Architecture magazine by Editaable

A RKTKT* M A GAZINE 0 0 1

2015

In tervi ew 1

Article 1

Article 2

Lor e m i psum d ol or sit amet,

L orem ipsum dolor sit amet,

L orem ipsum dol o r si t am et ,

c onse c te tur a di pi sc i ng

consectetur adipiscing

consectetur adipis c i n g

Arti cl e 3

Interview 2

Lor e m i psum d ol or sit amet,

L orem ipsum dolor sit amet,

c onse c te tur a di pi sc i ng

consectetur adipiscing

Arktkt*

www.we bsite.ccom

A RKT KT* MAG AZ IN E 0 01

2015

Arktkt* Lo rem ipsum d o l o r s i t am e t, c o ns e c tetur adipis c i n g e l i t , s e d d o e i u s m o d tempor inci d i d u n t u t l a b o r e e t d o l o r e ma gna aliqua. Ut e ni m ad m i ni m ve niam, quis n o s trud e xe rc i tati o n ul l am co labo ris n i s i ut al i q ui p e x e a c o m modo conse q u a t .

Projec t: Edita able Cr eative Director Envato Ed itor ial Co ordi na tor J o hn D o e Offic e & Pr oducti on J o hn D o e Contents Coordi na tor Valer ie Fade Photo Ed ito r Valer ie Fade

Printed b y Super pr int o f f i c e

I ma g e s : B r u n o Ab a k a n o w i c z V a l e r i a n Ab a k o v s k y V i t a l y Ab a l a k o v E r n s t K a r l Ab b e C a r l R o m a n Ab t H o v a n n e s Ad a m i a n W i l l i a m Ad d i s R o b e r t Ad l e r Ja b i r i b n Af l a h S a m u e l W . Al d e r s o n Anatoly Alexandrov Al e x a n d r e Al e x e i e f f Rostislav Alexeyev Genrich Altshuller B r u c e Am e s G i o v a n n i B a t t i s t a Am i c i M a r y An d e r s o n Th a n ks t o B r u n o Ab a k a n o w i c z V a l e r i a n Ab a k o v s k y V i t a l y Ab a l a k o v E r n s t K a r l Ab b e

A RKTKT* M A GAZINE 0 0 1

A RKT KT* MAG AZ IN E 0 01

FORM & FUNCTION Residentia l b ui l d i ng Place: Valen c i a

Co ncept Se d ut p e rs p i c i ati s und e o m n i s i s t e n a t u s e r r o r s i t v o l u p t a t e m a c c u s a n t i u m do l o r e m q u e l a u d a n t i u m , t o t a m r e m a p e r i a m , e a q u e i p s a q u a e a b i l l o i n v e n t o r e ve ri tati s e t q uas i arc hi te c to be a t a e v i t a e d i c t a s u n t e x p l i c a b o . N e m o e n i m i p sa m vo l up tate m q ui a vo l up tas s i t a s p e r n a t u r a u t o d i t a u t f u g i t , s e d q u i a c o n s equ untur m agni d o l o re s e o s q u i r a t i o n e v o l u p t a t e m s e q u i n e s c i u n t . Ne q ue p o rro q ui s q uam e s t, q u i d o l o r e m i p s u m q u i a d o l o r s i t a m e t , c o n s e c t e t u r , ad i p i s c i v e l i t , s e d q u i a n o n n u m q u a m e i u s m o d i t e m p o r a i n c i d u n t u t l a b o r e e t dol o re m ag nam al i q uam q uae r a t v o l u p t a t e m . U t e n i m a d m i n i m a v e n i a m , q u i s nos trum e xe rc i tati o ne m ul l am c o r p o r i s s u s c i p i t l a b o r i o s a m , n i s i u t a l i q u i d e x ea c o m m o d i c o n s e q u a t u r ?

Q ui s aute m ve l e um i ure re p reh e n d e r i t q u i i n e a v o l u p t a t e v e l i t e s s e q u a m n i h i l m o l e s ti ae c o ns e q uatur, ve l i l l u m q u i d o l o r e m e u m f u g i a t q u o v o l u p t a s n u l l a pa ri atur?

A RKTKT* M A GAZINE 0 0 1

1. amet,

2. Lore m ip s u m d o l o r s i t a m e t,

3. dolor sit amet,

A RKT KT* MAG AZ IN E 0 01

Consideratio ns Se d ut p e rs p i c i ati s und e o m n i s i s t e n a t u s e r r o r s i t v o l u p t a t e m a c c u s a n t i u m do l o r e m q u e l a u d a n t i u m , t o t a m r e m a p e r i a m , e a q u e i p s a q u a e a b i l l o i n v e n t o r e ve ri tati s e t q uas i arc hi te c to be a t a e v i t a e d i c t a s u n t e x p l i c a b o . N e m o e n i m i p sa m vo l up tate m q ui a vo l up tas s i t a s p e r n a t u r a u t o d i t a u t f u g i t , s e d q u i a c o n s equ untur m agni d o l o re s e o s q u i r a t i o n e v o l u p t a t e m s e q u i n e s c i u n t . Ne q ue p o rro q ui s q uam e s t, q u i d o l o r e m i p s u m q u i a d o l o r s i t a m e t , c o n s e c t e t u r , ad i p i s c i v e l i t , s e d q u i a n o n n u m q u a m e i u s m o d i t e m p o r a i n c i d u n t u t l a b o r e e t dol o re m ag nam al i q uam q uae r a t v o l u p t a t e m . U t e n i m a d m i n i m a v e n i a m , q u i s nos trum e xe rc i tati o ne m ul l am c o r p o r i s s u s c i p i t l a b o r i o s a m , n i s i u t a l i q u i d e x ea c o m m o d i c o n s e q u a t u r ?

A RKTKT* M A GAZINE 0 0 1

S U R R E A L

A RKT KT* MAG AZ IN E 0 01

A RKTKT* M A GAZINE 0 0 1

david chipperfield 18 D e c e m b e r 1953 (a ge 61) L o n don, Engla nd

Inter view Si r D avi d A l an C hi p p e rf i e l d CBE RA RD I R IBA ( b o rn 1 8 D e c e m b e r 1 9 5 3 ) i s a B r i t i s h a r c h i t e c t . D a v i d Ch i p p e r f i e l d h a s b e e n r e c o g n i s e d f o r h i s w o rk w i th an array o f ho no ur s a n d a w a r d s i ncl u d i n g m e m b e r s h i p o f t h e R o y a l A c a d e m y o f A rts , the O rd e r o f M e ri t o f the F e d e r a l R e p u b l i c o f Ge rm any, a k ni g htho o d f o r s e r v i c e s t o a r c h i te c t u r e , a n d t h e P r a e m i u m I m p e r i a l e f r o m t h e J ap an A rt A s s o c i ati o n i n 2 0 1 3 . [ 1] D avi d C hi p p e rf i e l d A rc hi te c ts i s a g l o b a l a r c h ite c t u r a l p r a c t i c e w i t h o f f i c e s i n L o n d o n , B e r l i n , Milan, and Shanghai, and projects in more than 20 c o u n t r i e s o n 4 c o n t i n e n t s . T h e p r a c t i c e ’ s pr o j e c ts have re c e i ve d m o re t h a n 100 a r c h i t e ctu r e a n d d e s i g n a w a r d s , i n c l u d i n g t h e 2 0 0 7 RIBA Sti rl i ng P ri z e ( f o r the M us e um o f M o d e r n L i t e r a tu r e , M a r b a c h ) , t h e 2 0 1 1 E u r o p e a n U n i o n P r i z e

f o r C o n t e m p o r a r y Ar c h i t e c t u r e ( M ies va n der R o h e Aw a r d ) , a n d t h e 2011 D e u t s c h er A rchit ekt u r p r e i s . s t u d e n t o f K i n g s t o n S c h o o l of A rt , t he p r e d e c e s s o r t o t o d a y ’ s F a c u l t y o f A r t , Design and Ar c h i t e c t u r e , C h i p p e r f i e l d g r a d u a t e d in 1976. In 2 0 0 8 , t h e U n i v e r s i t y a w a r d e d h i m an honorary d o c t o r a t e . [ 3] F r o m 1978-1984 C h i p p e r f i e l d w o r k ed a t a suc c e s s i o n o f a r c h i t e c t u r a l p r a c t i c e s – Dougla s St e p h e n , Ri c h a r d Ro g e r s , a n d N o r m a n Fost er – be f o r e e s t a b l i s h i n g D a v i d C h i p p e r f i e l d Architects i n 1 9 8 5 . [ 4 ] A s a y o u n g a r c h i t e c t Chipperfield c h a m p i o n e d t h e h i s t o r i c a l l y -a t t u n e d, pla ce-spec i f i c w o r k o f c o n t i n e n t a l a r c h i t e c t s s uch a s Mo n e o , S n o zzi a n d S i za t h r o u g h t h e 9H G a llery sit ua t e d i n t h e f r o n t r o o m o f h i s L o n d o n of fice.[ 5]

A RKT KT* MAG AZ IN E 0 01

S i r d avi d c h i p p e r f i e l d CBE R A RD I R IBA w a s b o r n i n d e v o n , U K i n 1 9 5 3 . he s tud i e d a t k i n g s t o n t e c h n i c a l c o l l e ge and t h e a r c h i t e c t u r a l a s s o c i a t i o n in london, graduating in 1976. after working with douglas stephen, richard ro g e rs an d n o r m a n f o s t e r , h e e s t a blished his own practice 1984, which no w has of f i c e s i n l o n d o n , b e r l i n , m i l an and s h a n g h a i .

d es i gn b o o m : w ha t i s t h e be s t m o m en t o f t h e da y? david chipperfield: it’s never the same. i t d e p e nd s w h a t t h e d a y i s l i k e , w h e r e I am , w ho I ’ m w i t h … D B: wh a t k i n d o f m us i c a r e yo u l i s ten i n g to a t t he m o m e nt ? D C: a l l s o r t s r e a l l y , I o f t e n l i s t e n t o m us i c w hen I ’ m w o r k i n g . t h e l a s t t h i n g that I bought was some japanese s ham i s e n m u s i c . DB: where do you get your news f ro m ? D C: t h e i n t e r n a t i o n a l n e w y o r k t i m e s a n d I h a ve t h e g u a r d i a n d e l i v e r e d t o the ho us e . DB: what books do you have on your b ed s i d e t a bl e ? D C: ‘ b r i n g u p t h e b o d i e s ’ b y h i l a r y m ante l an d I ’ m r e -r e a d i n g ‘ t h e f a l l o f p ub l i c m an ’ b y r i c h a r d s e n n e t t . D B: d o y o u e ve r r e a d de s i g n a n d a rc h i tec tu re m a g a z i n e s ? D C : no t v e r y m u c h . I l i k e t o r e a d a rti c l e s and t h e o r y b u t I ’ m n o t v e r y i n terested in architectural gossip and I’m very nervous about how the new generation of architects are especially f o c u s e d on i m a g e s . m o s t a r c h i t e c t u r e m agaz i ne s p l a c e a n e m p h a s i s o n p r es e ntati o n a n d t h a t ’ s o n l y a s m a l l p a r t o f arc hi te c t u r e .

D B : w ha t a r e yo u r t ho ug h t s on t h e i m po r t a nce o f r e nde r s i n ar c h it e c t ur e t o da y? D C : i t ’ s a d i s a s t e r . n o b o d y seems conc e r n e d w i t h d i s c u s s i n g architecture i n t e r m s o f e x p e r i e n c e a n y more, the m a j o r i t y o f p e o p l e a r e o n l y concerned w i t h i m a g e r y . m a j o r c o m petitions are b e i n g w o n w i t h i m a g e s a n d then when t h e b u i l d i n g i s c o m p l e t e t he experie n c e i s n o t s o g r e a t . t h e r e ’s very little r e s i s t a n c e t o t h i s t e n d e n cy and as a r e s u l t w e ’ v e l o s t c o n f i d ence in the q u a l i t y o f b u i l t a r c h i t e c t u re. D B : w ha t do yo u t h i nk is t h e most e f f e ct i ve w a y o f pr e s e nt in g a p r oj e ct ? D C : w e w o r k w i t h l a r g e s cale physical m o d e l s a l l t h e t i m e a n d we a lso pres e n t m o d e l s t o t h e c l i e n t . of course we u s e s o m e 3 D m o d e l i n g a nd renders – i t w o u l d b e s i l l y n o t t o , b u t models are t h e b e s t w a y o f p r e s e n t i n g, developi n g a n d d i s c u s s i n g i d e a s because you c a n e x p l o r e t h e m o d e l i n person, as a t e a m . y o u c a n q u i c k l y modify them a n d u n d e r s t a n d c h a n g e s i mmediately. i t ’ s a p h y s i c a l t o o l f o r a g roup of peo p l e t o u s e t o g e t h e r , w h i c h is crucial in architecture. D B : do yo u dr a w o f t e n? D C : I s k e t c h q u i t e a l o t b u t I’m not very p r e c i o u s a b o u t i t . a t t h e beginning of t h e p r o j e c t a s k e t c h w o n ’ t help t hings m u c h , a p r o j e c t i s u s u a l ly t oo com p l e x t o s u m m a r i z e w e l l in a sketch. t h i s i d e a o f a n a r c h i t e c t s ketching out a h i s v i s i o n f o r a p r o j e c t in seconds i s n o t r e a l i s t i c , t h e r e ’ s f ar t oo ma ny p e o p l e i n v o l v e d a n d t o o many aspects t o c o n s i d e r i n t h e m a j o r i t y of projects f o r o n e p e r s o n t o v i s u a l i z e the whole t h i n g i m m e d i a t e l y . b u t a sketch is a u s e f u l t o o l t o c l a r i f y t h i n gs quickly – f o r y o u r s e l f a n d f o r c o l l aborators or c l i e n t s – i t ’ s a v e r y e f f e c t ive wa y of c o m m u n i c a t i n g w h a t y o u have in your

A RKTKT* M A GAZINE 0 0 1 head and moving thin g s f o r w a r d . DB : i s t he re a ny t yp e o f c l o th i n g that y ou a void we a rin g ? DC : as I ’ve gotten old e r I ’ v e b e c o m e less in t erested in fashi o n. w he n I w as y ou n ger I wo re a lo t o f c l o the s b y c o n temporary japanese d e s i g n e r s b u t today I mostly under s t a t e d c l o t h i n g ,

A r t i s t s an d p eop l e outside the field of architecture tend to h ave a l es s c on t am in at ed vi ew of i t

almost like a uniform. I try to avoid anything too noisy or that brings too m uc h atte n t i o n .

e n c e s I ’ l l t a l k a b o u t o u r w ork wit h ot h e r a r c h i t e c t s a n d l i s t e n t o what they are working on.

D B: d o y o u ha ve a n y pe t s ? D C: n o . I w a s b r o u g h t u p o n a f a r m and don’t think it’s a good idea to keep ani m al s i n t h e c i t y .

D B : w he n y o u w e r e a c h i l d d i d y o u a lw ays w ant t o b e c o m e a n a r c h i t e c t ? D C: g r o w i n g u p o n a f a r m , I i n i t i a l l y w ante d to b e a v e t e r i n a r i a n . I s t a r t e d to think about becoming an architect j us t b e f o r e m y A-l e v e l s , I ’ d h a v e b e e n around sixteen. I was quite good at art and m y tea c h e r p u s h e d m e i n t h a t d i re c ti o n. I d i d n ’ t k n o w m u c h a b o u t a rchitecture at that time but it seemed l i k e a ve ry i n t e r e s t i n g p r o f e s s i o n . D B: wh ere do yo u w o r k o n yo ur pr o j ec ts ? D C: w h e n I’ m w o r k i n g a l o n e i t c a n b e anywhere really, at the office, at a cafe, on a flight. I split my time between london, berlin, milan and shanghai working with our teams. other times I may need to go to the site of a project w he re ve r t h a t m i g h t b e . DB: do you talk about your work wi th p eo pl e o u t s i de yo ur o f f i ce ? D C: y e s , t h e r e ’ s a f e w n o n - a r c h i t e c t f r i e n d s t h a t I’ l l m e n t i o n t h i n g s t o — artists and people outside the field of arc hi te c tu r e t e n d t o h a v e a l e s s c o n taminated view of it. inevitably when I ’m at arc h i t e c t u r e e v e n t s a n d c o n f e r -

A RKT KT* MAG AZ IN E 0 01

A RKTKT* M A GAZINE 0 0 1

A RKT KT* MAG AZ IN E 0 01

1. L orem ipsum dol o r si t am et , consectetur adipis c i n g el i t . 2. L orem ipsum dol o r si t am et , consectetur adipis c i n g el i t . 3. L orem ipsum dol o r si t am et , consectetur adipis c i n g el i t .

RETROSPECTIVE A rticle Si r D avi d A l an C hi p p e rf i e l d CBE R A R D I RIBA ( b o r n 18 D e c e m b e r 1953) is a B ri ti s h arc hi te c t. D a v i d Ch i p p e r f i e l d h a s b e e n r e c o g n i s e d f o r h i s w o r k w i t h a n a r r a y o f ho n o u r s a n d a w a r d s i n c l u d i n g m e m b e r s h i p o f t h e R o y a l A c a d e m y o f A rts , the O rd e r o f M e ri t o f the F e d e r a l Re p u b l i c o f G e r m a n y , a k n i g h t ho o d f o r s e r v i c e s t o a r c h i t e c t u r e , a n d t h e P r a e m i u m I m p e r i a l e f r o m the J ap an A rt A s s o c i ati o n i n 2 013. [ 1] D avi d C hi p p e rf i e l d A rc hi te c ts i s a g l o b a l a r c h i t e c t u r a l p r a c t i c e w i t h of f i c e s i n L o n d o n , B e r l i n , M i l a n , a n d S h a n g h a i , a n d p r o j e c t s i n m o r e than 2 0 c o untri e s o n 4 c o nti n e n t s . T h e p r a c t i c e â&#x20AC;&#x2122; s p r o j e c t s h a v e r ece i v e d m o r e t h a n 1 0 0 a r c h i t e c t u r e a n d d e s i g n a w a r d s , i n c l u d i n g t h e 20 0 7 RIBA St i r l i n g P r i z e ( f o r t h e M u s e u m c o n t i n e n t a l a r c h i t e c t s s u c h as M o ne o , S no z z i and S i z a th r o u g h t h e 9H G a l l e r y s i t u a t e d i n t h e fro nt ro o m o f hi s L o nd o n o f f i c e . [ 5]

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A RKT KT* MAG AZ IN E 0 01

Quis autem ve l e um i ure re p re he nd e ri t qu i i n e a v o l u p t a t e v e l i t e s s e q u a m n i h i l m o l e s t i a e co nsequatur, ve l i l l um q ui d o l o re m e um f u g i a t q u o v o l u p t a s n u l l a p a r i a t u r ? S ed ut persp i c i a t i s u n d e o m n i s i s t e n a t u s e r r o r s i t v o l u p t a t e m a c c u s a n t i u m d o l o r e m q u e lauda ntium, to tam re m ap e ri am , e aq ue i p s a q u a e a b i l l o i n v e n t o r e v e r i t a t i s e t q u a s i a rchitecto bea tae vi tae d i c ta s unt e xp l i c ab o . N e m o e n i m i p s a m v o l u p t a t e m q u i a v o l u p t a s 16

A RKTKT* M A GAZINE 0 0 1

sit aspernat u r a u t o d i t a u t f u g i t , s e d q u i a c o n s e q u u n t u r m a g n i d o l o r e s e o s q u i r a t i o n e voluptatem s e q u i n e s c i u n t . Neque porro q u i s q u a m e s t , q u i d o l o r e m i p s u m q u i a d o l o r s i t a m e t , c o n s e c t e t u r , a d i p i s c i velit, sed qu i a n o n n u m q u a m e i u s m o di t e m p o r a i n c i d u n t u t l a b o r e e t d o l o r e m a g n a m aliquam qua e r a t v o l u p t a t e m . U t e n i m a d m i n i m a v e n i a m , q u i s n o s t r u m e x e r c i t a t i o n e m ullam corpo r i s s u s c i p i t l a b o r i o s a m , n i s i u t a l i q u i d e x e a c o m m o d i c o n s e q u a t u r ?

Quis autem ve l e um i ure re p re he nd e ri t qu i i n e a v o l u p t a t e v e l i t e s s e q u a m n i h i l m o l e s t i a e co nsequatur, ve l i l l um q ui d o l o re m e um f u g i a t q u o v o l u p t a s n u l l a p a r i a t u r ?

A RKT KT* MAG AZ IN E 0 01

Reflexionen Zwei Re s i d e nti al b ui l d i ng Pl ac e : H am b urg

A rticle Se d ut p e rs p i c i ati s und e o m n i s i s t e n a t u s e r r o r s i t v o l u p t a t e m a c c u s a n t i u m do l o r e m q u e l a u d a n t i u m , t o t a m r e m a p e r i a m , e a q u e i p s a q u a e a b i l l o i n v e n t o r e ve ri tati s e t q uas i arc hi te c to be a t a e v i t a e d i c t a s u n t e x p l i c a b o . N e m o e n i m i p sa m vo l up tate m q ui a vo l up tas s i t a s p e r n a t u r a u t o d i t a u t f u g i t , s e d q u i a c o n s equ untur m agni d o l o re s e o s q u i r a t i o n e v o l u p t a t e m s e q u i n e s c i u n t . Ne q ue p o rro q ui s q uam e s t, q u i d o l o r e m i p s u m q u i a d o l o r s i t a m e t , c o n s e c t e t u r , ad i p i s c i v e l i t , s e d q u i a n o n n u m q u a m e i u s m o d i t e m p o r a i n c i d u n t u t l a b o r e e t dol o re m ag nam al i q uam q uae r a t v o l u p t a t e m . U t e n i m a d m i n i m a v e n i a m , q u i s nos trum e xe rc i tati o ne m ul l am c o r p o r i s s u s c i p i t l a b o r i o s a m , n i s i u t a l i q u i d e x ea c o m m o d i c o n s e q u a t u r ?

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Sir David A lan Chipperfield CBE RA RD I RIBA (born 18 December 1953) is a B r i t i sh ar c h itect. David Chipperfield has been r ec o gn i sed

Qu is au tem v el eum iure re p re he nd e ri t q ui i n e a vo l u p t a t e v e l i t e s s e q u a m n i h i l m olest iae co nsequa tur, ve l i l l um q ui d o l o re m e um f u g i a t q u o v o l u p t a s n u l l a p ariat ur?

awards including membership o f t h e R o y a l Academy of Arts.

Lorem ipsum dolor sit amet, consectetur

Lorem ipsum dolor sit amet, c o n s e c t e t u r

a d i pi sc i ng elit, sed do eiusmod tempor in-

adipiscing elit, sed do eiusmo d t em po r i n-

cididunt ut labore et dolore magna aliqua.

cididunt ut labore et dolore m a g n a a l i q u a .

Ut e ni m a d minim veniam, quis nostrud exe r c i ta ti on ullamco

for his work with an array of h o n o u r s a n d

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PAST PARTICIPLE 1 8 D e c e m b e r 1 9 5 3 ( ag e 6 1 ) Lo nd o n, E ngl and

A rticle Sed ut perspiciatis unde omnis iste natus error si t vo l up tate m ac c us anti um d o l o r e m q u e l a u d a n-

b u s s a e p e e v e n i e t u t e t v o l u p t a t e s r epudiandae s i n t e t m o l e s t i a e n o n r e c u s a n d a e . It aque earum

ti um , to tam re m ap e ri am , e a q u e i p s a q u a e a b ill o i nve nto re ve ri tati s e t q ua s i a r c h i t e c t o b e ata e v i t a e d i c t a s u n t e x p l i c a b o . N e m o e n i m i p s a m vo l up tate m q ui a vo l up tas s i t as p e r n a t u r a u t o d i t au t f u g i t , s e d q u i a c o n s e q u u n t u r m a g n i d o l o r e s eo s q u i r a t i o n e v o l u p t a t e m s e q u i n e s c i u n t .

r e r u m h i c t e n e t u r a s a p i e n t e d e l e c t u s, ut a ut rei c i e n d i s v o l u p t a t i b u s m a i o r e s a l i a s consequatur a u t p e r f e r e n d i s d o l o r i b u s a s p e r i o r e s repella t

S e d u t p e rs piciatis u n d e omnis iste n a t us e rror sit volu p tat em

N e q u e p o r r o q u i s q u a m e s t , q u i d o l orem ipsum q u i a d o l o r s i t a m e t , c o n s e c t e t u r , a dipisci velit, s e d q u i a n o n n u m q u a m e i u s m o d i t empora in c i d u n t u t l a b o r e e t d o l o r e m a g n am aliquam q u a e r a t v o l u p t a t e m . U t e n i m a d m i n ima veniam, q u i s n o s t r u m e x e r c i t a t i o n e m u l l a m c orporis sus c i p i t l a b o r i o s a m , n i s i u t a l i q u i d e x ea commodi c o n s e q u a t u r ? Qu i s a u t e m v e l e u m iure repreh e n d e r i t q u i i n e a v o l u p t a t e v e l i t e s se qua m nih i l m o l e s t i a e c o n s e q u a t u r , v e l i l l u m qui dolorem e u m f u g i a t q u o v o l u p t a s n u l l a p a r i a tur?â&#x20AC;? L o r e m i p s u m d o l o r s i t a m e t , c o n s e ct et ur a dipis c i n g e l i t , s e d d o e i u s m o d t e m p o r incididunt u t l a b o r e e t d o l o r e m a g n a a l i q u a . Ut enim ad m i n i m v e n i a m , q u i s n o s t r u d e x e r c i t a t ion ulla m c o l a b o r i s n i s i u t a l i q u i p e x e a c o m modo conse-

dol o re m e um f ugi at q uo vo l u p t a s n u l l a p a r i atur? â&#x20AC;?

q u a t . D u i s a u t e i r u r e d o l o r i n r e p r ehenderit in v o l u p t a t e v e l i t e s s e c i l l u m d o l o r e e u fugiat nulla p a r i a t u r . E x c e p t e u r s i n t o c c a e c a t c upidatat non

A t ve ro e o s e t ac c us am us e t i u s t o o d i o d i g n i ssi m o s d uc i m us q ui b l and i ti i s p r a e s e n t i u m v olu p tatum d e l e ni ti atq ue c o rrup t i q u o s d o l o r e s e t qu as m o l e s ti as e xc e p turi s i nt o c c a e c a t i c u p i d i ta t e n o n p r o v i d e n t , s i m i l i q u e s u n t i n c u l p a q u i of f i c i a d e s e r u n t m o l l i t i a a n i m i, i d e s t l a b o r u m e t do l o r u m f u g a . Et h a r u m q u i d e m r e r u m f a c i l i s e s t et e x p e d i t a d i s t i n c t i o . N a m l i b e r o t e m p o r e , c u m sol uta no b i s e s t e l i g e nd i o p ti o c u m q u e n i h i l i m pe d i t q u o m i n u s i d q u o d m a x i m e p l a c e a t f a c e r e po s s i m u s , o m n i s v o l u p t a s a s s u m e n d a e s t , o m n i s dol o r re p e l l e nd us . T e m p o ri b u s a u t e m q u i b u sda m e t aut o f f i c i i s d e b i ti s aut r e r u m n e c e s s i t a t i -

p r o i d e n t , s u n t i n c u l p a q u i o f f i c i a d eserunt mollit anim id est laborum.

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Sed ut perspiciatis u n d e o m n i s i s t e n a t u s e rror sit vo lupta tem ac c us anti um d o l o remque laudantium, t o t a m r e m a p e r i a m , e aqu e ipsa qua e a b i l l o i nve nto re

S ed ut persp i c i a t i s u n d e o m n i s i s t e n a t u s e r r o r s i t v o l u p t a t e m a c c u s a n t i u m d o l o r e m q u e lauda ntium, to tam re m ap e ri am , e aq ue i p s a q u a e a b i l l o i n v e n t o r e v e r i t a t i s e t q u a s i a rchitecto bea tae vi tae d i c ta s unt e xp l i c ab o . N e m o e n i m i p s a m v o l u p t a t e m q u i a v o l u p t a s sit aspernat u r a u t o d i t a u t f u g i t , s e d q u i a c o n s e q u u n t u r m a g n i d o l o r e s e o s q u i r a t i o n e voluptatem s e q u i n e s c i u n t . Neque porro q u i s q u a m e s t , q u i d o l o r e m i p s u m q u i a d o l o r s i t a m e t , c o n s e c t e t u r , a d i p i s c i velit, sed qu i a n o n n u m q u a m e i u s m o di t e m p o r a i n c i d u n t u t l a b o r e e t d o l o r e m a g n a m aliquam qua e r a t v o l u p t a t e m . U t e n i m a d m i n i m a v e n i a m , q u i s n o s t r u m e x e r c i t a t i o n e m ullam co rpori s s us c i p i t l ab o ri o s am , ni s i u t a l i q u i d e x e a c o m m o d i c o n s e q u a t u r ? Qu i s a utem vel eum i ure re p re he nd e ri t q ui i n e a v o l u p t a t e v e l i t e s s e q u a m n i h i l m o l e s t i a e c o n s equa tur , v el i l l um q ui d o l o re m e um f ugi at q u o v o l u p t a s n u l l a p a r i a t u r ? â&#x20AC;? At vero eos e t a c c u s a m u s e t i u s t o o d i o d i g n i s s i m o s d u c i m u s q u i b l a n d i t i i s p r a e s e n t i u m v o lupta tum d e l e ni ti atq ue c o rrup ti q uo s d o l o r e s e t q u a s m o l e s t i a s e x c e p t u r i s i n t o c c a ecati cupiditate no n p ro vi d e nt, s i m i l i q ue s u n t i n c u l p a q u i o f f i c i a d e s e r u n t m o l l i t i a a n i m i , id est labo rum e t d o l o rum f uga. E t harum q u i d e m r e r u m f a c i l i s e s t e t e x p e d i t a d i s t i n c t i o . Nam libero t e m p o r e , c u m s o l u t a n o b i s e s t e l i g e n d i o p t i o c u m q u e n i h i l i m p e d i t q u o m i n u s id quo d ma xi m e p l ac e at f ac e re p o s s i m us .

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1. Lore m i p s u m d o l o r s it a m e t, c onsec t et u r a d i p i s c i ng e l i t. 2. Lore m i p s u m d o l o r s it a m e t, c onsec t et u r a d i p i s c i ng e l i t.

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