it’sThoughdark, still I sing 34th Bienal de São Paulo Traveling exhibitions program CampinasCampinasCampinasSesc – Campinas April 26 – July 31, 2022 List of works
Statement Tikmũ’ũn Songs
The songs Sobrinho, Papa-mel and Beija-flor were recorded with the community of women, men and Yãmĩyxop from Água Boa in the Maxakali Indigenous Land (Santa Helena de Minas-MG), in October 2003. Song Recording, Editing and Mastering: Leonardo Pires Rosse Editing Assistant: Eduardo Pires Rosse. Research Coordinator: Rosângela Pereira de Tugny. The approach to the Tikmũ‘ũn songs was only possible due to multiple conversations with: Charles Bicalho, Isael Maxacali, Paula Berbert, Roberto Romero and Sueli Maxacali, whom the curators of the 34th Bienal de São Paulo are thankful to.
Installation with audios of the Tikmũ’ũn ritual songs, 9 books and transcriptions and translations of the songs.
Song Recording, Editing and Mastering: Leonardo Pires Rosse Editing Assistant: Eduardo Pires Rosse. Research Coordinator: Rosângela Pereira de Tugny.
The songs Piabinha, Cabeça branca, Você aguenta, Cabeça vermelha e Tié-preto envergonhado were recorded with the community of women, men and Yãmĩyxop from Pradinho in the Maxakali Indigenous Land (Bertópolis-MG), in October 2003.
Untitled,
Stockholm AB Untitled,
25
30
pins mounted
43
63
30 cm Courtesy
Stockholm AB Untitled,
90
Stockholm AB
Participation in the 34th Bienal supported by: Nordic Culture Fund, Danish Arts Foundation and Iaspis – the Swedish Arts Grants Committee’s Program
Collage
for Visual and Applied Artists We resist, therefore we exist, 2015 Photograph series, inkjet print, frames built from window panels of a squatted house, 5 photographs 175 × 125 cm (each) Private Courtesycollectionoftheartist Frida Orupabo
Collage
70
Stockholm AB Untitled, 2021 Collage, two parts 108 × 69 cm each Courtesy
40 cm Courtesy
20
Abel Rodríguez Participation in the 34th Bienal supported by: Cancillería de Colombia – Embajada de Colombia en Brasil La montaña firme, 2018 The firm mountain Acrylic on paper 75 × 104,5 cm Private collection Terraza Baja, 2020 Ink on paper 77 × 106 cm Private collection Terraza Vaja III, 2020 Ink on paper 59,5 × 80 cm Private collection Adrián Balseca Participation in the 34th Bienal supported by: PCAI – Polyeco Contemporary Art Initiative. BadYear, 2020-2021 Natural rubber, metal clips Dimensions CommissionedvariablebyFundação Bienal de São Paulo for the 34th Bienal Alice Shintani Mata (series), 2019-2021 Forest / Kill Gouache on paper 10 pieces, 75 × 55 cm (each) Commissioned by Fundação Bienal de São Paulo for the 34th Bienal E.B. Itso
pins
Participation in the 34th Bienal supported by: Nordic Culture Fund and Office for Contemporary Art Norway (OCA) 2019 with paper on aluminium × × cm Courtesy of the artist and Galerie Nordenhake 2019 Collage with paper pins mounted on aluminium × × of the artist and Galerie Nordenhake 2019 with paper mounted on aluminium × × of the artist and Galerie Nordenhake of the artist and Galerie Nordenhake
International
Untitled, 2021 116Collage×87 Courtesycmof the artist and Galerie Nordenhake Stockholm AB Untitled, 2021 185Collage×75 Courtesycmof the artist and Galerie Nordenhake Stockholm AB Gala ProposalPorras-KimforLuzia , 2021 Printed ink on paper and napkin Commissioned by Fundação Bienal de São Paulo for the 34th Bienal Whistling and Language Transfiguration (WaLT), 2012 LP album, cyanotype print, sound 30,5 × 30,5 cm Artist’s Courtesycollectionoftheartist and Commonwealth and Council, Los Angeles Gustavo Caboco Kanau’ kyba, 2020-2021 Installation and animation film Dimensions variable Artist’s Commissionedcollectionby Fundação Bienal de São Paulo for the 34th Bienal Hanni Kamaly Participation in the 34th Bienal supported by: Nordic Culture Fund, Office for Contemporary Art Norway (OCA) and Iaspis – the Swedish Arts Grants Committee’s International Program for Visual and Applied Artists HeadHandEye, 2017-18 Courtesy17’45Video” of the artist Jaider Esbell A guerra dos Kanaimés (série), 2019-2020 The Kanaimés War (series) Acrylic and Posca pen on canvas 145 × 110 cm Commissioned(each)byFundação Bienal de São Paulo for the 34th Bienal Private collection O ataque do Kanaimé, 2011 The Kanaimé Attack Acrylic on canvas 168 × 129 cm Artist’s collection Seba Calfuqueo Participation in the 34th Bienal supported by: Ministerio de Relaciones Exteriores y Ministerio de las Culturas, las Artes y el Patrimonio – Gobierno de Chile Alka Domo, 2017 17’Videoperformance Sung Tieu Coral Sea as Rolling Thunder, 2017 Installation: HD video, aluminium structure; C-prints on aluminium; programmed LED panel Courtesy of the artist; Sfeir-Semler Hamburg/ Beirut; and Post Vidai Collection
Exhale, 2017 C-print mounted on aluminium 84 × 63 × 0.4 cm Courtesy of the artist; Sfeir-Semler Hamburg/ Beirut; and Post Vidai Collection Inhale, 2017 C-print mounted on aluminium 96 × 80 × 0.4 cm Courtesy of the artist; Sfeir-Semler Hamburg/ Beirut; and Post Vidai Collection Inhale Again, 2017 C-print mounted on aluminium 94 × 65,5 × 0.4 cm Courtesy of the artist; Sfeir-Semler Hamburg/ Beirut; and Post Vidai Collection Victor Anicet Participation in the 34th Bienal supported by: Institut français à Paris and Ministère de la Culture et de la Communication – DAC Martinique Appel d’Afrique, 2010 Call from Africa 45Ceramic×40cm Bonbon Chouval, 2010 Horse biscuit 15Ceramic×15cm Bonbon Chouval, 2010 Horse biscuit 15Ceramic×15cm Bonbon Chouval, 2010 Horse biscuit 15Ceramic×15cm Bonbon Chouval, 2010 Horse biscuit 40Ceramic×40cm Carcan, 2002 Enamelled lava plate 58 × 58 × 2 cm Carcan, 2002 Enamelled lava plate 50 × 42 × 2 cm Carcan, 2002 Mixed media 50 × 42 × 2 cm Chaos Monde, 2003 Chaos world Enamelled lava plate 50 × 50 × 2 cm Le flûtiste, 1970 The flute player Painted wood 122 × 80 × 2 cm Le gardien, 2010 The guardian 41Ceramic×38× 10 cm Le Midi quotidien, 1970 Painted wood 122 × 53 × 2 cm Présence de l’Est multiple, 2000 East multiple presence Enamelled lava plate 50 × 50 × 3 cm
Présence de l’Est Multiple, 2000 East multiple presence Enamelled lava plate 12 x 20 x 2 cm Présence de l’Est Multiple, 2000 East multiple presence Enamelled lava plate 50 × 50 × 3 cm Vision du vaincu, 2018 View of the defeated 35Ceramic×50× 10 cm Vision du vaincu, 2019 View of the defeated 35Ceramic×50× 10 cm Vision du vaincu, 2019 View of the defeated 35Ceramic×50× 10 cm Vision du vaincu, 2019 View of the defeated 35Ceramic×50× 10 cm