. •
. ,
•
•
~
.
.
•,
•
•
j
•
,
l
•
.....
"~ ~
"'
.,.
-
•
IMAGESOF no iced that perhaps the most popular topi of conversation in our workshop was school. ~hool - the workplace. Naturally they are full o f it and used the fairly re~ved sit u ati on of our workshop to let off steam.
c
improvised, we could have Here t he t eenagers gathered enough material for a fiction film, want to go that way. In this but we di d n't film I wa nt ed to put different views of school nd different ways of presenting it next to each other . So there are acted pieces alongside interviews, written informati .on alongside historical quotation.
rough Diana :
Sa l
so t o
Mere
laugJJing
her, 'Don't you throw me out of this classroom, right.' And s he says, 'Don't you give ma n.olle of your mouth. ' .4.nd I said, '1 give you as much 111CJ.uthas I gi ve my Nu m. ' I said, ' I will bring .my Jlum down here to scllool, then you ftfi l l see .. . 'Ri ght, so I walked out of my school and my Hum says, 'Vha t are you ,doing at home?', sh e s1Jys, 'Go b ck to school . ~ It was really e mbarrassi.ng , back I Ml~t to the old scbool and all the teachers
t
lie.
iranda· ba t 1s right t
of
people?
II
then,
the =