English Furniture 2016 - Mallett

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1. THE DUNDAS GIRANDOLES Attributed to William France and John Bradburn

A magnificent pair of mid 18th century carved giltwood girandoles attributed to William France and John Bradburn, each with a cartouche-shaped moulded frame with extending scrolls and husks, the frame continuing upward to support further moulded scrolls and foliate ornament enclosing a forward spray of leafy plumes with ruffed edges and surmounted by an anthemion, the scrolls extending towards the base enclosing a cabochon within scrolls and leaves, surmounted by three foliate ornamented scrolled arms supporting gilt-metal candle holders in the formed of joined leaves. England, circa 1765

Height: 78.0 in (198.0 cm) Width: 40.2 in (102.0 cm)

Provenance Supplied in 1764 to Sir Lawrence Dundas for 19 Arlington Street, London Literature Country Life, September 17, 1921, 'London Houses - 19 Arlington Street, A Residence of The Marquess of Zetland', pp. 350-355, fig. 7 Arthur T. Bolton, The Architecture of Robert Adam and James Adam, London, 1922, Vol. II, p. 345, and Part VI - Chapter XXXVII, Furniture, pp.288 - 317 Apollo Magazine, September 1967, Anthony Coleridge, 'Some Rococo Cabinet-Makers and Sir Lawrence Dundas', pp. 214 - 225, fig. 4 Geoffrey Beard & Christopher Gilbert, Dictionary of English Furniture Makers 1660 - 1840, pp. 95 - 97, pp. 316 - 317 John Cornforth, London Interiors, London , 2000, pp. 53 - 55 Graham Child, World Mirrors 1650 - 1900, 1990, fig. 217 F3F0356


2. A GEORGE III SERPENTINE-FRONTED MARQUETRY COMMODE Attributed to Mayhew & Ince

A rare George III marquetry commode with serpentine top centered by a rococo cartouche of floral marquetry on a yewwood reserve within a wide cross-banding and moulded edge above a conforming frieze centered by a brushing slide fitted with an inset leather panel, the front of which is inlaid with ivy leaves, the case centered by a pair of cupboard doors centered by a large cartouche surrounding a floral bouquet tied with a bow and flanked with husk swags and trailing foliage on a yewwood reserve within a thick cross-banding, the case with rounded canted corners with conjoined carved giltwood foliate C-scrolls, the side panels centered by floral festoons on a yewwood ground similar within a thick crossbanding, the case raised on an apron centered by an ormolu rocaille-form cartouche and raised on rounded bracket feet. England, circa 1765

Height: 59.1 in (150.0 cm) Width: 23.2 in (59.0 cm) Depth: 33.1 in (84.0 cm)

Provenance Hotspur, London Literature Goodison and Kern, Hotspur: Eighty Years of Antiques Dealing, London, 2004, pp. 224-225 F3F0248


3. THE TURVEY HOUSE COMMODES Attributed to Mayhew & Ince

A pair of semi-elliptical marquetry and ormolu commodes, each with a central drawer and two hinged, sprung quadrant drawers in the frieze, over three graduated front drawers and two quadrant cupboards enclosing shelves, standing on four short legs with vase-shaped feet. Each commode is veneered with panels of harewood and West Indian satinwood, with tulipwood crossbanding, purplewood banding, and ‘white’ and ‘black’ stringing and cockbeads. The harewood and satinwood serve as dark and light grounds to the marquetry decoration of each commode, which centres on a coat of arms on the top (Birch impaling Ryves). England, circa 1775

Height : 34.3 in (87.0 cm) Width: 59.1 in (150.0 cm) Depth: 24.4 in (62.0 cm) Provenance Jeremy Ltd, London, mid-1990’s. F3C0206


4. A MOORISH CENTRE TABLE An early 19th century Italian gothic ebony and ivory centre table profusely decorated in the gothic taste with interlocking arches and scrolls in ivory with a central gothic patera to the top, all set against an ebony ground. The table has canted corners with square cross section legs, which terminate in high tapering feet. The base bearing a crown 'D' stamp in several places and a residual paper label, also depicting a crown 'D'. Within the carcass of the piece were found three pencil inscribed paper fragments bearing maker's names and dates.

Italy, circa 1835 Height: 29 in (74 cm) Width: 46 in (117 cm) Depth: 34 in (86 cm)

F3F0357


5. AN ANGLO-INDIAN EBONY AND IVORY COLLECTOR'S BOX An early 18th century Anglo-Indian collector's box made in ebony and inlaid with ivory etched with penwork of the finest detail, the top and sides profusely decorated with a running pattern of sinuous fronds bearing large flowerheads, seedpods and leaves, within ivory veneered edges etched with scrolling foliage and flowers, the top opening to reveal a central well with sectioned compartments and three small drawers, the underside of the top similarly inlaid with etched ivory; the box with its original silver hinges and engraved silver handles to the sides and raised on a modern ebony stand with square tapering legs and silvered box castors. Vizagapatam, circa 1720 Height: 28½ in (72.5 cm) Width: 22Ÿ in (56.5 cm) Depth: 16 in (40.5 cm) F3F0358


6. A PAIR OF CHIPPENDALE MAHOGANY GAINSBOROUGH CHAIRS A very fine pair of Chinese Chippendale mahogany library armchairs with arched backs flanked by padded arm rests with foliate and blind fret carved supports, raised on square chamfered legs similarly carved with blind fret and joined by pierced stretchers; the chairs upholstered in very fine yellow silk needlework with flowers and foliage in vibrant greens, reds, blues and pinks. The Chairs English, circa 1760 The Needlework, French circa 1730

Height: 40.2 in (102.0 cm) Width: 28.0 in (71.0 cm) Depth: 22.0 in (56.0 cm) The pierced stretcher and blind fret carving on this pair of armchairs reflect the 18th century taste for Chinoiserie that was popularised by Thomas Chippendale's 'The Gentleman and Cabinet-Maker's Director', with a first edition in 1754 and two more in 1755 and 1762. The French needlework with large stylised flowers in shades of red and pink with bluegreen foliage on a gold ground combine the most expensive colours of the period. The needlework is in a remarkable state of preservation and with strong, fresh colouring. F3E0257


7. A PAIR OF GEORGE III GILTWOOD DEMILUNE PIER TABLES A fine pair of George III giltwood pier tables in the neoclassical taste, each with an unusual focilised marble top with an ormolu beaded edge above a conforming frieze centered by a rectangular plaque carved with a flower-head flanked by honeysuckle, the frieze with a fish-scaled ground alternating with flower heads and fluted panels, raised on acanthus-carved circular tapering fluted legs raised on toupee feet.

England, circa 1780 Height: 36.2 in (92.0 cm) Width: 44.9 in (114.0 cm) Depth: 22.4 in (57.0 cm)

Provenance The collections of The Earl of Pembroke, Wilton House Mallett, London, 2000 Literature Lanto Synge, Mallett Millennium, London, 1999, p. 21, fig. 11 (illustrated) F3F0249


8. A GEORGE I GILT-GESSO PIER TABLE A rare early 18th century carved giltwood and gesso centre table, the top with indented corners and carved with a design of scrolling acanthus foliage and fine strapwork, the concave frieze also with acanthus motif centred by a shell at each side, raised on cabriole legs with further acanthus at the knees and on the scroll feet.

England, circa 1725 Height: 30.3 in (77.0 cm) Width: 20.1 in (51.0 cm) Depth: 31.1 in (79.0 cm)

Provenance Mallett & Son (Antiques) Ltd Sir John Gooch Bt. Literature Mallett Spring Catalogue 1997 F3F0250


9. A PAIR OF GEORGE I GILT-GESSO TORCHĂˆRES A fine pair of George I gilt-gesso torcheres, each circular dished top carved with a stylized trefoil of acanthus alternating with strapwork, raised on cilindrical neck with a large carved knuckle, above a tapering conical stem carved with panels of pendant husks and stiff leaves, the tripartite base carved with reserves of acanthus leaves on punched rounds, the oval pade feet carved with acantus leaves.

England, circa 1725 Height: 36.6 in (93.0 cm) Diameter: 16.5 in (42.0 cm) Provenance Ronald Phillips, London F3F0251


10. A GEORGE I GILT-GESSO SETTEE A very rare early 18th century carved gilt gesso settee of small proportions, the frame carved throughout with broadly curved arm supports carved with acanthus and with scroll hand rest, on cabriole legs carved on the front with further acanthus leaves and headed by shells on the seat rail.

England, circa 1725 Height: 39.0 in (99.0 cm) Width: 57.1 in (145.0 cm) Depth: 27.6 in (70.0 cm)

Provenance Mallett & Sons (Antiques), London, 2000 Literature Lanto Synge, Mallett's Great English Furniture, London, 1991, pp.83- 84, fig. 87 F3F0252


11. A PAIR OF GEORGE II WALNUT SIDE CHAIRS

A fine and rare pair of George II walnut side chairs, each with rectangular upholstered backrests and over-upholstered square seats raised on cabriole legs carved with acanthus leaves to the knees on a punched ground and flanked by eagle-head brackets and ending in claw and ball feet. England, circa 1745 Height: 39.8 in (101.0 cm) Width: 24.8 in (63.0 cm) Depth: 26.8 in (68.0 cm) Provenance Ronald Phillips, London

F3F0253


12. A GEORGE II WALNUT LIBRARY ARMCHAIR Attributed to Giles Grendey

A fine George II walnut library armchair by the workshop of Giles Grendey, the rectangular upholstered backrest flanked by a pair of upholstered curved armrests raised on acanthuscarved downswept supports flanking an overupholstered square seat raised on cabriole legs headed with a rocaille-cartouche centred by a flower head above foliate and pendant husks flanked by acanthus-carved brackets and ending in hairy-paw feet on casters. The rail with white painted monogram J.B.W. England, circa 1745 Height: 37.8 in (96.0 cm) Width: 33.1 in (84.0 cm) Depth: 32.7 in (83.0 cm)

F3F0255


13. A GEORGE III MAHOGANY LIBRARY ARMCHAIR The upholstered backrest with a serpentine cresting, the upholstered curved armrests raised on blind-fret-carved down-swept supports headed by scrolled handholds, the overupholstered seat raised on blind-fret-carved square legs joined by H stretchers, on casters. England, circa 1765 Height: 38.0 in (96.5 cm) Width: 27.2 in (69.0 cm) Depth: 28.0 in (71.0 cm)

F3F0256


14. A PAIR OF GEORGE II INLAID BURR AND FIGURED WALNUT SIDE CHAIRS A fine and rare pair of George II walnut side chairs, the serpentine cresting rail centered by a vase-form splat with paperscrolled sides flanked by a pair of S-scrolled stiles, the shaped drop-in seat with rounded corners and concave front and sides upholstered with contemporary needlework within a conforming frame centered by a satyr’s mask to the front apron and raised on cabriole legs headed with shells and continuing to hipped feet. England, circa 1730

Height: 40.2 in (102.0 cm) Width: 22.8 in (58.0 cm) Depth: 23.6 in (60.0 cm)

Provenance Dr. Lindley Scott, by 1929 Ronald Phillips, London Literature Adam Bowett, ed., 100 British Chairs, Woodbridge, 2015, p. 41, no. 23 R.W. Symonds, "Dr. Lindley Scott's Collection of Furniture I", Old Furniture, London, 1929, vol. VIII, pp. 6-10, fig. 4 Comparative Literature R.W. Symonds, Old English Walnut and Lacquer Furniture, 1923, pl. XXI, the settee from the suite photographed in the Percival Griffiths Collection at Sandridgebury. R.W. Symonds, Old English Furniture, Charles II – George II, London, … pl. 31 Percy Macquoid and Ralph Edwards, The Dictionary of English Furniture, rev. ed. P. 82, fig. 25 F3F0257


15. A PAIR OF GEORGE II WALNUT SIDE CHAIRS A fine pair of George II walnut side chairs, each with a cresting rail with curved rail with paperscrolled terminals above a baluster-form splat with paper-scrolled sides flanked by S-curved styles above a balloon-form needlework-upholstered drop-in seat within a conforming apron raised on cabriole legs carved with stylized leaves to the knees ending in pendant shells and ending in claw and ball feet. England, circa 1730 Height: 39.4 in (100.0 cm) Width: 23.6 in (60.0 cm) Depth: 21.3 in (54.0 cm) Provenance Malcolm Franklin, Inc., Chicago

F3F0258


16. A GEORGE III MAHOGANY AND FUSTIC BREAKFRONT BOOKCASE A very fine George III inlaid mahogany breakfront bookcase, in two sections, the upper section centered by a central cabinet fitted with a pair of glazed cupboard doors with gothic-arched glazing bars flanked by a pair of single glazed doors with identical glazing bars the whole surmounted by a conforming breakfronted moulded cresting, the conforming projecting lower section centered by a pair of cupboard doors each centered by a large inset oval panel and opening to two adjustable sliding shelves, flanked by a pair of identical cupboard doors each opening to a bank of five drawers, the whole raised on a conforming moulded plinth. Together with an old label inscribed Revd. L Maurice, ‌ Rectory. England, circa 1785 Height: 101.6 in (258.0 cm) Width: 103.1 in (262.0 cm) Depth: 21.3 in (54.0 cm) F3F0259


17. A GEORGE III GILTWOOD PIER MIRROR In the manner of John Linnell

A fine George III giltwood pier mirror in the manner of John Linnell, with a rectangular mirror plate flanked by stylized columns with Ionic capitals flanked by a border of foliate S-scrolls entwined with husk-swags, the cresting centered by a large feathered honey-suckle flower flanked by Sscrolled foliage, the apron centered by a stylized acanthus leaf flanked by foliate-carved S-scrolls hung with pendant husk swags.

England, circa 1770 Height: 56.7 in (144.0 cm) Width: 31.5 in (80.0 cm) F3F0263


18. A GEORGE II GILTWOOD OVERMANTEL MIRROR In the manner of William Kent

A fine and rare George II giltwood overmantel mirror in the manner of William Kent, with a later rectangular mirror plate within a gadrooned border within a frame with sanded-ground and bead-and-reel and egg-and-dart moldings, the cresting centered by a flowering basked flanked by a pair of bearded masks beneath scrolled acanthus leaves, the sides with pendant husks continuing to scrolled terminals each centered by flower heads. England, circa 1730 Height: 48.8 in (124.0 cm) Width: 64.6 in (164.0 cm) Provenance Michael Foster, London F3F0264


19. A GEORGE II GILTWOOD PIER MIRROR A George II giltwood pier mirror, with a rectangular plate with canted corners within a foliate-carved frame surmounted with a pierced foliate-carved cartouche with lattice backing and flanked by pendant flowering foliage, the pierced apron centered by a cartouche flanked by rocailled and C-scrolls. England, circa 1760 Height: 63.4 in (161.0 cm) Width: 24.0 in (61.0 cm) F3F0266


20. THE RYSWICK TROPHY MIRROR

A unique late 17th century William III carved giltwood looking glass. The oval central plate with an inner border of harebell husks, a central border of oak leaves and scallop shells and an outer border of mermaid scales. The cartouche with a Herculean lions head helmet mounted on a carved club adorned with ostrich plumes and axe heads flanked by flags. The sides with swords and sabres with eagle and lion head handles, above crossed serpent-like anchors supported on a battery of mortars and cannon. The mortar crowned with the head of Hermes above an image of Nereus, 'The Old Man of the Sea', with surrounding thunderbolts and lightning flashes. The whole entwined with stylised rope ties. The reverse stencilled with the English Royal Arms and an indistinct trader's mark. England, circa 1695 Height: 44.1 in (112.0 cm) Width: 30.7 in (78.0 cm)

F3E0019


21. A GEORGE III MAHOGANY LONGCASE TIMEPIECE By Thomas Mudge and William Dutton, London

An important timepiece by Thomas Mudge and William Dutton, London, with a 10-inch silvered dial signed: Thomas Mudge / Willm Dutton /London., the movement with six-pillars and deadbeat escapement, the hood with molded top, the long case with rectangular molded door on a plinth base. England, circa 1770 Height: 72.4 in (184.0 cm) Width: 15.7 in (40.0 cm) Depth: 9.1 in (23.0 cm) Dial: 10 in Provenance Bobinet, London F3F0244


22. A WILLIAM AND MARY WALNUT AND FRUITWOOD MARQUETRY LONGCASE CLOCK By Isaac Lowndes, Pall Mall, London

A fine marquetry longcase clock by Isaac Lowndes, Pall Mall, London, with a square 11-inch dial signed: Isaac Lowndes in y Pall Mall, and with folliate spandrels centered by cherubs surrounding a silvered chapter ring with Roman numerals centered by a matted disk with two molded winding holes and a square date aperture flanked by scrolled engraving and with a subsidiary seconds' dial, the clock with a five pillar, anchor escapement, bell striking movement, the case with domed hood with three later giltwood finials, the whole profusely inlaid with foliate marquetry. England, circa 1690 Height: 96.1 in (244.0 cm) Width: 18.9 in (48.0 cm) Depth: 10.6 in (27.0 cm) Dial: 11 in

Provenance Edward Francis North, the late 9th Earl of Guilford F3F0245


23. A GEORGE III MAHOGANY REGULATOR TIMEPIECE By John Thwaites, Clerkenwall, London

An important regulator timepiece by John Thwaites, Clerkenwall, London, with a 10-inch silvered dial signed: John Thwaites Clerkenwall / London, the hourglass form hood surmounted by an urn finial above a rectangular tapering pedestal case with molded edge and plinth base. England, circa 1807 Height: 80.3 in (204.0 cm) Width: 20.5 in (52.0 cm) Depth: 11.8 in (30.0 cm) Dial: 10 in Provenance Hotspur, London F3F0246


24. A GEORGE II INLAID BURR WALNUT LONGCASE CLOCK By John Ellicott, London

A fine walnut longcase clock by John Ellicott, London with an 11 ½-inch arched dial signed John Ellicot / London, the dial with silvered chapter ring with Roman numerals centered by a matted disk with two winding holds, date aperture and subsidiary seconds' dial, within rocaille-molded spandrels, beneath a subsidiary dial in the arch inscribed strike/silent flanked by dolphinmolded spandrels, with five-pillar, bell-striking movement with anchor escapement, the hood with an arched molded edge beneath a peaked top and fitted with three finials, the long case with canted corners fitted with an arched door above a plinth inlaid with two stars to the corners and raised on bracket feet. England, circa 1740 Height: 108.7 in (276.0 cm) Width: 22.4 in (57.0 cm) Depth: 11.4 in (29.0 cm) Dial: 11 ½ in

Provenance The Collection of John Samuel Wanley Sawbridge ErleDrax,M.P., Holnest Park, Dorset Mallett, London F3F0247


25. A HARBOUR VIEW By Jean-Baptiste Claudot (1733-1805)

An outstanding Louis XVI period harbour view depicting figures in the foreground gathered around a fountain with a ship at harbour with elaborate rigging beside a rusticated lighthouse. Oil on canvas Signed lower right, Jean-Baptiste Claudot France, circa 1785 Framed dimensions Framed Height: 48in (122 cm) Framed Width: 55½in (142cm) P3B0313


26. GENTLEMAN ON A BAY HUNTER AT THE GALLOP WITH HOUNDS By Thomas Stringer (1727/8 -1804)

Mr Heron of Daresbury galloping on his bay hunter exercising hounds Oil painting on canvas, contained in its original carved and gilded Georgian frame Provenance Commissioned by George Heron of Daresbury Hall, Cheshire and by descent to Lieutenant-General Peter Heron (1770-1849) of Moor Hall, Cheshire; his widow, and then by descent to her great-niece Cecilia Widdrington (nee Gregge-Hepwood), wife of Shalcross FitzHerbert Widdrington, and thence by descent Capt. Francis Newton Heron Widdrington (1920-2008). The present painting is one of a group of at least four pictures commissioned from the artist by the Heron family in and about 1776 England, circa 1775 Framed Height: 24.5 in (62.2 cm) Framed Width: 35.5 in (90.2 cm) P3A0045


27. A HOUND IN A LANDSCAPE By William Green Of Oxford (1749-1765)

Oil on canvas England, circa 1750 Framed Height: 31.1 in (79.0 cm) Framed Width: 36.0 in (91.5 cm) P3A0221


28. A FLEMISH PICTORAL TAPESTRY DEPICTING A SCENE FROM THE STORY OF DIDO A Flemish pictorial tapestry depicting a scene from the story of Dido, with weaver's mark, probably from the workshop of Michaiel Wauters Late 17th Century Wauters, Antwerp Height: 112.2 in (285.0 cm) Width: 119.7 in (304.0 cm) Provenance David Franklin Ltd. T3F0271


29. A FLEMISH TAPESTRY DEPICTING THE CROWNING OF ESTHER A Flemish tapestry depicting the crowning of Esther. Late 16th Century/ Early 17th Century Probably Oudenaarde

Height: 144.1 in (366.0 cm) Width: 139.0 in (353.0 cm) Provenance Malcolm Franklin, Inc. T3F0273


30. A GEORGE II PAINTED AND EMBOSSED LEATHER EIGHT-PANEL SCREEN By Joseph Fletcher and John Conway

Painted with a continuous scene of Chinese court figures within pagodas along a river at various pursuits including a dragon hunt, the outer panels each painted with a fluted column to the outside edge with garlands of flowers supported four painted arches decorated with flowering vases. With its original paper label to the reverse inscribed: Joseph Fletcher & John Conway / Leather-Guilders and Screen-Makers to His MAJY KING GEORGE, / At ye Kings-Arms, the second L[eat]her-Guilders-Shop, / from ye and of Ludgate Street ye South, Side of St. Pauls Church Yd. / Make Sell all sorts of Hangings for Rooms, Stair Cases, Chairs, / Settees and Screens of all sorts of the newest Fashion, beneath the Royal coat of Arms of Great Britain. England, circa 1740

Height: 105.5 in (268.0 cm) O3C0159


31. A GEORGE III INLAID SATINWOOD CYLINDER BUREAU A fine George III inlaid satinwood bureau, the cross-banded rectangular top above a cylinder opening to an arrangement of 10 pigeonholes above three small drawers before a leather-lined sliding panel, the frieze fitted with a pair of drawers raised on square tapering legs on casters.

England, circa 1790 Height: 36.6 in (93.0 cm) Width: 21.7 in (55.0 cm) Depth: 40.2 in (102.0 cm)

F3F0262


32. A REGENCY INLAID SATINWOOD SOFA TABLE A Regency satinwood sofa table, with a rectangular top flanked by a pair of flaps with rounded corners, the frieze fitted with a pair of drawers opposed by a pair of dummy drawers raised on lyre-form trestle supports on down-swept legs ending in box casters.

England, circa 1810 Height: 28.0 in (71.0 cm) Width: 63.4 in (161.0 cm) Depth: 24.4 in (62.0 cm)

F3F0267


33. A GEORGE III SATINWOOD AND AMARANTH CANED SETTEE A George III inlaid satinwood and amaranth settee, the rectangular back with three caned panels divided by uprights and centered by silkupholstered rectangular inset backresets flanked by an identical pair of armrests, the rectangular caned seat with a silk-upholstered squab cushion, the paneled seat rail raised on square tapering legs each with panels of amaranth. England, circa 1800 Height: 33.5 in (85.0 cm) Width: 72.0 in (183.0 cm) Depth: 26.8 in (68.0 cm) F3F0269


34. A PAIR OF CELESTIAL AND TERRESTRIAL TWELVE-INCH GLOBES By Malby

A pair of celestial and terrestrial twelve-inch globes by Malby on Victorian mahogany stands. England, dated 1850 and 1848 respectively Provenance Hotspur, London Height: 36 in Diameter of globes: 12 in O3F0260


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