gdhh! Bnhi^XVa

9djWi

:a^di ;^cijh]Za eZg[dgbh edZign [gdb LVai L]^ibVcÉh ÆHdc\ d[ BnhZa[#Ç ;ZW ("&'0 I]jgh"HVi Vi -# &%" &*# >bV\^c^hih I]ZVigZ 8daaZXi^kZ! )+& HZWVhideda 6kZ! HVciV GdhV# ,%,#*'-#,**)#

Eg^Zhih \dcZ l^aY ^c VlVgY"l^cc^c\ YgVbV# I]gdj\] ;ZW &(0 I]jgh Vi ,/(%! ;g^"HVi Vi -! Hjc Vi '# &*" '*# 7Vgc I]ZVigZ! BVg^c 6gi VcY <VgYZc 8ZciZg! (% H^g ;gVcX^h 9gV`Z 7akY! Gdhh# )&*#)*+#.***#

AZh B^h‚gVWaZh ÆHX]dda ZY^i^dcÇ d[ bjh^XVa [ZVijgZh dkZg *% ndjc\ iVaZcih# ;ZW )"+# '%# HegZX`Zah EZg[dgb^c\ 6gih 8ZciZg! *)%. HcnYZg AVcZ! Gd]cZgi EVg`# ,%,#*--#()%%#

I]Z BZZi^c\ DcZ"VXi eaVn ^bV\^cZh V Y^Vad\jZ WZilZZc BVaXdab M VcY BVgi^c Aji]Zg @^c\! ?g# ;ZW - Vi ,/(%# ;gZZ# LVggZc 6jY^idg^jb! >kZh =Vaa! HHJ! &-%& : 8diVi^ 6kZ! Gd]cZgi EVg`# ,%,#++)#'(-'#

THE BOHEMIAN

I]Z 7D=:B>6CÉh XVaZcYVg ^h egdYjXZY Vh V hZgk^XZ id i]Z Xdbbjc^in# >[ ndj ]VkZ Vc ^iZb [dg i]Z XVaZcYVg! hZcY ^i Wn Z"bV^a id XVaZcYVg5Wd]Zb^Vc#Xdb! dg bV^a ^i id/ CDGI= 76N 7D=:B>6C! -), ;^[i] Hi! HVciV GdhV 86 .*)%)# EaZVhZ 9D CDI H:C9 Z"bV^a ViiVX]bZcih# I]Z 7D=:B>6C ^h cdi gZhedch^WaZ [dg e]didh# :kZcih Xdhi^c\ bdgZ i]Vc (* bVn WZ l^i]]ZaY# 9ZVYa^cZ ^h ' lZZ`h eg^dg id YZh^gZY ejWa^XVi^dc YViZ#

02.02.11-02.08.11

35


-"./0.1 "./0.1 2'0 2 '0 3"4 3"4 5 5

!"##$ ! "##$ !%&' !%&' ( )*( ( )*( + , + ,

SM

endless green HYDR

O P O N I C S U PPL I E S

707-254-0200 NAPA, CA

Advanced Nutrients, FoxFarm, House & Garden, Cutting Edge, Botanicare, General Hydroponics, Hydro Organics 25-3 Enterprise Court, Napa CA Mon-Fri: 10-6, Sat & Sun: 11-4

4HE "EST .EW $ISPENSARY .ORTH OF THE 'OLDEN 'ATE

36

02.02.11-02.08.11

THE BOHEMIAN


BOHEMIANCLASSIFIEDS

Placing an Ad

Contacting Us

§ By Phone Call the Department at 707.527.1200 Mon.-Fri., 8:30a.m.5:30p.m.

Bohemian Classifieds 847 5th Street, Santa Rosa, CA 95404 Monday through Friday, 8:30a.m. to 5:30p.m. ph: 707.527.1200

gg Employment

Computer Market

Jobs

For Sale

Paid In Advance! Make $1,000 a Week mailing brochures from home! Guaranteed Income! FREE Supplies! No experience required. Start Immediately! www.homemailerprogram.net (AAN CAN)

MOVIE EXTRAS earn up to $150/day to stand in backgrounds of major film. Experience not required. CALL NOW! 1-888-664-0062 (AAN CAN)

$$$HELP WANTED$$$ Extra Income! Assembling CD cases from Home! No Experience Necessary! Call our Live Operators Now! 1-800-405-7619 EXT 2450 www.easywork-greatpay.com (AAN CAN)

g Adult Services Adult Entertainment

A Rare Irish Rose Quality and maturity in Marin. Call for photos. Please, no calls after midnight. No blocked calls/texts. Kara, 415/233-2769.

Do you really want to be with a Woman who’s been with 1000s of Men?

LAPTOP, Computer, LCD Panel $249, $99, $55- Like New! CRC Computer Repair Center, 3227 Santa Rosa Ave, 95407. FREE checkup, expert laptop repair, tune-up, spyware removal. 9am-5pm, Tues-Sat. 707-528-8340.

g For Sale

Building Materials

Bargain Building Sale (Closeout)

g Miscellaneous

FREE HD FOR LIFE! Only on DISH NETWORK. Lowest Price in America! $24.99/mo. for OVER 120 CHANNELS! PLUS-$550 Bonus! Call Today, 1-888-904-3558 (AAN CAN)

Family Services

g Adoptions

Pregnant? Considering Adoption? Talk with caring agency specializing in matching birth mothers with families nationwide. Living expenses paid. Call 24/7 Abby’s One True Gift Adoptions. 866/413-6293 (AAN CAN)

MEET SEXY SINGLES!

g

Meet Sexy Singles Call 415-977-1800 or 707-440-6800. 18+ Miscellaneous

DATING SERVICE

Long-Term/Short-Term Relationships, FREE-2-TRY! 1-877-722-0087 Exchange/ Browse Personal Messages 1-866-362-1311.Live adult caJoin AshleyMadison.com and sual conversations meet real Women in your city 1-877-599-8753 Meet on who are trapped in Sexless chat-lines. Local Singles Marriages. We’re 100% 1-888-869-0491 (18+) Secure, Anonymous & Guaran- New!! Talk Live!! teed! (AAN CAN) 1-866-362-1311 (AAN CAN)

gg Home Services Remodeling/Repair

Shared Housing

ALL AREAS ROOMMATES.COM 4/@ E3AB @3AB=@/B7=<A 1=<AB@C1B7=< Â’ 1O`^S\b`g >OW\bW\U Â’ 0O[P]] 4Z]]`W\U Â’ >Zc[PW\U 3ZSQb`WQOZ Â’ ;Oa]\`g BWZS 1]\Q`SbS Â’ ASWa[WQ @Sb`]TWbbW\U Â’ @]]T @S^OW`a Â’ A]ZO` 1]ObW\U Â’ >`Saac`S EOaVW\U Â’ 5cbbS` 1ZSO\W\U Â’ B`SS B`W[[W\U

% % & "&' 8W[ 9S\\SRg

Do you really want to be with a Woman who’s been with 1000s of other Guys? At AshleyMadison.com you’ll meet Women in your city who are trapped in Sexless Marriages. Featured on: Dr. Phil, Ellen, Tyra & The View. FREE Trial. (AAN CAN) Class: Dating

With over 2.3 million Women AshleyMadison.com is the #1 Discreet Dating service for Married Women looking to have a Discreet Affair. Sign-up for FREE at AshleyMadison.com. Featured on: Howard Stern, Sports Illustrated & MAXIM. (AAN CAN)Class: Dating

MEET SOMEONE NOW! CALL NOW!

Miscellaneous Services

Browse hundreds of online listings with photos and maps. Find your roommate with a click of the mouse! Visit: http://www.Roommates.com. (AAN CAN)

g Apartment/Cottage

Cottage for Rent $830 per month. I BR, water and garbage paid. Monte Rio above flooding . Private and enclosed garden. 1 small pet 25lbs or less. Call 707-8298000. Mon - Sat. 9am - 4pm.

Santa Rosa

707-206-6494 707-20 70 707-206-6 6-6494 6494 94

Real Estate Services

gg

30x36 Reg $10,599 Now Health Services $8,153. Other Limited (CloseVIAGRA out) Deals Available. Call to Reserve. www.utilityking.com 100 mg and CIALIS 20 mg!!! Source #1I5 866-609-4321 40 plus pills + 4 free for only $99!! #1 Male enhancement, discreet shipping. SAVE $500 BUY THE BLUE PILL NOW! 1-888-236-8014 (AAN CAN)

Hundreds of Local Women! You Choose! 1-877-747-8644 Connect With Live (18+) Local Ladies! 1-866-530-0180 (AAN CAN)

www.continentalacademy.com (AAN CAN)

1O :WQS\aS %# $&'

√ By Fax Fax your ad to the Classified Department at 707.527.1288

Q UALITY G RAPHIC D ESIGN

TRY IT

FREE!*

BUSINESS CARDS BROCHURES POSTERS T-SHIRTS CD COVERS FLYERS PHOTOGRAPHIC RESTORATION

general marketing materials Mark Schaumann 707.795.0924

schaumann1@earthlink.net

18+ *Charges may apply to certain features.

voice.lavalife.com COLLECT CALL BILLING! 1-866-607-5282 1-900 PRICING OPTIONS! 1-900-622-1100 DIAL #CLICK (#25425) 79¢/MIN. SPRINT, BOOST, AT&T 99¢/MIN. VERIZON

Cottage for Rent

$930 per month. I BR, water and garbage paid. Monte Rio. Private and enclosed deck, High School Diploma! newer kitchen. 1 pet only. Washer & dryer incl. Call 707Fast, affordable and accred829-8000. Mon - Sat. 9am ited. Free brochure. Call Now!. 4pm. 1-888-532-6546 ext. 97 Classes & Instruction

g Adult Massage

Every 60 seconds another woman joins AshleyMadison.com looking to have a Discreet Affair. With over 7 million members, we Guarantee you’ll have an Affair or your money back! Try it FREE today. As seen on: CNN, FOXNews & TIME. (AAN CAN)

MOONFLOWER MASSAGE

New Management! ­ Shiatsu/Swedish ­ Thai

Massage

New! Free to Try! 4 Services! 1-877-660-3887 Instant Live Connections! 1-866-817-3308

707.528.7049 3020 Santa Rosa, ste. G

THE BOHEMIAN

02.02.11-02.08.11

37


HEALTH&WELL-BEING g Healing & Bodywork

Bearhands4u

Massage for men, Sebastopol. Mature, strong, professional. 707/291-3804. Days, evenings, weekends $60/hr. Outcalls available.

RELAX! Relaxing massage and bodywork by male massage therapist with 11 yrs experience. 707-542-6856

Serious Massage For your special bodywork needs - Strong, Thorough, Intuitive. 30 yrs. experience. Colin, CMT (707)823-2990

PAIN/STRESS RELIEF Professional male massage therapist; strong, deep healing bodywork. 1 hr / $50, 1 1/2 hr $65. 707-536-1516 www.CompleteBodyBalance.

Women, Men, & Couples

You need a message! It’s not just a luxury, it`s a necessity. So, do yourself a favor! I’m an easygoing `mature` gentleman with good virtues who has provided pleasurable massage since 1991. NW Santa Rosa, Jimmy, (C) 707-799-4467 or (L) 707-527-9497.

Great Massage By Joe, CMT. Relaxing hot tub and pool available. Will do outcalls. 707-228-6883.

Petaluma Lavender Day Spa

FREE SAUNA WITH 1 HR MASSAGE $

50 SPECIAL

• Foot Reflexology Treatment • Large Finnish Steam Sauna • Easy & Safe Parking

Walk ins Welcome

Open 7 Days 10am-10pm

707.782.9898

131 Liberty St, Ste. D at Washington St

MAGIC HANDS

Swedish and Deep Tissue Massage with light stretching for men/women Flexible M-F schedule; Incalls only 60min/$60 | 90min/$75 Please call Leo 707-623-6096

g Psychics

Psychic Palm and Card Reader Madame Lisa. Truly gifted adviser for all problems. 827 Santa Rosa Ave. One visit convinces you. Appt. 707-542-9898

Escape To Pleasure Island!

• Deep Tissue/Swedish • Sports • Shiatzu • Back Walking • Foot Reflexology • Chair $10/10 min massage • Couples Room

Happy Health Spa

A sanctuary of pleasure and relaxation. Enjoy the best of healing, sensual massage by a lovely lady with a caring touch. Quality & class Accept Visa/MC. Tania. C.M.T. 707-477-1766. Santa Rosa.

Margery Smith 707.544.9642

g open 10-10, 7 days

525 Ross St, Santa Rosa

707-591-8899

Massage & Relaxation

Guerneville M4M Massage

Spiritual Direction (Free Workshop)

MASSAGE FOR MEN

The Journey Center: A Place for Transformation

FLOWER SPA

Mitch, CMT. Mature. Professional. Relaxing intuitive touch. Private discrete studio. 707-849-7409

A Safe Place To Be Real Holistic tantric masseuse. Unhurried, private, heartfelt. Monday thru Saturday. NEW CLIENT DISCOUNT. 707-793-2232.

Massage • Reflexology Swedish/Shiatsu Open 7 Days: 10am-10pm

1626 4th St. Santa Rosa 707.526.6888

Therapeutic Massage Center Body Massage $55/hr

707.578.3088 38

02.02.11-02.08.11

Embodying Divinity with the Hebrew Names of God A Workshop with Dr. Sheila Katz Explore the multidimensional Hebrew names of God through guided meditation, chant and gentle body movement. Thurs, Feb 10, 79p, Journey Center, 707-578-2121, www.journeycenter.org.

Foot Massage $19.99/45 min 2460 Mendocino Ave., Santa Rosa THE BOHEMIAN

Divine Healing Center presents Oracle Trance Medium Healers “Goals: Manifesting your Dreams!” January 22nd, 7:30pm-9:30pm. 516 Sonoma Ave., Santa Rosa 707-542-6680.

Presents a Shiva Garuda Dharma Workshop. Rising Inner Peace, with Lama Norbu Master of Vajrayana, Adept in Supreme Tantra Yoga Sunday Feb. 13th 1:30-4:30pm www.bodyworksyoga.com

Prayer and Journey Beads Workshop Create a bead strand for your spiritual practice or as a chronicle of your personal journey. Sat, Jan 29, 1-5pm, 707-578-2121, www.journeycenter.org.

Free Public Talk Sunday February 13th - 7 PM - 8:30PM "What is Love?" Drop-in meditation class Mondays from 7pm to 8:15pm starting February 21 - $10 707 257 2350, Jessel Gallery - 1019 Atlas Peak Road, Napa, CA - jesselgallery.com

Discover one here today!

Finding inspiration and connecting with your community

The Journey Center: A Place for Transformation

Energize your relationships, deepen your spiritual path, make meaningful life choices. Fun & energizing 90 minute classes, 4th St Santa Rosa. Various topics each Thursday afternoon & evening. $20. Register at www.EnneagramLearningCenter.com

Find a massage therapist to give you the gift of relaxation & healing.

SPIRITUAL CONNECTIONS

BodyWorks-Integrative Yoga and Stress Management Center

ENNEAGRAM THURSDAYS

NOW OPEN

Open 7 days 9-10pm

Growing Together Workshop Assess strengths and growth areas in your relationship; work on communication and conflict-resolution skills. Fri, Feb 11 (7-9p) & Sat, Feb 12 (10a-4p). Register by Feb. 4. Journey Center, 707-578-2121, www.journeycenter.org

Be Kind to Yourself!

• relief from tension headaches, eyestrain, and sinusitis

• balances energy

With a mature, playful CMT. Comfortable incall location near the J.C. in Santa Rosa. Soothing, relaxing, and fun. Visa/MC accepted. Gretchen 707/478-3952.

Want your entire body squeezed, kneaded, massaged & stretched by skillful male CMT? Call/text 707-824-8700, or visit www.SantaRosaMassageforMen.com for pics/schedule.

Indian Head Massage

• improves mobility in neck and shoulders

Full Body Sensual Massage Massage $55 hr

Ayurvedic

Unity Church of Santa Rosa Sunday School & Service 10:30am 4857 Old Redwood Hwy 707-542-7729 www.UnityofSantaRosa.org Healing & Wholeness Fair, February 12, 2011, 11am-6pm Free lectures, healing sessions and readings for just $20 each. Come meet up to 20 local healers in one location! Check the website for details.

Meditative Nature of Psychotherapy A spiritual practice for couples and individuals unfolds psychological problems and embraces them as transformative paradoxes. After 12 years in Berkeley, Gateway Institute is now in Healdsburg. Heather Parrish, Ph.D. MFC36455. 707-473-9553

Call 707.527.1200 to advertise in the Health & Well Being Today! Share your organization’s inspiration with over 123,000 Bohemian Readers monthly!

Phone: 707.527.1200 email: sales@bohemian.com


<=@B6 0/G G=5/ Bikram Yoga San Rafael 3ECOND 3T 3UITE 3AN 2AFAEL s 9/'! s WWW SANRAFAELYOGA COM We don’t change because we see the light‌we change because we feel the heat. So what are you waiting for? 2010 is your time to change your body, change your life! The Bikram beginning practice is suitable for beginners and advanced yogis appealing to both men and women of all fitness levels.

Bikram Yoga of Santa Rosa 7ILSON 3TREET 3ANTA 2OSA s 9/'! s WWW BIKRAMOFSANTAROSA COM Bikram's Yoga system will reshape and heal your body while it relieves stress and tension. The Bikram Method of Hatha Yoga is a demanding series of 26 postures, done in a heated room and meant to be performed in the given order, to the best of one's ability. A principle of the class is that one can learn to steadily make new demands of oneself, to work harder, deeper, yet calmer.

Sun & Moon Yoga # 3T 0ETALUMA s s WWW SUNANDMOON YOGA COM How bright is your glow? It is in our utmost opinion that a consistent Hatha yoga practice can provide a glorious path to radiant wellness. Our classes encourage a strong and supple physical foundation, which will safely allow your true essence to glow brightly. Awaken the light within.

8Vaa id VYkZgi^hZ ndjg Nd\V HijY^d q ,%,#*',#&'%% q hVaZh5Wd]Zb^Vc#Xdb

THE BOHEMIAN

02.02.11-02.08.11

39


Medical Marijuana Certifications Full exam. Low cost. No charge if you do not qualify. Santa Rosa. Authentication 24/7. 707-591-4088.

A & A Kitchens Need commercial kitchen space? Our spot will accomodate all your culinary needs. Stop lookin’ and start cookin’! Call us in St Helena at 707.968.9474,

Do You or Someone You Know Need professional, reliable help? Elder Companion, Personal Assistant and Home Manager. Excellent References. Marin county. Call Lea 805-252-1829. wlearosen@gmail.com

Petaluma Based Bead Source 10% OFF Code: BOHO1210 Widest selection of Unusual Natural beads & pendants Great quality, best prices jewelry findings & components www.beadsandpieces.com or Call (707)765-2890

R U Eligible 4 Bankruptcy? Find Out.

MacAdvantage Macintosh Computer Repair FREE Diagnosis, Friendly In-House Staff Answer Calls, Hardware/Software, DATA Recovery, Internet, Email, Wireless Network Setup & Security, Apple Authorized Business Agent, Tam Nguyen-Chief Tech, M-F 10-6. 707.664.0400, info@themacadvantage.com

Creative Light Productions

Golden Star Grafix

Professional photographer & videographer weddings, parties, special events. Call award winning David Ludwig Local: (707) 527-6004 Toll Free: (800) 942-8433 www.creativelightproductions.com

Need a quality designer? Business cards, brochures, flyers, posters, digital collage, cd covers, photographic restoration & collages general marketing materials. Mark Schaumann 707.795.0924

papers scales tshirts rollers books lighters blunt wraps

Vaporizors Waterpipes hand pipes Hookahs bubblers grinders

Free Consultation! Evan Livingstone, Attorney (707) 206-6570

OSTEOPATHYBody / Mind Medicine since 1874 Carlisle Holland DO. 707.824.8764. Integrative approaches. holonomicinstitute.com

53B :35/: ;SRWQOZ ;O`WXcO\O 3dOZcObW]\a

T.H. Bead Design & Repair Quality beads, sterling silver clasps, etc. Custome necklaces, earings and bracelets for you or that someone special. Jewlery repair available also, no soldering. 707.696.9812, tiffany_beadsandpieces@yahoo.com

Green Earth Catering Organic and Earth friendly foods and supplies Scott Goree - Entertainment coordinator and business manager 707.795.7358 home, 707.479.5481 cell, redgore23@aol.com

SUBUTEX/SUBOXONE available for Safe Oxycontin, Vicodin, Other Opiate Withdrawal! Confidential Program. (707) 576 1919

Mentoring Project

(SBOE 0QFOJOH $FMFCSBUJPO 5IJT 4BU 'FC $PUBUJ 4UPSF PGG BMM HMBTT 'SFF 1BDL PG 3PMMJOH 1BQFST '3&& (JWFBXBZT XJUI

QN

The Living Room, a day-time drop-in center for homeless women andchildren, needs volunteers. Mentors are matched with a woman to provideguidance and support. Seven-week training provided; six-monthcommitment requested. 707.321.0580.

Fred Kronen, M.D M.D. D. Medical Cannabis Consultations Consultations

(SBWFOTUFJO )XZ ! "QQMF WBMMFZ 1MB[B Â… $PUBUJ Â… 4BOUB 3PTB "WF Â… 4BOUB 3PTB UIFQFBDFQJQFTNPLFTIPQ DPN +PJO VT PO GBDFCPPL

;ObQV /\g :]QOZ >`WQS ;S\bW]\ bVWa 1]c^]\

" % DS`WTWQObW]\ 2` 6O\gO 0O`bV

eee 5@33< # Q][ :]QOZ >`]TSaaW]\OZ 3abOPZWaVSR

AO\bO @]aOÂł% % #$& "

SKIRT CHASER VINTAGE — BUY, SELL, TRADE 707-546-4021 208 Davis Street, RR Square

Donate Your Auto 800.380.5257 We do all DMV. Free pick up- running or not (restrictions apply). Live operators- 7 days! Help the Polly Klaas Foundation provide safety information and assist families in bringing kids home safely.

Santa Rosa Plumbing Water Conservation Experts. Friendly, Honest Service. Licensed, Bonded and Insured. License #871026

7064 Corline Ct, Suite B1 Sebastopol, CA

tankless water heaters, high efficiency toilets recirculation, general plumbing needs. Call 707.528.8228

Photography by Paul Burke 707.664.0178 boomburke@hotmail.com

7707.540.5808 07.540.5808

kronen@aol.com kronen@aol.c com


Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.