Hongyi Jin Architectural Portfolio Selected Works 2010-2015
Table of Contents
[ Academic Works]
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Work I: Architecture: “Multi-city“ The New Bureau for Inter-Disciplinary Art Studio project/ Fall 2011/ Instructor: Neyran Turan
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Work II: Architecture: “Carved Box“ The Valles Caldera Visitor Center Studio poject/ Spring 2012/ Instructor: Douglas Oliver
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Work III: Architecture: “Conditional Aggregation“ The ESO Headquarter Studio project/ Spring 2013/ Instructor: Troy Schuam
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Work IV: Masterplan: “Eco-city“ The Buffalo Bayou Regeneration Planning Studio project/ Fall 2012/ Instructor: Christopher Hight
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Work V: Materplan: “Urban Network“ Houston Fifth Ward Materplan Studio project/ Fall 2013/ Instructor: Albert Pope
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Work VI: Architecture: “Bamboo House“ Post-Disaster Emergency Housing Studio project/ Fall 2014/ Instructor: Doug Oliver
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Work VII: Architecture: “Blind House” Studio project/ Spring 2011/ Instructor: Grant Alford
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[ Professional Works and Others] Work I: Hunter’s Point South Waterfront Park Phase II Weiss/Manfredi Architects/ Urban/ 2015/ Queens, NY
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Work II: Rose Rock International Finance Center Bjarke Ingels Group/ Mixed-use/ 2012/ Tianjin, China
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Work III: Model Sample Works Bjarke Ingels Group/ Sou Fujimoto Architects/ Weiss/Manfredi Architects
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Work IV: Book Production Weiss/Manfredi Architects/ Award Submission/ 2015
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About myself..
“My name is Hongyi Jin. Born in Suzhou, China, I came to the U.S for college to pursue the study of architecture. My passion lies in the inter-disciplinary nature of architectural practice. I’m interested in pushing the boundary of architectural design to engage in social issues, technology evolution and cultural climate. I see architecture closely related to the society and the public at large, and I’m eager to explore the identity of architect in various realm and relationships.“
[Experience] 2015.6 - 2015.8
Vanke Real Estate | Shanghai, China
2014.7 - 2015.3
Weiss/Manfredi Architecture/Landscape/Urbanism | New York, USA
Project Management Intern
Project: Xuhui Vanke Center CBD, Shanghai, China Mixed-use complex, 700,000 sq.m. • Oversaw design schedule, coordiated meetings with designers, and negotiated contracts with consultants. Architect: SOM (Chicago, USA) and BENOY (Singapore).
Junior Designer
Project: Hunter’s Point South Waterfront Park Phase II, Queens, NY, USA • Assisted in construction drawings and model making during the CD phase. Project: Rice Universit Student Space Design Proposal, Houston, TX, USA Other: Marketing and Public Relations Assistant • Managed portfolio booklet design, proposal submissions, RFP/RFQs • Produced two books on the firm’s portfolio for design award submittions
2013.5 - 2013.8
Sou Fujimoto Architects | Tokyo, Japan
Architectural Intern
Project: Taiwan Cafe, and other competition projects • Led the model team to produce 1/8”=1’0” large models for the Between Nature and Architecture exhibition at the GA gallery in Japan. • Interior, exterior renderings.
2012.5 - 2012.8
Bjarke Ingels Group | New York, USA
Architectural Intern
Project: West 57th Street, New York, USA Residential building, 600 units, 8000 sq. ft. • Coordinated with outside material providers to test for the interior design • Large-scale model making. Project: Rose Rock International Finance Center, Tianjin, China Architectural Intern Mixed-use towers, 588m, 360,000 sq. m. • Completed a booklet on the world’s supertall building precedent research. • Assisted in drawings and editing for design report booklets.
2011.5 - 2011.8
Grigorian Design Group, LTD. | Shanghai, China • Designed row house prototype schemes for a residential development project.
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[ Education] 2009 - 2014 2015 - 2016
Rice School of Architecture | Houston, TX, USA Rice School of Architecture | Houston, TX, USA
B.A. in Architecture Cum Laude Bachelor of Architecture
[ Honors] 2009 - 2010 2014
President’s Honor Roll | Honored for excellent academic standing. Tau Sigma Delta | Recognized for intellectual achievement, and initiative as well as leadership.
[ Leadership] 2009 - 2010
2010
International Chinese Undergraduate Student Association (ICUSA)
• Managed the growing club to foster the cultural immersion of the community. • Organized various cultural activities as well as collaborated with other student clubs in events like Lunar New Year show.
Co-President
Rice American Civil Liberties Union (ACLU)
Volunteer
• Conducted 8-month fund-raising activities to support a trip to work with Boston Rescue Mission to help provide shelter and food to the the homeless.
[ Skills] Language Software
Art
English | Fluent speaker. Proficient (speaking, reading, and writing). Mandarin Chinese | Native speaker. French | Beginning speaker. Conversational (speaking), intermediate (reading, writing). Adobe InDesign Adobe Illustrator Adobe Photoshop
Rhinoceros Revit AutoCAD
Vray Maxwell SketchUp
MS Office Acrobat Pro
Model making | Adept at working with chipboard, museum board, foam, acrylic and wood. Photography | Proficient in photo processing with Adobe Photoshop, Bridge and Lightroom. 5
Work I: MULTI-CITY The New Bureau for Inter-disciplinary Art Studio project/ Architecture/ Fall 2011/ Houston, TX/ Problem: Imagine a center for inter-disciplinary art Type: Multi-function Location: Houston, TX Team: Individual Instructor: Neyran Turan
Multi-city explores multiple possibilities in connection to the city by creating multiple branches within one united structure. The building aims to engage surrounding urban environment by allowing multiple accesses at different levels. The interdisciplinary art center should have multiple faces that allow for exhibition, relaxation, business, entertainment and education. The multipi-city attempts to engage surrounding urban environments by allowing multiple access at different ground levels. Each extending “branch” mimics a certain type of city. The project trys to explore maximun possibilities within one united strutcture.By enabling different function braches, the project multiplies itself by iniating both connections and disconnections within various urban environments.The action of muptiplying city within the project augments the performance of the building. The building acts as a “urban bridge” that allow direct penetration within it. It can also be a self-contained unit. The project in a sense multiplies the city by initiating both connections and disconnections within various urban environments. By doing all of this, the project is able to achieve a sense of multiplicity while still maintains its wholeness.
CITY BOUNDARY
CONFIGURATION
[1] Bounding box touches the city grid
TOUCH CITY EDGE
URBAN VOIDS
[2] Some segments recess from the bounding line to create voids for urban spaces.
IMMERSION INTO CITY
RECESSION FROM CITY
[3] Niched areas create multiple access to the buildings at different levels 6
Sectional Diagram
DUALBILITY OF STRUCTURE
BRIDGE
The BRIDGE
ground level serving as a intermediate communicating ground, the bridge
3 storey height
2 storey height
1 storey height
TOWER
Programs “group” according to relativity, forming individual tower
TOWER
Sectional Diagram HYBRID
The form allows connection on the ground level and seperate towers on upper levels
Programmic section
studio classroom exterio
lobby
r audit
orium
library
exhibition reception
interior auditorium 3 storey height
store
2 storey height
BRIDGE
staff cafe
info
gallery
lobby
1 storey height
PROGRAM SECTION TOWER
The “multi-city“ creates multiple branches that are contained in a whole structure. The branch-units form program zones that share functional similarities. Three main functional zones are education, exhibition/gallery and entertainment and public area in between. Both plan strategies and vertical strategies are introduced.
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UP
UNDERGROUND FLOOR
FIRST FLOOR
8
BRIDGE AND TOWER SECTION
SECTION A
SECTION B
The building acts as a bridge creating an urban landscape that connects the building to the urban context.
The building acts as several seperate towers that interact differently with the city ground.
9 URBAN BRIDGE AND BUILDING BRIDGE
Work II: CARVED BOX
The Valles Caldera Visitor Center
Studio project/ Group/ Spring 2012/ New Mexico/ Problem: A competition challenge initiated by the Van Allen Institute to design a visitor center for the Valles Caldera Preserve in New Mexico Location: New Mexico Type: Visitor center Instructor: Douglas Oliver Team: In collaboration with Ian Griffith, Adelina Koleva
The project wants to create the experience of going into the earth and coming back into the nature to address the sublime of the Valles Caldera. The excavation of earth main strategy of the from the landscape is the project. Instead of having building as a solid object placed into the landscape, we imagine the building as coming from the ground as a metaphor of the magma. The action of reshaping the landscape with the strategy of carving allows tools of reforming the space while retaining a subtle impact on the landscape. Thus, the building is created with a series of carving action to create entrance, exit, program, lighting and view.
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CONCEPTUAL SCHEME
A box that is carved in both horizontal orientation and vertical orientation. The carved surfaced is textured with a different color to enforce the action of excavation.
EXCAVATING THE EARTH
CARVING
Site Carving
Vertical Carving
Horizontal Carving
carved for extrance and building mass
carved for lighting and program
Combines Carving
carved space CARVED
carved in facade for lighting, view
carved mass combined
The rectangular box is the initial carving for the settlement of the project. Vertical and horizontal carves are operated to create program, lighting, accessibility. The big carving serves as a courtyard for outdoor exhibition. The facade is carved for the purpose of program, lighting and view.
CARVING MASS ACCOMODATES PROGRAM TYPES
ACTIVITIES
building as part of the landscape “solid wall”
valles caldera landscape
library lecture/conference
NATURE IMMERSION
USER GROUP
program arranged within the solid
intellectual children
CULTURE + GEOLOGY MOVIE SETS + HISTORY WILDLIFE VIEWING
social media nature immersion lecture / class
teens backpackers
“wall” carved to create volume for containing programs, lighting
playground nature immersion classroom projects storytelling wildlife viewing
HUNTING + FISHING
wildlife viewing
SKIING + SNOWSHOEING
tourists
The demands of the various user groups coupled with the resources of the
gear rental
appeal to the maximum number of users. From this data, a park-wide larger landscape.
“wall” carved to create volume for containing programs, lighting
lecture / class
VISITORS CENTER launch pad
nature immersion wildlife viewing
VALLES CALDERA NATIONAL PRESERVE | SITE CONDITION AT DIFFERENT SCALES Buffalo Girls Movie Set Farmington
Seattle, WA
Taos
96
Los Alamos
St. Paul, MN Portland, OR
Santa Fe
Salt Lake City, UT`
Casa de Baca Lodge
Albuquerque
Chicago, IL Denver, CO
Kansas City, KS
Oakland, CA San Fransisco, CA
Paddock Building
84
Washington, DC
St. Louis, MO
Ranch office
Valles Cadelra National Preserve Los Alamos
Clovis
Valles Cadelra National Preserve
Valle Grande
Jemez Springs
Las Vegas, NE
Albuquerque, NM Los Angeles, CA San Diego, CA Phoenix, AZ Tucson, AZ
El Paso, TX
Midland, TX
550
Atlanta, GA
Lubbock, TX
Santa Fe Jemez Pueblo
Dallas, TX
Houston, TX Orlando, FL
New Mexico
San Ysido
25 Bernalillo
entrance
4
285
Albuquerque
Flow At National Scale
Inter-State Flow
Inter-City Infrastructure
Access To The Preserve
Local Condition 11
AN INTIMATE IN-CAVE EXPERIENCE
EMERGED FROM THE LANDSCAPE 12
ENTRACE INTO THE BUILDING
The entrance creates a gradually descendence into the building through the entrance carved from the earth.
SECTION THROUGH THE COURTYARD
The large courtyard excavated against the hill serve as both a open gallery and exterior courtyard. GRADUAL EXPERIENCE COMING INTO THE SITE The site planning utilizes the same language of carving. Roads gradually lead you onto the hill. experience a gradience(need change) of sound, view of tree, landscape before arriving to the building.
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INITIAL CARVING
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LAMINATING STRATEGY
FIRST LEVEL
SECOND LEVEL
ROOF LEVEL
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NATION A
NATION B
NATION A
NATION B
Work III: Conditional
The ESO Headquarter
CO-UNIT AB
NATION C
COLLABORATIVE SPACE
Aggregation
Studio project/ Architecture/ Fall 2013/ Santiago, Chile/ Problem: Design a headquarter for the European Southern Observatory (ESO) organization Type: Multi-function Location: Santiago, Chile Instructor: Troy Schuam Team: Individual
Global Collaboration “Nationless�
CREATING A NATIONALESS GROUND FOR SCIENTIFIC COLLABORATION ESO (European Southern Observetory) is an inter-national organization that is dedicated to the development of astronomy. This type of organizations represents a new kind of collaboration that breaks the political separation/hierarch into a neutral, nationless union.
Equator
?
The basis of longitude, the Prime Meridian, established in 1851 and adopted at an international conference in 1884, passes through the Airy transit circle of the observatory.
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Prime Meridian
The project explores the architectural expression of a new typology that represents an institution representing the equal collaboration between nations. The project uses the with the aggregation of formal shapes in a grid system to create a fragmented monumental institution which emphasizes an equal, interactive and fluid space and which responds to the landscape and the urban scape.
UNIT PROTOTYPE
UNIT AGGREGATION
operation 1 2-object aggregation
operation 2 2-object aggregation
TRIMMING THE SOLID
FACEDED OBJECT
self-contained object, not combinable or dividable
trimmed object, assemble according to the grid
operation 3 2-object aggregation
operation 3 4-object aggregation
PART TO WHOLE
outershell
innershell
intermediate space
Since the shape is attained from a rectangular prison, it could be arranged based on a rigid grid system. The space in between the shells serves as circulation space that connects the units.
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POLITICAL ENVIRONMENT
NATURE
URBAN
MUNICIPALITY OF VITACURA
ECONOMIC COMMISSION FOR LATIN AMERICA
The site is that it is situated between landscape and urban area. The west side of the project is mountains, and the east side is dense urban environment.
The existing buildings set up a political environment. Several buildings of political organizations are present on the site, in the form of solid objects.
UNITED NATIONS
SOLID OBJECT
FLUID FIELD
SANTIAGO, CHILE
33°27’0’’S 70°40’0’’W
SCIENTIFIC COLLABORATION
ESO has one of the worlds’ largest observatory in the dessert in Santiago, Chile. It’s headquarter is sited in the city of Santiago. ESO (European Southern Observetory) is an inter-national organization that is dedicated to the development of astronomy.
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UNIT AGGREGATION METHODOLOGY
CIRCULATION
UNIT
AGGREGATION
FLUID FIELD
The formal strategy is using series of self similar object and aggregating them according to a regular grid system. Units are aggregated on a gridded module system. Units combine into a larger aggregation to form a large space. Aggregations of different unit combination form a fluid field accomodating various program.
PROGRAM AGGREGATION METHODOLOGY
neutral space
private space
GRID
PROGRAM AGGREGATION
NATIONALESS GROUND
The program diagram is represented by the degree of diversity of population sharing the space. Units of similar use create public area; units that are more enclosed are occupied by private program, like representative offices. Based on the grid, program aggregated according to the degree of privacy and publicness to create a nationaless ground.
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The program works well with the formal strategy. The program diagram is represented by the degree of diversity of population sharing the space. On the ground floor, program consists of private offices and public space such as reception and conference hall. The second floor has representative offices and scientific exhibition. The third floor contains conference room and observatory rooms.
0
20
10
30
50
GROUND FLOOR
SECOND FLOOR
17
16
15
15 17
[THIRD FLOOR]
17
[15] Observation Room [16] Exterior Couryard [17] Conference Room
16
15 15 15 -
13
12
11
14
14
10 9
[SECOND FLOOR] [9] Scientific Exhibition [10] Representative Office [11] Public Event [12] Staff Office [13] Restaurant [14] Exterior Couryard
13
12
11
14
14
10 9
7
8 6
5
4
2
3
1
[GROUND FLOOR]
THIRD FLOOR
[1] Conference Room [2] Lecture Hall [3] Cafetaria [4] Public Event [5] Scientific Exhibition [6] Representative Office [7] Reception [8] Bathroom
7
8 6
5
4
2
3
1
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OPAQUE, TRANSPARENT AND REFLECTIVE MATERIALITY
SECTIONAL RELATIONSHIP
reflective
PROTOTYPE 1
reflective
urban
opaque transparent
landscape PROTOTYPE 2
interior
Three types of mateirlas are used to reflect on the relationship between the building and landscape as well as between the building and the urban environment. PROTOTYPE 3
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23 20 5
100 50
flood level -1 mostly filled
flood level -2 mostly filled
flood level -3 partially filled
flood level -4 hardly filled
2
3
1
NATURAL SLOPE
GENTLE SLOPE
CONSTRUCTED SLOPE
Work IV: Eco-city
KBR Regeneration Masterplan
Studio project/ Master plan/ Fall 2012/ Houston, TX/
Problem: Rejuvenate the “brown field“ site, previously industrial headquarter of KBR, to create a residential city that considers the ecosystem and the bayou along the site Type: Masterplanning Location: Houston, TX Team: Individual Instructor: Christopher Hight
The project aims to create a unique ecology that employs various conditions of natural scape (namely water) and urban scape, creating an interactive field for urban and water flow. The site is previously the industrial headquarter of KBR, situated along the buffalo bayou. Buffalo bayou is responsible for the buffalo watershed. The project explores these potentials with the concept of flow. The formal strategy is use of lines to represent flow in plan, and degree of sloping in section. The 24
study of water applied to the site. The water pond system on the site provide solution to the flooding issue, soil contamination of the site and probably for the larger area around the site. The system is resilient to water change and fluctuate according to time.
BUFFALO BAYOU WATERSHED AND KBR SITE
Harrris County watershed
Harris County has 22 major watersheds that each drain into 22 major waterways. The watersheds come in all shapes and sizes. Some are large, some small... and each has its own independent flooding issues.
Harris county
Harris County map showing the major waterway network
Harris county
Harris county, Texas population: 3.7 million thrid most populous county in the U.S
Bayou and watershed
Harris County has 22 major watersheds that each drain into 22 major waterways. The watersheds come in all shapes and sizes. Some are large, some small... and each has its own independent flooding issues.
SITE Buffalo Bayou Watershed
Buffalo Watershed, Harris county
[1] Harris County, Texas [2] Watershed map, Harris County [3] Buffalo Bayou watershed [4] Adjacent bayous, Harris County
Brays Bayou Watershed
[1] Harris County, Texas [2] KBR site map
BUFFALO BAYOU WATERSHED
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SITE STRATEGY | NATURAL FLOW AND URBAN FLOW
major water
Major Drainage Flow Three major water drainage and remediation flow are set up on the site.
major driveway flow
Major Driveway Flow Three major circulation flow are set up in east-west orientation.
conceptual system driveway
Overlapping System
Lines weave out to create a dynamic and interactive field of nature and urban staging.
The water flow system and urban flow system are combined. The roads weave.
System Driveway
composed system
conceptual system water flow
System Water Flow Secondary water flow branches out from the three major pathways.
Hybrid System hybrid system
The water flow system and urban flow system create a dynamic interactive urban-natural ecology.
[1] Three major water paths are set up on the site in north-south orientation. Meanwhile, three major roads carry urban flow in east-west orientation. Secondary water circulation collects the water from the areas and carry the water into the three major paths. [2] The urban flow system and water flow system intersect to create dynamic field for water, houses and green space.
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N 0 50
200
500
1000
ROAD
PUBLIC
RESIDENTIAL
GREEN
EVOLVING WITH THE ECO-SYSTEM
secondary ponds western edge more residential more shaped water remediation/detention pond
2015
secondary ponds western edge more residential more shaped water remediation/detention pond
2020
third water flow created western edge more residential more shaped water remediation/detention pond
2025
waterpath between ponds more connected three major water path are constructed residential completed mountain piled and constructed more shaped water remediation/detention pond
2030
The diagram shows the growth of water path and green space with relation to the buildings on the site. The growth process shows the dynamic interaction between architecture and landscape. The scheme presents a continuously evolving ecology that balances between the nature and urban ecology. 19
LAYERED SYSTEM
ARCHITECTURE AS PART OF THE “ECO SYSTEM“
Site growth over time. The diagram shows the growth of water path and green space with relation to the buildings on the site. The growth process shows the dynamic interaction between architecture and landscape.
Architecture acts as attractors that balance between natural scape and urban scape. The residential program is stacked in a stepping fashion when meeting the water pond. The stepped roof can be designed as green roof that collects and filters water.
RESIDENTIAL UNIT Residential units consist of 1 bedroom, 2 bedroom and 3 bedroom units, arranged in a long band system.
BUILDING 3 BEDROOM
2 BEDROOM
1 BEDROOM
RESIDENTIAL BAND PARCEL LAND
Residential units aggregate in a band form. And the residential band stacked in a weaving fashion to interact with the water and landscape on site.
URBAN FLOW TYPICAL PLAN OF PARTIAL RESIDENTIAL BAND
ARCHITECTURAL MODEL
GREEN LAND
WETLAND
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The stepped roof of the residential bands can be designed as green roof that collects and filters water down to the ground.
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Work V: Urban
Network
Fifth Ward Regeneration Masterplan Studio project/ Masterplan/ Fall 2013/ Houston, TX/ Problem: Revitalize the Fifth Ward in Houston to create a materplan from the scale of building typology, block aggregation and ward scheme Type: Masterplanning Location: Houston, TX Instructor: Albert Pope Team: In collaboration with Austin Jarvis
The project aims to connect the entire 5th ward through a figural “Public Network”. This network allows for flexibility over time yet creates a clear prescription for program and form. The main factors we addressed were program arrangement, ground coverage, density, and phasing. The figural “Public Network “ that spans the ward oscillates between foreground and background as it serves as both a catalyst for urban development and a frame for the existing conditions of the 5th ward.
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CREATING A PUBLIC NETWORK CONNECTING THE WARD Open space, public network, private urban fabric
OPEN SPACE FIELD opens space distributed throughout the space in a patterned manner
PUBLIC SPACE NETWORK public space (commercial and civic) acts as network connecting the open
LAYERED NETWORK open space and public space combines into a network
DENSE SPACE dense space (residential and industrial program) fill in the negative fabric
In order to formally distinguish the public network and the private clusters we focus on two factors: ground coverage and density. The study of the scheme focus on a range of scales of operations: building typology, block typology, block aggregation, district study and ward scheme.
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average ground coverage: 26.53% FAR range: 0.58 - 3.65
COMMERCIAL
32 average ground coverage: 67.37% FAR range: 0.49 - 0.8
INDUSTRIAL
SHED
average ground coverage: 15.43% FAR range: 0.14 - 0.75
CIVIC average ground coverage: 38.17 FAR range: 0.54 - 1.04
RESIDENTIAL
BUILDING TYPOLOGY, BLOCK TYPOLOGY AND BLOCK AGGREGATION
BUILDING TYPOLOGY
UNIT
FIGURE
SLAB
1 BLOCK TYPOLOGY
BAR COURT
BAR TOWER
2 BLOCK TYPOLOGY
BUILDING
BUILDING TYPOLOGY Basic building typologies have four program categories: residential, industrial, commercial, and civic. Those typologies are the basic forms used to study block typology.
3 BLOCK TYPOLOGY
BLOCK TYPOLOGY
BLOCK
Building typologies occupy the block differently according to the ground coverage and FAR range. One modular block creates a block typology for each program.
GROUND COVERAGE FAR
4 BLOCK TYPOLOGY
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VIEW AT THE PUBLIC(CIVIC) PLAZA
PUBLIC NETWORK: COMMERCIALCIVIC
PRIVATE CLUSTERS: INDUSTRYRESIDENTIAL
BLOCK AGGREGATION
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FAR: 0.76 | GC: 28.90%
FAR: 0.50 | GC: 31.19%
FAR: 0.88 | GC: 62.51%
FAR: 0.93 | GC: 56.31%
PRIVATE CLUSTERS consists of residential and industrial block typologies. Residential and industrial are composed of low-elevation types which achieve a medium density through high ground coverage.
PUBLIC NETWORK consists of commercial and civic block typologies. The public network achieves a great range of density but always with a low ground coverage FAR: 0.98 | GC: 33.91%
FAR: 1.77 | GC: 45.19%
FAR: 1.39 | GC: 36.27%
FAR: 1.04 | GC: 58.93%
This public space is embodied both in the commercial towers and civic figures of the public network as well as large swaths of open space. The nature of the public network is both as a literal and figural center. The commercial bands divide and frame the private space, but also signify a public ground that weaves its way across the entire ward. COMMERCIAL
CIVIC
RESIDENTIAL
INDUSTRIAL
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A FLEXIBLE NETWORK - COEXISTING WITH THE SITE
PUBLIC NETWORK AS A “URBAN CORE”
PUBLIC NETWORK AS A “WRAPPER”
District 1
District 2
GROUND COVERAGE
FLOOR AREA RATIO
GROUND COVERAGE
0.77
29%
0.76
43%
UNITS PER ACRE
CONTINUITY:
UNITS PER ACRE
CONTINUITY:
45.1
0.43
43.8
0.38
FLOOR AREA RATIO
36
A CONTINUOUSLY GROWING NETWORK
2013 | PHASE 0
PHASE 0 | Existing /under-utilized railway /large middle school /missing connections
2015| PHASE 1
FLOOR AREA RATIO
GROUND COVERAGE
0.14
13%
UNITS PER ACRE
CONTINUITY:
10
0.38
PHASE 1 /new roads laid /roadway cleared /minor new development
2020 | PHASE 2
FLOOR AREA RATIO
GROUND COVERAGE
0.15
13%
UNITS PER ACRE
CONTINUITY:
10
0.38
PHASE 2 /public network partially developed /at least one building on every newly cleared block
FLOOR AREA RATIO
GROUND COVERAGE
0.24
15%
UNITS PER ACRE
CONTINUITY:
17
0.38
[1] Stage 1: This is the existing condition of the area. Most of the program is residential. An abandoned railway runs through the area, which we later build the public network on.
[2] Stage 2 focus on the construction of new roads, and the clearance of the blocksto prepare for the new construction. There is some minor new development in the public areas.
[3] Stage 3 Concentrates on the initial development of the public network. At least one building for every newly cleared block is build, and the public area starts to function.
2030 | PHASE 3
2040 | PHASE 4
2050 | PHASE 5
PHASE 3 /further development of the public network /new industrial and residential development
PHASE 4 FLOOR AREA RATIO
GROUND COVERAGE
0.34
16%
UNITS PER ACRE
CONTINUITY:
24
0.38
[4] Stage 4: The public network is quite developed. Plots close to the public network starts to have new industrial and residential developments.
/density rises dramatically /multi-family housing expands /tailler commercial towers develop
PHASE 5 FLOOR AREA RATIO
GROUND COVERAGE
0.62
22%
UNITS PER ACRE
CONTINUITY:
43
0.38
[5] Stage 5: The density rises dramatically to 0.62 FAR. Many multi-family housing. The public network is almost established, and taller commercial towers are developed.
/master plan completes /industrial expansion /tallest commercial towers built housing expands
FLOOR AREA RATIO
GROUND COVERAGE
0.88
25%
UNITS PER ACRE
CONTINUITY:
61
0.38
[6] Stage 6: The masterplan is complete. Most residential housing are developed, and the industrial expands. The public network continues to develop and expands.
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Work VII: SUSPENDED STRUCTURE Temporary Housing for Olympic Village Studio project/ Group/ Fall 2015/ France/
Problem: Design temporary housing as the Olympic village for the Paris on the Eiffel Tower Type: Residential Location: Paris, France Team: In collaboration with Shen Lu PRIVATE RING PUBLIC RING
Eiffel Tower has long been a landmark icon for France. While the experiences from far away and under are different, we see the potential of employing the tower as a structural frame to build within. With the notion of temporary structure, the project inhabits the void space of the Eiffel tower by scaling through the space inscribed by its four-leg structural framework. Residential program is arranged on the external ring, and public program is arranged towards the center, thus creating an inversed exterior urban landscape inside.
PUBLIC AND PRIVATE RING The private residential units are arranged on the outer ring. Public program including amenities, entertainment is arranged on the innter ring.
The existing structure is a layering of 29 bays stacked vertically. But the impression is diluted by decorative and redundent structure members.
56
PUBLIC BLOCKS Public blocks shift along to re-define the public ring, creating interaction moments with the private ring.
By taking out unneccessary diagnol members, the structure is simplified into layers whose contour is defined by major columns.
IN-BETWEEN CIRCULATION The circulation corridor between the private and public ring is transformed into a dynamic one, and links the public with the private.
By taking out unneccessary diagnol members, the structure is simplified into layers whose contour is defined by major columns.
PUBLIC BLOCK AND TERRACE An interior terrace is created according to the public boundary, defining the inner public circulation.
REDEFINED PUBLIC RING An interior terrace is created according to the public boundary, defining the inner public circulation.
The layering is further emphasized by visualizing the vertical datum into solid plates.
DYNAMIC SCALE THROUGH THE VERTICAL STRUCTURE The plan changes its scale as it goes from the bottom to the top due to the shrinking of the tower itself. There are three categories of the scales. We can see from the typical plans from the floor 3, floor 8, and floor 18. The public program keeps emerge into the private as it goes up, creating a gradient of private to the public, more emerged plan organization.
1
3
2
4
59.87 8.44
4.00
4.00
4.00
4.00
8.00
4.00
4.00
4.00
12.91
4.00
10.44
1.84
MEP
4.00
5
61.76
4.00
4.00
4.00
4.00
4.00
4.00
4.00
6
7
15.32
8
MEP
FLOOR 3 1
1
2
3
4
20.63 0.66 2.65
6.23
4.66
5.77
6.23
4.62 5.38
3.24
20.63
1.58
2
4.51
1
0.65
5.38
4.66
3
4.62
3.24
4
+100.50
4.07
Level 23 +96.43
4.07
Level 22 +92.36
FLOOR 8
3.67
Level 21
Level 20
3.67
+88.69
Level 19
3.67
+85.03
Level 18
3.67
+81.36
Level 17
3.67
+77.69
Level 16
3.67
+74.03
Level 15
3.80
+70.36
Level 14
3.80
+66.56
Level 13
3.80
+62.76
+58.96
Level 10
3.25
1
2
20.63 2.65
6.23
4.66
5.77
3.25
Level 11 +52.46
3.70
Level 12 +55.71
Level 9
3.70
+48.76
Level 8
3.70
+45.06
Level 7
3.67
+41.36
Level 6
3.67
+37.69
Level 5
3.67
+34.03
Level 4
3.67
+30.36
Level 3
3.67
+26.69
3.67
4.62
3.85
1.63
+19.36
Level 1
3
3.24
+15.51
20.63
Level 2
4.50
+23.03
Ground Floor
15.51
5.34
4
+0.00 Ground
SECTION
FLOOR 18 57
STRUCTURE OF THE FLOOR PLATE
Each floor plate truss consists of four major tube beams running along the outer periphery and middle as primary structure, stabilized by perpendicular trusses in between. Wide flange beams and bracings make the secondary structure. Supplementary supports are fulfilled by 8 columns suspended the floor above. COLUMN
cantilever
BRACING
tube beam
brace gusset plate major truss secondary beam
SCALE 1:40
SECONDARY BEAM
Each level is connected to the existing structure independently by joints at 4 corners. Bolted hinge structure is created to clip the floor plate to the four legs of the Eiffel tower and is the only joint that connects. MAJOR TRUSS
bolt
connection plate
PRIMARY FRAMING
existing structure
GENERAL SYSTEM
CONCEPTUAL STRUCTRE MODEL
TYPICAL SECTION OF THE HALF FLOOR WING
floor finish, varies wood deck gusset plate brace 0.10
45°
ceiling hanger
varies
As the floor plate goes beyond the inner ring of tube beams, trusses are turned into cantilevers, whose sectional size will be reduced to minimum to achieve a thin edge for the internal terrace.
0.90
0.15
0.90
wide flange beam
0.10
ceiling
handrail glass floor finish alumnium sheet fascia
floor finish, vaires
ceiling
wood deck
brace varies
0.25
gusset plate
45°
ceiling hanger supplementary ceiling support ceiling finish
SCALE 1:20
SCALE 1:50
+26.69
3.67
Level 3
+23.03
3.67
Level 2
+19.36
3.85
Level 1
+15.51 Ground floor
oo House
ncy housing in the Philippines
rely demaged roject provies
zing abundant
es a low-tech,
Work VI: The
Bamboo House
Post-Disaster Emergency Housing Solution Studio project/ Architecture/ Spring 2014/ The Phillipines Area/ Problem: Propose emergency housing solutions for post-disaster reconstruction focusing on easy and fast assembly on the Philliphines islands Type: Architecture Location: The Phillipines area Instructor: Douglas Oliver Team: Individual
The Philippines area was severely demaged by the typhoon Haiyan. The project provies a solution to the Post-disaster emergency housing construction by utilizing abundant local materials-bamboo combined with concrete. The scheme provides a low-tech, easily operable scheme for local people to construct fast, affordable and sustainable housing in the Visayas islands.
Disaster: Typhoon
The Philippines area was severely demaged by the typhoon Haiyan is in great need to accomodate homeless people. Thus, solutions fo housing are needed to help solve the problem
Leyete Negros Occidental Cebu
Bohol
Negros Oriental
>1 000 000 persons 500 000 - 1 000 000 0- 500 000
The solution to fast and sustainable design is utilizing the bamboo, which is abundant locally and used a lot by local people. The design uses bamboo as not only structure members, but also aesthetic elements that draw respect from the vernacular architecture.
38
Solution: Bamboo
Construction: Assemble
Bamboos are light, strong in tensile strength and easily treatable. When being used in structure, bamboo frames are good in disaster area because they are light and perform well in earthquakes. SHAPES
CONSTRUCTION MANUAL
The Philippines area was severely demaged by the typhoon Haiyan. Post-disaster construction is in great need to accomodate homeless people. Thus, solutions for emergency post-disaster housing are needed to help solve the problem
How to build a bamboo concrete house
Cutting bamboo could be operated by unskilled/semiskilled local people. Using the knives, cutting could be done by one single labor and it is rela-
Bamboos are abundant local materials. The project takes advantage of this local source and create a design that is lightweight, aesthetic and respectful of local culture and tradition.
MATERIALS
COMPONENTS
CONNECTIONS 90 degree
bamboo
iron wire
cement
rebar
WALL PANEL A concrete filled with bamboo
[A]
TOOLS whole culm
half culm
[2] half culm
[C]
connect with string/stick
split culm
whole culms are used for structural columns, shade screens, roof members
angled
COLUMN/BEAM
connect with string WALL PANEL B bamboo weave
sharp knife
dulled blade
drill
FOUNDATION concrete
[B]
connect with the trimmed bamboo
TRANSPORTATION
[3] split culm
FLOOR PANEL bamboo plank
loading truck
bamboo weave panel roof
concrete wall cast with bamboo bamboo weave panel wall
bamboo plank flooring
prefabricated concrete core bamboo base foundation-piling
39
Growth: Phases The units could be aggregated and later grown into a larger complex to create a community. The aggregation is based on the grid system, and the program could be re-arranged using the decomposed units. The aggregation plan is based on 10’x10’ grid system.
DECOMPOSED UNITS
AGGREGATION
The unit could be further decomposed based on the grid dimesions.
The unit aggregates to create a community.
“Linear”
core service area storage prefabricated and be installed in the house
closeness
individual sleeping unit sleeping unit contains double bed room and single beds room relatively open
living
shared communal hallway
communal area open could be shared be aggregated and shared by multiple units
“L” shape
openness
courtyard
40
1
2
3
4
5
6
1
2
3
4
5
6
50’-0” 10’-0”
10’-0”
10’-0” 50’-0”
10’-0”
10’-0”
10’-0”
10’-0”
10’-0”
10’-0”
10’-0”
5’-0” 5’-0”
A
[5]
[4]
[1]
[2]
[3]
[5]
[4]
[1]
[2]
[3]
B B
5’-0” 5’-0”
C C
D
5’-0” 5’-0”
20’-0”20’-0”
5’-0” 5’-0”
A
[6]
D
[6] E E
SCALE 1’
2’
3’
5’
10’
SCALE
TYPICAL UNIT PLAN 1’
2’
3’
5’
10’
[1] service core [2] bedroom [3] communal [4] dining and living [5] communal [6] podium
41
Study drawing of the Glass House by Philip Johnson Lead on tracing paper, 24”x 36”, 2010
Work VI: The Blind House
Studio project/ Individual/ Architecture/ Spring 2011/ Problem: Explore the “blind spot“ within a residential house project Type: Residential Location: Houston, TX Instructor: Grant Alford
The concept of ‘blind spot‘ is derived from the visual effect of the Glass
use of transparency and opaque materials creates dramatic contrast.
House by Philip Johnson after a close study of the precedent. The
Viewers who walks around the building will always encounter a
project explores the potential of the ‘blind path’ and the relationship
blind spot within their view. The concept of the blind spot is further
between public and private space.
explored in my studio project.
The Glass House manipulates the view and experience by constructing a complete clear glass box in which a solid cylindrical hearth. The
42
CONCEPT: BLIND PATH The diagram explores the spatial experiments of the relationship between visual path and physical path, experience and space.
Forced path
stop
shrink
subdivided
Open path
stop
expand Visible View Blind View Visible space
shrink
The project starts with a bounding box of 24’by48’by36’. The house explores the concept of the “blind spot”. The box is filled with labyrithing paths in order to create blind space. Three major “visual paths” are created through the winding walls.
VISUAL PATH PROGRAM BOX BOUNDING BOX
43
Professional Work I : Hunter’s Point South Waterfront Part Phase II Weiss/Manfredi Architects/ Urban/ 2015/ Queens, NY
Type: Urban park, 588m, 360,000 sq. m. Contribution: Created 3D model for the site and master plan. Generated schemes for the overlook bench options. Assisted with Construction drawings, renderings, and editing for design report booklets.
OPTION 1
CREATED BY THE OFFICE OVERLOOK OPTIONS OPTION 1 relaxed lounge bench at the front of the overlook blending into the ramp topo and prominent chair profile back
bench topo ramp topo ground topo
bench topo ramp topo bench topo ground topo ramp topo ground topo
OPTION 2 prominent chair profile up front and relaxed lounge chair back
bench topo ramp topo ground topo
44
PLAN AND SECTION OF THE OVERLOOK PART
45
中国最高的摩天楼
Tallest buildings in Chin
中国最高的摩天楼 Work II: Rose Rock International Finance Center Professional
Tallest buildings in Chin
Bjarke Ingels Group Architects/ 2012 Summer/ Tianjin, China
ROSE ROCK INTERNATIONAL FINANCE CENTER
SUPERTALL STUDY 2012.07.17 BIG
Type: Mixed-use towers, 588m, 360,000 sq. m. Contribution: Supertall building precedent research. Large-scale and concept model making. Assisted with drawings and editing for design report booklets. 650
SUPER-TALL PRECEDENT RESEARCH 600 550 650 500 600 450 550 400 500 350 450 300 400 250 350
ROSE ROCK INTERNATIONAL FINAN
200 300
ROSE ROCK INTERNATIONAL FINAN
SUPERTA
SUPERTA
150 250 100 200 50 150 100 50
452M
450M 632M 527M 660M
442M 597M
Petronas Towers Nanjing Sears Tower Pingan IFC GFC Shanghai Tower (Kuala Lampur) (Nanjing) (Chicago)
Goldin FCOne (Mumbai) Tianjin (Concept)
588M
530M
RRIFC Tianjin (Concept)
CTF Centre Guangzhou (Concept)
Shanghai WFC Shanghai (Built)
Petronas Towers Nanjing Sears Tower Pingan IFC GFC Shanghai Tower (Kuala Lampur) (Nanjing) (Chicago)
Goldin FCOne (Mumbai) Tianjin (Concept)
World
RRIFC Tianjin (Concept)
CTF Centre Guangzhou (Concept)
Shanghai WFC Shanghai (Built)
452M
Shenzhen (Concept)
Shanghai
450M (Concept) 527M 660M 632M
Shenzhen (Concept)
Shanghai (Concept)
World
442M 597M
588M
530M
492M 484MFINANCE CENTER 468M ROSE ROCK INTERNATIONAL 28 M
492M
SUPERTALL STUDY ICC R&F Tower 2012.07.17 60 M 28 M BIG Tianjin Hong Kong SHANGHAI WFC (Built) (Concept) 60 M
484M
468M
ICC Hong Kong (Built)
R&F Tower Tianjin (Concept)
SHANGHAI WFC
32 M
450M
442M
Nanjing GFC Nanjing ICC HONG KONG (Built) 65 M
438M
30 m
420M
Guangzhou IFC Kingkey 100 66m Guangzhou Shenzhen30 m LOTTE JAMSIL SUPER TOWER (Built) (Built) 66m
65 M 32 M
450M
442M
ICC HONG KONG
438M
LOTTE JAMSIL SUPER TOWER
Nanjing GFC Nanjing (Built)
Kingkey 100 Shenzhen (Built)
407M
29 m Jin Mao Tower 2 IFC Shanghai 83m Hong Kong SHANGHAI 29 m TOWER (Built) (Built)
420M
83m
Page 3
15 M
PRESENTATION 1203
30 M 32m
15 M 28 M
32 M
110 M
3060MM
30 m
62m 32m
29 m 60 M
65 M
66m
ICC HONG KONG
LOTTE JAMSIL SUPER TOWER
110 M
60 M
83m
SHANGHAI WFC
407M
SHANGHAI TOWER
Guangzhou IFC Jin Mao Tower 2 IFC Guangzhou Hong Kong Shanghai Tallest Buildings in China (Built) (Built) (Built)
SHANGHAI TOWER
62m
PING AN ICC
BURJ KHALIFA
ONE WORLD TRADE CENTER
PING AN ICC
BURJ KHALIFA
ONE WORLD TRADE CENTER
本图纸版权属设计院及业主，未经许可第三方不得复制或使用。 图中所注尺寸应在施工前进行现场核实，如有问题应立即提交 工程师协调解决。
建设单位
PRESENTATION 1203
本图纸版权属设计院及业主
图中所注尺寸应在施工前进 工程师协调解决。
ALL DIMENSIONS ARE AP 建设单位
CLIENT
SECTION, ELEVATION, PLAN
CLIENT
ALL DIMENSIONS ARE AP
首席顾问
LEAD AN
T.O.ROOF +588.00
首席顾问
LEAD AND DESIGN CONSULTANT
奥雅
有限
奥雅纳工程咨询(上海)
T.O.ROOF
有限公司北京分公司
ARU
+588.000
(SHA
ARUP INTERNATIONAL CONSULTANTS
北京市朝阳区京广中心 邮编： 100020
酒店 HOTEL
Room Hu Ji Beijin Code
30楼3008 室
Room 3008 30/F Jing Guang Centre Hu Jia Lou, Chaoyang District Beijing, China Code: 100020
32m
4.00M FTF
设计负责人 图号
设计负责人
避难层 HOTEL +440.80 REFUGE FLOOR
110 M
60 M
北京市 邮编：
BEIJING BRANCH
避难层 HOTEL +492.80 REFUGE FLOOR
30 M
BEIJ
(SHANGHAI) COMPANY LIMITED
公共用途
PUBLIC PROGRAM
15 M
62m
酒店 HOTEL
首席建筑师 LEAD AR
版次
图号 首席建筑师 LEAD ARCHITECT
4.00M FTF
BIG New 601 USA
避难层 HOTEL +388.80 REFUGE FLOOR
BIG New York, NY 10001 601 W. 26th St. Suite 1255 USA
酒店 HOTEL
PING AN ICC
BURJ KHALIFA
4.00M FTF 避难层 HOTEL +332.80 REFUGE FLOOR
ONE WORLD TRADE CENTER
T.O.ROOF
建筑和规划顾问
+334.500
建筑和规划顾问
ARCHITECTURAL CONSULTANT
居住 RESIDENTIAL 3.60M FTF
HKS Urb 107 New
避难层 HOTEL +278.40 REFUGE FLOOR
HKS | FuMorton Urban Design Studio 107 Grand Street . 6th Fl. New York . NY . 10013
居住 RESIDENTIAL
3.60M FTF
4.40M FTF 避难层
商业顾问
BUSINES
品牌顾问
BRANDIN
经济顾问
ECONOM
ALL DIMENSIONS ARE APPROXIMATE
避难层 HOTEL +224.40 REFUGE FLOOR
办公 OFFICE
商业顾问
北京市
BUSINESS CONSULTANT
邮编：
19th Beij No. Cha Beij Cod
Page 63
办公 OFFICE 4.40M FTF
REFUGE FLOOR +190.800
北京市 朝阳区光华路1号北京嘉里中心南楼19楼 邮编：100020
19th Floor, South Tower Beijing Kerry Centre No. 1 Guanghua Road Chaoyang District Beijing, China Code: 100020
避难层 HOTEL +163.20 REFUGE FLOOR
办公 OFFICE
4.40M FTF
办公 OFFICE
避难层
4.40M FTF
REFUGE FLOOR +120.400
品牌顾问
避难层 HOTEL +101.60 REFUGE FLOOR
办公 OFFICE
4.40M FTF
4.40M FTF
避难层 HOTEL
商业 / 特别项目 RETAIL / SPECIAL PROGRAM 5.00M FTF
CO-O 北京 邮编：
BRANDING CONSULTANT
CO115 5th New
CO-OP 北京市西城区金城坊街7号英蓝国际金融中心633 邮编：100033
办公 OFFICE 避难层
REFUGE FLOOR +50.000
ARCH
CO-OP 115 Fifth Avenue 5th Floor New York, NY 10003
+40.00
REFUGE FLOOR 交易大厅 TRADING 5.00M FTF
经济顾问
CBR (CBR 天津市 层90 邮编：
CB CBR 11th No. Cha Bei
ECONOMIC CONSULTANT GROUND
B2
XIN HUA ROAD CAR TUNNEL
层903单元 邮编： 300051
Z4 地铁线路（位置待定） Z4 METRO LINE (LOCATION TO BE CONFIRMED) CENTRAL AVE. CAR TUNNEL (LOCATION TO BE CONFIRMED)
红线 用地边界
RED LINE SITE BOUNDARY
项目名称
PROJECT
Rose Roc Fina
PROJECT TITLE
Tian
1 NORTH ELEVATION Rose Rock International Finance Centre
1 1/2000
EAST ELEVATION
3 1/2000
SOUTH ELEVATION
4 1/2000
罗斯 金
WEST ELEVATION 1/2000
天
Tianjin, Yujiapu 图纸名称
罗斯洛克国际 金融中心
SECTION 1 1/2000
P-0-
DRAWING TITLE
比例
1:2000
剖面图1 东西向剖面
日期
12.06.06
图号
SECTION 1 EAST-WEST
P-0-30-610 比例
1:2000
日期
12.06.06
图号
DRAWING
立面图 建筑
ELEVAT LANDM
天津,于家堡 图纸名称
46
项目名称
CB Richard Ellis CBRE Consulting | Beijing 11th Floor | Tower 2, Prosper Centre No. 5 Guanghua Road | Chaoyang District Beijing, PRC 100020
中央车道（位置待定）
1
+0.000
CBRE (CBRE TJ) 天津市和平区南京路 189号津汇广场写字楼 1号楼 9
-5.400
B2 METRO LINE B2地铁线
新华路地下车行隧道
图
P-0-30-610
幅
A1 阶段 版次
概念
P-0
CREATED BY THE OFFICE
本图纸版权属设计院及业主，未经许可第三方不得复制或使用。 图中所注尺寸应在施工前进行现场核实，如有问题应立即提交 工程师协调解决。
建设单位
CLIENT
首席顾问
LEAD AND DESIGN CONSULTANT
铁 YJP RAIL STATION
01 30-630 01 30-620
奥雅纳工程咨询(上海) 有限公司北京分公司
公 PARK
02 30-640
ARUP INTERNATIONAL CONSULTANTS (SHANGHAI) COMPANY LIMITED BEIJING BRANCH
道 YU REN ROAD
北京市朝阳区京广中心 邮编： 100020
路 KERB 红线 REDLINE
30楼3008 室
Room 3008 30/F Jing Guang Centre Hu Jia Lou, Chaoyang District Beijing, China Code: 100020
红线 SETBACK
设计负责人 版次
图号 首席建筑师 LEAD ARCHITECT
BIG New York, NY 10001 601 W. 26th St. Suite 1255 USA
P-32-01
P-32-02 建筑和规划顾问
中央大道 CENTRAL AVE.
路 PU JING ROAD
新华路 ROAD XIN HUA
HKS | FuMorton Urban Design Studio 107 Grand Street . 6th Fl. New York . NY . 10013
商业顾问 01 30-640
04 30-640
P-32-03
ARCHITECTURAL CONSULTANT
01 30-610
BUSINESS CONSULTANT
北京市 朝阳区光华路1号北京嘉里中心南楼19楼 邮编：100020
19th Floor, South Tower Beijing Kerry Centre No. 1 Guanghua Road Chaoyang District Beijing, China Code: 100020 品牌顾问
P-32-04
BRANDING CONSULTANT
CO-OP 北京市西城区金城坊街7号英蓝国际金融中心633 邮编：100033
CO-OP 115 Fifth Avenue 5th Floor New York, NY 10003 经济顾问
01-33 地 P-32 地
P.A. 48,835 sm F.P.A. 31,100 sm G.F.A 542,644 sm
ECONOMIC CONSULTANT CBRE (CBRE TJ) 天津市和平区南京路 189号津汇广场写字楼 1号楼 9
层903单元 邮编： 300051
P.A. 22,092 sm F.P.A 14,941sm G.F.A 361,216sm
CB Richard Ellis CBRE Consulting | Beijing 11th Floor | Tower 2, Prosper Centre No. 5 Guanghua Road | Chaoyang District Beijing, PRC 100020
路 YONG TAI ROAD 项目名称
PROJECT TITLE
03 30-640
Rose Rock International Finance Centre CONVENTION CENTER
Tianjin, Yujiapu
罗斯洛克国际 金融中心 天津,于家堡 图纸名称
DRAWING TITLE
平面图
SITE PLAN
P-0-91-070 1
SITE PLAN 1/1000
0
10
20
50
100
200
比例
1:1000
日期
12.06.06
图号
1
PROGRAM DISTRIBUTION 1/2000
图
P-0-91-070
幅
A1 阶段 版次
概念
47
Professional Work: The Grove at Grand Bay
Bjarke Ingels Group Architects/ 2012 Summer/ Miami, USA Constribution: Assisted with the large scale model making.
Photos from online sources
48
Professional Work: Rose Rock International Finance Center
West 57th Street
Bjarke Ingels Group Architects/ 2012 Summer/
Contribution: Produced schematic concept models and assisted with the large scale model making.
Photos from online sources
Interior model for W57 Street / Bjarke Ingels Group/ New York
49
Professional Work: Taiwan
Cafe
Sou Fujimoto Architects/ 2013 Summer/ Tokyo, Japan Constribution: Assisted with the large scale model making for exhibition
CONCEPT MODEL (photos from website) Sou Fujimoto Architects/ 2013 Summer/ Tokyo, Japan
50
PHYSICAL MODEL 1’=1/16” (photos from website) Sou Fujimoto Architects/ 2013 Summer/ Tokyo, Japan
BOOK EDITING AND PRODUCTION
Cooper Hewitt Design Award Submission Weiss/Manfredi Architect/ Marketing/ 2015/ New York, NY
Constribution: Coordinated the editing and production of the award submittion books Compiling materials, producing presentations, and preparing deliverable packages
Book Editing and Production I produced two books on Weiss/ Manfredi’s project portfolios and published works for the Cooper Hewitt 2015 Design Award. I was responsibile for coordinating the submission materials of the design award application. I edited the content and format in InDesign, and sent the packaged book to the copier. After reviewing all the copies, I sent it to the binder to produce the final book.
51
MODEL PROJECTS “Works of model making, drawing and photography. The models are made during precedent studies, preliminary research and concept designs. The materials cover a wide range, from wook, chipboard to acrylic. “
SOLID VOID | ACRYLIC
CASE STUDY MUSASHINO ART UNIVERSITY LIBRARY | SOU FUJIMOTO
52
ARCHITECTURAL TOY | WOOD
The architectural toy project is a wood cube consisting of elements of various sizes that could be played by composing into different shapes with the joints.
ELEMENT A
ELEMENT B
ELEMENT C
CONNECTION METHOD
PLAY 1
PLAY 2
UNITS COMBINED
UNITS COMBINED
UNITS COMBINED
53
Hongyi Jin 1702 Bolsover St. Houston, TX 77005 hj.hongyi@hotmail.com +1- 832-312-7991