BN1 Magazine March 2024 by BN1 Magazine

Reginald D. Hunter

PLUS:

TOM HOUGHTON / PENUMBRA

LUCY’S PHARMAKON / FEMFEST

March 2024 BN1 MAGAZINE

WORTH THE DETOUR

Detour Vintage new to Hanningtons

Brighton’s hidden gem

Explore our vibrant retail, culture and foodie hotspot in the heart of the Lanes. Our pedestrian Lane adorned with iconic art murals and green wall is home to makers, designers, food artisans and pioneers. Breathe in some fresh air and step into Spring at Hanningtons Brighton.

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Brighton & Hove’s premier Club dedicated to health, ﬁtness and wellness Discover membership options and book your personal tour

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BN1 MAGAZINE 3

11 – 14 JULY TICKETS NOW ON SALE GOODWOOD.COM

CONTRIBUTORS:

STUART ROLT

ROSIE PALDI EDWARDS

DEAN HARRINGTON

ARYA ALIZADA

CLARE BEST

EDITOR IN CHIEF:

CHRIS SADLER

CHRIS@BN1MAGAZINE.CO.UK

EDITOR:

STUART ROLT

STUART@BN1MAGAZINE.CO.UK

COVER:

REGINALD D. HUNTER

PHOTO BY KASH YUSAF

NEWSDESK/

GENERAL ENQUIRES:

INFO@BN1MAGAZINE.CO.UK

BN1 MAGAZINE

UNIT 28. FLOOR 6

CONTENTS 38

NEW ENGLAND HOUSE

BRIGHTON

BN1 4GH

01273 022991

INTERNATIONAL WOMEN’S DAY AT BRIGHTON DOME

On Sat 9 March, you’re invited to join Brighton Women’s Centre at Brighton Dome for their annual International Women’s Day Celebration. This allday, free event will celebrate women’s achievements with inspiring speakers, activists and innovators, workshops, art, crafts, campaigns and fun for all the family.

Highlights of the day include Sing Your Heart Out in the Concert Hall, where Aneesa Chaudhry leads her hugely popular singing workshop. Also in this space is an introduction to Bollywood dance, with four dance routines performed to different types of modern Bollywood music by the Hangleton and Knoll Multi Cultural Women’s Group.

The Founders Room East will host ‘Empower Yourself Through the Menopause’ - an informative session which aims to empower women who are, or suspect they may be, experiencing peri or menopause symptoms. There’ll also be a talk from BWC Director, Lisa Dando, who’ll be highlighting the important work her organisation does.

In Founders Room West, Maggie Gordon-Walker will be talking about her ongoing Parliament petition and Universal Credit campaign, with contributions from mothers affected by the issue. Later on, Meral Alizada will be discussing female power and the potential in curating the future of workplaces which are led by a philosophy of kindness, empathy and positive management.

Up on the Mezzanine, Brenda Pollack will be hosting Prioritising Your Mental Wellbeing - a talk about why good mental health is important and what steps you can take to help yourself and others. This is followed by Taking a Stand: Reading & Delivering Feminist Poetry, an informative discussion on how to speak publicly in an expressive way, from award-winning poet and performer Tessa Foley. Later on, there’s speed mentoring from The Girls’ Network, offering young women career advice and chance to meet inspiring professionals.

Next door, in the newlyrefurbished Corn Exchange, the day starts positively with Soulshine Dance. Through inspirational music, movement and meditation/mindfulness you can connect to feel-good energies within your body, mind, heart and soul and share them with others. The mid-morning gets lifted with the We Bop Choir, who’ll perform an uplifting set of

a cappella pop and soul covers in glorious 4-part harmony. Later on is a Palestinian Folk Step Dance, where traditional Dabke will combine circle dance and line dancing. Taking everyone into lunchtime is the Lewes Sing Space Musical Theatre Choir, where a group of 30 men and women will be performing well known empowering songs from musicals, followed by a showcase of young musicians from AudioActive, including Lori Asha, Bessy Again, Shifa and Amy Whitehall-Sands.

In the Studio Theatre, AudioActive will be holding an all-day Music Making Taster Session, with facilitators from AudioActive’s singing/well-being project ‘Vocalise’ and the female led music technology project ‘Equaliser’ will present a taster session in music making for young people. Soul Circus will be sharing the ancient story of The Bone Woman, sometimes known as La Loba (wolf woman). You’re invited to practise some Kundalini Yoga and Meditation before lying down

Over in the main foyer, there’s a wealth of drop-in activities, with no pre-booking required. These include Clay Wild Studio, Zena Jewellery Making, an unforgettable feminist origami making experience with Femigami and learning about Chinese art and calligraphy posters with Plum Blossoms

There’s also an all-day children’s area, Chill Out Zone and Cultural Sharing area. This safe and inclusive space is open to everyone in the local community, although restrictions apply for some workshops. If you wish to attend talks or workshops, then sign up with a volunteer outside the room where the workshop or talk will be held. Workshops are being offered on a pay as you feel basis, with the suggested donation of £5 going towards Brighton Women’s Centre’s work supporting vulnerable women.

8 BN1 MAGAZINE

For more information, please visit: www.brightoninternationalwomensday.org NEWS

International Women’s Day - Credit by Sukey Bollywood Dance Concert Hall

Excitement awaits at Withdean

We’re thrilled to announce a unique opportunity for one lucky child and five friends (along with their parents/guardians) to experience the grand unveiling of their new soft play centre before anyone else.

Prepare to walk the red carpet and be among the first to explore the brand-new play and game zone areas, designed for endless fun and safety for children of all ages. Perfect for a family day filled with sporting activities!

Enjoy special introductory prices and consider hosting unforgettable parties starting at only £12 per child. Don’t miss out on making your child’s dream soft play centre a reality. Scan the provided QR code, let your child’s creativity shine by drawing their ideal play centre, and submit it at the dedicated link (scan QR code) for a chance to win this

Scan the QR code (www.freedom-leisure. co.uk/centres/withdean-sports-complex) for more details and to enter. Get ready for an adventure that promises laughter, joy, and memorable moments at Withdean’s new soft

The renowned Tulip Festival at Arundel Castle will be making a grand return for 2024. Running from mid-April to early May (subject to the season), this has become known as one of Europe’s premier showcases of tulips, unfolding against the enchanting backdrop of the

Visitors will be immersed in a sea of colours as the festival features over 120 varieties of tulips meticulously planned by the castle’s acclaimed Head Gardener, Martin Duncan, and planted by his dedicated team.

“Our team has dedicated countless hours throughout the winter to craft a stunning tulip display that is sure to captivate visitors of all ages,” he says. “This includes six new multi-tiered displays containing over 6,000 tulips. We encourage everyone to join us and witness first-hand the joy & beauty that these tulips bring to our

The result is a dazzling spectacle of over 100,000 tulips, transforming the grounds into a mesmerising canvas of hues and beauty as the dormant bulbs, hidden beneath the earth during winter, burst into bloom.

Among this year’s featured tulips are an array of captivating varieties, including Foxy Foxtrot, Purple Passionale, White Triumphator, Angelique, Madame Lefeber, Curley Sue, and Flaming Spring Green, to name just a few.

For tickets and more information, visit: www. arundelcastle.org

BN1 MAGAZINE 9

BRIGHTON PHILHARMONIC ORCHESTRA CHAMPIONS FEMALE COMPOSERS

Brighton Philharmonic Orchestra will be celebrating women in music on International Women’s Day with Mighty River, a programme featuring all female composers. Under the leadership of Music Director Joanna MacGregor, BPO will be performing vivid, exciting music by celebrated composers at Brighton Dome on Fri 8 March.

These include Meredith Monk, Nina Simone, Eleanor Alberga and Errollyn Wallen, as well as Florence Price’s recently discovered Mississippi River Suite, before welcoming talented singer, cellist and composer Ayanna WitterJohnson to perform her own works.

British Jamaican composer and pianist Eleanor Alberga is a huge presence in today’s music, with commissions for the Last Night of the Proms and the Royal Opera, Covent Garden. Her filigree Clouds was commissioned by London Contemporary Dance, and deftly matches their scudding, drifting and storming.

The concert’s title is inspired by the much-loved Belize-born British composer, pianist and singer Errollyn Wallen. Her magnificent Mighty River, written in 2007, explores themes of slavery and freedom, to mark the bicentenary of the Abolition of the Slave Trade Act. Quoting Amazing Grace at the beginning, gathering momentum like a river flowing to the sea, Errollyn writes: ‘it is as if the perpetual motion of the music, like water, like time, through its sheer momentum carries with it the cries and echoes of human hearts and voices, that are singing out of suffering, repentance, humility and hope.’

The special guest for BPO’s milestone celebration is the award-winning composer, cellist and singer-songwriter Ayanna Witter-Johnson, coming from a generation of young black British musicians revolutionising the British cultural landscape. Witter-Johnson has opened the MOBO awards, composed for the London Symphony Orchestra and performed alongside some of music’s biggest names including Anoushka Shankar, Courtney Pine, Andrea Bocelli and Peter Gabriel.

“I’m thrilled to be directing a concert of such brilliant women composers,” said Music Director Joanna MacGregor. “Their work is imbued with warmth, wit, soaring melody and burnished orchestration, informed by lived experience, engagement and optimism. The transformative power of their music is irresistible. I hope you can join us in celebrating fabulous women of different generations, all united by their innovation and life force.

Born in Little Rock, Arkansas before the turn of the 20th century, the composer, pianist organist and teacher Florence Price was groundbreaking. In 1933 she was the first African American female composer to be performed by the Chicago Symphony Orchestra, and her powerful and lyrical Mississippi River Suite was written the following year. Opening with a poetic evocation of the dawn, it sumptuously weaves together African-American spirituals and Mississippi River songs, in a richly romantic style.

Brighton Philharmonic has a long history of strong female leadership. Molly Paley was the orchestra’s first leader in 1925 when it was founded, and nearly a century on the orchestra’s Music Director, Leader and Co-leader are all women.

For further information, head to: www.brightonphil.org.uk

10 BN1 MAGAZINE NEWS

Joanna MacGregor Photo by Pal Hansen Ayanna Witter-Johnson

BPO and BN1 Magazine are offering our readers a huge 30% saving when booking tickets for the Mighty River show. Simply enter the code IWD2024 whilst making your order! SPECIAL TICKET OFFER

Photo by Nick Howe

THE DYKE BOP

Brighton welcomes scores of visitors to the Lesbian Lives Conference this month - an event highlighting the ongoing struggles against homophobia, transphobia and misogyny across the globe. So, on Sat 23 March, the legendary Traumfrau crew are throwing a party for them…

Running at the North Laine Brewhouse from 9pm - 2am, this glittering night will feature their trademark extravaganza of DJs, dancing, art and performances. Artists include the ever innovative DJ Ritu, a pioneer of truly diverse, inclusive clubbing and radio, along with Brighton icon DJ Shields bringing out the very best in femme-fronted tracks- from queered-up hip hop, electro and ballroom beats to the most perfect of pop. B4B (AKA Bangers For Breakfast) will be serving up the tastiest selection of UK garage, bass, dancehall, jungle and bootlegs, by all of your favourite huns.

Compered by Brighton’s own glamour dyke, Billie Gold, the live selection for the evening includes alternative circus performer, drag king and live artist, Symoné, who’ll be offering a unique mix of high-heel roller skates and hula hoops, pole dance, and voguing. Fresh from a ramble over Ditchling Beacon, Dad (Brighton’s king of GORE-TEX®) will be accidentally bumping your funny bone with endless slices of toast and a double thumbs up for trans rights.

Completing the line-up is the brilliant Emma Frankland, a Brighton-based writer, theatre maker and performer. Whose work is playfully destructive and gloriously irreverent.

On top of this, there’s a quiet and friendly space to rest or chill out, live art making and other delights to bring out your creativity, along with more attractions to be announced soon. Get your details at: www.traumfrau.co.uk

London Gatwick calls for Sussex groups to apply for £250,000 of funding

The Gatwick Airport Community Trust is calling on local groups and projects to apply for grant funding. There is a total of £250,000 of funding available across parts of West Sussex, East Sussex, Surrey and Kent. The application process is now open, with a deadline of Sun 31 March.

Last year around £200,000 went to more than 100 groups and charities across the region which was used to carry out essential work during the cost-of-living crisis.

Melanie Wrightson, stakeholder engagement manager at London Gatwick said: “The cost-of-living crisis continues in the UK and we know that our funding of the Gatwick Airport Community Trust last year made a real difference to grassroots organisations, charities and voluntary projects around the Sussex region.

“We encourage groups to apply for funding this year at a time when they are under financial pressure. The trust has been helping groups in the Sussex region since 2002 and the trustees are looking forward to making a difference in 2024 when they consider this year’s applications.”

The Gatwick Airport Community Trust encourages and supports schemes which benefit diverse sections of the local community, and are targeted towards the development of young people, the arts, sporting facilities, environmental improvement and conservation, enhancements to community facilities, volunteering, the elderly and the disabled.

Amongst last year’s recipients was Sussex Chorus, a choral society founded more than 100 years ago, which received £1,750 from the trust at a critical time, allowing it to continue its programme of concerts with full orchestras and soloists.

“I was extremely grateful to the Gatwick Airport Community Trust for a generous donation to the

choir,” said Chorus chairman, Andrew Fox. “This enabled us to perform Mozart’s Great Mass in June 2023.

“This work, one of the greatest choral works in the classical repertoire, required an enormous amount of work from the choir and the professional musicians who performed with us.

“The grant was vital in ensuring we had the budget to stage the work and meant that we could provide access to a live performance of this work to our audience in Sussex.”

Funding also went to Rockinghorse Children’s Charity, which used the £2,000 to buy toys for the Child Development Centre in Haywards Heath to help children feel more at home.

Sharon Gearing, head of trust fundraising at Rockinghorse, said: “The toys are helping to replace anxiety with joy for children attending the clinics, and helping staff to understand more about each child’s specific developmental needs, thereby helping to improve health and life outcomes for children and their families. We can’t thank the Gatwick Airport Community Trust enough.”

The Gatwick Airport Community Trust was originally set up in 2002 as part of the legal arrangements between West Sussex County Council, Crawley Borough Council and London Gatwick following publication of the airport’s Sustainable Development Strategy. It aims to make a positive contribution to the quality of life of the communities affected by the airport and its continuing growth.

This year applications will only be accepted online. For more information about the Gatwick Airport Community Trust, visit: www.gact.org.uk

NEWS

DAD DJ SHIELDS SYMONE

BILLIE GOLD

DJ RITU

New photographic competition celebrates Brighton & Hove’s trees

Photographers are being invited to enter an exciting new competition exploring and celebrating Brighton & Hove’s trees. ‘I Love This Tree Because...’ has launched ahead of the first Brighton & Hove Tree Festival later this year. Finalists’ work will be exhibited at the Jubilee Library in June and at the CPRE Sussex AGM in July, alongside the CPRE Sussex website.

The overall winner will receive a £150 prize. Two runnersup will receive £75 each and fourth place will receive a free haircut from North Laine Hair Company.

“This is a fantastic opportunity to raise awareness of the immense value trees bring to Brighton & Hove,” said volunteer stakeholder group member Vivienne Barton. “It is also a chance to celebrate the creativity and photographic talent our city is so well known for.

“We are excited to learn the hidden tales behind the trunks of our city’s trees and see how each photographer approaches the brief.”

Entrants must submit at least one portrait of a tree taken in the wider Brighton & Hove area. The entry should also include a caption of 50 words or less which begins ‘I love this tree because...’, the type of tree and its location.

Participants can also choose to include two additional evocative pictures of the tree which further expand on their story. Entries close on Sun 10 May. Winners will be announced at the Fantastic Elms and Other Amazing Trees Forum on 18 May.

CPRE Sussex engages with decision makers, influencing them and challenging them to protect the Sussex countryside and green spaces. They inform on environmental issues and empower individuals and communities with robust evidence to defend and enhance the green spaces they love. Believing in collaboration with others, they hope to ensure a greener future for our county through research and advice on planning issues.

The photographic competition forms part of the Brighton & Hove Tree Festival 2024. This takes place over Sat 11 – Sun 12 May and Sat 18 – Sun 19 May, to coincide with the London Urban Tree Festival and Brighton Fringe. The aim is to increase public awareness of the immense value of trees to the city and its residents. The full festival programme will officially launch at the start of March.

For full entry conditions, head to www.cpresussex.org.uk

NEWS

FEMFEST 2024

Brighton’s only arts festival made by and for AFAB, Non-Binary and Trans+ people returns with a belter of a line-up. Celebrating its fifth year, everything heads to The Actors (on Brighton’s Princes St) on Thurs 7 – Sun 10 March.

lens of Mumsnet, and LINDA(?) from Ellie Brewster, which looks at how far women have been taught to cater to other people’s needs.

It boasts 27 events across four days. Highlights include: Tatenda Naomi Matsvai’s brand new poetry-theatre piece, Monument, and Banana Beard, a musicalcomedy show from Su Mi. There’s also brand-new work from Selena Mersey, with Bisexuelle (work in progress), Mersey was a FemFest Early Career Artist in 2023 and went on to win the Brighton Fringe Lamb Comedy Award 2023 and the Brighton Fringe Seagull Best Concept in 2023 with her previous show Madonna/Whore.

Elisabeth Gunawan and Saksi Bisou join the line-up, with Unforgettable Girl, after rave reviews at Edinburgh Fringe 2023, while Cairo-trained Belly Dancer, Lucy Andrina will be running a belly dancing workshop.

There’s three brand new Early Career Artists being mentored and assisted by FemFest to make their work tour-ready following the festival. These include Ineka Collective with Pleasure Chapters: No More Salad, which navigate beauty standards, health, and body image through dance and storytelling, Lucy Gaydecki with Lovely Day, a verbatim show exploring motherhood through the

Dad, the winner of Brighton Drag Pageant 2023, is also bringing a brand-new cabaret night to the festival. Gender Blender promises to platform the best, weirdest and most wonderful trans+artists from Brighton and beyond.

“We can’t believe that 2024 will be our fifth year of running FemFest in Brighton,” says Maddie Ross, Artistic Director of FemFest. “ We have theatre, cabaret, workshops, clown, poetry, comedy and much much more at our little Feminist Utopia. There really is something for everyone, by buying a ticket you are supporting AFAB, Non-Binary and Trans people as well as supporting FemFest and ensuring we can keep bringing you rebellious and experimental work year on year.”

For more details visit: www.femfestbrighton.co.uk

BN1 MAGAZINE 15

NEWS

Are you struggling to lose weight?

NMWLP is a medical route to weight loss and is supported by medication, of which there is a variety available. With a healthy nutrition plan, exercise regime and motivational support it is possible to control the appetite, curb hunger, reduce portion sizes and release stored fat.

Regular monitoring and supervision will help you to maintain healthy eating and exercise habits, alongside any medication management, to ensure that you are losing fat and not muscle or experiencing any adverse effects.

A consultation is the ﬁrst step

Suitability will be assessed initially by an online questionnaire. If appropriate you will then have the opportunity of a consultation of up to one hour.

We will assess your medical history, height, weight, BMI, BMR, body composition and sometimes blood tests will be requested. The risks, beneﬁts and alternatives are explained and an individual treatment plan will be discussed with you.

In addition Klinik can help with vitamin infusions and supplements if indicated. Klinik has partnered with the best gyms, personal trainers and nutritionists to offer you membership beneﬁts to help you achieve your goal.

To request further information send an enquiry to: info@aestheticklinik.co.uk

16 BN1 MAGAZINE 12 GUILDFORD ROAD, BRIGHTON BN1 3LU

info@aestheticklinik.co.uk aestheticklinik@klinikbrighton aesthetic_klinik 07887 683317

THE PARENTS CLASS: the Brighton-based antenatal class standing up for

There’s a growing movement among expectant mothers in Brighton, a movement led by a new antenatal class provider that’s helping mums retake control of their birthing choices by reviving an age-old technique: upright birthing.

As far back as records go, women have been giving birth in a variety of standing, sitting, squatting, or kneeling positions, collectively known as upright birthing positions.

Led by their body’s instinctive movement, mothers throughout history have adopted this practice on account of it being a safer and less painful way to give birth.

Contrary to popular belief, giving birth lying down on one’s back is a relatively modern phenomenon and one that many mothers tend to find uncomfortable and restrictive.

What upright birthing offers instead is the freedom to choose a position that

upright birthing

instinctively feels right. This freedom has been shown to be hugely beneficial:

• Reducing labour time by up to 6 minutes

• Reducing the risk of emergency c-sections by 29%

• Reducing the risk of medical interventions by 23%

• Reducing the risk of baby becoming distressed during labour by 54%

Even the World Health Organisation (WHO) and the Royal College of Obstetricians and Gynaecologists (RCOG) are recommending upright positions for birth.

However, despite these recommendations, one of the main barriers to more women adopting upright positions continues to be a lack of awareness.

That’s why The Parents Class, who are a Brighton based antenatal

Antenatal

class provider, are such passionate campaigners for the adoption of upright positions.

Their Clinical Director, Cass McNamara, is on a mission to help more women have better births, a mission that helped guide the design of the courses; “We know there’s no ‘one-rule-for-all’ when it comes to being pregnant and giving birth so we aim to be a consistent source of education that meets their needs, whatever those needs may be.”

should be at the centre of their own experience and have the power to make informed choices about their care.”

Likewise, for General Manager Sammy Pettitt, it was crucial for The Parents Class to champion upright birthing not just because of its proven benefits, but also because of what its adoption represents; “We’ve taken a fresh approach to antenatal education, placing upright birthing at the forefront. Expectant parents

“I chose The Parents Class because I wanted to be prepared for when I have my baby. I made the best decision.”

Gina,

It’s this emphasis on parents having the power to make informed decisions that seems to drive everything The Parents Class do.

And if the momentum behind the upright birthing movement is anything to go by, mums are embracing The Parents Class’ fresh approach to antenatal education with open arms.

BN1 MAGAZINE 17

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make safer choices for a better birth. Download your FREE Upright Birthing eBook or book a course: theparentsclass.com Upright Birthing means a safer birth with less pain: = 23% reduction in medical intervention = 29% fewer emergency Caesareans = 54% reduced chance of baby distress

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International Women’s Day Specials at Komedia Brighton

Every Friday and Saturday you can discover the best in live comedy at Komedia Comedy Club in the heart of Brighton’s North Laine and this International Women’s Day weekend is no exception! Enjoy a hilarious line-up of female comedians on Fri 8th and Sat 9th March, featuring MC Maureen Younger, Michelle De Swarte (as seen in Netflix series The Duchess), Sara Barron (as seen on BBC’s Live at the Apollo) and Kate Lucas (Leicester Mercury New Comedian of the Year).

Past/present acts of Komedia Comedy Club include Jen Brister, Nina Conti, Tom Ward, Zoe Lyons, Maisie Adam, Aurie Styla, Kiri PritchardMcLean, Jordan Brookes, Shazia Mirza, Olga Koch, Rosie Jones, Laura Lexx, Jeff Innocent, Sam Campbell and many more!

Komedia is a much-loved Brighton institution and

is amongst the UK’s elite independent comedy venues, reliably hosting the greatest names on the circuit. Winners of the Chortle Award for Best Comedy Venue in the South a record 17 times, Komedia’s aim is to celebrate diverse line-ups, nurture the next generation of talent, and champion the best in cuttingedge comedy.

Komedia Comedy Club runs every Friday and Saturday, 8pm (Doors 7pm), Tickets from £15pp (freshly prepared food is also available on the night).

www.komedia.co.uk/brighton/ comedy/komedia-comedyclub/ or call the Box Office on 01273 647100.

Komedia can be found at 44-47 Gardner Street, Brighton, BN1 1UN.

Daffodils are out, the sun is trying to keep a consistent appearance and we are ready for outdoor activities to be back on the menu (hello Beginners Petanque and Kayaking). I’m craving those sunny but slightly chilly days where you can start to feel the heat when you are in direct sunlight. I’m a human pot plant right now, I need the sun!

Don’t get me wrong, I have loved a cosy winter, but I’m ready for a change. Bring on the classic big jumpers, tights, boots, no jacket but now needing sunglasses fashion vibes.

While we wait for the sun we’ve been busy at CBHQ working on our weekly Social Club events and growing our Business Club the Connected100. This month we are treating our Social Club members to Ping Pong, Walking Tours, Behind the scenes at the Royal Pavilion and Sunday Roasts

at the Rock Inn. And our Business Club members are making Bao Buns at Brighton Cookery School (making and eating!)

All our events are bespoke, curated, locally led and personally hosted. Find out how you can try out our unique social experiences that champion local and making friends as adults (which we know isn’t easy). And remember if you are looking for new romantic connections then head to our sister brand The Single Sessions, our next Singles Night is on the 7 March - come down!

Our top tips for going out this month on London Road - grab a cocktail at the roof terrace of The Joker and enjoy loaded fries from Lost Boys Island. We are also in love with the cute and stylish cafe Hello My Moon, perfect for a laptop stop and bite to eat with this friendly team.

Lastly, Happy International Womens Day! I’ll be at the House of Lords on IWD as part of the f:Entrepreneur

Right, grab your sunnies and let’s get Springy together Brighton. Love, Lyndsey www.connectedbrighton.co / www.thesinglesessions.co.uk

friendly City Concierge!

is ready for Spring? Because I’m ready for Spring!

Oh hello, Lyndsey here, your

Who

campaign by Small Business Britain, where I will be with my fellow female business owners celebrating being in the Top 100 Inspiring Female Entrepreneurs of 2024 list (someone pinch me)!

NEWS

Image by Matt Crockett

barbecue SMOKEHOUSE

VUDU FOOD OPENS IN BRIGHTON

Stepping into Vudu Food on Queens Road for the first time was like discovering a hidden gem that had been waiting to reveal its culinary treasures to me. Positioned in the busy high street near Brighton Station, this quaint restaurant and takeaway place exudes a warmth and authenticity that is immediately inviting. It’s not every day you come across a place that serves food with such passion and precision, especially when it ventures into the territory of a smokehouse that caters to both meat lovers and plant-based diet enthusiasts alike.

Vudu Food’s menu is a masterclass in simplicity and quality, offering five different dishes that can be enjoyed in a toasted buttery brioche bun, on double-cooked skin-on chips, or on beautifully seasoned rice. The inclusion of homemade (vegan) slaw, mixed green leaves, dill pickles, and jalapenos adds a refreshing touch to each dish, making every meal a balanced culinary experience.

The highlight of my visit was undoubtedly the slow-smoked brisket, lovingly enveloped in a homemade barbecue sauce that was a marvel of balance and depth. Served on a bed of herby rice, fresh salad, and pickles, each bite of the brisket was a journey through flavours and textures that I hadn’t experienced before in Brighton, reminiscent of the best New Orleansstyle barbecue. The brisket, tender to the point of melting in my mouth, was a testament to the culinary skills and dedication of the folks at Vudu Food.

Not to be overshadowed, the smoky pulled jackfruit burger, accompanied by double-cooked chips, was a revelation at £12. The jackfruit, marinated and cooked to perfection, bore an uncanny resemblance to real meat, showcasing the innovative spirit of Vudu Food. The doublecooked chips, with their perfect crunch, and the heavenly halloumi fries (£6), were the kind of sides that elevate a meal from good to unforgettable.

The stars of the show, the slow-smoked pulled pork and beef brisket, are smoked off-site using hickory wood, a process that imbues the meat with a depth of flavour that is hard to find elsewhere. The homemade barbecue sauce, a labour of love, is a blend of tang, sweetness, and toasted spices that invites diners to explore its complexity.

At this point I couldn’t eat any more! But I wish I could as I also noticed the chargrilled cajun chicken on another table - chicken thighs marinated in our homemade spice rub and grilled on the flat-top with plenty of lime juice. I was told they also offer a gorgeous four-bean chilli with fire roasted red peppers in a mix of their signature homemade barbecue and spice mix.

I asked how it started. In 2015, Jamie and Katy launched Vudu Food, aiming to revolutionise festival food with quality, affordable options served by engaging staff. Their dissatisfaction with existing festival food—overpriced, uninspiring, and poorly served—sparked this venture. Meeting at university in 2008, the duo shared experiences at festivals, which often

highlighted the dismal state of food available. They envisioned Vudu Food as a solution, emphasising flavorful, satisfying, and inclusive barbecue cuisine that catered to all dietary needs. The name Vudu Food, inspired by the rich culinary and cultural heritage of Louisiana, reflects their commitment to authenticity and quality.

Their journey took them across the country, from small town fairs to major events, culminating in their current operation out of an airstream trailer known at various prestigious locations. Overcoming challenges such as extreme weather and high demand, they have established a successful brand recognised for its excellent service and food. The evolution from a simple gazebo to a bricks-and-mortar premises marks their significant progress and commitment to their original mission of enhancing the festival food experience.

Whether you’re a local or just passing through Brighton, a visit to Vudu Food is a must for anyone seeking a memorable dining experience.

For locals, this can be your new lunch spot and for the passers by, this is a great grab-and-go for the beach / train ride. Alternatively you can check them out at www.vudufood.com or order on UberEats and Deliveroo.

Vudu Food

55 Queens Rd, Brighton, BN1 3XD

@vudufood

20 BN1 MAGAZINE

Spring into Success with BN1 Magazine! As the blossoms bloom and Brighton comes alive, there's no better time or place to showcase your brand. BN1 Magazine, at the heart of Brighton's vibrant community, offers unparalleled access to a diverse, engaged audience ready to discover what you have to offer. From local events to culture, lifestyle, and entertainment, our content captivates and inspires. This spring, let BN1 Magazine be the canvas for your brand's story, reaching thousands of readers eager for new experiences. Advertise with us and watch your business grow alongside the season. Don't just take our word for it; let your success this spring be our shared story. Choose BN1 Magazine – where your brand meets Brighton's best.

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MELTING VINYL COMING UP IN 2024

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BRIGHTON FESTIVAL 2024

The largest annual curated multi-arts festival in England has revealed its programme for 2024. Brighton Festival will offer 128 events, exhibitions and installations, including seven special commissions, three world premieres, five UK premieres and four Festival exclusives, when it comes to venues across Brighton, Hove and Sussex on Sat 4 – Sun 26 May.

Guest Director this year is the award-winning children’s author and screenwriter, Frank Cottrell-Boyce. Known for 24 Hour Party People, Millions and latest book The Wonder Brothers, has been inspired by Brighton’s optimistic spirit. “I have had the time of my life helping the brilliant Brighton Festival crew find amazing acts, shows, ideas and performers from all over the world,” he said. “I cannot wait for the days of May - when that team of bold explorers will unload their cargo of wonders for your delight and delectation. Get ready to laugh, cry, dance, be bedazzled. A Festival full of magic and hope.”

Established in 1967, Brighton Festival stages an extensive programme of events from national and international artists across music, theatre, dance, circus, art, film, literature, debate, outdoor and community events, in venues and locations across Brighton, Hove and East Sussex. This year, the Festival runs from 4-26 May with more than 120 events celebrating shared endeavour, the miraculous in the everyday and the beauty in the extraordinary.

Speaking about Frank CottrellBoyce’s appointment, Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival, said: “Frank is someone who delights in sharing stories, knowledge and his own sense of awe and wonder. We always look for a Guest Director with an expansive sense of the world, curious and

eclectic in their work and in Frank we have had the privilege of working with someone who is as thrilled by a performance with packing tape as he is by the films of Humphrey Jennings or the works of James Joyce. It's full of wonder and the joy of coming together, a magical Festival that gives us a hopeful recipe for living.”

Cottrell-Boyce is joined by fellow children's authors to talk about inspiration and creativity in two events for both adults and children.

In The Wonder Panel!, supported by Brighton College, he will discuss how words and pictures create wonder alongside Cressida Cowell (How to Train your Dragon), Joseph Coelho (poet and Children's Laureate) and Chris Riddell (Goth Girl). Frank and award-winning children’s writer-illustrator Nadia Shireen will record an episode of their podcast The Island of Brilliant live, with former Children’s Laureate Julia Donaldson (The Gruffalo) as their guest. Elsewhere, Frank introduces young readers to his latest book The Wonder Brothers, with live drawing from its illustrator, Steven Lenton; and following a screening of the animated film Kensuke’s Kingdom - an adaptation of Michael Morpurgo’s beloved children’s novel, for which he wrote the screenplay - both writers take part in a Q&A.

Brighton Festival welcomes the English exclusive of Wonders, an awe-inspiring magic show by world-renowned illusionist and performance artist Scott Silven which explores the myth and mystery of his native Scotland through breathtaking illusions. Other exclusives include former Brighton Festival Guest Director Kae Tempest returning for a night of mesmerising spoken word; and Carnesky’s Showwomxn Sideshow Spectacular sees a cast of 33 circus performers, including Netflix star Tallulah Haddon, World Record holding hula hoop artist Symoné and Bollywood

dancer Kaajel, undertake a breathtaking, death-defying feminist and queer circus spectacular from award-winning theatre maker Marisa Carnesky.

Brighton Festival Commissions include the world premiere of Ground, where audiences experience an immersive, locally sourced and specially curated three-course meal which reveals the tangled history of plants at Brighton’s own off-grid ecobuilding, Earthship. Plus, As We Really Are, marking the start of an ongoing project for Brighton Dome & Brighton Festival and Brighton artists, is a cinema screening of vintage gems from the GPO Film Unit alongside new work from Brighton filmmakers which celebrates the wonder of everyday life. The event will conclude with a panel discussion including Frank Cottrell-Boyce and former Brighton Festival Guest Director David Shrigley.

The outdoor programme stages live and interactive events on the streets of the city and beyond. 100 Miles of String, a free installation from Brighton-based artists Leap Then Look, sponsored by Southern Housing New Homes, encourages audiences to weave and wind thousands of metres of string to create a temporary landmark in the Royal Pavilion Gardens. The beloved Without Walls programme returns, supported by Graves Son & Pilcher, to present new works showcasing the best of outdoor performance including the world premiere of groundbreaking new aerial theatre from disabled and non-disabled circus company Head Over Wheels; and a musical parade celebrating the power of community from award-winning experimental brass band Perhaps Contraption and Deaf & BSL poet Zoë McWhinney.

Many projects demonstrate how the arts can be a platform for people

Birthmarked by Brook Tate

Credit Paul Blakemore

to come together, be together and advocate for change. As part of Our Place, a partnership with community groups across the city supported by University of Sussex, Brighton Festival has commissioned a new piece of work from artist and anthropologist Victoria Melody. Re-enactment is an exclusive oneday event made with and for East Brighton residents inspired by The Diggers, a campaign group during the English Civil War. In Neolithic Cannibals: Deep Listening to the Unheard, artists and campaigners Class Divide work with young people in Whitehawk and East Brighton to create a sound art piece inspired by the history of Neolithic East Brighton that asks us to consider the part we all play in addressing complex social issues. And all are welcome at Brighton Table Tennis Club’s AllStars Extravaganza, an experiment in mass participation table tennis at Brighton Dome’s newly refurbished Corn Exchange.

Professor Robin Banerjee, ProVice-Chancellor (Global & Civic Engagement), University of Sussex, says: “We are really pleased to be supporting the Brighton Festival as its official Higher Education Partner once again. Expanding access to the arts is a shared priority, and we’re delighted to be able to work in partnership to create opportunities for people in our communities – both on and off campus – to engage with the Festival. This will include events across Brighton and at our wonderful on-campus arts centre, the Attenborough Centre for the Creative Arts. It also includes the Festival of Ideas, a programme of talks, events, and activities led by staff and students from the University of Sussex.”

An ambitious theatre programme includes Perfect Show for Rachel, a joyful show directed in real-time by Rachel, a learning-disabled theatre-loving 33-year-old seated on stage with a custom-built tech desk

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The Sticky Dance By Second Hand Dance Credit Zoe Manders

and a UK premiere of cultural provocateur Cliff Cardinal’s The Land Acknowledgement or As You Like It, a daring retelling of Shakespeare’s comedy.

An expanded international programme, made possible by principal supporter The Pebble Trust, includes UK premieres The Making of Berlin, an innovative combination of film, theatre and music that explores an attempt to stage a live radio broadcast of Wagner's Götterdämmerung in the city during the Second World War; and Melancholy of a Tourist, in which inventive Spanish-Mexican theatre makers Oligor y Microscopia use found objects to ask questions about our relationship to soughtafter tourist destinations that fall out of fashion. Polystyrene shapes come to life in beguiling physical theatre Materia from Italy; and the Caravan Assembly series provides an opportunity for performance makers to showcase their work and meet and collaborate with international programmers and producers.

This year’s visual arts and installation programme is playful and experimental, encouraging audiences to participate. Ooze Machines is a free solo exhibition by award-winning visual artist and quantum physicist, Dr Libby Heaney which uses the motif of slime - at once seductive and repulsive - to explore both the microscopic quantum world and big tech. Members of the public can also take to the stage in front of an audience of adoring (but fickle) fans in the UK premiere of An Elevated Platform, from dance and digital artists Flexer and Sandiland.

For children and families, Irish theatre company Branar present the UK premiere of You’ll See, an inventive adaptation of James Joyce’s Ulysses that features a storyteller and a pop-up book to demystify the novel for children and adults alike; and Grand Soft Day, a playful, curious and charming new show that celebrates the wonder of the world around us. From Second Hand Dance, The Sticky Dance invites little ones to explore and groove through a colourful world of sticky tape.

Musical events include Norman Jay MBE, who brings his unique take on Northern Soul, Norman Soul, to Brighton Dome’s Concert Hall; West African outfit Orchestra Baobab celebrate half a century of Afro-Cuban

beats; and local heroes Carnival Collective deliver an irresistible tidal wave of energy with flavours of Latin, drum ’n’ bass, hiphop, swing and funk for their 30th anniversary. Dance music pioneer James Lavelle, a.k.a UNKLE, presents his immersive, multimedia show Ronin:Live; and the Festival also welcomes back Brighton’s legendary club nights Gal Pals and Polyglamorous for Our Roots: Dreamland, a joyful celebration of queer culture. Much-loved indie veterans Sea Power perform a one-off homecoming show; cult rockers Spiritualized play music from across their career; and celebrated US filmmaker Sam Green invites us to immerse ourselves in his latest documentary, the Academy Award-shortlisted 32 Sounds.

The classical programme opens with The London Symphony Orchestra under its new Chief Conductor Designate, Sir Antonio Pappano with a thrilling programme of Barber, Ravel and Rachmaninov. In Metamorphosis, transformative music from trail-blazing string players 12 Ensemble combines with an immersive, AI-generated holographic world. Other classical highlights include Class of 1685 from leading international Baroque ensemble Solomon’s Knot, celebrating music from three of the era’s defining composers; an evening of song from Glyndebourne’s leading lady Danielle de Niese; and a performance from the awardwinning Heath Quartet in the spectacular Royal Pavilion Music Room.

For booklovers, bestselling author Sarah Perry (The Essex Serpent) presents Enlightenment, an unforgettable story of love, faith and science and comedian Sara Pascoe discusses her new novel Weirdo. Poets Brian Bilston and Henry Normal appear together to perform crowd favourites alongside new work and Caroline Lucas shares her new book, Another England. Writer and journalist Jason Okundaye presents his astonishing new work of social history Revolutionary Acts: Love & Brotherhood in Black Gay Britain. Following an acclaimed collaboration at last year’s Festival, award-winning poet Joelle Taylor performs a staged reading from her debut novel The Night Alphabet, directed by theatre-maker Neil Bartlett. Young readers can also take part in workshops with children’s

and young adult authors and illustrators including Alexandra Sheppard, Laura Ellen Anderson and Sophy Henn.

In the comedy programme, supported by Mayo Wynne Baxter, Brighton Dome’s flagship comedy night Live at Brighton Dome returns with a Brighton Festival special, spotlighting up and coming stand ups alongside big names. Comedy duo Shelf bring sketch comedy to children of all ages in The Kids Show plus anecdotes, songs and jokes to adults with Teenage Men, while play Fishbowl is a laugh-out-loud silent comedy from awardwinning French company Le Fils du Grand Réseau.

A diverse and thought-provoking dance programme includes Triptych by Project Female, a triple bill of hip-hop inspired dance performances that use multimedia, spoken word and technology to amplify youth voices; High Performance Packing Tape, an edge-of-seat show that pushes packing materials to breaking point; and Fault Lines, which follows characters navigating the world’s changing landscape, from sunscorched plains to roaring waves and smoking forests.

The spectacular annual Children’s Parade once again kicks off the Festival with a fiesta of colour, costume and live music around the theme of Dream Again, supported by Brighton Girls. Creatives from local community arts charity Same Sky have come together with teachers, students and volunteers from schools across Brighton & Hove to make magnificent sculptures, choreograph dance routines and compose parade chants.

From weaving 100 miles of string in an outdoor installation, to new films commissioned to celebrate day-to-day life in the UK, to the have-a-go brilliance of Brighton Table Tennis Club’s Mega Table, Brighton Festival 2024 invites us to come together As We Really Are and as we might like to be.

Brighton Festival 2024 takes place from Sat 4 – Sun 26 May. www.brightonfestival.org

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Shelf: The Kids’ Show! Kae Tempest Credit Wolfgang Tillmans Victoria Melody: Re-enactment Credit Matt Stronge

No Love Songs Tommy Ga-Ken Wan Sarah Perry: Enlightenment Credit Sophie Davidson Danielle de Niese Credit Chris Dunlop DECCA Carnival Collective Credit leyla guler Carnival Collective Credit leyla guler

Triptych An artwork made up of three pieces... Project Female

Wild Isles Live Alastair Fothergill Credit Rosie Powell Grand Soft Day Branar and New International Encounter

WIN

QUIZ FACE

TRIVIA FUN AND PRIZES TO BE WON!

This month’s prize is a chance to win a roast meal for two and a bottle of wine at the Mucky Duck. Plus a table for 6 at the next Quiz Face event!

26 BN1 MAGAZINE

QUIZWORD

The Quizword is like a crossword but a little bit more trivia based. Once completed, the letters in the pink boxes spell out a CODEWORD when rearranged. When you have figured it out email us at prizes@ quizface.co.uk FOR A CHANCE AT WINNING THIS MONTH’S PRIZE!

ACROSS

6. Go to SAY WHAT YOU SEE

8. The Laughing Dog is a character that appears in which classic Nintendo game?

9. 61 × 9464683 spells out what word when totalled up correctly and turned upside down?

11. Hip hop artist or male duck? Either way they share the same name.

14. There are two ducks in front of a duck, two ducks behind a duck and a duck in the middle. How many ducks are there?

15. Some birds might use the J and some might use the V what am I talking about?

16. Daisy, Count, Huey and Orville are all first names, of different cartoon characters of which animal?

17. Fly > Bantam > WHAT > Light > Middle

18. Go to WHAT THE DUCK?!

19. Name the thick sauce commonly used in Cantonese cuisine as a glaze for meat, who’s key ingredient is fermented soybean paste.

DOWN

1. Go to MIRROR IMAGE

2. Duck, Duck, WHAT is a traditional children’s game which starts off with players sitting in a circle, facing inward?

3. Go to WORDUKU

4. Duck feet = friend friend

5. Kill The Murray Gates are connected by which word?

7. Which sport would you associate with the film franchise The Mighty Ducks?

8. Which film advised players of a certain sport to follow the five D’s Dodge, Duck, Dip, Dive and.....Dodge?

10. In the tale The Ugly Duckling what does the ugly duckling grow up to be?

12. This question may seem Farfetch’d but you don’t need to be a Psyduck to figure out where you would find a Quaxly?

13. What is the one of the collective nouns for a group of ducks?

BN1 MAGAZINE 27

Amazing creative experiences

SIP AND PAINT WORKSHOPS ACROSS BRIGHTON AND BEYOND.

PERFECT FOR A NIGHT OUT TEAM BUILDING OR SPECIAL OCCASIONS.

book tickets

thepaintclub.co.uk

WORDUKU

Fill out the grid using the letters above each Worduku. The letter in the pink boxes will make up a word, when rearranged. (3 DOWN)

SAY WHAT YOU SEE

What duck related word is formed when you say what you see in this image? (6 ACROSS)

MIRROR IMAGE

What word is being spelt out in this puzzle. *The clue is in the title* (1 DOWN)

WHAT THE DUCK?!

We all love a rubber duck in the bath, but which celebrity have been emulated into rubber duck form? Lets just say this duck loves a Water Song ;-) (18 ACROSS)

BN1 MAGAZINE 29

In a world where night owls reign and snooze buttons get more action than the gym, the 4am wake-up call may seem like a cruel joke. Brace yourself for the cosmic comedy because, as it turns out, waking up at the crack of dawn is not just a trendy habit—it’s a rendezvous with wisdom and the secret sauce to a more creative, focused, and productive day.

Patanjali’s Prescription for Unleashing Creativity

Ever pondered why ancient yogis were early risers? According to Patanjali, the mastermind behind the Yoga Sutras, the celestial energy is on point at 4am, creating the perfect atmosphere for spiritual endeavours. It’s like the universe is hosting a breakfast club for the soul and guess who is on the guest list? You, with a chai in hand and spiritual antennas tuned in for some cosmic insights. Whilst the world is still wrapped in a blanket of darkness, you have the creative playground all to yourself. Whether you’re a writer, artist, or just chasing that next big idea, 4am is the magic hour where creativity blooms in quietude.

Sun Salutations with Surya: A Sensory Embrace

If you think sunrise yoga is just a fitness trend, think again. The Vedas, the chronicles of ancient wisdom, propose that worshipping the sun at sunrise synchronises your body with the innate rhythms of nature. It’s not just a workout;

it’s a choreography where you and the sun waltz together, establishing the mood for a day aligned with the natural flow.

Meditation at Brahma-Muhurta: The Serious Art of Peaceful Mornings

Enter Brahma-Muhurta, the Vedic golden hour (4am to 6am, location-dependent), where the universe sips its morning coffee, and divine frequencies start where intentions to hit that snooze button end. Meditating at this cosmic hour is like holding a backstage pass to the universe’s stand-up show. Cosmic revelations, not punchlines, await, with laughter as the sweet sound of enlightenment.

The Open Invitation to Celestial Shenanigans

4am meditation isn’t reserved for aesthetics on mountain peaks, the invite is open to all. It’s not about sleep deprivation but a golden ticket to your tranquil sanctuary. The ultimate goal? Inner peace resonating throughout the day.

In a world glorifying late-night hustles, consider flipping the script. Explore the 24 hours entrusted to us, embracing change within the confines of current responsibilities. Have

@4amriseandthrive

fun, become the maestro of your morning masterpiece, and let the day unfold with whatever sequels it has in store for you.

The 4am Journal

I curated a journal to ease your 4am transition—a labor of love, indeed. Gradually waking up

30 minutes earlier each day proves a gentler adjustment than my past drastic and less-than graceful choices, which once had me dozing off at my desk before lunch.

Join me in this ongoing quest to discover the ever-evolving perfect morning routine. Note down your intentions for this newfound time, as it has proven, in my experience, to fortify your resolve against that pesky snooze button. Reach out, share your insights as we navigate the tranquil dawn waters together. Take it easy, and let the journey unfold at its own natural pace.

Follow me for behind-the-scenes on Instagram: @4amriseandthrive

Find the featured product:

www.amazon.co.uk/dp/B0CKKBHK2T

Meet the talented photographer: Jenifer Johnson @frenchcountryfriends

30 BN1 MAGAZINE

How to Nurture Your Garden's Wild Side

As we edge closer to the vernal equinox, with March 2024 heralding the arrival of spring, it’s high time we turn our attention to the bustling metropolis of activity in our gardens. Yes, that’s right, the underappreciated world of birds, insects, and various creatures that consider your backyard their own personal Airbnb. This guide, infused with the spirit of The Guardian’s eloquence and a pinch of whimsy, will navigate you through the essentials of creating a wildlife haven right in your garden.

The Feathered Tenants: Catering to the Avian Crowd

Bird feeders are the cornerstone of any wildlife-friendly garden. Think of them as trendy pop-up restaurants for your avian visitors. However, not all bird feeders are created equal. Diversity is key. Seed feeders, suet feeders, and nectar feeders cater to different dietary preferences, from the finicky eater to the bird that’s always up for a gastronomic adventure. Remember, variety is the spice of life, and in this case, it ensures a lively and colourful garden.

Placement is crucial. Position feeders in a spot that offers a clear line of sight for birds (they like to see who’s coming to dinner) but close enough to shelter to provide a quick escape from predators. And, in the spirit of true British hospitality, ensure a steady supply of food, especially during early spring when natural resources are scarce.

The Bug Hotel: Embracing the Insect Illuminati

Insects are the unsung heroes of the garden, the workers tirelessly pollinating plants and keeping pesky pests in check. To support these crucial critters, consider installing a bug hotel. And no, we’re not talking about the Ritz; a simple setup with bamboo tubes, hollow stems, and wood piles can provide the perfect breeding and hibernation habitat for everything from bees to ladybirds.

But why stop at a hotel? Leave a portion of your garden untidy. Yes, you heard that right. A pile of leaves, a stack of wood, or even an unkempt patch of grass can be the equivalent of a luxury resort for many insects. It’s time to embrace the mess; your garden will thank you for it.

The Watering Hole: Hydration Station for All

Water is a critical resource for wildlife, and not just during the scorching summer months. A simple birdbath or a shallow dish can serve as a watering hole for birds, bees, and butterflies. Ensure the water is fresh and topped up, and place a few stones or twigs inside so that smaller insects can drink without the risk of drowning.

The No-Chem Zone: Going Organic

If you’re dreaming of a wildlife haven, it’s time to break up with chemicals. Pesticides, herbicides, and fertilisers are the equivalent of turning your garden into a toxic wasteland for the smaller inhabitants.

Opt for organic gardening practices instead. Embrace natural pest control methods, like encouraging predator species or using barrier methods to protect plants. Your garden will become a bustling hub of activity, minus the toxic fallout.

The Wildflower Meadow: A Pollinator’s Paradise

In the quest for a wildlife-friendly garden, the power of wildflowers cannot be overstated. A patch of wildflowers can provide a smorgasbord of nectar and pollen for bees, butterflies, and other pollinators. Plus, they’re a feast for the eyes. From the humble daisy to the flamboyant poppy, these botanical beauties can transform your garden into a kaleidoscope of colour and life.

The Sanctuary: Providing Shelter

Last but not least, consider the living accommodations. Bird boxes, hedgehog homes, and bat boxes can offer safe havens for wildlife to nest and roost. Place them in quiet, sheltered parts of the garden, away from the hustle and bustle of human activity. It’s like providing a boutique hotel experience for your garden guests, ensuring they stay comfortable, safe, and, most importantly, return for another visit.

As we usher in the spring of 2024, let’s not forget the myriad of creatures that share our outdoor spaces. By turning our gardens into havens for wildlife, we’re not just beautifying our surroundings; we’re contributing to the conservation of nature and biodiversity. So, as you marvel at the flurry of activity this spring, from the buzzing of bees to the chirping of birds, remember that your garden is more than just a space for plants. It’s a vibrant ecosystem, a sanctuary for wildlife, and if you’ve followed this guide, perhaps the most popular spot in the neighbourhood for our feathered, furry, and many-legged friends.

32 BN1 MAGAZINE

AWARD-WINNING RHODODENDRON & AZALEA COLLECTION

200 YEARS OF HISTORY | WALLABIES DEER PARK | LAKES | SCULPTURE | CAF É

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Counselling and Psychotherapy Courses in Sussex and Online

Are you interested in learning about psychology, relationships, communication and mental health, while boosting your self-awareness? The best place to start is:

THE OFFICIAL INTRODUCTION TO TRANSACTIONAL ANALYSIS (TA101)

This course is not just for aspiring counsellors, it’s for anyone and everyone interested in self-development.

l 25/26 May 2024 (Online)

l or 27/28 July 2024 (Plumpton)

WANT TO FIND OUT MORE ABOUT THE COURSES WE OFFER?

Come to our ONLINE OPEN EVENING on Wednesday 13 March 2024 (18:30-20:00).

ONLINE WORKSHOPS AND RECORDINGS

We are offering BY-DONATION WORKSHOPS on a range of psychological topics every Monday (10am-12pm) and various other dates. See our website for more info. Recordings available for £9.99. @TheLinkCentreUK

Do you want to start training to become a qualified counsellor or psychotherapist? We are interviewing for our October 2024 intake now. Email info@thelinkcentre.co.uk to apply.

FOUNDATION CERTIFICATE IN TRANSACTIONAL ANALYSIS THEORY

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The TA Foundation Certificate is both a stand-alone course and the first year for those wanting to progress to our counselling and psychotherapy training.

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Start your journey to become a qualified counsellor or psychotherapist by registering your interest using the email above.

The Link Centre is based at Plumpton College, East Sussex. www.thelinkcentre.co.uk email us on info@thelinkcentre.co.uk or call us on 01892 652487

BN1 MAGAZINE 33

@TheLinkCentre www.linkedin.com/company/thelinkcentreuk

www.facebook.com/TheLinkCentre

240 ACRES OF GRADE I LISTED FAMOUS SPRING WOODLAND GARDENS

LIVE LIFE IN FULL

34 BN1 MAGAZINE

REGINALD D. HUNTER PHOTO BY KASH YUSAF

COMEDY

REGINALD D. HUNTER

By Rosie Paldi-Edwards

“I went through that summer where I was obsessed with Minder and another summer where I was obsessed with the Last of Summer Wine, I’m very bingy.”

Since his first UK comedy gig 21 years ago, Reginald D Hunter has had England in a chokehold. From his delightful southern drawl, to his distinctive take on diverse subjects and honest observations, I think Hunter is a true anglophile at heart. BN1 were excited to find out more on his upcoming tour, his writing process, as well as reminiscing over the first few visits to England and long summers spent binging the best of British telly.

The comedian is bringing his latest show The Man Who Could See Through Sh*t to Brighton on 20th March at the Brighton Corn Exchange.

How was your last tour? Will you be using the same material or have you got anything new for this show?

Well, I’ll tell you this. We did the tour from October to December, we took a break for the holidays and then we did Singapore and Thailand. While I was over there, I wrote five BOMBS that I can’t wait to bring to the stage.

How was the response from the crowd over there?

I mean, everybody treated me well. In Singapore and Thailand, I was playing to a lot of British expats and they just seemed like they were glad to see you, they were glad to get some homegrown or western homegrown comedy entertainment. They listened, they listened in a different way too. British people that I met over in Thailand and Singapore look well, they look so well they almost look American.

I think it’s common knowledge how you started in comedy, but who inspired you, who were your comedic heroes?

I used to have comedic heroes, but I killed them all! (Reignald said

before bursting into a chuckle and then started listing some of his old favourites).

I liked Pryor. I liked Dave Allen. I like Dave Allen’s control on stage. He’s sitting, with just a drink in his chair and his legs crossed, he was like Captain Kirk. I was like, Yeah, I want to be that guy. I liked Eddie Murphy when he was doing his thing. Jesus, Reeta Rudner, I loved her stuff! I used to love Paula Poundstone, She’s still going. Oh man you make me do this walk down memory lane baby, you’re getting me all choked up you know!

I heard you comment on it before, so I wanted to ask what you think about ‘cancel culture’?

I don’t know, I think it’s been made a bit of a boogeyman.

I think Dave Chappelle is getting a lot of junk at the moment, because it’s just his time, when you’re around as long as he is, you’re gonna get some jump. That’s what this whole situation seems like, with a lot of social media attacks and ‘cancel culture’. It seems like they’re coming for all of us at some point, like a big social media shark, “dun dun

dun dun”. When the shark comes around, you just hope there’s a tank in its mouth and you’ve got at least one bullet left in the rifle.

What’s your writing process?

Sometimes I have jokes where I have the joke, the setup and premise, but the punchline wont come for ages. On the other hand, sometimes I have a punchline where the premise and set up doesn’t fall into place for ages and then it just lines up all of a sudden, you make the connections in your head and you’re like “ohhh that goes here, and that goes there!”

Suddenly you can realise that this great new line of the joke that you have fits into something overall that you have over here and if you put them together, they begin to form the basis of a routine. When you have a routine, well you’re onto something now.

What was it like visiting England for the first time?

My girlfriend that I had when I first came to England, she came with me a couple times and she hated it. I remember she had just come back

from the store and she was pissed off! She said the place closes at six, it is ten to six, I get to the door and there’s a closed sign! It’s supposed to be open for ten more minutes! I’m looking in the window, looking at the people who work there, pointing at the sign - they know it closes at sixthe fuck kinda place is this? She was really pissed.

Laughing, I said to him that his girlfriend has a problem with me. I told him that I have worked in a few shops over the years and would always try to close as early as possible. Must be an English mindset, I told him as he started chuckling.

After living in England for 20 odd years, I’m intrigued to know what British TV you got into when you first came over here?

I used to love Rumple of the Bailey. I got it in book form at first, I was working as a clerk for a lawyer who had Rumple as a book on tape. So at this point, I’m into the books, and I’m into the books on tape. Then I came over to England, and I saw it on TV for the first time and It was so stodgy, I was like, oh my god! Then I went through that summer where

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I was obsessed with Minder and another summer where I was obsessed with the Last of Summer Wine, I’m very bingey. I could never get my head around Doctor Who, I didn’t know it was for kids. I read years ago that Doctor Who was Britain’s Star Trek and I was like oooh I can’t wait to see that and….yeah not what I thought.

I used to be really into BBC 4 Storyville, I’m a storyteller at heart. When I was in Georgia, I was part of a powerful professional storytelling group. You know, we used to go around the countryside, parties, after school programmes, celebrations, there were about 15 of us. The SOS, I think they’re still going and still called the Seven Oral Storytellers and we were like storytelling Jedis.

Do you miss any American food?

I used to bring things like Fruity Loops over here, American cereals, but then I began to realise there was a reason why Britain didn’t let them in the country, so I stopped eating them.I was like ohhh they put that in there, and they’re alright with these chemicals being in food, oh wow! I mean you look at Americans and you can tell we eat steroid food.

What do you think about the royal family after the Queen’s passing from an American/English perspective?

You know what, you keep coming up with some numbers don’t you, fantastic questions. Not that I have great answers for any of them.

When my mother died, the first thing I thought was, oh my God, what’s going to happen to us as a family because she was the glue. When I look at the royal family and it’s like, she was clearly the glue. If I understand correctly, one of the constant fears inside of the monarchy is that one day the people will grow tired of the monarchy. I mean, I just don’t see anybody in the royal family coming along, that’s going to unify or re-galvanise support for the royal family. I have respect for the royal family and I’m not hoping for this, but I’m just saying that unless they have some event or some new person who makes them love them

so much that we don’t mind the monarchy, then it just seems like they are opposed to becoming a drift. Americans, we love anything British, anything French, you know white America loves anything that speaks to its white European heritage to a point.

I was on stage one night and I was doing this joke about Megan and Harry and a guy on the front row shouted, “Fuck Megan.” I looked at him and said, “Why that?” He replied, “she stole our Harry” and the audience went, “shut the fuck up!” People really feel like that and that’s the thing, there are people where this still means something to them.

Reginald D Hunter: The Man Who Could See Through Sh*t, playing March 20th at the Brighton Corn Exchange. Tickets: www. reginalddhunter.com

PHOTO BY KASH YUSAF

Event Lineup:

● The series of events will kick-off on 7 March with a live discussion with SheSaid, featuring Dr. Sophie Frost, Cat Baker-Bassett, and Rifa Thorpe-Tracey, aiming to inspire and empower women in the tech and creative industries.

● On 8 March, Brighton Girl will host Inspire Inclusion. A conference-style, all-day event featuring bitesize learning and training sessions, extensive networking opportunities and a delicious lunch. In the evening, guests can enjoy Kickass Comedy at The Grounds.

● On 16 March, Platform B will host ‘Shaping Sounds.’ An inclusive, regenerative event, to connect the City’s musically-minded community, and spotlight the women and non-binary folks making life sound good.

PLATF9RM, the leading independent coworking community in Brighton & Hove, is excited to announce the comeback of Kickass Women, now reimagined as Kickass Collective.

Returning for the fifth year with a fresh twist, PLATF9RM launches ‘Kickass Collective.’ A month-long celebration in March 2024 to honour the people who are shaping the future of our city.

Coinciding with International Women’s Day, Kickass Collective will host an exciting lineup of PLATF9RM and partner-led events that will bring the community together to get inspired and learn new skills. Across the month Kickass Collective will host a live podcast, workshops, a keynote dinner, live music, comedy and more.

"Every year, it gets harder to choose who to spotlight. There is a growing number of incredible women and gender non-conforming people taking strides in their respective fields. This year, we're focusing on the individuals making an impact in the Brighton & Hove area - we're inviting local businesses, community organisations, activists, and more to come to our spaces and ignite our thoughts in unique ways." -

Tori Rodway, PLATF9RM Programme Manager

● On 27 March, guests can join partners She Said So for ‘Sip and Stick,’ an evening of music, creativity and manifesting.

● Journalist and broadcaster Bibi Lynch hosts the Keynote Dinner on 29 March. With a delicious dinner at The Grounds, Bibi will discuss how to navigate the pronatalistic world of ‘hardworking families’ as well as how ‘As a mother…’, society mistreats the childless and childfree.

● Finally, Kickass Collective closes with a live podcast recording with ‘My First Period Live!’ on 30 March, hosted by Lucy Evers in conversation with guest speaker Dulcie Newbury. They will talk about all matters of menstruation, the challenges of period equity and menstruation in archaeological studies.

Tickets can be purchased individually, or £40 for a Kickass Collective wristband which gives access to all events across the month.*

*Excludes an evening With: Bibi Lynch, wristband holders get £10 off tickets

www.platf9rm.com

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The Honourable Tom Houghton

By Rosie Paldi-Edwards

Tom Houghton has been a successful solo stand-up comedian for six years. He’s appeared on reality TV, become quite the TikTok sensation and recently moved out of The Tower of London to live out his Bridgit Jones fantasy in Borough Market. BN1 sat down with him to chat about the new show, playing board games, a military dad and what ‘Honourable’ really means.

Could you tell me a bit about why you decided to move out of Brighton?

Brighton’s got a reputation, that if you move down, you never want to leave. Having done 10 years with the comedy group, then going solo, it felt like I wanted to geographically move. It's like having a breakup and then still living in your ex-partner's house. Moving to London just felt like the right thing. My dad had just moved into the Tower of London and I lived with him until recently. I'm now living in Borough market, which is where Briget Jones lived, so I'm like the male Bridget Jones.

Who’s your inspiration?

My family is definitely a source of inspiration, pretty much all the shows involve my family in some way or another. Like the standout routine of last year's show was my mum putting a dead cat in the freezer, which out of context sounds mental, but she is mental! My mum dressing up as Spider-Man on Christmas Day, that's a new routine. My sister turning into a witch when she was a teenager, that was a classic routine as well. My family are very, very heavily featured. In this one I talk a bit about my ex-girlfriend, although in

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For example, when you have a breakup, you are essentially breaking away from traditions and habits that you've formed with a person and trying to progress in your own way. I've literally moved out of a palace, and I'm now living on my own for the first time ever and what does that mean? It's made me become very selfaware of some of the more destructive elements of my own personality that I had to address.

The whole show is basically about tradition and progress, understanding what habits you formed, and then trying to shed the problematic ones and move forward. That makes it sound very heavy. It is also a comedy show. It is supposed to be funny!

Have you done any tours with this new material?

Since I did the circle, the Netflix show, I've now got an international audience. I've actually been doing a version of this show in America and Scandinavia in September and mainland Europe in January. So this tour has been through a US and European filter.

What was the response from your American and European crowds?

Did they laugh at the same jokes?

Or not laugh when it comes to the Germans! I remember, I came back to do a ‘work in progress’ show in a cheese and wine bar in Woking before the tour. It was like 6 in the afternoon on a Sunday, very casual. I was like, guys, you might think this is low energy and a tough gig, but I've just come back from Germany and this is an absolute riot compared to those guys.

literally completed the Army and worked all the way up the ranks. Considering he is the ex-Chief of Defence, surely you and your family enjoy a board game?

The family game of Risk is pretty serious. We were a big board game playing family growing up, absolutely. (General Sir Nicholas Houghton) He's quite the strategist, whether it be Settlers of Catan, Risk or Monopoly, it gets serious. Then get him on something like Pictionary and I'm the creative one so I can wipe the floor with him on that.

You've also been on a few TV shows now, how was that experience?

I didn't sign myself up for First Dates. There was another comedian called Daniel Floss, who secretly submitted me onto the show. I got a phone call one day going, we'd really love you to be on the show and I was like, I'm sorry, what's going on? First dates was nerve wracking because first dates are nerve wracking! You are also being shown the bar you should be aiming for by a bunch of producers, so you're just hoping someone vaguely human looking is going to walk through the door, but she was lovely.

I will point out that the casting directors for The Circle, when they approached me, they also cast for Too Hot to Handle. So when I was being cast I said would you like me to try out for that one as well? And they said no, we need you as ‘handleable’ for that. I was like fair enough, I’ll just be on the one where you have to catfish on your own in isolation then.

I wanted to ask for your thoughts on Saltburn, did you watch it?

a very respectful manner. I think it's a bit of a red flag, people who are mean about their exes. I think that probably means that you were the problem. Whereas she and I broke up in a very amicable way, which is often the hardest.

What new material have you got for your tour?

I talk a lot about the struggle between tradition and progress and the country and the monarchy. I focus on it because obviously, the Queen passed away and my dad was part of the king's coronation. The monarchy is a good example of something that is... It's a tradition and part of our nation's identity, but it is also a problematic and archaic thing.

It's interesting the different nationalities and how they laugh and what they laugh at and how much they understand. Obviously, you've got to sort of change the references because they're not always going to know. This is probably too rude for the interview, but the amount of countries I've now had to have after gig conversations with people about what a nonce is because they've never heard that term before.

Your title ‘The Honourable Tom’ suggested you have somewhat of a privileged background, so what does “ The Honourable” really mean?

It's a really good question. I'm not in any way (honourable), I've been sacked from Wetherspoons twice, so that's not made me sound so grand. I think it's mainly a title so that back in the day, when they had dinner parties, people would know that my dad's important.

This made the perfect segway to talk about your dad a bit more, you’ve said before he quite

I did watch Saltburn. Twice, actually. I really liked it. It's such a sort of visual and sensory overload, the soundtrack is amazing and Sophie is awesome. I watched it once, I think it was Christmas Eve in a bit of a drunken state. I watched it while wrapping my presents and I went, oh, I want to watch that again because I want to really get into the depths of it. It reminded me of many a house party I've been to, you know that sort of obsession with ostentatiousness, glamour and beauty. I honestly don't think it's as mental as people are making it out to be. Obviously there's some really, “that's a bit funky” moments, but anyone who's watched a lot of cinema, if you watch movies like The Human Centipede, The Serbian Film, or Martyrs, watch that, and then tell me how weird Saltburn is. I mean I've done worse than that on a rugby initiation.

His brand-new National tour, It's Not Ideal begins February and tickets are on sale now. Tom will be coming to Brighton Thurs 7 March at Ironworks Studios. honourabletom.com/pages/tourdates

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IMAGE BY AEMEN SUKKAR JIKSAW

THE HIDDEN IMPACT OF PARKING CHARGES ON THE COST OF LIVING CRISIS

By Arya Alizada

It is no secret that the cost-of-living crisis in the UK has made it financially difficult for people, especially with Brighton & Hove being one of Britain’s most expensive cities. Food banks and relief organisations are spending a whopping £15,800 weekly to stock up on supplies.

Vanessa O’Shea, a team manager at Brighton & Hove Food Partnership (BHFP) recently stated that: “Food poverty in Brighton is becoming the new normal and that is simply unacceptable. Residents who are from low-income households, the elderly or those who have a disability are statistically more likely to struggle as inflation continues to loom. For many who’ve already been dealing with money problems, this is likely to worsen their living conditions. We recently heard about a local pensioner called Jill, who said her sons do not know she freezes at home, due to her inability to deal with soaring energy prices.

A recent rise in the price of car parking in the city has become another concern for many people. These are currently expected to increase from £1.40 to £5.60, a hike of almost four times the pre-crisis rate. As a result of this, a lot of residents and visitors to Brighton are expressing frustration with one more assault on their wallets. I spoke to several locals, to find out how they feel about these unexpected increases.

There’s one opinion suggesting the new charges will discourage tourists, and further push the idea that Brighton & Hove is an expensive place to visit. The areas around the city’s parks, attractions and the seafront seem among the worst-affected. Which isn’t good news for the local business which heavily relies upon a large influx of people heading to the coast.

I asked Lloyd Russell-Moyle, the MP for Brighton Kemptown, what he thought about the new plan to increase parking charges. ‘’I think it is a reasonable decision because there are many benefits to this plan, however I understand that individuals who struggle financially may not agree or be happy with this decision’’.

The Council have decided to increase parking charges because they believe that this will make parking simpler. It will also improve carbon neutrality and make parking more

the cost of parking permits over monthly payments. Virtual permits will also be issued instead of using paper, and automated address verification will make things easier.

There’s potential for these increased charges to further feed the cost-of-living crisis. To combat this, Councillor Gary Wilkinson has unveiled a seven-step plan to tackle the impact, which include a potential raising of childcare funds, in a recent interview with The Argus. As the rise of parking tickets will also be affecting those who have residential permits, another solution might be the council reevaluating how they can help locals manage payments.

University students are also among those who will find themselves struggling with these new prices. A substantial amount of the money they receive from Student Finance England goes towards rent, food, energy bills and personal expenditure. Not everyone can balance a parttime job during their studies, but those who do may well find themselves struggling financially.

accessible for residents. A new plan is also being created to improve options for people who are digitally excluded including keeping physical options where possible, a ‘monthly payment’ model will allow customers to spread

I asked Sarah Parson how she felt about the rise. “I’m really unhappy and frustrated about the sudden increase,” she told me. “It’s unfair and I don’t think the council is taking into consideration that a significant proportion of the population who are considered to be part of the vulnerable groups in society will struggle immensely.”

The most impacted group could be those living in Low-Income Households, which have a combined income of under £20,000. Those who depend on having access to a car, will inevitably bear further financial burden with the increases.

While some may not agree that the hikes in parking charges across Brighton is a good idea, it will provide easily accessible parking, alongside some environmental benefits. Is this the new future of parking for the city, or just a way to raise extra revenue from those who depend upon their cars?

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ABBA: The 50th Anniversary Eurovision Win

Dynamite Waterloo

Boogaloo Stu, Dynamite Sal and special guests celebrate all things ABBA

Sat 6 Apr | Studio Theatre

brightondome.org • 01273 709709

The same stage, the same date, the same songs you know and love

Super Trouper Singalong!

An ABBA singing workshop with Lorraine Bowen

Sun 24 Mar | Founders Room

Sat 6 Apr, 7.30pm Concert Hall

Knowing

Me, Knowing You

Family Puppet Making Fun!

Fri 5 & Sat 6 Apr

Charlotte Perrelli

•

Måns Zelmerlöw

•

Emmelie de Forest • Katrina Linda Martin • Nicki French

•

Brighton Gay Mens Chorus

Hanningtons Lane

By Stuart Rolt

New shopping district continues to impress

Despite only existing for a few years, Hanningtons Estate has earned its place as one of Brighton’s most loved shopping areas. Occupying the north-east corner of the historic Lanes, this extensive site has seamlessly complemented the iconic neighbourhood with a range of innovative and vibrant businesses, and even homes for over 300 people. “There are some really fantastic and creative local brands here,” says Chris Baker, Portfolio Director for the site’s owners, Redevco UK. “So, visitors can shop small and local at Hanningtons Lane for the very best in stylish homeware, quirky accessories, handmade local jewellery, accessories and art, whilst enjoying a coffee, cocktail, ice-cream, brunch or dinner.”

The story of Hanningtons Estate can be traced back to 1808, when Smith Hannington opened a draper’s shop at No 3 North Street. Just at this time, Britain was becoming entranced by fashion. New materials and dyes were flowing into the nation via newly established trade routes, which changed the way we dressed and shopped, forever. Trends had always evolved over time, but that pace quickened as a dizzying array of choice started to present itself.

As we entered the Regency period, Hanningtons had expanded. Brighton was fast becoming a tourist destination,

helped in some part by the Prince Regent’s love for the town. The shop had expanded and soon received a Royal Warrant, establishing its position as the premier store on the south coast. Soon it would start offering different departments, offering a huge range of goods to the well-heeled or aspirational.

Hannington’s son took the store forward once more with the acquisition of two more buildings on North Street. The entire property was remodelled to create one extensive shop. Now housing a range of in-store concessions, each area offered its own identity and goods. It became the building which we recognise today, a landmark on a level with the Royal Pavilion, Palace Pier and Clock Tower.

With growing competition from other department stores, which had begun to spring up around the town, Hanningtons began to expand its own offerings. These included everything from funeral and chauffer services to perfumery and furniture. And, of course, there was its legendary tea shop. It remained one of the most popular places to shop in Sussex, welcoming everyone from average housewives to celebrities, all attracted by its attention to detail and personal touch.

The store relied heavily upon this reputation. But there comes a point where traditional is in danger of becoming old

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The Flint House

fashioned. It had survived wars, collapsed sewers and fires, but the one thing it couldn’t confront was rapidly changing retail trends. Like many other independent stores, it suffered with the introduction of retail parks on the edge of town, and eventually a new shopping centre in its midst. Eventually, everything was closed down in 2001.

But rather than the site being bulldozed to make way for a typical faceless development, plans were drawn up which proved it is possible to honour the past without being parochial, and that you can look to the future without ignoring tradition. A scheme initially costing £150 million revamped the entire site. Alongside the refurbishment of the retail spaces facing North St, Hanningtons Lane was created, which connected that road with Brighton Place and Meeting House Lane - turning the largely derelict area between into an inviting and innovative space.

“From the beginning, our vision at Hanningtons Lane was to turn a disused service yard into a community of like-minded, independent and creative businesses and residents,” says Baker. “Whilst on North Street we aimed at a long-term improvement of the tenant mix, quality of retailing and the general experience of spending time in this part of Brighton.

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“On North Street and East Street, since we have completed work on these units, we have welcomed Watches of Switzerland, Lulu Lemon, Rituals, Hotel Chocolat, Oliver Bonas, Joe & the Juice and Astrid & Miyu, to name a few. The whole Estate is very close to fully let for the first time and we have an engaged and exciting line up of tenant partners. It is really exciting to see our plans come to fruition.”

One of the most positive aspects of Hanningtons Lane is that it manages to bring modern retail to the centre of Brighton’s oldest neighbourhood, while making almost no impact on its historic aesthetic. But it does so without being a cheap pastiche of its environment. While many other towns have suffered the indignity of uncaring Brutalist buildings landing square in their centre, just as many have hosted the affront of carless mimicry, as newbuilds have put the minimum effort into matching their surroundings.

Baker tells me the original design for Hanningtons Lane, conceived by local architect Morgan Carn, sought to respect the site’s significant place in retail history as ‘The Harrods of Brighton’ as well as that of the surrounding Lanes. It paved the way for a new era of retail and leisure, creating places where modern businesses and people wanted to work, live and shop. “There is a real focus on sustainability in Hanningtons Lane too,” he says. “Which will contribute towards the future of Brighton. The buildings incorporate modern technology and materials, contributing to a lower carbon footprint. And we have more plans in the pipeline to turn the Estate into a truly circular community.”

To create something which is modest, balanced and sensitive, yet still playful and intriguing, Morgan Carn has designed every unit to have its own presence. The local materials used throughout create a sense of belonging, with colours and styles carefully deployed to not just reflect the wider neighbourhood but to highlight the individuality of the businesses they house. In fact, they sit so comfortably amongst the nearby streets, and with plants maturing and shops settled in, you’d be forgiven for not realising this is a comparatively new set of buildings.

But not everything is brand new. The remodelling and modernisation of the buildings has had the effect of uncovering

and preserving several important elements of Brighton’s history. Darren tells me he knew someone who worked in the shoemenders once standing on the site. “One day he showed the view from the back of the shop,” he says. “I was amazed that there was this beautiful old cottage, which was just abandoned. It must have been hidden away for decades.” A 17th century house might have proved an obstacle to wider plans, but Hanningtons Lane adapted to instead celebrate this 300-year-old treasure. Now named Puget’s Cottage, it’s been freed of the buildings which once surrounded it for 150 years, and lovingly brought into the 21st century. Further adding to the continuity with the surrounding neighbourhood, the iconic Sussex brick paving has also been adapted.

While the site has been transformed into a shopping destination, there’s still an ambition to evolve with customer needs. Redevco are now consulting retailers about the next phase of improvements, which will likely include enhanced signage, lighting and planting, to endow Hanningtons Lane with a truly unique sense of identity, and even a few surprises. There’s also plans to install a stage, which will host regular pop-up events, to further draw in visitors and enhance the area’s vibrant atmosphere.

“While Hanningtons Estate concentrates on giving everyone the best possible customer experience, it doesn’t neglect the needs of the traders,” says Baker. “Whether it’s a seasonal pop-up or the biggest brands in the world, there’s an extensive range of flexible and interesting spaces to suit almost any purpose.” Recent additions include houseplant experts Hugo & Green, sustainable fashion & products from The Fair Shop and fabulous pre-loved apparel at Detour Vintage.

The story of Hanningtons Estate is not just how you can redevelop a disused service yard, it’s about how there is the potential to create a space which brings in life and people. As shopping habits change, we’ve been shown how you can revitalise city centres by honouring the past and being prepared for the future.

Visit www.hanningtonsbrighton.com for further information

Frames in the Lanes

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Stanley Road Department Store

& Halt lululemon 17Grams Brass Monkey Phohm Detour Vintage Hugo & Green

“From absolute darkness, we wanted to try and find a way to shine a light by creating some music.”

Dali de Saint Paul is talking about her current live project, Penumbra. It’s an experimental collaboration, combining her vocals with instrumentation from electronic composer and double bassist Maxwell Sterling, and all improvised in front of stunning film and lighting elements from visual artists Charlie Hope and Rebecca Salvadori. The title draws literally from the hazy shadow lying between absolute darkness and brilliant light. “People may think we’re touching some dark territories. But when reflecting on this world we are living in, there is always a way to find a light somewhere. All the people involved… their work echoes this in some way.”

Heading to Brighton’s Attenborough Centre for the Creative Arts on Thurs 14 March, this performance experience brings together four very different creative aesthetics. It all sprung from a session for BBC Radio 3’s Late Junction, a regular broadcast which platforms new and invigorating music styles. Sterling and de Saint Paul were reencouraged to work together, despite having never met before. Yet their output for those sessions was so prolific, they decided to release it as an album.

“I knew Dali’s name, but not her music,” he says. “It was so exciting, because there’s so many people in our world, there’s always new artists to discover. We didn’t know what to expect, so it was a true surprise…” The pair clicked instantly. Sterling says the whole experience prompted the question of how to take it forward. How could they perform a series of live shows which are improvised, yet still retain a foundation to reference?

The whole endeavour was hugely encouraged by the Outlands Network, an open membership organisation which supports and connects experimental music and interdisciplinary performance, who commissioned them to take the project onto the stage. “They added Rebecca and Charlie,” says de Saint Paul. “I’m really grateful to them for supporting experimental artists. I love the Outlands project, because they bring this weirdness to different places. It’s great.”

Penumbra

“Charlie and Rebecca are bringing a sense of visual structure, which we’re allowed to interpret,” adds Sterling. “We have all the freedom we need, but if we want to hold on to something, it is being provided for us.” Combining the dynamic and ephemeral soundscapes established in the BBC sessions with a bespoke AV show, Penumbra finds all its artists converging around the idea of creation, and how to build something together. It starts from a distinctly divided point, before evolving into more universal themes. “What excited me was Charlie’s contribution, which was the lighting,” says Sterling. “It’s nice to play with that. There is one section with this sense of waiting. We’re just looking at, what I guess is, Charlie’s studio. There’s this homemade lighting rig that he’s created. We’re actually touring with that, so it’s nice to be viewing onscreen and viewing it in the space itself. This whole project seems to reference itself. The film was made out of improvisations, and it aids our improvisations. There’s a cyclical nature to it all.”

Charlie Hope has become known for creating installations and performances utilising light and space, along with elements like video and coding to generate sensory experiences. Presenting both solo work and collaborations with other artists and musicians at galleries, clubs and public spaces across Europe, he’s also co-founded the London Topophobia collective, and has recently presented projects with Amsterdam’s HetHEM, London’s ICA and Nottingham Contemporary.

Thriving at the intersection between video art and documentary, over the last 15 years Rebecca Salvadori has consistently engaged with experimental music. She’s explored various ways to connect the moving image with sound practices, live performance and alternative forms of storytelling.

As musicians, Sterling and de Saint Paul’s practices have evolved from markedly different places. But this diversity only seems to empower their new shared practice. “I got into music in my early teens,” Sterling says, with a big grin. “Bass guitar was the first thing I was interested in, because I was asked to join a band. My parents got the cheapest one possible, because they thought I wasn’t going to like it. But I loved it. I like the simplicity, but

Multidisciplinary performance quartet takes improvisation to a new level

By Stuart Rolt

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you can play it quite melodically as well. I got more into jazz and discovered the double bass.” Studying music at college in Leeds, he later became more interested in electronic composition, which in turn led to a fascination with film soundtracks and a move to study this at UCLA in the States. “I realised you can’t just be a composer who writes a score, you need to produce everything as well. But I liked that.” Working in this industry for a while, he felt like he was becoming a diluted version of himself. In response, Sterling began recording his own boundary-pushing material as a solo musician for respected labels like The Death of Rave and AD93. “From a young age I wanted to tell stories. This project is a really nice way to return to that way of communicating.”

By comparison, de Saint Paul didn’t discover her musical ability and love of improvisation until becoming immersed in Bristol’s vivid scene during 2011. Quickly establishing herself as a serial collaborator, she created the ‘selfexploding’ collective EP/64. “The principle was to invite people to perform with me, whether they were friends, visual artists and musicians, all improvising. When we arrived at 64 gigs, we stopped.” After six-years and over forty musicians and artists passing through, it ended. But other projects kept flourishing. She also became the voice of industrial duo Harrga, female improvising ensemble Viridian and the experimental supergroup, Ondata Rossa.

“My approach to music is raw,” she confides. “I’ve never studied music, and I don’t know how to read a score. My main thing is listening. Vocals are versatile. I can do whatever I want. If I want to shout, I can. I can sing a melody, or just say words. I’m very free regarding my instrument.” She says her attitude towards collaboration is almost a political gesture. Entering a creative situation where she doesn’t know some, she wants to give them the capacity to express themselves. “This is why this piece is so interesting for me. It’s about how we create, and how creation happens between people. Being in this kind of situation where you have no choice other than accepting what is given to you, and building something from that... Nothing compares to it.”

Providing layers and a deep richness to Penumbra with a double bass, Sterling admits to having a slightly more orthodox approach to the music. “I went to jazz school, not that this music is necessarily jazz.... But there is a framework which could be inspired by Avant Garde. There wasn’t too much thinking behind this. It was almost the stripping away of thinking. Analysing it from a textual or sonic way, the voice and double bass are interesting companions. There’s a lot of differences, but there is some overlap. The voice is so malleable. At times it’s recognisable, but there’s all these textures and psychological things it can do. A lot of the music for me is a response and reaction. I’ve always loved improvising.”

If we were to look at what the quartet were doing in frequency terms, the bass is traditionally in the spectrum and the voice fills in the higher end. What is being deployed in Penumbra is an exploration of what could happen if you start pushing each element in the opposite direction. “It’s not just the normal range,” says Sterling. “I like to go as low as possible, but with the use of pedals and synth I can manipulate it. There’s just two of us, but that makes it incredibly fun. We’ve the ability to be incredibly sparse and bare at times… but we can also be really busy.” By using two microphones, one carrying a dry signal, the other laden with effects, de Saint Paul can add a limitless array of qualities to her vocals, moving far beyond our orthodox expectations of what the voice can achieve. “We also have the ability to loop ourselves,” adds Sterling. “But there’s no tempo lock. So, you get this ‘pseudo Steve Reich’ thing, where there’s two sounds which are related but will never land back at the same point. There is an implied rhythm to it. You might be dancing, but there is a weirdness.”

Almost anything can be pushed into the pair’s improvisation, whether it’s an onstage musical dialogue or just the experiences of the day, but none of it springs from conscious thought. There’s almost a purity to the responses. Sterling tells me he does his absolute best to not think about it too much before heading onstage. “I think that’s extremely important,” agrees de Saint Paul. “I don’t even want to enter into a conversation before playing. You have to be open.” I ponder the contradiction of performing a work which is robustly about creation, but due to its nature is also ephemeral. How do they cope with loss of what they’ve produced every night on tour? “It’s fine,” says de Saint Paul, with a smile. “It’s only life. You lose a lot…” Sterling allows himself a chuckle. But is equally pragmatic. “I think, on some level, you hold onto those sounds forever,” he tells me. “I like the idea of once it’s gone, it’s gone. But I feel something is retained from every musical encounter.” For a moment, the point hangs in the air, until de Saint Paul breaks the silence. “For sure… It’s building our story and our relationship. That’s the beauty of it.”

Dali de Saint Paul, Maxwell Sterling, Charlie Hope and Rebecca Salvadori’s Penumbra comes to Brighton’s Attenborough Centre for the Creative Arts on Thurs 14 March, as part of a nationwide tour.

www.attenboroughcentre.com

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LUCY’S PHARMAKON Is this the real life?

By Stuart Rolt

“It’s about how we strive for perfection. That’s always been with us, even before social media came along.” Director Cerys Evans is telling me about her new work, Lucy’s Pharmakon. Written by Jo Sutherland, this brand-new work dissects issues like female pleasure, mental health, dementia care and the impact of lockdown on relationships. Part dark comedy and part fairy tale, we meet a seemingly normal woman, who has found relief from her loveless marriage in the glittering allure of virtual reality. “The play is also about embracing imperfections, which is a more authentic and whole life to live; rather than always seeking the easy answers. If all our technology shutdown overnight, how would we build a better society together?”

While our protagonist’s time in this new digital playground initially seems idyllic, things become complicated when she starts preferring it to the outside world. What started out as a simple medical trial to address her depression has the side-effect of emotional connections slowly forming inside the environment. But it’s a place which algorithms have created especially for her. Lucy’s fantasy world has become the Pharmakon mentioned in the play’s title. This notion, offered originally by Jacques Derrida, has been increasingly used in philosophical arguments around technology. Something can be a cure, but it can also be the cause or something we blame.

Sutherland came across the term while at the University Of Sussex. “One of my modules was on philosophy and creative writing,” she tells me. “One of the examples which is used is snake venom. If you get bitten by a snake you might die, but the way you treat it is with the venom itself. I like that idea,

and in the context of the play it works quite well.” It’s only a small step to see how this could be applied to our increasing reliance upon technology. The digital world dominates our lives now, but is it causing us harm, and does the solution lie with other technologies?

The debut of Lucy’s Pharmakon is heading to The Actors on Brighton’s Prince's Street, as part of this month’s FemFest - a festival which seeks to lift female, trans and non-binary voices. “I’ve worked with FemFest a few times,” says Evans. “Because it had a strong feminist message and character, I thought it worked well for that.” The pair met through another local organisation, Directors Cut.

Supported by various sections of the industry, this club offers a professional development group for actors, writers and directors, with the intention of inspiring creative opportunities and relationships. “Jo later sent the script over and instantly I fell in love with it.” Sutherland says the bulk of the writing has been done since she met Cerys, so the play’s evolution has been a truly collaborative process.

“It’s a great initiative, and proves the power of connection, which the play touches on,” she adds.

Perhaps genuine human contact is the vital element absent from our online world. Sutherland started Lucy’s Pharmakon intent on exploring the idea of disconnection, either that’s inside relationships, with ourselves or society itself. Then the pandemic happened, which completely redrew what we thought about isolation. “I could play that theme even more,” she says. “We had physical distance keeping us apart… People were struggling. There was communication through Teams or Zoom, which for people who were already disconnected from society, it brought that issue out even more.” A big part of everyone’s lockdown experience was an increased reliance on social

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media to facilitate interaction. But, perhaps, this is where a lot of things started unravelling in society.

We use social networks to meet new people, access news, share political views and find some form of entertainment. But, despite the now ubiquitous nature of these platforms, there are precious few studies into the long-term impact they are having on our behaviour and wellbeing. While they were undeniably a useful tool to have during those long sociallydistanced days, what research there is suggests they are making many of us feel even more lonely and anxious. In response, Lucy’s Pharmakon is asking what would you choose – to feel loved and found in a virtual environment or lonely and lost in the real world?

Social media has a tendency to reinforce use; shares and likes trigger the brain’s reward processes, and it’s tough to turn away from the instant feel-good thrill of being ephemerally popular with a large group of strangers. And that can become a core component of our identity and self-esteem, or even a type of coping mechanism. “You’re putting your ‘best life’ on show, when behind closed doors things probably aren’t as they seem,” Sutherland suggests. “There’s this constant striving to be beautiful, or whatever social media suggests that is. At that time, I was seeing my nieces grow-up, and they never looked good enough in their eyes. They’re always aspiring to this version of reality.” Her play encourages the audience to question their own interactions with technology. “We put a post up, and we feel more loved and special if someone ‘likes’ it. What is that? It’s a bit ‘nothing’. Are you living your best life with this?”

“I think it’s so relevant to where we are in society,” adds Evans. “There’s recently been a huge number of people, particularly women, who are in relationships with virtual reality partners. In some cases, they’ve even married them… In terms of mental health, there are a huge number of treatments which use virtual reality or AI. There’s a lot of therapy apps, which can be very useful, but they sometimes miss out on the human

connection. I’ve used one, and it completely misunderstood what I said.”

Even back in the 60s, scientists were toying with how artificial intelligence could interact with us. Joseph Weizenbaum created a program called ELIZA, which matched patterns to create the illusion of human communication. It appropriately responded to anything which was typed in, while never understanding any of it. What he’d created was a perfunctory chatbot. In a surprising turn of events, those testing it began telling the machine about their problems, falling under the illusion that it was both intelligent and seeking to help them. Despite its creator’s insistence that the program was merely reflecting the user’s own words back at them, many became convinced of ELIZA’s use as a new form of therapy.

In the last 20 years, technology has nimbly outpaced both analysis of its impact and the regulations seeking to moderate it. As with any new inventions, those developing them rarely anticipate the benefits or pitfalls ahead. Sutherland points out that if you look at a graph reporting people’s struggles with mental health, the numbers begin to soar at the point when social media started gaining popularity. It’s unlikely to be a coincidence. Can we truly trust anything we experience online?

“What’s scary now is the proliferation of tech, or rather the capabilities of it. Who knows what tomorrow will bring? The big thing now is deep fakes. Deep fake audio is pretty much there now, almost anyone could be fooled by it. Deep fake video is not quite perfect, but it won't take long. If you juxtapose that against the mental health pandemic, which is essentially next, it becomes the ‘kill or cure’.”

While a mental health pandemic might not be talked about as much, it has the potential to be every bit as pernicious or disruptive as a Covid outbreak. But, perhaps the answer lies in better understanding and harnessing the technology around us. “What’s wonderful about the play, in

the way Jo has written it, is it shows that in some ways using AI for mental health can be really beneficial for people,” Evans says. “On the other hand, it can be really detrimental. This play takes the stance that it’s in the hands of the person using it. Just like any other tool. We continue to be in an underfunded environment with mental health, and it’s only going to continue being underfunded unless we change things.”

Sutherland suggests technologies like AI are there to free us up for the important stuff. “There’s something to be said for the ‘gut-feel’. There’ll always be room for humans. What that looks like… who knows? In terms of mental health, I severely doubt AI is the answer. It could be used in some areas, where our health service is restricted. If you’re depressed, anxious or lonely, there is a lot to be said for contact with another living person.”

Evans reveals that every production hangs on the quality of writing. Sutherland has packed this work with wonderful humour, alongside things which should resonate with all of us. Like having a parent to care for, or a friend who is trying to be supportive, but doesn’t really know how to help. “I’ve been really privileged as a director to work with such a wonderful cast who are very talented,” she says. “I’ve always drawn inspiration from transforming the suppressed into the spectacular. It’s been wonderful to see how we can find a way to show the drawbacks of AI. What happens if we try to create perfection? Do we naturally create our own flaws and biases? Ultimately, it’s down to the joy and conflict, which comes from the script.”

Written by Jo Sutherland and directed by Cerys Evans, Lucy’s Pharmakon comes to The Actors (on Brighton’s Prince's Street) on Thurs 7 March, as part of FemFest 2024. It then continues Thurs 4 - Sat 6 April. For more information, head to: www.outsavvy.com/event/17879/ lucys-pharmakon

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Spring Fashion 2024

Our top trends to look out for

As the UK greets the dawn of spring 2024 with the usual mix of optimism and a wary eye on the weather forecast, the nation’s fashion enthusiasts find themselves at a delightful crossroads. Gone are the days of sartorial hibernation under layers of practicality, as we stand on the precipice of a season that promises not just a wardrobe refresh but a fullblown style revolution. BN1 Magazine takes you on a whirlwind tour of what promises to be a stylish spring to remember.

MASC/FEM DRESSING

In a delightful defiance of traditional binaries, spring 2024 sees the rise of Masc/ Fem dressing. This trend, a whimsical dance between masculinity and femininity, champions skirts in their most audacious forms—ultra mini, super sheer, and elegantly flowing—paired not with their expected counterparts but with oversized shirts, menswear sweaters, and bulky blazers. It’s an eclectic mix that mirrors the unpredictable British weather; sometimes sunny, often rainy, but always interesting.

BUSINESS CASUAL: THE NEW POWER SUIT

The term ‘business casual’ gets a radical makeover this spring. Forget what you knew; the new workwear uniform is about relaxed tailoring that whispers power with a casual flair. Think blazers that could double as capes and trousers so comfortable you could mistake them for pyjamas. This trend is a nod to the eternal British quest for a compromise— formality with a wink, professionalism with personality.

SHEER WHITES: HEAVENLY OR RISQUÉ?

Spring 2024 dares you to explore the ethereal charm of sheer whites. This trend, equal parts angelic and provocative, is not for the faint of heart or the clumsy with coffee. It’s an audacious statement that balances on the fine line between innocence and allure, perfect for making an entrance (or a scandal) at any spring soirée.

HIGH-RISE TROUSERS: A NOSTALGIC ASCENT

Low-rise trousers, we hardly knew ye. Spring heralds the return of the high-rise, much to the relief of millennials and anyone who values their dignity when bending over. This season,

the higher the waist, the closer to sartorial enlightenment, offering a versatile foundation for both casual and formal ensembles. It’s a trend that celebrates elevation in all forms—be it fashion or the occasional floodwaters of April showers.

ELEVATED SPORTSWEAR: CHIC COMFORT

As if refusing to let go of the lockdown loungewear era, spring 2024 elevates sportswear to high fashion. Hoodies replace dresses, track tops complement denim, and cropped leggings court heeled pumps in a trend that blurs the lines between gym attire and gala wear. It’s a testament to the British knack for understatement and overestimating the weather—be prepared for anything, but make it fashion.

FLORALS, BUT MAKE IT ROSES

“Florals for spring? Groundbreaking.” Yet, here we are, with a twist that even Miranda Priestly might approve of. This year, it’s all about roses, the quintessential symbol of romance, now blooming across the fashion landscape in a myriad of styles. From Simone Rocha’s ethereal gowns to more subtle nods to the motif, this trend invites you to stop and wear the roses, if not smell them.

METALLICS: NOT JUST FOR CHRISTMAS

Spring 2024 refuses to let the sparkle die with the festive season. Metallics, in hues of gold and silver, transition smoothly into spring, proving that a little shimmer is not just for the night but for broad daylight too. It’s a trend that reflects (quite literally) the British optimism for sunny days ahead, or at the very least, the ability to light up a room on the greyest of days.

THE MODERN BRIDE: A CONTEMPORARY FAIRYTALE

For those wandering down the aisle this spring, traditional bridal wear takes a back seat to contemporary silhouettes. Think dropped waists, XXL hip padding, and oversized sleeves—because in 2024, love is grand, and so is bridal fashion. It’s a celebration of individuality and breaking norms, much like a British wedding that respects tradition but insists on a personal twist.

SHORT SHORTS: DARE TO BARE

Spring 2024 declares that less is more, at least in terms of fabric. Micro shorts make a bold statement, challenging wearers to embrace their confidence (and check the weather app). For those not ready to reveal all, thigh-high boots offer a compromise, proving that British fashion is all about creative solutions and daring to defy expectations.

THE REVIVAL OF CRAFTSMANSHIP AND SUSTAINABILITY

Beneath the surface of these trends lies a deeper narrative, one that celebrates the revival of craftsmanship and sustainability. Tailoring services like SOJO and The Seam, alongside the boom in resale platforms, reflect a growing appreciation for the art of fashion as both a craft and a conscious choice. It’s a movement that mirrors the British penchant for history and heritage, a reminder that sometimes, the best way forward is to look back and mend.

As spring 2024 unfolds, it invites us to embrace contrast and contradiction, to find harmony in discord, and to express our multifaceted selves through the universal language of fashion. So, as we step out of the shadows of winter and into the light of spring, let’s do so with a sense of adventure, a dash of irreverence, and a wardrobe that’s as ready for a sunbeam as it is for a sudden shower. After all, this is Britain, where the only thing predictable about spring is its unpredictability.

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Fashion

Climbing the Property Ladder in Brighton

Brighton, with its vibrant culture, stunning coastline, and proximity to the South Downs, is a magnet for those seeking a blend of city life and natural beauty. However, the allure of this seaside city comes with a steep price tag, especially in the property market. With house prices rivalling those of London but without the capital’s wages, securing a foothold on the property ladder in Brighton can seem like a daunting task. This comprehensive guide aims to demystify the process, offering practical advice and insights to help prospective buyers navigate the challenging terrain of Brighton’s housing market.

Understanding the Market

Firstly, it’s crucial to grasp the dynamics of Brighton’s property market. The city’s popularity among both UK residents and international buyers has led to a surge in demand, outstripping supply and pushing prices upwards. The limited space for new developments, especially in sought-after areas such as The Lanes and Kemptown, exacerbates this issue.

Recognizing these challenges is the first step towards formulating a strategy to overcome them.

Budgeting Wisely

Given the high entry costs, effective budgeting becomes paramount. Prospective buyers should start by getting a clear picture of their finances. This includes understanding your income, savings, and any debts or financial commitments. Remember, the cost of buying a home isn’t just the purchase price; it includes stamp duty, solicitor fees, survey costs, and more. Tools like online mortgage calculators can provide a rough idea of what you might be able to afford, but consulting with a mortgage advisor for a more accurate assessment is advisable.

Exploring Financial Aids and Schemes

Thankfully, several schemes can help first-time buyers and those on lower incomes. The Help to Buy scheme, for instance, allows buyers to purchase a

new home with just a 5% deposit, with the government lending up to 20% (40% in London) of the home’s value interest-free for the first five years. Shared ownership is another option, where you buy a share of your home and pay rent on the remaining share. It’s worth investigating these options early on to understand what assistance you might be eligible for.

Choosing the Right Location

While central Brighton’s property prices can be prohibitively expensive, more affordable options can be found by expanding your search to the city’s outskirts or neighbouring towns like Hove or Portslade. These areas still offer excellent transport links to Brighton and can provide much better value for money. Additionally, consider the potential for future appreciation. Areas undergoing regeneration or improvements in transport connections might offer good investment opportunities.

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Property

Saving for a Deposit

The deposit is often the biggest hurdle for prospective buyers. Traditional advice recommends saving at least 10-20% of the home’s value, but in Brighton’s expensive market, this can be a substantial sum. Strategies for saving include setting up a dedicated savings account, cutting non-essential expenses, and considering alternative revenue streams or higher-paying employment opportunities. The Lifetime ISA (LISA) is particularly beneficial for first-time buyers, offering a 25% bonus on savings up to £4,000 a year.

Navigating the Buying Process

Once you’re in a position to buy, the process involves several steps: finding a property, making an offer, applying for a mortgage, and going through conveyancing. Each stage can be complex and stressful, so it’s wise to enlist professional help. A good estate agent can be invaluable in finding the right property, while mortgage brokers can assist in securing the best mortgage deal. Solicitors will handle the legal aspects of the purchase, ensuring everything is in order.

Securing a Mortgage

The mortgage market is competitive, with numerous products available. Factors such as interest rates, fees, and the type of mortgage (fixed, variable, tracker) can significantly impact the overall cost of the loan. A strong application — evidenced by a stable income, good credit score, and substantial deposit — will improve your chances of securing a favourable mortgage. It’s also essential to consider the long-term affordability, especially with the potential for interest rate rises.

While buying a property in Brighton presents its unique challenges, it’s not an impossible dream. With careful planning, prudent saving, and a strategic approach, you can navigate the hurdles and secure a home in this desirable city. The journey to homeownership is undoubtedly complex and often frustrating, but the rewards of settling in Brighton — with its unique charm, community spirit, and unparalleled quality of life — are immeasurable. By understanding the market, exploring financial aids, choosing the right location, and diligently saving for a deposit, you can take confident steps towards owning a home in Brighton, turning the daunting into the achievable.

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Morocco Image By Jorg

trip to warmer climes

As the British Isles remain stubbornly gripped by the tail end of winter’s chill, the promise of sunnier climes becomes ever more alluring. March, that awkward bridge between winter and spring, presents an ideal opportunity for those afflicted with a case of the seasonal blues to seek refuge in warmer parts of the world. But where does one find these mythical lands of eternal summer without breaking the bank? Fear not, for we have scoured the globe to bring you a guide to the best budget-friendly destinations where the sun reigns supreme in March, and the experiences are as rich as a Cadbury’s Dairy Milk.

Escaping the British Chill

A Globetrotter’s Guide to March Warmth on a Budget

Marrakech, Morocco

A Labyrinth of Culture and Warmth

First on our list is Marrakech, a city where the sun is as abundant as the spices in the souks. With daytime temperatures pleasantly hovering in the low 20s (Celsius, not Fahrenheit, dear Americans), it’s perfect for those who prefer their weather like their tea – warm but not boiling.

The city’s vibrant medina, a UNESCO World Heritage site, offers an intoxicating mix of sights, sounds, and smells. Budget travellers can rejoice, as affordable accommodation is plentiful, and the street food – think steaming tagines and sweet mint tea – is both delicious and light on the wallet. Don’t miss the Jardin Majorelle, a tranquil oasis of exotic plants and striking architecture, which, despite its popularity, remains a peaceful retreat from the bustling city streets.

Gran Canaria, Spain

A Canary Island Gem

For those whose idea of a perfect March involves beaches and balmy weather, Gran Canaria offers a splendid escape. Part of Spain’s Canary Islands, it boasts a climate that’s practically perfect year-round, with March temperatures comfortably in the 20s.

Gran Canaria is a haven for budget travellers, offering affordable accommodations and a plethora of free or inexpensive activities. Hike the dramatic landscapes of the interior, relax on the golden sands of Maspalomas, or explore the charming streets of Las Palmas. The island’s diverse ecosystems make it a miniature continent, offering a bit of everything for the adventurous soul.

Croatia, Rovinj City and Adriatic Sea- Istria

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Travel

Goa, india

By Mohd

Goa, India

Beaches and Budget Bliss

Goa, with its alluring mix of Indian culture and Portuguese heritage, is a haven for those in search of sun, sea, and spirituality.

Ho Chi Minh City, Vietnam

An Affordable Asian Adventure

March marks an ideal time to visit Ho Chi Minh City, as the weather is warm and dry before the arrival of the summer monsoon. The city, a bustling metropolis that never seems to sleep, offers an array of experiences for the budget-conscious traveller.

From the historic Cu Chi Tunnels to the vibrant Ben Thanh Market, there’s no shortage of affordable attractions. The street food scene here is legendary; pho, banh mi, and other Vietnamese delicacies can be enjoyed for less than the price of a London Tube fare.

Accommodation options range from budget hostels to affordable boutique hotels, ensuring a comfortable stay without the hefty price tag.

March is an excellent time to visit, as the weather is warm and sunny, perfect for exploring the state’s many beaches, from the party-centric Baga to the more serene Agonda.

The cost of living is low, making it possible to enjoy a beachfront lifestyle without the eye-watering expenses. Yoga retreats, spice plantations, and the UNESCO-listed churches of Old Goa offer a variety of experiences beyond the beaches. Street food and local markets provide a taste of Goan cuisine without the need for a hefty wallet.

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Aerial view Skyscrapers flying by drone of Ho Chi Minh City, Vietnam

By VietDung

Mexico City and Beyond

A Journey Down the East Coast

Mexico City, with its vibrant street life and rich tapestry of history and modernity, serves as the perfect starting point for an exploration of warmth and culture under the Mexican sun.

But the adventure doesn’t end within the confines of the capital. Heading down the east coast of Mexico, travellers find a string of pearls in the form of beachside towns and ancient ruins, each offering its own unique flavour of paradise. Let’s venture further down this path, exploring Tulum, Playa del Carmen, and Cancun, and discover what makes these destinations a must-visit for those seeking sun, sea, and affordability in March.

Tulum

Where Ancient Ruins Meet Azure Seas

Tulum is a breathtaking blend of turquoise waters and Mayan history, offering a more laid-back alternative to its northern neighbours. The town is famed for its cliffside Mayan ruins, an ancient port city that offers stunning views over the Caribbean Sea. Beyond its historical allure, Tulum boasts some of the most beautiful beaches in Mexico, where powdery white sands meet crystal clear waters.

For the budget-conscious, Tulum offers a variety of accommodation options, from eco-friendly beach cabanas to affordable hostels in the town centre. The vibe here is decidedly relaxed, with yoga studios, organic cafes, and boutique shops dotting the streets. Tulum is also a gateway to the Sian Ka’an Biosphere Reserve, a UNESCO World Heritage site that offers incredible opportunities for wildlife watching, kayaking, and exploring untouched beaches.

Playa del Carmen

A Cosmopolitan Beach Escape

Moving north from Tulum, Playa del Carmen offers a cosmopolitan beach experience that blends Mexican charm with international flair. Once a sleepy fishing village, Playa del Carmen has transformed into a bustling beach town with a vibrant nightlife, a wide array of dining options, and shopping to suit every taste. The town’s main street, Quinta Avenida (Fifth Avenue), is a pedestrian-only thoroughfare lined with boutiques, bars, and restaurants.

Playa del Carmen’s beaches are legendary, offering a perfect setting for sunbathing, swimming, and water sports. Accommodation options are plentiful and can accommodate every budget, from backpacker hostels to all-inclusive resorts. For those seeking adventure beyond the beach, nearby attractions include the ecoarchaeological park Xcaret and the cenotes (natural swimming holes) that dot the landscape, offering a unique glimpse into the region’s natural beauty.

Cancun Sun, Sea, and Entertainment

At the northern tip of the Riviera Maya, Cancun stands as a testament to Mexico’s appeal as a top-tier beach destination. Known for its long stretches of white sand beaches and crystal-clear waters, Cancun caters to all types of travelers, from party-goers to families. The Hotel Zone, a long, narrow island in the shape of a “7,” houses a majority of the city’s hotels, resorts, and nightclubs.

While Cancun might seem like a splurge compared to more budget-friendly destinations, there are plenty of ways to enjoy this paradise without spending a fortune. Public beaches like Playa Delfines offer a tranquil escape from the more crowded hotel beaches, and local eateries outside the Hotel Zone serve up delicious Mexican fare at a fraction of the price. For a dose of culture, the nearby Mayan ruins of El Rey offer a glimpse into the area’s rich history.

Famous historical ruins of Tulum

By Frédéric Prochasson

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Travel

coast

Cancun

Spring Pea and Mint Soup

As the first signs of spring begin to emerge, this vibrant pea and mint soup captures the essence of the season with its fresh, bright flavours. It’s a light yet warming dish, perfect for the transitional weather of March in the UK.

4 Large Pot 30 mins 2 / 10 SERVES METHOD TIME

DIRECTION

01.

Sauté Base: In a large pot, heat the olive oil over medium heat. Add the chopped onion and garlic, sautéing until soft and translucent, about 5 minutes.

• 1 tablespoon olive oil

• 1 onion, finely chopped

• 2 cloves garlic, minced

• 4 cups fresh or frozen peas

• 4 cups vegetable stock

• 1/4 cup fresh mint leaves, plus extra for garnish

• Salt and pepper to taste

• 1/2 cup coconut cream, for serving

03.

02.

04. Cook Peas: Add the peas to the pot (reserve a handful for garnish if desired) and cook for another 3 minutes. Pour in the vegetable stock, bring to a simmer, and cook for 10 minutes.

Blend and Season: Remove the pot from heat. Add the fresh mint leaves. Using an immersion blender, blend the soup until smooth. Season with salt and pepper to taste.

Serve: Ladle the soup into bowls, drizzle with coconut cream, and garnish with whole peas and mint leaves. This soup is delightfully refreshing and perfect for embracing the new beginnings of spring.

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DIFFICULTY INGREDIENTS

SERVES

Asparagus and Ricotta Tart

This asparagus and ricotta tart is a celebration of spring, featuring tender asparagus spears and creamy ricotta on a flaky pastry crust. It’s an elegant dish that’s perfect for a spring brunch or light dinner.

How To Cook

METHOD

Oven

DIRECTION

01. Prep Pastry: Preheat your oven to 200°C (400°F). Roll out the puff pastry on a floured surface and place it on a baking sheet lined with parchment paper. With a knife, lightly score a 1-inch border around the edge.

04. Bake: Brush the edges of the pastry with egg wash. Bake for 25-30 minutes, or until the pastry is golden and puffed, and the asparagus is tender.

1 hour

10 mins

DIFFICULTY

TIME 7 / 10

02. Mix Filling: In a bowl, mix together ricotta cheese, lemon zest, parmesan cheese, dill, salt, and pepper. Spread this mixture within the border of the puff pastry.

03. Arrange Asparagus: Lay the asparagus spears on top of the ricotta mixture, alternating ends and tips for a beautiful presentation

INGREDIENTS

• 1 sheet puff pastry, thawed

• 1 cup ricotta cheese

• 1 lemon, zested

• 1/4 cup parmesan cheese, grated

• 2 tablespoons fresh dill, chopped

• Salt and pepper to taste

• 500g asparagus, trimmed

• 1 egg, beaten, for egg wash

05. Serve: Let the tart cool slightly before cutting into squares. Serve warm or at room temperature, garnished with additional fresh dill or lemon zest if desired.

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Lemon Herb Roasted Chicken

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COMFORTING FOOD AT ITS BEST

This lemon herb roasted chicken, flavoured with the zesty brightness of lemon and the aromatic qualities of fresh spring herbs, is a testament to the season’s fresh produce. It’s a centrepiece dish that’s both comforting and sophisticated.

INGREDIENTS

• 1 whole chicken (about 1.5-2 kg)

• 2 lemons, one sliced and one juiced

• 4 garlic cloves, minced

• 1/4 cup olive oil

• 1 tablespoon fresh rosemary, chopped

• 1 tablespoon fresh thyme, chopped

• Salt and pepper to taste

• 1 kg new potatoes, halved

• 2 tablespoons fresh parsley, chopped, for garnish

DIRECTION

01. Prep Chicken: Preheat your oven to 190°C (375°F). Rinse the chicken and pat dry with paper towels. Season the cavity with salt and pepper, and stuff with lemon slices.

02. Marinate: In a small bowl, mix lemon juice, minced garlic, olive oil, rosemary, thyme, salt, and pepper. Rub this mixture all over the chicken, inside and out.

03. Roast with Potatoes: Place the chicken breastside up in a roasting pan. Arrange the halved new potatoes around the chicken. Roast in the preheated oven for about 1 hour and 30 minutes, or until the chicken is cooked through and the potatoes are tender.

04. Serve: Let the chicken rest for 10 minutes before carving. Garnish with fresh parsley. Serve with the roasted potatoes and a side of spring vegetables for a complete meal.

Each of these recipes, from the simple yet flavorful pea soup to the elegant asparagus tart, captures the spirit of spring with fresh ingredients and vibrant flavours, offering a range of difficulties to suit any cook’s skill level.

BN1 MAGAZINE 63 4-6 SERVES Oven METHOD 1 hr, 45 TIME 6 / 10 DIFFICULTY

TV GUIDE

THE COMPLETELY MADEUP ADVENTURES OF DICK TURPIN

FRI 1 MARCH

APPLE TV+

Noel Fielding sets out on a journey of wildly absurd escapades, when Dick Turpin becomes the reluctant leader of a band of outlaws. But can he outwit corrupt lawman and self-appointed thief-taker Jonathan Wilde (Hugh Bonneville)?

In this irreverent retelling of the British 18th century folktale, Turpin is the most famous but least likely of highway robbers, whose success is defined mostly by his charm, showmanship and… great hair. Together with his gang of lovable rogues, Turpin rides the highs and lows of his new endeavours, including a brush with celebrity, all whilst trying to escape the clutches of the law.

MARY & GEORGE

TUES 5 MARCH

SKY ATLANTIC

Inspired by the explosive true story of Mary Villiers, who moulds her beautiful and charismatic son, this is the outrageous story of an overwhelming desire for power. From humble beginnings, they claimed riches, titles and huge influence on the English court through scheming and dangerous gameplay.

England’s place on the world stage is under threat from a Spanish invasion, while rioters take to the street to denounce the new king. Mary & George is an audacious historical psychodrama about a treacherous mother and son who schemed, seduced and killed, in order to conquer the court of England and the bed of its King.

EXTRAORDINARY

EXTRAORDINARY WED 6 MARCH DISNEY+

It’s season 2 for this imaginative superhero comedy show. We follow the life of Jen, a 25-year-old woman who is the sole individual in her world without a superpower. To unravel her dormant abilities, she sets out to establish and uncover what might make her special.

Adrift in a big, confusing world and armed with nothing but a bit of hope and a lot of desperation, Jen realises none of this is simple. Her ex-cat boyfriend has had a revelation about his past, while her friends Kash and Carrie are attempting to be totally mature and dignified about their break-up, which is not easy when they’re still living under the same roof.

INVINCIBLE THURS 14 MARCH PRIME VIDEO

Finally, the second half of season 2 arrives, as this oddball adult animation takes on new baddies. It all revolves around 17-year-old Mark Grayson, who’s just like every other guy his age… except his father is the most powerful superhero on the planet, Omni-Man.

Mark develops powers of his own, and begins to suspect his father’s legacy is not as heroic as it seems. After an earth-shattering betrayal, Mark is starting to rebuild his life. In the face of apocalyptic threats, he discovers new allies and wrestles with his greatest fear - that he might become his father. But, just when you think things couldn’t get any more complicated, a new threat starts to loom.

PALM ROYALE

MARCH 20

APPLE TV+

This true underdog story follows Maxine Simmons (Kristen Wiig) as she endeavours to break into Palm Beach’s exclusive social scene. As Maxine attempts to cross that impermeable line between the haves and the have-nots, she’s forced to ask the same question that still baffles us today - How much of yourself are you willing to sacrifice to get what someone else has?

Set during the powder keg year of 1969, Palm Royale is a lovingly created period piece, exploring both rapidly shifting social issues and America’s hidden class divide. With some lush production values, a cannily self-aware script and fantastic performances, it stands as a testament to every outsider fighting for their chance to truly belong.

DICK TURPIN

3 BODY PROBLEM

THURS 21 MARCH

NETFLIX

A young woman’s fateful decision in 1960s China reverberates across space and time into the present day. Co-created by David Benioff and D.B. Weiss (Game of Thrones) and Alexander Woo (The Terror: Infamy, True Blood), this complex and compelling show features a fabulous ensemble cast - including Rosalind Chao, Liam Cunningham, Eiza González, Jess Hong, Marlo Kelly, Benedict Wong and Jonathan Pryce.

When the laws of nature inexplicably unravel before their eyes, a close-knit group of brilliant scientists join forces with an unorthodox detective to confront the greatest threat in humanity’s history. But are some dangers simply too huge to truly comprehend?

FRAGGLE ROCK: BACK TO THE ROCK

29 MARCH

APPLE TV+

It’s aimed at kids, but we know a few adults will be tuning in to this Emmy Award-winning fan favourite for a hearty dose of 90s nostalgia. The second season of this reboot of Jim Henson’s beloved classic Fraggle Rock.

This time there’s some rather big changes affecting the Rock, the Fraggles, Doozers and, yes, even the Gorgs. Everyone is being forced to confront their past and celebrate their interdependence. New challenges are presenting themselves, and nobody exists in isolation. But it’ll probably be OK, if they stand together with hope, silliness and some brand new songs - all while dancing their cares away … down at Fraggle Rock.

3 BODY PROBLEM

SWAT

SWAT SUN 24 MARCH SKY / NOW TV

The final season of the hit US cop show returns for its last season. The plotlines are ludicrous, the sets faintly ridiculous (the team seem to operate out of a nuclear bunker) and the action a bizarre mix of machismo and socially conscious platitudes – but we just love it.

Now a father, Daniel ‘Hondo’ Harrelson is under pressure from all sides to protect his community and family. Armed with hi-tech weaponry and nifty catchphrases, the gang head to Mexico City, in pursuit of a fugitive who slipped Hondo’s grasp 10 years ago. But when things go awry, old wounds are reopened and Hondo becomes desperate to fulfil a promise made long ago.

FRAGGLE ROCK: BACK TO THE ROCK

BN1 MAGAZINE 65

FILM

DUNE: PART TWO

SUN 3 MARCH

After a seemingly eternal break in the action, we can finally watch Denis Villeneuve‘s culmination of this science fiction classic. Things now take on an epic scale, as we rejoin the supernaturallypowered Paul Atreides (Timothée Chalamet). He’s now fighting alongside the Fremen of Arrakis – a galactic backwater holding a solution to travel between the stars.

Atreides is looking to avenge the death of his father, and to wrest control of his planet and its endless deserts from the corrupt and overbureaucratic Harkonnen empire. There’s a future which only he has seen, and he’s willing to risk everything to prevent what is coming, in a visually-stunning and astonishingly-scaled adventure.

IMAGINARY

FRI 8 MARCH

From Blumhouse, the genre-defining masterminds behind Five Nights At Freddy’s and M3GAN, comes an original horror. It taps into the innocence of imaginary friends , and asks if they are really figments of childhood imagination, or is something more terrifying lying just beneath?

When Jessica (DeWanda Wise) moves back into her childhood home, her youngest stepdaughter Alice (Pyper Braun) develops an eerie attachment to a stuffed bear named Chauncey which she finds in the basement. Alice starts playing games with Chauncey that begin playful but start to become increasingly sinister. As Alice’s behaviour becomes concerning, Jessica intervenes only to realise Chauncey is much more than just a stuffed toy.

KUNG FU PANDA 4

FRI 8 MARCH

After three death-defying adventures defeating world-class villains with unmatched courage and mad martial arts skills, Po, the Dragon Warrior (Jack Black), is called upon by destiny to… give it a rest already. More specifically, he’s tapped to become the Spiritual Leader of the Valley of Peace.

Unfortunately, Po initially knows little about good spiritual leadership. He also needs to quickly find and train a replacement Dragon Warrior before he can assume his new lofty position. Even worse, there’s a wicked, powerful sorceress on the scene, who has their eye on Po’s Staff of Wisdom, which would give her the power to re-summon every villain that Po has vanquished to the spirit realm.

GUIDE

ARTHUR THE KING

FRI 22 MARCH

Over the course of ten days and 435 miles, an unbreakable bond is forged between pro adventure racer Michael Light (Mark Wahlberg) and a scrappy street dog companion dubbed Arthur.

Directed by Simon Cellan Jones (Some Voices, The Trial of Tony Blair) and based on an incredible true story, we meet a man who is desperate for one last chance to win - as he convinces a sponsor to back him and a team of athletes (Simu Liu, Nathalie Emmanuel and Ali Suliman) for the Adventure Racing World Championship. As the team is pushed to their outer limits of endurance in the race, Arthur redefines what victory, loyalty and friendship truly mean.

GHOSTBUSTERS: FROZEN EMPIRE

FRI 22 MARCH

This classic supernatural comedy franchise picks up the pace, with its new generation facing another ghastly threat. Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O’Connor, and Logan Kim star alongside Bill Murray, Dan Aykroyd, Ernie Hudson and Annie Potts, as the action shifts back to New York City.

The Spengler family have left Ohio, and headed to a certain firehouse. There’s been some topsecret research, which should take busting ghosts to a whole new level. But when the discovery of an ancient artefact unleashes an evil force, Ghostbusters new and old must join forces to save the world from a second Ice Age.

IMMACULATE

FRI 22 MARCH

Sydney Sweeney (Anyone But You, Euphoria, The White Lotus) and Álvaro Morte (The Wheel of Time) star in this uncompromising psychological horror. Sweeney plays Cecilia, an American nun of devout faith, who is entering a new and exciting stage of her life – being posted to a remote convent in the picturesque Italian countryside.

But… not everything is black and white..! Cecilia’s warm welcome quickly devolves into a nightmare, as it becomes clear her new home harbours unspeakable horrors. With sinister secrets and a spiritual crisis closing in, will faith carry her safely through the terror.

PETER FIVE EIGHT

FRI 22 MARCH

After (what we’re diplomatically going to call) ‘some difficult personal issues’, Kevin Spacey returns to the big screen. Michael Zaiko Hall (Hotel Dunsmuir, Pacific Rim) directs this action thriller, which also stars Jet Jandreau, Rebecca De Mornay (The Hand That Rocks the Cradle, Marvel’s Jessica Jones) and Jake Weber (Dawn of the Dead, The Mind of the Married Man).

Jandreau plays Sam, a glamorous real estate agent living amongst a small mountain community, who is suddenly revealed to be unhinged and a troubled alcoholic. De Mornay plays Brenda, a woman who might hold the key to a dark secret which the powerful and shadowy Mr Lock wants to expose.

66 BN1 MAGAZINE

(C) Chiabella James;

MAKE TIME FOR CREATIVITY

Painters, poets, weavers, welders, gardeners, gilders, calligraphers, conservators…

Whatever your craft, whatever your level, there is a short course for you at West Dean. Learn from expert tutors in state of the art studios.

Be inspired at westdean.ac.uk

4–26 May

Tickets on sale now brightonfestival.org | 01273 709709

Guest Director Frank Cottrell-Boyce

2024

BN1 Magazine March 2024

Reginald D. Hunter

WORTH THE DETOUR

Detour Vintage new to Hanningtons

Brighton’s hidden gem

YOUR FITNESS OUR PASSION

CONTENTS 38

INTERNATIONAL WOMEN’S DAY AT BRIGHTON DOME

Excitement awaits at Withdean

BRIGHTON PHILHARMONIC ORCHESTRA CHAMPIONS FEMALE COMPOSERS

THE DYKE BOP

London Gatwick calls for Sussex groups to apply for £250,000 of funding

New photographic competition celebrates Brighton & Hove’s trees

FEMFEST 2024

Are you struggling to lose weight?

THE PARENTS CLASS: the Brighton-based antenatal class standing up for

upright birthing

Antenatal

International Women’s Day Specials at Komedia Brighton

barbecue SMOKEHOUSE

VUDU FOOD OPENS IN BRIGHTON

MELTING VINYL COMING UP IN 2024

BRIGHTON FESTIVAL 2024

WIN

QUIZ FACE

QUIZWORD

ACROSS

DOWN

Amazing creative experiences

WORDUKU

SAY WHAT YOU SEE

MIRROR IMAGE

WHAT THE DUCK?!

Patanjali’s Prescription for Unleashing Creativity

Sun Salutations with Surya: A Sensory Embrace

Meditation at Brahma-Muhurta: The Serious Art of Peaceful Mornings

The Open Invitation to Celestial Shenanigans

How to Nurture Your Garden's Wild Side

Counselling and Psychotherapy Courses in Sussex and Online

COMEDY

REGINALD D. HUNTER

Event Lineup:

The Honourable Tom Houghton

THE HIDDEN IMPACT OF PARKING CHARGES ON THE COST OF LIVING CRISIS

Me, Knowing You

Hanningtons Lane

New shopping district continues to impress

Frames in the Lanes

Penumbra

Multidisciplinary performance quartet takes improvisation to a new level

LUCY’S PHARMAKON Is this the real life?

Spring Fashion 2024

Our top trends to look out for

MASC/FEM DRESSING

BUSINESS CASUAL: THE NEW POWER SUIT

SHEER WHITES: HEAVENLY OR RISQUÉ?

HIGH-RISE TROUSERS: A NOSTALGIC ASCENT

ELEVATED SPORTSWEAR: CHIC COMFORT

FLORALS, BUT MAKE IT ROSES

METALLICS: NOT JUST FOR CHRISTMAS

THE MODERN BRIDE: A CONTEMPORARY FAIRYTALE

SHORT SHORTS: DARE TO BARE

THE REVIVAL OF CRAFTSMANSHIP AND SUSTAINABILITY

Climbing the Property Ladder in Brighton

Understanding the Market

Budgeting Wisely

Exploring Financial Aids and Schemes

Choosing the Right Location

Property

Saving for a Deposit

Navigating the Buying Process

Securing a Mortgage

trip to warmer climes

Escaping the British Chill

A Globetrotter’s Guide to March Warmth on a Budget

Marrakech, Morocco

A Labyrinth of Culture and Warmth

Gran Canaria, Spain

A Canary Island Gem

Goa, india

YOUR FITNESS OUR PASSION