06_IN_HFaroki_m&a:Maquetación 1
26/6/08
16:40
Página 120
“goal kick” to register the course of play on her computer. This record of events reveals who was on the ball, how often and how successfully, and how much ball possession each team had. The data is then sold to agencies, newspapers and television broadcasters.
Deep Play-Track 10, 2007
Screen 11 The game again shown from the high angle. Blue arrows and pink zigzags are used to show passes and dribbling. The managers use the same signs to reconstruct moves on the board. Screen 12 In the Olympic stadium, there are hundreds of security cameras and we have recorded what the security services picked up. Policemen and security forces are standing around looking disinterested; an amazing number of spectators are going to the lavatories or getting something to drink. The man or woman operating the mobile surveillance camera sometimes gets carried away by the game. They forget the task in hand and become commentators with the camera.
Deep Play-Track 11, 2007
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Solo Exhibitions (selection) •Harun Farocki: Deep Play, AV Festival, Northern Gallery of Contemporary Art, Sunderland, UK (2008). •Harun Farocki: Deep Play, The Greene Naftali Gallery, New York, USA (2008). •Harun Farocki, Galeria Àngels, Barcelona, Spain (2007). •Fußball: Football. Harun Farocki, Museum of Contemporary Art / Museet for Samtidskunst, Oslo, Sweden (2007). •Harun Farocki. One Image doesn’t take the place of the previous one, Leonard & Bina Ellen Art Gallery, Montréal, Canada (2007). •Harun Farocki, Galerie Thaddaeus Ropac, Salzburg, Austria (2007). •MUMOK, Museum Moderner Kunst, Wien, Austria (2007). •Harun Farocki, Index. The Swedish Contemporary Art Foundation, Stockholm, Sweden (2006).