EDITORIAL
“Here you can insert an interesting editorial interview” Edward Snowden appears on the cover of the September issue of Wired, clutching an American flag. Writer James Bamford traveled to Russia to interview Mr. Snowden, in a piece called “The Most Wanted Man in the World.” Here are some highlights: He’d volunteer for prison, if: Mr. Snowden tells Wired he cares more about the U.S. than what happens to him, but says “we can’t allow the law to become a political weapon or agree to scare people away from standing up for their rights, no matter how good the deal.” He’s mum on the myth of a second leaker: Mr. Snowden will not say if all of the government documents leaked in his name actually came from him. Journalist Glenn Greenwald suggested this in July, and U.S. officials told CNN this month they had reached the same conclusion and are investigating. Documents under question include ones claiming to show the U.S. tapped German chancellor Angela Merkel’s cell phone. He first thought about leaking information while working for the CIA: After breaking both of his legs while training to join the Army Special Forces, Mr. Snowden found his way to the Central Intelligence Agency. Mr. Snowden told Wired he became upset
over details emerging from the Iraq war and became upset. He said he held off because he believed the election of Barack Obama would change things, but became upset when that did not happen. “Not only did they not fulfill those promises, but they entirely repudiated them,” he told Wired. “They went in the other direction. What does that mean for a society, for a democracy, when the people that you elect on the basis of promises can basically suborn the will of the electorate?” Mr. Snowden claims the U.S. killed Syria’s Internet connection: While working for Booz Allen and contracted to work for the National Security Agency in 2012, Mr. Snowden claims the U.S. was trying to access a core router at an Internet provider in Syria, but instead shut off Syria’s connection to the Internet. At the time, the outage was seen as an effort from President Bashar al-Assad to disrupt rebel communications. Mr. Snowden claims the office joke was, “If we get caught, we can always point the finger at Israel.”
would look for the start of foreign cyberattacks, automatically block them from entering a country, and then fire back. The lack of human involvement concerned Mr. Snowden, who told Wired, “You could have someone sitting in China, for example, making it appear that one of these attacks is originating in Russia. And then we end up shooting back at a Russian hospital. What happens next?” The NSA’s response: NSA spokeswoman Vanee Vines told Wired, “If Mr. Snowden wants to discuss his activities, that conversation should be held with the U.S. Department of Justice. He needs to return to the United States to face the charges against him.”
The tipping point was the discovery of MonsterMind: While being briefed on the data storage facility in Bluffdale, Utah, Mr. Snowden told Wired he was most disturbed to learn about a new cyberwarfare program called MonsterMind. Mr. Snowden claims this program
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PREMIUM MAGAZINE TEMPLATE Est. 2015 Issue N°1 Summer 2015 Publisher: Activity Press, Addenda Publishing PO Box 78-224 Grey Lynn Auckland New Zealand. Addison Wesley Longman, c/o Pearson Education Edinburgh Gate Editorial Office: Editaable Corporation www.yoursite.com/magazine youremail@mail.com Editor-in Chief: Action Bronson Managing Editor: 2pac Editor: Totò Riina Photography Editor: Giovanna D’arco Copy Editor: Noyz Narcos Art Direction: El Mahiho Director Creative: Dan Habarnam Contributing Authors: Ambrogio Baci Perugina, Gugliemo da Baskerville, Sasha Grey, Don Felice, Mimmo di Roseto, Pablo Escobar, Hulk, Wolverine, Padre Maronno, Asdrubale, Becksman, Il Canton Ticino. Contributing Photographers and Illustrators: Ambrogio Baci Perugina, Sasha Grey, Don Felice, Mimmo di Roseto, Pablo Escobar,Hulk, Wolverine, Padre Maronno, Asdrubale, Becksman, Il Canton Ticino. Subscription: www.subscription.com Advertising: advertising@mail.com Modern Magazine Program Manager: Massimo Lopez Website: www.yoursite.com Public Relation: Valentino Rossi Printing Activity Press, Addenda Publishing PO Box 78-224 Grey Lynn Auckland New Zealand. Addison Wesley Longman, c/o Pearson Education Edinburgh Gate
Thanks To: Ambrogio Baci Perugina, Gugliemo da Baskerville, Sasha Grey, Don Felice, Mimmo di Roseto, Pablo Escobar, Hulk, Wolverine, Padre Maronno, Asdrubale, Becksman, Il Canton Ticino. Cover Ambrogio Baci Perugina Gugliemo da Baskerville
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Australia’s Gold Coast in the Sexy, Sexist 70s THE GOLD COAST IN AUSTRALIA
The Gold Coast just might be Australia’s glitziest city. For years, this strip of imitation Miami has dealt in bodybuilding, bikini contests, and high-rise leering. But interestingly, the guy who took these photos doesn’t see it like that. To Graham Burstow, who’s been photographing the GC since the 60s, these images are more than a vignette of the Aussie holiday with a few incidental bikinis thrown in. He’s seen the area evolve from fibro shacks in the scrub to the multi-story resort city it is today. So we reached out to him to talk to about the way the Gold Coast has changed. The Gold Coast just might be Australia’s glitziest city. For years, this strip of imitation Miami has dealt in bodybuilding, bikini contests, and high-rise leering.
Here you can insert a referal to the photo on the left
Hi Graham. Tell us about how you came to photograph the Gold Coast. Graham Burstow: I was born in 1927 in Toowoomba. From when I was three or four we used to rent a house there, until dad bought some land at Mermaid Beach. We built a house and from the 60s until the 80s, I spent every summer holiday taking photos. And how did you get into photography? I’m from an artistic family. Everyone in the family was in a choir and I started taking photos of them when I was 17. Then people started asking for copies so I started processing the film myself. From then on, I’d always document holidays or events. Anything where there were lots of people. Including bikini competitions? Yes, they were called the Miss Sun Girl Quest competition. I remember that started with just a few girls on the beach. Then they got a stage, then a backdrop in the 1970s. It was really popular at one time. The boys used to lay under the stage to watch. I don’t know what happened to it though. I haven’t seen it advertised in years. You don’t seem to be a guy particularly interested in photographing sexual innuendo. Why is there so much implicit sex in these photos? This is just what was happening at the beach. And I didn’t always like it. I remember going down there with the family one New Year’s and it was just a bit stressful. So much drinking and yellMODERN MAGAZINE
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ing. But I also took these particular shots because I like taking group photos. I want to see people interact with each other, rather than just me. If you stick a camera in someone’s face you always get a false feeling from them. People just carrying on with their regular lives—that’s what I wanted to see. I always thought there was more feeling in those photos.
and I started taking photos of them when I was 17. Then people started asking for copies so I started processing the film myself. From then on, I’d always document holidays or events. Anything where there were lots of people. Including bikini competitions? Yes, they were called the Miss Sun Girl Quest competition. I re-
How has the area changed? It looks different but I think the culture has some similarities. In the 1970s the high-rise buildings were going up. I used to walk in to photograph them pulling down the old beach houses. And that’s something that’s different—you can’t get cooee of a demolition now. I think that generally it was a simpler way of life back then. A photographer could walk around people taking photos and no one was worried about it. Now people are generally more concerned about what you’re doing and where you’re going. Australia generally had an easier way of looking at things then. We’re not as easygoing as we used to be. Hi Graham. Tell us about how you came to photograph the Gold Coast. Graham Burstow: I was born in 1927 in Toowoomba. From when I was three or four we used to rent a house there, until dad bought some land at Mermaid Beach. We built a house and from. And how did you get into photography? I’m from an artistic family. Everyone in the family was in a choir 8
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member that started with just a few girls on the beach. Then they got a stage, then a backdrop in the 1970s. It was really popular at one time. The boys used to lay under the stage to watch. I don’t know what happened to it though. I haven’t seen it advertised in years.
Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. vdoloribus asperiores repellat.
You don’t seem to be a guy particularly interested in photographing sexual innuendo. Why is there so much implicit sex in these photos? This is just what was happening at the beach. And I didn’t always like it. I remember going down there with the family one New Year’s and it was just a bit stressful. So much drinking and yelling. But I also took these particular shots because I like taking group photos. I want to see people interact with each other, rather than just me. If you stick a camera in someone’s face you always get a false feeling from them. People just carrying on with their regular lives—that’s what I wanted to see. I always thought there was more feeling in those photos. How has the area changed? It looks different but I think the culture has some similarities. In the 1970s the high-rise buildings were going up. I used to walk in to photograph them pulling down the old beach houses. And that’s something that’s different—you can’t get cooee of a demolition now. I think that generally it was a simpler way of life back then. A photographer could walk around people taking photos and no one was worried about it. Now people are generally more concerned about what you’re doing and where you’re going. Australia generally had an easier way of looking at things then. We’re not as easy-going as we used to be. Hi Graham. Tell us about how you came to photograph the Gold Coast. Graham Burstow: I was born in 1927 in Toowoomba. From when I was three or four we used to rent a house there, until dad bought some land at Mermaid Beach. We built a house and from the 60s until the 80s, I spent every summer holiday taking photos. And how did you get into photography? I’m from an artistic family. Everyone in the family was in a choir and I started taking photos of them when I was 17. Then people started asking for copies so I started processing the film myself. From then on, I’d always document holidays or events. Anything where there were lots of people.
Here you can insert a referal to the photo on the top
Including bikini competitions? Yes, they were called the Miss Sun Girl Quest competition. I remember that started with just a few girls on the beach. Then they got a stage, then a backdrop in the 1970s. It was really popular at one time. The boys used to lay under the stage to watch. I don’t know what happened to it though. I haven’t seen it advertised in years. You don’t seem to be a guy particularly interested in photographing sexual innuendo. Why is there so much implicit sex in these photos? This is just what was happening at the beach. And I didn’t always like it. I remember going down there with the family one New Year’s and it was just a bit stressful. So much drinking and yelling. But I also took these particular shots because I like taking group photos. I want to see people interact with each other, rather than just me. If you stick a camera in someone’s face you always get a false feeling from them. People just carrying on with their regular lives—that’s what I wanted to see. I always thought there was more feeling in those photos.
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Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
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Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat.
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation.
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DESIGN A List of Your Articles 8 REVIEWS: Here you can insert your article titles or some guest names. 16 INTERVIEW 18 WEEKLY CHART with our expert
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FACE 2 FACE WITH PARRA
My Life Has Surpassed Expectations You wouldn’t call Piet Parra, Dutch artist and clothing designer, an “overnight success,” but it also wouldn’t be far from the truth. The accidental urban art celebrity stumbled onto his talent just a few years back while designing party flyers, and his phone has been ringing off the hook ever since.
Recently my friend Lili and I had the pleasure of visiting the Amsterdam studio of Dutch graphic designer, illustrator, artist, art director, clothing company owner Parra. For a guy as mellow as he is, he definitely gets a lot done. He is currently art directing for several companies such as Colorblind Skateboards and Ben G as well as his own cut and sew clothing brand Rockwell Clothing. His client list for illustration and design work includes companies like Nike, Etnies, Zoo York and Heineken. In the last few months he has had a sold out show at the Reed Space in New York and another at HVW8 in Los Angeles. He also plays in a couple of bands (the names of which I have forgotten). Oh, and he used to skate for Think and Venture in the ‘90s. Not bad for a guy who wakes up at noon everyday. Parra After spending a bit of time in Amsterdam, you start to notice that this guy’s work is everywhere. On any given day, you’ll see kids wearing his shirts or shoes, ads and fliers he’s graced and his paintings/prints hanging at shops all over the place. Its pretty rad to see how much support he gets out there.We did an interview that turned into more of a loose conversation about commercial illustration that had far too many “likes” and “ums”
and “dudes” in it to really do anyone justice, so instead of posting the entire thing, I’ll just put up a few of the better sections from it. -Nate Also, make sure to check out his website for many, many more photos of his work... http://www.rockwellclothing.com/parra/ Recently my friend Lili and I had the pleasure of visiting the Amsterdam studio of Dutch graphic designer, illustrator, artist, art director, clothing company owner Parra. For a guy as mellow as he is, he definitely gets a lot done. He is currently art directing for several companies such as Colorblind Skateboards and Ben G as well as his own cut and sew clothing brand Rockwell Clothing. His client list for illustration and design work includes companies like Nike, Etnies, Zoo York and Heineken. In the last few months he has had a sold out show at the Reed Space in New York and another at HVW8 in Los Angeles. He also plays in a couple of bands (the names of which I have forgotten). Oh, and he used to skate for Think and Venture in the ‘90s. Not bad for a guy who wakes up at noon everyday.
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At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis
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voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat. At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas as-
sumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat. At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum
At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio.
quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat. At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga.
Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat. At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non
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provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis
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voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias
consequatur aut perferendis doloribus asperiores repellat. At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui
officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor
repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis
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COUNTING WITH
Top 10 Chart Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
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The Dreamers
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Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat.
Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat. At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provi-
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dent, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat. Nam libero tempore, cum soluta nobis est eligendi
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation.
optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat. At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque
corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Tempo. Qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mol-
litia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur
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assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat. At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio.
aut perferendis doloribus asperiores repellat. At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas
At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas. Molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga.
Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Tempo. Qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio.
Want to Read More? www.yoursite.com
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MUSIC A List of Your Articles 8 REVIEWS: Here you can insert your article titles or some guest names. 16 INTERVIEW 18 WEEKLY CHART with our expert
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When Soul Music Meets Drum’n’Bass SPECTRASOUL THE JUNGLE REVENGE
This September Shogun Audio have rustled up another huge lineup to shake a little more rubble off some of Southwark’s infamous railway arches. This time it’s the Sidings warehouse that’s going to get a bass fueled cleaning, as some of Shogun Audio’s stars head there to smash out in an extended 2 hour set special. Constantly pushing the boundaries in their approach to production, yet simultaneously junglist to the core Spectrasoul have established themselves as one of the top new breeds within bass music. Refusing to compromise on quality this duo are second to none, and have only released on the most respected drum n bass labels. Their ability to shorten the gap between the darker sounds and more liquid influenced beats, give them a dynamic hold on the dancefloor. Hello sirs! Great to be speaking to you. This remix ep has been a total blast of fresh air and Bridge has smashed it with ‘Memento’. What did you guys want to put out there with this ep? It would be a hell of an intro to D&B for someone just starting out. Thanks! Glad you like it. We wanted to put together a really special anniversary package of ‘Delay No More’, and we were keen to include remixes from some of our peers. Hearing other people’s interpretations of our music is something we always struggle with, but we luckily had a great selection and variety of people on hand to contribute to the EP, with many differing styles included. What is a track you would select at random on here that would be fun to discuss… How it came about for example?
One of our favorites from the EP is James Zabiela’s remix of ‘ The Curb’. We recently did a remix of Pedestrian’s ‘Hoyle Road’ for James’ label, Born Electric, and so we had started chatting a lot over the socials. James has, to our surprise, been a big supporter of our music, and especially ‘Delay No More’, so we wanted to take the opportunity to bring him on board with this EP. He did such a great job, and the remix has been really well received. He doesn’t produce a hell of a lot of music, so it’s a real honour for him to be involved in the project. Has it rekindled interest in the mighty ‘Delay No More’ album? … and would you say the ‘album’ is still as important a format? People have been now writing it off for what, years? If the EP has rekindled interest in the LP then that’s fantastic. We had such great support last year when the album was released, and it feels great to bring it back to the fore with some first class remixes. Through the process of writing and releasing an LP, you realise that it is still the most important music format. As a single is a snapshot of where an artist is at that moment, an album is a journey through differing styles, and a dynamic tour of through different influences and ideas. It’s as important as ever. D&B in general is once again kicking down the doors… possibly in a way never seen in all its ‘peaks’. Maybe it’s because the world is now more ‘instant’ due to digital and is hearing collabs on radio (think Disclosure for example)… So, the world is sort of waking up to a reality that for us in D&B has been commonplace for years. Discuss?
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“Constantly pushing the boundaries in their approach to production, yet simultaneously junglist to the core Spectrasoul have established themselves as one of the top new breeds within bass music.”
Let’s not beat around the bush here, Drum and Bass never went anywhere. In the time that many genres have been and gone, Drum and Bass has remained. Journalists write it off all the time, but they seem to forget that Drum and Bass nights are the ones which pack out the biggest clubs in London, and UK wide. Rudimental, Chase and Status, Sub Focus and DJ Fresh are testament to its popularity. While they push for the mainstream, the underground continues to endure. The more exposure that the genre receives in the mainstream, the more people discover the underground scene. Drum and bass is the genre that all other genres love to hate, and that is part of the reason why it endures. It’s that punk ethic. Got to have some good road stories… spill please. Any continent, any time zone: one D&B and one insane lifestyle! Loads, but they’re probably not suitable for the public domain!! I am asking here about LWE and the Sidings look… I feel that this leads on from the vibe & tradition of Cable (I was a regular at Cable for Swerve, Shogun, Headz and others) is that right? Can you tell us what to expect? We’ve not been to Sidings before, but warehouse parties, in general, are the perfect platform for Drum and Bass music. Cable was always good because it had that underground feel about it; something that the warehouses in London do too. Generally, warehouses are empty and so a lot of effort goes into the production and sound system. This means that they can be tailored to the genre. LWE always seem to provide great sound What are you guys currently drawing in the sets? Any new rediscoveries from the crates? For the sidings show specifically, we will be digging deep. 2 Hour sets always lend themselves to more of a journey, and we have already started digging out some forgotten classics. Think old school Soul:R, Signature, Metalheadz…. We’ve also been hoarding a big batch of brand new SpectraSoul music, all of which will be gracing the speakers at sidings on the
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28th September. We’re really excited about it. No one has heard it apart from Friction. What are some great memories you’ve got from the personal Spectrasoul files? I can still vividly hear you on Fabio’s show. Having a release on Metalheadz was a big milestone for us. We had a big list of boxes to tick in our career and that was at the top of the list. When we signed with Shogun, that was another great moment for us. Releasing ‘Delay No More’ last year was very special. … and can you give me 3 moments of D&B from any era that you love? Calibre – Hypnotise: A massive favourite of ours, and the blueprint for musical drum and bass. Classic Roni Size – The Reprazent project: The 2 LP’s that Roni and the gang did in the late 90’s and early 2000’s were seminal for us. I (Jack) remember coming home from school and hearing my dad playing ‘New Forms’ on the CD player in the kitchen. I was hooked. Adam F – Colours. A seminal moment in early D&B that had a massive influence on us both. Where are spots (apart from Brighton, London and Bristol) that you love playing D&B? I only rule them out as are traditional hotspots. New Zealand is always amazing. They seem to have endless enthusiasm for the genre… (and when we tour there, we get to hang with great people, eat great food and to see great scenery!) Got any studio things happening you can let us know about? Release details? We have been working solidly since the release of our LP last year. Expect a new single on Shogun in early/ mid October and more music to follow on from that. We’ve also just signed off a remix for Amy Steele which is out in early October too. You can
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check it on UKF
SPECTRASOUL TOP 24 CHART 1. Away With Me - SpectraSoul, Tamara Blessa 2. Coals Original Mix - SpectraSoul 3. No Fear Spectrasoul Remix - Enei, Riya 4. Tenderly Original Mix - Disclosure
Got to have some good road stories… spill please. Any continent, any time zone: one D&B and one insane lifestyle! Loads, but they’re probably not suitable for the public domain!! I am asking here about LWE and the Sidings look… I feel that this leads on from the vibe & tradition of Cable (I was a regular at Cable for Swerve, Shogun, Headz and others) is that right? Can you tell us what to expect? We’ve not been to Sidings before, but warehouse parties, in general, are the perfect platform for Drum and Bass music. Cable was always good because it had that underground feel about it; something that the warehouses in London do too. Generally, warehouses are empty and so a lot of effort goes into the production and sound system. This means that they can be tailored to the genre. LWE always seem to provide great sound
5. Light In The Dark - SpectraSoul, Terri Walker 6. Not What You Want Original Mix - D Bridge 7. Away With Me - SpectraSoul, Tamara Blessa 8. Ruff Stuff DJ Version - Justin Martin 9. Away With Me - SpectraSoul, Tamara Blessa 10. Coals Original Mix - SpectraSoul 11. No Fear Spectrasoul Remix - Enei, Riya 12. Tenderly Original Mix - Disclosure 13. Light In The Dark - SpectraSoul, Terri Walker 14. Not What You Want Original Mix - D Bridge 15. Away With Me - SpectraSoul, Tamara Blessa 16. Ruff Stuff DJ Version - Justin Martin 17. Away With Me - SpectraSoul, Tamara Blessa 18. Coals Original Mix - SpectraSoul 19. No Fear Spectrasoul Remix - Enei, Riya 20. Tenderly Original Mix - Disclosure 21. Light In The Dark - SpectraSoul, Terri Walker 22. Not What You Want Original Mix - D Bridge 23. Away With Me - SpectraSoul, Tamara Blessa
Hello sirs! Great to be speaking to you. This remix ep has been a total blast of fresh air and Bridge has smashed it with ‘Memento’. What did you guys want to put out there with this ep? It would be a hell of an intro to D&B for someone just starting out. Thanks! Glad you like it. We wanted to put together a really special anniversary package of ‘Delay No More’, and we were keen to include remixes from some of our peers. Hearing other people’s interpretations of our music is something we always struggle with, but we luckily had a great selection and variety of people on hand to contribute to the EP, with many differing styles included. What is a track you would select at random on here that would be fun to discuss… How it came about for example? One of our favorites from the EP is James Zabiela’s remix of ‘ The Curb’. We recently did a remix of Pedestrian’s ‘Hoyle Road’ for James’ label, Born Electric, and so we had started chatting a lot over the socials. James has, to our surprise, been a big supporter of our music, and especially ‘Delay No More’, so we wanted to take the opportunity to bring him on board with this EP. He did such a great job, and the remix has been really well received. He doesn’t produce a hell of a lot of music, so it’s a real honour for him to be involved in the project. Has it rekindled interest in the mighty ‘Delay No More’ album? … and would you say the ‘album’ is still as important a format? People have been now writing it off for what, years? If the EP has rekindled interest in the LP then that’s fantastic. We had such great support last year when the album was released, and it feels great to bring it back to the fore with some first class remixes. Through the process of writing and releasing an LP, you realise that it is still the most important music format. As a single is a snapshot of where an artist is at that moment, an album is a journey through differing styles, and a dynamic tour of through different influences and ideas. It’s as important as ever.
24. Ruff Stuff DJ Version - Justin Martin Want to Read More? www.yoursite.com
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REVIEWS
Convex wisely saves the tightest material until last, with title track ‘Idoru’ rounding off the record in style, reminiscent of Felix Da Housecat and Miss Kittin in its growling synths and almost pop-like structure
JON CONVEX IDORU LP
While one should never judge a book by its cover – and a musical artist does not necessarily have the biggest say in their artwork – the brightly lit portrait of an Asian girl, with thick dark false eyelashes and platinum pink hair and lips, seems particularly apt for the sci-fi electro found on Jon Convex’s latest album Idoru. An almost Manga-like take on electro in its love of the hi-tech, there is a vibe to the album similar in some respects to the neon breaks of Vector Lovers. However, much like his collaborative work with Boddika as Instra:mental, Jon Convex loves his grit too, and here there is a slight problem. As with Instra:mental, there is an impeccable quality of production, but this actually robs his music of some of its dirtier energy in comparison to other hyperclean electro-breaks producers, such as Clatterbox, Tipper, JNR Hacksaw or Si Begg. While it may not be what Convex wants
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to pursue, it is a shame because the result for Idoru is a mixture of inspired engineering and production details among a majority of functional and by now familiar breakbeat tropes that have not evolved a huge amount over the last decade. By avoiding the more (in hindsight) ‘bro’-like nastiness of other highly polished electro-breaks, yet retaining some element of it, Idoru places Convex as a progressive element strangely lacking some of the energy needed. Opening track ‘Fade’ therefore sets the tone for the album; a mixture of iffy content (vocals and simplistic rhythm and bass elements), but an unfaultable balance of elements and pleasant surprises (in this case its high register, Japanese plucked glass harmony stabs). This reoccurs: ‘New Model’ is a calm, Drexciyan electro number chopped back by a bumping bass line, nicely shrouded in filtered static washes; however, as the track progresses, the delay-heavy Detroit keys that take the lead direct it swiftly into the middle of the road. ‘What I Need’, featuring Velvit on vocals, also has a vicious bassline and pumped-up, open 909 hi-hat accents, but when paired with a 16th note pulse and builds that are not particularly imaginative it starts to sound like much of the other material on record. Stripping these away may have resulted in a spikier, more taut track, and these kinds of thoughts tend to recur throughout listening to Idoru. AUTHOR NAME
DEEZEN
BOOK OF CREATIVE IDEAS Dezeen Book of Interviews features 45 conversations with some of the most talented and inspiring people from the global design scene that have been interviewed for online architecture and design magazine Dezeen over the years. Dezeen Book of Ideas is a celebration of amazing ideas by the world’s best creative brains. Featuring over 100 buildings, interiors and products selected from the pages of Dezeen, this book provides a compelling snapshot of cutting-edge creativity across every discipline. Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas
sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam
aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo
voluptas nulla pariatur? Ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? AUTHOR NAME
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Convex wisely saves the tightest material until last, with title track ‘Idoru’ rounding off the record in style, reminiscent of Felix Da Housecat and Miss Kittin in its growling synths and almost pop-like structure
have not evolved a huge amount over the last decade. By avoiding the more (in hindsight) ‘bro’-like nastiness of other highly polished electro-breaks, yet retaining some element of it, Idoru places Convex as a progressive element strangely lacking some of the energy needed.
JON CONVEX IDORU LP
While one should never judge a book by its cover – and a musical artist does not necessarily have the biggest say in their artwork – the brightly lit portrait of an Asian girl, with thick dark false eyelashes and platinum pink hair and lips, seems particularly apt for the sci-fi electro found on Jon Convex’s latest album Idoru. An almost Manga-like take on electro in its love of the hi-tech, there is a vibe to the album similar in some respects to the neon breaks of Vector Lovers. However, much like his collaborative work with Boddika as Instra:mental, Jon Convex loves his grit too, and here there is a slight problem. As with Instra:mental, there is an impeccable quality of production, but this actually robs his music of some of its dirtier energy in comparison to other hyperclean electro-breaks producers, such as Clatterbox, Tipper, JNR Hacksaw or Si Begg. While it may not be what Convex wants to pursue, it is a shame because the result for Idoru is a mixture of inspired engineering and production details among a majority of functional and by now familiar breakbeat tropes that
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While one should never judge a book by its cover – and a musical artist does AUTHOR NAME
Opening track ‘Fade’ therefore sets the tone for the album; a mixture of iffy content (vocals and simplistic rhythm and bass elements), but an unfaultable balance of elements and pleasant surprises (in this case its high register, Japanese plucked glass harmony stabs). AUTHOR NAME
CYLON
VARIOUS LP
PESSIMIST THE WOOD
While one should never judge a book by its cover – and a musical artist does not necessarily have the biggest say in their artwork – the brightly lit portrait of an Asian girl, with thick dark false eyelashes and platinum pink hair and lips, seems particularly apt for the sci-fi electro found on Jon Convex’s latest album Idoru. An almost Manga-like take on electro in its love of the hi-tech, there is a vibe to the album similar in
While one should never judge a book by its cover – and a musical artist does not necessarily have the biggest say in their artwork – the brightly lit portrait of an Asian girl, with thick dark false eyelashes and platinum pink hair and lips, seems particularly apt for the sci-fi electro found on Jon Convex’s latest album Idoru. An almost Manga-like take on electro in its love of the hi-tech, there is a vibe to the album similar in some respects to the neon breaks of Vector Lovers. However, much like his collaborative work with Boddika as Instra:mental, Jon Convex loves his grit too, and here there is a slight problem. As with Instra:mental, there is an impeccable quality of production, but this actually robs his music of some of its dirtier energy in comparison to other hyperclean electro-breaks producers, such as Clatterbox, Tipper, JNR Hacksaw or Si Begg.
While it may not be what Convex wants to pursue, it is a shame because the result for Idoru is a mixture of inspired engineering and production details
While it may not be what Convex wants to pursue, it is a shame because the result for Idoru is a mixture of inspired engineering and production details among a majority of functional and by now familiar breakbeat tropes that have not evolved a huge amount over the last decade. By avoiding the more (in hindsight) ‘bro’-like nastiness of other highly polished electro-breaks, yet retaining some element of it, Idoru places Convex as a progressive element strangely lacking some of the energy needed.
Vector Lovers. However, much like his collaborative work with Boddika as Instra:mental, Jon Convex loves his grit too. AUTHOR NAME
AUTHOR NAME
DARKESTRAL PHOTOGRAPH
INSTRAMENTAL WATCHING YOU
While one should never judge a book by its cover – and a musical artist does not necessarily have the biggest say in their artwork – the brightly lit portrait of an Asian girl, with thick dark false eyelashes and platinum pink hair and lips, seems particularly apt for the sci-fi electro found on Jon Convex’s latest album Idoru. An almost Manga-like take on electro in its love of the hi-tech, there is a vibe to the album similar in some respects to the neon breaks of
While one should never judge a book by its cover – and a musical artist does not necessarily have the biggest say in their artwork – the brightly lit portrait of an Asian girl, with thick dark false eyelashes and platinum pink hair and lips, seems particularly apt for the sci-fi electro found on Jon Convex’s latest album Idoru. An almost Manga-like take on electro in its love of the hi-tech, there is a vibe to the album similar in some respects to the neon breaks of Vector Lovers.
clean electro-breaks producers, such as Clatterbox, Tipper, JNR Hacksaw or Si Begg. While it may not be what Convex wants to pursue, it is a shame because the result for Idoru is a mixture of inspired engineering and production details among a majority of functional and by now familiar breakbeat tropes that have not evolved a huge amount over the last decade. By avoiding the more (in hindsight) ‘bro’-like nastiness of other highly polished electro-breaks, yet retaining some element of it, Idoru places Convex as a progressive element strangely lacking some of the energy needed. Opening track ‘Fade’ therefore sets the tone for the album; a mixture of iffy content (vocals and simplistic rhythm and bass elements), but an unfaultable balance of elements and pleasant surprises (in this case its high register, Japanese plucked glass harmony stabs). AUTHOR NAME
However, much like his collaborative work with Boddika as Instra:mental, Jon Convex loves his grit too, and here there is a slight problem. As with Instra:mental, there is an impeccable quality of production, but this actually robs his music of some of its dirtier energy in comparison to other hyper-
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LAST WORDS provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat.
Kudos to Envato Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat. At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non
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At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga.
At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat. At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio.