SHORT NEWS / FILM#69 PAGE 31
MUSIC FOR A SAINT The raw power of La Passion de Jeanne d’Arc have inspired Portishead and Goldfrapp members Adrian Utley and Will Gregory to create a brand new score for Dreyer’s silent masterpiece.
Will Gregory and Adrian Utley Photo: Crush Images
The unique collaboration between the two renowned musicians was set off by their desire to score a silent film. “Out of an exhaustive list, Jeanne d’Arc was by far the best. No creaky plot, no melodrama, no weak moments or dated gestures,” the artists explain to FILM. “It’s unbelievable the amount of care expended on all aspects of the production: casting, lighting design and script. Plus, the text is taken verbatim from the trial records … a really serious aesthetic position for the foundation of a film about Joan of Arc.” As the two musicians explain, the film’s long takes have their own advantage. “The film is presented in long scenes that allow the momentum of set musical pieces to build up and follow their own logic, without being perpetually shackled to jerky editing and plot inter-cutting that make so many silent films an unrewarding
undertaking for a composer,” Utley and Gregory say. The new score premiered at a one-off event at Colston Hall in Bristol on 7 May, where the film was accompanied live by a group of musicians counting Utley and Gregory, six electric guitars, a choir, percussion, horns and keyboards. “Our aim is to provide a narrative that supports the film but also has a life of its own and can stand back from a distance as well as get right inside the moment. In short, engage the audience in an emotional conversation that hopefully mirrors their own inner dialogue as they watch.” Adrian Utley and Will Gregory’s score is a singular addition to an already vast list of musical pieces created for Dreyer’s final silent film. Celebrating the opening of the new website on the Danish auteur, the Cinematheque in Copenhagen launched in May a series with ten Jeanne d’Arc screenings, each accompanied by live music ranging from classical piano over folk jazz to cool electronica. Read more on the new Dreyer website carlthdreyer.dk on the previous pages.
mozarT on FILM By kasper holten Kasper Holten, the director of the Royal Danish Opera since 2000, will be premiering his take on Mozart’s Don Giovanni, Juan, in Danish cinemas in the fall. Juan is the result of a close collaboration between Holten and screenwriter Mogens Rukov focusing on creating an exciting opera film rather than a filmed opera. As Holten has explained, Don Giovanni was chosen not only for its dramatic 24-hour plot and wonderful music, but very much for its main
character who in Holten’s opinion provides an interesting take on a modern, manipulative man as well as a haunting perspective on drowning in one’s desires. The film is set in a big city in the present and the singing has been recorded live on set to achieve a high level of intimacy and authenticity. Having directed more than 50 stage productions all over the world, Holten is directing his first feature film with Juan. Film producer Malene Blenkov of Blenkov & Schønnemann convinced him to try to transfer his remarkable
Juan Photo: Steffen Aarfing
talent on stage to the screen after having been blown away by his production of Wagner’s Ring Cycle. Holten has described the process of shooting the film in Hungary as a great
experience even though filmmaking has surprised him by basically being like having an opening night every day. See more in reverse section.