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The long living room holds three seating areas, including a chaise wide enough to hold two that sits in front of the fireplace. The fireplace’s marble surround subtly picks up the colors in the room. FACING PAGE: Architect Kent Duckham added the pillared portico, extending the foyer and giving the home greater presence. A chartreuse door and potted plants that change with the seasons provide color.
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All in Good Time
Step by step, over nearly two decades, a century-old suburban Boston home has regained its authenticity and charm.
Text by PAULA M. BODAH | Photography by SARAH WINCHESTER | Styled by KARIN LIDBECK BRENT &
SEAN WILLIAM DONOVAN
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ABOVE: Designer Gerald Pomeroy framed three panels of de Gournay’s Plum Blossom wallpaper to serve as art behind the living room’s curved sofa, while drapes made with Rose Cumming’s Bird in Circle linen frame the tall windows. RIGHT: A powder room has a retro-modern feel with its skirted sink and Thibaut Cruising wallpaper. FACING PAGE: The Brunschwig & Fils chinoiserie fabric on the table and the Stark area rug foretell the home’s palette of creams, greens, blues, and a warm cinnabar color.
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rom the outside, the old house was unassuming to a fault. Inside, however, was a different story. “I remember walking in and saying, ‘There’s so much light and space in here,’ ” the wife recalls. “The outside was completely inconsistent with the loveliness of the inside.” The interior architectural details of the gambrelroofed colonial built in 1916 appealed to her and her husband, a worldly couple who grew up in Canada, had lived in Europe and Australia, and now
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wanted to settle in Wellesley, Massachusetts, with their three young children. In the eighteen years since, the house has undergone a slow metamorphosis inside and out. First, the couple turned their attention to the exterior. Working with architect Kent Duckham, they revamped the facade to make it as gracious as the inside. Duckham replaced the weathered old siding, swapped out anemic-looking trim for weightier moldings, and added a columned portico that gives the house true presence. The homeowners’ own touch of a chartreuse front door is a charming surprise that hints at the fresh take on classic elegance within. Landscape designer Colin Hand’s refined, stylish reworking of the property included creating a courtyard space to buffer the house from the bustling
ABOVE: In the dining room, Pomeroy painted the walls, trim, and window mullions a greige
hue for cozy warmth. The pale blue ceiling reflects the robin’s-egg blue of the head chairs. BELOW: The homeowners considered enlarging the kitchen and dispensing with a formal
dining room, but Pomeroy persuaded them to keep the dining room. “I’m so glad we did,” says the homeowner. FACING PAGE: The neutral kitchen gets extra interest with black mullions, a dark wood island, and a black light fixture.
“I’m a stickler for that ‘fifth wall.’ The ceiling always offers an opportunity.” —INTERIOR DESIGNER GERALD POMEROY
street. “The courtyard allows you to take a step back and appreciate the beautiful architecture,” he says. Changes to interior details, made with the help of architect Ruth Bennett, included removing coffered ceilings that had been installed in the living and dining rooms back in the 1970s, restoring the home’s turn-of-the-last-century authenticity. Designer Gerald Pomeroy’s relationship with the homeowners began back in 2015 with a simple request for new dining room curtains. In the years since, he has retooled the interiors to meet each stage of his clients’ lives, most recently giving the living and family rooms a
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A dark-paneled billiard room became a cozy family room with high-gloss blue walls and a fun mix of patterns, including striped chairs, a floral sofa, and an abstract Landry & Arcari rug.
sophisticated redo that suits the couple’s status as empty nesters. His design scheme is at once elegant and unexpected, beginning with the hexagonal table draped in chinoiserie fabric that sets the foyer’s welcoming tone. The dining room playfully blends classic and
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modern, pairing Gustavian side chairs and a dark walnut table with contemporary head chairs and a cheetah-print rug. Here and in the foyer, Pomeroy painted the ceiling pale blue. “I’m a stickler for that ‘fifth wall’,” he says about the ceiling treatments. “The ceiling always offers an opportunity.”
The quiet palette of the foyer and dining room takes a dramatic turn in the living room, where white-painted architectural details pop against walls sporting a luxe cinnabar-hued grasscloth. Again, Pomeroy freely mixes styles, setting a chaise with a nineteenth-century vibe in front of the fireplace and
outfitting a seating area with a transitional curved sofa and a wide barrel-back chair in a frisky zebra print. “The zebra print is an unexpected pattern that really enhances the space,” he says. Equally unexpected is the family room, where Pomeroy gave the faded old wood paneling new life
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by painting it Farrow & Ball’s moody Claydon Blue. “We did it in high-gloss, and the transformation was really dramatic,” says the designer. Outside and in, the old house now manifests the grace the homeowners knew was there all along. EDITOR’S NOTE: For details, see Resources.
EXTERIOR ARCHITECTURE: Duckham Architecture & Interiors INTERIOR ARCHITECTURE: RBA Architecture INTERIOR DESIGN: Gerald Pomeroy Interiors BUILDER: Lemanski Construction LANDSCAPE DESIGN: a Blade of Grass
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The recently built deck overlooks a Kent Duckham-designed garage. FACING PAGE, CLOCKWISE FROM TOP LEFT: The Pomeroydesigned vanity in the primary bath wears a glaze finish and slightly oversized hardware. The tiny desk at the far end of the primary bedroom is an heirloom from the wife’s family. A son’s bedroom has a clubby, classic, modern feel with its Tibetan tiger curtain fabric. A daughter’s room blends a modern vibe in the rug and draperies with a touch of old-world elegance in the white bed and bench.
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