Music & Dance Edition 1

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Sunday, AUGUST 10, 2014

A DV E R T I S I N G F E AT U R E

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Sunday, AUGUST 10, 2014

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Classes Begin

Tuesday, September 2nd

high-quality dance education A Professional Studio Offering: • Tap • Jazz • Ballet • Pre-School /Combination • Tumbling • Lyrical • Hip Hop • Musical Theatre

their dancers and showing them exactly what corrections to apply.

Dance Dimensions is entering its 20th season of quality dance education in Regina’s northwest. Artistic director Kara Chernishenko is looking forward to another excellent season of dance, and she welcomes all new and returning students, back to the studio. The Dance Dimensions staff are all highly-qualified dance educators who pride themselves on offering exciting and motivating classes with unique choreography. Joining Kara on the teaching faculty for the upcoming season are returning teachersErinSchwalm,JenniferDodge,AlyssaKirk,KelseyBaker, Sara Burchi and Shayla Brown. Studio director Chernishenko is excited to be entering into the new season with some new additions which include the launch of the DD website www. dancedimensionsregina.ca as well as the addition of TV’s into our dance rooms. Teachers will now be able to offer a new perspective on dance instruction and correction by videotaping

The DD faculty continues to attend many workshops each year and look forward to bringing back everything they learn to their students. This fall teachers & dancers will be attending Groove Street Dance Convention in Saskatoon as well some dancers will also be attending Pure Dance Convention in Calgary. The DD Showstoppers will also be organizing a trip for the summer of 2015 where they can take classes from some the world’s best choreographers & teachers.

REGISTRATION

August 27-August 28 — 6:00 pm - 8:30 pm —

Dance Dimensions offers a large variety of classes to meet any family’s needs. The studio also offers beginner through advanced training in the Canadian Dance Teachers Association (C.D.T.A) inTap, Jazz & Ballet. All classes attend local competition performances and take part in the yearend recital known as the Showcase at the Conexus Arts Center in May. Join us for our best season ever and become a part of our talented team. Registration for summer camp and fall classes is currently being accepted. Please contact the studio at dancedimensions@sasktel.net, visit us on the web @ www. dancediemnsionsregina.ca or call Kara at 781-6151 for more information.

Beginners through advanced

(2 1/2 years to Adult)

Under the direction of

Kara Chernishenko

Member-CDTA Sk Branch (Tap & Jazz)

1136 Devonshire Dr. N. (306)781-6151

Email: dancedimensions@sasktel.net • www.dancedimensionsregina.ca Photos courtesy of Silverswan Photography


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Prairie Gael offering

About this content

competitive and recreational dancing The Prairie Gael School of Irish Dance is a locally owned and operated, all-ages school of Irish Dance. They offer both competitive and recreational classes beginning in September. Caitlin Preston, the school’s head instructor, recently obtained her T.C.R.G. certification, allowing the Prairie Gael dancers to compete in feiseanna — or competitions.

MNS photo

In operation for over 15 years, the school has become a fixture in the local Irish community and welcomes new dancers. They will be hosting an open house on Sept. 4 from 6:30 p.m. to 8:30 p.m. at their studio at 1933 8th Ave., Studio 310.

These stories were produced by the LeaderPost advertising department to promote awareness of this topic for commercial purposes. The LeaderPost editorial department had no involvement in the creation of this content.

Regina Mandolin Orchestra entertains and teaches The Regina Mandolin Orchestra (RMO) has been entertaining Saskatchewan audiences and teaching people to play the mandolin for over 25 years. Their new music director, Natalia Osypenko, brings experience, talent and energy to the RMO. The mandolin is easy to learn, and the RMO teaches students to read music. They offer adult group lessons to anyone wanting to learn the mandolin, and this fall they will offer group lessons in classical mandolin to children ages six to 12. Visit Mando For Kids-Regina on Facebook for more information. Lessons and rehearsals are held Saturday mornings at the Regina Christian School. Contact admin@mandolin.ca to learn more.

The Regina Ballroom Dancing Club offers members a variety of classes on weekday evenings, as well as practice dances and special events. Registration Night: September 3rd, 2014 7:00-9:00 PM Austrian Club, 320 Maxwell Crescent

Now offering competitive and recreational Irish Dance classes in Regina! Open House - Thursday, Sept 4th - 6:30 - 8:30 p.m. 1933 8th Ave. - Studio 310

www.prairiegaeldance.com

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We fit a dancer from head to toe

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Interested in dancing? Want to have fun? Want to meet new people? Then come join the fun with Regina Ballroom Dancing Club (RBDC). RBDC has expanded the Club’s dance lessons to ensure that classes are not overcrowded, while meeting out clubs ever-increasing demands. Lessons are held weekday evenings, and classes will be offered at the Austrian Club and the Lakeview United Church in Regina, to give members more convenient class %"ü<%&ýå °;fýýBý þf&?B Aþ%' bB?<&&Bþ ü% fFùf&HBFå {²¯° &ýüþûHü%þý fþB !ûf;<8BF f&F experienced.

Find everything from first steps to competition-ready at

877-352-4377

As a member-based, volunteer ballroom dance club, we emphasize the enjoyment of learning to dance and social dancing, rather than competition.

Experts in fit, style and performance

A yearly RBDC membership is as follows:

Highland and national dancer’s outfits, largest selection of highland dance shoes in Western Canada, clan items

Adult: full season - $100.00, half season - $60.00 Students: full season - $50.00, half season - $30.00

www.ceilidhsurprise.com

To join visit www.rbdc.ca and download an application form, call the danceline at (306) 586-9771 or register in person on Wednesday September 3rd, 4th, 2014 2013 from 7:009:00 pm at the Austrian Club, 320 Maxwell Crescent.

www.facebook.com/dreamduffelcanada Authorized Canadian distributor of the Dream Duffel

16th, 2014 2013 Classes begin the week of September 15th,

The ultimate rolling duffel with the pop-up garment rack REG26401482_1_1

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Presenting cultural Every culture has its own form of dance. While there may be some overlap, each dance uses a unique series of movements to tell a story —of family, of love or of life in general. “Music is a very big factor in every culture, I would say,” said Karen Dhaliwal, one of the organizers of the Punjab Pavilion at Mosaic: A Festival of Cultures. “Every culture has their own way of what dance means to them and how they perceive that.” Dhaliwal said she believes learning the traditional dances of your heritage can better help you understand your heritage, as well as give you a sense of pride. “It keeps you connected with your culture because you … get to understand and have a feel for that culture more when you dance,” she explained. “As a performer, I like to show my culture to my coworkers, my friends, anybody who’s interested … I get a satisfaction out of dancing every time when I know that people are enjoying watching me.” The popularity of events that showcase such cultural dances is a testament to just how much the public enjoys watching them. But, for someone who wants to see as many cultural dances as they can, attending a large number of those events may not be possible. This is where festivals such as Mosaic can help. “[Mosaic] gives them an opportunity to learn about our culture,” said Dhaliwal. “I think that’s what Mosaic is, is

giving us an educational experience while making it entertaining — going to other pavilions and learning about other people’s music, and their dancing, and just the way they express happiness or stories.”

This year, Mosaic featured 21 pavilions, all showcasing their own dances, music, foods and other aspects of culture. The event was as popular as ever, proving that both pavilion organizers and the public want to support the opportunity to showcase the diverse cultures of Regina.

Photo provided by Karen Dhaliwal

By Miranda Burski L-P Specialty Products

dances to the public

Visitors to the Punjab Pavilion had the chance to see the Punjab region’s two main traditional dances: bhangra and giddha. Giddha, a traditional female dance, features a lot of clapping. During this dance, performers will often form a semi-circle. Two or three girls will then enter the centre of the circle, where they perform a one- to twominute dance before they are replaced by two or three other dancers. “It’s kind of telling a story,” said Dhaliwal. Bhangra, meanwhile, is a more energetic dance, featuring a lot of jumps and shoulder bopping. “Bhangra would be one of the high-beat, unisex dances that guys and girls do, together or separate,” said Dhaliwal. “You’ll always see that [the dancers] are always jumping and that the music, too, you can tell there’s a lot of drums.” Dhaliwal added that even though bhangra and giddha are

performed by many people in the Punjab region, each of those dancers will have their own unique way of performing the dance. “Everyone dances and performs it a little bit different,” she said. That difference in performances, Dhaliwal said, could be why people enjoy watching cultural dances; so much diversity means there’s plenty of talent to take in. “You get to see a wide variety of talent,” said Dhaliwal. “Especially in Regina, it’s great to see the population that we have now, and the talent that’s there. I got to see a lot just in the pavilion this year.”

Tap * Jazz * Ballet * Contemporary * Cheerleading * Lyrical Acrodance * Pointe * Hip Hop * All Boys Hip Hop Acrobatic Arts Exam Program * Pom Team Ages 2.5 and up All levels of experience welcome

Disney trip OPEN HOUSE / REGISTRATION NIGHTS

1350 Cornwall Street August 20 and 21 - 6:00-8:00 and September 3 - 6:00-8:00 ***Contact (306) 721-7837***

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DANCE CITY is now entering their 11th season, and in this short time has become one of Regina’s elite dance studio’s located in the East end. For the 2014 - 2015 season Dance City will once again be offering an “All Boys Hip Hop” and a Adult Tap / Jazz Combination Class. DANCE CITY is committed to educating children and adults in the art of dance, movement and music appreciation. Classes are professionally instructed following the syllabus of the Royal Academy of Dance (R.A.D.), Associated Dance Arts for Professional Teachers (A.D.A.P.T.), Canadian Dance Teachers’ Association (C.D.T.A.), and Acrobatic Arts under the professional direction of Nadine Selinger, A.R.A.D., owner and artistic director. DANCE CITY offers instruction in ballet, pointe, tap, jazz, lyrical, hip hop and acrobatics. A diverse dance education is offered for the exam, competitive, and non competitive dancer for ages 3 – adult. We believe that every student, whether they dance once a week or five times a week should be given the opportunity and enjoyment that dance has to offer. It is important to us that each child receive excellent instruction therefore our student teacher ratio is 1-5. “Our teachers provide instruction in a nurturing manner, challenging students to progress Step by Step leading to Excellence in Dance.” DANCE CITY just completed another successful season, attending several competitions, winning numerous awards and scholarships. Dance City not only provides an excellent standard for Dance but also takes pride in ensuring a child’s dance education is more than just dance, it’s about developing qualities every child needs to succeed. Our students also achieve high marks academically through the discipline and time management skills they have developed as a dancer. Many graduates of Dance City have moved on to pursue professional careers in dance as well as many other prestigious careers. We look forward to providing a dance education for your child. To guarantee class acceptance or for more information on programs offered at Dance City please contact Miss Nadine at dancecity@sasktel.net or our website www.reginadancecity.ca.

Mon., Tues.

August 18th-19th 5:00p.m.-8:00 p.m.

NADINE SELINGER R.M., R.T.S., A.R.A.D. ~Owner / Artistic Director~

• Registered Teacher – Royal Academy of Dance • Registered Mentor – Royal Academy of Dance • A.D.A.P.T. Accredited, Certified Teacher • Member – Canadian Dance Teacher’s Association, Sask. Branch, Stage Division (Tap, Jazz) • Associate Member – Canadian Dance Teachers Association, Sask. Branch, Ballet Division • Acrobatic Arts Certified

· Girls & Boys Age 3 - Adult · Exam – Competition Classes · Non Exam– Non Competitive Classes · Tiny Tots Combo Classes · Pre Exam Combo · R.A.D. Inter-Foundation – Advance 2 · R.A.D. Pre-Primary – Grade 8 · C.D.T.A. Tap · C.D.T.A. Jazz · A.D.A.P.T. Tap · A.D.A.P.T. Jazz · Hip Hop · Acro · Adult Combo Sessions

306-757-6495

All Boys Hip Hop

Adult Combo


Page 6

Finding the perfect dance

attire

By Miranda Burski L-P Specialty Products

jazz classes and tap classes is, of course, the type of shoes worn.

For most students, getting dressed to attend a dance class isn’t as easy as throwing on a pair of comfortable pants, a T-shirt and shoes. There are a lot of things that need to be taken into consideration, including the type of class, the studio’s rules and whether exams are to be taken.

Tap shoes, as their name suggests, have taps on both the toe and heel areas of the shoe. Most tap shoes are leather, though some studios allow younger students to wear black patent shoes. Young students start with a low heel, but that heel may change to a Cuban heel as the students age. Advanced students generally wear a split-sole shoe that has a low heel. This style has a reinforced toe to better enable the student to perform such moves as toe stands.

“The studio may select [the attire],” said Lisa Wilde, manager of All About Dance. “Depending on the syllabus, the organization that develops the syllabus may specify what they want students to wear; one national organization has actually selected a specific supplier to be their national representative.” The best way for a student — or his or her parent — to determine what should be worn to each class is to check with the teacher of the class. But there are some general guidelines that can usually be followed, depending on the type of class the student is taking. Here is a quick overview of the attire needed for each of the four most common types of dance classes.

Jazz Most students taking a jazz class are often required to wear a simple black leotard, usually paired with beige tights. “Sometimes they wear shorts and a little bodysuit, or shorts and a little top, or sometimes those little bra tops,” said Carmela Park, owner of Ballet to Broadway Dancewear in Moose Jaw. While students may be able to choose most of their attire for a jazz class, teachers often require a specific type of shoe. Jazz shoes generally have a split sole, and can be either slip-on or tied. Some classes, however, may require a runnerstyle shoe.

As tap shoes are made of a harder material than jazz shoes, they can have a slightly looser fit. “If you’re in a tap shoe, you might fit it with a little bit more growing room than you would a jazz shoe,” said Murray Miller, owner of Audition Dance Supply. “It all depends on the age, too. If they’re younger, you want to leave growing room, and if they’re older and a little bit more experienced, or doing exam work, then you don’t leave the growing room.”

Baton Attire for a baton student is very similar to that of a jazz student. Many teachers even require their baton students to wear a jazz shoe. Some teachers, however, may request a baton shoe, which has more support and a rubber sole. “It’s very important if they’re practicing or twirling on a cement floor, or if they’re doing a parade,” said Wilde. “It’s not a tight, snug-fitting shoe like the jazz shoe is, but it’s designed for what they need.”

Pointe shoes are some of the most difficult shoes to be fitted for. Photo by hitdelight/Fotolia.com come in different diameters, though most studios in Regina require a narrower shaft. The lengths, too, vary, but which length a student needs will depend entirely on that student. “We don’t want anything too long, because … we can’t have the baton hitting the body when they’re spinning it,” said Kathy Clark, manager of Dancer’s Den Dancewear. To get the proper measurement, students need to hold an arm up straight in front of them, with shoulders flat and even. One end of the baton is placed under the armpit, and the other extends to the end of the arm. Some stores will recommend a baton that reaches the end of the student’s middle finger, while others recommend that the baton extend about an inch beyond that. In all cases, the baton coach has the final say on what length suits the twirler best.

Baton students also, of course, require a baton — but choosing one isn’t as simple as you may think. Baton shafts

Jazz shoes also tend to be fitted close to the foot, both for the quality of the dance moves and so that examiners can better judge foot movements. While the fit can be a bit looser for younger students, parents should keep in mind that the soft leather of a jazz shoe will stretch with the child’s foot as he or she grows. But there cannot be any extra room when a dancer is to take part in exams. “An exam-ready shoe is one that fits like a glove,” said Wilde.

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A DV E R T I S I N G F E AT U R E

Tap

The Irish Club of Regina is pleased to be the only all adult Irish dance school in Regina. We offer three levels of classes ranging from beginner to senior. We are always welcoming new dancers and our beginner class information is below:

BEGINNER CLASS (SOFT AND HARD SHOE):

The clothing worn in a tap class is usually similar to that worn in a jazz class; in fact, the biggest difference between

Tuesdays from 6:00pm - 7:30pm, beginning September 9th (Prior dance experience not required)

LOCATION: All classes take place at the Regina

We don’t want anything too long, because … we can’t have the baton hitting the body when they’re spinning it.” ~ Kathy Clark Manager, Dancer’s Den Dancewear

Rubgy Union Clubhouse (4025 25th Ave)

TO REGISTER:

Please email us at dance.icr@gmail.com by Monday, September 8th Visit our website at www.irishclubofregina.org for more information about the Irish Club of Regina and our dance troupe!

Continued on Page 7

Irish Dance for Adults

The Irish Club of Regina, a non-profit organization promoting Irish culture and host of the Irish Pavilion at Mosaic, is pleased to offer Irish dance classes for adults aged 18 and up. The focus is on fun, technique and performance (trust us—you’ll love performing once you try it!). No prior experience is required to join our dance program. Beginner class is Tuesday evenings from 6:00pm – 7:30pm, starting September 9th. Dancers will learn several group dances, both soft shoe and hard shoe, in their first year. Additional dance workshops are scheduled during the year with a TCRG internationally certified instructor.

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Finding the perfect dance attire Continued from Page 6

Ballet Attire for ballet classes is usually quite different from the attire of other classes. Most studios require a pink bodysuit and pink tights for young ballet students, though the exact shade could vary from studio to studio. Some studios may also allow young students to wear a skirt or tutu. The colours required for older students can vary depending on age or level of experience. In terms of shoes, young ballet students generally start with a snugfitting full-sole leather slipper. “The purpose of a full sole usually, when they’re younger, is to help strengthen their foot in class so that they can, eventually, graduate to a split-sole ballet slipper or a pointe shoe,” said Deborah Banks, a sales associate at Dancer’s Den Dancewear. Pointe shoes, as may be expected, are some of the most difficult shoes to fit. A pointe shoe needs to fit perfectly, without any growing room, so that the dancer can properly balance on the toe of the shoe without high risk of injury. It is recommended that any dancer in need of a pointe shoe book an appointment with a knowledgeable pointeshoe fitter; most dance stores in Regina and area employ such a person, which makes it a bit easier to find one. Overall, the best thing to do before buying dance attire is to check with the dance instructor. Some may require students wear leotards or shoes of a certain colour, while others may allow students the freedom to choose their own.

Young tap students are generally requ ired to wear a body suit and tights, and may be allowed to wear pate nt leather tap shoes. Photo by Mitch Aunger/Fotolia.com

Poltava: 2014-2015 Season The Association of United Ukrainian Canadians welcomes new members to both the Poltava Ensemble of Song, Music and Dance and the Poltava School of Ukrainian Performing Arts. Centrally located at the Ukrainian Cultural Centre, 1809 Toronto Street, the studio features a wooden dance floor, mirrors and a professional audio system. Unique to Saskatchewan, Poltava dancers are accompanied by a 25-piece orchestra and wear regional costumes created in Ukraine and provided (at no extra cost) to the School and Ensemble. The Poltava Ensemble welcomes senior dancers, musicians and singers, while the School offers seven levels of dance as well as mandolin classes. The School is featured at its annual concert in February and at five performances during Regina’s Mosaic. The Poltava Ensemble is also available to perform at corporate functions, weddings and other special events. Please contact us at info@poltava.ca. The Poltava Ensemble and the School of Dance are sponsored by the Regina Branch of the Association of United Ukrainian Canadians (AUUC). Phone: 306-522-1188 To register online: www.poltava.ca Ukrainian Cultural Centre, 1809 Toronto Street

Phone: 306-522-1188 To register online-www.poltava.ca Ukrainian Cultural Centre, 1809 Toronto Street REG26204606_1_1


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Bagpipes are an

important part of

Irish music tradition (MNS) — Celtic culture is rife with tradition. Traditional music is one identifying factor of the people who reside in countries awash in Celtic heritage, such as Ireland and Scotland. The strains of bagpipes can be heard during various celebrations and memorials. Bagpipes can produce uplifting and upbeat tunes or somber notes ideal for moments of reflection. Bagpipes are in a class of musical instruments known as aerophones. They produce sound through reeds from a constant reservoir of air trapped in a bag. Bagpipes are comprised of an air supply, a bag that holds the air, a chanter — which looks similar to a recorder and has finger holes to produce the melody — and one or more drones, which produce the sustained pitch. In bagpipes, the drones are the pipes placed over the musicians’ shoulders. Since the 14th century, bagpipes have appeared in European art and literature. Evidence of bagpipes in Ireland can be traced back to 1581, when John Derrick’s “The Image of Ireland” clearly illustrates a bagpiper. However, actual examples of bagpipes found before the 18th century are rare. What some music aficionados may not know is that not all bagpipes are the same, and Irish bagpipes have distinctions that set them apart from other varieties. Irish bagpipes, or uilleann pipes, differ from other types of bagpipes, including Scottish Highland pipes. Uilleann is derived from the Irishlanguage term piobai uilleann, which means “pipes of the elbow.” A full set of uilleann pipes has a chanter, three drones and three keyed regulators. A half set will have no regulators. The pipes are tuned in the key of D, and unlike many other pipes, the reed will over blow. This gives uilleann pipes a range of two octaves. The chanter can also produce sharps and flats. In addition, regulators give them extra dimension of sound. Irish pipes have a softer sound than other bagpipes, enabling them to be played indoors.

Audition Dance Supply It’s the 18th year of Audition Dance Supply, and the store’s staff would like to thank their customers by offering a 10 per cent discount until Sept. 30. Book an appointment for your dancer to be properly fitted with Gaynor-Minden Pointe Shoes (sorry, discounts do not apply). The store is centrally located in the Warehouse District at 1363 Rose St. (between 7th and 8th Avenues), and has new and used shoes. Audition Dance Supply is open at noon Mondays to Fridays and 10 a.m. on Saturdays. They are ready to get everyone set for the upcoming dance season. Phone 306-522-1895 for more information.

Student-centered, creative learning is available at Jodie Soulodre Studio. Visit www.facebook.com/JodieSoulodrePianoStudio for more information. Photo supplied by Jodie Soulodre Piano Studio.

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Creative piano studio now accepting new students for the fall

New and Used Shoes

522-1895 306-522-1895

Douglas Park Area 306-525-8921 jodie.soulodre@sasktel.net facebook.com/JodieSoulodrePianoStudio

1363 Rose St., Regina REG26204629_1_1

If music and dance are an

Although bagpipes have been integral to ancient Irish history, they are still alive and well today. Many bagpipers still proudly play them throughout Europe and in North America. The resonating sound of the pipes can be heard during parades and various celebrations, such as on St. Patrick’s Day.

Children find musical passion through

Creative Kids

“On behalf of my family, I extend a heartfelt ‘Thank you’ for the grant that allowed my daughter to learn to play the guitar. She truly loves playing guitar. I think her inspiration was her grandfather, who played and sang to her. Without your generosity, we could not afford to invest in her passion.” ~ Creative Kids mom Creative Kids covers registration costs for creative activities for families with financial barriers. The program has helped more than 2,900 Saskatchewan children and youth access music and dance classes since it began in 2010. Learn more about Creative Kids at www.creativekidssask.ca or by calling 306-780-9361. All funds raised go directly to funding families in creative activities.

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Creative Kids

makes arts, culture more accessible

By Jeannie Armstrong SP Creative Features Editor

Music lessons, dance class, art and theatre experiences are activities that many children take for granted. But for the more than 33,000 children living below the poverty line in Saskatchewan, learning to play an instrument or taking an art or dance class is simply beyond their families’ means. Creative Kids is a funding program offered by Sask Culture that helps kids overcome financial barriers to participating in cultural and creative activities and empowers them to follow their dreams.

Christie Nenson, who works in fund development with Creative Kids, said, “Our vision is that all Saskatchewan children will have opportunities to participate in art and cultural activities and have their lives positively impacted by those experiences.” There is overwhelming evidence that participation in artistic and cultural activities benefits children in many ways. “It’s important for our youth to be creative thinkers. Even if they don’t go on to be professional performers or artists, the increased selfesteem, creative thinking, sense of accomplishment and feeling of belonging that comes from these experiences helps people no matter what they end up going on to do,” said Nenson. The Creative Kids program is modelled after the KidSport™ program, which provides financial assistance to children who want to participate in sports but face financial barriers. Nenson pointed out, “Not all kids connect with sports. There weren’t any programs available that would provide opportunities for kids who want to dance, make music or art, or are interested in theatre to take lessons in their own communities.” Creative Kids was established in 2010, thanks to a funding partnership with PotashCorp. The program’s operating and administrative budget is provided by Sask Culture. “We made our first grant in the fall of that year to a little girl who wanted to take ballet lessons,” said Nenson. Continued on Page 10

Regina Rhythmic Gymnastic Club

Creative Kids helps youngsters who face financial barriers to participate in cultural and artistic activities and follow their dreams. Photo supplied by Creative Kids

Open House & Registration Night

Rhythmic gymnastics with the Regina Rhythmic

Gymnastics Club

In the elegant sport of rhythmic gymnastics, students learn to manipulate different apparatuses within a program designed to develop fundamental body movements, basic coordination, flexibility, concentration, and rhythm and team skills. The Regina Rhythmic Gymnastic Club offers a 30-week, non-competitive program focused on fun and learning in a team environment. Team sizes vary from six to 12 gymnasts, based on age and level of experience. Classes are available for ages five and up (students must be at least five years old as of Dec. 31 of the year of enrollment). No experience is required to join. Classes are also available in Balgonie and White City. Beginner classes are held once a week, at various locations. Equipment costs are minimal — apparatus is provided for beginner teams. All teams perform in the annual Christmas Show, Club Day and year-end show. The Regina Rhythmic Gymnastic Club’s Open House/Registration night will be held in early September. Please check their website, reginargc. ca, after mid-August for more details. You can also call 306-530-8688 or email registration@reginargc.ca for more information.

❖ Ribbons! Hoops! Balls! ❖ Non-competitive program – Sept to April ❖ Team routines done with Music ❖ Fun! Dance! Fitness! ❖ Ages 5 to Adult classes available in Regina and Kindergarten and up in Balgonie and White City The Regina Rhythmic Gymnastic Club’s Open House/Registration night will be held in early September. Kidsport Approved

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Please check our website,

reginargc.ca

after mid-August for more details. You can also call (306) 530-8688 or email registration@reginargc.ca for more information. REG00193168_1_1

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Photo supplied by Creative Kids

Saskatchewan’s largest dance store ready for the new dance season

Creative Kids makes arts, culture more accessible Continued from Page 9 Creative Kids supports a diverse range of activities. “Creative activity is so broad. Most of our activities fall into five general areas: music, dance, art, culture and theatre. We have kids who have joined an improv group, taken pottery lessons, learned a variety of instruments, studied traditional and cultural dance — and more. We have also had kids who took language lessons, Japanese in one case, so they could communicate with their grandparents,” said Nenson. The program provides funding of up to $750 per child, per year. “The family has to demonstrate that there is a financial barrier to participation. We look at each application individually. Determining factors include the family’s location and the number of children that they have. A family of four, for example, could apply for funding of up to $750 per year, per child,” said Nenson. Children must be four to 19 years of age to qualify. Nenson said it is unfortunate that Creative Kids is now receiving more applications than it can fund on an annual basis. In addition to the generous investment made by PotashCorp every year for the

At Dancer’s Den Dancewear, it is not just about selling products; the store takes great pride in being an integral part of the dance community in Saskatchewan. Sharing a passion for dance for so many years has created strong relationships with countless dance studios, teachers and dancers. The store staff strive to have what you need when you need it.

Our vision is that all Saskatchewan children will have opportunities to participate in art and cultural activities and have their lives positively impacted by those experiences.” ~ Christie Nenson Fund development, Creative Kids past three years, Creative Kids funds the applications through private and corporate donations, and fundraising events. “It’s a really great opportunity for people who are interested in supporting us, because 100 per cent of the money we get goes right to the community to support the applications that we receive,” said Nenson. For more information about Creative Kids, call 1-855-277-9469 or visit www.creativekidssask.ca.

Dancer’s Den Dancewear’s large retail space allows the store to carry an unrivaled inventory not available anywhere else in the province. Body wear, dance shoes, tights, active wear, yoga gear, gymnastics attire and dance accessories — there are hundreds of styles and hundreds of sizes to choose from. Dancer’s Den Dancewear has built solid relationships with dozens of dancewear suppliers, allowing them to provide the province’s largest selection, along with convenience and competitive prices. Selection and service are definitely what sets Dancer’s Den Dancewear apart in today’s dancewear industry. Variety Costumes continues to be a natural addition to the Dancer’s Den Dancewear store, offering an array of rental costumes, accessories, makeup, wigs and props. Whether for a costume party, theatre performance or dance recital, Variety Costumes has an endless assortment of products for that special occasion all year long. Dancer’s Den Dancewear is conveniently located at 1630 Albert St., just north of Saskatchewan Drive in Regina. Plenty of free parking is available in the back, and the store is open extended hours for the fall season. DancewearNow. com, their online store, is open 24 hours a day. Dancer’s Den Dancewear store manager Kathy Clark organises tights for the fall back-to-class rush. Photo supplied by Dancer’s Den Dancewear

Regina`s Professional Dancewear Store • Best Service • Best Selection

✃Complete supplies for: Dance • Skating • Gymnastics • Cheerleading • Yoga • Pilates • Theatrical Costumes, Wigs & Props

Dancer’s Den Dancewear 1630 Albert St • Regina • S4P 2S6 Phone (306) 352-3858 Online Store: www.DancewearNow.com

Bring This Ad For Regular Prices. Maximum Discount $25.00 Expires Sept 30/2014

10% Off

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Dance Dimensions Optimist Showstoppers The Showstoppers were founded in 1996 by director Kara Chernishenko at Dance Dimensions Studio in Regina. They are a multi-talented group of dancers who range from 10 to 20 years old. Every year, the Showstoppers attend various competitions in Saskatchewan and Alberta, and receive numerous awards and scholarships. This past season, the Showstoppers represented Dance Dimensions in Lethbridge, Alta., and were invited into the Crystal Dance-Off Challenge with two of their

routines. The dance-off represents the top 12 routines of the competition weekend, and the Showstoppers were proud to represent their studio at the challenge. It was an extremely rewarding and exciting season for the Showstoppers, and the 50-member group is looking forward to next year. The Showstoppers are a non-profit organization that has performed at various events in Regina over the years. For more information, please contact Chernishenko at 306-781-6151.

Youth Ballet and Contemporary Dance of Saskatchewan Over the past 30 years, the Youth Ballet and Contemporary Dance of Saskatchewan (YBCS) has been committed to excellence in the art of dance. Founded in 1983 by Gennadij and Vera Adrianov, YBCS has grown over the years and now includes a school and a Pre-professional Performing Company. Currently, YBCS is guided by Executive Director, Brenda Bancescu and Artistic Director, Michelle McMillan. Along with an experienced and inspiring staff, they continue YBCS’s tradition of insightful training, artistic freedom and the belief that dance is for everyone. The School Youth Ballet and Contemporary Dance of Saskatchewan offers a variety of programs and classes for those ages, 3 to adult, in all levels of Ballet, Pointe, RAD Exam, Jazz, Modern, Rhythm, and Movement, Yoga, Pilates, Conditioning for Dance and more. We also offer programs such as the exciting Boys Program, designed specifically for male dancers, and our unique Intensive Day program, designed for High School and University students who may wish to make a career in dance. Our Adult Program offers classes in Ballet, Jazz, Modern, Yoga and Pilates and is a great way to stay fit and have fun! All our Programs at YBCS put a strong emphasis on the well-being of every student, physically and emotionally.

The School at YBCS is a wonderful place to learn the technique behind the steps and truly enjoy the art of dance, in a fun, family atmosphere. We take great pride in our small class sizes which allows more individual attention to each dancer.

Youth Ballet and Contemporary Dance of Saskatchewan

…..more than just steps

• Ballet, Modern Dance, Jazz for all ages, including adults • Rhythm and Movement, Kindermusik for preschool children

The Company and Ensemble The Youth Ballet Company of Saskatchewan provides young artists an opportunity to dance and perform in a Pre-professional Dance Company. Auditions for the Youth Ballet Company are held in early spring. Each season the Company performs exciting new works choreographed by some of the country’s most renowned artists.

• Wednesday morning Yoga Class, and Tuesday

Our Ensemble is for young dancers, ages 10-13,that love to perform and aspire to join the Youth Ballet Company. These dancers participate in the November Company performance.

• Pre-professional Performing Company

The Youth Ballet Company of Saskatchewan’s 2014 performance titled “East to West” will take you on a journey from the South Asian country of India to the continent of North America. We are exploring Classical Indian Dance (Khatak) and combining it with Classical Ballet and Modern dance. We hope you will join us on November 21ST and 22ND at the University Theatre, Riddell Centre, U of R to see Youth Ballet Company perform. Youth Ballet and Contemporary Dance of Saskatchewan, with its School and Company is committed to offering the highest level of dance education and performance while maintaining a friendly and enjoyable atmosphere. Here at the Youth Ballet, we are more than just steps!

evening Pilates class for adults • Boys Program • Intensive Day Program • Modern and Ballet classes for Post Secondary Students

Registration & Open House:

August 26th – 4:00 pm to 7:00 pm or In advance by phone, e-mail or in person

306-352-9908

Youth Ballet and Contemporary Dance of Saskatchewan 1106 McNiven Avenue, Regina, SK S4S 3X3 (South Regina near the University) Fax: 306-585-2565 ybcs@sasktel.net www.youthballet.com REG26204778_1_1


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Musical Theatre Studio We offer an exciting mix of classes sure to fit your every musical need! Whether you tap, swag or warble, we’ve got the classes for you!

Registration August 27 & 28

Saskatchewan Express Performing Arts Centre, 2272 Pasqua Street

On-line registration at www.saskatchewanexpress.com Our competitive, non-competitive and CDTA classes for ages 3 to adult include: Tap, Jazz, Lyrical, Hip Hop, Contemporary, Ballet, Acro, Musical Theatre, Voice and a “Boyz Only” Hip Hop class And for infants to three years of age, we offer our Kindermusik™ program with educator Breeann DeHaven! Our instructors include: Montana Adams, Hannah Castle, Affiliate of C.D.T.A. Saskatchewan Branch Stage Division Marie Coulthard, Breeann DeHaven, Amy Fong, Shelby Glaze, Karlee Goby, Shantell Hoehn, Chris MacCallum, Carmen Michelson, Breanna Mills, Virginia Preikschat, Affiliate of C.D.T.A. Saskatchewan Branch Stage Division

Proud home of the Mini Express and The Expressions! Call 306-522-3402 or e-mail michele@saskatchewanexpress.com. Visit us at www.saskatchewanexpress.com and download a complete registration package


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Saskatchewan Express Musical Theatre Studio A passion for performing. Quality instruction by dedicated professionals. A chance to live your dream! The Saskatchewan Express Musical Theatre Studio invites you to step into the wonderful world of the performing arts. Registration for fall classes is now underway, and the inperson registration takes place Aug. 27 and 28 from 5:30 to 8:30 p.m. in the studio at 2272 Pasqua St. Classes will begin on Sept. 3. The Saskatchewan Express Musical Theatre Studio offers a wide selection of programs, including recital and competitive classes in musical theatre, jazz, tap, ballet, lyrical, modern/contemporary, hip-hop and acrobatics, as well as voice classes. The studio also offers the popular Kindermusik program, for newborns to children five years old, under the capable direction of Breeann DeHaven. For advanced students, the studio provides CDTA exam classes in jazz and tap, as well as the opportunity to audition for performing groups the Mini Express and The Expressions. These outstanding ensembles perform throughout Regina and surrounding area from September

2014 to June 2015 and are under the direction of Hannah Castle. They provide an excellent opportunity for students to fine tune their performance skills and build confidence. Founded in 1997 by Carol Gay Bell, artistic director of Saskatchewan Express, the Musical Theatre Studio has grown to become one of Saskatchewan’s most respected studios. As Michele Glaze, director of the Regina Musical Theatre Studio, explained, the studio has evolved significantly throughout the years. The competitive program, introduced in 2005, originally had eight students, but now has grown to more than 70 students. The recital programs also have expanded to include 200 students. However, the spirit in which the studio was founded has remained the same. “Our initial goal was and continues to be to provide one-of-a-kind, quality performance and dance education in a positive and supportive environment. We have grown and changed with the times to meet the needs and requirements of our students. We feel very fortunate to be able to encourage, inspire and instill a love of the performing arts in our students,” Glaze said. Saskatchewan Express Musical Theatre programs provide students with the opportunity to be involved in both singing and dancing. The students receive excellent training from the skilled, dedicated and caring instructors. As Glaze explained, many of the instructors received their introduction to the performing arts either as students in the studio or as cast members in the Saskatchewan Express Touring Musical Revue. “We have one

instructor who, as a student, performer and teacher, has been a part of Saskatchewan Express for nearly 20 years. The majority of our instructors have a past connection with Saskatchewan Express and have remained loyal to us and the programs that we offer. What we do is unique, and having instructors who ‘grew up’ in our studio gives them insight into the training and attention that our students require,” Glaze said. The studio is proud to boast instructors who have advanced education in dance, as well as professional experience on cruise ships and in theatres around the world. They are thrilled to share their experience with a new generation. The instructors, students and family members all work together to make Saskatchewan Express Musical Theatre Studio a warm, inviting and supportive community for young performers to develop their skills. “There is a sense of family among the dancers and parents that has been established throughout the years. With programs for people of all ages, the studio helps to build lifelong friendships that are rooted in a shared passion for performing,” said Glaze. To emphasize that fact, the studio is home to a senior dance group that has been together since they were only seven years old, and, as Glaze explained, their years of experience together is evident every time they step on a stage. “Our intermediate and junior groups are just beginning to build on that, and you can feel the bonds that are forming within these groups and see the results in their performances. I truly believe, because of these bonds and the bond they have with our instructors, that they will continue to become even stronger as dancers, as performers and as a team,” Glaze said. When asked what she finds most rewarding about her work, Glaze, who first became involved in the studio as the parent of a young dancer, explained that there is nothing more rewarding than seeing young people pursuing their dreams and forming lasting friendships through music and dance. “The thing I love most is being surrounded by such creativity and watching the joy and excitement on children’s faces when they dance. There is truly nothing else like it,” Glaze said. For information on the Saskatchewan Express Musical Theatre Studio or to register for classes, visit www. saskatchewanexpress.com or phone Glaze at 306-522-3402.

Photos supplied by Saskatchewan Express Musical Theatre Studio


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Good planning will ensure a fantastic music festival Canada offered up some major festivals on home turf this year, including Osheaga in Montreal, Pemberton Music Festival in B.C., and VELD and Boots and Hearts in Ontario. Whether you’re a little bit country or a little bit rock ‘n roll (or a little bit EDM), good planning is essential for what should be an amazing weekend with friends and family. Consider some of these tips when heading out: Pick a good crew: A solid group of people can make or break your festival experience, especially if you are camping. Be sure to choose the people that will keep you laughing on a long road trip and late nights around the tent. The constantly fighting couple or the flakey friend are probably going to have you more annoyed than relaxed. Make sure everyone is on the same page and brings their own toilet paper. Read the fine print: Most festivals have strict regulations on driving, parking, camping, etc. Know exactly where you are going to park, how many people to a camping site, what you can bring to the site and the festival, and what everything costs. Festival-goers are pretty helpful to each other, too, so check the event Facebook page to see if other attendees have posted any useful tips to navigate the weekend. Discover the music: One of the best parts of a festival is being exposed to a plethora of new bands you’ve never heard of. Do some recon’ before heading out and get

to know some of the unknowns on the bill. And on the drive up, explore your satellite radio to hear the latest buzz bands before seeing them live. Channels like Sirius XMU, Iceberg, AltNation and The Verge play all the newest indie rock, while The Highway will keep you up to speed with the hottest in country. BPM, Shade 45 and Hip Hop Nation have you covered for EDM, hip-hop and rap. And if you ignored the first tip about choosing a good group, what better excuse is there to not have to talk during the drive?

NewsCanada photo

(NC) — Summer music festivals are the hottest ticket these days. There are more sold-out events across North America than ever before, and fans are salivating for lineup releases months after pre-buying their passes.

Tech is your best friend (or worst enemy): Plan on not having cell phone service. Plan on not having Getting a good group of people together can make any music festival you anywhere to charge your phone. attend more enjoyable. Plan on getting lost from your group. When you wander off to get some tacos and your friends head to the organize your lineup for the day and follow the fest on cooling station, make sure to set a designated meeting Twitter for real-time giveaways on the grounds. spot so you can always be reunited, even without texting. Most importantly, have fun and be respectful to everyone If you do have service, your phone will die at some around you. It’s bound to get sweaty, someone will point. Probably at the exact moment that James Franco accidentally push you and not apologize, and lineups will is standing beside you in the dance tent or Toby Keith frustrate you. Just don’t forget the real reason you’ve all lets your daughter try on his hat. So your Instagram gathered: to enjoy amazing music with your loved ones in the followers don’t have to go without, bring a power stick to great Canadian outdoors. cordlessly charge your phone anywhere. Also, make sure to download the Festival app ahead of time to seamlessly www.newscanada.com

DANCE CLASSES FOR ALL AGES

Applause Dance Academy is in their 28th season

Applause Dance Academy offers classes in tap, jazz, ballet, hip-hop, lyrical, pointe, modern, contemporary and acro to boys and girls ages three and up, from beginner to advanced. Each year, students take exams, attend competitions and workshops, and take part in the year-end performance. Adult eight-week sessions are offered in tap, Luigi jazz (Broadway-style), ballet and hip-hop. Barbara Miller, director, has over 40 years of teaching experience. She is on the Canadian Dance Teachers’ Association (CDTA) National Executive as past-president and the Saskatchewan Branch Executive as modern chairperson. She also has her member in Stage (tap and jazz), member in Modern and her associate member in Ballet. Miller is also a registered teacher with the Royal Academy of Dance (RAD), and Applause is a registered ADAPT school. All of these qualifications allow the dancers at Applause to take exams in tap, jazz, ballet, acro and modern to perfect their technique. The staff at Applause work together to ensure that everyone enjoys their dancing and progresses to their full potential. The dancers are encouraged to work for their personal best, which builds confidence and good technique to become a talented performer. The staff believe that anyone can learn to dance, and everyone deserves applause. Register by phoning 306-352-4950 or visiting www.applausedanceacademy.bravehost.com.

306-352-4950 Pre-school To Adult

Cheerleading Pom and Stunt Teams Ages 4 - 18 No Experience Necessary

OPEN HOUSE / REGISTRATION NIGHTS August 20 and 21 - 6:00-8:00 September 3 - 6:00-8:00

1350 Cornwall Street ***Contact (306) 721-7837***

www.kidscandance.ca

Tap | Jazz Ballet | Hip Hop Modern |Acro

APPLAUSE DANCE ACADEMY www.applausedanceacademy.bravehost.com REG26401466_1_1

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By Mike Shiplack For L-P Specialty Products

and mentored under him for a number of years.

B-Rad Studios looks like any other Regina suburban home. No glitz, glamour or panache. It looks like your next-door neighbour’s house. The difference, however, is that your neighbour never built a recording studio with Garry Tallent (bass player in Bruce Springsteen’s E Street Band) or mixed songs with Murray Pulver (guitarist for Doc Walker), and doesn’t play lead guitar for the Chris Henderson Band.

Then I moved over to Talking Dog Studios for four years, then after that I started this studio, and that was almost 12 years ago … The first album I ever produced was Skavenjah’s album, Light It Up [2003].

Welcome to the life and times of Brad Prosko, owner and producer of B-Rad Studios. Having grown up in Yorkton, Prosko always had big dreams for his music career. After being educated in music in L.A. and Montreal, he finally headed home to Regina. His dream of performing on stage took a backseat when he discovered life in the studio chair was his true passion, and way more lucrative. Shiplack: How did this whole thing start? Prosko: I started recording 18 years ago. It was a guy named Kevin Churko [produced Ozzy Osborne’s Scream, Five Finger Death Punch’s last three albums, and worked with Shania Twain] that got me started. He worked at Touchwood Studios, and brought me in as a session guitar player. I took an interest in the recording side, picked up a beginning rig,

Photo supplied by Brad Prosko

How cool is your next-door neighbour?

At first, recording was something that I had no interest in, but then it became an obsession. I’ll work 14-hour days, and then watch Youtube tutorials about plug-ins before bed. I am very grateful for Kevin turning me onto this. I was able to buy a house, raise my kid the way I wanted to as single parent, and everything else just fell into place ... Last year alone I produced 82 songs out of this studio.

Brad Prosko, owner of B-Rad Studios, began recording 18 years ago.

Shiplack: What have been the biggest challenges of trying to run a production studio? Prosko: When you’re self-employed, money comes from everywhere. The biggest challenge for the last three to four

years is not burning out — balance is the most difficult part. When it’s really busy, I work 14 to 18 hours, seven days a week for months and months, which is conducive to burning out. For the benefit and sake of my clients’ music, it’s critical Continued on Page 16

Dance Sensations By Desiré...developing and motivating young minds to be the best that they can be.

“Y & Me” (18-24mths) “You Creative Dance (2-3 Years) Cr Creative Dance/Tap Combination Dance (4-5 Years) Cr Tumble Bug - Gymnastics Program (2-5 Years) Tu Tap/Jazz Combination Dance (6-8 Years) Ta Ballet (5 + Years) Ba Jazz Ja (7 + Years) Tap Ta (7 + Years) Musical Theatre (7 + Years) Mu

Hi Hop (7 + Years) Hip Ly Lyrical/Contemporary (8 + Years) “A “ADAPT/CDTA” Exam Classes Te Teen Recreational Dance Classes Co Competitive Dance Team “Elite Fusion” Ac Acro Dance & Tumbling (6 + Years) Bo Boys ONLY Acrobatics & Hip Hop “UN UN “UNIVERSITY” Student Classes “A “ADULT” Classes A CLASS FOR EVERYONE!!

Registration & Open House August 25, 26 and 27 from 5-8:30pm. Classes begin September 2nd.

Visit our website for more information on programs offered or call the studio

@306-781-4817!!

Register ONLINE at www.dancesensations.ca!!

We’ve recently completed a 2300-square-foot expansion to our studio in Pilot Butte, providing lessons for the town and surrounding areas. Whether you choose our recreational or competitive program, your child will receive quality instruction from a certified dance educator in a caring, clean and organized environment. We believe each student is a product of our hard work and love for dance. Come join our team, where our passion is DANCE! REG26401527_1_1


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Continued from Page 15 that I don’t do that. The last thing I want is to have the music suffer. There are also huge expectations from the artist. They will come to you with $20,000 to $30,000 and expect to be on the radio, compete and chart nationally. That falls on your shoulders. Shiplack: How have you found new opportunities while being based in Regina? Prosko: About six years ago I was going down to Nashville for work, and hooked up with Billy Block and Garry Tallent — bass player for Bruce Springsteen. I developed a great relationship with those guys, and Tallent sponsored my VISA to work in Nashville. Now I can scoot in and out of Nashville to do work. But Regina has always had an extremely vibrant music scene, and very talented. If you’re doing anything worthwhile, I found it was easier to get your name out there quicker in Regina rather than Vancouver, L.A. or Nashville.

who produced it. I tend to be a little schizophrenic. I’ve been keen on not being a one-genre producer. I have country, rock and dance pop clients; and that’s the way I like it. Shiplack: What about people looking to break into music production? Prosko: Record as much as you possibly can. Do it for free, and build relationships. Get your chops together and learn as much as you can. There’s a wealth of knowledge on the Internet. I do a lot of mixing for Murray Pulver, Doc Walker’s guitarist. He sends me his production work to mix for him online. With today’s technology, everyone is using Dropbox, YouSendIt, Gobbler [built into pro tools] or other file-sharing media. SKYPE is good enough to hear what I need to hear. There’s also NiceCast, a program that allows you to stream your Pro-tools session so other people can receive it in iTunes, and you hear it as they hear it. Shiplack: What’s next for B-Rad Stuidos?

Shiplack: What advice do you have for musicians looking for a producer? Prosko: The most important one is find a producer that is most related to the style of music you’re working with. Do your research, find a band you like and find out

We Make Dancing Fun!

Prosko: The main goal is to continue having a roof over my head, and continue doing what I love. If you told me when my son was born that I could do this, raise him and keep the bills paid, that in itself is a dream come true.

New Students Register Now! and you could win one

FREE CLASS for the season!

Photo by Silvano Rebai/Fotolia.com

How cool is your next-door neighbour?

At first, recording was something that I had no interest in, but then it became an obsession. I’ll work 14-hour days, and then watch Youtube tutorials about plug-ins before bed.” ~ Brad Prosko Owner, B-Rad Studios

DANCE PLUS IS CELEBRATING THEIR 25THTH ANNIVERSARY THIS YEAR. Register R egiister s at D Dance ance cee P Plus lus and and W WIN!! IN!!

REGISTRATION & OPEN HOUSE

Interested in starting your children in a dance program program, but you’re not quite sure where to begin? Register at DANCE PLUS and your name will be entered to Win your first season with us FREE!! That’s right, all New students at DANCE PLUS will be entered to win the cost of one class FREE for the entire season. We are so sure you will love our Staff, Programs and Studio that we are pleased to offer you this fantastic opportunity!! Boys and girls have the opportunity to register for an array of classes depending on their age. Most begin in a combination class that is scheduled one time per week, either on a weekday evening or you have the option of a Saturday Morning class. Some students will continue in one dance style, while others choose to take several classes per week as they get older. Dance Plus is pleased to offer all opportunities to our dancers! Our qualified staff will help your child achieve their goals all at very reasonable prices for you, no fundraising required. So, we urge you to take a minute to visit our website at www.danceplus.ca to learn how you too can become a part of the Dance Plus family. You will learn all about the classes we offer, meet our wonderful qualified staff, and even take a pictured tour of our Studio. Whether you are 3 or 63, we have a class for you!! You simply print a registration form and you’re ready to begin a new and exciting season with Dance Plus! Don’t wait, register today by obtaining a registration form off our website, or call 306-545-2226 for more information and remember New students will be entered to win your first season with us FREE!!

156 McIntyre Street (off Albert North) Call for a Free Brochure Tel: 306-545-2226 or visit our website www.danceplus.ca

Wednesday August 27, 2013 from 5:00 – 8:00 & Thursday August 28, 2013 from 5:00 – 8:00 Classes will begin on Tuesday September 2, 2014.

Classes Offered In: In Preschool & Tap/Ballet Combo Jazz Tap Ballet Lyrical HipHop Musical Theatre Acro CDTA Tap Jazz & Ballet Exams Deanna Schienbein than just Joyce Frohlick g otivatin

It’s about more dance, it’s about m be young people to the best they can be!

Members of the Canadian Dance Teachers Association Sask, Branch Stage Division

Wed., Aug. 27 & Thurs., Aug. 28 from 5:00 - 8:00

Open House

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Make the most of talent competitions (MNS) — Who hasn’t dreamed about having their own 15 minutes of fame? An urge to see their name in lights drives many people to put their talents on public display.

Each year, thousands of hopefuls sign up for talent competitions such as “The Voice,” “American Idol” and “The X-Factor.” Such competitions can be a vehicle to fame, fortune and a rewarding career. The following are a few tips for those who want to make the most of talent competitions. Start local. Who says you have to hop the next bus to Los Angeles or New York? There may be plenty of opportunities close to home that will enable you to develop your skills. Local competitions can provide valuable experience and serve as a springboard to other competitions. Gain some experience before the competition. Performers often know at a young age if they want to spend their lives entertaining the masses. Start auditioning for local competitions or performances — such as school plays, town talent shows or pageants — early on. The more experience you can gain, the better, and your auditions will improve each and every time. Practice, practice, practice. Spend ample time practicing your performance piece and working out any kinks to your audition. If you have prepared well, you have a much better chance of moving on than if you just walk in and wing it. Know your material inside and out. Also, have some backup material available in case the judges ask to see something else. Being prepared can also calm your nerves.

Convey confidence. Confidence often sells performers. Confidence in your abilities can calm your nerves, which can improve your overall performance. Personality plays a key role in how successful you can be. Body language toward judges is important because they want to see a performer with charisma. Never make excuses. Sometimes you will hit a flat note or you’ll miss a dance step. When such mishaps occur, move on through the audition without making excuses. Judges may see past the small blip and look at your overall performance. Keep a positive, modest attitude. Each audition or performance is an opportunity to hone your skills, so keep a positive attitude even if things don’t go exactly as planned. Maintain a positive attitude, and your performance is likely to convey such positivity.

One of the most important things to do before competing in a talent competition Network without name dropping. Networking is practice. Photo by Alliance/Fotolia.com is important in many walks of life, and talent competitions are no exception. Certain people may have connections that can open up Get an agent. If you are really serious about a career in auditions or put you in touch with others who may help a performance industry, consider hiring a talent agent shape your career. But don’t brag about who you know to help you. This person can help you secure auditions in an effort to get ahead, as such behaviour may work and prepare you for interviews. Talent agents have many against you. contacts, and their experience and expertise can open up many new opportunities for you.

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The next big thing is coming back for more Rising country singer Amy Nelson By Sheila Bautz For L-P Specialty Products The winner of Big Dog 92.7’s The Next Big Thing competition in 2014 is Amy Nelson. The Saskatchewan country artist has performed at hundreds of shows across western Canada, such as The Craven Country Valley Jamboree and The Calgary Stampede, as well as in the United States, Mexico and England. She has opened for country music notables Terri Clark and George Canyon. With a reputation as one of the hardest-working independent artists on the Canadian country music scene, coupled with her stellar voice, she personally manages every aspect of her career. The Next Big Thing is a singing competition that attracts submissions from impressive talent across Saskatchewan. Three artists are selected as finalists from the pool of talent for a live showdown where they perform their original music. The singers are evaluated for their song-writing talent, market potential, overall performance and stage presence, while taking the audience’s response into consideration. “The competition has a $15,000 prize package to help you move on to the next level of your career,” said Nelson. “I have had some very cool past opportunities and I really credit some of these opportunities from growing up in Regina and receiving some really amazing musical training here. I think sometimes people think that they need to move to Toronto or Edmonton to get really good training, but there’s so much offered in our city. I think that staying here is one of the better things I did.” The custom-tailored prize package for the winner of The Next Big Thing competition is worth over $15,000, which includes $10,000 cash. Nelson met with SaskMusic and strategized a plan of action for investing the prize money into her career, while she remains attentive for further opportunities as they arise. With the competition’s prestigious title, business strategy and financial aid to implement a powerful promotion launch, a lasting impact on her career is attainable. Nelson’s radio tour for Western Canada will begin in September after the Canadian Country Music Awards are held in Edmonton, Alta. Nelson will be visiting 30 radio stations over a few weeks to promote her second CD, Coming Back For More, which was released a week before the competition on June 20. The CD is produced by national award-winning Saskatchewan producer Bart McKay. The radio tour will expand from Manitoba to British Columbia. “The radio tour entails my guitar player and I travelling to different stations to perform for them and do interviews,” said Nelson. “The funding for recording this album came from organizations like SaskMusic, the Saskatchewan Arts Board and the Rawlco 10k20 Project. In Saskatchewan, people are all working together and coming together to make everything possible.” Nelson’s first self-titled CD was released in 2009.

Her music and voice has a stardom quality to it that the listener can instantly recognize as stellar. Nelson writes many of her songs, but also acquires some from publishers and other song writers. Her original song entitled “If You Don’t Miss Me,” from her new album, earned her a top-nine spot in the 2014 Radio Star National Talent Search. “Growing up in Regina, Sask., I was with the quality of training available in our city,” said Nelson, who credits the training she attained in Regina for nurturing her talents. “I also started my own singing school in Regina — Sing Like A Star. We teach singing skills to people in any age range, from kindergarten kids to adults, using popular music.” Nelson founded Sing Like A Star in 2011, and it has grown rapidly in popularity in a short time span. However, her busy schedule as a recording artist and performer is her priority at this time. Currently, Nelson remains involved by overseeing the program and working with the vocal coaches to plan and maintain a high quality of instruction. “My goal was, and still is, to make a living doing something that I love. I get to work in the music industry, so I am pretty happy about that,” said Nelson. “I would like to keep performing, keep recording and keep on doing what I’m doing. I am just happy to work in a job that I love every day.” Coming Back For More is available on iTunes and at www.amynelson.ca. A visionary with goals and drive, this next big thing is coming back for more — and, judging by her music, is here to stay.

Amy Nelson, from Regina, has recently released her second album, Coming Back For More. Photo by Greg Huszar

Amy Nelson teaches singing with POPULAR music at Sing Like A STAR! Walking down the hall in the basement of the Regina Performing Arts Center, you will hear songs by Taylor Swift, Katy Perry, Bruno Mars, One Direction, Lady Gaga and more. Most evenings there are private lessons (grade 7 to adult) in 5 of the Sing Like A STAR studios and group lessons (kindergarten to grade 6) in one of the larger studios. “I am incredibly proud of how fast this program has grown.” said Amy Nelson, the local musician responsible for starting Sing Like A STAR back in 2011. “What started as myself teaching group lessons in the basement of a church, has turned into a community of talented vocal coaches that have taught over 1000 student in the Regina area over the last three years.” Nelson feels strongly that proper vocal techniques such as breathing, posture, vowel formation, phrasing, etc. can be taught using any type of music. She explained that students in Sing Like A STAR assist in choosing the music they learn, and as a result the students are always excited about the songs they are working on. “My favorite part about the program,” said Nelson “is watching each student’s confidence grow. When we work with a student who was too shy to say their name in front of the other students on the first day, and then four months later, we’ve got them singing a solo into a microphone on a big stage at our final concert – that is a sign that we are doing something right!”

Group Lessons for Grades 1 to 6 Private Lessons for Grades 7 to Adult

(888)-613-6108 singlikeastar@amynelson.ca www.singlikeastar.ca REG20300634_1_1


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Selecting the right music teacher for your child By Paul Sinkewicz For L-P Specialty Products

When embarking upon any journey, it’s important to start off by heading in the right direction. Choosing the correct teacher for your child is the first step. Laureen Kells is president of the Saskatchewan Registered Music Teachers Association (SRMTA). She says there are many factors that go into selecting the right teacher.

“The big thing is education in their field. Parents have to do their homework. You should make sure you have a teacher who is up to date on the current trends and has achieved a certain amount of proficiency in their field,” said Kells. Many people will be familiar with The Royal Conservatory

Parents have to do their homework. You should make sure you have a teacher who is up to date on the current trends and has achieved a certain amount of proficiency in their field.” ~ Laureen Kells

President, Saskatchewan Registered Music Teachers Association

of Music, but there are other organizations that develop musical talent through study, evaluation and recognition for teachers and students. It is now possible to focus primarily on contemporary music or Christian music, for example, while advancing through the levels of achievement. “You can even choose to do all Canadian music,” said Kells. “So there are lots of opportunities and choices that parents can make.” The personality of the student comes into play, as do their abilities and their interests. “This is where parents have to do their homework,” said Kells. Come prepared with a list of questions when interviewing potential music teachers, like: How do you feel about my child participating in recitals? Do you offer public performances? Do you encourage your students to do competitions? How long and how often are lessons? “Certainly finding out about fees is an important question,” said Kells. “These are all things parents need to know to make the right choice.” It’s about finding the right fit for both the teacher and the student. Kells, who teaches piano, has had the experience of realizing she wasn’t the right fit for a particular student. “You have to make sure you give the teacher enough opportunity to find out how to work with your child, but there’s nothing wrong with changing teachers if that’s what you decide.” It can be a matter of personalities that clash, or something Continued on Page 20

Members of the Saskatchewan Registered Music Teachers Association primarily teach piano, theory and voice, though other focuses may be available. Photo by eurobanks/Fotolia.com

Regina’s Largest Ukrainian Dance School

Tavria School of Ukrainian Dance Catch the Culture!

The Tavria School of Ukrainian Dance is one of the largest and finest dance schools in the prairies. It is financially sound with a wonderful sense of community and volunteer spirit. Low enrollment fees, a professional dance studio, and many clubowned costumes ensure your children have every opportunity to learn Ukrainian dance in a fun, relaxed atmosphere.

Classes are offered Monday through Thursday evenings from prebeginner to senior, and adult. Instructors within the school are current and alumni dancers of the Tavria Ensemble. The school performs at multicultural shows, fundraisers and nursing homes throughout Regina. It is the “feeder” group to Tavria’s Ensemble. The Tavria Ensemble is a widely renowned and exciting performing ensemble and touring group. The Ensemble has travelled nationally and internationally. This year the ensemble will be touring Brazil. Tavria will be participating in the 1st International Ukrainian Dance and Cultural Festival in Curitiba, Brazil. Tavria is pleased to have Artistic Director, Yuriy Sholdra, from Lviv, Ukraine. Yuriy obtained his degree in choreography at the Lviv National Institute of Choreography and Art in 2001. He brings with him a wealth of dancing, instructing and choreographic experience. Yuriy is assisted by his wife, Oksana, who also holds her degree in choreography. Together they are bringing a fresh new direction to the Tavria Ensemble and School. Tavria also hosts

an annual Ukrainian Dance Festival, a popular and well-respected competition which attracts hundreds of dancers from western Canada and the U.S. The 2015 Festival is scheduled for March.

Tavria enjoys promoting and sharing its culture and is always looking for people with enthusiastic attitudes. New dancer registration will be held Tuesday, August 26th, and Wednesday, August 27th from 6:30 - 8:00 p.m. each evening at the Tavria Studio, #200 - 514 Victoria Ave E. Contact us by phone at 306-501-8107, e-mail us a tavria@sasktel.net, or visit our website at www.tavria.org for more information about our organization.

UKRAINIAN FOLK DANCE ENSEMBLE AND DANCE SCHOOL

Open House

Walk-in Registration Tue. Aug 26th & Wed. Aug 27th 6:30 p.m. to 8:00 p.m. Tavria Studios #200 - 514 Victoria Ave. E.

• Financially stable • Low enrollment fees • Many club owned costumes • Professional dance studio atmosphere

Phone 306-501-8107

tavria@sasktel.net Come – Catch the Culture!

REG26204643_1_1


Photo by Monkey Business/Fotolia.com

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Selecting the right music teacher for your child Continued from Page 19 simple like scheduling that doesn’t work out. Some teachers like their students to perform at recitals, but not everybody feels comfortable doing that, so the fit doesn’t work. “Some teachers are very traditional and exam-driven in their teaching, so that might be something that doesn’t work for a student,” said Kells. Music is meant to be shared, but it can be a challenge to make sure a performance setting feels fun for the child and they want to be up there, said Kells.

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A DV E R T I S I N G F E AT U R E

You have to make sure you give the teacher enough opportunity to find out how to work with your child, but there’s nothing wrong with changing teachers if that’s what you decide.” ~ Laureen Kells President, Saskatchewan Registered Music Teachers Association

art, but it’s incredibly subjective, too.”

Sing with the Regina Ladies Choir

The SRMTA is open to all music teachers, but its current membership list is primarily composed of piano, theory and voice teachers. Kells is interested in making sure all music teachers feel welcome to join.

Regina Ladies Choir has been sharing music with Regina and area for over 80 years, and are excited to continue with conductor Christa Eidsness. Members showcase their skills annually at the Tea Musicale held in May. The choir also performs in senior citizens’ homes around the city, the Rotary Carol Festival and any venue they may be invited to.

The SRMTA offers professional development opportunities and workshops to its members, as well as scholarships to teachers who want to continue their musical education, and opportunities for students to compete at all levels. There are branches all over the province, which all belong to the provincial organization and ultimately the Canadian Federation of Music Teachers’ Associations.

The choir is actively seeking new members. Women of all ages and skill levels are welcome to join this three-part choir. Rehearsals begin Sept. 8 and are held every Monday evening from 7:30 p.m. to 9:30 p.m. in Saint Mary’s Church on the corner of 15th Avenue and Montague Street.

Kells invites parents and teachers to visit www.srmta.com to find out more about the organization. There is also an alphabetical listing of registered teachers by geographical area, giving parents a starting point for their child’s musical journey.

For more information call Lucille at 306-949-1076.

She believes it’s important to create an environment in which children feel safe, and emphasizes that music is meant to be fun and they will do great. If public performance is causing too much anxiety for a particular student, Kells has no problem letting them decide when they are ready. Whether or not to participate in music festivals is another decision the parent and student have to make. Kells doesn’t like to see the emphasis put on winning or losing, and noted music festivals have been moving away from the competition focus. “It’s all in how it’s presented. Music is a performing

Nurturing musical talent Entrust your child’s musical education to a Registered Music Teacher (RMT). RMTs have a recognized diploma or university degree in music and are experienced teachers. The teachers of the Regina branch of this provincial organization offer not only first-class instruction in voice, piano and theory, but also performing and educational opportunities through student recitals, master classes, workshops, competitions, examinations and noncompetitive festivals.

REGINA LADIES’ CHOIR

Singing Broadway, Modern and Coral Music Welcoming female voices for all voice parts

Practice every Monday evening beginning Sept 8th from 7:30 to 9:30 Saint Mary’s Church, 15th Ave and Montague St.

Learn to dance Salsa, Bachata, Chacha and other Latin dances.

Fall Classes start in September. Register early and save! Space is limited.

For more information call Lucille at 306 949 1076 REG00193167_1_1

SASKATCHEWAN REGISTERED MUSIC TEACHERS ASSOCIATION REGINA BRANCH Instruction in Piano, Voice, and Theory

Nurture your child’s musical talent with the very best instruction and inspiration.

www.srmta-reginabranch.com

Visit www.srmta-reginabranch.com for more information.

QUALIFIED – EXPERIENCED – PROFESSIONAL REG26204775_1_1

Regina Salseros is dedicated to providing quality and affordable dance instruction to students at all skill levels. Our programs are detailed, fun and easy to follow. We provide a unique dancing experience with a focus on maintaining a growing dance community. We believe that maintaining a family environment where people can learn to dance, meet others and have fun, all while feeling comfortable, is the key to developing great dancers. Our goal is to not only teach students Latin dance techniques in order to give them confidence on the dance floor, but also to instill in them a lifelong sense of self-worth, teamwork and respect for others. For more information or to sign up contact us at: www.reginasalseros.com E: info@reginasalseros.com T: (306) 205-4024 Or visit us at our Salsa Nights

every second Wednesday at the Cathedral Village Freehouse from 8:30 - 11:30 and every Thursday evening for the rest of the summer at the City Square Plaza REG26401525_1_1


Sunday, AUGUST 10, 2014

Spin masters

All About Dance – Dancewear and Supplies

Learn some new tricks for your track By Hilary Klassen Of SP Creative Features

There’s a technology playground at the University of Regina (U of R) that allows the woman or man on the street to learn some very contemporary music skills. The opportunity to make beats, mix and scratch, create dance tracks and graffiti art, and learn hip-hop and DJing is part of a community research project at the U of R. When Dr. Charity Marsh completed her PhD from York University and first landed at the U of R, she was asked a question that shaped her focus going forward. “Many stakeholders in the community wanted to know why young people, and, more specifically, indigenous youth, are drawn to hip-hop culture,” she said. “I was happy to take up that question in my research.” For the past seven years, Marsh has been considering this complex topic. Awarded a Canada Research Chair and a grant from the Canadian Foundation for Innovation (CFI), Marsh created the Interactive Media and Performance (IMP) Labs located on the U of R campus. Many research labs in institutions across the country tend to involve only the researcher and some of their graduate students, with no one else having access. Marsh’s goal was to create a space where community-based research could happen. “I thought creating a space where people

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Many stakeholders in the community wanted to know why young people, and, more specifically, indigenous youth, are drawn to hip-hop culture.” ~ Dr. Charity Marsh

Creator, Interactive Media and Performace Labs could have access to creative technologies, collaborate with artists and researchers, learn and engage in discussion around different kinds of popular music, whether it be hip-hop, electronic music, the blues and media art practices, would work well alongside a community-based research model,” said Marsh. The IMP Labs have become an accessible learning environment for participants from around the province, including those living in remote northern communities. The labs have also made the university environment less intimidating for many people. Continued on Page 22

“For All Your Dancewear Needs!”

Another Dance Season is upon us, and at All About Dance we are ready to help you with all of your dance supply needs. Our friendly Staff know dancing – we are all dancers or former dancers, so we know what it’s like to be up on that stage or in that studio. Tap, Ballet, Jazz, Ukrainian, Baton, Pointe, Acrobatics, Cheer, even Figure Skating – together our staff has experience in most of the dance disciplines. We’ve even got some experience at the front of the studio, either as a dance teacher, cheer coach, or an assistant teacher. And of course our Store Manager Lisa, in addition to her years as a dancer, class assistant and junior dance teacher, was a Dance Mom for almost 20 years. So whatever your question, we should have an answer for you. And if we actually don’t know ourselves, we will track down the answers you need. We try to work with all of the Dance Studios to make sure we know what each of their specific Cl Class Attire re requirements are. Ou Our Suppliers in include Bloch, Ca Capezio, Mondor, B u n h e a d s, Ainsleewear, Gr Grishko, Dasha, D a n s h u z , Motionwear,

Starline, Limeapple and Dancer Hairdos. We are also pleased to be able to offer, through Motionwear, the Nfinite Cheerleading shoe and other Cheerleading products. So let us order these shoes in for you – and let us pay the shipping. Motionwear also has quite an extensive Gymnastics line which we are very pleased to carry in addition to the Mondor line of Gymnastics and Figure Skating wear. Our Back To School Sale is from August 5th to September 30th, and features a 10% discount off everything in the store, (excluding used shoes and costumes). Bring in the coupon below or from your studio to enter in a draw for a $25 Gift Certificate! Like us on Facebook for an extra entry in the draw. No purchase necessary to participate in the draw (draw to be held on Sept 30th). Our Customer Appreciation Rewards Program has been very popular and is going into its third year. By signing up, you get a 5% discount throughout the year which stacks with most of our other sales and promotions. Plus upon reaching a total of $1000 in purchases, you will automatically receive a $10 coupon! We are located at 318 University Park Drive, in the Gardiner Park Village Square Mall. We have lots of parking, and promise to greet you with a smile!

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Dr. Charity Marsh created the Interactive Media and Performance (IMP) Labs to be able to conduct research in a collaborative, community-friendly environment. Her ongoing research will explore, in part, why hip-hop music has become a global protest music. Supplied photo

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PH: 306-522-5377 Located at 318 University Park Drive REG26204770_1_1


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Spin masters Learn some new tricks for your track Continued from Page 21 Consisting of an electronic beat-making lab, a DJ studio and a recording and editing suite, the labs are open to the public two or three nights a week during the fall, winter and spring terms. Research assistants are on hand to facilitate learning, collaboration and/or networking. Marsh brings in artists and scholars who can role model a world view beyond the status quo. She and her team work hard to create an environment that can break down barriers and move past inhibitions, whether it is gender stereotypes around technologies, or racist ideas typically mapped onto the genre of hip-hop. “I have found hip-hop is much more than what you see in the mainstream. It is a culture that offers multiple possibilities for acts of resistance, breaking down barriers, building community, and connecting local and global conversations.” Programs consist of workshops for schools, community organizations and the broader public. The workshop and lecture series, along with the performances and community hours programs, offer people a place to try out the gear and learn about the various practices and culture, as well as a place to play. “Play is key for adults, as most of us have forgotten what it means to play,” Marsh said. She has worked with many school groups and community organizations, including Evan Hardy Collegiate and PAVED in Saskatoon, Common Weal and Scott Collegiate in Regina, and a number of northern communities.

I thought creating a space where people could have access to creative technologies, collaborate with artists and researchers, learn and engage in discussion around different kinds of popular music, whether it be hip-hop, electronic music, the blues and media art practices, would work well alongside a community-based research model.” ~ Dr. Charity Marsh Creator, Interactive Media and Performace Labs Marsh said what has happened in the past seven years has gone beyond what she could have imagined. “But while some incredibly great things come out of these programs, there’s a flip side in the form of ongoing stereotypes and negative assumptions about hip-hop and gang culture generated by the media, institutions and government,” said Marsh A year and a half ago, Marsh’s research chair was renewed, and she received a second CFI grant. Recently she was also awarded a Social Sciences and Humanities Research Council Grant, which provides almost half a million dollars for the global indigenous hip-hop research program to be conducted over the next five years. Marsh will bring in international youth, researchers and scholars to explore the larger questions about how hip-hop and its associated arts, practices and culture have become the contemporary global protest language.

Performance (IMP) Labs. The DJ Pod at the Interactive Media and Photography Department a Regin of rsity Unive the Photo by

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A DV E R T I S I N G F E AT U R E

“The experiences I’ve had in communities and working with young people have certainly had a profound impact on the way I do research, and on how I approach the world,” said Marsh. She is chronicling her findings in a book that will be available in 2015.

St. John’s Music:

creating opportunities

Gord Smith, manager of St. John’s Music in Regina, believes that involvement with music gives children the opportunity to engage in a learning process with many positive rewards. “Learning to play with a larger group helps develop their ability to work as a team. They see the results of their hard work in what the group is able to accomplish,” he said. A number of studies have been commissioned through the music industry, showing that participating in music also enhances reading, writing and mathematical skills, and making a clear case for the benefits of learning an instrument or joining a school band. “Educators in Regina are committed to increasing the level of our students’ academic achievement, and music education plays a big part in that. It helps kids improve their learning abilities and provides valuable tools to help them excel,” said Smith. St. John’s music offers a number of purchase options for potential students. Rather than buying an instrument outright — and hoping their child will stick with it — parents can rent or rent-to-own, giving kids a chance to decide if it will be a good fit. With the increased prevalence of Internet auction sites, parents have many ways to purchase instruments, but Smith advises caution when considering buying from a private seller, website or store that doesn’t specialize in musical instruments. “Price is a factor, but it’s also important to have quality instruments,” he said. “Some of the product out there is sub-standard and can cause a lot of frustration for students. It’s hard enough to learn an instrument, and more difficult when you’re struggling to play something that won’t give you the proper results. “One can’t overstate the importance of our knowledgeable and helpful sales staff when coming into the store to purchase or rent an instrument for the first time. It’s part of our job to help parents understand what kids need to be successful — it’s about giving people the opportunity to learn. That’s why at St John’s Music, our tagline is ‘We believe in music.’ We’ve been the go-to people for band instruments for over 90 years, and will continue to do so in the future.”

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Martin School of Dance & Baton Twirling

Over 60 years of quality dance education

Martin School of Dance & Baton Twirling has been a dance icon within Regina for over 60 years. Since starting in the basement of a Regina home with only a handful of students, Martin has grown to become one of the most prestigious dance and twirl studios in Regina and Saskatchewan. Students who have grown up and trained through Martin have gone on to perform professionally on Broadway, on cruise lines, in Las Vegas, in Disney World and on “So You Think you Can Dance — Canada,” as well as have continued their training in such places as Julliard School of Arts in New York. Whether you see your child dancing professionally or not, Martin teaches the students qualities that will continue throughout their life. Self-discipline, motivation, confidence in front of peers — these are qualities that will follow a student into whatever life choices they pursue. Instructors at Martin encourage their students to be themselves, instilling healthy morals, a positive self-image and confidence. They believe that students should “be kids,” and choose choreography and costumes appropriate for students’ ages. “A dance education lasts a lifetime” is the school’s motto, and that’s exactly what your child will receive at Martin. Martin School of Dance & Baton Twirling is the only studio in Regina that offers tap, jazz, ballet, lyrical, hip-hop and

baton. Children as young as two and three years old are introduced to dance through music and movement based on ballet and acrobatics. Students between four and six years of age are be introduced to all genres taught at the studio with a combination class. Wendy Spicer, owner and director of Martin, believes that allowing the students to try out each style keeps them more interested and enthusiastic. As they start getting older (seven years old and up), the children start defining their training more by separating into single classes for each discipline they are interested in. At this point, dancers have the choice of adding examinations and competitions to their repertoire to increase their training and skill. At Martin, certified teachers train the students using syllabi from world-acclaimed organizations. Martin is the only studio in the city that offers two different syllabi in tap and jazz — CDTA (Canadian Dance Teacher’s Association) and ADAPT (Association Dance Arts for Professional Teachers) — one syllabus in ballet through the Royal Academy of Dance, one syllabus in acrobatics through Acrobatic Arts, and one syllabus for twirling through CBTF (Canadian Baton Twirling Federation). “It’s all part of our high standard of instruction,” said Spicer.

“These syllabi allow the teachers to train the students safely and correctly, ensuring that each child reaches their potential while not suffering harmful injuries.” Spicer heads off a strong, qualified group of teachers. Spicer’s credentials include: registered teacher (Royal Academy of Dance); member (Canadian Dance Teachers Association — Stage Division); member (CDTA executive); accredited and certified teacher (Associated Dance Arts for Professional Teachers); and, most recently, certified teacher in the Acrobatic Arts certification. Along with Spicer are highly qualified teachers including Maureen Johnson, the previous owner of Martin School of Dance, who has 60 years of teaching behind her. Johnson is the director of the Sundown Optimist Buffalo Gals, the worldacclaimed baton twirling group run through Martin. Johnson brings her genius in choreography and her ability to turn young students into world-level athletes to the classroom with each class she teaches. She will be joining nine of the Martin School of Dance (Sundown Optimist Buffalo Gals) students in Nottingham, England, in August to compete at the World Baton Twirling Championships. Examinations and competitions may not be what your child is looking for, and Martin School of Dance has a recreational program that may suit your needs. Through programs in tap, jazz, hip hop, baton and acrobatics, students are taught with the same standard and by qualified teachers as competitive dancers, without the demand of exams and competitions. These students would prepare for and join the rest of the studio in the final production in June at the Conexus Arts Centre. With 60 years of quality education behind them, Martin School of Dance & Baton Twirling continues to strive to bring the best to their students. Guest teachers, conventions and special performances are spread out throughout the year to bring new experiences to the students. The year will be capped off with Danskapades 2015, a dance spectacular showing off the talents of the studio. Set aside June 12 and 13, and head out to see a stunning performance of talent and art at the Conexus Arts Centre. For more information about Martin School of Dance, visit www.martindance.com or phone 306-352-3601. Open registration will take place Aug. 20 at 2078 Pasqua St. from 5 p.m. to 8 p.m.

Sundown Optimist Buffalo Gals — Representing Canada at the World Baton Twirling Competition in Nottingham, England. Photo by Royal Studios


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MARTIN

&B Baattoonn TTw annccee & Da wiirrlliinngg SScchhooooll ooff D

A Dance Education Lasts A Lifetime ...Take The First Step. Programs Include: • Nursery Rhymes‘n Rhythms • Preschool Dance • Combination Dance Class • Tap • Jazz (CDTA and ADAPT) • Ballet Royal Academy of Dance • Hip Hop • Acrobatics and Tumbling

CATCH THE TWIRLING BUG (8 week course)

Classes begin September 2nd, Register Now!

CALL...306-352-3601

• Baton Twirling • All levels of Baton Twirling Instruction from Recreational to Championship

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~2078 Pasqua Street~

(Corner of 13th Avenue & Pasqua Street)

www.martindance.com


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