Seven Days, November 5, 2014

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DEADLY DOSAGE

Fentanyl is a hidden killer

NOVEMBER 05-12, 2014 VOL.20 NO.10 SEVENDAYSVT.COM

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WILL VERMONT BECOME

THE NAPA VALLEY OF CIDER?

V ER MO NT ’S INDE PEN DENT VO IC E

Pressing for growth in the apple industry

SOWING THE APPLE SEEDS Growers, makers and scientists unite

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VE R M O N T ELECTIONS

That’s the number of election-night M shindigs Seven PA 1 IG N • 2 0 Days reporters hit on Tuesday. That’s a lot of boozing — uh, schmoozing! For our election coverage and analysis, check out sevendaysvt.com.

4

CA

OCTOBER 29-NOVEMBER 2, 2014

3

N DAYS RE VE

RT PO

WEEK IN REVIEW

facing facts

SE

THE LAST

COMPILED BY MATTHEW ROY & ANDREA SUOZZO

BAD JUDGMENT

A former Washington County judge is accused of repeatedly stealing small items such as coffee and newspapers from businesses in Montpelier. Hey, your honor, Seven Days is free.

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ARBOR ARDOR

COURTESY OF VTDIGGER

In this photo from Sen. Dick Sears' Facebook page, Katie Hunt, Gov. Peter Shumlin, Sears and John Murphy take in a Red Sox game at Fenway Park.

TABLOID FODDER OR FAIR GAME?

I

Digger’s rationale? “I think we’ve been overly protective,” says Galloway. “I think Vermonters need that information. I mean, this is the guy in the top office of Vermont, and we don’t know who he’s with most of the time.” Supporting her argument: Shumlin and Hunt have chosen to appear together at public events. And, according to an anonymous source Galloway quotes in her profile, Shumlin seeks Hunt’s counsel on “everything” — including state business. “It seems really clear that Katie is someone he turns to for advice, and that makes it a matter of public interest,” Galloway argues. Judging from the number of comments on the post, the public certainly appears to be interested.

VIRAL VIDEO

Smartphone footage of police aggressively subduing an unarmed man started a mini mélée in downtown Burlington. A digital firestorm ensured. Where are we?

POWERFUL CONNECTIONS

The Public Service Board greenlighted the proposed sale of Burlington Telecom — to Trey Pecor, for $6 million. Does this mean our home internet won’t crap out again?

2. “Burlington Police Describe Violent Incident After Video Posted Online” by Mark Davis. A video posted over the weekend shows Burlington cops apparently handling a man violently. The police say their actions were justified. 3. “Media Note: Reporting the Personal Side of Politics” by Paul Heintz. Why has the Vermont press corps been so reluctant to report on Gov. Shumlin’s girlfriend of several years? 4. “Twitter Alias Links Scot Shumski to Tea Party Rhetoric” by Alicia Freese. A Burlington candidate for state representative denies links to the Tea Party, but a Twitter account he uses defends the Tea Party. 5. “Vermont Man Under ‘Voluntary’ Ebola Quarantine After West Africa Trip” by Mark Davis. State health officials put a Rutland man in quarantine last week, though they say he is at a low risk of developing Ebola.

tweet of the week: @CyrusinVermont You’re dancing for votes? RT @ DanFeliciano: We cast our ballets for @MarkDonka #vtpoli FOLLOW US ON TWITTER @SEVEN_DAYS OUR TWEEPLE: SEVENDAYSVT.COM/TWITTER

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s it newsworthy that Peter Shumlin has a girlfriend, and they’ve been a couple for most of the time he’s been governor of Vermont? In a profile published last Thursday on VTDigger.org, Anne Galloway let slip the secret that Vermont media has kept for years: Shumlin’s been dating Katie Hunt, a 30-year-old undergrad at Mount Holyoke. In most states, this would not present a dilemma. “The media would have reported the existence of the relationship and picked over its every detail,” Seven Days reported in our Off Message blog post about Galloway’s story and its implications. “But here in genteel Vermont, the press has long treated personal matters as strictly off-limits — much like the national political media, pre-Gary Hart.”

Ann Taylor wants to save a tree that’s in the way of bike path improvements. Last week she chained herself to the giant cottonwood. Burlington’s reply: It’s gotta go.

1. “Media Note: Free Press Lays Off Higher Ed Reporter” by Paul Heintz. Last week, Tim Johnson became the latest victim of a round of layoffs at the Burlington Free Press.


PRESS CORE. E D I T O R I A L / A D M I N I S T R AT I O N -/

Pamela Polston & Paula Routly

/ Paula Routly  / Pamela Polston  

Don Eggert, Cathy Resmer, Colby Roberts   Matthew Roy   Margot Harrison   Meredith Coeyman   Xian Chiang-Waren, Mark Davis, Ethan de Seife, Kathryn Flagg, Alicia Freese, Paul Heintz, Ken Picard   Dan Bolles    Alice Levitt   Hannah Palmer Egan   Courtney Copp    Andrea Suozzo   Eva Sollberger    Ashley DeLucco   Cheryl Brownell   Matt Weiner  Carolyn Fox, Marisa Keller    Carolyn Fox     Rufus DESIGN/PRODUCTION   Don Eggert   John James   Rev. Diane Sullivan   Matthew Thorsen  Brooke Bousquet, Britt Boyd,

Bobby Hackney Jr., Aaron Shrewsbury,

   Neel Tandan SALES/MARKETING    Colby Roberts    Michael Bradshaw  

Julia Atherton, Robyn Birgisson, Michelle Brown, Logan Pintka  &   Corey Grenier  &   Ashley Cleare  &   Kristen Hutter CONTRIBUTING WRITERS Alex Brown, Justin Crowther, Erik Esckilsen, John Flanagan, Sean Hood, Kevin J. Kelley, Rick Kisonak, Judith Levine, Amy Lilly, Gary Lee Miller, Jernigan Pontiac, Robert Resnik, Julia Shipley, Sarah Tuff

SEVEN DAYS

11.05.14-11.12.14

SEVENDAYSVT.COM

CONTRIBUTING ARTISTS Caleb Kenna, Matt Mignanelli, Matt Morris, Marc Nadel, Tim Newcomb, Susan Norton, Oliver Parini, Sarah Priestap, Kim Scafuro, Michael Tonn, Jeb Wallace-Brodeur, Steve Weigl C I R C U L AT I O N : 3 6 , 0 0 0 Seven Days is published by Da Capo Publishing Inc. every Wednesday. It is distributed free of charge in Greater Burlington, Middlebury, Montpelier, Stowe, the Mad River Valley, Rutland, St. Albans, St. Johnsbury, White River Junction and Plattsburgh. Seven Days is printed at Upper Valley Press in North Haverhill, N.H SUBSCRIPTIONS 6- 1 : $175. 1- 1 : $275. 6- 3 : $85. 1- 3 : $135. Please call 802.864.5684 with your credit card, or mail your check or money order to “Subscriptions” at the address below. Seven Days shall not be held liable to any advertiser for any loss that results from the incorrect publication of its advertisement. If a mistake is ours, and the advertising purpose has been rendered valueless, Seven Days may cancel the charges for the advertisement, or a portion thereof as deemed reasonable by the publisher. Seven Days reserves the right to refuse any advertising, including inserts, at the discretion of the publishers.

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FEEDback READER REACTION TO RECENT ARTICLES

LAY OFF THE FREEP

While it’s fun to read about the Freep gossip [Fair Game, October 15; Off Message: “Free Press Reporter Laid Off After Refusing to Reapply for Job,” October 27; Off Message: “Updated: Higher Ed Reporter Responds to Free Press Layoff,” October 30] it’s weird that your paper spends so much time and ink writing about the competition’s woes — which is a cardinal sin in the media biz. Are we to read Paul Heintz’s crap and assume that all is honey and roses at your paper? I gather that the internecine battles and internal problems at Seven Days are just as vile and venomous as at the Freep or WCAX or any other company. If you shit too often on your neighbor’s lawn, the smell may eventually draft through your windows and smother you. Daniel G. Cohen

BURLINGTON

NO, BRO

Your usually astute politics reporter Paul Heintz appears to have been more than a little naïve when it came to comments by former administration secretary Jeb Spaulding regarding the need for secrecy on the financing plan for Vermont’s singlepayer health care system. In the article, “The Emperor’s New Bros” [October 15], Spaulding justifies keeping legislators in the dark on the grounds that they will spill the beans,

TIM NEWCOMB

citing a conversation in which Spaulding supposedly shared details of the financing plan with me and I immediately broadcasted them on the Senate floor. As Heintz has himself written, I often took an independent stance on the issues. I think it is fair to say that if the Shumlin administration chose to share its thinking on health care financing with a senator, it would not have been with me. And, while I discussed the issue with Spaulding in March, he did not give away any secrets. More than a month later, I was given the substance of the administration’s plan by a well-placed source who believed, as I do, that Vermonters are entitled to know where the governor is headed in what will be the biggest financial undertaking in the history of our state. The governor’s plan, with its mandatory premiums and gross receipts tax, entails a transfer of health care costs from Vermont’s wealthiest corporations to small businesses and individuals. That deserves debate, and I make no apology for trying to provoke the same. Peter Galbraith

TOWNSHEND

Galbraith is a Democratic senator from Windham County who is not running for reelection.

SMOKE AND MIRRORS?

I am a nonsmoker with lung disease [“Public-Housing Agencies Crack Down on Lighting Up,” October 29]. All of my


wEEk iN rEViEw

maTTheW ThOrSen

life I have been exposed to secondhand smoke. I have lived in two previous “smoke-free” properties and now am in my third public-housing project that toots its horn about being “smoke-free.” I would have assumed that smoke-free would have meant free from smoking. Alas, this is not the case. Landlords quickly adopt addendums to the lease that change this policy. First they assign a designated smoking area, which always seems to be located outside or

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Last week’s food story, “Reveling, Ripening,” gave the impression that Chelsea Green Publishing is based in Burlington. Although it operates a satellite office in Burlington, the Vermont publisher of An Unlikely Vineyard: The Education of a Farmer and Her Quest for Terroir is headquartered in White River Junction.

Always centered. WED 11/5

thE othEr SiDE of LAkEViEw

burlingTOn

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SEVEN DAYS

Although Alan Bjerke often claims to speak for the Lakeview Terrace neighborhood [Feedback, “COTS Project a Waste,” October 29], thankfully there are many of us who live on the street who can speak for ourselves, and who support COTS [“Neighbors Clash Over Plan for Apartments, Day Station for Homeless,” October 22]. The mean spirit Bjerke exhibits in his letter is exactly why I feel he is the real threat. His record is evidence enough not to trust him or his numbers.

9/18/14 1:59 PM

11.05.14-11.12.14

Shelburne

I would like to provide some statistics to counter Bob Williamson’s politically charged letter [Feedback: “Guns Without Borders,” October 15]. According to a 2013 report from the Bureau of Alcohol, Tobacco, Firearms and Explosives, 29 of the 1571 firearms recovered from crime scenes in Massachusetts came from Vermont. The majority — 431 — came from Massachusetts, 121 from N.H. and 91 from Maine. Of a total number of 8,500 recovered firearms in New York, 61 originated in John Finn Vermont. That’s .07 percent of the total originating in Vermont. Williamson’s comment that other states get their illegal guns from “states with weaker guns laws, like Vermont” appears to be based on emotion, not fact. Massachusetts has very strict firearms laws, and the majority of the firearms from its crime scenes originated from there. It’s such a shame that Gun Sense Vermont and the rest of Bloomberg’s liberal minions continue to search for a problem that they can pin their gun-control agenda to. Vermont has a long history of firearms freedom. Please don’t try to force your bigcity agenda on us. We’ve gotten along just fine without it for over 200 years.

SEVENDAYSVt.com

near a point of entry to the housing — or a play area for children. Once it’s gone from smoke-free to “you can smoke in these areas,” smokers begin smoking outside of these assigned areas and, before you know it, the smoke-free housing has now become a smokers’ haven. You would think that smoke-free would be a no-exception rule. It has been proven time and again to be a public-health hazard and known cancer-causing agent. It also is a fire hazard, as smokers tend to toss their lit butts all over the place. As a nonsmoker living in “nonsmoking” public housing, it is frustrating to have the rules and terms of the leases changed to support the smokers. Smokefree should be just that: smoke-free. No exceptions!

GuN AND DoNE


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contents

LOOKING FORWARD

NOVEMBER 5-12, 2014 VOL.20 NO.10

42

18

NEWS 14

Going, Going, Gone? Who Will Get the Land Around Burlington College?

ARTS NEWS 22

BY ALICIA FREESE

16

Bells Over Burlington: A Church’s Chimes Get Mixed Reviews

22

Good Vibrations: Dartmouth Presents In the Next Room BY XIAN CHIANG-WAREN

Feeling the Pain: Another Wave of Fentanyl Overdoses Hits Vermont

24

BY MARK DAVIS

24

A New Book Uncovers a Same-Sex ‘Marriage’ in Early Vermont BY PAMELA POLSTON

Quick Lit: Fusco’s Hollywood Noir

30

COLUMNS + REVIEWS 12 26 28 43 71 75 78 84 93

Full Core Press

Agriculture: Vermonters sow the seeds for “the Napa Valley of hard cider” BY KEN PICARD

33

House Cider Rules

Agriculture: A newbie takes on apples and yeast at home BY ETHAN DE SEIFE

35

Price and Prejudice

Theater Review: Clybourne Park, Northern Stage

36

11 20 50 65 70 78 84

Breakthrough Dance

Art: Bennington College photos capture moving moments BY XIAN CHIANG-WAREN

38

Fair Game POLITICS WTF CULTURE Poli Psy OPINION Side Dishes FOOD Soundbites MUSIC Album Reviews Art Review Movie Reviews Ask Athena SEX

SECTIONS

BY ALEX BROWN

BY MARGOT HARRISON

VIDEO SERIES

81

FEATURES

BY ETHAN DE SEIFE

BY KATHRYN FLAGG

18

Late Artist’s Punditry Shines in Rediscovered Editorial Cartoons

72

The Wright Stuff

Comedy: Chatting up Steven Wright

The Magnificent 7 Life Lines Calendar Classes Music Art Movies

BY DAN BOLLES

40

He Was a She

Book Review: The Autobiography of Miss Huckleberry Finn

DEADLY DOSAGE PAGE 18

47 Underwritten by:

Stuck in Vermont: Eleven-year-old Oscar Williams stars in the Middlebury Community Players’ production of Oliver!, which opens Thursday. He’s already appeared in 20 shows and auditioned in New York City.

Frigidly We Roll Along

70

WILL VERMONT BECOME

THE NAPA VALLEY OF CIDER? Pressing for growth in the apple industry

Basement Tapes Revisited

Music: Howard Fishman’s American music mission

CLASSIFIEDS vehicles housing homeworks services fsbo calcoku/sudoku buy this stuff music legals crossword support groups puzzle answers jobs

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Food: How do food truckers survive the cold months? BY ALICE LEVITT

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SEVENDAYSVT.COM

BY HANNAH PALMER EGAN

NOVEMBER 05-12, 2014 VOL.20 NO.10 SEVENDAYSVT.COM

Pressing Time

Food: Cider makers rediscover long-lost apples

VE RM O NT ’ S IN DE P E ND EN T V OI CE

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This newspaper features interactive print — neato!

Fentanyl is a hidden killer

BY L.E. SMITH

FUN STUFF

SOWING THE APPLE SEEDS Growers, makers and scientists unite

PAGE 30

YEASTIE BOY

PAGE 32

Cider making at home

LOST AND REFOUND

PAGE 42

The hunt for 19th-century apples

COVER IMAGE MATTHEW THORSEN COVER DESIGN AARON SHREWSBURY

Discover fun interactive content

BY ETHAN DE SEIFE

11.05.14-11.12.14 SEVEN DAYS CONTENTS 9

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the

MAGNIFICENT

THURSDAY 6

Dancing Feet

MUST SEE, MUST DO THIS WEEK

It’s a good thing dancer Jurij Konjar has a background in judo, as the skill set comes in handy when performing Steve Paxton’s Bound. Debuted in 1982, the solo piece illustrates the famed choreographer’s radical approach to dance — including his steadfast commitment to improvisation — while exploring themes of gravity and momentum.

COMPI L E D BY COU RTNEY COP P

SEE CALENDAR LISTING ON PAGE 53

COURTESY OF PETE MORTIMER

LOOKING FORWARD

FRIDAY 7

No Strings Attached The sky’s the limit when Ben Sollee plays the cello. Though classically trained, the singer-songwriter lets echoes of jazz, folk, R&B and bluegrass seep into his compositions. Versatile and unconventional, this innovative playing style finds a home in between genres, where the virtuoso shines. SEE CALENDAR LISTING ON PAGE 56

WEDNESDAY 12

Capturing the Scenery These days, vacation memories are just a smartphone photo and social media upload away. Artist Susan Abbott takes a different approach. Using sketchbooks as travel logs, the local painter records the sights and sounds of foreign lands. As part of the Town BrainTap series, she teaches attendees to do the same in “Pens, Paper, Paint and Passport.” SEE CALENDAR LISTING ON PAGE 62

THURSDAY 6

With its sheer cliff faces and lush valleys, California’s Yosemite National Park is one of the country’s most picturesque natural wonders. It’s also a high-altitude playground for the renegade rock climbers featured in Valley Uprising. Screened as part of the Reel Rock Film Tour, the documentary follows three generations of outlaw athletes.

THURSDAY 6 & WEDNESDAY 12

SEE INTERVIEW ON PAGE 38

ONGOING

Timeline of Events In one of W. David Powell’s creations in “Everything Must Go 3.0: Artworks From the New Millennium,” knights in colorful armor battle under a palm tree occupied by a giant snake. Displayed in the Vermont Supreme Court lobby, prints, paintings, mixed media and woven pieces offer a unique interpretation of human history. SEE REVIEW ON PAGE 78

SEE CALENDAR LISTINGS ON PAGES 54 AND 63 © LOSHADENOK | DREAMSTIME.COM

MAGNIFICENT SEVEN 11

Our canine counterparts may be man’s best friend, but how well do we actually know our four-legged pals? Pet owners learn what a wagging tail really means — it’s not always friendly — and more in “Woof! Dog Communication in the Human World,” an informal presentation from Gold Star Dog Training.

Don’t be fooled by comedian Steven Wright’s monotone musings and deadpan delivery. Threads of genius punctuate the socially awkward standup’s material — an act 30 years in the making. Having made his name with memorable one-liners, the cerebral funny man brings his quick wit to the Barre Opera House for a memorable show.

SEVEN DAYS

Figuring Out Fido

Inside Joke

11.05.14-11.12.14

SEE CALENDAR LISTING ON PAGE 53

SATURDAY 8

SEVENDAYSVT.COM

FIRST ASCENT


FAIR GAME

OPEN SEASON ON VERMONT POLITICS BY PAUL HEINTZ

Waiting Game

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s Seven Days went to press Tuesday night, the message from Vermont voters was anything but clear. A number of top incumbents cruised to reelection: An hour and a half after the polls closed, the Associated Press called the hotly contested lieutenant governor’s race for two-term Republican PHIL SCOTT over Progressive/Democratic challenger DEAN CORREN. By then, Congressman PETER WELCH (DVt.) had already thanked the Democratic poo-bahs assembled at the Burlington Hilton for helping him dispatch Republican MARK DONKA for the second time in a row. Most of his fellow statewide Dems hardly faced a challenge. But early results also showed a fair number of incumbent Democratic legislators trailing or outright losing. In his own remarks at the Hilton, House Speaker SHAP SMITH (D-Morrisville) said the message he heard Tuesday was that “people around this country and in this state are worried. They’re worried about what things look like for them and their future.” Disconcertingly for the assembled 2:40 PM Dems, Gov. PETER SHUMLIN, the party standard-bearer, was hovering in the midto high-40s around 10 p.m. He was still leading Republican SCOTT MILNE and far outpacing Libertarian DAN FELICIANO, but not by the margins he’d surely hoped for. If Shumlin failed to clear 50 percent of the vote, the race would be settled by the legislature — a Democratic legislature, to be sure, but not quite as blue as it was. Such a result would certainly signal that at least half the state wants something different from Montpelier. For full results and analysis, check out our news and politics blog, Off Message, throughout the week at sevendaysvt.com.

Moving On

The dust is still settling on the 2014 midterms, but that shouldn’t keep us from thinking about 2016. In Vermont, at least, two questions loom large: Will Sen. BERNIE SANDERS (I-Vt.) pull the trigger and run for president? And, more consequentially to the state’s political pecking order, will Sen. PATRICK LEAHY (DVt.) seek an unprecedented eighth term? In a few months, the 74-year-old Montpelier native will pass the late senator TED STEVENS of Alaska as the seventh longest-serving senator in U.S. history. At the end of a hypothetical eighth term, he’d have out-served TED KENNEDY and STROM

3/3/14 11:58 AM

THURMOND — and he’d be nipping at the historical heels of DANIEL INOUYE and ROBERT BYRD. It’s always foolish to bet against a Leahy reelect. The guy clearly loves the institution and his role as its elder statesman. It’s pretty difficult to imagine the Senate without Leahy — or Leahy without the Senate. But if Republicans succeed in winning the majority — and, again, we don’t know that as of this writing — will Leahy think again about six more years? In the minority, he would have to surrender his cherished role as president pro tempore to Sen. ORRIN HATCH (R-Utah). Gone would be his corner office in the Capitol, his around-the-clock security detail and that whole third-in-line-to-thepresidency thing. More practically, Leahy would lose

either was to leave his current job to run for Senate, that would provide openings for the next generation of Vermont politicos — including, presumably, Speaker Smith, Chittenden County State’s Attorney T.J. DONOVAN, Sen. TIM ASHE (D/P-Chittenden) and Burlington Mayor MIRO WEINBERGER. But don’t hold your breath. Asked last Thursday whether losing the Senate would prompt him to retire, Leahy said, “Oh, I haven’t even thought about that. I never make a decision ’til the year before.” On Tuesday night, after taking the stage at the Hilton to his campaign anthem — the Grateful Dead’s “Truckin’” — Leahy advised the assembled Dems to keep the song handy. “You may need it again,” he hinted.

EARLY RESULTS SHOWED A HANDFUL OF

Tuesday night featured plenty of drama, but the next legislative session will surely top it. Gov. Shumlin wants to finance a potentially $2 billion single-payer health care system. Speaker Smith wants to pass property tax reform. And Senate President Pro Tem JOHN CAMPBELL (D-Windsor) wants to mandate universal background checks for gun buyers. That’s, like, all three third rails of Vermont politics. Who will lead each side into battle remains to be seen. Rumor has it that Rep. WILLEM JEWETT (D-Ripton) will surrender his post as majority leader, which could give Smith an opportunity to rebuild his leadership team. Jewett says such talk is premature. “It’s all just rumors,” he says. “I will make that announcement at a later time.” It’s unclear whether Campbell or Rep. DON TURNER (R-Milton), the minority leader, will face challenges to their leadership. Behind the scenes, members of their respective caucuses grumble about the two men — complaining they’re disorganized, overly reactive and short on policy chops. But no candidates have emerged to replace them. A constant criticism of Turner’s leadership is that he failed to recruit enough candidates to seize the moment in this fall’s elections. “If WALT FREED was running that show, the very balance of the House would be in play,” says one insider, of the former Republican speaker who served until 2005. “The only thing I can say is we recruited

DEMOCRATIC LEGISLATORS TRAILING OR LOSING. his chairmanship of the Senate Judiciary Committee, leaving him second fiddle to Sen. CHUCK GRASSLEY (R-Iowa) during the panel’s all-important court nomination hearings. According to spokesman DAVID CARLE, Leahy would also likely lose staff members attached to Judiciary, the Appropriations subcommittee he runs and the pro tem’s office. But, Carle argues, none of that portends a vanquishing to obscurity. “He has been in the majority several times and in the minority several times and has been highly and unusually effective either way in his work for Vermont in the Senate,” Carle says. “Whatever the outcome, he will continue to be the dean of the Senate and the most senior member of the Appropriations, Judiciary and Agriculture committees, in a body where seniority matters.” A Leahy retirement would lose Vermont tremendous clout in the Senate. Its effect on the state’s bottom line would be palpable. It would also set off a mad political scramble to replace him. The most obvious contenders would be Congressman Welch, 67, and Gov. Shumlin, 58, though both men feign disinterest, perhaps out of respect for Leahy. If

Leadership Shape


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candidates for well over a year,” Turner says. “We did everything we could, short of forcing them to run.” Among House Republicans, credible Turner alternatives include Rep. Heidi ScHeuermann (R-Stowe), who nearly ran for governor this year; Rep. Patti Komline (R-Dorset), who previously served as minority leader; Rep. Kurt WrigHt (R-Burlington), who has run for mayor of the Queen City; and oliver olSen, an ex-rep from South Londonderry who’s returning to the Statehouse this year. All four share the same handicap: They’re moderates in a caucus dominated by conservatives. Heck, Olsen, who filed as an independent this year, managed to win the write-in nomination of the Democrats and Progressives, along with the Republicans. In the Senate, Campbell faces a couple of new challenges: His talented chief of staff, rebecca ramoS, left for a lobbying job last spring. He still hasn’t hired a replacement, and it’s unclear whether whoever gets the job can run the show like Ramos did. And Campbell’s new gig as a part-time, deputy Windham County state’s attorney appears to be pulling him away from the Statehouse. Campbell says he’s spending 50 to 60 hours a week on the 20-hour-aweek job and plans to work Mondays and over the weekends when the legislature is in session. “I feel I’ll be able to take care of [both jobs],” he says. “If I didn’t, I wouldn’t run.” Who would replace Campbell is even less clear. The two names that come up most often are Sen. claire ayer (D-Addison) and Ashe, but both say they won’t challenge the incumbent. “If he called me and said he didn’t want to do it, I think given how serious things are this year, I would consider it,” Ayer says. As a loyal Democrat with experience chairing the Senate Committee on Health and Welfare, Ayer could be a helpful ally to Shumlin as he pursues single-payer. Ashe has a more adversarial relationship with the administration, which could appeal to more independent-minded senators, but others criticize him for keeping his cards too close to his vest. “I think if members of the Senate thought that I would be a capable leader of the Senate, I would certainly be interested,” says Ashe, who chairs the Senate Finance Committee. “But that’s all in the context of my earlier statement: that if John is running for pro tem, I am certainly not, under any circumstances.” Given their positions at the top of two key committees, Ayer and Ashe may find

they have as much power where they are as they would as pro tem. Ayer says she took former senator Jim leddy’s advice to heart when he said, “Being a chair is better than anything. You’re better off being chair of the doghouse committee than whip or something like that.” As for Campbell, he says he’s up to the challenge. “I think I’m the type of person where when there’s a lot at stake, that makes you take your game up a couple notches,” he says. “I hope that everyone’s got their game face on.”

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Media Notes

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The bloodbath continues at the Burlington Free Press. For the past month, corporate owner Gannett Company, Inc. has been forcing Freeps reporters and their brethren around the country to reapply for new jobs at the old shop. Last Thursday, they learned their fates. Higher education reporter tim JoHnSon, a 16-year veteran of the paper, was laid off. Statehouse reporters nancy remSen and terri HallenbecK were reassigned to cover community news. On Tuesday, the latter two confirmed they would leave the paper rather than abandon their old beat. In a post on her Facebook page, Hallenbeck said Gannett had decided to “focus on pursuing the most popular stories as measured by website clicks,” which “no longer seems to include many of the stories I’ve had the pleasure of covering the last 10 years as a Statehouse/political reporter at the Free Press.” “It breaks my journalistic heart, but I can no longer pretend it’s not happening,” wrote Hallenbeck, who has spent 16 years at the paper. “Tomorrow will end 40 years of reporting for daily newspapers in Maine and Vermont,” Remsen, a 19-year veteran of the Freeps, wrote in her own post. “It has been a great run that is ending a little earlier than I wanted — but so be it.” News of the Statehouse bureau’s departure came just hours before the polls closed Tuesday, a “significant irony” Hallenbeck noted in her post. In a classy move, Remsen and Hallenbeck got right back to work, covering the election returns from the Democratic and Republican watch parties in Burlington. Counting their departures, six of 28 editorial staffers have left the Free Press — voluntarily or not — in the past three months. As always, executive editor miKe toWnSend refused to comment. m

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11/4/14 10:24 AM


LOCALmatters

Going, Going, Gone? Who Will Get the Land Around Burlington College? B Y ALI CI A FR EESE

SEVENDAYSVT.COM 11.05.14-11.12.14 SEVEN DAYS 14 LOCAL MATTERS

FILE: MATTHEW THORSEN

A

group of Burlington College students met last week to brainstorm ways to keep their lakefront campus from being transformed into what would be one of the largest housing developments in Queen City history. Any day now, interim college president Mike Smith intends to sign an agreement to sell 25 acres to developer Eric Farrell. Once that happens, the clock starts ticking on the only alternative Smith said he’ll entertain: The college will sell the coveted parcel to preservationists if they can beat Farrell’s $7 million offer — within 60 days. Motivating the fast-moving deal: The small, debt-laden college, which acquired the campus four years ago, can’t pay its bills. Smith said the sale would buy the school “maybe a year.” But is it the best solution for the city? “Look, my job is to save a college, and that’s what I’m trying to do,” said Smith. The land was farmed for much of the 19th century, and as the city grew up around it the property has, improbably, remained pastoral. Behind the school, a rolling meadow descends to a wooded bluff overlooking Lake Champlain. Paths wind through a forest of oak, red maple and white pine at the southern edge of the property, by the railroad tunnel under North Avenue; the northern boundary abuts Lakeview Cemetery. The Roman Catholic Diocese bought the property from former Burlington Free Press publisher Henry B. Stacy in the 1870s and constructed the imposing Victorian brick building on North Avenue where Burlington College is now. The same structure housed orphans for nearly a century. In 1945, the diocese bought more land, including an adjacent cottage, and converted it into the Don Bosco School for delinquent boys. After the orphanage and school closed, the diocese established its headquarters there. Decades after that, dozens of former residents came forward, alleging that nuns, priests and other orphanage staff had physically or sexually abused them. Facing $30 million in legal settlements, the diocese announced plans to sell its building and grounds, and interested local developers started lining up. An unlikely buyer beat them to it: Burlington College, under the leadership of then-president Jane Sanders, took on $10 million in debt to acquire the 32-acre parcel in 2010. Erik Hoekstra of Redstone Commercial Group, who had been among the interested developers, estimated the property was worth roughly $6 million at the time.

DEVELOPMENT Under a planned deal, developer Eric Farrell would buy 25 acres of Burlington College's 32-acre property. The college would retain the seven acres shown within the dotted line, including a football field-size green space, and the public would continue to have trail access to the lake.

“When I heard that Burlington College was buying it for a number way north of that, I was baffled,” Hoekstra recalled during a recent interview in his College Street office. For years, Burlington residents have roamed the property as if it was public. Trails provide a direct route from North Avenue — through woods that accommodate scattered homeless encampments — to the bike path and lake below. Somali Bantu refugees started a community garden behind the cottage. “A lot of people feel like it’s part of the park landscape in Burlington,” Hoekstra said, “even though it’s not.” Now Burlington College is confronting a financial predicament similar to what the diocese faced several years ago. During two interviews, Smith insisted that the college has no choice but to sell. Further, its finances are so dire that it has to act fast. “I am worried daily whether we are going to have

enough cash flow to get to this point,” Smith said. The college, which runs on a $5 million budget, is $11.4 million in debt. It’s also maxed out all of its borrowing capacity and racked up $300,000 in unpaid bills. To survive, Smith said it needs an additional 40 students — on top of the 220 currently enrolled — next fall. When Smith made the decision to sell, he went straight to Farrell, who had planned to partner with the previous president, Christine Plunkett, to build dorms and housing on some of the property. Plunkett resigned under duress at the end of August, and Smith discarded her development plan when he took over, deeming it too risky because the college would have received just $250,000 up front. Smith said he stuck with Farrell, accepting his $7 million offer without reaching out to other potential buyers for two reasons:

The college couldn’t afford to delay, and it had already made a commitment — albeit an unsigned one — to work with Farrell. Smith described the deal as a $7 million purchase in which Farrell will give the college $3.5 million in cash and take over the $3.5 million debt it still owes to the diocese. The price includes a house and land at the southern end of Lakeview Terrace, which are mortgaged to People’s United Bank and the diocese. A working document obtained by Seven Days appears to outline the proposed transaction between the diocese and Farrell. In it, the developer is proposing the diocese forgive $2 million of Burlington College’s debt, and convert the $1.5 million balance to an ownership stake in the project. The diocese did not respond to an interview request, and Farrell declined to speak to Seven Days. Smith said he’d never seen the document before and pointed out that Farrell is free to negotiate with the diocese. The interim president has studied plans for the new development, however, and shared Farrell’s rough sketch for the property. It consists of 21 houses, 75 units of senior housing, 60 units of affordable apartments and a three-story building with an unspecified purpose. An additional 300 units of market-rate housing could be either apartments or condos. The college would retain seven acres, including a football field-size green space, and the public would continue to have trail access to the lake. Speaking for the college, Smith said, “There’s no better deal than the deal I got.” He and the school’s interim financial adviser, David Coates, made the same point at least half a dozen times during a 45-minute interview. Hoekstra agreed, pointing out that Farrell has to purchase the land before knowing whether the city will grant the zoning permits he needs. “I think they’d be hard-pressed to find someone else that would be willing to do that,” he said. Is preservation even a possibility, given the price and tight time frame? “The price tag is way beyond the realm of what most conservation groups in the state can really tackle,” according to Jon Binhammer, protection director for the Vermont chapter of the Nature Conservancy. Even if it could drum up $7 million, Binhammer explained, the Nature Conservancy focuses on protecting important wildlife corridors and habitats — given its urban location, the Burlington College property likely wouldn’t fit the bill. Others are more optimistic. “I don’t say this lightly, but with a lot of intention, an


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11.05.14-11.12.14 SEVEN DAYS LOCAL MATTERS 15

are not going to take a leadership role,” said Paul Bruhn, executive director of the Preservation Trust of Vermont. The Conservation Fund, another national organization with a Vermont chapter, did not respond to a request for comment, nor did the Lake Champlain Land Trust. Groups like these typically turn to the Vermont Housing & Conservation Board, which gives roughly $1 million to nonagricultural projects each year. But the annual appropriation for that fund is already spoken for, according to communications director Pam Boyd. Even if a group could round up the cash from individual donors or federal grants, Livingston pointed out that they might be loath to spend a large amount of money on a relatively small amount of land. The Vermont Land Trust recently spent $5 million to conserve forestland in Worcester and Elmore — but that bought the organization 6,000 acres. Conservationists’ best bet may be deep-pocketed individuals. “I’d be surprised, but I wouldn’t be totally shocked, if people came out the woodwork and made something like that happen,” said Hoekstra, who supports development on the land as long as some space is left open. “If a conservation group spearheaded an effort and rounded up a handful of high-net-worth individuals that were into conservation, it’s not inconceivable.” No conservationists, city officials or millionaires attended the meeting last week in the Burlington College library, where a first-year student offered, “My therapist is supportive of our idea … There are people out there who really want to keep this, and I think we just need to start a conversation.” Someone else suggested drawing attention to the cause with an “Occupy Burlington College” campout on the school’s lawn. “I think it is tragic and terrible,” said Molly Skerry, a senior who helped organize the student protest that led Plunkett to resign. In this case, she’s less confident students will hold sway. Sandy Baird, the school’s longest-serving professor, has a history of opposing waterfront development projects. “I have always preferred green space,” she said, “but I’m also an advocate for the school, and I really want us to survive.” Ned McEleney, a senior adamantly opposed to the development proposal, pointed out that even $7 million won’t solve the school’s problems: “We’ll still be $4 million in debt.” Referring to the board of trustees and the school’s interim leaders, he said, “They do not have the best interest of the school in mind ... We’re like collateral damage for their real estate plan.” m

SEVENDAYSVt.com

expensive piece of property targeted by the community for conservation could be successfully preserved,” said Vermont Land Trust president Gil Livingston. But the city would have to step up first, conservation leaders agreed. “Citizens in Burlington and leadership in Burlington have to decide that it’s important, and then we could have a conversation about next steps,” Livingston said. Mayor Miro Weinberger isn’t saying much. He declined to comment beyond a statement issued shortly after Smith’s announcement about the sale. Farrell’s plan holds undeniable appeal for a city plagued with a housing shortage, and the developer has won praise for past projects, in particular for his collaborations with affordable housing organizations. Several people interviewed for this story pointed out that the city already has a lot of open space. Weinberger said he was pleased the college was addressing its financial challenges, and noted the city has long wanted an east-west bike path connection through the property. “We will continue to be engaged in the development and conservation discussions about the land in the months and years ahead,” he said. In addition to supplying leadership, the city would likely need to contribute cash. But in March, Weinberger successfully convinced voters to borrow $9.6 million to fund waterfront redevelopment projects. It’s unlikely that the mayor, who frequently touts his fiscal prudence, would expend political capital asking for another $7 million. Weinberger’s opinion isn’t the only one that matters. The city has a conservation board made up of nine citizens, and it keeps a conservation fund — currently stocked with $1.1 million — to purchase and protect land within city limits Together, the conservation board and the parks commission recommend acquisitions to the city council and the mayor. But the conservation board doesn’t plan to intervene with the Burlington College property yet. Chair Matt Moore said the board is “very interested” in preserving a public trail, native forestland and the waterfront area informally known as Texaco Beach, but it is waiting for Farrell to buy the property before starting that conversation. “That’s not really the conservation board’s purview to be that far out in front,” he explained. Any other potential bidders? “We would follow the city’s lead,” said Rodger Krussman, the Vermont and New Hampshire director for the Trust for Public Land, which helps municipalities arrange financing for land purchases. “It’s really not within our main mission, but at the same time, if others were interested and the city was interested, we would happily try to be helpful, but we

Contact: alicia@sevendaysvt.com 4T-Norwich110514.indd 1

11/4/14 12:05 PM


localmatters

Bells Over Burlington: A Church’s Chimes Get Mixed Reviews B y K at h ryn Flag g

16 LOCAL MATTERS

SEVEN DAYS

11.05.14-11.12.14

SEVENDAYSvt.com

religion

Rich O’Donnell, who leads the parish, “proved fruitless,” according to their September letter to Blackwood. Several of the neighbors said they wouldn’t mind chimes to mark the hour or certain prayer times; they were more concerned about the prolonged broadcasting of full hymns. In her October 10 letter to Blackwood’s office, Linda Van Cooper of Charlotte Street noted that she can always politely decline to speak

without talking to us, without communicating with us ahead of time, without planning for it … I was pretty offended right from the beginning about their approach to the whole thing.” But on the other side of the debate are people like David Workman, who lives in the neighborhood and is a church parishioner — though he lives too far away to hear the bells at his own house.

Given all of the excitement about this,

you would think that they were the bells of Notre Dame.

D av i d W orkma n

photos: matthew thorsen

R

esidents in Burlington’s Five Sisters neighborhood are wringing their hands over a neighborhood controversy — and chiming in, too: to their local city councilors, code enforcement officers and police. Most recently, they’ve filed multiple letters with the city attorney. What’s causing the commotion? Church bells. Or, to be specific, a loudspeaker system that plays the sounds of church bells and carillon hymns. Christ the King Church, a Catholic parish and primary school at the corner of Locust Street and Shelburne Road, installed the electric bell system in July after a donation from a generous parishioner. The system replaced a long-defunct speaker. The “bells” chime three times a day — to mark the Angelus prayer at noon and 6 p.m. and to announce the end of the school day at 2:45 p.m., with more frequent ringing on Sundays. Most broadcasts include a short series of bell tones, followed by one or two hymns. But neighbors say they’ve recorded broadcasts that have lasted for up to seven minutes. “I figured it was something novel — a one-time thing,” said Katie Berk, a psychologist who works from her home office on Catherine Street, about a block and a half from the church. When a reporter visited her home on a recent evening, the 6 p.m. bells were clearly audible in the living room, though the windows were closed. A few minutes after the bells rang, hymns commenced. “There is not a place in my house where you can’t hear it,” said Berk, who finds the hymns intrusive and annoying. “At this point, we are looking for ways that we can assist in bringing people together to try to have some conversation about this issue,” said city attorney Eileen Blackwood, who said the Community Justice Center might step in to facilitate a mediation. “We haven’t ruled out enforcement, but we, at this moment, are trying to see if there are other options.” Police have told neighbors, and the parish, that they won’t be issuing any noice ordinances. Neighbors say they turned to the city after attempts to talk with Father

with someone who comes to her house to share religious views or can recycle a pamphlet left in her door. “In the case of this amplified broadcast of religious music into the whole neighborhood, I have no way to decline to receive it, aside from actually leaving my house and neighborhood according to a schedule the church has determined,” wrote Van Cooper. “I actually see it as a form of proselytizing,” said Larry Miller, an airline pilot who lives on Charlotte Street, about a block from the church and school. “It’s frustrating to me that they feel they can impose that sound on this neighborhood

Christ the King Church

“Given all of the excitement about this, you would think that they were the bells of Notre Dame,” said Workman, who doesn’t think the sound system is that loud, based on what he’s heard standing directly in front of the church. Personally, he said, “I think it’s wonderful … There’s a church and a steeple and a bell in every steeple in every tiny town [in New England].” The sound of bells ringing out is part of the region, he said. It’s not just parishioners who approve. “While often bewildering and confusing to my heathen non-Catholic ears, the chimes seem mostly pleasant,” wrote Pablo Bose on Front Porch

Forum. Catherine Street resident Beth Haggart delighted in the new noise. “Beautiful bells! How absolutely blessed we are!” she wrote on the forum. “How many of us have traveled to Europe or some other medieval village in other parts of the world to be woken up, or put to sleep, or taken to lunch by bells!” Early on in the Front Porch Forum fracas, neighbor Kiernan Flynn asked if the new bell system came “with a button which makes [it] Speaker system on the church roof audible to Catholics only?” Flynn followed it up with song suggestions — including that “Happy Birthday” be played on his special day — and solicited more requests “in an effort to further develop positive community relations.” Don Meals found the request “too much to resist.” Included among his suggestions were the Grateful Dead’s “Friend of the Devil,” Elvis Presley’s “Devil in Disguise” and Madonna’s “Angel.” The jokes didn’t go over well. “The response to these church bells … is illuminating some clear religious bias,” wrote Workman. “There is no other explanation I can see for this behavior.” Would neighbors feel comfortable quipping about song suggestions if the noise were a Muslim call to prayer, he wondered, or the result of Taiko drumming? The church’s online responses have been upbeat and friendly replies from Jon Hughes, the director of advancement at the parish school. “We hope the neighborhood loves [the bells] as much as we do!” Hughes wrote on FPF in mid-July, before adding that the electric carillon wasn’t the only recent change at Christ the King. “We now have air conditioning!” Reached by phone, Father O’Donnell said the church is trying to be a good neighbor — and that the parish office is hearing far more compliments than complaints about the new bells. O’Donnell said some people have expressed the sentiment that “if our worst problem is bells,


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SEVENDAYSVt.com 11.05.14-11.12.14 SEVEN DAYS LOCAL MATTERS 17

we’re doing OK.” He said the church other sound-amplification equipment is exploring the possibility of turn- upon public streets for the purpose of ing down the volume on the sound commercial advertising or attracting system. He’s expecting a technician the attention of the public to any buildfrom the company to stop in soon. ing or site.” Church-bell disputes are not Blackwood acknowledged that unique and date back centuries. In freedom of religion, protected under 1772, some Philadelphia the First Amendment, is residents complained certainly a legitimate justo the city about what tification for some forms would later be known as of expression — within the Liberty Bell — “the reason. Governments inconvenience of which can enforce “reasonable has often been felt serestrictions” on the time, verely when some of place and manner of that the petitioner’s families speech, said Blackwood, have been afflicted with so that, for instance, L ARRy MiLL ER sickness,” noted a Wall someone couldn’t stand Street Journal writer. on the sidewalk in front Last year, a Rhode Island man sued of a neighbor’s house all day, shouting a local parish, complaining that the into a bullhorn. “claps” and “gongs” that emanated Blackwood said it’s too early to defrom the church’s electronic bell termine whether the CTK bells mark system hindered him from “peacefully an “unreasonable” amount of noise enjoying” his property. He claimed — the standard, admittedly vague, set the bells interrupted his dreams, forward in local noise ordinances. She thoughts and family relationships — said that her office would likely be consulted if Burlington police investigated the church for violating the ordinance. Katie Berk Miller acknowledged that living in a neighborhood means accepting a certain amount of unwanted noise. But he also believes that ordinances and zoning regulations are in place for a reason. August First had to obtain a peddler’s license from the city before they sent a cycling bread hawker bellowing “Fresh bread!” up and down the neighborhood’s streets. Just recently, Miller said, he received a letter from planning and zoning alerting him when a neighbor a few houses down wanted to put in a chicken coop. “Does that mean that the church is allowed to do whatever it wants, without that process?” asked Miller. The fact that the community wasn’t involved in the decision-making process is one reason why neighbor Steve Levy opposes the bells. The chiming bells are and contributed to the demise of his not on the top of his nuisance list — he marriage. said barking dogs, kids skateboardIn 2009, the City of Phoenix lim- ing in front of his house and trucks ited ringing church bells under the clanking down the road were all more city’s noise ordinance. Churches in bothersome. Arizona then sued the city, and a fedIn fact, he finds the church and eral judge subsequently declared the school to be a calming presence in the city’s efforts to criminally prosecute Five Sisters neighborhood. churches and pastors for ringing But he said he is rankled by anything church bells unconstitutional, and a that reeks of a “special dispensation.” violation of Arizona’s Free Exercise If the church can get away with daily of Religion Act. broadcasts, said Levy, “I don’t understand Does Burlington’s noise ordinance why we can’t all put speakers on top of apply to the CTK bells? The ordinance our roofs and play whatever we want.” m prohibits “loud or unreasonable noise,” as well as “the use of loudspeakers or Contact: kathryn@sevendaysvt.com


localmatters

Feeling the Pain: Another Wave of Fentanyl Overdoses Hits Vermont b y mar k d av i s

david junkin

I

n mid-October, a handful of heroin users overdosed in Hartford. Then, like dominoes, it happened in neighboring Hartland, then to the south in Windsor, and then in towns across the Connecticut River in New Hampshire. Two people died and seven others survived; many were revived from the brink of death. Reports from a crime lab confirmed what police suspected: The victims hadn’t injected only heroin — it was tainted with fentanyl, an extremely potent drug that users can’t detect. It’s the second time this year that police in Vermont have responded to a rash of fentanyl overdoses. The recent incidents mark the drug’s debut appearance in Hartford. In January, three Addison County residents died after injecting pure fentanyl. According to authorities, they thought they were using heroin. Investigators have not filed charges and aren’t sure if the case is related to the Upper Valley ones. In Vermont, the number of fentanyl deaths has been on the rise. The Vermont Department of Health recorded 12 cases in 2013 — at least twice the number reported in each of the previous five years. Before the Hartford-area fatalities, Vermont had already reported 11 fentanyl-related deaths this year. For comparison, 21 people died from heroin overdoses in 2013 — the last year for which numbers are available. Department of Health Deputy Commissioner Barbara Cimaglio suggests looking at the numbers cautiously, noting that it is difficult to discern patterns from a small amount of data. “Fentanyl has been around for a long time,” Cimaglio said. “It seems to pop up every once and a while, then it subsides, and you don’t hear too much, and then some months later you have a bunch of incidents. I don’t have any information that we have anything other than the [general] opiate problem.” First used medically in the 1960s to treat pain in cancer patients and as an anesthetic for people undergoing heart procedures, fentanyl is an opiate that can cause decelerated breathing and even respiratory arrest. It may be prescribed as a lozenge — commonly referred to as a fentanyl “lollipop” — or as a tablet. But skin patches are the most common way of administering the drug in a medical setting. When used illegally, the medicated gel inside the patches is extracted and dried out before eventually being injected intravenously, police said. According to Vermont State Police Lt. John Merrigan, dealers cut heroin with fentanyl for two reasons: It’s cheaper and more potent — anywhere from 50 to 100 times stronger than heroin. “The high, if you do it right, could be better,” Merrigan said. “Though everybody knows it’s dangerous.” Fentanyl in Vermont is almost always traced back to New York City, Merrigan said. Law-enforcement officials say it enters the drug market through drug diversion, such as pharmacy theft and prescription fraud, much like other abused prescription drugs. People also make fentanyl themselves. Police have shut down clandestine manufacturing labs run by drug dealers in the U.S. and Mexico.

18 LOCAL MATTERS

SEVEN DAYS

11.05.14-11.12.14

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Crime

In the eastern United States, a two-year spasm of overdoses that started in 2005 caused more than 1,000 deaths and prompted federal authorities to enact heavy regulations on some of the precursor chemicals used in surreptitious fentanyl labs. The U.S. Drug Enforcement Administration reported that those regulations led to a reduction in overdoses.

But underground fentanyl labs are still active. Of the 12 Vermont fentanyl deaths in 2013, 10 were caused by illicitly manufactured drugs, according to a report from Vermont chief medical examiner Steve Shapiro. And doctors continue to write fentanyl prescriptions: In 2012, nearly 7 million were issued in the U.S., according to the DEA. By contrast, the DEA said pharmacies


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• 11-week cognitive therapy filled 59 million prescriptions for oxyIsaac Lindsay and Catherine or chronic pain education codone in 2013. Knowlton initially met with the infor(free of charge) In Pittsburgh, 22 people died from mant in May at the RiteAid on Cherry • 3 MRI brain scans – before, fentanyl in January 2014. Soon thereafter, Street. They traveled together to the after, and 4 months following several people died in both the Hudson Mobil gas station in Winooski and finally treatment River Valley and on Long Island. Police to the parking lot behind Dunkin’ Donuts • Financial compensation at believe that the same tainted fentanyl on Route 15 in Colchester to complete the completion of the study batch caused the deaths. the sale of 47 bags of heroin for roughly Not every case makes headlines. $500, according to a DEA agent’s afWho can participate? If you have Authorities recently confirmed to Seven fidavit filed with U.S. District Court in chronic pain persisting for 12 Days that the July death of a 21-year-old Burlington. months or longer and are 18-70 Winooski man was an overdose of fentanyl Knowlton told investigators that she years of age, you may be eligible. and prescription painkillers. Winooski snorted two bags of the substance and police said they have yet to determine vomited because it was unexpectedly how Allen Michael Robertson, a member strong, according to the affidavit. After of the 2011 state championship basketball testing, the DEA determined that the team and a graduate of Winooski High confiscated powder contained fentanyl. School, obtained the drug, Some of the survivors or if his death is related to in the Upper Valley were other cases in Vermont. administered naloxone, For more information and to Detectives are still chasa fast-acting nasal spray determine eligibility, please contact 1076 Williston Road, S. Burlington ing leads, according to that can reverse opiate Marcia A. Davis, Project Manager 862.6585 Winooski police Chief Rick overdoses. In the past at (802) 847-8241 or email www.windjammerrestaurant.com Hebert. year, police and ambumarcia.davis@vtmednet.org Though Merrigan calls lance crews throughout fentanyl overdoses in Vermont started carrying Vermont “sporadic,” they’re the drug. 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It’s tainted drug. troubling.” “Everyone thinks that bad things aren’t Longtime addicts are particularly going to happen to them,” Merrigan said, vulnerable to overdose, Cimaglio said, adding, “It is crazy.” because they may make progress and Fatal overdoses are notoriously tricky detox, then lapse back into drug use with 3:30 KIDS’ SHOW for police to solve: The primary witness is a diminished tolerance. 0 ADULT SH)OW 7:0 (DOORS OPEN AT 3:00 & 6:00 dead, and other witnesses are reluctant to “The reality is, anything people buy cooperate. on the street, you’re not sure what it is,” RAGE FFLE TICKET, FOOD & BEVE RA T, KE TIC ’ GS “When we go into a burglary, the Cimaglio said. “You don’t know what it’s UG SM EE UDES A FR ADVANCED TICKET INCL | RT. 15 & 104, CAMBRIDGE evidence of that crime is there,” cut with.” THE BARN AT BOYDEN FARM 9:00 LIVE MUSIC Merrigan said. “If there’s an overdose, Two weeks later, authorities say VIE MO I SK 0 7:0 and it’s a fatal overdose, and everybody they still aren’t sure what happened in fled the area and no one is talking to Hartford. Investigators say it’s possible E HONKY TONK ALLSTARS TH & the cops, and the test comes back that there were additional, unreported overSOME THING ELSE there’s fentanyl in it, what do you have doses from the same batch of tainted to go on?” drugs. “It could be higher,” Vail said. BRID PASS! AY AT SMUGGS’ AND A HY Sometimes, drugs cut with fentanyl are “Hopefully it’s over. But who knows?” m WIN A WEEKEND GETAW intercepted by chance. M BURTON, O’NEILL, JONES, M D) EPIC SAVINGS ON GEAR FRO NTAIN EQUIPMENT, PRIOR, ERTIR (NOCKLIFTETTICKS.ETCO NPAP The DEA, using a confidential infor- Contact: mark@sevendaysvt.com, MOU BROW TT, UDE SCO , INCL BCA, LIBERTY THE DOO YPUS AND MORE! $25 IN ADVANCE, $25 AT 18 AND UNDER ($15 ADULTS) 4FRNT, RAB, MAMMUT, FATmant, charged two Burlington residents 865-1020, ext. 23, or @Davis7D KIDS SHOW: $10 with dealing drugs in July.


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1934-2014, WASHINGTON, D.C. Peter Devigne Caldwell, 80, of Washington, D.C., died October 5, 2014, in New York City, surrounded by love, family and music. He was preceded in death by his beloved boxer, Jenny, a French farm dog. Peter was born March 12, 1934, in Paris, France, to Blanche Campbell Devigne Caldwell and Nelson Forsyth Caldwell. He grew up in Gramercy Park and attended Friends Seminary (’52, cocaptain, basketball team), Yale (BA ’56), and Yale Law (LLB ’59, law review). Shortly after law school, he studied abroad as a Fulbright Scholar at the College of Europe in Bruges, Belgium. His legal and consulting career included work at Coudert Brothers, in Paris; as founding partner of Kevorkian & Caldwell, in Paris and New York; as Of Counsel at Kensington, James & Ressler, in New York; and as colead at the Graywell Group, in Washington, D.C. In the 1990s, he served in Washington as legislative counsel in the office of Senator James M. Jeffords (Vt.), a lifelong friend, and was an architect of Jim’s proposed MediCORE health care legislation. Peter was sharp, funny, charming and bedeviling. He loved to sing, play and provoke, and could make anyone laugh, often without speaking (much like his comic idol, Jacques Tati). He loved to connect with new friends from every corner, country and walk of life. A root-for-the-underdog guy, he also knew how to put himself in anyone’s shoes (a strength he called on as father, friend and lawyer). Peter adored a good caper; a favorite had his kids sneaking a blanket-draped Jenny through the lobby of a “no

dogs” hotel, while he distracted the clerk. A working title for his autobiography: A Life Full of Loopholes. A few of Peter’s passions were swimming, salt air and ocean water; oysters, littlenecks and langoustes. Another was music, and Peter was happiest when planted in an armchair, singing along plena voce with Billie Holiday, Jacques Brel, Edith Piaf and Louis Armstrong. He was a hell of a good dancer, too, and a lot of fun. He will be dearly missed. Peter’s brother, Henri Prescott Caldwell, died one day after Peter, in Boston, Mass. Peter is survived by daughter Juliet Caldwell (Brooklyn, N.Y.); son Nelson, granddaughter Bernadette Caldwell and daughter-in-law Polly Vanderputten (Burlington, Vt.); son Nathaniel (also of Burlington); nephew Ronald Caldwell and his wife, Susan Lichtensteiger (Essex, Vt.); niece Patricia Bosco and her husband, Ralph (Winthrop, Mass.); close family friend

Marti Hobbes (Millers Falls, Mass.); great-niece Sara and great-nephews Joey, Gregory and Daniel; halfbrother Michael Caldwell (Oxford, Miss.); former wife Frances Sherer Caldwell (White Plains, N.Y.); companion-in-arms Elizabeth Niederman (Washington, D.C.); and many more who loved him. The family would especially like to thank Leny Banegas and Amezene Zewdie, wonderful friends to Peter; Capitol Hill Village, in particular Julie Maggioncalda and Deborah Hanlon — Peter was lucky to have you, and knew it; and the hospital staff at NYPWeill-Cornell who took such good care of him in his final weeks. A memorial service will be held on December 13, 2014, at 2 p.m., at the 15th Street Meeting House, 15 Rutherford Place, New York, N.Y. In lieu of flowers, please consider a donation in Peter’s memory to Capitol Hill Village, Box 15126, Washington, D.C. 20003-0126.

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Classical meets Pop for a romantic evening of music with Canada’s Gryphon Trio and Patricia O’Callaghan

November 14, 7:30 p.m.

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Post your remembrance online and print at lifelines.sevendaysvt.com. Or, contact us at lifelines@sevendaysvt.com, 865-1020 x37 11/4/14 4:21 PM


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stateof thearts

Late Local Artist’s Punditry Shines in Rediscovered Editorial Cartoons B y etha n d e se i fe

F

11.05.14-11.12.14 SEVEN DAYS 22 STATE OF THE ARTS

Watergate and the Vietnam War. But he knew about his mother’s cartoons and searched for them for years. Jim and his brothers finally discovered them after Jane’s death in 2009, while cleaning out their parents’ house to prepare it for sale. An exhibit a few years ago, also at the Fletcher, highlighted Brown’s work in several media, but her editorial cartoons could be shown only in subpar copies. The current show — organized chiefly by Jim Brown, Curtis and Leech — displays about 150 editorial cartoons on panels, and many more in binders. At long last, the cartoons have been identified, catalogued and grouped by subject matter. Ru th Readers who grew up with Brown’s gently humorous children’s-book illustrations may be surprised by the sharpness of the cartoons’ political views and the jagged assertiveness of her inked line. It’s

difficult to reconcile the woman who illustrated Vermont author Katherine Paterson’s 1991 book The Smallest Cow in the World with the artist who created a particularly ghoulish Grim Reaper in a 1974 cartoon about pervasive African famine. But, as Curtis describes her late friend, “She was a gentle person with strong, rugged opinions.” As an editorial cartoonist, Brown took on subjects ranging from Vermont politics to national issues, none of which would seem to have prepared her for later writing and illustrating Whonk, and Whonk Again. Still, Jim Brown believes his mother’s “strong attention to detail” links the works of these Pa g e two phases of her career. “I don’t think her style really changed over the years,” he says. “It’s just that the medium she was working in changed.” In her time at the Suburban List, Brown gained a reputation as an artist

We were very critical of President Richard Nixon.

I got a kick when I discovered that Jane felt about him just as I did.

whose left-leaning opinions were as sharp as her pen. Ruth Page, now 93, is the former editor of the paper. She remarks, in a statement for the exhibit, “Jane could have sold her work to much larger papers for more money. We could only conclude that she really liked our editorials. We were very critical of President Richard Nixon. I got a kick when I discovered that Jane felt about him just as I did.” Jim Brown doesn’t know why his mother’s career as an editorial cartoonist

Good Vibrations: Dartmouth Presents In the Next Room

b y x i an ch i an g- waren

P

laywright Sarah Ruhl has said of her 2009 play In the Next Room, “Things that seem impossibly strange within the play — such as the Chattanooga vibrator and the vagaries of wet nursing — are all true. Things that seem commonplace are all my own invention.” Set against the backdrop of “a preposterous spa town” just outside New York, Ruhl’s play takes viewers into the “operating theater” — euphemistically called “the next room” — of Dr. Givings, a late-19thcentury physician. It was the dawn of a new era: The Civil War had recently ended, the advent of electricity was transforming American households, and the medical profession was in a tizzy over a new, electrically powered cure for “hysteria.” That catchall diagnosis was bestowed on men and women experiencing fatigue, anxiety and other symptoms. In the Next Room, also known as “The Vibrator Play,” comes to Dartmouth’s Hopkins Center for the Arts this weekend

Theater

Emma Orme and Max Samuels

Courtesy of Dartmouth Department of Theater

SEVENDAYSvt.com

riends of the late Jane Clark Brown describe her as a terrific artist but a terrible selfpromoter. Best known for her children’s-book illustrations but equally proficient in sculpture and watercolors, Brown “never sold anything,” says her friend Marty Leech. “She gave things away.” Joan Curtis tells Seven Days via email, “Jane couldn’t have been more self-effacing or modest. [She didn’t want] to call attention to herself.” Brown, who lived nearly all her life in the Burlington area, may have eschewed the spotlight, but a lesser-known branch of her art courted controversy. From 1968 to 1975, Brown produced more than 300 no-punches-pulled editorial cartoons for the Suburban List, an erstwhile weekly newspaper in Essex Junction. Never anthologized and nearly forgotten, those cartoons were rediscovered recently, and they’re exhibited this month at Burlington’s Fletcher Free Library. Jim Brown, the artist’s son, concurs that she rarely spoke of her days as a political cartoonist, when she regularly addressed such turbulent topics as

for a two-week run, produced by the college’s theater department and directed by faculty member Jamie Horton. Ruhl’s play premiered to critical acclaim at the Berkeley Repertory Theatre in February 2009. Later that year, it opened at Lincoln Center’s Lyceum Theatre in New York; that production netted three Tony nominations. The play was also nominated for the 2010 Pulitzer Prize in Drama. “It has that Ruhl magic that shows you what theater is capable of doing,” Horton says of the play. “The question about the divorce between sexuality or sexual experience and relationships is striking. It’s not that it’s a new discovery or anything, but the beauty through which she discovers it is really exceptional.” The vibrator, like that Coke bottle in The Gods Must Be Crazy, prompts characters to embark on journeys of selfquestioning and discovery. But the play isn’t interested in cheap laughs. As a New Yorker critic put it in a glowing review of the Lincoln Center production, “Sex

The question about

the divorce between sexuality or sexual experience and relationships is striking.

Ja m ie H orto n

is always complicated, therefore always funny; Ruhl, however, never laughs at her bewildered, repressed characters, who are either lumbered by frustrations that they can’t explain or reeling with a desire for which they have no words.” The characters are both baffled and excited by the new experiences induced


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Cartoons

ended in the mid-1970s, though he speculates that she was finally able to realize her longtime goal of writing and illustrating her own books. She went on to illustrate three of Paterson’s books, and several by other authors, and wrote and illustrated two of her own. Brown also created a well-remembered kids’ activity book called The Vermont Fun Book, first published in 1969 — just when she would have been drawing cartoons about nuclear proliferation and Vietnam.

Now unearthed and on display, Jane Clark Brown’s editorial cartoons reveal the fiery side of an underappreciated Vermont artist. m Contact: ethan@sevendaysvt.com

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Jacob Albee

In the Next Room by Sarah Ruhl, produced by the Dartmouth Department of Theater, directed by Jamie Horton, November 7 to 16: Thursday through Saturday at 8 p.m., Sunday at 2 p.m., at Moore Theater, Hopkins Center for the Arts, in Hanover, N.H. $10-$12. hop.dartmouth.edu

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STATE OF THE ARTS 23

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sound like the feelings some women have while in bed with their husbands. Horton says those conversations of shared uncertainty and self-discovery drive the play and continue to make it relevant. What lingers is the novelty of the characters’ gradual recognition of dysfunctional relationships, not the novelty of a new sex toy. “This play is about women’s sexual self-discovery,” Horton says, “and the journey toward relationships that marry love and shared sexual experience.” Audiences of any era can learn from that. m

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by electric lamps and the boxy vibrator in the doctor’s office. But contemporary audiences — accustomed to frank treatment of sex — may be most intrigued by the clinical approach to that newfangled gadget onstage. In those days, as Horton notes, vibrators were medical instruments, not sexual playthings. They were sold in the Sears catalog alongside other household appliances. In fact, vibrators were just the fifth electrically powered apparatus to hit American stores. The characters in Ruhl’s play interact with the device accordingly. For them, an orgasm is a “paroxysm.” In her stage directions, the playwright instructs directors and actors: “There is no cliché of how women are supposed to orgasm, no idea in their heads of how they are supposed to sound.” In one scene, Dr. Givings’ wife, Catherine, and his patient, Mrs. Daldry, swap notes on their experience during treatment. They are startled by a wet nurse’s suggestion that their “symptoms”

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STATEof THEarts

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A New Book Uncovers a Same-Sex ‘Marriage’ in Early Vermont COURTESY OF HENRY SHELDON MUSEUM

B Y PA MEL A PO LSTON

I

t’s safe to say that same-sex marriage is an idea whose time has come. Recent years have seen one state after another legalize it or remove obstacles to its passage; the U.S. Supreme Court has opted not to hear appeals from states seeking to uphold gay-marriage bans.

The matter is far from settled in the United States. But the heated ongoing debate gives a special timeliness to a book about an obscure relationship in the first half of the 19th century: two women who lived openly as, for all practical purposes, “married” in rural Vermont.

Rachel Hope Cleves’ Charity & Sylvia: A Same-Sex Marriage in Early America, published this past May, is not only about a pair of Vermonters — Charity Bryant and Sylvia Drake. The author also did much of her research in the collection of Middlebury’s HENRY SHELDON MUSEUM. Cleves, a historian at the University of Victoria in British Columbia, returns to Vermont next week for a talk at Middlebury College, followed by a book signing and exhibit reception at the Sheldon. According to EVA GARCELON-HART, the research archivist at the Sheldon, the exhibit

BOOKS comprises Charity and Sylvia artifacts such as letters, poems, business records, diaries, hairpieces and other ephemera. There’s also an adult-size cradle; both women “were kind of sickly at the end of their lives, and a relative built it,” says Garcelon-Hart. Finally, the exhibition displays silhouette portraits of Charity and Sylvia, the only extant images of the couple from that pre-photography era. For several decades in Weybridge, the women ran a successful tailoring business; they were active in their church and community and loving aunties to many nieces and nephews. The community appears to have accepted the women’s relationship, though no written records refer to a sexual aspect.

Cleves came across the story of Sylvia and Charity while reading a biography of William Cullen Bryant, the renowned poet and abolitionist, who was Charity’s nephew. In a letter referring to his visit to Vermont, he described his aunt’s partnership. “It was beautiful, it was poetic, and it was also very explicitly describing a marriage between two women,” Cleves told the Boston Globe in June. Why does a story about an early-19thcentury female couple — who most certainly could not be legally married — resonate now? The Globe article puts it this way: Ten years after the first legal same-sex marriage in Massachusetts, much has been made by supporters

of how pioneering the underlying court decision was; critics meanwhile, portray it [as] a new and radical upending of traditional values. But the lives of Drake and Bryant suggest that the story is not so simple: Such relationships have existed, in various forms, through American history. And more than that … an early American community could genuinely recognize a samesex relationship as a household… Over the decade Cleves was researching and writing Charity & Sylvia, the legal landscape of same-sex relationships has shifted radically. Her book arrives at what may be a tipping point for attitudes concerning gay marriage in the U.S. Meantime, according to Garcelon-Hart, the slim volume — made possible by records in a small Vermont history museum — offers a worthwhile story on its own. “The book reads like a great novel,” she says.

INFO Rachel Hope Cleves, “Charity & Sylvia: A Same-Sex Marriage in Early Weybridge, Vermont,” presented by Middlebury College and the Henry Sheldon Museum, Tuesday, November 11, 4:30 p.m., at Twilight Hall, Middlebury College. A reception for the exhibit “Charity & Sylvia: A Weybridge Couple” follows, 6 to 7 p.m., at the Sheldon Museum. henrysheldonmuseum.org Charity & Sylvia: A Same-Sex Marriage in Early America by Rachel Hope Cleves, Oxford University Press, 296 pages. $29.95.

24 STATE OF THE ARTS

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QUICK LIT: FUSCO’S HOLLYWOOD NOIR Morrisville resident JOHN FUSCO opens his novel Dog Beach with an almost-literal cliffhanger. Veteran Hong Kong stuntman Louie Mo “is running, eight stories up on a rusted crossbeam, when he feels it, that thing entering his bloodstream, the rush he secretly calls the Creature.” This could be a flashback or a flashforward relative to the novel’s main, pasttense narrative; which it is hardly matters. Louie Mo’s line of work is all about rushes of adrenaline that transport him into a timeless present. Each death-defying stunt culminates in the question, Did I die this time? Fusco has chosen an appropriate protagonist for his novel: a fast-paced, action-packed LA noir in the Elmore Leonard vein. Reading Dog Beach, it’s easy to imagine it on screen — and that’s no surprise. Though Fusco has published a previous novel, Paradise Salvage, he’s best known for his screenplays for such films as Crossroads, Young Guns, Hidalgo, The Forbidden Kingdom and Netflix’s upcoming, much-publicized sequel Crouching Tiger, Hidden Dragon: The Green Legend. The author practices martial arts and has an insider’s view of filmmaking in Hong Kong and Hollywood alike.

All that experience informs Dog Beach. The novel boasts a large cast of LA schemers and dreamers whose stories intertwine in ways that are lucrative, lethal and, occasionally, ludicrous — all connected somehow to the Malibu beach house referenced by the title. That house belongs to small-time producer Avi Ghazaryan. He’s lent it to hotshot young director Troy Raskin, who’s under deadline for the final cut of a zombie flick funded by sinister Guatemalans and starring Avi’s nubile daughter. Uninspired by the hack work, Troy is dragging his feet, so Avi calls in cheap muscle to motivate him. Rather than cowering when the thug arrives at his door, Troy recognizes him as legendary stuntman Louie Mo — and hands him a screenplay. A refugee from mob threats in Hong Kong, the aging, painkilleraddicted martial artist has been eking out a living with his fists, aided by his right-hand woman, stunt driver Dutch “The Clutch” Dupree. Louie is perplexed by Troy’s encyclopedic knowledge of Hong Kong cinema, but intrigued by his offer of a starring role in an indie film. Could this be the stuntman’s chance to show his face to the camera like a star?

Using an omniscient narrator, Fusco manages all these competing interests deftly, racing from scene to scene. When he pauses, it’s for a pungent whiff of LA atmosphere or a satirical riff on the current state of the film biz. “They will only make movies that come with an underlying brand,” complains Avi, who dreams of finding a sure-fire blockbuster concept for which he won’t have to pay a penny. While Fusco’s pop-culture references can feel labored, his action scenes are elegant and terse, studded with verbs working

overtime. People don’t just run or hide in this book, they “bull” or “squirrel.” So stripped down is the narrative that, yes, you’ll find yourself visualizing it like a movie. Where Dog Beach fails to transcend the average action flick is in its characterization. Louie and Dutch are a memorable and appealing odd couple. But if you’ve seen one of those Tarantino knockoffs from the late ’90s, you’re already all too familiar with the novel’s other characters. The trope of “tough guy with a comic foible” gets a workout here, and the plot mechanics depend too much on both Troy and Louie being blithely indifferent to the likely consequences of their actions. Of course, no one can blame a stuntman for having an appetite for danger. While Fusco’s novel may not quite have the freshness of a breakout hit, lovers of B-movies and Hong Kong lore will find that it dances along the edge of the cliff with aplomb. MARGO T HARRI S O N

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WHISKEY TANGO FOXTROT BY LIZ CANTRELL

Who Was Susie Wilson?

26 WTF

Susie Wilson with her fourth husband, Fritz Krebser

COURTESY OF MARY JANE KREBSER

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V

ermont has no dearth of unusual place names. There’s Mosquitoville in Barnet, Skunks Misery Road in Franklin, Ticklenaked Pond in Ryegate and Terrible Mountain in Andover. One more commonplace but equally mysterious moniker is Susie Wilson Road, a thoroughfare that traverses Essex Junction. Essex residents and those simply passing through — including some Seven Days readers — have wondered: “Who was Susie Wilson, and why is there a road named after her?” Ask around, and you’ll hear anecdotal charges that she was a prostitute or operated a brothel for soldiers stationed at Fort Ethan Allen. The truth about Wilson’s life, or at least the known record of it, is much less salacious. In the late 1990s, University of Vermont student Jennifer Goulart Amero completed some of the most thorough research now available on Wilson. Goulart Amero’s narrative “In Search of Susie Wilson” was originally published in the winter 2000-2001 Bulletin of the Chittenden County Historical Society. According to Goulart Amero’s research, Susanna Cassell was born in Ireland in 1887 and immigrated to the United States in 1895. Some time between 1895 and 1916, she married her first husband, believed to be named Tom. His last name and fate are unclear, but Susanna (Susie) Cassell moved to Vermont between 1909 and 1916 and married her second husband, Merrit Wilson of Cambridge, Vt. In 1916, the Wilsons bought an old house and farm near Fort Ethan Allen. It’s this period in Susie Wilson’s life that raised suspicions of her impropriety, as local historian Gerald Fox noted when he appeared on Vermont Public Radio last February to discuss Wilson and dispel some of the damaging rumors about her. Fox is a board member of the Central Vermont Railway Historical Society and owner of Vermont Historysmyth, which offers history consulting services. During his interview, he said that the prostitute tale likely arose from simple prejudice. “What else do you need to be a prostitute in a small town in Vermont but [to] have a bunch of husbands and be born in Ireland?” he joked.

Fox said he was unable to find Wilson’s name in police or court records, which caused him to doubt the veracity of the prostitution charge. If Wilson did anything illegal, he surmised, she probably sold liquor — along with foodstuffs and other provisions — to the Fort Ethan Allen officers during Prohibition.

So what about the road name? In his interview, Fox explained that the Wilsons bought their farm on a road referred to as Old Colchester Road in lieu of an official name. “Susie Wilson lived at or near that corner for a very long time,” Fox said. “It became known as ‘the road where Susie Wilson lives.’ In the days where there was a trolley

that would go by, there was no official stop, but if you told the driver that you wanted to get off at Susie Wilson Road, he’d drop you off at that corner.” Fox found no evidence in the Essex selectboard records of the road’s name change from “Old Colchester” to “Susie Wilson.” It seems the switch happened based on colloquial usage and eventually became official. It’s also unclear why the road was referred to as “Susie Wilson” even though Susie remarried twice after Merrit Wilson died in 1926. According to Goulart Amero’s search of Essex records, Susie married Sergeant John Drinan, a retired soldier, between 1926 and 1931. They lived on Pearl Street in Essex Junction until his death in 1932. In 1933 she met Frederick (“Fritz”) Krebser, whom she wed one year later. They lived in her house on Pearl Street for nearly two decades, until his death in 1952. Susie died on March 7, 1966, as an inpatient at the state hospital in Waterbury suffering from dementia. This is hardly a chin-scratching history, yet stories about Susie Wilson persisted in the decades following her passing. Fox believes the scandalous impression of her is less common now than it was years ago. “First, most of the folks who thought of her that way have died off,” he tells Seven Days. “Second, the influx of newcomers over the last 30 years had diluted the percentage of people who know of her as anything other than a name on a road sign.” His final verdict on the life and times of Susie Wilson? “I believe that the whole myth of Susie Wilson came as gossip,” Fox explained on VPR. “She gave them lots of reasons to gossip: She had four husbands, she was Irish, she married quickly, she often married up, and she just didn’t like living alone. And I think that was enough.” Goulart Amero reached a similar conclusion. Her last comment on Wilson reads, “As for me, I believe that Susie Wilson was just a farm girl who lived on the corner of Susie Wilson Road.”

INFO Outraged, or merely curious, about something? Send your burning question to wtf@sevendaysvt.com.


THE STRAIGHT DOPE BY CECIL ADAMS

Dear Cecil,

I’m sure you saw the story about the man who decided to cross 1,000 miles of ocean from Florida to Bermuda in an inflatable bubble. Several days later, he had to be rescued via helicopter. That probably wasn’t cheap, and someone has to pay for it, and I suspect it ends up being you and me. My guess is knowing someone will try to rescue them is why daredevils take these risks. But why should the taxpayers have to cover the cost? Jim Huff AN AM

leveled off. Since the 1980s, the fatality rate per climber attempt at McKinley has fallen more than 90 percent. So, in fact, the numbers suggest that, overall, climbers are indulging in far less foolish behavior than before the increase in SAR efforts. The question remains whether the rest of us should be made to pay for other people’s poorly developed prefrontal cortexes. There’s plenty of anecdotal evidence that advances in rescue technology have caused people to make foolish decisions at taxpayers’ expense. The advent of personal satellite locator beacons like the one our hamster-like hero, Reza Baluchi, used to call emergency services from his ball in the ocean — the California SAR chief has nicknamed the devices “yuppie 911” — has given rise to many such stories. One

2007 cost $3.5 million a year on average — a paltry 1.2 cents per American. It’s fair to say most of that was spent not on daredevils but on reasonable, risk-averse people like yourself. Only about 5 percent of SAR efforts deal with rock climbing and mountaineering — i.e., more obviously risky behaviors — whereas day hiking, boating and swimming account for 72 percent. A review of 18 years of SARs on McKinley classified just nine of 261 rescues as due to inexperience, and only four were false alarms. There’s also the moral issue: Charging for rescues could cause people who are genuinely in trouble to hesitate when calling for help, resulting in more deaths and serious injuries. Finally, the practical question: What public official is going to advocate denying rescue efforts to people who can’t pay the bills? Some states do charge small fees — Oregon requires people to pay up to $500 per rescue, for instance — but this is only intermittently enforced. We know you wouldn’t be caught dead in an inflatable sphere in the middle of the ocean, Jim. Surely, though, you won’t begrudge a 1.2-cent contribution toward helping those with less brains than you but more balls.

INFO

Is there something you need to get straight? Cecil Adams can deliver the Straight Dope on any topic. Write Cecil Adams at the Chicago Reader, 11 E. Illinois, Chicago, IL 60611, or cecil@chireader.com. 11.05.14-11.12.14

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see how this theme might easily be expanded. For simplicity, we’ll focus on search-and-rescue (SAR) statistics on Mount McKinley over the last century, which initially seem to support the idea that such measures do more harm than good. For the decade after McKinley was first summited in 1903, the fatality rate was an impressive 0 percent — only serious climbers made attempts. Fatalities remained low until helicopter SAR efforts started becoming commonplace, around 1976. In the following decade the number of people attempting the summit increased by 1,500 percent, and fatalities more than doubled. Theoretically, greater safety measures may in fact cause people to take more risks — a phenomenon known as the Peltzman effect, after the researcher who showed that wearing seat belts correlated with riskier driving. But the effect on mountaineering soon

CAR

Y

ou sound like a sensible chap who never puts himself in idiotic situations, Jim. I’m sure you floss twice a day and never mix beer with liquor. Taxpayers around the country applaud your efforts. Luckily, not everyone thinks like you — otherwise we never would have put a man on the moon. (And yes, we did; that conspiracy theory was debunked here years ago.) Daredevils have been at it since Icarus flew too close to the sun, so I don’t buy the idea that a free rescue is their primary motivation. That said, it’s worth investigating (a) whether the availability of government bailouts creates what economists call a moral hazard — a situation where people take greater risks because they know someone else will bear the cost — and (b) whether taxpayers are shouldering too much of the burden. And yes, we’re talking here about physical stunts, not banking practices, but one can

Grand Canyon camper summoned a rescue mission, costing $4,000-plus per hour, because she heard “odd noises emanating from the leader of the group as he slept.” By the time rescuers arrived, the caller was asleep herself, apparently no longer too concerned. Similarly, simply carrying a mobile phone may make thrill seekers too quick to call for help. The price of a serious rescue can be steep — the 1998 rescue of two McKinley climbers at 19,000 feet cost $222,000. From 1992 to 2007, the National Park Service performed 65,439 SARs, at an average cost of $895; the average mountain rescue, though, sported a $27,000 price tag. Would some of these people have been deterred if no rescue were promised, or if they had to pay for their rescues themselves? Probably. Would either measure improve the situation? Definitely not. In the grand scheme, rescuing people just isn’t that big a deal financially. All those rescues between 1992 and

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POLI PSY

ON THE PUBLIC USES AND ABUSES OF EMOTION BY JUDITH LEVINE

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taring angry and forlorn from an isolation tent in New Jersey’s University Hospital, Kaci Hickox looked like a prisoner. She was one. The Maine nurse, returning from treating Ebola patients in Sierra Leone, was taken from the airport to the hospital against her will. Like a cell, the tent outside the hospital in which she was quarantined contained a toilet but no shower. The diktat that imprisoned her — mandatory quarantine of anyone who’s been in West Africa in contact with Ebola-sickened people — was not issued by public health experts. It came from the governors of New York and New Jersey, the former challenged from right and left in his reelection bid, the latter vying for presidential nomination by the party itching to fortify the borders against Ebola-carrying Islamic terrorists from Mexico. In fact, federal authorities denounced the policy as medically unsound and discouraging to health workers who might help stem the epidemic in Africa — the only way, they stressed, to prevent it from spreading here. But when did reason or science ever stop a politician from capitalizing on a brewing hysteria, especially at election time? There’d been no spectacular sex crime, no new drug scourge. A fatal infectious disease was on the loose. Time to get tough on Ebola! After Hickox was allowed to leave that New Jersey tent and go back to Maine, state troopers were stationed outside her boyfriend’s house, where she was staying. She has twice tested negative for the virus. Yet, in response to her resistance, Gov. Paul LePage’s office vowed that the governor will “exercise the full extent of his authority allowable by law” to protect the unimperiled people of Maine. (A judge, agreeing with Hickox that she posed no threat to the public health, later declined to issue a court order forcing her to stay home.) In Louisiana, Gov. Bobby Jindal banned doctors who had treated African Ebola patients from the American Society of Tropical Medicine and Hygiene conference in New Orleans — an obviously counterproductive move. Vermont dispatched the county sheriff and a health department nurse to New York’s John F. Kennedy International

Infectious Dis-ease Airport to fetch Rutland resident Peter Italia, a self-proclaimed doctor and time traveler back from conducting an unsolicited investigation of the West African situation. Though healthy, Italia never balked at quarantine. Yet he got two escorts and exile to a “rural town” — which turned out to be Rutland — under guard. Mandatory quarantine policies aren’t pretty, noted a pollster from Quinnipiac University in Connecticut, where Gov. Dannel Malloy has sentenced at least eight innocent healthy people to medical house arrest. But Malloy is also in a tight race. And, the pollster suggested, an elected official must protect … his ass: “If something goes wrong,” he told the New York Times, “you get blamed.” In a statement supporting Hickox, the American Nurses Association warned that excessive, unscientific restrictions “will only raise the level of fear and misinformation that currently exists.” That’s already happening. In a Bronx, N.Y., neighborhood, children are screaming “Ebola” at West African classmates. In Milford, Conn., a third-grader

returning from a wedding in Nigeria — where there are no known cases of Ebola — has been barred from school. The girl’s family is suing the school and town, the latter of which has ordered 21-day segregation of anyone traveling from the entire African continent. A London graduate student who carries a Liberian passport but had not traveled to Liberia was detained at Heathrow Airport. Mothers in a Rome suburb petitioned to keep a 3-year-old out of nursery school because she had gone to Uganda, thousands of miles from the Ebola-affected region. All over, travel bans are being proposed, as if the disease could be bottled up “over there.” Or maybe the fantasy is more sinister. Jean-Marie Le Pen, founder of France’s far-right National Front party, told daily Le Figaro what others might be feeling secretly. “Overpopulation is threatening to submerge France with immigrants ... but Monsieur Ebola could fix this in three months.” “The Ebola panic is the latest manifestation of a centuries-old tradition

of overreacting to infectious diseases,” Catherine Hanssens, executive director and founder of the Center for HIV Law and Policy, told me. “We have equivalently irrational laws on the books” — passed in contradiction to known science even at the time — “covering pretty much every infectious disease you can think of, from syphilis to hepatitis to tuberculosis.” But panics are faster and hotter — and responses harsher — when the pathogen is associated with a “stigmatized identity”: black, gay, drug using, foreign. The screamed-at kids in the Bronx, the Connecticut third-grader, the Londoner and the Italian preschooler are all blacks of African descent. The white health workers who went to Africa are contaminated by association. HPV and herpes are incurable, and linked with forms of encephalitis and cancer, Hanssens said. “But you almost never see a campaign [against them] backed up with felony laws or quarantine, because those diseases are so frequently represented in heterosexual, white populations.” AIDS, of course, has always been attached to the marginalized. In its early years, health agencies counseled people to avoid not risky behaviors but supposedly risky “H” populations: homosexuals, Haitians, heroin addicts, hemophiliacs, hookers. By 1985, more than half of the respondents to a Los Angeles Times poll supported a quarantine of people with AIDS. Fifty-one percent said they’d support a law prohibiting people with AIDS from having sex. Corrections officers wore hazmat suits to patrol HIVpositive inmates. Police donned latex gloves to arrest ACT UP protesters. In 1990, when the Centers for Disease Control and Prevention recommended removing all contagious diseases except active tuberculosis from incoming travel exclusions, the religious right generated 35,000 postcards and letters to keep HIV on the list. It stayed there until 2009. Today, “32 states and two U.S. territories have HIV-specific criminal statutes,” according to the Center for HIV Law and Policy. Failure to disclose positive HIV status to a sex partner is a felony in many states, even if you use protection or don’t ejaculate. An HIV-positive man who allegedly bit his neighbor was charged under Michigan’s


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anti-terrorism statute for possession of a “biological weapon.” A Texan is serving 35 years for spitting at a cop. An Iowan got 25 years for one sexual encounter, in which he used a condom. Like the Ebola quarantines of healthy people, such HIV laws are fueled by widespread “illiteracy about the routes, risks and consequences” of transmission, Hanssens said. Many lawmakers and prosecutors still don’t know you can’t get AIDS from saliva. Like HIV, Ebola is one fierce virus. Also like HIV, it is comparatively hard to contract. If an ill person has no symptoms, Ebola poses no risk to others. And even if a person falls ill, with proper medical care the patient is unlikely to die. Public health is a science, but it’s also social policy. That means it is political. Politics are emotional. So when politics and panic mix, protection of the well can turn to punishment of the ill. Compulsory, punitive measures to stem transmission of serious diseases always backfire. People are afraid to come forward for testing or treatment for fear of being thrown in jail. The disease goes underground; shame sticks to it. Fear and ignorance — and contagion, illness and death — grow. “We get over our hysteria about one disease by focusing it on another disease,” Hanssens said. It would be cold comfort if it took Ebola panic to cool irrational fears about HIV. Or if we had to wait for the next bogeyman to push the specter of the black African Grim Reaper from the stage. m

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Apple pressing at Happy Valley Orchard

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PHOTOS: CALEB KENNA

FULL CORE PRESS T

erry Bradshaw tinkers with a stainless-steel apple press that’s slightly larger than a beer keg. He’s been making cider in his garage for years but has never used this new press, whose perforated sides spit juice and pulp all over the floor. Suddenly, a pink geyser erupts from the metal cylinder, spraying everyone in the pressing room at Middlebury’s Happy Valley Orchard. “Are you still pumping?” yells Bradshaw, scrambling to find a pressurerelease valve. He has to shout over the roar of an industrial apple grinder behind him, which is crushing bushels of fruit into a pink sludge that flows through a vacuum hose and into the press. “I just shut it off !” shouts John Matson, who usually works as head cider maker at Woodchuck Hard Cider’s new, $34 million facility just down the road. “This is gonna get really messy,” observes Justin Heilenbach, cofounder of Citizen Cider in Burlington, who’s also there to lend a hand. “That’s what making cider is all about,” chirps Stan Pratt, busily raking apples into the grinder. Pratt, who owns Happy Valley Orchard, skeptically eyes the pulpy mess now decorating his ceiling. “You’ll be back tomorrow to clean that up, right?” he jokes

Vermont orchards, cideries and UVM sow the seeds for the “Napa Valley of hard cider” BY K E N P IC AR D

to Bradshaw, who finally relieves the pressure, returning the juice flow to a normal, bubbly gurgle. Vermont’s hard cider industry has been just as explosive in recent years as that problematic press. A decade ago, the state had just one commercial cider maker: Woodchuck. Today, the newly formed Vermont Cider Makers Association has 15 members, most of whom opened businesses within the past five years. The association is organizing the first-ever Cider Week Vermont, a statewide celebration with tastings, dinners and classes taking place from November 14 to 23. This rapid growth reflects a national trend: Hard cider sales tripled between 2007 and 2012. Though still modest in relation to those of other alcoholic beverages, national cider sales now total 1 percent of the total beer market. (In this article, “cider” henceforth refers to the fermented alcoholic beverage, “sweet cider” to the unfiltered, nonalcoholic drink.) This day’s juice production at Happy

Valley is minuscule compared with that of commercial cider makers on a normal day. But this late-October pressing isn’t about maximizing output — not yet, anyway. It’s an experiment to prepare for the future of Vermont’s cider industry, the first of many such trials planned for the next few years. Local cider makers have a good thing going, and they need to make sure it’s sustainable. That’s where Bradshaw comes in. As a tree-fruit and viticulture specialist at the University of Vermont, he oversees UVM’s 100-acre Horticultural Research Center, aka “the Hort Farm,” in Burlington. The goal of his research is to ensure that Vermont is growing enough apples, of the right varieties, to meet the cider industry’s burgeoning demand. Over the next few hours at Happy Valley, the assembled crew of cider makers and orchardists — which also includes Jim Bove, manager of Chapin Orchard in Essex; and Ben Calvi, director of cider making at Champlain Orchards in Shoreham — presses small juice batches

from 14 apple varieties. Those include five European ones that Champlain Orchards grows specifically for cider. By day’s end, three cider makers — from Woodchuck, Citizen Cider and Champlain Orchards — all leave with five-gallon buckets of juice, as well as identical yeast samples and instructions on how to ferment them. Next spring, they’ll reconvene with their finished products — not to bottle but to compare tastes, physical characteristics and chemical properties such as sugar content, acidity, tannin amounts and yeastassimilable nitrogen levels. Why are these ostensible competitors pooling their resources to make identical cider batches that no one will sell? As Bradshaw explains, his research will help inform growers which apple varieties do best in this region, produce the highest yields and maximize their return on investment. It will also identify the varieties most useful to cider makers. Reflecting that confluence of interests, Bradshaw’s funding comes from state and federal grants, cash matches from Vermont Hard Cider Company (Woodchuck’s parent) and in-kind donations from local cideries and orchards. Ultimately, Bradshaw hopes to help growers decide which new trees to plant and which old trees to save — in


effect, priming the future of both the apple and the cider industries. “Before you cut down your grandfather’s old Ida Red trees,” he warns, “you might want to think twice, because these guys might want them.” “Our job as cider makers and apple growers is to develop terroir, the regional identity of the fruit,” Heilenbach adds. “We don’t want to grow things that grow well in Washington State. We want to grow things they can’t [grow], that also make good cider, and are also part of the heritage of Vermont and New England.”

require 5,000 to 6,000 acres to meet current demand by those cider makers who don’t grow all, or any, of their own fruit. Unlike most crop production, though, that of apples can’t be scaled up quickly. As Bradshaw points out, apple trees take three to five years to bear fruit, and five to seven years to reach full production capacity. What’s more, commercial apple trees don’t grow from seeds but from carefully chosen rootstock. Currently, a major shortage of fruit saplings in the national nursery pipeline is delaying orchardists’ tree orders by three years or more. Growers must decide today which varieties will blossom in their orchards a decade from now. It’s not easy predicting what Vermont cider makers will want in 10 years, especially considering the industry didn’t exist five years ago.

Vermont isn’t growing apples fast enough to meet its swelling need.

I

Terry Bradshaw

shipped to Middlebury, the result would barely fill a third of Woodchuck’s fermentation tanks. Most of the company’s juice comes from elsewhere in the United States. Formalarie acknowledges that Woodchuck must also “chase the sun” by buying juice from South America and New Zealand — “but none from China,” he emphasizes. In short, Vermont isn’t growing apples fast enough to meet its swelling need. Formalarie suggests that the state would

» p.33

FEATURE 31

Full Core Press

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Apples being fed into a grinder prior to pressing at Happy Valley Orchard

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ermont’s cider industry is ripe for growth. Twentysomething millennials are more inclined than their elders to experiment with their recreational imbibing, and Heilenbach suggests that cider appeals to their locavore sensibilities, as well as to their desire for a good story about Yankee self-sufficiency. The beverage also suits those on paleo and gluten-free diets. Cider’s rapid rise has spiked the demand for raw juice. Currently, Champlain Orchards, the smallest of the three cideries in Bradshaw’s experiment, makes 25,000 gallons of cider annually. Citizen Cider, which launched in 2011, made 5,000 gallons in its first year of commercial production. This year, says Heilenbach, it produced 100,000 gallons. Next year, he expects the company will produce 250,000 gallons.

Woodchuck, the nation’s second-largest manufacturer, behind Samuel Adams’ Angry Orchard, now produces 6.8 million gallons annually, and sells its products in all 50 states. According to Woodchuck’s communications manager, Nate Formalarie, last year the company bought 300,000 gallons of apple juice in Vermont alone, or 40 percent of the state’s total processed fruit. To put that figure another way, if every apple grown in Vermont were juiced and

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Calvi spent eight years making wine in California before moving to Vermont. One day, he predicts, the state could be as renowned for its cider as Napa Valley is for its wine. “That’s my goal for the Vermont cider industry,” Calvi says. “When you look at the world as your market instead of just Vermont, then these guys aren’t our competitors. They’re our colleagues.”

f anyone is up to the apple challenge, it’s Terry Bradshaw. As both a researcher and an orchardist himself — for five years, until last February, he was president of the Vermont Tree Fruit Growers Association — Bradshaw has cred among growers and cider makers alike. The trees at his Calais home produce 20 to 60 bushels of apples annually. Most are European varieties called “spitters,” grown exclusively for cider. One, called Chisel Jersey, is so tannic, he likens its taste to “chewing on a tea bag.” Bradshaw hopes to bridge the communication gap between growers and cider producers. Though growers reap their best returns from “dessert fruit,” or food apples, cider apples can help orchardists diversify their operations and buffer them against bad weather and poor yields. This year’s crops, for example, were down about 20 percent owing to a long, cold winter and delayed pollination. If growers get only $3 per bushel for hail-damaged fruit, says Bradshaw, they’ll go bust. But if cider makers have to pay $25 per bushel for table fruit, they can’t produce an affordable product. Somewhere in the middle, he says, lies that “sweet spot” where both industries can prosper. Somewhat ironically, Bradshaw is trying to re-create an apple industry that thrived in Vermont for centuries but soured in the late 20th century. Steve Justis, current executive director of the Vermont Tree Fruit Growers Association, explains that in the 1700s, nearly every Vermont farm had an orchard, and the fruit was used primarily for making cider or brandy. By 1810, the state had 125 distilleries producing more than 173,000 gallons of brandy. Vermont author Rowan Jacobsen, author of the recently published Apples of Uncommon Character: Heirlooms, Modern Classics and Little-Known Wonders, predicts a resurgence of brandy similar to that of cider. Vermont’s apple industry heyday was the early 1900s, Justis says; the state’s


House Cider Rules A newbie takes on apples and yeast at home B y e th an de se if e PHotos: Matthew Thorsen

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Phil Murdock, owner of Chapin Orchard

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never really had a drink until my mid-thirties. Soured by the blandness of brews I chugged as a teenager and appalled by the vomitous antics of my pickled pals, I swore off drink until just a few years ago. When my wife and I moved to Vermont about a year and a half ago, I realized I’d lucked out, libation-wise. I’d already cultivated a taste for hard cider, but had no idea I’d be arriving at the dawn of the Cider Renaissance. And I certainly wouldn’t have guessed that I’d be making the stuff myself. I love cider’s effervescence, tartness and capacity to complement foods both savory and sweet. My history-geek side likes knowing that hard cider flowed like water in this country for its first couple of centuries. It’s practically like communing with a tipsy Ben Franklin every time I take a draught. Judging by the increasing availability of hard ciders, even in my neighborhood supermarket, I’m clearly not the only Vermonter who appreciates them. King Beer won’t be unseated from his throne any time soon, but cider now has a comfortable seat at the royal table. Vermont cider makers are capitalizing on this resurgence. Woodchuck Hard Cider of

Crush. Vermont Homebrew Supply has cosponsored the late-October apple-pressing event for nearly 20 years — roughly as long as the full-service shop has occupied its malt-scented quarters in Winooski. For less than $150, I bought all the gear I needed, and Vermont Homebrew co-owner Anne Duany Whyte provided crucial advice. First, she said, “Have patience. [Cider making] doesn’t lend itself to someone who wants cider in three or four weeks.” A homebrewer herself, Whyte added, “This year, for Thanksgiving, we’re having last year’s cider.” Yeast can’t be rushed into the alchemy of fermentation, so Whyte’s advice is sound. And the output of local commercial cider makers ensures that I’ll have no shortage of brews to quaff while I wait for my yeast to do its thing. (A bonus: When thoroughly cleaned, the 750-milliliter bottles that hold store-bought ciders make perfect vessels for the homemade stuff. Whyte cautioned me, though, not to use bottles that haven’t previously held a carbonated beverage. Wine bottles, for instance, aren’t rated to withstand the higher pressure produced by a fizzy cider.) Whyte also advised me to take good notes on the cider-making process, a message reiterated by my guide, Claude Jolicoeur’s The New Cider Maker’s Handbook: A Comprehensive Guide for Craft Producers. The $44.95 hardback from Vermont’s Chelsea Green Publishing is the last book on cider making you’ll ever need, whether you’re fermenting five gallons (as I am) or starting your own orchard. The book addresses everything from chemical formulae to how to build your own press. At the moment, I’m assiduously noting such factors as my batch’s specific gravity and acidity. Whyte noted that the number of people signing up for the two-day Cider Crush has increased every year. Chapin Orchard manager Jim Bove confirmed that, this year, he had to turn people away because there wasn’t enough juice to go around. That’s a big change from even five years ago, said Whyte, when home cider making was just “the other thing” that home beer makers did on the side. Today, she said, “We’re

The bucketful of frothy brown liquid ain’t much to look at,

Middlebury is the second best-selling brand in the country. Citizen Cider in Burlington continues to expand its products and distribution. Stowe Cider now ships all over Vermont. Commercial cideries are not the only ones capitalizing on the growing fondness for what might be called America’s original national beverage. In increasing numbers, homebrewers are bubbling up hard cider — whether alongside their beer-brewing operations or as a stand-alone project. The process’ simplicity particularly appeals to first-time homebrewers, including me. Right now, my first batch is quietly fermenting in the basement. The bucketful of frothy brown liquid ain’t much to look at, but I’m hoping its contents will make for excellent drinking in several months. Like many other home cider makers in the area, I purchased my must (aka juice) from Essex Junction’s Chapin Orchard, which recently held its annual Cider

Anne Duany Whyte

Fermenting cider

but I’m hoping its contents will make for excellent drinking in several months.

Jim Bove of Chapin Orchard


Justin Heilenbach (left) and Stan Pratt

Full Core Press « p.31

A

Our job as cider makers and apple growers is to develop terroir,

the regional identity of the fruit.

SEVEN DAYS

Disclosure: Terry Bradshaw’s brother, Michael, works as senior account executive at Seven Days.

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Contact: ken@sevendaysvt.com

INFO Cider Week Vermont, November 14 to 23. For statewide schedule and more info, visit vermontciderweek.com

FEATURE 33

apple production peaked in 1904, at cultivating a veritable Garden of Eden of 3.9 million bushels. But, he points out, apples — and the rootstock of Vermont’s production declined to about 1.2 million current cider industry. bushels by the 1980s, and has averaged 700,000 to 800,000 bushels annually for t Poverty Lane Orchards, all the past decade. the apples roll downhill toward “The old model was to grow 100 acres Vermont, which is visible across of McIntosh, put ’em on a truck and ship the river from the 100-acre spread. Beyond them down to Florida,” Bradshaw notes of the white farmhouse with the rusty roof, Vermont’s table fruit market. “Doing that, below the weathered gray barn, farm growers did very well for 30 years or more.” stand and small Farnum Hill cidery, lies In the mid-1990s, an experimental orchard. Vermont lost about 800 It’s dubbed “Two Below” acres of apple trees, as because it’s the second of global competition from two lower orchards. China, South America There, more than and New Zealand drove 100 rare and unusual many local orchards out apple varieties grow on of business. Currently, numbered trees. Some just 3,200 acres are in bear two or more varietproduction, Justis reies of fruit, all grafted, ports. Growers also sufFrankenstein-like, to the fered from market scares, same trunk. One variety, such as consumer conthe Calville Blanc d’Hiver, cerns over Alar, the noworiginated in France in banned fruit spray; and the 1600s; another, called J u s tin H ei l en ba c h an E. coli outbreak linked Esopus Spitzenburg, was to Odwalla apple juice, which killed one reportedly Thomas Jefferson’s favorite apple and grew at Monticello. girl and sickened hundreds of others. “We call this the petting zoo of apples. Those Vermont apple growers who survived, Bradshaw explains, did so by di- You can pick and taste anything we grow,” versifying their operations: selling apples explains Farnum Hill’s Corrie Wolosin. retail from their orchards or at farmers Wood isn’t at the farm on the day Seven markets, launching pick-your-own op- Days visits. He’s in Manhattan attending erations and scaling up their sweet cider New York’s Cider Week, which he helped production. Once a farm is making sweet found four years ago. Legend has it that Wood’s father, a cider, Bradshaw says, it’s no great leap to put in tanks and start fermenting. But first local country doctor, received the farm that farm needs varieties that aren’t just from an appreciative patient. Steve Wood, the only one of four kids who wanted that sold as dessert fruit. “You can make very good cider from inheritance, took it over 40 years ago and them,” he says, “but there’s a whole other began experimenting with clippings of class of apples that are specifically grown rare English and French apple varieties he imported personally. for cider.” In 1995, Wood started producing cider To find them, many commercial cider makers and orchardists have gone east, commercially. Farnum Hill, which now across the Connecticut River to Lebanon, makes seven varieties — all elegant, dry N.H. There, the aptly named orchardist and wine- or Champagne-like in taste, Steve Wood has spent the last 40 years appearance and complexity — produces

15,000 to 17,000 gallons annually. It’s sold in 15 states. Poverty Lane doesn’t just sell cider and apples. It also sells its own juice blend to other commercial cider makers around the country, from Wandering Aengus Ciderworks in Oregon to Eden Ice Cider in Vermont. In fact, Wood has worked with nearly every commercial cider maker in the Green Mountain State, providing horticultural advice and cidermaking tips. He’s also given away tens of thousands of budwood clippings from trees he spent decades cultivating. “He’s never charged anyone a penny for a bud,” Wolosin says. “They come in, they cut whatever they need, and they can grow what we grow.” Why does Wood help cultivate his competition? Because he believes it’s the best thing he can do to grow the cider industry, Wolosin says. The seeds of Wood’s labor, and his cooperative spirit, have taken root and borne fruit in Vermont. That’s evidenced by the products on display at a recent tasting event at Burlington’s ArtsRiot, sponsored by the Vermont Cider Makers Association. There, nearly a dozen local cider producers offer samples of their products. Some, such as Citizen Cider, come in cans and look like craft beers. Others, such as products from Boyden Valley Winery in Cambridge, resemble wine, Champagne and after-dinner cordials. “Steve Wood from Farnum Hill has been super-helpful to us over the years,” notes Jason MacArthur from Whetstone CiderWorks in Marlboro. He and his wife produce small batches of about 1,000 gallons a year. His cider, which went into commercial production in 2009, looks and tastes like a craft beer. Steve Stata’s Hall Home Place Ice Cider, in Isle La Motte, is also in its fifth year of commercial production. All Stata’s apples come from the Hall orchard, which has been in commercial operation since 1870 and in his family since 1795. The company produces four ice ciders, a hard cider and an apple wine, some of which are quite sweet. Bradshaw sees huge promise in this diverse industry, which is still defining its niche in the marketplace. Just as UVM helped grow two other iconic industries through the Vermont Institute for Artisan Cheese and the Proctor Maple Research Center, might a UVM apple institute be the logical next step? That’s a possibility, Bradshaw says. “When I came in, in the mid-1990s, people were pretty depressed. It was a tough time for Vermont’s apple industry,” he recalls. But now, “I can build a career on this for the next 25 years.” m

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Contact: ethan@sevendaysvt.com

Caleb Kenna

getting a lot of folks coming in who’ve never brewed beer and never made wine who have discovered hard cider for what it is. This is their introduction to homebrewing. It’s pretty exciting,” Whyte added, “in that there are enough ciders around now that people treat it as its own stand-alone beverage.” In other words, cider begets more cider. When Bove took on managerial duties at Chapin 14 years ago, he supervised the crushing of 350 to 450 gallons of juice, he estimated. This year, the orchard had to draw the line at 1,000 gallons. “We feel like, at this point, anything over a thousand gallons is getting to be too much for us to do in two days,” Bove said. At the Crush, brewers get a flavorful, complex must, and the orchard — which necessarily operates on a seasonal basis — gets a welcome, last-minute boost in its profits. “It’s been a great little piece of our business,” Bove said, “because, after Columbus Day, our business tends to drop off — after ‘pick-your-own’ closes and it starts to be 40 degrees and rainy.” Thirteen of Chapin Orchard’s 35 acres are planted with apple trees of many varieties, 15 varieties of which provided fruit for this year’s Crush. By volume, Liberty apples contribute the most: 13 of every 40 bushels squeezed by the orchard’s heavy-duty press. (Jolicoeur calls this species “excellent for cider.”) The juice of Russets, Northern Spies and lesser-known “antique” varieties such as Esopus Spitzenburg and Tolman Sweet joins Liberties in the tank. A handy, wallmounted whiteboard lists the Crush’s percentages of constituent apples. I’m not the only one to snap a photo of it, as the list provides vital information about specific gravity and tannin content. Jim Smith of Burlington made only one gallon of hard cider last year and “immediately wished [he’d] done more,” he recalled. This year, he walked out of Chapin’s 19th-century barn with 11 gallons of juice. The orchard’s must, he said, “has some extra flavor to it — some of the more tart flavors that you don’t get from the store-bought cider.” Like Smith and Whyte, I prefer my cider quite dry; I also plan to add sufficient yeast to yield a cider that falls somewhere between pétillant (“crackling”) and fully sparkling. The yeast needed for that final fermentation is added in the bottling process. Before that, though, I’ll need to rack the must from its bucket to a five-gallon carboy, where the slower secondary fermentation will take place. This stage, which can take three to 12 months, is when the cider transforms from opaque to translucent. Besides those crucial steps, cider making doesn’t seem to require much more than the patience Whyte recommended. And that’s OK. I’m thirsty, but I can wait. m


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Because PRETTY DARN GOOD slippers didn’t cut it.

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Visit our new store in Burlington Town Center.

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Price and Prejudice Theater review: Clybourne Park, Northern Stage B y a l e x b r ow n

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Left to right: Jarvis Green, Tyler Caffal and Ashley Everage

Theater

courtesy of allison brown

The play’s structure sets up parallels so that

each moment on stage is engaging on multiple levels.

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Contact: alex@sevendaysvt.com

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INFO Clybourne Park by Bruce Norris, directed by Chad Larabee, produced by Northern Stage, Tuesday through Sunday through November 16: Tuesday, Wednesday, Friday and Saturday at 7:30 p.m.; Thursday at 2 and 7:30 p.m.; Sunday at 5 p.m., Briggs Opera House, White River Junction. $15-55. northernstage.org

FEATURE 35

characters. The neat twist is that jokes are sometimes used to reveal the tension, not to release it. Director Chad Larabee has facilitated an ensemble approach to the play, and the acting is polished and powerful. He creates some searing moments when artifice is stripped away, and the professional cast works together in impressive harmony. With strict attention to the comic potential, Larabee doesn’t explore character depth. The play opens with Russ and Bev at their habitual distance, and the director doesn’t establish Russ as a ticking time bomb, or Bev as the fearful wife who can’t defuse it. Instead, they play estrangement like a typical tired couple. The first act works, but it lacks the slow build to a volatile release. Larabee focuses on humor alone in the second act. Eric Bunge is a carefully walled-off Russ, too subtle to make us fear his pent-up rage but heroic in his command of his feelings. As Bev, Denise Cormier begins as a nervous caricature, but by the end of Act 1 she’s gently, desperately grasping for hope. Loren Dunn shows Karl trapped in the dilemma of

wanting something without being able to ask for it. In tight, constrained movements, he pleads in gestures that are half-concealed, placating and provisional. In Act 2, Dunn’s hard-charging, home-buying husband struts about with his jaw thrust out, showing the easy confidence of money and power. Jarvis Green is effectively wry as the maid’s husband, courteous to the white people but splendidly capable of voicing the truth they’re afraid to say. Ashley Everage brings riveting poise and power to her roles. She shows the balancing act the maid maintains between inner pride and meeting her white employer’s know-your-place expectations. When her husband can’t pick up the behavioral cues she frantically signals, Everage shows the character wincing between her two worlds. In Act 2, Green and Everage are effective as middle-class liberals, tangled in tactfulness. As Act 1’s craven pastor, Tyler Caffall is a charming, comic mouse. In Act 2, his distracted city administrator captures a man half-listening, absorbed in his own interests. Jenni Putney plays Karl’s deaf and pregnant wife in Act 1, earning some startled laughs, and the would-be new homeowner in Act 2, who wants what she wants when she wants it. Caite Hevner Kemp’s set is magnificent in design and execution. The warm wood, detailed Mission staircase, and post-and-beam architecture root the entire play in a tangible place. All the contrasts Norris invokes begin with the notion of home as a refuge, a source of identity and a crucial investment. Kemp’s set, showing two stages in that house’s life, visually brings the play’s themes to life. Costumes by Laurie Churba-Kohn, lighting by Stuart Duke and sound by Ben Montmagny all show Northern Stage’s high professional standards. Race is not a subject that can be resolved in a story, so Clybourne Park owes us no tidy ending. What’s disappointing, though, is how often it lets jokes stand in for revelations. The play is itself an artifact, demonstrating the current safe limits of examining race and class. Humor might be the only polite tool people can use when uncomfortable, but Norris is so much at pains to depict the civil stalemate of race relations that he neglects anger, the impolite response. When this production does brush up against the real grief, fear and rage hiding below the surface, it’s spellbinding; when it offers laughs at easy-to-mock characters, it’s an entertaining comedy pretending to be much more. m

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inner of the 2011 Pulitzer and 2012 Tony for Best Play, Clybourne Park is a clever time capsule, satirizing the polite bigotry of the ’60s by contrasting it with today’s earnest avoidance of the political and psychological force of race and class. The well-acted production at Northern Stage is not a depressing analysis of the problem but a comedy that skewers characters frantically evading the issue of prejudice. The play’s structure sets up parallels so that each moment onstage is engaging on multiple levels. Playwright Bruce Norris links his story with Lorraine Hansberry’s 1959 play A Raisin the Sun by borrowing one of her characters and imagining where he might go after failing to bribe a black family not to move to his all-white neighborhood. Karl Lindner’s next step is entering Norris’ play, where he tries to pressure Russ and Bev, a white couple, not to sell their house. By carrying Hansberry’s story into several white lives, Norris shows the new points of view of the white homeowners, Karl’s wife, the household’s black maid and her husband, and an ineffectual pastor. Norris constructs another parallel by using the passage of time and two impressive theatrical effects. Act 1 is placed in Raisin’s 1959, while Act 2 occurs 50 years later in the same house. By 2009, the neighborhood has deteriorated, and a white couple wants to take advantage of depressed property values to buy the house, demolish it and build an architect-designed mansion 15 feet taller than anything else on the block. The racial clashes are similar, but this time are couched in zoning laws and design restrictions. Now the core conflict is between a solidly middle-class African American couple negotiating for design restraint, on the one hand, and upwardly mobile white people, on the other. The same seven actors return in new roles, with echoes of the conflicts in Act 1 but using today’s language of social grievances and disenfranchisement. Now the attempts to discuss the racial overtones quickly veer into politically correct clichés and racist jokes. In 50 years, it seems, we’ve only gained the courage to mask the problem differently, while daring ourselves to laugh at jokes based on stereotyping. The other performer is the set itself, which is transformed from the handsome Mission-style bungalow of 1959 to a derelict husk. By making the audience remember the rich wood paneling and welcoming window seat while looking at their trashed remains, the set powerfully tells the story of urban renewal and historic preservation. Despite the charged subject, in the end this is a situation comedy. The situation might be the most powerful conflict in American society, but it’s treated here with witty banter, physical humor and superficial


Breakthrough Dance Bennington College photo exhibit captures seminal moments in movement b y x i an chi an g -wa ren

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ance, like all performing arts, is ephemeral. In the words of Dana Reitz, a celebrated contemporary performer, choreographer and longtime dance faculty member at Bennington College, “You move through it and then it’s gone.” Of course, live performances have been captured in photography and film since the advent of the camera. Nowadays, professional theater and dance companies record their artists at work as a matter of course. And while they’re no substitute for an inperson experience, those visual records can document important moments in an ever-evolving art form. So it is with an exhibit currently at the Amy E. Tarrant Gallery at Burlington’s Flynn Center for the Performing Arts. Titled “Dance at Bennington College: 80 Years of Moving Through,” the selection of black-and-white images chronicles a set of significant events in modern dance — namely, those that occurred right here in Vermont, at Bennington. On one wall, early luminaries such as Martha Graham, Doris Humphrey, Charles Weidman and Hanya Holm can be seen at work during summer sessions at the legendary Bennington School of the Dance. Opened in 1934, it became the U.S.’ first collegiate dance program. Another section of the show pays tribute to famed postmodern dancer and choreographer Steve Paxton, known for transforming the field with improvisational techniques. (Paxton’s 1983 work “Bound” will be performed by Slovenian dancer Jurij Konjar at the FlynnSpace on Thursday, November 6; Paxton, who lives in Vermont, will be present for a preshow talk.) Finally, the exhibit presents photographs of Bennington artists from the 1940s to the present, and includes images of some Vermont-based contemporary dancers such as Polly Motley. The subjects of these images, as Reitz puts it, are “the main names in American modern dance.” Yet the photographs have never before been displayed outside Bennington College; many were stored in an attic for decades until current dance faculty members discovered them. For the past few years, student volunteers have been scanning and digitizing the collection. In 2009, Kelly Smith, a fellow from the Washington, D.C.-based Dance Heritage Coalition, created a “finding aid”

Erick Hawkins and Martha Graham

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courtesy of Bennington College and the Amy E. Tarrant Gallery

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Art

to assist researchers and lay the groundwork for an extensive catalog. Aside from the historical importance of the dancers in these photos, the images themselves are evocative. “I was almost hyperventilating the first time I saw them, they were so beautiful,” says John Killacky, the Flynn’s executive director. A professional dancer who studied with Martha Graham’s dance company in New York and performed with Trisha Brown Dance Company, Killacky first encountered the Bennington images earlier this year. On his own time, he had embarked on a writing project about Brown and other dancers of her era, during which he encountered several mentions of Bennington College. Intrigued, he called up Reitz, a

longtime acquaintance; she invited him down to view the collection. “It blew my mind,” Killacky recalls. He and Tarrant Gallery director Nancy AbbottHourigan shared the discovery with Flynn artistic director Steve MacQueen, who had been planning to bring Paxton and the Martha Graham Dance Company to the Flynn. The three decided to “tie it all together” with the exhibit and additional programming. “Before then, I didn’t know that Bennington was really, truly at this nexus,” Killacky says. “It wasn’t the birthplace of modern dance, but it was the place that brought it to the next level.” That’s because, before 1934, “there wasn’t really a professional modern dance community, as it were,” Killacky explains.

The Bennington program was cofounded — just two years after the progressive liberal arts college itself opened — by dance teacher Martha Hill as a way to monetize the summer months. (She would go on to run the first dance program at the Juilliard School.) By that time, visionaries such as Isadora Duncan in Europe and Ruth St. Denis and Ted Shawn in America had already revolutionized dance by exploring organic, unstructured movement. Their work was a vast departure from the rigid confines of ballet and other traditional forms. St. Denis and Shawn — romantic partners as well as professional collaborators — trained legions of dancers in their Los Angelesbased company, Denishawn. But modern dance hadn’t yet found legitimacy among


audiences or in institutions of higher edu“In New York, they really worked cation. As Killacky puts it, dance “existed very separately,” she adds. “Bennington in the PE departments of most colleges.” brought them together, and they also Indeed, along with professional danc- began to influence each other.” ers, many of the 133 students who showed McPherson recently completed a up for the first summer of Bennington’s documentary film, Miss Hill: Making dance school were physical education Dance Matter, about the Bennington instructors. From 1934 to 1937, hundreds dance school cofounder. She’ll bring of them came to train with pro choreog- a presentation on the history of the raphers including Graham, Humphrey, program to the Bennington Museum in Weidman and Holm. These came to be March 2015. known as the “Big Four” of modern dance. Meanwhile, at the Flynn, contempo“What they learned that summer, they rary dance performances, educational brought into PE programs at different col- programming and public talks have leges, so modern dance became codified, coincided with the exhibit. A series of in a way,” Killacky says. professional and ad“And the four artists, vanced courses — cuDoris and Martha and rated with input from Charles and Hanya, fell local dancers such as into distinct ‘camps’ Hannah Dennison, of dance. But as they Lida Winfield and Sara were building their McMahon — kicked dances and coming off last week. Flynn to Bennington each education director summer, they also Christina Weakland J ohN KIll AcKY had to codify their calls the new offerings techniques.” “a renewed commitIn 1939, the School ment to local artists, of the Dance moved to Mills College in and to the growth of local artists and Oakland, Calif., where it offered classes on their potential.” an invitation-only basis. (There, Graham On Tuesday, November 11, students encountered Seattle-based dancer Merce from the dance programs of the University Cunningham and urged him to come east; of Vermont and Bennington, Castleton, in New York, Cunningham became one of Middlebury, Johnson and Saint Michael’s the most influential forces in postmodern colleges will present new work at the dance.) From 1940 to 1942, the program Flynn in the Vermont College Dance was back in Bennington under the name Festival showcase. Bennington School of the Arts, which While they’re there, both students expanded to include music and theater. and professionals will spend time in the The project folded after three years owing Tarrant Gallery with the Bennington to wartime pressures and was never rein- photographs. stated at Bennington. It was, however, res“It’s a way of reminding dancers in our urrected in 1948 at Connecticut College state of those who came before them,” under a new name: the American Dance Killacky says. “Now they can see what Festival, which continues to this day at these people are, because a lot of that hisDuke University. tory is kind of in boxes, as we find. And it’s “It was a moment that catalyzed dance great to have a way to find it and put it out in America,” says Killacky. “I don’t think there, and have it be a living archive.” m modern dance in America would be what it is today if it weren’t for those moments Contact: xian@sevendaysvt.com at Bennington College.” Contemporary dancers and dance INFo scholars agree that Bennington helped lay the groundwork for the evolution “Dance at Bennington College: 80 Years of Moving Through,” on view at the Amy E. Tarof modern dance. One of the latter is rant Gallery, Flynn Center for the Performing Elizabeth McPherson, who combed Arts in Burlington, through November 29. through Bennington’s collection for flynncenter.org her 2013 book The Bennington School of the Dance: A History in Writings and Jurij Konjar performs Steve Paxton’s Bound Interviews. “Since my earliest studies of on Thursday, November 6, 7:30 p.m., at the dance history, the Bennington School of FlynnSpace in Burlington. Free preshow talk the Dance has held a mythical quality for with Paxton, 6 p.m. in the Amy E. Tarrant me,” she writes in the book’s introduction, Gallery. $25. flynncenter.org “something like Camelot, often described so fantastically as to seem unreal.” Vermont College Dance Festival Showcase, In a phone interview from her home in Tuesday, November 11, 7:30 p.m., at the New York, McPherson says, “The School FlynnSpace in Burlington. $20. flynncenter.org of the Dance brought all of these choreographers together. People were seeing a Martha Graham Dance Company, Friday, movement of modern dance, not just scat- November 21, 8 p.m., at the Flynn MainStage in Burlington. $25-60. flynncenter.org tered choreographers.

It was a moment that

catalyzed dance in america.

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The Wright Stuff Chatting up comedian Steven Wright B Y D AN BOL L ES COURTESY OF JORGE RIOS

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good Steven Wright joke has exquisite efficiency. Coupled with the standup comedian’s sleepy, deadpan delivery, the delicious irony of lines such as, “You can’t have everything. Where would you put it?” and “I have a seashell collection. I keep it scattered on beaches all over the world” have a way of sneaking up on you. His jokes are typically simple, often absurd and almost always hilarious. Wright, 58, has been a working standup since 1979. As with many comedians of the era, his popularity soared after being on “The Tonight Show Starring Johnny Carson” in 1982. He went on to release a Grammy-nominated comedy album, I Have a Pony, in 1985, which led to an HBO special and frequent appearances in TV and film. One of his signature roles was as the voice of the radio DJ in Quentin Tarantino’s Reservoir Dogs. Wright is now widely regarded as one of the finest standups of his generation. His unique style has influenced countless comics since, perhaps most notably Demetri Martin and the late Mitch Hedberg. Wright is a successful writer, actor and producer, but he’s at his wonderfully weird best onstage. So the audience is sure to discover when he performs at the Barre Opera House this Saturday, November 8. In advance of that performance, Seven Days spoke with Wright by phone to talk about his career and advice for young comics … and to settle an old bet. SEVEN DAYS: Your style is so distinctive. And especially when you were first starting, there wasn’t anyone doing comedy quite like it. How did you develop your style? STEVEN WRIGHT: It just happened. There was never a decision about whether something was a certain style or if it was different. All it was was, I wrote things down that I thought were funny and that the audience might laugh at. They were abstract one-line jokes. And how I talk is just how I talk. And it was even more exaggerated onstage. I was so serious, because I was trying to remember my act, what was coming next. So I had a very straight face. I was very lucky that it all rolled together by

TRUST THE AUDIENCE, NOT YOUR FRIENDS.

S TE VE N W R IGH T

COMEDY accident. It was very innocent: Maybe they’ll laugh at this! SD: Who were some of your bigger influences? SW: George Carlin. He talked about small-time, everyday things. And that’s what I ended up doing, too. He’d talk about a staple, or some little thing in life. Woody Allen made a double comedy album before he did movies. I was doing a radio show in Boston at the time and listened to many, many comedy albums. And I liked how he wrote a joke the best. SD: Given that your act was so different, did you ever feel that the audience was hesitant to embrace it when you started doing comedy? SW: No. It’s interesting. I got three minutes the first time at an open mic. They laughed at some stuff and didn’t

laugh at other stuff. I kept going back to the open mic, and some stuff worked and some stuff didn’t. Even now when I try new jokes, it’s the same: Sometimes it works, sometimes it doesn’t. But I know what you mean. I don’t think anyone cared about style. It just mattered if it was funny. SD: Here in Burlington, the comedy scene has really started to develop. In the last couple of years, especially, we’ve had hundreds of new people trying comedy. Quite a few of those people have stuck with it and become promising young comedians. What advice would you give them? SW: That’s very cool. I would say to go onstage as much as you can. That’s how you learn. The thing is that you’re the teacher and the student at the same time. You really have to teach yourself how to

do it, because performing is different than just thinking about jokes. When you’re onstage, it’s a different world. The other thing I would say is not to try out jokes on your friends. A one-onone dynamic is not the same as you in front of 30 or 50 people. It’s not a good test. When I started, I would try jokes on my girlfriend, and if she didn’t like them I wouldn’t do them. Then one night I did some of the jokes she didn’t like and they worked. Even now, if I tell a joke that works onstage to someone I know, they might not laugh. It’s very different. So whatever you write down that you think is funny, try it on the audience. Trust the audience, not your friends. SD: Johnny Carson was really important in helping to launch your career. What was your relationship with him like?


Dr. Christine Murray

SW: He affected me twice. The first time was watching him when I was 15. That’s when I thought I wanted to be a standup comedian. Watching his monologues and the comedians he’d have on — Carlin, Richard Pryor. And I thought, Wow. Wouldn’t it be great to be one of those guys? It changed my whole life. When I was on the show, I would talk to him during the commercials. He was kind. He would ask you what you were doing. You felt a connection with him, even though you were the lowest part of the totem pole. You could tell he was a standup and you were a standup. The way he’d talk to you, it was like you were in the same club. That was very inspiring. It was very genuine.

SD: I have a hard time picturing you jazzed up. SW: [Laughs] I get that a lot.

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SEVEN DAYS

SD: Last question: I need you to settle a very old bet. one of my favorite movies is So I Married an Axe Murderer. An old girlfriend and I used to watch it all the time and we always debated whether your scene as the pilot flying through the storm was scripted or improvised. I always thought it was the latter, but she believed it was scripted. So which is it? SW: They let me make all my lines up. So you win!

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FEATURE 39

INFo Steven Wright performs at the Barre Opera House on Saturday, November 8, 8 p.m. $26-$39.50. barreoperahouse.org

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SD: You were a “consulting producer” on Louis cK’s show “Louie.” But he rather famously has made that show virtually a one-man operation. He does everything from writing and directing to editing himself. He even owns the cameras. So what does a consulting producer do on a show like that? SW: He writes every single word. But he would tell me the stories and I would

SD: Did you take anything away from that experience that you applied to your own work? SW: I took away how focused he is. He’s always going. Even though I’ve never lost interest in what I’m doing, it made me even more into what I was doing. It made me kind of jazzed up.

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SD: You’re at a point in your career where you have influenced a new generation of comedians. Is that something you ever think about? SW: I started noticing about 15 years ago that I’d be watching TV and see some guy come out and do jokes that were like my style. I thought it was interesting. I started when I was 23. And from the beginning, you’re writing something, you’re testing it out, seeing what works, doing your act. That has never stopped, straight through to what I’m doing now. So in the ’80s and ’90s, when I was on TV a lot, that’s still what I was doing. I wasn’t thinking, Oh, there’s a 15-yearold kid in some house somewhere and he’s gonna do comedy in seven years. Of course I wasn’t thinking about that. But now that I know that that happened, it’s like, Well, that’s what happened to me when I watched Carlin and listened to Woody Allen. They influenced me and now I’ve influenced these people. It’s weird, because to me, I’m just me. I’m used to it now, that I’ve affected people. But it’s like an accidental thing.

just give him feedback, my opinion, on each episode. Then I would go to the shooting and we’d look at the monitor after and discuss what was funny or whether something worked or didn’t. Then we’d go to the editing and discuss the editing. I basically gave him my opinion for each of those three steps. It was amazing to me, because as a standup comedian, I do everything myself. It’s all in my head. So it was fun to talk about comedy with another person, with a genius. The guy is a genius. His mind astounds me. So to discuss all these elements with this brilliant guy was a lot of fun. He’s a writer and a standup and an actor and an editor. He could have a career in any one of those things. But he does all of them. He’s unbelievable.

Dr. Peter Casson


He Was a She

Book review: The Autobiography of Miss Huckleberry Finn, Gina Logan B y L.E. Smi t h

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Books

Jeb Wallace-Brodeur

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don’t think many of us read The Adventures of Huckleberry Finn for fun. Most likely we were made to read it in high school. Or maybe CliffsNotes did the reading for us. As for those of us who found ourselves enjoying that trip down the Mississippi on a raft with two escapees — a young boy leaving behind his violent Pap and a slave chasing freedom — well, many of us turned out to be English majors. And then we taught that book 20 times more and cringed when students revolted from reading the N-word 10 times on each page. “The book is a time machine,” you tell your class. But unless you can get students into that machine with you and set the dial for 1840, the language remains a shocker. Compared with the irony of The Catcher in the Rye, Twain’s tale itself may seem to today’s teenagers like pure fantasy, a kid’s story. Yet for all the factors working against it, Huckleberry Finn holds its own in American culture. In Vermont alone, we’ve seen two novelists publish “spinoffs” that approach Twain’s novel from daring new perspectives. First there was Jon Clinch’s acclaimed 2007 novel Finn (which tells the violent story of Huck’s Pap). Now comes Gina Logan’s selfpublished novel The Autobiography of Miss Huckleberry Finn. The novel’s hook is right there in the title. We pick up a book like this because we want to see how Logan will handle the challenge she’s set herself: How can Huck Finn have been a girl? In justifying the premise, will she try to out-Huck the original huckster? Will this be an exercise in mimicry? When and if Huck grows out of his/her juvenility, will we still love him/her? The first thing Logan does is place us in that time machine. She begins her novel with a document discovered in a fire that generates the following news article: Dowager Philanthropist’s Remains Found in Earthquake Wreckage (San Francisco, April 21, 1906) The Body of Mrs. Theophilus V. Osterhouse was recovered from the smoldering remains of her Nob Hill home by soldiers searching for survivors of the earthquake and subsequent fires that continue to devastate the city.

Gina Logan

Remaking Huck Finn An adjunct English professor at Norwich University who holds an MFA from the Vermont College of Fine Arts, Gina Logan knows her Twain scholarship — and, with The Autobiography of Miss Huckleberry Finn, she’s put it to inventive use. The story features a few Twain “in-jokes,” she says in an email interview — for instance, about the author’s “desire for wealth, his stunning lack of business success at anything but writing.” Logan self-published The Autobiography last winter and has multiple writing projects in the works, including a “mystery series, set in Vermont just after the Second World War, featuring a young doctor who finds himself embroiled in murder cases,” she writes. We asked her how this unique novel came to be. SEVEN DAYS: How did you decide to write the book?

GINA LOGAN: I have loved Mark Twain’s Adventures of Huckleberry Finn since I first read it (I was around 9). Over the years, rereading the novel, I felt that Twain’s narrative was … missing something — where was Huck’s mother? Why wasn’t she even mentioned? What happened to her? Twain’s book also indicated quite broadly that Huck was of no consequence to the townspeople (except as a negative model for boyish behavior) until he and Tom found the gold in the cave. Then, because Huck was suddenly a person of wealth, his condition became a social concern for Hannibal. This struck me with some force. I decided that Huck was not just the picaresque vagabond whose adventures on the raft have become part of the American myth but a much darker kind of character, at least potentially, and the novel was not just a boy’s book but also a rather cynical piece of social criticism masquerading as a piece of juvenile fiction. I began to wonder if Twain had told all he knew. That led me to wondering further if a character like Huck might have a feminine analogue and, if so, what would her life be like? Then I began to speculate: What if Huck had been, actually, a girl? What if his story was actually hers? And then I thought: What a lot of fun that would be, to write Huck’s true story. So I did. SD: Why did you decide to self-publish?

GL: Because I am too old (and too conscious of the passing of time) to wait around for a publisher to notice my work favorably. (I did send queries out, but the response was pretty much “What an interesting idea. Don’t think I can sell it.”) The stigma of self-publishing still exists, but it is lessening, and anyway I wanted people to be able to read the book and enjoy it, now. I had fun writing it!

M AR GOT H ARR I S ON

The document specifies that it is not to be opened and read until the year 2007. It’s a 400-page autobiography written by Mrs. Osterhouse, aka Sarah Mary Williams. That’s the name Twain’s Huck gave himself when he dressed up as a girl — except that, in Logan’s version, Huck was actually a girl dressed as a boy pretending to be a girl. Yes, gentle reader, Huck Finn was a real person — and female. In Logan’s metafiction, Twain knows Huck is a girl, interviews her and pays her $5,000 for her story. We learn that her mother named her Huckleberry because her eyes were dark like the berry. She dresses as a boy because her early life in Hannibal is rough-and-tumble, as is her trip down the river. For much of her life after that, especially when establishing herself out west, she prefers the more practical garb of menfolk. As to how much of Twain’s story is true, Huck says, “he lied as much as I did, albeit he did it rather better than I ever managed to do.” Both Logan’s and Clinch’s novels take us back into the seminal text, as they must to legitimize their hybrid pedigrees, while making changes to increase the fun. If you’ve read Clinch’s Finn, you may think you know what fate befell Huck’s mother — but Logan tells a different tale. (Turns out she was as bad as Huck’s father.) This version of Huck falls in love with a girl at her eastern boarding school, is betrayed, heads west to find her mother’s relations, is betrayed again, falls in love with a black man whose father accompanied her down the Mississippi — and that’s just the beginning of her adventures. Oh, and the real Huck Finn, according to Logan, did not use the N-word. That was a Twain device. You don’t have to know Twain’s book to enjoy Logan’s version, but it helps. The book’s unlikely events are easier to accept because we trust the narrator. Huck often sounds like the Huck we know in her autobiography: “The light was all goldenish an’ shinin’ on the ground and the leaves an’ all, and there was a little soft wind up high in the trees — no clouds to speak of, and I stopped to rest a minute…” Logan uses this convincingly Twainesque language to relay Huck’s early memories, but in occasional instances


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The Autobiography of Miss Huckleberry Finn by Gina Logan, CreateSpace, 404 pages. $12.99.

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liked the book better had it stayed in Frisco and kept its main character busy outwitting the denizens of that atmospheric town. The result might have been another Huck novel that channels Cormac McCarthy, as the New York Times says of Finn. Instead, Huck has to push off for the territories once again, and Logan’s plot tangles and resolutions suggest she’s channeling a literary giant of another era — Dickens. Still, Twain and Dickens in one book isn’t bad for the price. Part of the novel’s fun is watching Logan solve potential plot conundrums occasioned by her premise: For instance, how could Jim, the runaway slave, have traveled all those miles down the Mississippi without knowing his raft mate was a girl? (Fact is, we’re told, he did know.) Watch for revelations about those two rascals who pulled the grift on the Wilks family, as well. There are enough surprises in this book to keep it fun. Just skip over the parts that drag — it won’t be long before you’re having fun again. m

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of adult narration, she deploys a vocabulary that comes right out of a textbook of literary analysis. For instance, Huck muses, “I am still the unredeemable son of the town drunkard in those scenes, a foil to Tom and to Joe Thatcher and Ben Harper...” and “I will continue to call him [Samuel Clemens] by his nom de plume [Mark Twain]” (italics mine). While this sophisticated literary vocabulary is a distraction, Logan generally abstains from it. Instead, she gives Huck a realistic awareness of her lack of cultivation, which becomes palpable later in the text as she matures and begins to correct her own grammar. This is a self-published work of high quality, but the book could have used an editor to reduce the plot-dragging description. A section on how to dress as a woman shows good scholarship but could have stayed mostly in the research notes. A lengthy wagon trip across the plains feels just that — lengthy. The novel is at its most original and intriguing in a section set in San Francisco, where the adult Huck has to deal with her mother and aunt — who run a whorehouse — and her evil cousin and uncle. It’s edgy and more adult in its entertainment than anything Twain might have written. In fact, I would have


food

Pressing Time Vermont cider makers rediscover local, long-lost apples B Y HANNAH PA L ME R EGAN

42 FOOD

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t a tasting in Boston this summer, a Vermont hard cider inspired a special, $85-perperson dinner at L’Espalier, one of that city’s finest restaurants. The same day, another Beantown buyer rushed to grab as much of the cider as he could, never mind the steep price. Created by Shoreham’s Shacksbury Cider and dubbed “the 1840,” this singular, awe-inspiring cider is made with the juice of abandoned apples. With flowers on the nose and lingering notes of honey musk and finished wood, the Champagne-y quaff is crisp but balanced, with bright, green-apple acidity and delicate complexity on the back end. It’s a blend of 35 individual varieties, picked last fall from local pastures, roadsides, forests and meadows. “There are no cultivated apples in the cider at all,” says Shacksbury cofounder David Dolginow. “They’re all foraged from unsprayed, unpruned, unmanaged trees.” Even at $20 to $25 per 500ml bottle, most of the 100 cases he and business partner Colin Davis made this fall will be gone within weeks. This is the happy outcome of the Lost Apple Project, which Shacksbury’s founders launched last fall after tasting a foraged-fruit cider made by Cornwall farmer Michael Lee. Lee’s drink inspired Dolginow and Davis — who market ciders produced in Spain and England while their young orchards take root — to seek out the fruit of Vermont’s forgotten apple trees. Shacksbury is among an increasing number of Vermont cideries looking to ferment traditional-style ciders using apples grown specifically for the beverage. But since said apples are often sour, bitter, dry and tannic, they fell from favor long ago. Commercial growers prefer sweeter, juicier apples that can be eaten straight off the tree or used for baking. Orchards are starting to plant more cider-ready fruit to meet rising demand, but, for now, local cider apples are scarce. Luckily, apple trees live a long time, even without human help. Trees that were planted in pastures, homestead orchards and gardens by Vermont’s early settlers continue to thrive — but finding them can be tricky.

FOOD LOVER?

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THE EXCITING THING IS TO TRY TO FIGURE OUT

WHICH OF THE APPLES HERE NOW ARE THE APPLES THAT ONCE WERE.

On a cool, late-October day, Davis and a reporter cruise a dirt road in the western shadow of Lincoln Peak, its hillside flecked gold with fall’s final hues. “Is this the road I want?” Davis wonders aloud, searching for landmarks. In this section of Addison County, tucked into the hills of Starksboro, Lincoln and Ripton, road signs are rare. Soon, we stop and descend an embankment to a wet recess where weeds and briar bushes entangle a stand of gnarled old fruit trees. Apples litter the ground and a partridge flaps away, then another. Deer and moose tracks crisscross the vale. A dozen or more apple trees grow here. It’s unclear whether they are grafted cultivars or mystery seedlings, Davis says. Apples don’t grow true from seed — a Snow Apple seed planted does not a Snow apple tree make. Only apples of unlike varieties can pollinate each other to create fruit, which will express endless combinations of genetic material from both parents. But the trees’ provenance isn’t what matters: Davis and Dolginow are after a specific taste. “Though this was clearly planted,” Davis says, “that doesn’t mean we want all these apples.” He stands beneath a tree hanging with conical, yellow-green fruits that have N O a pale-pink blush on one side. A bite T R N NO SUSA reveals pungent, slightly acrid but sweet flesh. “We’re really looking for fruit that fits the style of the cider we want to make,” he adds. With the 1840, Shacksbury is, in effect, curating a cider with floral, spicy, aromatic apples. If an apple seems promising, Davis and Dolginow collect it, press it and taste it once the native yeast turns the liquid from juice to cider. “We’ll know in four months if we’re really excited about it,” Davis says. “The [single-apple cider] might be interesting, but it may not make it into the [1840] blend.” If the final mix reflects Shacksbury’s meticulous devotion to taste, it also captures the flavor of Vermont’s original apples. “Everything we’ve been picking is completely unique to here,” Davis says.

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sIDEdishes

Got A fooD tip? food@sevendaysvt.com

by hannah palm e r e ga n & al i ce l e v i t t

South End Shift

alice levitt

alice levitt

George Lambertson

Saturday, November 8

paStry Sale 10 a.m.

Chicken Souvlaki & beef Gyro dinner

— A.L.

siDe Dishes

» p.46

Greek Orthodox Church

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FOOD 43

right side of the bar and fetch their own water, though employees bus tables. McHenry says that Lambertson, a lifelong South Ender, was the first person he asked to cook at ArtsRiot two years ago, before the space opened. A veteran of the Burlington area’s fine-dining scene, the chef is putting aside his upscale aesthetic for ArtsRiot — at least for now. “I look at this place as a bar first,” Lambertson explains. “I want this to be

SEVEN DAYS

in the warehouse space also demanded their attention. Now their goal is efficiency: No matter who’s playing or showing in the gallery, the kitchen will serve the same menu Tuesday through Saturday from 4:30 to 10 p.m. Occasional pop-up meals, such as the monthly Authentic Ethiopian Night, may interrupt the flow, but most will be scheduled for Sunday or Monday. Service is now standardized, too: Diners order at the

11.05.14-11.12.14

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Greek Pastry Sale & Dinner

artsriOt Debuts a new restaurant cOncept

“You can guess at what a community needs, but there’s never been anything like this before. It’s hard to put your finger on something that didn’t exist before,” says PJ McHenry, co-owner of Burlington’s ArtsRiot with Felix Wai. He’s explaining why, after a year in business, the Pine Street event facility is entering version 3.0 of its restaurant model. Early last month, the five chefs who were part of ArtsRiot’s Kitchen Collective cooked their final meals in the space. The following week, GEorGE LAmbErtSoN, who served pop-up pub food on Friday nights as 400 piNE, took over the kitchen full-time for a series of soft-opening dinners. McHenry says that while the Kitchen Collective was a “charismatic idea,” he and Wai couldn’t execute it reliably while the concerts, art shows and other events

a neighborhood spot. Being from the South End, there Monday Nights aren’t a lot of places to have a 50% OFF food at the bar good dinner.” Lambertson has designed Tuesdays Live Music his concise opening menu 11/13: Paul Asbell to pair well with the beer served at the bar, which 11/18: Bob Gagnon includes offerings from the breweries based on or Wednesdays near Pine Street. The loose 30% OFF bottles concept behind the menu, of wine in the bar Lambertson says, is ethically, effectively prepared dishes Thursdays based on fast-food flavors. He’s been working on his $6 sparkling wines signature burger for a year. by the glass Modeled on the Big Mac, the house-ground patty comes New, expanded food menu! on the chef’s homemade bun, a recipe descended from a 126 College St., Burlington Parker House roll. Childhood trips vinbarvt.com to Montréal inspired Wine Shop Mon-Sat from 11 Lambertson’s smoked-meat Wine Bar Mon-Sat from 4 sandwich, which includes yellow deli mustard and meltingly tender smoked meat crafted in-house. The 8v-vin110514.indd 1 11/3/14 3:20 PM pickles served with the sandwich are among the 10 or so different choices on what Lambertson calls his “pickle program.” The chef hopes diners will get a taste for his signature dishes and return for them, but once he gets his footing with regular service, he plans to expand the offerings. An off-menu steak special has been a hit starts at and may find itself on the baklava regular menu. Lambertson melomakarona also hopes to show off his Kourabiedes technique by preparing more composed dishes, such as diNNer starts at 11 a.m.- 7 p.m. house ravioli, and ethnic Eat-In • Take-Out offerings such as banh mi. For many Burlingtonians, the question is whether ArtsRiot’s second kitchen overhaul will stick. McHenry includes Rice Pilaf & Greek Salad says he’s still open to change, but not a full-on revamp. “The changes [in the future] are going to be more intentional and be less drastic,” he promises.

10/27/14 11:37 AM


Pressing Time « p.42

With the renewed interest in hard cider, he says, “It’s this weird hunt to find these masterpiece [apples] we’ve forgotten about. It’s like nothing else I’ve seen in the food world.” Working with his neighbor Terry Bradshaw, a University of Vermont apple researcher (see this issue’s cover story), Jacobsen also makes experimental ciders

We really are making kind of a neW drink. Who knoWs if this resembles What they Were drinking back in the 1700s? R o wAN JA c o bS E N

Calais author Rowan Jacobsen just released a book titled Apples of Uncommon Character: Heirlooms, Modern Classics and Little-Known Wonders. In a recent conversation with Seven Days, he likens cider making to winemaking, but notes that if cabernet and pinot noir grapes were suddenly forgotten, they wouldn’t survive in the wild for centuries like cider apples do.

with found apples. Both men are active in Vermont’s swelling apple and cider community. Even if they are using fruit from the same trees as early Vermonters, Jacobsen suggests, “We really are making kind of a new drink. Who knows if this resembles what they were drinking back in the 1700s?” In an 1862 essay titled “Wild Apples,”

Henry David Thoreau praises the seedling apple for its sturdiness and incredible diversity, its sometime fair flesh, and its ability to flourish without man’s assistance. Thoreau also describes walking in the type of forgotten-seedling orchards that today’s cider makers long to find. “People everywhere want a sense of where they come from,” Shacksbury’s Dolginow says. “People want meaningful connectivity to the past.” Shacksbury is not the only local cidery that’s tapping into Vermont’s apple history. At Citizen Cider in Burlington, cofounder Bryan Holmes teamed up with local historian Hugo Martínez Cazón to sleuth out apples that famed landscape architect Frederick Law Olmsted once praised as one of the world’s finest. “I have eaten a better apple from an orchard at Burlington, Vermont,” Olmstead wrote in Walks and Talks of an American Farmer in England, published in 1852, “than was ever grown even in the South of England.” The designer of New York City’s Central and Prospect parks, Olmsted also created conceptual designs for Shelburne Farms. One particular orchard, at the Adams farm on South Union Street, is thought

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SEVENDAYSVt.com

Much of the fruit comes from singular trees not grown anywhere else. These feral apples create ciders with a sense of place, or terroir. And terroir is as much about a land’s geologic history, weather patterns and soil formation as it is anthropological: dependent on how people select and handle their seeds — or grafts — and what they choose to do with the harvested fruit. “It’s almost like time traveling,” Davis says as we wander the old orchard. “You can taste something that was very important to people here 200 years ago.” In the late 1800s, orchards were plentiful in Burlington. “In Vermont’s first century, nearly every farm had an orchard,” reads a 1932 report from the Vermont Rural Life Commission’s Subcommittee on Apples, provided by Vermont Tree Fruit Growers Association executive director Steve Justis. “Apple growing was limited to seedlings of natural varieties, uncultivated and often diseased. Even so, large quantities of apples were produced — and cider, it is said, flowed more freely than water.”

As the homesteading days gave way to modern life, fewer Vermonters kept up their orchards, and fewer still made cider at home. With the onset of the temperance movement and Prohibition, hard cider faded from the state’s liquid lexicon. But with cider consumption now on the rise, old apple varieties are suddenly in demand.

44 FOOD

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food Lost Apple Project in Addison County. In both places, the cider makers see apples as a doorway to Vermont’s agricultural past. To the extent that history influences terroir, research of this kind is compelling in today’s locavore narrative. “There’s a lot of focus on food traditions with the whole slow-food movement,” says Jacobsen. And apples are especially connected to tradition. “You’ve got the original stock still here,” he points out. “A tree will go 200 years, so the lineage, the link, is unbroken.” m Contact: hannah@sevendaysvt.com (Disclosure: Shacksbury’s Colin Davis is married to Seven Days staff writer Kathryn Flagg.)

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to be the birthplace of the Burlington Pippin, which was grafted throughout the Champlain Valley. But as the orchards fell to development, the local Pippin was lost to history. Dubbing their pursuit the Olmsted Apple Project, Holmes and Martínez Cazón are hopeful that a few trees remain. “The exciting thing is to try to figure out which of the apples here now are the apples that once were,” Holmes says. He’s crowdsourcing fruit from Burlington residents — gathered from their yards, the roadsides, forests and meadows — for a one-of-a-kind blend. Holmes says that since he started collecting earlier this fall, he’s received about 15 bushels of found apples — in all shapes, sizes, colors and flavors — and he’s hoping for more before the November 15 deadline. Citizen Cider’s project is more happenstance than Shacksbury’s; Holmes welcomes donated apples spanning a spectrum of flavors. But his goal is to create a special, hyper-local cider imbued with history. Martínez Cazón intends to use Olmsted Apple Project data to map out old orchards, much as Shacksbury’s Davis and Dolginow are doing with their

Citizen Cider, Burlington, 497-1987. citizencider.com Cutline Specimens from Shacksbury’s Lost Apple Project

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Barrel Aged

by environmental consideration. “[Fermenting in wood] is cutting BelGiAn-style Brewery tO OPen in down on our stainless-steel use in BrAttleBOrO the brewery; steel has a really high On November 22, HErmit tHruSH environmental impact,” Schwenk BrEwErY will host its grand opening explains. What’s more, wooden party in Brattleboro. Joining brewpubs barrels are cheaper than steel tanks wHEtStoNE StAtioN rEStAurANt & BrEwErY and mcNEill’S BrEwErY, it’s the third such and can be stacked and stored for long periods, which will enable the establishment in the town. According brewers to age beer for years. One of Hermit Thrush’s flagship beers, a sour ale called Brattlebeer Cider Ale, is made with 20 percent local apple cider; in time, Schwenk and Gagné plan to use it as the base for a more time-consuming — and rarer — beer. “In the long term, [Brattlebeer] will work out like a lambic,” Schwenk says, “but you Barrels at Hermit Thrush Brewery need three years to make a lambic, so this will be our proto-lambic.” to co-owner AVErY ScHwENk, Hermit For now, he says, the cider-pils Thrush will specialize in barrel-aged is an excellent sipper as is. Modeled Belgian-style beers. after a French-Belgian brew fortified “We really want to introduce people with cider to increase its shelf life, to the more subtle flavors of sour “[Brattlebeer] has a crisp, apple-y, [beers], rather than trying to blow your almost Champagne-like head on it,” mouth out,” Schwenk says. “We’ll be Schwenk says. Adding cider, he notes, brewing really accessible sours.” All of “makes a really exciting beer.” the beers will pour at sessionable low Other early brews include Brooks ABVs, topping out at less than 5 percent Brown Ale, traditional Belgian-style alcohol. nut-brown ale; and High Street Wild The seven-barrel brewhouse is IPA, a funky, hoppy brew made with heated by boilers converted to run on locally captured and developed natural Vermont-made wood pellets rather yeast. than oil, a measure to reduce the When the brewery opens, Hermit brewery’s carbon footprint. The beers Thrush beers will be available on draft will be fermented and aged in reused in the tasting room. They’ll move into oak barrels that once held wines, growlers, kegs and taps at restaurants whiskeys and tequilas. “We have a statewide in the weeks and months to couple steel fermenters,” Schwenk come. says, “but a lot of the fermentation will be going on in the oak barrels — H.p.E. themselves.” The barrel fermenting influences coNNEct a beer’s flavor and plays a role in the Follow us on twitter for the latest food Belgian tradition that Schwenk and gossip! Alice levitt: @aliceeats, and co-owner cHriStopHE GAGNé are lookHannah palmer Egan: @findthathannah ing to follow, but it’s also inspired cOurtesy OF hermit thrush Brewery

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success, beds Sofía Vergara and Scarlett Johansson, and then opens a restaurant bankrolled by said critic isn’t based in reality? Stefan worries that his customers may have missed the memo. Since the movie debuted, he says, he’s gotten more questions than ever from customers who have dreams of breaking into the food-truck biz. Stefan’s advice: don’t. It’s a tough business anywhere,

10/27/14 3:23 PM

SEVEN DAYS

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“The actual story of the struggle of food trucking is so much more interesting,” Stefan says. To his mind, giving credence to the movie’s depiction is the equivalent of assuming “the entire Vietnam War was summed up in the movie Operation Dumbo Drop.” You mean that the story of a pasthis-prime diva chef who attacks a critic on Twitter, gains a massive following, becomes a national food-truck

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but in a state where seasonal vendors can serve for half the year at most, a food truck is far from a recipe for financial stability. As Stefan puts it, “You have to have it written into your business plan that there are lean times. If you’re banking on four beautiful months, maybe you should go somewhere that has four beautiful months in a row.” Stefan isn’t the only one struggling. We spoke to several of his food-truck brethren about how they survive the winter — or try to. For his part, Stefan uses the cold season to refocus his business on office catering. Last year, he delivered lovingly prepared lunches — including his famous smoked-pork sandwiches and homebaked empanadas — to Burlington offices. This winter, he hopes to offer larger, buffet-style spreads to businesses, as well as cook for a few pop-ups at ArtsRiot. Last winter, Stefan had a regular gig at the South End event space, but that went the way of the dodo with the recent demise of the ArtsRiot Kitchen Collective (see more in Side Dishes, page 43). Without his regular Thursday dinner, the chef admits, he’ll need to scrape by however he can. “Very shortly, I’ll start hoarding cans,” he says with humorous candor. “If I see you in my yard, I’m going to yell at you to stay away from my cans. When I see coins in the street, I pick them up.” Stefan has tried working elsewhere through the winter (including a stint cooking on the island of St. John), but he says the distraction makes him lose focus on his own business. Other mobile chefs say they don’t have a choice about seeking other culinary gigs. Diners at Tiny Thai Restaurant in Winooski, for instance, are likely to see Chris Simard of the Lazy Farmer serving up nam prik and pad Thai in the winter, when he’s not playing bass with his band Radio Underground or hitting the slopes. Simard says he uses any free time he has in the off-season to perfect his culinary skills — and his exquisite kimchi pork and Peking chicken tacos present ample evidence. “I do a lot of recipe testing and development and work on marketing and business planning and stuff like that,” he says. Simard also has a solution in the pipeline to beat the winter doldrums. “I am trying to get a brick-and-mortar together,” he reveals. The business plan is prepped, but appealing spaces get snapped up quickly, the chef says. He’s still “looking for funding to make it happen” — perhaps by next season. If

Stefano Cicirello

Simard gets his full-time restaurant, the truck will supplement it as a test kitchen and catering outlet. Stefan, too, is working toward a stable, year-round space. “You’re flying around the carrion looking for the carcass,” he explains with his usual gonzo poeticism. “We’re at a disadvantage to every other restaurant anywhere — even shitty ones — because we have no bathroom, no liquor license, no tables, no chairs.” Like Simard, Stefan complains

If you’re bankIng on four beautIful months,

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that affordable spaces have become increasingly difficult to snag. “I need to collect people behind me who really believe in the concept,” he says of gathering funds. For food-truck owners who aren’t ready to commit to a restaurant, a regular, well-trafficked parking space can serve a similar purpose. Luke Stone, coowner of the Hindquarter, lucked out last winter when he scored a soughtafter spot for his truck at the University of Vermont’s University Place.

more food after the classifieds section. page 49


page 48

food

matthew thOrsen

more food before the classifieds section.

T3294_R&D Ad_SevenDays_Final.pdf

1

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2:07 PM

he’ll be serving his signature truffle fries and fried chicken sandwich before spring. “It’s the great debate,” Cicirello says. “Everything goes up [in the winter]: food costs, fuel costs. All of your expenses are higher.” He’s considered going south for the cold months, but that would involve starting all over, he notes, finding locations and growing a fan base. Other food truckers agree that moving isn’t worth the effort: Unlike Favreau’s fictional Carl Casper, real chefs need to wait for licenses before they can even think about vending in a new city. In Burlington, competition for a prime parking spot is fierce. In a bigger city, it can be even worse, especially for the new guy. To keep his culinary chops sharp during the winter, Cicirello hopes to cook a few pop-up dinners around town. And he admits that there’s always a chance he’ll wake up one morning in January so hungry to get the business going again that he’ll start up the truck. While Cicirello worries that customers may not brave the inclement weather, safeguarding his equipment is his biggest concern. “It’s risky; you’re gambling because it gets so cold,” he explains. “Something breaks on the truck and I’m barely making enough to survive, then I’ve gotta buy another part.” Still, for all the hardship food truckers experience, a touch of what Stefan calls their “whimsical, carefree persona” seems to keep them going. As in any business, the early years of going out on one’s own in a food truck are a struggle. In the years to come, these young chefentrepreneurs may find other ways to make their businesses successful yearround. Newbies inspired by Hollywood will have to start that process anew in an already crowded field. Meanwhile, don’t touch Stefan’s cans. m Contact: alice@sevendaysvt.com

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The Hindquarter at UVM

The Hindquarter is the rare food truck that’s more active in cold weather. Since Stone is also executive chef at Cloud 9 Caterers, his summers are filled with weddings and other warm-weather events. Last summer, he stopped making regular weekday stops in the South End and limited his Hindquarter engagements to events with guaranteed traffic, such as the South End Truck Stop and concerts at Shelburne Museum. “I would consider doing the pop-up lunches, but since I’m trying to run a catering company as well during the week, I need to be doing catering gigs,” he explains. Now that the heavy catering season is over, the Hindquarter, specially outfitted for winter service, will park at UVM four or five days a week. Stone says that, surprisingly, his adventurous menu has needed little adjustment to draw in students. (Remember the Indian spiced monkfish with pickled cauliflower and mushrooms, beluga lentils and cucumber raita? We sure do.) The only major tweak he made in his menu was the addition of breakfast sandwiches, served all day to bring in late risers with just a few bucks in their PJ pants. This year, Stone plans to add a few lower-priced snack items to replace the popular $1 slices from the now-departed Big Daddy’s Pizza truck. Admittedly, going outside to wait in line for lunch can be a hard sell in belowzero weather or an ice storm. Stone says he makes things easier for his UVM customers by allowing them to text in their orders and retrieve them without a wait. While Stone may be thriving in the chill, Stefano Cicirello of Dolce VT isn’t convinced the revenue is worth braving the increased operating costs and frigid days he dealt with last winter. The trained pastry chef began parking in front of ArtsRiot on Pine Street last January. Right now, he’s paying the bills by “swinging a hammer” for his family’s construction company — and hasn’t decided whether

7/21/14 3:45 PM


NOV.7-9 | FAIRS & FESTIVALS

calendar N O V E M B E R

WED.5 activism

ENGAGING CONFLICT FOR PEACE: Ben Bosley presents peaceful resolution skills aimed at creating justice and joyous living. Peace & Justice Center, Burlington, 7-8:30 p.m. $5; free for youth. Info, 863-2345.

business

SMALL BUSINESS INNOVATION RESEARCH/ SMALL BUSINESS TECHNOLOGY TRANSFER WORKSHOP: Entrepreneurs, consultants, service providers and small business owners take their tech ideas to the next level. Capitol Plaza Hotel & Conference Center, Montpelier, 10 a.m.-3 p.m. Free; preregister; lunch provided. Info, epscor@uvm.edu.

crafts

KNITTERS & NEEDLEWORKERS: Crafters convene for creative fun. Colchester Meeting House, 6-8 p.m. Free. Info, 264-5660.

dance

11.05.14-11.12.14 SEVEN DAYS

TECH TUTOR PROGRAM: Local teens answer questions about computers and devices during one-on-one sessions. Dorothy Alling Memorial Library, Williston, 5:30-7:30 p.m. Free; preregister for a time slot. Info, 878-4918.

film

BRATTLEBORO FILM FESTIVAL: An eclectic mix of films, speakers and discussions celebrates independent filmmaking. See brattleborofilmfestival.org for details. Various Brattleboro locations, 6:30 p.m. $5-10; free for kids under 12 and high school students with ID. Info, 246-1500. CLASSIC FILM NIGHT: Cinephiles screen memorable movies with Tom Blachly and Rick Winston. Call for details. Jaquith Public Library, Marshfield, 7 p.m. Free. Info, 426-3581. 'FREEDOM & UNITY: THE VERMONT MOVIE: PART 4': "Doers and Shapers" explores people and institutions that pushed sociopolitical boundaries. Hartland Public Library, 6:30 p.m. Free. Info, 436-2473.

‘FREEDOM & UNITY: THE VERMONT MOVIE: PART 5’: "Ceres' Children" examines the state's history of farming and independence — including grassroots democracy and the protection of natural resources. Wake Robin Retirement Community, Shelburne, 3:30 p.m. Free. Info, 264-5107. MOUNTAINFILM ON TOUR: Adventure hounds screen award-winning films celebrating mountain culture, outdoor sports, sustainable living and the environment. A discussion follows. Chase Community Center, Vermont Law School, South Royalton, 6:30 p.m. $5-8. Info, 831-1228.

WEST AFRICAN DANCE & DRUM FESTIVAL Friday, November 7, 5:30-8:45 p.m.; Saturday, November 8, 10 a.m.-4:45 p.m. and 8 p.m.; Sunday, November 9, 9:30 a.m.-6:15 p.m., at Burlington City Hall. Prices vary. Info, 859-1802. jehkulu.org

food & drink

COFFEE TASTING: Folks sip Counter Culture Coffee varieties, then make side-by-side comparisons of different regional blends. Maglianero Café, Burlington, noon. Free. Info, 617-331-1276, corey@maglianero.com. WEDNESDAY WINE DOWN: Oenophiles get over the midweek hump by pairing four varietals with samples from Lake Champlain Chocolates, Cabot Creamery and other local food producers. Drink, Burlington, 4:30 p.m. $12. Info, 860-9463, melissashahady@vtdrink.com. WINE TASTING: EPIC WINE REGIONS: California cabernet sauvignons live up to Napa Valley's reputation as one of the best winemaking locales in the world. Dedalus Wine Shop, Burlington, 4-7 p.m. Free. Info, 865-2368.

games

BRIDGE CLUB: Strategic thinkers have fun with the popular card game. Burlington Bridge Club, Williston, 9:15 a.m. $6 includes refreshments. Info, 651-0700.

health & fitness

MONTRÉAL-STYLE ACRO YOGA: Partner and group work helps participants access the therapeutic benefits of modified acrobatics. Yoga Mountain Center, Montpelier, 6:30-7:30 p.m. Donations. Info, 324-1737. NATURAL BEAUTY WORKSHOP: A hands-on session doubles as a crash course in skincare physiology, nutrition and herbs. Vermont Center for Integrative Herbalism, Montpelier, 6-8 p.m. $15-17; preregister. Info, 224-7100. R.I.P.P.E.D.: Resistance, intervals, power, plyometrics, endurance and diet define this high-intensity physical-fitness program. North End Studio A, Burlington, 6-7 p.m. $10. Info, 578-9243.

WED.5

COURTESY OF BRIAN ADAMS

SEVENDAYSVT.COM

etc.

2 0 1 4

West Africa is thousands of miles from Vermont, but you wouldn’t know it at the West African Dance & Drum Festival. Hosted by Burlington’s Jeh Kulu Dance and Drum Theater, this 20th annual celebration of the arts draws renowned artists from Guinea, Senegal and Mali to the Queen City. A wide range of classes and workshops introduces festivalgoers to djembe drumming, the Senegalese dance sabar and much more. On Saturday night, this all-ages fest heads to ArtsRiot, where special guests perform a multicultural dance party that brings the vibrant traditions of West Africa to the stage.

COURTESY OF CLEMENT YONKERS

WALTZ & FOXTROT: Twinkle-toed participants break down the basics of ballroom dancing. Colchester Parks & Recreation Department, 6-7 p.m. $12.50; $23 per couple. Info, 264-5642. WEDDING & PARTY DANCES: Students learn all the right moves in a weekly session for ages 14 and up. Colchester Parks & Recreation Department, 7-8 p.m. $12.50; $23 per couple. Info, 264-5642.

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Rhythm Nations

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NOV.6 | WORDS

Environmental Hazard Casey, the main character in Brian Adams’ novel Love in the Time of Climate Change, has obsessive-compulsive disorder. A community college professor, he frets over global warming, proper recycling protocols and winning over one of his female students — and that’s just the tip of the iceberg. Helplessly drawn into a series of increasingly awkward situations — think field trips gone awry and shoplifting at Walmart — Casey delivers equal parts humor and eco-friendly musings. Within these missteps and wayward wanderings lies a message about the state of the planet that has readers learning while laughing.

BRIAN ADAMS Thursday, November 6, 7 p.m., at Phoenix Books in Burlington. Free. Info, 448-3350. phoenixbooks.biz


COURTESY OF DIEGO EL CIGALA

NOV.12 | MUSIC

Melodies so Sweet G

rowing up in Madrid, lanky flamenco singer Diego Ramón Jiménez Salazar earned the nickname el cigala after a crustacean popular in Spain. The name stuck. Today, Diego el Cigala is one of the world’s top interpreters of the traditional Spanish music. A threetime Grammy Award winner, he “joins the likes of Billie Holiday, Frank Sinatra and Giuseppe di Stefano as one of the great singers of the past 100 years,” according to the Sydney Morning Herald. Determined to push the genre’s boundaries, the charismatic performer weaves elements of bolero, tango and AfroCaribbean jazz into a captivating show powered by his trademark husky vocals.

COURTESY OF BEN BARNHART

Time-Tested Troubadour

TRACY GRAMMER Saturday, November 8, 7:30 p.m., at Tunbridge Town Hall. $15-20. Info, 431-3433. mtnfolk.org

CALENDAR 51

Wednesday, November 12, 7 p.m., at Spaulding Auditorium, Hopkins Center for the Arts, Dartmouth College, in Hanover, N.H. $17-40. Info, 603-646-2422. hop.dartmouth.edu

SEVEN DAYS

SEE PAGE 9

DIEGO EL CIGALA

11.05.14-11.12.14

SCAN THIS PAGE WITH THE LAYAR APP TO SEE VIDEOS

Folk singer Tracy Grammer first took the stage in the late 1990s alongside Dave Carter, a critically acclaimed singer-songwriter. Together, the duo ignited the folk scene, hitting up the festival circuit and touring with Joan Baez. Everything changed in 2002, when Carter died suddenly of a heart attack. In the wake of the tragedy, Grammer pushed on, continuing his legacy while finding her solo voice. Blessed with a commanding alto and proficiency on the guitar and violin, Grammer quickly carved out a name for herself as a formidable artist who’s here to stay.

SEVENDAYSVT.COM

NOV.8 | MUSIC


calendar WED.5

SKI & RIDE SALE Camel’s Hump School Richmond, VT

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Yoga for Veterans: Suzanne Boyd draws on specialized training when teaching poses developed to reduce stress, anxiety and depression. The Innovation Center of Vermont, Burlington, 5-6 p.m. Free; preregister. Info, 578-8887.

kids

DorothY CanfielD fisCher Book DisCussion: Lit lovers ages 8 through 11 weigh in on Nan Marino's Hiding Out at the Pancake Palace. Burnham Memorial Library, Colchester, 6:30-7:30 p.m. Free. Info, 264-5660. 8am-4pm eVening BaBYtime PlaYgrouP: Crawling tots and their parents convene for playtime and sharing. Dorothy Alling Memorial Library, 10am-2pm Williston, 6-7:30 p.m. Free. Info, 876-7555. highgate storY hour: Budding bookworms share read-aloud tales, wiggles and giggles with Family of any size $386.90 Mrs. Liza. Highgate Public Library, 10 a.m. Free. Info, 868-3970. Valid through 11/9/14 homework helP: Albany College of Pharmacy facebook.com/CochranSkiSale and Health Science students assist first through eighth graders with reading, math and science assignments. Fletcher Free Library, Burlington, 12v-cochrans1014.indd 1 9/18/14 1:59 PM4-5:30 p.m. Free. Info, 865-7216. lego CluB: Kiddos ages 6 and up snap together snazzy structures. Fairfax Community Library, 3-4 p.m. Free; preregister. Info, 849-2420. meet roCkin' ron the frienDlY Pirate: Aargh, matey! Youngsters channel the hooligans of the sea during music, games and activities. Buttered Noodles, Williston, 10-10:45 a.m. Free. Info, 764-1810. moVing & grooVing with Christine: Two- to 5-year-olds jam out to rock-and-roll and world-beat tunes. Fletcher Free Library, Burlington, 11-11:30 a.m. Free. Info, 865-7216. one-on-one tutoring: Students in grades 1 through 6 get extra help in reading, math and Saturday Story Time Every Saturday at 11AM science. Burnham Memorial Library, Colchester, 4-7 p.m. Free; preregister. Info, 264-5660. November PresChool musiC with Derek: Tykes ages 3 through 5 sing and dance the afternoon away. WED 5 GOV. JIM DOUGLAS: Burnham Memorial Library, Colchester, 1-1:30 7pm THE VERMONT WAY p.m. Free. Info, 264-5660. THU 6 BRIAN ADAMS: LOVE IN THE TIME storY time & PlaYgrouP: Engaging narra7pm OF CLIMATE CHANGE tives pave the way for art, nature and cooking projects. Jaquith Public Library, Marshfield, SAT 8 DEIRDRE GILL: OUTSIDE 10-11:30 a.m. Free. Info, 426-3581. 2pm *BOOK LAUNCH PARTY* All ages are invited to celebrate with a worlD musiC Choir: John Harrison leads reading & snow creature activity! vocalists in musical stylings from around the globe. See summit-school.org for details. Union MON 10 DANIEL LUSK & ANGELA PATTEN: Elementary School, Montpelier, 3:30-4:30 p.m. 7pm AN EVENING OF POETRY $10-15; preregister; limited space. Info, 917-1186.

SATURDAY, NOV. 8 SUNDAY, NOV. 9

SEASON PASS RATES:

11.05.14-11.12.14

SEVENDAYSVt.com

presents AT BURLINGTON

THU 13 DANA WALRATH: LIKE WATER 7pm ON STONE *BOOK LAUNCH*

Join Dana Walrath, writer, artist, anthropologist, and second generation Armenian, to celebrate the launch of her new young adult novel set in the midst of the Armenian genocide.

THU 20 NAN CHASE: DRINK THE HARVEST 7PM Discover delicious, affordable ways to enjoy the harvest and nourish your family. Plus, try free samples!

52 CALENDAR

SEVEN DAYS

ANNOUNCING DIARY OF A WIMPY KID AUTHOR JEFF KINNEY TUE NOV 18 STARTING AT 6PM

One-of-a-kind road trip and booksigning for Diary of a Wimpy Kid: The Long Haul, the 9th book in the blockbuster series! Tickets are required. Visit either Phoenix Books location to purchase your tickets. Offsite at Browns River Middle School in Jericho.

191 Bank Street, Downtown Burlington • 802.448.3350 Essex Shoppes & Cinema, Essex • 802.872.7111

www.phoenixbooks.biz

language

english as a seConD language Class: Beginners better their vocabulary. Pickering Room, Fletcher Free Library, Burlington, 6:308:30 p.m. Free. Info, 865-7211. german-english ConVersation grouP: Community members practice conversing auf Deutsch. Local History Room, Fletcher Free Library, Burlington, 6:30-8:30 p.m. Free. Info, 865-7211. intermeDiate sPanish lessons: Adults refine their grammar while exploring different topics with classmates and native speakers. Private residence, Burlington, 5:30-7 p.m. $20. Info, 324-1757. intermeDiate/aDVanCeD english as a seConD language Class: Students sharpen grammar and conversational skills. Administration Office, Fletcher Free Library, Burlington, 6:30-8:30 p.m. Free. Info, 865-7211.

montréal

'Belles soeurs: the musiCal': An all-female cast stages the English-language premiere of Michel Tremblay's 1968 tragicomedy about a housewife who wins one million trading stamps from a department store. Segal Centre for Performing Arts, Montréal, 1-4 & 8-11 p.m. $3264. Info, 514-739-7944.

music

steeP CanYon rangers: Nimble instrumentation and tight vocal harmonies anchor the Grammy Award winners' take on bluegrass. Lebanon Opera House, N.H., 7:30 p.m. $25-50. Info, 603-448-0400. 'Vermont historY through song': Accompanied by pianist Arthur Zorn, singer/ researcher Linda Radtke lends her voice to a costumed interpretation of the state's major events. River Arts, Morrisville, 1:30 p.m. Free. Info, 253-9011. worlD musiC PerCussion ensemBle: Hafiz Shabazz leads community members and Dartmouth College students and alumni in "Drums of Passion and the Spoken Word." Spaulding Auditorium, Hopkins Center, Dartmouth College, Hanover, N.H., 7 p.m. $9-10. Info, 603-646-2422.

seminars

astrologY 101: Laurie Farrington brings more than 40 years of experience to a workshop on horoscopes and more. City Market/Onion River Co-op, Burlington, 6-7:30 p.m. $5-10; preregister at citymarket.coop; limited space. Info, 861-9700. seVen Point minD training: The teachings of Tibetan Buddhist lama Geshe Konchog come to life in an informative session. Milarepa Center, Barnet, 6:30-8:30 p.m. Donations; $8 includes dinner; preregister. Info, 633-4136. town BraintaP: rosemarY glaDstar: A leading figure in her field, the renowned herbalist shares time-tested recipes in "Herbs for Winter Health." Twinfield Union School, Plainfield, 7 p.m. $10 suggested donation; preregister at townbraintap.net. Info, 454-1298.

sports

CoeD floor hoCkeY: Men and women aim for the goal in a friendly league setting. CollinsPerley Sports Complex, St. Albans, 7-9 p.m. $6; equipment provided. Info, safloorhockey@ gmail.com.

talks

BarBara will: The Dartmouth College professor considers a collision of creative forces in "Pablo Picasso and Gertrude Stein: The Making of Modernism." Kellogg-Hubbard Library, Montpelier, 7 p.m. Free. Info, 223-3338. CeCilia gaPosChkin: Great Parisian cathedrals inform an examination of 13th-century Gothic architecture by the Dartmouth College professor. Ilsley Public Library, Middlebury, 7 p.m. Free. Info, 388-4095. enVironmental & health sCienCes sPeaker series: State entomologist Alan Graham imparts his insect intellect in “Mosquito Arbovirus Surveillance in Vermont.” Room 207, Bentley Hall, Johnson State College, 4-5:15 p.m. Free. Info, 635-1327. glenn anDres: Looking beyond pastoral stereotypes, the Middlebury College professor presents architectural gems of remarkable range in "The Buildings of Vermont." St. Johnsbury Athenaeum, 7 p.m. Free. Info, 877-3406. mark stoler: The influence of America's post-WWII Marshall Plan on foreign relations is examined by the UVM professor emeritus. Brownell Library, Essex Junction, 7 p.m. Free. Info, 878-6955.

matthew sanforD: Paralyzed in a car accident, the yoga teacher and author of Waking: A Memoir of Trauma and Transcendence discusses how he crafted a life against all odds. Campus Center, Castleton State College, 7 p.m. Free. Info, 468-1119. miChael arnowitt: The celebrated pianist examines influential pieces of music written in 1911, including Igor Stravinsky's The Rite of Spring. Rutland Free Library, 7 p.m. Free. Info, 773-1860. osher lifelong learning leCture: Historian Rick Winston discusses an incident that epitomized the McCarthy period and affected Vermonters in "The Red Scare Comes to Bethel, 1950." Montpelier Senior Activity Center, 1:30-3 p.m. $5 suggested donation. Info, 223-2518. st. miChael's College honors Program faCultY Panel Presentation: Academics consider the topic of sex from the perspectives of art, biology, psychology and history. Recital Hall, McCarthy Arts Center, St. Michael's College, Colchester, 7 p.m. Free. Info, 654-2536. susan stamBerg: How has radio endured in an increasingly high-tech world? The longtime NPR broadcast journalist offers insight into the query. Norwich Public Library, 7 p.m. Free. Info, 649-1184. tYler BouDreau: In "The Morally Injured," the author of Packing Inferno: The Unmaking of a Marine reflects on PTSD and other postwar challenges. Brooks Memorial Library, Brattleboro, 7-8:30 p.m. Free. Info, 254-5290.

theater

'BeDroom farCe': Johnson State College students interpret Alan Ayckbourn's comedy about four couples who encounter a series of mishaps in their relationships one fateful Saturday night. Dibden Center for the Arts, Johnson State College, 1-3 p.m. Free. Info, 635-1476. 'ClYBourne Park': Written in response to Lorraine Hansberry's A Raisin in the Sun, Bruce Norris' Pultizer Prize-winning satire comes to life in this Northern Stage production. Briggs Opera House, White River Junction, 10 a.m. & 7:30 p.m. $15-55. Info, 296-7000. the met: liVe in hD series: A broadcast production of Georges Bizet's opera Carmen stars Anita Rachvelishvili as a seductive gypsy in a world of sex, violence, racism and, ultimately, freedom. Palace 9 Cinemas, South Burlington, 6:30 p.m. $18-24. Info, 660-9300. 'three kinDs of wilDness': A maze of tunnels leads to the world's deepest gold mine in this Der Vorführeffekt Theatre production featuring puppets, layered soundscapes and salvaged lighting. Plainfield Town Hall, 7:30-9 p.m. $7-10 suggested donation. Info, plainfieldtownhall@gmail.com.

words

Jim Douglas: Vermont's former governor muses on his lengthy political career in his memoir The Vermont Way. A Q&A, book signing and reception follow. Phoenix Books, Burlington, 7 p.m. Free. Info, 448-3350. weDnesDaY eVening Book CluB: Bibliophiles share ideas and opinions about Zora Neale Hurston's Their Eyes Were Watching God. Burnham Memorial Library, Colchester, 6:457:45 p.m. Free. Info, 264-5660.

thu.6

agriculture

inDoor garDening: Master gardener Peter Burke teaches locavores how to grow and harvest a steady supply of sprouts and salad greens throughout the winter. Community Room, Hunger Mountain Co-op, Montpelier, 6-7 p.m. $10-12; preregister. Info, 223-8000, ext. 202.


liSt Your EVENt for frEE At SEVENDAYSVT.COM/POSTEVENT

community

Community ServiCe DayS for Senior CitizenS: Vermonters ages 60 and up receive complimentary automotive care, computer tips, haircuts and more. Participants may only attend one of the two days. The Center for Technology, Essex Junction, 9:30 a.m. Free. Info, 879-5558. meet the new Library DireCtor: Locals browse the stacks and welcome Jennifer Murray to the neighborhood. South Burlington Community Library, 4-6 p.m. Free. Info, 652-7080. native ameriCan heritage month: Members of the Mohawk, Oneida and Inuit tribes celebrate their rich cultural traditions in presentations and performances. See plattsburgh.edu for details. SUNY Plattsburgh, N.Y., 5 & 7 p.m. Free. Info, 518-564-4005. vermont wiSh ProjeCt faLL mixer: Folks show their support for Make-A-Wish Vermont at an informal gathering featuring raffle prizes and more. The Skinny Pancake, Burlington, 5-10 p.m. Free. Info, cbarrett802@gmail.com.

conferences

finanCing the working LanDSCaPe ConferenCe: Entrepreneurs and startups in food, agriculture and forestry learn about business development, capitalization and other available services at this annual symposium. American Legion Post 27, Middlebury, 8:30 a.m.-2:30 p.m. $20-35. Info, 382-0401.

crafts

CarD making with karen: Local crafter Karen McNall leads participants ages 10 and up in a creative session. Kids under 15 require an adult companion. Fairfax Community Library, 5:30-7:45 p.m. $2 per card. Info, 849-2420.

dance

jurij konjar: Trained in judo, the dancer brings athleticism to explorations of gravity and momentum in Steve Paxton's Bound. FlynnSpace, Burlington, 7:30 p.m. $25. Info, 863-5966.

fairs & festivals

film

extenDing your winter SQuaSh rePertoire: Don't know what to do with that delicata? Foodies get schooled in different preparations of the seasonal gourds. McClure MultiGenerational Center, Burlington, 6-8 p.m. $5-10; preregister at citymarket.coop; limited space. Info, 861-9700. making LaCto-fermenteD veggieS: Health nuts learn the science behind kimchi, sauerkraut and other probiotic powerhouses. Tulsi Tea Room, Montpelier, 6:30-8 p.m. $8-10. Info, 223-1431. wine taSting: Anthony Wagner of G. Housen facilitates a sipping soirée featuring bread, cheese and new releases of Australian shiraz. Trapp Family Lodge, Stowe, 4-6 p.m. $20; preregister. Info, 253-5742. wineChat: Vino lovers learn to recognize flavor profiles at an informal monthly meet-up that hits all the right palate points. North Branch Café, Montpelier, 6-7 p.m. $12; preregister; limited space. Info, 552-8105.

STEVEN WRIGHT Academy Award-winner #23 on Comedy Central’s list of the 100 greatest stand-ups of all time

Sat., November 8, 8 pm Barre Opera House

sponsored by

TROW & HOLDEN • NATIONAL LIFE GROUP VALSANGIACOMO, DETORA & MCQUESTON

The Barre Opera House presents

BATTLEFIELD BAND

games

trivia night: Players think on their feet during an evening of friendly competition. Mary's Restaurant at the Inn at Baldwin Creek, Bristol, 7-9 p.m. Free. Info, 453-2432.

health & fitness

forza: the Samurai SworD workout: Students sculpt lean muscles and gain mental focus when performing basic strikes with wooden replicas of the weapon. North End Studio A, Burlington, 6-7 p.m. $10. Info, 578-9243. PubLiC fLu CLiniC: Registered nurses administer immunizations to those looking to avoid the ailment. Franklin County Senior Center, St. Albans, 10 a.m.-noon. Free. Info, 527-7531. reiki/ShamaniC heaLing CLiniC: Brief treatments introduce attendees to different forms of bodywork and energy healing. JourneyWorks, Burlington, 6:30-8 p.m. Donations; preregister. Info, 860-6203. 'Start the ConverSation' workShoP: Representatives from Lamoille Home Health & Hospice and the Visiting Nurse Association of Orleans and Essex counties present options for end-of-life care. Craftsbury Public Library, 6-7 p.m. Free. Info, 888-4651.

“...one of the great institutions of Scottish traditional music.” The Guardian

sponsored by

Friday, November 14, 8 pm Tickets, info: 802-476-8188 • www.barreoperahouse.org 4T-BarreOpera110514.indd 1

IMMACULÉE ILIBAGIZA

11/3/14 3:57 PM

LEFT TO TELL

holidays

ChriStmaS market with a DifferenCe: Unique handcrafted items from 17 international nonprofits in Nepal, Zambia, Afghanistan and beyond make for one-of-a-kind gifts. Church of Christ at Dartmouth College, Hanover, N.H., 10 a.m.-6 p.m. Free. Info, 603-643-3150.

kids

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A story of faith, hope and forgiveness from a SURVIVOR of the Rwandan Holocaust

November 11th at 8pm

UVM Grand Maple Ballroom at the Davis Center

FREE EVENT—TICKETS REQUIRED Pick up at the Davis Center Information Desk or The Catholic Center at UVM For more information, call 802-862-8403 or email catholiccenteruvm@gmail.com 4t-catholicCTR@UVM102914.indd 1

10/28/14 2:48 PM

CALENDAR 53

THU.6

SEVEN DAYS

faLL StorieS: Lit lovers in grades 1 and up join storyteller Linda Costello for an afternoon of seasonal tales. Brownell Library, Essex Junction, 3:30-4 p.m. Free. Info, 878-6956. homework heLP: See WED.5. muSiC with Derek: Kiddos up to age 8 shake out their sillies to toe-tapping tunes. Dorothy Alling Memorial Library, Williston, 10:30 a.m. Free. Info, 878-4918. Pj Story hour: Little ones dress for bed and wind down with tales and treats. Fairfax Community Library, 6-7 p.m. Free. Info, 849-2420. PoLLywog art: Pint-size Picassos experiment with sculpture, finger paint and homemade play dough at a drop-in creative session. BCA Center, Burlington, 9:30-11:30 a.m. $5-6. Info, 865-7166. PreSChooL Story time: Tales, crafts and activities arrest the attention of kiddos ages 3 through 6. Burnham Memorial Library, Colchester, 10:30-11 a.m. Free; preregister. Info, 264-5660.

11.05.14-11.12.14

brattLeboro fiLm feStivaL: See WED.5. 'jfk': As the 51st anniversary of John F. Kennedy's assassination looms, folks screen the “American Experience” portrayal of the enigmatic president. Johnson State College, 11:30 a.m. Free. Info, 635-1349. 'Pretty faCeS: the Story of a Skier girL': Professional skier Lynsey Dyer focuses her lens on the fearless females who tackle big mountains with style and grace. Proceeds benefit the Mad River Path. Big Picture Theater and Café, Waitsfield, 7-8 p.m. $10. Info, 496-8994. 'QuietLy into DiSaSter': Marcin El's antinuclear documentary examines the widespread dangers posed by nuclear fission. Kellogg-Hubbard Library, Montpelier, 6-8 p.m. Free. Info, 767-9131. reeL roCk fiLm tour: Valley Uprising follows three generations of larger-than-life rock climbers in Yosemite Valley. Petra Cliffs, Burlington, 6:30 p.m. $10-12. Info, 657-3872.

food & drink

presents

SEVENDAYSVt.com

faLL feStivaL of the artS: UVM students studying music, dance, theater, art, film and television deliver a wide range of performances and creative work. See uvm.edu for details. University of Vermont, Burlington, 7:30 p.m. Prices vary. Info, 656-7774.

CELEBRATION SERIES


calendar THU.6

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SpaniSh MuSical KidS: Amigos ages 1 to 5 learn Latin American songs and games with Constancia Gómez, a native Argentinian. Fletcher Free Library, Burlington, 10:30-11:15 a.m. Free. Info, 865-7216. Teen adviSory Board: Teens gather to plan library programs. Yes, there will be snacks. Brownell Library, Essex Junction, 4-5 p.m. Free. Info, 878-6956. uKulele for BeginnerS: Nationally recognized performer Tom Mackenzie introduces youngsters to the traditional Hawaiian instrument. See summit-school.org for details. Union Elementary School, Montpelier, 3:30-4:30 p.m. $10-15; preregister; limited space. Info, 917-1186. yoga WiTh danielle: Toddlers and preschoolers strike a pose, then share stories and songs. Buttered Noodles, Williston, 10 a.m. Free. Info, 764-1810.

language 6h-miltonsartistsguide11514.indd 1

Join us at the 21

st

10/22/14 2:33 PM

Annual

Food and Wellness Expo!

! FREE

Saturday, November 8 th, 2014 10:30am to 3pm

Vermont specialty products!

ES

Y

O

FREE! Food and wellness exhibits! FREE! Kids pumpkin painting! Give Bring a food item to donate to Back! the Vermont Foodbank and receive

54 CALENDAR

SEVEN DAYS

a $5-off coupon for The Coop!

Open 8am-8pm daily 623 Stone Cutters Way, Montpelier, VT 802.223.8000 • www.hungermountain.coop 3V-HungerMtn110514.indd 1

11/3/14 5:51 PM

theater

'and Then There Were none': Lyndon State College students bring Agatha Christie's classic murder mystery to the stage. Alexander Twilight Theatre, Lyndon State College, 7:309:45 p.m. Donations. Info, 626-3663. 'clyBourne parK': See WED.5, 2 & 7:30 p.m. 'defaMaTion': Todd Logan's courtroom drama sheds light on issues of race, religion and class. montréal McCarthy Arts Center, St. Michael's College, Colchester, 7 p.m. Free. Info, 654-2795. 'BelleS SoeurS: The MuSical': See WED.5, 8-11 p.m. 'dr. JeKyll and Mr. hyde': The Middlebury Actors Workshop presents Jeffrey Hatcher's cineMania: Cinema hounds flock to the adaptation of Robert Louis Stevenson's tale theater for French-language films by seasoned about a doctor unable to control his murderous filmmakers and rising talents. See festivalcindark side. Paramount Theatre, Rutland, 8 p.m. emania.com for details. Various Montréal loca$20. Info, 775-0903. tions, 7:45 p.m. $7-12.50. Info, 514-878-2882. 'Much ado aBouT noThing': Spaulding music High School students interpret Shakespeare's comedy about a pair Beginning piano leSSon: of young lovers who trigger a seGuided by Kim Hewitt, students ries of calamities. Spaulding High of all ages try their hands at the School, Barre, 7:30 p.m. $5-10. black-and-white keys. Compass Info, 476-4811. Music and Arts Center, Brandon, 3:30-5 p.m. $15; preregister 'oliver!': An orphaned boy for 30-minute time slot. Info, yearns to escape London's seedy 989-1694. underworld in this musical F TR adaptation of Charles Dickens' EN piano WorKShop: Pianists sit TC AMP classic tale Oliver Twist, presented B ELL down at the keyboard and let their by the Middlebury Community Players. fingers do the talking. Montpelier Senior Town Hall Theater, Middlebury, 7:30-10 p.m. Activity Center, 4-6 p.m. Free. Info, 223-2518. $15-23. Info, 382-9222. seminars 'Sound & fury': The Valley Players enliven Bob Dzikowicz's comedy about the dramapoWerful ToolS for caregiverS: Those prone occupants of two adjoining apartments. responsible for the medical needs of family Valley Players Theater, Waitsfield, 7:30 p.m. $10. members acquire beneficial self-care skills. Info, 583-1674. Fletcher Allen Health Care, Williston, 6-7:30 p.m. $30 suggested donation; preregister. Info, 'True WeST': Two estranged brothers must 658-1900, ext. 3903. face their issues when under the same roof in Sam Shepard’s dark comedy, staged by the talks Vermont Actors’ Repertory Theatre. Brick Box Theater, Paramount Theatre, Rutland, 7:30 p.m. Bill Maclay: The architect goes green $20. Info, 775-0903. in "From Net-Zero Buildings to Net-Zero Campuses, Communities and Planet." Withey words Hall, Green Mountain College, Poultney, 6:30 p.m. Free. Info, 287-8926. Brian adaMS: The environmentalist interweaves an awkward romance and global warm'of land & local': food culTure in a neW ing in his lighthearted page turner Love in the land: Teresa Mares, Jill Mudgett and Nepalese Time of Climate Change. See calendar spotlight. teen Keshav Pokhrel discuss the role of mulPhoenix Books, Burlington, 7 p.m. Free. Info, tigenerational culinary traditions. BCA Center, 448-3350. Burlington, 6-8 p.m. Free. Info, 846-2523. panel diScuSSion: "Will Pope Francis Change the Church?" sparks a dialogue among panelists. A Q&A follows. Digital Lounge, Dion Family Student Center, St. Michael's College, Colchester, 4:30 p.m. Free. Info, 654-2469. pride cenTer of verMonT Senior WoMen'S diScuSSion group: Femaleidentified members of the LGBTQ community consider topics of interest in a safe, comfortable setting. Pride Center of Vermont, Burlington, 3-5 p.m. Free. Info, 860-7812.

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plauderSTunde: Conversationalists with a basic knowledge of the German language test out their vocabulary over lunch. Zen Gardens, South Burlington, noon. Free; cost of food. Info, 862-1677.

ToM Blachly: The playwright and Shakespeare scholar chats about the Bard's impact on his personal and professional life in "Take Two Sonnets and Call Me in the Morning." Kellogg-Hubbard Library, Montpelier, 6:30 p.m. Free. Info, 223-3338. verMonT BacKcounTry foruM: A community conversation about the future of offtrail skiing and riding gives way to live music, multimedia presentations and a potluck dinner. Proceeds support the Rochester Area Sports Trails Alliance. Pierce Hall Community Center, Rochester, 6-11 p.m. Free; donations accepted; bring a dish to share; cash bar. Info, 989-0570. WaTer World lecTure SerieS: From flood plains to swimming holes, nature lovers learn about the north branch of the Winooski River and the Vermont River Conservancy's efforts to protect it. North Branch Nature Center, Montpelier, 6:30-8 p.m. $5. Info, 229-6206. Woof! dog coMMunicaTion in The huMan World: Is a wagging tail always a friendly invitation? A multimedia presentation demystifies various canine behaviors. For humans only; four-legged friends must stay at home. Old Barlow Street School, St. Albans, 7-8 p.m. Free; preregister. Info, 524-1500.


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FRI.7 art

Adult Wheel: Pottery newcomers learn basic wheel-working, then put their skills to use and create cups, mugs and bowls. BCA Center, Burlington, 8-10 p.m. $5-6 includes one fired and glazed piece; $5 per additional piece. Info, 865-7166. SWeet SIpS: Folks mingle over specialty cocktails while checking out work by Burlingtonbased ceramicist Alissa Faber. ONE Arts Center, Burlington, 7-9 p.m. $8; free for members. Info, oneartscollective@gmail.com.

comedy

FRIdAy NIght FIReS WIth the VeRmoNt Comedy dIVAS: Hillary Boone, Carmen Lagala, Josie Leavitt and Sue Schmidt deliver laugha-minute material. Local wine and tasty eats from Southern Smoke Barbecue round out the evening. Fresh Tracks Farm Vineyard & Winery, Montpelier, 5:30-8:30 p.m. $18; 30-35 for dinner and show; wine available by the glass. Info, 223-1151.

community

CommuNIty SeRVICe dAyS FoR SeNIoR CItIzeNS: See THU.6. WomeN'S CIRCle: Those who identify as women gather for readings, discussion and activities. The Wellness Co-op, Burlington, 5-6:30 p.m. Free. Info, 888-492-8218, ext. 302.

dance

education

fairs & festivals

GET TOGETHER

food & drink

deCAdeNt deSSeRt BASh: Revelers sip local wines and sample a smorgasbord of sweets at a benefit for the opera house featuring the Ray Vega Quintet. Vergennes Opera House, 7:3010:30 p.m. $25; cash bar. Info, 877-6737. FeASt oF FoolS ReleASe pARty: The Growlers entertain imbibers, who pair catered sweets with Magic Hat's seasonal raspberry stout. Magic Hat Brewing Company, South Burlington, 5:30-7:30 p.m. Free. Info, 658-2739. FISh FRy: Plates of crispy, golden-brown fish satisfy seafood lovers. VFW Post, Essex Junction, 6-7 p.m. $10 per plate. Info, 878-0700.

games

GET READY FOR GUESTS

BRIdge CluB: See WED.5, 10 a.m. A FIStFul oF CARNAge: Players with a love of strategy and adventure games sit down to tabletop bouts at a weekend convention. Killington Resort, 1-11:45 p.m. $55-65. Info, 436-2004.

health & fitness

AVoId FAllS WIth ImpRoVed StABIlIty: A personal trainer demonstrates daily exercises for seniors concerned about their balance. Pines Senior Living Community, South Burlington, 10-11 a.m. $5-6. Info, 658-7477. lAughteR yogA: Breathe, clap, chant and ... giggle! Participants reduce stress with this playful practice. Bring personal water. The Wellness Co-op, Burlington, noon-1 p.m. Free. Info, 999-7373. lIVINg StRoNg gRoup: A blend of singing and exercising enlivens a workout. Montpelier Senior Activity Center, 2-3 p.m. Free. Info, 223-2518. yogA CoNSult: Yogis looking to refine their practice get helpful tips. Fusion Studio Yoga & Body Therapy, Montpelier, 11 a.m. Free; preregister. Info, 272-8923.

GET YOUR GAME ON

holidays

ChRIStmAS mARket WIth A dIFFeReNCe: See THU.6. SANtA WoRkShop SAle: Shoppers fill up on homemade eats while browsing decorations, crafts and more. Waterbury Center Community Church, 9 a.m.-6 p.m. Free. Info, 244-8089.

kids

eARly BIRd mAth: One plus one equals fun! Youngsters and their caregivers gain exposure to mathematics through books, songs and games. Richmond Free Library, 11 a.m.-noon. Free. Info, 434-3036. FAmIly Wheel: Parents and kids visit the clay studio, where they learn wheel and hand-building techniques. BCA Center, Burlington, 5:307:30 p.m. $5-6 includes one fired and glazed piece; $5 per additional piece. Info, 865-7166.

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SEVEN DAYS

FAll FeStIVAl oF the ARtS: See THU.6. WeSt AFRICAN dANCe & dRum FeStIVAl: Internationally renowned artists from Guinea, Senegal and Mali join Burlington's Jeh Kulu Dance and Drum Theater for classes and performances. See jehkulu.org for details. See calendar spotlight. Burlington City Hall, 5:308:45 p.m. Prices vary. Info, 859-1802. WoodStoCk dIgItAl medIA FeStIVAl: Innovators in the field lend their expertise to keynote presentations, workshops and networking opportunities. The Woodstock Inn & Resort, 9 a.m.-6 p.m. Free. Info, info@woodstockdigital.com.

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11.05.14-11.12.14

SChool BoARd pReSeNtAtIoN: Members of the Montpelier School Board field questions from senior citizens about next year's school budget. Montpelier Senior Activity Center, 1-2 p.m. Free. Info, 223-2518.

'kolChAk: the NIght StAlkeR': Preserved 16mm footage revives the mid-1970s television series about a journalist who investigates crimes with sci-fi and supernatural leanings. Newman Center, Plattsburgh, N.Y., 7 p.m. Free. Info, serious_61@yahoo.com.com. mouNtAINFIlm oN touR: See WED.5, Grand Maple Ballroom, Davis Center, UVM, Burlington, 7-10 p.m. $10-15. Info, events@gearx.com. 'QuIetly INto dISASteR': See THU.6. 'A WIll FoR the WoodS': A terminally ill man explores eco-friendly end-of-life options in this award-winning documentary about green burial practices. A discussion follows. CarpenterCarse Library, Hinesburg, 6:30-9 p.m. Free. Info, andreahinesburg@gmail.com.

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BAllRoom & lAtIN dANCINg: WAltz: Samir Elabd leads choreographed steps for singles and couples. No partner or experience required. Jazzercize Studio, Williston, introductory lesson, 7-8 p.m.; dance, 8-10 p.m. $6-14. Info, 862-2269. eNglISh CouNtRy dANCe: Carol Compton, Aaron Marcus and Margaret Smith provide live music for newcomers and experienced movers alike. All dances are called and taught. Elley-Long Music Center, St. Michael's College, Colchester, introductory workshop, 7-7:30 p.m.; dance, 7:30-9:30 p.m. $10; bring a snack to share. Info, 899-2378. QueeN CIty tANgo pRACtIloNgA: Dancers kick off the weekend with improvisation, camaraderie and laughter. No partner necessary, but clean, smooth-soled shoes required. North End Studio B, Burlington, 7:30-10 p.m. $7. Info, 877-6648.

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'In the Shadow of the MountaIn' Student MatInee: Storyteller Lou Del Bianco portrays his grandfather Luigi Del Bianco in a depiction of the latter's contribution to the carving of Mount Rushmore. Barre Opera House, 10 a.m. $7; preregister. Info, 476-8188. MagIc: the gatherIng: Decks of cards determine the arsenal with which participants, or "planeswalkers," fight others for glory, knowledge and conquest. Brownell Library, Essex Junction, 6-8 p.m. Free; for grades 6 and up. Info, 878-6956. MuSIc wIth derek: See THU.6, Buttered Noodles, Williston, 10 a.m. Free. Info, 764-1810. robIn'S neSt nature PlaygrouP: Naturalist-led activities through fields and forests engage little ones up to age 5 and their parents. North Branch Nature Center, Montpelier, 9:30-11:30 a.m. Donations; preregister. Info, 229-6206. SongS & StorIeS wIth Matthew: Matthew Witten helps children start the day with tunes and tales of adventure. Brownell Library, Essex Junction, 10-10:45 a.m. Free. Info, 878-6956.

THE VALLEY PLAYERS THEATER PRESENTS 9/18/14 4:14 PM

12v-uvmclinicalresearch092414.indd 1

lgbtq

fIrSt frIday: DJs and drag acts make for a memorable queer dance party. Higher Ground, South Burlington, 9 p.m. $5-10. Info, 877-987-6487.

montréal

cIneManIa: See THU.6, 9 a.m.-11:30 p.m.

CONCERT IN C-FLAT

music

uvM concert band: D. Thomas Toner leads student performers in a wide-ranging repertoire that includes works by Sparke, Giroux, Sousa and others. UVM Recital Hall, Redstone Campus, Burlington, 7:30-9 p.m. Free. Info, 656-7776.

growIng older dIScuSSIon grouP: Andy Potok leads an informal chat that addresses thoughts and fears about aging. Montpelier Senior Activity Center, 10:30-11:30 a.m. Free. Info, 223-2518. Paula routly: The cofounder and publisher of Seven Days shares insights gained from 19 years at the helm of the Burlington-based altweekly. Faith United Methodist Church, South Burlington, 2 p.m. $5. Info, 864-3516.

fall bazaar: Handcrafted local goods complement homemade jellies, pickles and fudge at this benefit for the United Church of Fairfax. Baptist Building, Fairfax, 9 a.m.-2 p.m. Free. Info, 849-6313. Indoor yard Sale: Bargain shoppers check out toys, tools, books, furniture, clothing, household items and more at this benefit for the center's diversified occupations program. Hannaford Career Center, Middlebury, 8 a.m.-2 p.m. Free. Info, 382-1060. Suny PlattSburgh artS & craftS faIr: More than 140 artisans display their wares at this 42nd annual creative convention. SUNY Plattsburgh, N.Y., 10 a.m.-5 p.m. $3; free for SUNY Plattsburgh students and kids under 12. Info, 518-564-3054.

theater

comedy

talks

'and then there were none': See THU.6, 7:30-9:45 p.m. 'clybourne Park': See WED.5, 7:30 p.m. 'In the next rooM (or the vIbrator Play)': Dartmouth College students stage Sarah Ruhl's Victorian-era comedy about a doctor who uses electric vibrators to treat women with hysteria. For mature audiences. Moore Theater, Hopkins Center, Dartmouth College, Hanover, N.H., 8 p.m. $5-12. Info, 603-646-2422. 'In the Shadow of the MountaIn': Lou Del Bianco's solo show pays tribute to his grandfather, Luigi Del Bianco, a Barre stone artisan who become chief carver on Mount Rushmore. Barre Opera House, 7:30 p.m. $7-10. Info, 476-8188. 'Much ado about nothIng': See THU.6. 'olIver!': See THU.6. 'Sound & fury': See THU.6, 7:30 p.m. 'true weSt': See THU.6, 7:30 p.m. 'tyPhoon of tenderneSS': Accompanied by guitarist John Gagne, Dennis McSorley delivers a one-man show that traces a life from success to darkness and despair. Off Center for the Dramatic Arts, Burlington, 7:30 p.m. $15. Info, 657-4189.

anne JanSon: The Middlebury College affiliate artist joins the Vermont Virtuosi flute ensemble for a far-reaching program in "Pipe Dreams: Music for Multiple Flutes." Concert Hall, Mahaney Center for the Arts, Middlebury College, 8 p.m. Free. Info, 443-3168. ben Sollee: The genre-bending cellist and singer-songwriter showcases his innovative style in a mix of folk, bluegrass, jazz and R&B. words Jim and Sam and Tall Heights open. norwIch wrIterS SerIeS: Graphic Haybarn Theatre, Goddard College, artist Andy Belanger discusses Plainfield, 7:30 p.m. $15-20. Info, his work on the popular Kill 322-1685. Shakespeare comic book series. the duPont brotherS: Vocal Chaplin Hall Gallery, Northfield, 4 harmonies and intricate guitar p.m. Free. Info, 485-2886. stylings propel the siblings' signature Vermont-made Americana. Chandler Gallery, Randolph, 7:30 p.m. $19; $35 for Y OF 12v-valleyplayers102914.indd 1 10/27/14 3:31 PMtwo. Info, 728-6464. TH RS ED U P O NT BRO T HE activism fIrSt frIday PIano concert: Teddy Ninh makes the black-and-white keys dance. eMPty bowl dInner: A simple meal Brownell Library, Essex Junction, 6-6:30 p.m. served in handmade pottery raises funds Free. Info, 878-6955. for HOPE, Addison County Food Shelves and the Champlain Valley Office of Economic howard fIShMan: In "The Basement Tapes Opportunity. United Methodist Church, Project," the guitarist and composer distills Middlebury, 6-8 p.m. $25 includes a take-home the acclaimed 1967 underground recordings bowl. Info, 388-7276. made by Bob Dylan and the Band. FlynnSpace, Burlington, 8 p.m. $30. Info, 862-5966. JuStIce: actIonS for Safe SPaceS: A daylong program addresses street harasslyle lovett: Backed by his all-star band, the ment with an activist panel, a workshop led Grammy Award winner lends his vocal and Shawna Potter of Hollaback! Baltimore, and a lyrical gifts to originals and covers. Paramount screening of the documentary War Zone. Chase • 4,500+ mile fiber network in NY and NE Theatre, Rutland, 8 p.m. $74.50; limited space. Community Center, Vermont Law School, South Info, 775-0903. • Carrier-grade network; speeds to 100 gigabits Royalton, 8:30 a.m. Free; preregister; meals roy hurd wIth Jeff rendInaro: The • Business voice, data, and Internet solutions: provided. Info, 831-1228. LAN/WAN, Hosted PBX, Cisco IP Phones seasoned performers pair up for an evening

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of acoustic tunes. Unitarian Universalist Fellowship, Plattsburgh, N.Y., 7:30 p.m. $10. Info, 518-561-6920. StarlIne rhythM boyS: Vermont's masters of honky tonk perform a benefit concert for U.S.Japan Technical Connections, Inc. Hilltop Inn, Montpelier, 7:30 p.m. 802-371-8638. Info, $30; $50 per couple; cash bar.

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bazaars

craft faIr & SIlent auctIon: Dozens of crafters from Vermont and New York offer handmade items alongside baked goods at this fundraiser for Project Graduation. Mount Abraham Union High School, Bristol, 10 a.m.3:30 p.m. Free. Info, 453-2333.

Steven wrIght: The Academy Award-winning comedian, actor and writer elicits big laughs with his signature deadpan delivery. Barre Opera House, 8 p.m. $26-39.50. Info, 476-8188.

community

verMont workerS’ center 16th annIverSary dInner: Supporters of the organization celebrate its achievements and leadership over the years. Old Labor Hall, Barre, 6 p.m. Donations; preregister. Info, 861-4892. waterbury for rowan: Live music and dancing set the tone for kids activities and a silent auction at this benefit for Rowan Dodge, a 7-year-old girl battling kidney cancer. Tanglewood's Restaurant, Waterbury Center, 5-9:30 p.m. $10 suggested donation. Info, 279-7379.

dance

contra dance & Potluck dInner: Live music propels this traditional New England social dance. All dances are called and taught. Caledonia Grange, East Hardwick, potluck, 5:30 p.m.; dance, 6:30 p.m. $4-7; bring a dish to share. Info, 472-5584. norwIch contra dance: David Millstone calls the steps at the 34th anniversary dance featuring lively tunes and potluck fare. Tracy Hall, Norwich, 8 p.m. $5-8; free for kids under 16; by donation for seniors; bring a dish to share. Info, 785-4607.

education

lake chaMPlaIn waldorf School oPen houSe: Campus tours, presentations and a craft activity introduce prospective students and their parents to the education model. Lake Champlain Waldorf School, Shelburne, 10 a.m.noon. Free; preregister. Info, 985-2827, ext. 12.

etc.

'the bIg PIcture 2014': An evening of catered fare, live entertainment, auctions and more raises funds for River Arts. Robert C. Folley Performance Hall, River Arts, Morrisville, 6 p.m. $50; preregister. Info, 888-1261. dIwalI nIght: Indian food, music, dance and crafts channel the best of the Hindu Festival of Lights. Grand Maple Ballroom, Davis Center, UVM, Burlington, 6 p.m. $10-20. Info, 269-2746827, sjain4@uvm.edu. hunger MountaIn co-oP food & wellneSS exPo: Locals sample artisan breads, cheeses, sweets and treats while learning about wellness resources in central Vermont. Montpelier City Hall, 10:30 a.m.-3 p.m. Free; donations of nonperishable food items accepted. Info, 223-8000, ext. 202. StaMP Show: First-class collectibles provide a glimpse into the postal past at this annual gathering hosted by the Chittenden County Stamp Club. Champlain Valley Exposition, Essex Junction, 9:30 a.m.-3 p.m. Free. Info, gestus@ vermontps.org.


fairs & festivals

Fall Festival oF the arts: See THU.6, 2 & 7:30 p.m. international Festival: World music meets traditional dance styles and global cuisine at this multicultural happening. Tarrant Student Recreational Center, St. Michael's College, Colchester, 5-9:30 p.m. $5; free for St. Michael's students with ID. Info, 654-2663. West aFrican Dance & Drum Festival: See FRI.7, 10 a.m.-5 p.m. & 8 p.m.

film

BrattleBoro Film Festival: See WED.5, 9:30 a.m.-10 p.m. inDigenous PeoPles movies: Films from ethnographer Ned Castle and award-winning filmmaker Matt Day explore basket-making, drumming, language and fellowship. ECHO Lake Aquarium and Science Center/Leahy Center for Lake Champlain, Burlington, 2 p.m. Free with admission, $10.50-13.50. Info, 877-324-6386. mountainFilm on tour: See WED.5, Proceeds benefit the Waitsfield Children's Center. Big Picture Theater and Café, Waitsfield, 6:15-10 p.m. $20. Info, 496-8931. 'short term 12': A supervisor at a home for troubled teens struggles to reconcile the realities of her world in Destin Daniel Cretton's award-winning drama. Dana Auditorium, Sunderland Language Center, Middlebury College, 3 & 8 p.m. Free. Info, 443-3168. WooDstock Film series: Can modern technology compete with a 17th-century creative genius? Inventor Tim Jenison is determined to uncover the methods of painter Johannes Vermeer in the 2013 documentary Tim's Vermeer. Billings Farm & Museum, Woodstock, 3 & 7 p.m. $5-11; preregister; limited space. Info, 457-2355.

food & drink

GIVEAWAYS! Including lift passes, gear, and a snowboard! And a FREE pint of beer provided by Otter Creek Brewing! Cash bar and lite snacks by Sugarsnap.

Video Series

For the 21+ crowd. Thurs., Nov. 13, 7 p.m. to 9 p.m. Members: $20, Non-members: $25

FREE Burton Riglet Outdoor Park for ages 3 to 8 yrs. old Sat., Nov. 15 10 a.m. to 2 p.m.

games

a FistFul oF carnage: See FRI.7, 8 a.m.-11:45 p.m.

health & fitness

montPelier memory caFé: People with memory loss and their caregivers bond over music, movement and interactive games. Montpelier Senior Activity Center, 10-11:30 a.m. Free. Info, 223-2518. r.i.P.P.e.D.: See WED.5, 9-10 a.m.

Visit echovermont.org for more information. ECHO Lake Aquarium & Science Center @ECHOvt

BURLINGTON, VERMONT

holidays

christmas Bazaar: Baked goods and a homemade lunch sustain shoppers as they browse offerings ranging from woodworking to knitwear and beyond. United Church of Colchester, 9 a.m.-4 p.m. Free. Info, 862-1595. christmas market With a DiFFerence: See THU.6, 10 a.m.-1 p.m. holiDay Bazaar: Handmade gifts, knitted items, quilts, attic treasures and more fill tables for the 90th year running. Congregational Church, Middlebury, 9 a.m.-3 p.m. Donations. Info, 388-7634. milton Pre-christmas craFt shoW: More than 70 crafters display their handiworks, to the delight of seasonal shoppers. Milton Middle/ High School, 9 a.m.-4 p.m. Free; nonperishable food items accepted. Info, 893-7387. santa WorkshoP sale: See FRI.7, 9 a.m.-3 p.m.

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kids

celeBration oF Writing: Workshops and readings precede the release of the Young Writers Project's Anthology 6. Special guests include Vermont College of Fine Arts president Thomas Greene and the Millennial Writers. College Hall, Vermont College of Fine Arts, Montpelier, 9:30 a.m.-5 p.m. Free; preregister. Info, 324-9538. DeirDre gill: Readers join the author for the launch of Outside. Themed crafts, a reception and a book signing complete the afternoon. Phoenix Books, Burlington, 2 p.m. Free. Info, 448-3350. 'Doll & me' tea Party: Kiddos ages 3 through 12 bring their favorite dolls to a cup-and-saucer affair inspired by the theme "Enchanted Seas." Keepsake portraits, mementos and more complete this benefit for Northern Vermont Ballet. Church of the Rock, St. Albans, 11:30 a.m. & 3 p.m. $20; preregister. Info, 393-8655.

SEVEN DAYS CALENDAR 57

SAT.8

11.05.14-11.12.14

Burlington Winter Farmers market: Farmers, artisans and producers offer fresh and prepared foods, crafts, and more in a bustling indoor marketplace with live music, lunch seating and face painting. Memorial Auditorium, Burlington, 10 a.m.-2 p.m. Free. Info, 310-5172. chocolate tasting: A hands-on sensory workshop introduces participants to the nuances of taste and how they relate to the flavor profiles of chocolate. Lake Champlain Chocolates Factory Store & Café, Burlington, noon-4 p.m. Free. Info, 448-5507. Firkin Festival: Regional breweries serve up seasonal suds conditioned in nine-gallon containers. Local fare from area food vendors rounds out the day. Four Quarters Brewing, Winooski, noon-3 p.m. $40 includes tasting glass and 10 samples; limited space; for ages 21 and up. Info, brian@fourquartersbrewing.com. german Dinner: Live music entertains diners, who sit down to a traditional spread of chicken schnitzel, red cabbage with apples, strudel and more. Good Shepherd Lutheran Church, Jericho, 4:30, 5:45 & 7 p.m. $5-14; preregister. Info, 899-3932. greek Pastry sale & Dinner: Phyllo-dough delights including baklava and spinach pie complement hearty offerings of chicken souvlaki and beef gyros. Greek Orthodox Church Community Center, Burlington, pastry sale, 10 a.m.; dinner and takeout, 11 a.m. Cost of food. Info, 862-2155. heirloom aPPle tasting & aPPlesauce making: Foodies of all ages learn about different varieties of Vermont's signature fruit at the Burlington Winter Farmers Market. Memorial Auditorium, Burlington, 10 a.m.-2 p.m. Free. Info, 861-9700.

lasagna suPPer: Pans of cheesy baked pasta are the centerpiece of a buffet of greens, bread and dessert. Vergennes United Methodist Church, 5-6:30 p.m. $4-8; takeout available. Info, 877-3150. miDDleBury Winter Farmers market: Crafts, cheeses, breads, veggies and more vie for spots in shoppers' totes. Mary Hogan Elementary School, Middlebury, 9:30 a.m.-1 p.m. Free. Info, 989-7223. rutlanD Winter Farmers market: More than 50 vendors offer produce, cheese, C homemade bread and other made-in-Vermont M products at the bustling indoor venue. Vermont Farmers Food Center, Rutland, 10 a.m.-2 p.m. Y Free. Info, 753-7269. Wine & FooD Festival: Gourmands graze on CM locally made products at this annual benefit MY for the Chittenden Emergency Food Shelf. Shelburne Vineyard, 11 a.m.-5 p.m. Donations ofCY nonperishable food items. Info, 985-8222. CMY Wine tasting: Newly released Californian Meritage blends please discerning palates. K Trapp Family Lodge, Stowe, 4-6 p.m. $20; preregister. Info, 253-5742.

Photo: Kimmy Fasani © Burton

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calendar

SUASAN SMEREKA, CARE (DETAIL)

SAT.8

NISSA KAUPPILA LESLIE FRY ALEXA ND R A HELLER SUSA N SMEREKA

THROU G H NOVEMBER 29 T H

135 CHURCH STREET FOURTH FLOOR, BCA CENTER BURLINGTON, VERMONT V T M E T R O G A L L E R Y .O R G 6H-BCA110514.indd 1

Comfort foods served by t

11/3/14 3:12 PM

NOVEMBER he firepl

a ce

'belleS SoeurS: the muSICal': See WED.5, 8-11 p.m. CInemanIa: See THU.6, 9:30 a.m.-10 p.m.

music

• Cranberry Waffles with Maple Cranberry Syrup • Turkey Hash with 2 Eggs any style and Butternut Home Fries • Lobster Benedict • Lobster Roll

UR

• Grilled Monte Cristo Wrap with Ham, Turkey, Swiss Cheese

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11.05.14-11.12.14

SEVENDAYSVt.com

Now Booking Holiday Parties

Breakfast • Lunch • Dinner • Sunday Brunch 1117 Williston Road • South Burlington • 802-660-7523

10/27/14 12:20 PM

The Art of Giving —:— The Giving of Art at the Compass Music and Arts Center Mary Cliver • Barb DeHart • Barbara Gutheil Sarah Hewitt • Jill Kleinman • Sara Longworth

SEVEN DAYS

Cristina Pellechio • Kristen Varian • Andrea Varney Divine Art Recordings Group

November 7 through January 11

58 CALENDAR

Enter into the spirit of the holiday season and find a gift you can’t wait to give

333 Jones Drive • Park Village• Brandon www.cmacvt.org 802-247-4295 6h-compassart110514-bw.indd 1

11/3/14 3:47 PM

one FInal Fall FlIng: Carol Ann Jones, Will patton, the Missiquoi River Band and others put on a concert to remember. Enosburg Opera House, Enosburg Falls, 7 p.m. $15; cash bar. Info, 933-6171. paul aSbell: The gifted guitarist dazzles music lovers as part of the Adamant Winter Music Series. Adamant Community Club, optional potluck at 5:30 p.m.; show, 7 p.m. $10-15; bring a dish to share. Info, 456-7054. perlman muSIC program: CelebratIon ConCert: Maestro Itzhak perlman conducts alumni of the program in a spirited concert of chamber music masterworks. Spruce peak performing Arts Center, Stowe Mountain Resort, 7:30 p.m. $20-45. Info, 760-4634. SoCIal banD: Local singers lend their voices to "Streams of Mercy," a themed program of poetry and music. Richmond Free Library, 7:30 p.m. $15 suggested donation. Info, info@ socialband.org. SwIng noIre: An intimate show performed in the spirit of Django Reinhardt and Stephane Grappelli channels the early days of American hot jazz. Brandon Music, 7:30 p.m. $15; $35 includes dinner; BYOB; preregister. Info, 465-4071. traCy grammer: The folk troubadour known for her astounding alto and prowess on the violin and guitar belts out catchy tunes. See calendar spotlight. Tunbridge Town Hall, 7:30 p.m. $15. Info, 431-3433. uvm Symphony orCheStra ConCert: Led by conductor Yutaka Kono, student musicians present a varied repertoire. UVM Recital Hall, Redstone Campus, Burlington, 7:30-9 p.m. Free. Info, 656-7776.

burlIngton CIvIC Symphony: Daniel Bruce leads local musicians in a program of works by Schumann and Mussorgsky. Elley-Long Music Center, St. outdoors Michael's College, Colchester, 7:30 bIrD monItorIng walk: p.m. $5-15. Info, 839-9067. Experienced birders lead a ChrIStopher o'rIley: morning excursion in search of Innovative arrangements various species in their natural from the classical pianist reihabitats. Green Mountain magine songs by R.E.M., pink Audubon Center, Huntington, Floyd and others. FlynnSpace, 8-10 a.m. Donations. Info, TE Burlington, 8 p.m. $35. Info, SY OF 434-3068. W EN 863-5966. D Y LY NC H earthwalk SkIllS For aDultS: Dartmouth Symphony orCheStra: From medicinal teas to pickles and pancakes, Student musicians interpret works by Mozart, folks learn how to identify, harvest and prepare Brahms and Beethoven under the guidance wild roots for food and medicine. Goddard of Anthony princiotti. Spaulding Auditorium, College, plainfield, 1-4 p.m. $25; preregister; Hopkins Center, Dartmouth College, Hanover, limited space. Info, 454-8500. N.H., 8 p.m. $5-15. Info, 603-646-2422. moonlIt wagon rIDeS: Families explore the Dave keller banD: The Montpelier-based farm the old-fashioned way, soaking up seasonrockers bring funky, soulful blues to the al sights as they go. Light snacks and activities Burnham Music Series. Burnham Hall, Lincoln, 7 provided. Shelburne Farms, 5:15, 6, 6:45 & 7:30 p.m. $8. Info, 388-6863. p.m. $7-10; free for kids 2 and under; preregiselDerSong projeCt: Erik Nielsen presents ter. Info, 985-8686. "Until Time Itself," a composition for soprano, mount manSFIelD hIke: Walkers maintain a clarinet and piano that sets five poems by strong pace on an ascent to the Chin. Contact Vermont poets to music. A panel discussion leader for details. Mount Mansfield State follows. Montpelier Senior Activity Center, 2-3 Forest, Stowe, 9 a.m. Free; preregister. Info, p.m. $10 suggested donation. Info, 223-2518. 878-4036. eleva Chamber playerS: Works by Vermont wagon rIDe weekenD: A seasonal celebracomposers pair with selections from Fela tion comes complete with narrated horseSowande, paul perley and others in a program drawn hay rides and themed activities. Billings of old-world-inspired folk music. Waterbury Farm & Museum, Woodstock, 10 a.m.-4 p.m. Congregational Church, 7:30-9:30 p.m. $10-20. $4-14; free for kids 2 and under. Info, 457-2355. Info, 244-8354. FIDDle-banjo DuetS workShop: Demos seminars and instruction from accomplished local musi3D prIntIng, DeSIgnIng & SCannIng wIth cians explore the instruments' synergistic blu-bIn: Instruction in basic programs teaches relationship. Vermont Violins, Montpelier, 1-3 attendees how to build digital models of their p.m. $25. Info, 917-1186. ideas. Blu-Bin, Burlington, noon-1:30 p.m. Free; moDern graSS QuIntet & bob amoS & preregister. Info, 345-6030. Catamount CroSSIng: Two of Vermont's DIgItal vIDeo eDItIng: Final Cut pro users top bluegrass bands join forces for an evening get familiar with the most recent version of the of toe-tapping tunes. Noble Lounge, Vermont editing software. prerequisite of VCAM Access College of Fine Arts, Montpelier, 8-10 p.m. $15Orientation or equivalent, or instructor's per18. Info, 658-2462. mission. VCAM Studio, Burlington, 11 a.m. Free. Info, 651-9692, bill@vermontcam.org. CO

• Duke’s Shepherd’s Pie with Turkey, Corn and Sweet Potato

• Butternut Squash Soup

Drop-In Story tIme: A weekly selection of music and books entertains children of all ages. Burnham Memorial Library, Colchester, 10-10:30 a.m. Free. Info, 264-5660. FamIly tInker SerIeS: CanneD poetry: Wordsmiths young and old pen original verse or craft poems from upcycled books and magazines, to be housed in tin cans. Fairfax Community Library, 10 a.m.-noon. Free. Info, 849-2420. FreewheelIng FabrIC artS For FamIlIeS: Kids and parents transform textiles into eyecatching prints, patches and pockets. ONE Arts Center, Burlington, noon-3 p.m. $25-30 per adult/child pair; $10 per additional child. Info, oneartscollective@gmail.com. one-on-one tutorIng: See WED.5, 9:30 a.m.-3 p.m. Story explorerS: a SeeD IS Sleepy: What makes these protein powerhouses so special? A themed tale gives curious kiddos the answers. ECHO Lake Aquarium and Science Center/ Leahy Center for Lake Champlain, Burlington, 10:30 a.m. Free with admission, $9.50-12.50. Info, 877-324-6386.

montréal

Come in from the cold to enjoy a few of Duke’s favorites. All Day, Every Day!

• Vermont Lover’s Hard Cider Mac and Cheese

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How to Find tHat Missing ancestor: Tom DeVarney provides tips for overcoming obstacles when researching different branches of one's family tree. Vermont Genealogy Library, Fort Ethan Allen, Colchester, 10:30 a.m.-noon. $5. Info, 310-9285.

talks

HeatHer BarBer: The leading sports psychologist illustrates the power of team sports in "Play Like a Girl?: Yes! Creating Confidence and Motivation in Girls Through Soccer." McCarthy Arts Center, St. Michael's College, Colchester, 2 p.m. Free. Info, 654-2795. second saturday Lecture: Historian Brennan Gauthier travels back in time in "Friends of France: Barre Mayor John Aubrey Gordon and the American Field Service in World War I." Vermont History Center, Barre, 2-3 p.m. $3-5. Info, 479-8500.

theater

'and tHen tHere were none': See THU.6, 7:30-9:45 p.m. 'cLyBourne Park': See WED.5, 7:30 p.m. 'in tHe next rooM (or tHe ViBrator PLay)': See FRI.7. 'MucH ado aBout notHing': See THU.6. 'oLiVer!': See THU.6. 'ransoM': The White River Valley Players interpret Dick Robson's historical drama with music, inspired by the written correspondences of Civil War soldier and Vermont native Ransom W. Towle. Chandler Music Hall, Randolph, 7:30 p.m. $10-15. Info, 728-6464. 'sound & Fury': See THU.6, 7:30 p.m. 'true west': See THU.6, 7:30 p.m. 'tyPHoon oF tenderness': See FRI.7.

sun.9 activism

HarVest Barter Fair: My canned tomatoes for your homemade bread? Locavores swap handmade goods at this informal gathering. Lakeview Union School, Greensboro, 2-4 p.m. Free; bring items with an estimated value of $5, or $5 increments to swap. Info, 755-6336. west aFrican dance & druM FestiVaL: See FRI.7, 9:30 a.m.-6:15 p.m.

film

BrattLeBoro FiLM FestiVaL: See WED.5, noon-10 p.m. indigenous PeoPLes MoVies: See SAT.8.

games

a FistFuL oF carnage: See FRI.7, 8 a.m.-5 p.m. sHriners suPer Bingo: Players with five in a row win big at this monthly meet-up. Champlain Valley Exposition, Essex Junction, 12:30-5 p.m. $30 for 12 cards. Info, 434-2055.

nia witH suzy: Drawing from martial arts, dance arts and healing arts, sensory-based movements inspire participants to explore their potential. South End Studio, Burlington, 9-10 a.m. $14. Info, 522-3691. sunday sangHa: coMMunity asHtanga yoga: Students of all ages and skill levels hit the mat to breathe through a series of poses. Grateful Yoga, Montpelier, 5:40-7 p.m. $1-20 suggested donation. Info, 224-6183.

holidays

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10/24/14 10:33 AM

Looking for Housing? Burlington: Share a home with a professional/artist in her 50s for $400/month (plus utilities). Must be dog- and cat-friendly!

kids yoga: Yogis ages 3 through 7 gain strength and balance while learning how to focus and relax. Grateful Yoga, Montpelier, 4:155:15 p.m. $12. Info, 224-6183. russian PLay tiMe witH natasHa: Youngsters up to age 8 learn new words via rhymes, games, music, dance and a puppet show. Buttered Noodles, Williston, 11-11:45 a.m. Free. Info, 764-1810.

language

diMancHes FrencH conVersation: Parlezvous français? Speakers practice the tongue at a casual drop-in chat. Local History Room, Fletcher Free Library, Burlington, 4-5:30 p.m. Free. Info, 363-2431.

montréal

aLdo Mazza & Friends: The internationally recognized drummer keeps the beat in a performance featuring Anders Åstrand and the renowned quartet Répercussion. Segal Centre for Performing Arts, Montréal, 8-10 p.m. $25-30. Info, 514-739-7944. 'BeLLes soeurs: tHe MusicaL': See WED.5, 2-5 & 7-10 p.m. cineMania: See THU.6, 9 a.m.-11 p.m.

SUN.9

Shelburne: Share a home with a 91-year-old history buff, and cook 3-4 meals/week, help with laundry and housekeeping. $200/month.

Monkton: Share a home with lovely mountain views with a woman in her 50s. $400/month (plus utilities). Private half bath.

St. Albans: Share an apartment with a senior woman, and pay no rent in exchange for cooking, and medication reminders.

…and many more!

HOMESHARE 863-5625 HomeShareVermont.org

CALENDAR 59

FaLL FestiVaL oF tHe arts: See THU.6, 3 p.m.

RT 7 Shelburne Road • Shelburne, VT • 985-2204 www.TheLightingHouse.net • Open 7 Days A Week

SEVEN DAYS

fairs & festivals

Qualifying products are reduced in cost through the Efficiency Vermont SMARTLIGHT program

11.05.14-11.12.14

israeLi FoLk dancing: All ages and skill levels convene for circle and line dances, which are taught, reviewed and prompted. No partner necessary, but clean, soft-soled shoes are required. Ohavi Zedek Synagogue, Burlington, 7:30-9:30 p.m. $2; free first session. Info, 730-2174.

*Supplies Limited

SEVENDAYSVt.com

kids

dance

Come visit The Lighting House for a wide selection of LED bulbs – Starting at $4.99.

health & fitness

bazaars

HowL in tHe 21st century: A community forum details the history of Huntington Open Women's Land — including the forward-thinking females who founded it in the mid-1980s. Community Room, Fletcher Free Library, Burlington, 2-4 p.m. Free. Info, 598-5868. Hunger Mountain co-oP MeMBer-owner Meeting: Folks mingle over brunch while learning about current happenings at the coop. Montpelier City Hall, 11:15 a.m.-2 p.m. Free; preregister. Info, 223-8000, ext. 202.

*After $15 rebate

Vegetarian & gLuten-Free HoLiday cooking: Chef Lisa Ruoff demonstrates alternative recipes such as crimini mushroom gravy and cranberry-apple quinoa. McClure Multigenerational Center, Burlington, 3-5 p.m. $5-10; preregister at citymarket.coop; limited space. Info, 861-9700.

HoLiday decoration deMonstration: Former floral designer Lynne Boie gives stepby-step instruction for creating a Thanksgiving centerpiece and an evergreen wreath. Henry Sheldon Museum of Vermont History, Middlebury, 2-4 p.m. $10-12; preregister. Info, 388-2117.

community

Value

$4.99

food & drink

candLeLigHt VigiL & MarcH: Folks join members of the UVM community to honor the memory of Michael Brown and call attention to the circumstances surrounding his recent death in Ferguson, Mo. Bailey/Howe Library, UVM, Burlington, 4:30-6:30 p.m. Free. Info, c.luong8@gmail.com.

suny PLattsBurgH arts & craFts Fair: See SAT.8, 10 a.m.-4 p.m.

12 years from now this LED bulb will still be saving you money.

Finding you a home that’s affordable!

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music

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Shelburne Vineyard 6th Annual

A Benefit for The Chittenden County Emergency Food Shelf

Saturday, November 8

11am - 5pm

Free Wine Tasting • Free Specialty Food Samples Shop for Dinner or Holiday Gifts • Raffle to Benefit the Food Shelf Studio Cacao Chocolates • Douglas Sweets • It’s Arthur’s Fault • Vermont Creamery • Rustic Roots Eden Ice Cider • Artesano Mead • Heated Patio Tent Supplied by Vermont Tent

6308 Shelburne Rd. Shelburne Between Shelburne Museum and VT Teddy Bear 802.985.8222 www.shelburnevineyard.com

Questions? Email epscor@uvm.edu, phone 656-7931, or visit us on the web at uvm.edu/EPSCoR

11.05.14-11.12.14

SEVENDAYSVt.com

Sumptuous Syrups of VT • Good Comida • VT Smoke and Cure • Two Guys in Vermont

Call for Proposals

11/3/14 9:56 AM

Two Funding Opportunities for VT Small Businesses NEW THIS YEAR! Vermont EPSCoR Pilot Projects

Funding opportunity for Vermont small businesses, in partnership with university faculty, to develop projects that are aligned with the current VT EPSCoR RII Track-1 grant, Research on Adaptation to Climate Change in the Lake Champlain Basin (RACC).

SEVEN DAYS

• Maximum amount of each grant in $10,000 • Deadline for submission: January 28, 2015 • Full submission details may be found at uvm.edu/epscor/redir/pilot

Vermont EPSCoR Small Business Innovation Research / Small Business Technology Transfer (SBIR/STTR) Phase (0)

60 CALENDAR

GSR Solutions releases findings from a feasibility study on a sustainable distillate fuel production facility in Chittenden County (l to r) Mark Blanchard, Ray Albrecht, Matt Cota, Clark Hinsdale III, Anju Dahiya, co-founder of Burlington-based GSR Solutions, and Phase (0) awardee, Todd Campbell and Rich Altman

Funding provided by NSF EPS 1101317

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outdoors

Wagon riDe WeekenD: See SAT.8. WinD gaP hike: Nature lovers pass a fastflowing brook, beaver ponds and the Montclair Glen Lodge on a trek up Camel's Hump. Contact trip leader for details. Camel's Hump State park, Duxbury, 9 a.m. Free; preregister; limited space. Info, 399-4285.

seminars

Free Admission with non-perishable item for the Food Shelf

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Dartmouth College glee Club: Led by Louis Burkot, student vocalists bring Fauré’s Requiem to life. Rollins Chapel, Dartmouth College, Hanover, N.H., 2 p.m. $9-10. Info, 603-646-2422. eleva Chamber Players: See SAT.8, First Universalist Church, Barre, 3-5 p.m. $10-20. Info, 244-8354. me2/orChestra: A concert honoring veterans features works by Antonín Dvořák and Johann Strauss. White River Junction VA Medical Center, 4-4:45 p.m. Free; donations accepted. Info, 238-8369. soCial banD: See SAT.8, Charlotte Congregational Church, 3 p.m. $15 suggested donation. Info, info@socialband.org. vermont WinD ensemble ConCert: A program in contrasts features Frank Ticheli's Angels in the Architecture and Nikolai RimskyKorsakov's Russian Easter Overture, among other works. UVM Recital Hall, Redstone Campus, Burlington, 3-4:30 p.m. Free. Info, 656-7776.

Funding opportunity for Vermont small businesses to compete for grants to foster research and development projects which will lead to applications to federal SBIR / STTR programs. • Maximum amount of each grant in $15,000 • Deadline for submission: January 14, 2015 • Full submission details may be found at uvm.edu/epscor/redir/sbir 9/30/14 6:30 PM

First FooDs: tiPs For neW Parents: Moms, dads and caregivers discover ways to meet the nutritional needs of babies ranging in age from 6 months to 1.5 years old. City Market/Onion River Co-op, Burlington, 10:30-11:30 a.m. $5-10; preregister at citymarket.coop; limited space. Info, 861-9700.

sports

CoeD Floor hoCkey: See WED.5, Montpelier Recreation Department, 3-6 p.m. $5. Info, bmfloorhockey@gmail.com.

talks

teDx miDDlebury: presenters share stories related to the theme "Living in the Question: The Ongoing process of Curiosity." Concert Hall, Mahaney Center for the Arts, Middlebury College, 10 a.m. $8-16. Info, 443-3168.

theater

'Clybourne Park': See WED.5, 5 p.m. 'in the next room (or the vibrator Play)': See FRI.7, 2 p.m. national theatre live: Bill Nighy and Carey Mulligan star in a broadcast production of David Hare's Skylight, about former lovers who cross paths and find themselves at odds with each other. paramount Theatre, Rutland, 2 p.m. $17. Info, 775-0903. 'oliver!': See THU.6, 1:30-4 p.m. 'sounD & Fury': See THU.6, 7:30 p.m. 'true West': See THU.6, 2 p.m.

words

arCher mayor: Detective Joe Gunther faces new challenges in Proof Positive, the latest novel in the local author's best-selling Vermont-based mystery series. Stone Church, Chester, 2 p.m. Free. Info, 875-2400.

mon.10 art

liFe DraWing: Artists use their own materials to capture the poses of a live model. BCA Center, Burlington, 6:30-8:30 p.m. $6-8. Info, 865-7166.

community

native ameriCan heritage month: See THU.6, 7 p.m. vermont Women's FunD 20th anniversary beneFit: pulitzer prize-winning columnist Maureen Dowd keynotes an evening that celebrates the state's first and only philanthropic resource dedicated solely to women's causes. Davis Center, UVM, Burlington, 5:307:30 p.m. $50-250. Info, 388-3355.

dance

easy international Folk-style DanCing: Folks of all experience levels form a circle, where they learn ancient and modern village dances. Ohavi Zedek Synagogue, Burlington, 4-5:15 p.m. Free. Info, 978-424-7968.

film

'maiDentriP': Jillian Schlesinger's 2013 documentary follows teenager Laura Dekker as she pursues her dream of sailing around the world solo. Bentley Hall, Johnson State College, 6-8 p.m. Free. Info, 635-1408.

games

briDge Club: See WED.5, 7 p.m. trivia night: Teams of quick thinkers gather for a meeting of the minds. Lobby, Hotel Vermont, Burlington, 7-9 p.m. Free. Info, 651-5012.

health & fitness

avoiD Falls With imProveD stability: See FRI.7. beginner tai Chi For health & balanCe: An open class welcomes students of all abilities for warm-ups, form practice and meditation. Ohavi Zedek Synagogue, Burlington, 5:15-7 p.m. $25 for entire series. Info, 978-424-7968. gooD sex: is there an herb For that?: participants learn about integrated sexuality, the anatomy of arousal and herbs that support sexual intimacy. Vermont Center for Integrative Herbalism, Montpelier, 6-8 p.m. $10-12; preregister. Info, 224-7100. living strong grouP: See FRI.7, 2:30-3:30 p.m. monDay-night Fun run: Runners push past personal limits at this weekly outing. peak performance, Williston, 5:30 p.m. Free. Info, 658-0949. r.i.P.P.e.D.: See WED.5.

kids

aliCe in nooDlelanD: Youngsters get acquainted over crafts and play while new parents and expectant mothers chat with maternity nurse and lactation consultant Alice Gonyar. Buttered Noodles, Williston, 10-11 a.m. Free. Info, 764-1810. homeWork helP: See WED.5. kiDs yoga: A fun-filled class encourages students ages 8 through 12 to focus, be creative and work together. Grateful Yoga, Montpelier, 4:15-5:15 p.m. $12. Info, 224-6183. musiC With Peter: preschoolers up to age 5 bust out song-and-dance moves to traditional and original folk tunes. Dorothy Alling Memorial Library, Williston, 11 a.m. Free; limited to one session per week per family. Info, 878-4918. one-on-one tutoring: See WED.5, 5-8 p.m. PresChool story time: See THU.6.


liSt Your EVENt for frEE At SEVENDAYSVT.COM/POSTEVENT

StorieS With Megan: Captivating tales entertain good listeners ages 2 through 5. Fletcher Free Library, Burlington, 11-11:30 a.m. Free. Info, 865-7216. trad Band: Intermediate musicians practice under the tutelage of Colin McCaffrey. See summit-school.org for details. Union Elementary School, Montpelier, 3:30-4:30 p.m. $10-15; preregister; limited space. Info, 917-1186.

language

advanced SpaniSh LeSSonS: proficient speakers sharpen their skills in discussions of literature and current events. private residence, Burlington, 5-6:30 p.m. $20. Info, 324-1757.

lgbtq

LgBt Book diScuSSion SerieS: Bibliophiles give feedback about Jennifer Finney Boylan's Stuck in the Middle With You. Kellogg-Hubbard Library, Montpelier, 6:30 p.m. Free. Info, 223-3338.

montréal

'BeLLeS SoeurS: the MuSicaL': See WED.5, 7 p.m. cineMania: See THU.6, 11 a.m.-11 p.m.

music

Beginning piano LeSSon: See THU.6.

sports

coed FLoor hockey: See WED.5, the Edge Sports & Fitness, Essex, 7-9 p.m. $5; equipment provided. Info, gbfloorhockey@gmail.com.

talks

Individualized Gynecological care for all stages of your life.

Backyard coMpoSting WorkShop: A hands-on demonstration breaks down the steps of transforming food leftovers and yard debris into viable soil. Deborah Rawson Memorial Library, Jericho, 6:30-7:30 p.m. Free. Info, 872-8111.

art

create & caFFeinate: a paint party FundraiSer: Folks sip lattes with artist Carolyn Crotty, who helps them use provided materials to capture local landscapes on canvas. partial proceeds benefit Food4Farmers. Scout & Company, Burlington, 7-9 p.m. $35. Info, carolyn@whirledtree.org.

community

parenting group: Moms and dads bond over shared experiences and troubleshoot common frustrations. Jaquith public Library, Marshfield, 7-8:30 p.m. Free. Info, 426-3581.

dance

Beginner BLueS FuSion dancing: Rosina Cleland introduces students to the fundamentals of partner dance. North End Studios, Burlington, 8-9 p.m. $9-14. Info, burlingtonwestie@gmail.com. interMediate WeSt coaSt SWing: Experienced dancers learn smooth transitions and smart stylings. North End Studio A, Burlington, 6-9 p.m. $9-14. Info, burlingtonwestie@gmail.com. intro to triBaL BeLLy dance: Ancient traditions from diverse cultures define this moving meditation that celebrates creative energy. Comfortable clothing required. Sacred Mountain Studio, Burlington, 6:45 p.m. $13. Info, piper.c.emily@gmail.com. SWing dance practice SeSSion: Twinkletoed dancers learn steps for the lindy hop, Charleston and balboa. Indoor shoes required. Champlain Club, Burlington, 7:30-9:30 p.m. $5. Info, 448-2930. verMont coLLege dance FeStivaL: Undergraduate dance students from across Vermont present works choreographed by their peers. FlynnSpace, Burlington, 7:30 p.m. $20. Info, 863-5966.

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fairs & festivals

FaLL FeStivaL oF the artS: See THU.6.

film

knightS oF the MyStic Movie cLuB: Cinema hounds screen campy flicks at this ode to offbeat productions. Main Street Museum, White River Junction, 8 p.m. Free. Info, 356-2776. 'SpartacuS': A slave sparks a violent rebellion against the Roman empire in Stanley Kubrick's 1960 historical drama. Film House, Main Street Landing performing Arts Center, Burlington, 7 p.m. Free; first come, first served. Info, 540-3018.

The U.S. Senate’s most outspoken independent is considering a run for president. How did he get this far? Retrace “Bernie’s Journey” — from fist-pumping mayor of Burlington to skilled senatorial soloist.

gaMing For teenS & aduLtS: Tabletop games entertain players of all skill levels. Kids 13 and under require a legal guardian or parental permission to attend. Fletcher Free Library, Burlington, 5-7:45 p.m. Free. Info, 865-7216.

health & fitness

TUE.11

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Bernie’s 1987 folk album Bern This trivia quiz Multimedia timeline Campaign map Digitized archives from Vanguard Press and Vermont Times

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CALENDAR 61

intro to yoga: Newcomers discover the benefits of aligning breath and body. Fusion Studio Yoga & Body Therapy, Montpelier, 4-5 p.m. Free; preregister. Info, 272-8923.

Find out what Sen. Sanders is up to this week at berniebeat.com »

SEVEN DAYS

games

11.05.14-11.12.14

coLLege appLication eSSay heLp: Students learn how to craft the high-stakes composition with Lauren Starkey, author of Write Your Way Into College. Dorothy Alling Memorial Library, Williston, 6:30-7:45 p.m. Free. Info, 878-4918. danieL LuSk & angeLa patten: The local poets excerpt In Girls I Never Married and In Praise of Usefulness, respectively. phoenix Books, Burlington, 7 p.m. Free. Info, 448-3350. Shared MoMentS open Mic: Recille Hamrell hosts an evening of off-the-cuff true tales about pivotal events. First Unitarian Universalist Society, Burlington, 7:30 p.m. Donations. Info, 863-1754.

agriculture

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words

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courtney Jordan BaechLer: The vice president of the penny George Institute for Health and Healing presents "A Success Story: Incorporating Integrative Medicine Into Hospital and Outpatient Care." Davis Auditorium, Medical Education Center pavilion, Fletcher Allen Health Care, Burlington, 5-6 p.m. Free; preregister. Info, 862-2333. 'a taLk on eMptineSS: a BuddhiSt vieW oF reaLity': Attendees learn about the teachings of the late Geshe Konchog. Milarepa Center, Barnet, 6:30-8:30 p.m. Donations; $8 includes dinner; preregister. Info, 633-4136. veteranS diScuSSion: Combat veterans share stories from World War II to the present. Room 108, Community College of Vermont, Winooski, 7-9 p.m. Free. Info, 654-0509. WiLLiaM eLLiS: The St. Michael's College professor tunes in with "Ragtimitis: The Rise and Response of African American Music in World War I." Faith United Methodist Church, South Burlington, 2 p.m. $5. Info, 864-3516.

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seminars

Nia With Suzy: See SUN.9, North End Studio B, Burlington, 7-8 a.m. $13. Info, 522-3691.

kids

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language

begiNNer SpaNiSh leSSoNS: Newcomers develop basic competency en español, starting with the first session. private residence, Burlington, 5:30-7 p.m. $20. Info, 324-1757. FreNch coNverSatioN group: Beginnerto-intermediate speakers brush up on their language skills. El Gato Cantina, Burlington, 4:30-6 p.m. Free. Info, 540-0195. pauSe-caFé FreNch coNverSatioN: French students of varying levels engage in dialogue en français. panera Bread, Burlington, 6:308:30 p.m. Free. Info, 363-2431.

lgbtq

11.05.14-11.12.14 SEVEN DAYS

coliN poWell: The retired four-star general keynotes the Todd Lecture with "Leadership: Taking Charge." Shapiro Field House, Norwich University, Northfield, 7 p.m. Free; first come, first served. Info, 485-2886.

theater

'clybourNe park': See WED.5, 7:30 p.m.

words

robert mello: The Vermont Superior Court judge lets his love of history shine in Moses Robinson and the Founding of Vermont. Carpenter-Carse Library, Hinesburg, 7 p.m. Free. Info, 482-2878. Writer'S circle: Wordsmiths of all skill levels put pen to paper in a supportive environment. The Wellness Co-op, Burlington, 5:30-7 p.m. Free. Info, 888-492-8218, ext. 300.

Wed.12 art

toWN braiNtap: SuSaN abbott: The nationally recognized visual artist discusses ways to create a memorable travel journal in "pens, paper, paint and passport." Twinfield Union School, plainfield, 7 p.m. $10 suggested donation; preregister at townbraintap.net. Info, 454-1298.

community

viSitiNg NurSe aSSociatioN StaFF & voluNteer recogNitioN diNNer: Diners honor folks who have helped better the lives of those served by the organization. Hampton Inn, Colchester, 6:30 p.m. $5-30; preregister. Info, 860-4435.

Queer movie Soirée: Two young gay men embark on a misadventure through the streets of Manhattan crafts in Jim Fall's 1999 romantic comedy Trick. Burlington College, 6 greeN mouNtaiN chapter oF p.m. 802-860-7812. Info, Free. the embroidererS' guild oF america: Needle-and-thread rachel hope cleveS: The enthusiasts work on current author of Charity and Sylvia: projects. Living/Dining Room, A Same-Sex Marriage in Early U pines Senior Living Community, America details a 44-year RT S ES VE South Burlington, 9:30 a.m. Free; YO LE union that began in the early 1800s F R AC EC HE L H O p bring a bag lunch. Info, 372-4255. in Vermont. Twilight Auditorium, Middlebury College, 4:30 p.m. Free. Info, kNitterS & NeedleWorkerS: See WED.5. 388-2117.

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FairFax Story hour: 'WolveS': Good listeners up to age 6 are rewarded with tales, crafts and activities. Fairfax Community Library, 9:3010:30 a.m. Free. Info, 849-2420. highgate Story hour: See WED.5. homeWork help: See WED.5. muSic With mr. chriS: Singer, storyteller and puppeteer Chris Dorman entertains tykes and their parents. Buttered Noodles, Williston, 1010:30 a.m. Free. Info, 764-1810. Story explorerS: rouNd robiN: How does this songbird migrate south for the winter? A themed tale gives curious kiddos the answers. ECHO Lake Aquarium and Science Center/ Leahy Center for Lake Champlain, Burlington, 10:30 a.m. Free with admission, $9.50-12.50. Info, 877-324-6386. tech tueSdayS: Youngsters tackle e-crafts, circuits and programming after school gets out. Kellogg-Hubbard Library, Montpelier, 3:30-4:30 p.m. Free. Info, 223-4665. World muSic choir: See WED.5.

poWerFul toolS For caregiverS: See THU.6, Twin Valley Senior Center, East Montpelier, 3-4:30 p.m. $30 suggested donation. Info, 476-2681, basen@cvcoa.org.

'belleS SoeurS: the muSical': See WED.5, 8 p.m. ciNemaNia: See THU.6, 11 a.m.-10:30 p.m.

Seeking Male and Female Smokers Ages 18-70 (who are not currently interested in quitting smoking) We are conducting a UVM research study to learn about the effects of different levels of nicotine in cigarettes. This 15-visit study involves: • A screening visit and training visit (2-3 hours each) • Three visits per week for 5-7 Weeks (2-4 hours each) • Compensation of up to $900

For more information, call 656-0392

music

elderSoNg project: See SAT.8, Wake Robin Retirement Community, Shelburne, 7:30-8:30 p.m. Free. Info, 264-5100. Sally piNkaS With alexaNdre bruSSilovSky & juliaN milkiS: Dartmouth College's pianist-in-residence joins the noted violinist and clarinetist in a lineup of works by Stravinsky, Bartók and others. Spaulding Auditorium, Hopkins Center, Dartmouth College, Hanover, N.H., 7 p.m. $17-27. Info, 603-646-2422.

dance

Waltz & Foxtrot: See WED.5. WeddiNg & party daNceS: See WED.5.

education

toaStmaSterS oF greater burliNgtoN: Folks looking to strengthen their speaking and leadership skills learn more. Holiday Inn, South Burlington, 7-8:30 p.m. Free. Info, 989-3250.

fairs & festivals

Fall FeStival oF the artS: See THU.6, 8:45 a.m.-noon & 2-4 p.m.

film

commuNity ciNema: 'evolutioN oF a crimiNal': Darius Clark Monroe's compelling documentary explores the legacy of socioeconomic strife that led him to commit a crime as a teenager. A panel discussion follows. KelloggHubbard Library, Montpelier, 7 p.m. Free. Info, 223-3338.


liSt Your EVENt for frEE At SEVENDAYSVT.COM/POSTEVENT

food & drink

Coffee TasTing: See WED.5. Wednesday Wine doWn: See WED.5. Wine TasTing: Laura Thompson of Artisanal Cellars guides vino lovers through a samplings of recently released Spanish reds. Trapp Family Lodge, Stowe, 4-6 p.m. $20; preregister. Info, 253-5742.

games

Bridge CluB: See WED.5.

health & fitness

MonTréal-sTyle aCro yoga: See WED.5. r.i.P.P.e.d.: See WED.5. sMall Business HealTH Plans: Experts on Vermont Health Connect explain options for health insurance plans in 2015. Central Vermont Chamber of Commerce, Berlin, 2-4 p.m. Free. Info, 229-0002, ext. 220. VerMonT HealTH ConneCT enrollMenT & aPPliCaTion assisTanCe: Certified Navigators answer questions and walk folks through the process of applying for health insurance. Fletcher Room, Fletcher Free Library, Burlington, 2:30-5:30 p.m. Free. Info, deborah. pereira@ppnne.org. yoga for VeTerans: See WED.5.

kids

LITTLE Citzen 4t

Coed floor HoCkey: See WED.5.

talks

CHris riMMer: The executive director of the Vermont Center for Ecostudies recounts 20 years of environmental advocacy in "Bicknell's Thrush: Conserving a Bird of Two Worlds." Richmond Free Library, 6:30 p.m. Free. Info, gmas@greenmountainaudubon.org. enVironMenTal & HealTH sCienCes sPeaker series: Nutritionist Akshata Nayak presents environmentally friendly products for the home and body "Healthy Body. Healthy Skin." Room 207, Bentley Hall, Johnson State College, 4-5:15 p.m. Free. Info, 635-1327. MiCHelle arnosky sHerBurne: The local author brings the past into the present in "St. Albans Raid: 1854 Confederate Attack on Vermont." Auditorium, Bradford Academy, 7 p.m. Free. Info, 222-4423. PeaCe & JusTiCe leCTure series: Awardwinning immigration advocate Gustavo Torres considers the current state of illegal immigrants. Recital Hall, McCarthy Arts Center, St. Michael's College, Colchester, 7 p.m. Free. Info, 654-2536. roland BaTTen MeMorial leCTure: Architect Michael Wisniewski examines the role of modest structures throughout history in "A Clean, Well-Lighted Place: Our Adventures in Architecture for the Not-So Privileged." Room 301, Williams Hall, UVM, Burlington, 6-7 p.m. Free. Info, 656-2014. Woof! dog CoMMuniCaTion in THe HuMan World: See THU.6, South Burlington City Hall, 7-8 p.m. Free. Info, 846-4108.

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theater

in style

'ClyBourne Park': See WED.5. 'MaCBeTH': The Castleton Department of Theatre Arts presents Shakespeare's tragedy about a corrupt general's quest to become King of Scotland. Casella Theater, Castleton State College, 7 p.m. $7-12. Info, 468-1119. 'Proof': When a mentally ill mathematician dies, he leaves behind what could be a groundbreaking equation in David Auburn's Pulitzer Prize-winning drama, staged by St. Michael's College. McCarthy Arts Center, St. Michael's College, Colchester, 7 p.m. Free. Info, 654-2795.

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words

saraH Healy: A woman's past comes back to haunt — and heal — her in House of Wonder. Dorothy Alling Memorial Library, Williston, 6:30 p.m. Free. Info, 878-4918. m

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SEVEN DAYS

englisH as a seCond language Class: See WED.5. inTerMediaTe sPanisH lessons: See WED.5. inTerMediaTe/adVanCed englisH as a seCond language Class: See WED.5. iTalian ConVersaTion grouP: Parla Italiano? A native speaker leads a language practice for all ages and abilities. Room 101, St. Edmund's Hall, St. Michael's College, Colchester, 7-9 p.m. Free. Info, 899-3869.

sports

11.05.14-11.12.14

language

diego el Cigala: Dubbed "the Frank Sinatra of flamenco," the Grammy Award-winning vocalist serves up a melodic mix of bolero, son, tango and Afro-Caribbean jazz. See calendar spotlight. Spaulding Auditorium, Hopkins Center, Dartmouth College, Hanover, N.H., 7 p.m. $17-40. Info, 603-646-2422. song CirCle: CoMMuniTy sing-along: Rich and Laura Atkinson lead an evening of vocal expression. Jaquith Public Library, Marshfield, 6:45 p.m. Free. Info, 426-3581.

SEVENDAYSVt.com

green MounTain Book aWard CluB: Teens chat about their favorite titles. Brownell Library, Essex Junction, 3:30-4:30 p.m. Free. Info, 878-6956. HigHgaTe sTory Hour: See WED.5. HoMeWork HelP: See WED.5. keePing kids HealTHy during THe WinTer MonTHs: Naturopath Jessica Stadtmauer presents diet, herbal, homeopathic and home remedies for colds, flu and other ailments. City Market/Onion River Co-op, Burlington, 5:306:30 p.m. $5-10; preregister at citymarket. coop; limited space. Info, 861-9700. MeeT roCkin' ron THe friendly PiraTe: See WED.5. one-on-one TuToring: See WED.5. PresCHool MusiC WiTH derek: See WED.5. read a sTory WiTH a PediaTriCian: Pediatric interns from Fletcher Allen Health Care share their love of the written word with good listeners. Brownell Library, Essex Junction, 6:30-7:15 p.m. Free. Info, 878-6956. sTory TiMe & PlaygrouP: See WED.5. sTory TiMe for 3- To 5-year-olds: Preschoolers stretch their reading skills through activities involving puppets and books. Brownell Library, Essex Junction, 10-10:45 a.m. Free. Info, 878-6956. World MusiC CHoir: See WED.5.

music

montréal

CALENDAR 63

'Belles soeurs: THe MusiCal': See WED.5, 8 p.m. CineMania: See THU.6, 9 a.m.-11 p.m.

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CLASS PHOTOS + MORE INFO ONLINE SEVENDAYSVT.COM/CLASSES

classes THE FOLLOWING CLASS LISTINGS ARE PAID ADVERTISEMENTS. ANNOUNCE YOUR CLASS FOR AS LITTLE AS $13.75/WEEK (INCLUDES SIX PHOTOS AND UNLIMITED DESCRIPTION ONLINE). SUBMIT YOUR CLASS AD AT SEVENDAYSVT.COM/POSTCLASS.

burlington city arts

Call 865-7166 for info or register online at burlingtoncityarts.org. Teacher bios are also available online. CLAY: DECORATIVE TECHNIQUES FOR UNFIRED CLAY: In this class, Kileh will introduce three different decorative techniques for clay in the suede and leather hard stages. Demonstrations will be given on color blocking using wet paper cut-outs, slip trailing with a squeeze bottle, and mishima (fine line inlay). This class will help add playfulness and creativity to our ceramic work. Instructor: Kileh Friedman. Sun., Dec. 14, 2-4 p.m. Cost: $25/ person; $22.50/BCA members. Location: BCA Clay Studio, 250 Main St., Burlington.

PHOTO: ADOBE PHOTOSHOP BASICS: Learn the basics of Adobe Photoshop. Uploading and saving images for print and the web, navigating the workspace, adjustment layers and basic editing tools will be covered. Bring images on your camera or Mac-compatible flash drive to class. No experience required. Instructor: Dan Lovell. 2 Thu., Dec. 4 & 11, 6:30-8:30 p.m. Cost: $60/person; $54/BCA members. Location: BCA Center, 135 Church St., Burlington. PRESERVING YOUR PHOTOGRAPHIC ART: Learn the basics of preserving your photographic artwork. This lecture will provide you with the information you need to take steps to preserve both your digital collection of photographs and your physical collection of printed material. Students will learn about simple ways to meet current archival standards with the proper storage of their artwork. Instructor: Amber Broderick. Tue., Dec. 2, 6-9 p.m. Cost: $30/person; $27/BCA members. Location: BCA Center, 135 Church St., Burlington.

coaching

PAINTING FURNITURE WITH CHALK PAINT: Bring your own small furniture piece from home (something you can carry with one arm). Mary Heinrich Aloi will demonstrate how to paint various techniques and wax with Chalk Paint decorative paint by Annie Sloan. You will have full access to materials and paint to finish your piece. 4 sessions avail.: Nov. 8, 10 & 14, 10 a.m., & Nov. 21, 4 p.m. Individal appointments available for groups of 2 or more. Cost: $55/person. Location: Vintage Inspired, 180 Flynn Ave., suite 2, Burlington. Info: 488-5766, info@ vintageinspired.net.

theshelburnecraftschool.org

985-3648

BASICS AND BEYOND IN JEWELRY: Instructor: Sarah Sprague. This class will focus on jewelry design, small sculpture or functional art. Each student will complete a series of practice pieces before designing and creating a wearable finished piece out of sterling silver. Every week there will be several demonstrations including sawing, drilling, piercing, annealing, texturing, jump rings, forming and soldering techniques. 8 Wed., 9:30 a.m.-noon, Jan. 28-Mar. 18. Cost: $335/person (members: $261, nonmembers: $290, materials:

INT. WOOD: SHAKER HALL TABLE: Instructor: Rachel Brydolf-Horwitz. A comprehensive introduction to woodworking, this course explores the basic principles of lumber selection, hand tool and machinery usage, milling, joinery, and finishing. Students will build their own Shaker-style hall table, taking the project from blueprint through completion, learning to both organize and conceptualize a furniture project, and gain familiarity with the woodshop environment. 10 Mon., 6-8:30 p.m., Feb. 2-Apr. 6. Cost: $450/ person (members: $328.50, nonmembers: $365, materials: $85). Location: Shelburne Craft School, Shelburne. STILL LIFE, BEGINNER (NIGHT): Instructor: Evelyn McFarlane. Simple forms and colors of basic still life setups will be the inspiration for this beginner’s course. We will start with basic drawing techniques, discuss materials, practice with mixing accurate colors and learn how to apply paint in a step-by-step format. 8 Mon., 5:30-7:30 p.m., Jan. 26-Mar. 16. Cost: $235/ person (members: $211.50, nonmembers: $235; material list & syllabus). Location: Shelburne Craft School, Shelburne. WHEEL AND HAND-BUILDING: Instructor: Jules Polk. Breaking away from round. Are you tired of feeling like you are making the same-shaped pots over and over again? This class will take basic shapes thrown on the wheel and give you the hand building and finishing skills to make any shape you can think of! Techniques will include shaving, darting, faceting, fluting, cutting and stacking. Prerequisite: Beginning wheel. 8 Sat., 10 a.m.-noon, Jan. 17-Mar. 7. Cost: $280/person (members: $211.50, nonmembers: $235, materials: $45). Location: Shelburne Craft School, Shelburne.

culinary CHEF ROBERT’S COOKING CLASS: Join us for Chef Robert Barral’s cooking classes every other Thursday night. See our website for the class schedule.

Every other Thu. starting Oct. 30, 5:30-8 p.m. Cost: $50/2.5-hour class. Location: Cafe Provence on Blush Hill, 45 Blush Hill Rd., Waterbury. Info: Stacy Leary, 244-7822, sleary@cafeprovencebh.com, cafeprovencebh.com.

class. No dance experience, partner or preregistration required, just the desire to have fun! Drop in any time and prepare for an enjoyable workout. Location: 266 Pine St., Burlington. Info: Victoria, 598-1077, info@ salsalina.com.

SERVSAFE MANAGERS CLASS: Middlebury restauranteur Chef Woody Danforth teaches the National Restaurant Association curriculum for food safety for kitchen managers. Cost includes text and certification exam upon completion of class. Great credential for entering or advancing in employment or managing community kitchens. Register by Nov. 8. Sat., Nov. 15, 8 a.m.-5 p.m. Cost: $250/9-hour class & certification exam. Location: PAHCC Culinary Arts Kitchen, 51 Charles Ave., Middlebury. Info: Denise Senesac, 382-1004, dsenesac@ pahcc.org, hannafordcareercenter.org/ adult-education.

DSANTOS VT SALSA: Experience the fun and excitement of Burlington’s eclectic dance community by learning salsa. Trained by world famous dancer Manuel Dos Santos, we teach you how to dance to the music and how to have a great time on the dance floor! There is no better time to start than now! Mon. evenings: beginner class, 7-8 p.m.; intermediate, 8:15-9:15 p.m. Cost: $10/1-hour. class. Location: North End Studios, 294 N. Winooski Ave., Burlington. Info: Tyler Crandall, 598-9204, crandalltyler@hotmail.com, dsantosvt.com.

dance B-TRU DANCE AT HONEST YOGA: B-Tru is focused on Hip-hop, Breakin’, Funk, Jazz, Lyrical Ballet & Pointe dance. Danielle Vardakas-Duszko & her staff have trained with originators in these styles, performed and competed throughout the world. Classes and camps age 3-adult. Danielle teaches a Hip-Hop Yoga Dance 200-hour teacher training. Kids after-school & Sat. classes. Showcase at the end of May at SBHS. Cost: $50/ mo. Ask about family discounts. Location: Honest Yoga Center, 150 Dorset St., Blue Mall, S. Burlington. Info: 497-0136, honestyogastudio@gmail.com, honestyogacenter.com. DANCE STUDIO SALSALINA: Salsa classes, nightclub-style, on-one and on-two, group and private, four levels. Beginner walk-in classes, Wednesdays, 6 p.m. $13/person for one-hour

LEARN TO DANCE W/ A PARTNER!: Come alone or come with friends, but come out and learn to dance! Beginning classes repeat each month, but intermediate classes vary from month to month. As with all of our programs, everyone is encouraged to attend, and no partner is necessary. Private lessons also available. Cost: $50/4week class. Location: Champlain Club, 20 Crowley St., Burlington. Info: First Step Dance, 598-6757, kevin@firststepdance.com, firststepdance.com.

design/build LIT W/ LAMPS!: Design your own lamp while enjoying artisan brews/wine! Bring a bottle/jar/ vessel or pick from our collection for a lamp base. Participants will decorate bases with paint and glass etching techniques, wire their lamps, and create their own handmade lampshade. Make it a date or bring a friend DESIGN/BUILD

» P.66

CLASSES 65

FIND YOUR VOICE: Voice Work Practitioner Augusta Rose Diamond has been a professional singer and recording artist

NEEDLE FELTING CLASS: PROJECT GNOME OR SANTA: In this class you will learn the basics of needle felting and how to needle felt a simple gnome or Santa. Wool will be provided by the instructor. Materials needed: Skewer, thread, foam felting base and felting needles (38 T, 38 S, 36T). Materials available for purchase at the marketplace. Wed., Nov. 12, 6-8 p.m. Cost: $30/person. Location: Vintage Inspired Lifestyle Market, 180 Flynn Ave., Burlington. Info: 4885766, info@vintageinspired.net, thefeltedgnomeknows.com.

SEVEN DAYS

FRANKEN-CRITTERS: Make your stuffed animal come alive while learning basic hand sewing skills. Bring a few stuffed animals or creatures and we’ll sew them into something new and especially yours! All decorative and sewing materials provided (some stuffed animals included). Instructor: Rachel Hooper. Ages 8-12. Sat., Nov. 15, 1:30-3:30 p.m. Cost: $25/person; $22.50/BCA

LASER CUT JEWELRY: Learn how to create pendants, earrings, charms and bands with an Epilog 60 watt laser cutter working in acrylic, wood and leather. Students will learn basic laser cutting and software skills to etch and cut their own designs and fabrications. Prerequisite: Must be comfortable using a computer. Instructor: Erin Barnaby. Weekly on Mon., Nov. 17-Dec. 8, 6:30-8:30 p.m. Cost: $160/person; $144/BCA members. Location: Generator, Memorial Auditorium, 250 Main St., Burlington.

craft

HAND BUILDING: Instructor: Alex Costantino. This handbuilding class will focus on creating sculptural and functional pieces using slabs, extrusions, solid building and coils. Students explore texture and surface using multiple techniques. If you already have an idea or some inspirational images (sculptural or functional), bring them to the first class. 8 Fri., 9:30 a.m.-noon, Jan. 16-Mar. 6. Cost: $335/person (members: $261, nonmembers: $290, materials: $45). Location: Shelburne Craft School, Shelburne.

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DARKROOM PHOTO: Create unique, one of a kind images with light and objects in our black and white photographic darkroom. Instruction: Kristen Watson. Ages 8-12. Sat., Dec. 13, 1:30-3:30 p.m. Cost: $25/person; $22.50/BCA members. Location: BCA Center, 135 Church St., Burlington.

FREE WHEELIN’: Come play with clay on the potter’s wheel and learn how to make cups, bowls and more in our clay studio in this afternoon wheel class. Registration is required. Price includes one fired and glazed piece per participant. All supplies provided. Instructor: Kim O’Brien. Ages 6-12. Sat. Nov. 15, 1:30-3:30 p.m. Cost: $25/person; $22.50/BCA members. Location: BCA Clay Studio, 250 Main St., Burlington.

$45). Location: Shelburne Craft School, Shelburne.

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DIY DESIGN: WRAPPING PAPER, BAGS AND TAGS: Advanced crafter and co-owner of New Duds, Tessa Valyou, will help you print your own wrapping paper with premade silkscreen designs. Fold paper into handmade gift bags and make customized gift tags to match. There will be plenty of time, materials and inspiration to make multiple sheets of wrapping paper, bags and tags. Cost: $28/person; $25.20/BCA members. Location: BCA Print Studio, 250 Main St., Burlington.

members. Location: BCA Center & Generator, Burlington.

since 1980 and has continued providing vocal training and voice recovery counseling for over 30 years. She is certified in McClosky Vocal Technique and is a certified level one practitioner of the Tomatis Method, a sensorineural auditory stimulation. Call for an assessment and lessons. Location: The Green House, Flynn Ave., Burlington. Info: 989-2328.


CLASS PHOTOS + MORE INFO ONLINE SEVENDAYSVT.COM/CLASSES

classes THE FOLLOWING CLASS LISTINGS ARE PAID ADVERTISEMENTS. ANNOUNCE YOUR CLASS FOR AS LITTLE AS $13.75/WEEK (INCLUDES SIX PHOTOS AND UNLIMITED DESCRIPTION ONLINE). SUBMIT YOUR CLASS AD AT SEVENDAYSVT.COM/POSTCLASS.

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for discounted tickets! Fri., Nov. 14, 7-9 p.m. Cost: $50/2-hour class, incl. lamp supplies & drinks (discounts for 2 tickets). Location: ONE Arts Center, 72 N. Champlain St., Burlington. Info: Becca McHale, 338-0028, oneartscollective@gmail.com, oneartscenter.com.

drumming

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SEVENDAYSVT.COM

DJEMBE IN BURLINGTON AND MONTPELIER!: Learn drumming technique and music on West African drums! Burlington Beginners Djembe class is on Wed., 7-8:20 p.m., starting Nov. 5, $90/5 weeks or $22/ drop-in. Djembes are provided. Montpelier Beginners Djembe class is on Thu., 7-8:20 p.m. starting Nov. 6, $72/4 weeks or $22/drop-in (no class Nov. 27). Please register online or come directly to the first class! Location: Taiko Space & Capitol City Grange, 208 Flynn Ave., suite 3G, & 6612 Route 12, Burlington & Montpelier. Info: 999-4255,

classes@burlingtontaiko.org, burlingtontaiko.org. TAIKO DRUMMING IN BURLINGTON!: Come study Japanese drumming with Stuart Paton of Burlington Taiko! Beginner/Recreational Class is on Tue., 5:30-6:20 p.m., starting Nov. 4, $72/6 weeks. Accelerated Taiko Program for Beginners on Mon., 7-8:20 p.m., starting Nov. 3, $108/6 weeks. Taiko Training Class for Beginners on Wed., 5:30-6:50 p.m., starting Nov. 5, $90/5 weeks. Kids and Parents Class is on Tue., 4:30-5:20 p.m., starting Nov. 4. $60/6 weeks. Register online or come directly to the first class! Location: Taiko Space, 208 Flynn Ave., suite 3G, Burlington. Info: 999-4255, classes@burlingtontaiko.org, burlingtontaiko.org. TAIKO DRUMMING IN MONTPELIER: Learn Taiko in Montpelier! Starting Thu., Nov. 6 (no class Nov. 27): Montpelier Beginning Taiko class, 5:306:50 p.m., $72/4 weeks, and Montpelier Kids and Parents’ Taiko class, 4:30-5:20 p.m., $48/4 weeks; $90/parent

+ child. Please register online or come directly to the first class! Location: Capital City Grange, 6612 Route 12, Berlin. Info: 9994255, classes@burlingtontaiko. org, burlingtontaiko.org.

fitness BARRE INSTRUCTOR TRAINING: Learn the most important components of becoming an informed and motivated barre instructor in this unique two day course. Sat., Nov. 15, 8:30 a.m.4:30 p.m., & Sun., Nov. 16, 8:30 a.m.-1:30 p.m Cost: $399/12-hour course: comprehensive manual, anatomy training incl. Location: Studio 208, 208 Flynn Ave., Burlington. Info: Kathy Brunette, 862-8686, studio208vt@gmail. com, studio208vt.com.

flynn arts

CONTEMPORARY DANCE: LOOKING DEEPER: These intensive is designed to support and strengthen the skills and community of practicing contemporary dancers and dance-makers in our region. Each intensive will focus on different aspects of the skills at the core of strong and compelling performers and performances. Using improvisational structures, the aim will be to strengthen our capacity to be fully awake, aware and able to respond to our constantly changing world, be it the studio, the stage, a specific site, or our community. Instructor: Dai Jan. Sun., Nov. 9, 1-4 p.m. Cost: $30/ person. Location: Flynn Center for the Performing Arts, 153 Main St., Burlington. Info: 865-4548, flynnarts.org. EXPLORING CONNECTIONS: CORE SUPPORT: FIND YOUR PSOAS: The Exploring Connections workshop series uses movement and metaphor to explore the expressive body, incorporating movement fundamentals as well as drawing and writing to explore the relationship between movement and personal expression. Our goal will be to facilitate a lively interplay between inner connectivity and outer expressivity to enrich your movement potential, change ineffective neuromuscular movement patterns, and encourage new ways of moving and embodying your inner self. Instructor: Sara McMahon. Fri., Nov. 7, 5:45-7:45 p.m. Cost: $22/person. Location: Flynn Center

for the Performing Arts, 153 Main St., Burlington. Info: 865-4548, flynnarts.org.

Center, 90 Pond St., Stowe. Info: 253-8358, education@helenday. com, helenday.com.

healing arts

herbs

BREATHWORK HEALING CIRCLES: Conscious Breathwork is an ancient practice that quiets the mind, expands awareness, and deepens connection to your higher self and universal energy. This guided breathing meditation releases old habits, core wounds, and limiting beliefs, replacing them with a profound sense of joy, love, well-being and inner peace. Preregistration is required. Wed., Nov. 5 & 12, 5:45-7:30 p.m. Cost: $20/1.75hour class. Location: Sacred Mountain Studio, 215 College St., 3rd floor, Burlington. Info: Sacred Mountain Wellness, Gardner Orton, 863-9355, gardner@ sacredmountainwellness.com, sacredmountainstudio.com.

COMMUNITY WORKSHOPS AT VCIH: Good Sex: Is There an Herb for That? with Linden Devoil, VCIH clinical intern: Mon., Nov. 10, 6-8 p.m. Sustainable Leadership: Herbal Support for Grounded Action with Kate Westdijk, VCIH clinical intern: Mon., Nov. 17, 6-8 p.m. A Diet to Optimize Our Vital Functions with Sila Rood, VCIH clinical intern. Wed., Dec. 3, 6-8 p.m. Cost: $12/person; $10 for members; preregistration required. Location: Vermont Center for Integrative Herbalism, 252 Main St., Montpelier. Info: 224-7100, info@vtherbcenter.org, vtherbcenter.org.

CRYSTALS, GEMSTONES & MINERALS: A dynmic, experiential seminar to explore the healing qualities of many crystals, gemstones and minerals. This seminar is both for healers or those wanting to learn to work and play with the power of the stones! Maureen Short will demonstrate stone layouts to balance the chakras and clear the aura. Sun., Nov. 16, 1-5 p.m. Cost: $50/4-hour class. Location: Lightheart Sanctuary, 236 Wild Apple Rd., New Haven. Info: Maureen Short, 453-4433, maureen@lightheart.net, lightheart.net. TIBETAN SINGING BOWL LEVEL 1 WORKSHOP: Heal and transform your life with the power of sound. Limit: 30 participants. Preregistration required. Enrollment dependent on space availability. No walk-ins. Nov. 15 & 16, 9 a.m.-5 p.m. Cost: $399/ full workshop. Attend Sat., 9 a.m.-1 p.m., for free. Location: Infinity Studio, Essex Jct. Info: 233-4733, pam@lash.us, lash.us.

helen day

BOOKMAKING: For the professional artist or complete beginner, this class will guide you through the steps of creating your own hardback, hand-bound artist’s book. Design and construct your own unique books and use the Coptic stitch, an ancient and beautiful bookbinding technique known for the braided open spine and it’s ability to permit books to lay flat when opened. These books are stunning and perfect for an artist or writer’s journal or a lovely gift. Sat., Nov. 8, 9 a.m.-3 p.m. Cost: $100/person; $75/members. Location: Helen Day Art

WISDOM OF THE HERBS SCHOOL: If you are interested in attending our next Wisdom of the Herbs program, starting April 2015, and need financial assistance, check out the VSAC nondegree grant program and consider applying really soon to reserve your grant while their funds are abundant. Annie McCleary, director. Location: Wisdom of the Herbs School, Woodbury. Info: 456-8122, annie@ wisdomoftheherbsschool.com, wisdomoftheherbsschool.com.

language LEARN SPANISH & OPEN NEW DOORS: Connect with a new world. We provide high-quality, affordable instruction in the Spanish language for adults, students and children. Travelers’ lesson package. Our eighth year. Personal instruction from a native speaker. Small classes, private lessons and online instruction. See our website for complete information or contact us for details. Location: Spanish in Waterbury Center, Waterbury Center. Info: 585-1025, spanishparavos@gmail.com, spanishwaterburycenter.com. SPANISH WEEKEND CLASSES: Express Fluency courses draw upon brain and language acquisition research to get students understanding and speaking Spanish in the fastest way possible. Weekend is perfect for anyone who wants to jumpstart or refresh their Spanish in preparation to travel, for work, or just for fun! Family class on Sunday afternoon. Nov. 22-23. Cost: $199/person; discounts avail.: see website. Location: Chef’s Corner, 209 Flynn Ave., Burlington. Info: Express Fluency, Elissa McLean, 275-2694, elissa@ expressfluency.com, expressfluency.com.

martial arts WU XING CHINESE MARTIAL ARTS: For us martial art is a way of life, not a sport. We offer the finest instruction in two complete internal Chinese martial arts — Taijiquan and Pudaoquan — at an affordable price. Our classes for adults have a friendly and conversational atmosphere, geared toward learning quickly and well. Weekly on Tue., 7-9 p.m.; Fri., 6-8 p.m.; & Sat., 11 a.m.-1 p.m. Pay by the mo. or by the class. Location: Tao Motion Studio, 180 Flynn Ave., Burlington. Info: Wu Xing Chinese Martial Arts, 355-1301, info@wxcma.com, wxcma.com.

meditation LEARN TO MEDITATE: Through the practice of sitting still and following your breath as it goes out and dissolves, you are connecting with your heart. By simply letting yourself be, as you are, you develop genuine sympathy toward yourself. The Burlington Shambhala Center offers meditation as a path to discovering gentleness and wisdom. Shambhala Café (meditation and discussions) meets the first Saturday of each month, 9 a.m.-noon. An open house (intro to the center, short dharma talk and socializing) is held on the third Friday of each month, 7-9 p.m. Instruction: Sun. mornings, 9 a.m.-noon, or by appt. Sessions: Tue. & Thu., noon-1 p.m., & Mon.-Thu., 6-7 p.m. Location: Burlington Shambhala Center, 187 S. Winooski Ave., Burlington. Info: 658-6795, burlingtonshambhalactr.org. SHAMBHALA TRAINING LEVEL I: THE ART OF BEING HUMAN: Level One introduces the rich Shambhala tradition, which inspires us to explore and celebrate what it is to be human. Level One offers a good introduction for beginners and a fresh inspiration for experienced meditators. The course includes meditation instruction and practice, talks on Shambhala teachings, and group discussions. Nov. 8 & 9, 9 a.m.-5 p.m. Location: Burlington Shambhala Center, 187 S. Winooski Ave., Burlington. Info: Tracy Suchocki, 658-6795.

performing arts MUSICAL THEATRE AUDITION WORKSHOP WITH LEGALLY BLONDE’S KATE WETHERHEAD: Kate, a graduate of Burlington High School and a former student of Bill Reed in Vermont and at the Circle in the Square Theatre School in New York City, was a member of the original cast of the Broadway production of Legally Blond: The Musical. Participants will come prepared with a musical theatre PERFORMING ARTS

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PRESENTS

A TALENT SHOW FOR VERMONT’S RISING STARS SEVENDAYSvt.com

CASTING CALL!

Audition for the first-ever Kids VT Spectacular Spectacular — a talent show for Vermont’s rising stars at Higher Ground in December 2014. To participate you must try out in front of a panel of judges.

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LIVE AUDITIONS

SEVEN DAYS

Saturday, November 15

Register your act at kidsvt.com/talentshow

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classes THE FOLLOWING CLASS LISTINGS ARE PAID ADVERTISEMENTS. ANNOUNCE YOUR CLASS FOR AS LITTLE AS $13.75/WEEK (INCLUDES SIX PHOTOS AND UNLIMITED DESCRIPTION ONLINE). SUBMIT YOUR CLASS AD AT SEVENDAYSVT.COM/POSTCLASS.

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song selection and will have the opportunity to perform for Kate and then be coached by her. Session 1: Dec. 5, 4-7 p.m. Session 2: Dec. 6, 1:30-4:30 p.m. Session 3: Dec. 6, 5-8 p.m. Cost: $50/participants; $25/auditors. Location: Spotlight Vermont, 50 San Remo Dr., South Burlington. Info: Sally Olson, admin@billreedvoicestudio.com, billreedvoicestudio.com.

tai chi SNAKE-STYLE TAI CHI CHUAN: The Yang Snake Style is a dynamic tai chi method that mobilizes the spine while stretching and strengthening the core body muscles. Practicing this

ancient martial art increases strength, flexibility, vitality, peace of mind and martial skill. Beginner classes Sat. mornings & Wed. evenings. Call to view a class. Location: Bao Tak Fai Tai Chi Institute, 100 Church St., Burlington. Info: 864-7902, ipfamilytaichi.org. YANG-STYLE TAI CHI: The slow movements of tai chi help reduce blood pressure and increase balance and concentration. Come breathe with us and experience the joy of movement while increasing your ability to be inwardly still. Wed., 5:30 p.m., Sat., 8:30 a.m. $16/class, $60/mo., $160/3 mo. Location: Mindful Breath Tai Chi (formerly Vermont Tai Chi Academy and Healing Center), 180 Flynn Ave., Burlington. Info: 735-5465,

janet@mindfulbreathtaichi.com, mindfulbreathtaichi.com.

well-being HANDLE INTRODUCTORY LEVEL 1-2: Learn how behavior is communication and how HANDLE’s playful activities can effect real change. Receive practical tools that can be applied immediately in home, school and clinic settings. HANDLE (Holistic Approach to Neurodevelopment and Learning Efficiency): a unique, gentle, non-drug movement modality for children and adults. Addressing autism, Asperger’s, ADHD, Tourette’s, dyslexia, brain injury, depression and more. Sat. & Sun., Nov. 8-9, 9 a.m.-5 p.m. Cost: $350/12hour certificate course. Cost incl. supplies, course manual & instruction fee (discounts avail.). Location: Office building, 255 S. Chamlain St., Burlington. Info: HANDLE of New England, Elizabeth Frishkoff, 413-5280477, efrish@sover.net, handle. org. HAPPINESS DAY WORKSHOP: Ginny Sassaman, cofounder, Gross National Happiness USA, and Susan Sassaman, Let Your

Yoga Dance Teacher, offer a day to cultivate more personal happiness. Many people believe happiness just happens, but positive psychology has proven we actually have to work on happiness to keep our happiness muscles healthy and strong. Sat., Nov. 22, 9:30 a.m.-4:30 p.m. Cost: $75/full day, incl. lunch. Location: All Souls Interfaith Gathering, 291 Bostwick Farm Rd., Shelburne. Info: Ginny Sassaman, 233-1670, happinessparadigm@gmail.com, happinessparadigm.wordpress. com. HEALING A RECENT LOSS WORKSHOP: Joey Corcoran, LCMHC, and Susan Sassaman, Certified YogaDance Instructor, offer a contemplative bodymind approach to healing loss. In a small supportive group, mindfulness practices and guided gentle yoga movement will support bringing a compassionate perspective to the mixed emotions of grief. Preregistration required. Fri., Nov. 14, 6:30-8:30 p.m. & Sat., Nov. 15, 9 a.m.-5 p.m. Cost: $130/workshop. Location: All Souls Interfaith Gathering, 291 Bostwick Farm Rd., Shelburne.

SEVENDAYSVT.COM

CIDER WEEK THURSDAY, NOVEMBER 20 LOBBY TASTING 5-6PM

SEVEN DAYS

11.05.14-11.12.14

with Boyden Valley Winery. Then enjoy a 4-course cider-infused dinner at 6pm with hosts Chef Shawn Calley and Boyden Valley Winery.

Fresh. Filtered. Free.

TASTING & DINNER

$40 per person + tax and gratuity. To make reservations please call

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802-764-1489

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Find out what’s percolating today. Sign up to receive our house blend of local news headlines served up in one convenient email by Seven Days.

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clASS photoS + morE iNfo oNliNE SEVENDAYSVT.COM/CLASSES

Info: Joey Corcoran, 654-7600-4, joey@mindfulrest.com, mindfulrest.com. Holiday Mindfulness: creating a Mindful Holiday season. This six-week session will cover mindfulness techniques and strategies that will help keep the holidays filled with peace, self compassion and perspective. creating space for rest and reflection during this busy and stressful season might be the greatest gift you give to everyone. Thu., 6:30-8 p.m., Nov. 6, 13 & 20 & Dec. 4, 11 & 18. Cost: $150/1.5-hour class, 6 times over 7 weeks. Location: Living Room: Center of Positivity, 8 Railroad Ave., Essex Jct. Info: Kristin Humbargar, 324-2240, triumstudio@gmail. com, facebook.com/ livingroomcenterofpositivity.

writing

yoga

Hs screenwriting worksHop: Do you have an idea for a killer screenplay? Do you want to learn the secrets all Hollywood scriptwriters know? Then join Write Mondays in Montpelier for this hands-on sixweek screenwriting workshop, where we’ll work on everything from scene development and plot points to dialogue and action. Grades 9-12. 6 Mon., Nov. 17-Dec 22, 5-7 p.m. Cost: $150/2hour class. Location: Local 64, 5 State St., Montpelier. Info: Write Mondays, Gary Miller, 279-7861, writemondays@gmail.com, writemondays.org.

Burlington Hot yoga: try soMetHing different!: Offering creative, vinyasa-style yoga classes featuring practice in the Barkan and Prana Flow Method Hot Yoga in a 95-degree studio accompanied by eclectic music. ahh, the heat on a cold day, a flowing practice, the cool stone meditation, a chilled orange scented towel to complete your spa yoga experience. Get hot: 2-for-1 offer. $15. Go to hotyogaburlingtonvt.com. Location: North End Studio B, 294 N. Winooski Ave., Burlington. Info: 999-9963. evolution yoga: evolution Yoga and Physical Therapy offers a variety of classes in a supportive atmosphere: Beginner, advanced, kids, babies, post- and pre-natal, community

classes and workshops. Vinyasa, Kripalu, core, Therapeutics and alignment classes. Become part of our yoga community. You are welcome here. Cost: $15/class, $130/class card, $5-10/community classes. Location: Evolution Yoga, 20 Kilburn St., Burlington. Info: 864-9642, evolutionvt.com. Honest yoga, tHe only dedicated Hot yoga flow center: Honest Yoga offers practice for all levels. Brand new beginners’ courses include two specialty classes per week for four weeks plus unlimited access to all classes. We have daily classes in essentials, Flow and core Flow with alignment constancy. We hold teacher trainings at the 200- and 500-hour levels. Daily classes & workshops. $25/new student 1st week unlimited, $15/class or $130/10-class card, $12/

class for student or senior or $100/10-class punch card. Location: Honest Yoga Center, 150 Dorset St., Blue Mall, next to Sport Shoe Center, S. Burlington. Info: 497-0136, honestyogastudio@gmail.com, honestyogacenter.com. laugHing river yoga: Highly trained and dedicated teachers offer yoga classes, workshops and retreats in a beautiful setting overlooking the Winooski River. class types include Kripalu, Vinyasa, Jivamukti, Kundalini, Yin, Restorative and more. 300hour teacher training begins in January. Or join us in costa Rica February 28-March 7. all bodies and abilities welcome. $5-14/ single yoga class; $120/10-class card; $130/monthly unlimited. Location: Laughing River Yoga, Chace Mill, suite 126, Burlington.

Info: 343-8119, laughingriveryoga.com. yoga roots: Yoga Roots provides a daily schedule of yoga classes for all ages and abilities. We aim to clarify your mind, strengthen your body and ignite your joyful spirit through classes such as Prenatal Yoga, Gentle Yoga, anusura-inspired all levels, Restorative and Heated Vinyasa Flow! Workshops coming Up: absolute Beginners series begins Nov. 6, 7-8 p.m. The Birth That is Right For You with lisa Gould-Rubin Nov. 15-16, 9 a.m.-1 p.m. Parenting the anxious child with Joanne Wolfe, Ma, Med Nov. 15, 3-5 p.m. Registration required. Location: Yoga Roots, 120 Graham Way, Shelburne Green Business Park behind Folino’s. Info: 985-0090, yogarootsvt. com.

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music

doing a re-creation. We always use the songs as launching pads for doing our own things with them, in the spirit of The Basement Tapes. That’s the best thing about those recordings: that feeling of spontaneity, that nobody’s listening, nobody’s watching. Let’s just have fun — that’s always been the approach when I do this show.

COURTESY OF CAROLE COHEN

Basement Tapes Revisited Howard Fishman’s American music mission

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B Y ET HA N D E SEIFE

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n 1967, in the lower level of a little pink house in West Saugerties, N.Y., half a dozen young men rewrote the history of American popular music. Nearly half a century later, just as the complete version of their epochal recordings is finally seeing the light of day, Brooklyn musician Howard Fishman will visit Burlington as part of his years-long “investigation” of exactly what makes Bob Dylan and the Band’s The Basement Tapes so vital. It’s serendipitous that Fishman’s “The Basement Tapes Project” comes to the FlynnSpace three days after Columbia/Legacy’s long-awaited release of The Basement Tapes Complete: The Bootleg Series Vol. 11, a six-CD set that includes all 139 tracks from that historic session. (The official 1975 release of the album included only a small portion of the original recordings.) For Fishman, that coincidence is a happy one. It dovetails with his mission of spreading the gospel about these recordings, which bucked 1960s rock music tradition by digging deeply into traditional American folk, country and blues. In advance of his November 7 performance — at which guitarist and singer Fishman will be accompanied by another guitar, violin, drums and even a sousaphone — the creator of “The Basement Tapes Project” spoke with Seven Days about the enduring relevance of songs that were recorded in the presence of several dogs and an old furnace.

SEVEN DAYS: What’s your own history with The Basement Tapes? HOWARD FISHMAN: Somebody handed me the five-CD bootleg set A Tree with Roots — which was the basis for the Greil Marcus book The Old, Weird America [about the making and impact of The Basement Tapes] — and, like everybody else, I just totally fell in love with it. Then that book came out, and I incorporate it into the show by doing some readings from it. It’s a really wonderful book, and it goes along really well with the music. SD: What’s the genesis of “The Basement Tapes Project”? HF: The project has been around for a while. When it started, it was supposed to be just a one-shot thing at [New York City’s] Joe’s Pub in 2006. I pitched [the club’s owner] on the idea of doing a three-night marathon of the complete, unreleased Basement Tapes. The shows very quickly sold out, and word got up to Lincoln Center. They decided to program it that following season as part of the American Songbook series. Since then, it’s taken on a life of its own. SD: What’s a typical performance like? HF: It totally varies from performance to performance — we include different songs, and the arrangements change from night to night. It’s usually pretty spontaneous, with a lot of improv going on all the time. We’re not playing it like the record; we’re not

SD: What do you think explains the ever-growing appeal of the traditional American music that The Basement Tapes uses as its central point of reference? HF: The indigenous music that became what we now know as folk and country and jazz and blues — I feel that a lot of that music is just so weird and so primal. When you listen to those very early recordings, it does sound like a different world, like a different culture. Many of those recordings sound very menacing and ghostly and creepy, and a lot of the strains of the music are quite violent, lyrically. People today can be so shocked about the violence in the lyrics of contemporary music, but if you go back to [1920s banjo player] Dock Boggs, it’s raw and violent, just done in a different way. [That music] is part of our culture that is only just starting to be studied and brought into the canon. It should be a part of all of our consciousnesses that this crazy music is part of our country’s culture. SD: What about the continued appeal of The Basement Tapes themselves? HF: One of the reasons that I decided to take on this project is that I felt like this is some of the best Bob Dylan music out there, and nobody’s ever heard it. Until it was announced that it was going to be released [this] week, this music was totally underground. I felt like everybody should know this music. It’s the bedrock of a part of our American music. SD: You’ve also composed an original score for the Buster Keaton film The Frozen North. HF: I like to keep myself busy, and I have all these other projects. That was a one-off; I was commissioned to write the score to that film. I actually used the same band, instrumentation and personnel as for “The Basement Tapes Project.” We’ve only done it one other time since [it was commissioned], but it could be performed at any time. SD: Do you have any idea if Bob Dylan or the surviving members of the Band know of or have opinions about your project? HF: I doubt they’re even conscious of it. I had talks with Jeff Rosen, Dylan’s manager, just to get the rights and permissions to do it, which he was so nice about giving. But I’m sure that those guys have better things to do than to check out what I’m doing. Contact: ethan@sevendaysvt.com

INFO Howard Fishman, “The Basement Tapes Project,” Friday, November 7, 8 p.m., at FlynnSpace in Burlington. $30. flynntix. org. Fishman will also perform a set of original music at the Bee’s Knees in Morrisville on Thursday, November 6, 7 p.m. $10 suggested donation. thebeesknees-vt.com


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undbites

Got muSic NEwS? dan@sevendaysvt.com

www.highergroundmusic.com COUrTESy Of ThE CUSh

The Cush

Coming Home

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ROYAL CANOE, AND THE KIDS

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ROYAL CANOE, SWALE

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BRANCHEZ, TOMMY KRUISE

FIRST FRIDAY: ULTRAVIOLET

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WIZN WELCOMES

LOTUS LAND: A TRIBUTE TO RUSH 104.7 THE POINT WELCOMES

KELLER WILLIAMS & MORE THAN A LITTLE WATSKY KYLE, ANDERSON .PAAK Sa 8

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104.7 THE POINT WELCOMES

ADVANCE MUSIC

SINGER/SONGWRITER CONTEST

Happy birthday, Radio Bean! The little coffeehouse that could turns 14 this Saturday, November 8. Sticking with tradition, the joint is celebrating with a daylong party featuring, well, pretty much every band in town. And, as always, free coffee.

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UPCOMING...

JUST ANNOUNCED

11/14 MIKE DOUGHTY 11/14 THE REVIVALISTS 11/15 ALMOST ABLAZE 11/15 BRICK + MORTAR @HIGHERGROUND

1/25 FRONTIER RUCKUS 2/17 THE EXPENDABLES 2/18 STURGILL SIMPSON 2/26 JUKEBOX THE GHOST @HIGHERGROUNDMUSIC

INFO 652.0777 | TIX 1.877.987.6487 1214 Williston Rd. | S. Burlington STAY IN TOUCH #HGVT

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MUSIC 71

for up-to-the-minute news abut the local music scene, follow @DanBolles on Twitter or read the live Culture blog: sevendaysvt.com/liveculture.

INFECTED MUSHROOM YONDER MOUNTAIN STRING BAND THE LARRY KEEL EXPERIENCE

SEVEN DAYS

Earlier this year, local genre-mashing indie rockers iNViSiBlE homES released an exquisite record, Song for My Double, which should garner plenty of yearend best-of consideration. This week, they’ll follow that up with an intriguing companion EP, One on the Skyline, featuring famed jazz drummer rA-KAlAm BoB moSES. In a recent email, bandleader SEAN wittErS explains that the original plan was to record one six-minute SOUNDBITES

RUBBLEBUCKET

11.05.14-11.12.14

this week, four years after leaving Burlington for their native Texas. It’s hard to think of a local band, past or present, more highly regarded than the cuSh. The husband-and-wife duo of BurEttE and GABriEllE DouGlAS, along with the constellation of musical stars that swirled around them in various incarnations of the band, were musical cornerstones for the decade they resided in the Queen City in the 2000s. Even now, scenesters speak of them with a reverence typically reserved for the dearly departed. And here’s the crazy thing: When they take the stage at ArtsRiot in Burlington on Friday, November 7, even amid those heightened expectations, there’s a good chance they’ll be better than we remember them. The Cush will have a new album in hand, Transcendental Heatwave, that, to these ears, is the band’s finest to date. It’s got all of the narcotic ear candy we’ve come to expect from a Cush record. But, as Burette Douglas noted in a recent phone call — on the couple’s wedding anniversary, no less — the song construction is leaner, more focused. “Sometimes I write in more poppy song structures, which gets boring to me. So I usually want to fuck it up a little bit,” he says. “But I didn’t really worry about that as much this time. I just kind of let it go.” You can hear it. While there’s no shortage of fearsome psych riffage, dreamy vocals and other hazy sonic

hallmarks, beneath that kaleidoscopic exterior is a sturdy framework built on some of the group’s most powerful and evocative songwriting. Burette Douglas explains that his writing for the new record was primarily rooted in the same theme on which he typically muses: holding onto the innocence of youth in the face of growing up. But he notes that recent life changes have altered his perspective, most significantly the passing of his mother. “That changes you, man,” he says. “You can’t be the same person you were before.” This, too, is evident in the Cush’s latest. The stark quality of Douglas’ songwriting is made all the more compelling by the duo’s signature vocal blend. One example: the album’s closing track, the benedictory “Distant Light.” Here, funereal organ ebbs and flows against a rudimentary synth drum pattern. As it washes out, the duo’s vocals are left bare, contrasting with the tick-tocking beat below. Then, a wave of bright, ringing guitar rises as a sinister synth growl lurks, building to a torrential climax of guitar and finally crumbling into a sonic abyss. It’s dark, moody, achingly beautiful stuff. This is a phenomenal record from one of Vermont’s all-time great bands.

SEVENDAYSVt.com

Absence, as the saying goes, makes the heart grow fonder. That particular quirk of human emotional machinery, longing for something we’ve lost or not fully appreciating something until we no longer have it, has been the cornerstone of rom-coms and torch songs since time immemorial. In the sage words of 1980s hair metal cheese merchants ciNDErEllA, “Don’t know what you got, ’til it’s gone.” Also, “Whoa-oh-whoa, yeah-uh!” Of course, intense longing makes it all the sweeter when the object of your affection comes back. But the thing about longing is that we tend to drift through the haze of memory wearing rose-colored glasses and recall things more generously than they might deserve. We remember the sweetness and passion of an old flame but gloss over what a colossal ass that person could be. We get excited when a favorite band reunites after a long hiatus, only to be disappointed when we see them again and discover they’re old and lame. Sometimes you meet up for drinks with a high school buddy and discover he’s become a Republican. Sometimes you bury the family cat in a creepy Indian burial ground and she comes back as a demon kitty. That’s just how it goes. But every once in a while, faith is rewarded: You get back together with an ex and it’s better than ever. That reunited band is every bit as great as you remember them. It’s like you and that high school bud never missed a beat. Beware demon kitties, though. Always. All of which brings us to the Cush, the beloved, formerly local psych-rock band who make their return to Vermont

104.7 THE POINT WELCOMES 2 NIGHTS WITH

B y Da N BO l lE S

11/4/14 2:22 PM


music

CLUB DATES NA: NOT AVAILABLE. AA: ALL AGES.

chittenden county COURTESY OF RUBBLEBUCKET

BACKSTAGE PUB: Thursday Night Trivia, 8 p.m., free.

HIGHER GROUND BALLROOM: Rubblebucket, Royal Canoe, And the Kids (art rock), 8:45 p.m., $17/20/30. AA. THE MONKEY HOUSE: The Soul Panacea (funk), 8:30 p.m., $3/8. 18+. PENALTY BOX: Karaoke, 8 p.m., free.

barre/montpelier

THU.6, FRI.7// RUBBLEBUCKET [ART ROCK]

BAGITOS BAGEL & BURRITO CAFÉ: Colin McCaffrey & Matt Schrag (bluegrass, folk), 6 p.m., free. CAPITOL GROUNDS CAFÉ: Ben Roy & HIs Guitar (singersongwriter), 7 p.m., free. CHARLIE O'S: Radio Moscow (blues rock), 10 p.m., free. NUTTY STEPH'S: Bacon Thursday: The Spooky Show, Hana Zara (singer-songwriter, puppet show), 6 p.m., free. SWEET MELISSA'S: Dave Keller (blues), 8 p.m., free. WHAMMY BAR: Live Music, 7 p.m., free.

stowe/smuggs area

WED.5

burlington

SEVENDAYSVT.COM 11.05.14-11.12.14

RADIO BEAN COFFEEHOUSE: Kids Music with Linda "Tickle Belly" Bassick & Friends, 11 a.m., free. Dylan Jane (folk), 7 p.m., free. Carolyn Walker (folk), 7 p.m., free. Cariad Harmon (singer-songwriter), 9 p.m., free. Broverdose (psychedelic indie pop), 10:30 p.m., free. Osage Orange (indie rock), midnight, free. RED SQUARE: Joshua Glass Duo (rock, jazz), 4 p.m., free. Erin Harpe and the Delta Swingers (blues), 7 p.m., $5. DJ Craig Mitchell (house), 11 p.m., $5. RED SQUARE BLUE ROOM: DJ Con Yay (EDM), 9 p.m., $5. RÍ RÁ IRISH PUB & WHISKEY ROOM: Supersounds DJ (top 40), 10 p.m., free. RUBEN JAMES: DJ Cre8 (hip-hop), 10 p.m., free. ZEN LOUNGE: Back to Black Presents Provacature with DJ Valerie, 8 p.m., $20.

chittenden county

BACKSTAGE PUB: A&M (rock), 9 p.m., free. HIGHER GROUND BALLROOM: Rubblebucket, Royal Canoe, Swale (art rock), 8:45 p.m., $17/20/30. AA.

vocalist was diagnosed with ovarian cancer and underwent months of

MOOG'S PLACE: Open Mic, 8 p.m., free.

grueling treatment. Now cancer-free, Traver, along with Rubblebucket, is back to doing

middlebury area

HALFLOUNGE SPEAKEASY: Wildlife Wednesday (trap, house), 9:30 p.m.

formed in Burlington, is currently touring in support of a tremendous new album,

HIGHER GROUND SHOWCASE LOUNGE: First Friday: Ultraviolet (EDM), 9 p.m., $5/10. 18+.

CITY LIMITS: Trivia Night, 7 p.m., free.

VENUE NIGHTCLUB: L.A. Guns, Justice (rock), 9 p.m., $25.

TWO BROTHERS TAVERN LOUNGE & STAGE: DJ Dizzle (house), 10 p.m., free.

barre/montpelier

JUNIPER: James Harvey Trio (jazz), 8:30 p.m., free.

SEVEN DAYS

NECTAR'S: Seth Yacovone (solo acoustic blues), 7 p.m., free. Grippo Funk Band, 9 p.m., $5.

CLUB METRONOME: Vermont's Funniest Comedian Contest: Prelims (standup comedy), 6 p.m., $8/10. AA.

JP'S PUB: Pub Quiz with Dave, 7 p.m., free. Karaoke with Melody, 10 p.m., free.

MANHATTAN PIZZA & PUB: Open Mic with Andy Lugo, 9 p.m., free. NECTAR'S: VT Comedy Club Presents: What a Joke! Comedy Open Mic (standup comedy), 7 p.m., free. Invisible Homes, the Parts (rock), 9:30 p.m., free/$5. 18+.

RUBBLEBUCKET

what they all do best: rocking dance floors. The Brooklyn-based band, which originally Survival Sounds. The record was directly inspired by Traver’s illness and recovery, and is as emotionally potent as it is artistically bold and gleefully danceable. Rubblebucket play a two-night homecoming run at the Higher Ground Ballroom this week: Thursday, November 6, with

ROYAL CANOE

barre/montpelier

BAGITOS BAGEL & BURRITO CAFÉ: Karl Miller (solo guitar), 6 p.m., free.

RADIO BEAN COFFEEHOUSE: Kelly Bosworth (folk), 6 p.m., free. Ensemble V (jazz), 7 p.m., free. Irish Sessions, 9 p.m., free. RED SQUARE: The Usual Suspects (blues), 7 p.m., free. DJ Cre8 (hip-hop), 11 p.m., free.

SWEET MELISSA'S: Wine Down with D. Davis (acoustic), 5 p.m., free.

THE SKINNY PANCAKE (BURLINGTON): Josh Panda's Acoustic Soul Night, 8 p.m., $5-10 donation.

chittenden county HIGHER GROUND BALLROOM: RL Grime, Branchez, Tommy Kruise (hip-hop), 8:30 p.m., $25/30. AA.

ON TAP BAR & GRILL: Chad Hollister (acoustic rock), 7 p.m., free.

and local glitter popsters

AND THE KIDS;

and Friday,

November 7, also with Royal Canoe, and local openers SWALE.

THE SKINNY PANCAKE (MONTPELIER): Cajun Jam with Jay Ekis, Lee Blackwell, Alec Ellsworth & Katie Trautz, 6 p.m., $5-10 donation.

THE MONKEY HOUSE: Allo Darlin', Swale, Let's Whisper (indie pop, rock), 8:15 p.m., $5/10. 18+. 72 MUSIC

Suck It, Cancer 2013 was a rough year for Kalmia Traver. The

THE BEE'S KNEES: Howard Fishman (folk), 7:30 p.m., $10 donation.

9 p.m., free. Disco Phantom (eclectic), 9 p.m., free.

stowe/smuggs area

THE BEE'S KNEES: Heady Topper Happy Hour with David Langevin (piano), 5 p.m., free. Fred Brauer (folk, blues), 7:30 p.m., donation. MOOG'S PLACE: Lesley Grant & Friends (country), 8 p.m., free. PIECASSO PIZZERIA & LOUNGE: Trivia Night, 7 p.m., free.

middlebury area

CITY LIMITS: Karaoke, 9 p.m., free. TWO BROTHERS TAVERN

LOUNGE & STAGE: Trivia Night, 7 p.m., free.

northeast kingdom

8 p.m., free. The Harder They Come (drum and bass), 10:30 p.m., free.

THE PARKER PIE CO.: Trivia Night, 7 p.m., free.

JUNIPER: Mark LaVoie, John Abair & Collin Cope (acoustic), 8 p.m., free.

THE STAGE: Lefty Yunger (blues), 6:30 p.m., free.

NECTAR'S: Trivia Mania, 7 p.m., free.

outside vermont

RADIO BEAN COFFEEHOUSE: Jazz Sessions, 6:30 p.m., free. Shane Hardiman Trio (jazz), 8:30 p.m., free. Kat Wright & the Indomitable Soul Band (soul), 11:30 p.m., $5.

MONOPOLE: Open Mic, 10 p.m., free. OLIVE RIDLEY'S: So You Want to Be a DJ?, 10 p.m., free.

THU.6

burlington

CLUB METRONOME: Vermont's Funniest Comedian Contest: Prelims (standup comedy), 6 p.m., $8/10. FINNIGAN'S PUB: Craig Mitchell (funk), 10 p.m., free. FRANNY O'S: Karaoke, 9 p.m., free. HALFLOUNGE SPEAKEASY: Half & Half Comedy (standup),

RED SQUARE: Zach Nugent & Co. (funk, rock), 7 p.m., free. D Jay Baron (hip-hop), 10 p.m., free. RED SQUARE BLUE ROOM: DJ Cre8 (EDM), 10 p.m., free. RÍ RÁ IRISH PUB & WHISKEY ROOM: Mashtodon (hip-hop), 10 p.m., free. ZEN LOUNGE: Lynguistic Civilians, Funkwagon, Maiden Voyage (hip-hop, funk), 9 p.m., $5.

51 MAIN AT THE BRIDGE: Sound Investment (jazz), 8 p.m., free.

outside vermont MONOPOLE: Soul Junction (soul), 10 p.m., free.

OLIVE RIDLEY'S: Karaoke, 9 p.m., free.

FRI.7

burlington

ARTSRIOT: WW Presents: the Cush, Paper Castles (psych rock), 8 p.m., $10. AA. CLUB METRONOME: Vermont's Funniest Comedian Contest: Semifinals (standup comedy), 6 p.m., $8/10. Back to the Future Friday (’90s/2000s dance party), 9 p.m., $5. "No Diggity" ’90s Night, 9 p.m., free/$5. FINNIGAN'S PUB: DJ Jon Demus (reggae), 10 p.m., free. HALFLOUNGE SPEAKEASY: Josh Dobbs & Friends (experimental), 7:30 p.m., free. Pop Rap Dance Party, 10 p.m., free. JUNIPER: John Daly Trio (folk rock), 9 p.m., free. THE LAUGH BAR AT DRINK: Comedy Showcase (standup comedy), 7 p.m., $7. MANHATTAN PIZZA & PUB: The Tenderbellies (bluegrass),

BAGITOS BAGEL & BURRITO CAFÉ: Cooie DeFranchesco (blues), 6 p.m., free. CAPITOL GROUNDS CAFÉ: Broken String (bluegrass), 6 p.m., free.

CHARLIE O'S: Lynguistic Civilians (hip-hop), 10 p.m., free. NUTTY STEPH'S: Latin Friday with Rauli Fernandez & Friends, 7 p.m., free. POSITIVE PIE (MONTPELIER): Steady Betty (rocksteady), 10:30 p.m., free. SWEET MELISSA'S: Honky Tonk Happy Hour with Mark LeGrand, 5 p.m., free. A Fly Allusion (hip-hop), 9 p.m., $5. WHAMMY BAR: Big Hat No Cattle (western swing), 7 p.m., free.

stowe/smuggs area THE BEE'S KNEES: Brian Gatch (folk), 7:30 p.m., donation.

MOOG'S PLACE: Abby Sherman (folk), 6:30 p.m., free. Curtis, Jess & David (rock), 9 p.m., free. RIMROCK'S MOUNTAIN TAVERN: DJ Rekkon #FridayNightFrequencies (hip-hop), 10 p.m., free.

middlebury area

51 MAIN AT THE BRIDGE: The FRI.7

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S

GOT MUSIC NEWS? DAN@SEVENDAYSVT.COM

UNDbites

MONTPELIER

C O NT I NU E D F RO M PA G E 7 1 COURTESY OF LYNGUISTIC CIVILIANS

Lynguistic Civilians

song with Moses, but that “his spirit moved us” to turn it into a three-part, 22-minute suite. We’ll have a full review in an upcoming issue. For now, let’s just say the EP offers some spacey soundscapes that I’m finding a cozy soundtrack to stick season. Invisible Homes play Nectar’s in Burlington on Wednesday, November 5, with local rockers the PARTS. Coincidentally, that’s the same day the new EP is available for download via Bandcamp. It’s also Guy Fawkes Day, in case you’d forgotten.

Dept. of Corrections: Last week’s review of the BURLINGTON BREAD BOYS’ nifty new album Pushing Rope incorrectly identified MAX KRIEGER as the band’s

lead vocalist. While Krieger does contribute backing vocals, the band’s lead singer is ETHAN TAPPER. Apologies, Bread Boys.

08

DJ QBERT

11

14

Boomslang CD Release Party

11

21

Eric Nassau & Alanna Grace Flynn with The Leatherbound Books

12

05

Hot Neon Magic

TEXT “unity” to 30321 to get our weekly music updates!

W W W . P O S I T I V E P I E . C O M Last but not least, local hip-hop 8 0 2 . 2 2 9 . 0 4 5 3 heavyweights the LYNGUISTIC CIVILIANS are not only awesome, they’re altruistic. This week, the band begins a monthlong 8v-positivepie110514.indd 1 11/3/14 New England run they’re calling the Tossin’ Out Turkeys Tour. At every show on the 10-date trip, the band will raffle off prizes to raise money to buy frozen turkeys, which they’ll donate to a food shelf in each town. The folks at Switchback Brewing, by the way, Classic Games are donating all the prizes. The LCs House-Infused Liquors play Zen Lounge in Burlington this Great Weekly Specials Thursday, November 6, and Charlie O’s in Montpelier on Friday, November MONDAYS 7. For the full list of dates, check out $5 Fresh Margaritas thelynguisticcivilians.com.

TUESDAYS

$4 Heady Toppers

CO

$4 Mojitos

ESY

T UR OF DJ T

A peek at what was on my iPod, turntable, eight-track player, etc., this week.

,

THE CUSH Transcendental

Heatwave

,

T0W3RS TL;DR

,

THE MAYTAGS Nova

,

BLACK MILK If There’s a Hell Below

FRIDAYS $4 Classic Cosmos SATURDAYS $5 Long Island Iced Teas SUNDAYS $5 Big Balls (24 oz Beers)

Get Your Drink On!

Find “DrinkVT” on Facebook! 135 St. Paul, Burlington • vtdrink.com

8v-Drink110514.indd 1

MUSIC 73

,

RUN THE JEWELS Run the Jewels 2

THURSDAYS $2 Switchbacks

SEVEN DAYS

ER QB

Listening In

11.05.14-11.12.14

WEDNESDAYS

Dj QBert

3:01 PM

SEVENDAYSVT.COM

File this one under “WTF?” DJ QBERT is spinning at Positive Pie in Montpelier this Saturday, November 8. If you’re unfamiliar, QBert is on the short list for greatest DJ alive. He’s a three-time

winner of the Disco Mix Club World DJ Championships. His first title in that competition came in 1992 as a member of the ROCK STEADY DJS crew with MIX MASTER MIKE (BEASTIE BOYS) and DJ APOLLO. His next two wins, in 1993 and 1994, came as DREAMTEAM, a duo also with Mix Master Mike — with whom he was later inducted into the DMC DJ Hall of Fame. QBert was also a founding member of the groundbreaking DJ band the INVISBL SKRATCH PIKLZ. In short, he is one of the finest and most innovative and influential turntablists on the planet. And he’s playing a pizza joint in Montpelier. How cool is that?

11

11/4/14 4:20 PM


music

CLUB DATES NA: NOT AVAILABLE. AA: ALL AGES.

LOUNGE: Lotus Land: A Tribute to Rush, 8 p.m., $15/18. AA. THE MONKEY HOUSE: Amulus, Canopy, Revibe (jam), 9 p.m., $5/10. 18+. VENUE NIGHTCLUB: Saturday Night Mixdown with DJ Dakota & Jon Demus, 8 p.m., $5. 18+.

barre/montpelier

COURTESY OF L.A. GUNS

There Can Be Only One Until recently, two separate bands

were touring simultaneously as 1980s hard rockers L.A. GUNS, both with valid claims to

the name. Founding guitarist Tracii Guns led one version, longtime vocalist Phil Lewis the other. And that’s maybe the least weird bit of the band’s Byzantine backstory. To wit, the band once counted Axl Rose as a member and briefly merged into the original, pre-Slash version of Guns N’ Roses. Since 1983, L.A. Guns have had more lead singers than Spinal Tap had drummers. These include a dude named — we kid you not — Jizzy Pearl. Anyhoo, Lewis’ version plays Venue Nightclub in South Burlington this Friday, November 7, with local rockers JUSTICE.

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Band SuGar (blues, Americana), 8 p.m., free.

TWO BROTHERS TAVERN LOUNGE & STAGE: Cooper & LaVoie (blues), 6 p.m., free. Phil Yates & the Affiliates, Near North (rock), 9 p.m., $3.

outside vermont MONOPOLE: Soul Junction (soul), 10 p.m., free.

FRANNY O'S: Karaoke, 9 p.m., free.

SAT.8

HALFLOUNGE SPEAKEASY: Sean Gaskell (West African kora), 7 p.m., free. Disco Phantom (eclectic), 10 p.m., free.

ARTSRIOT: Afro-Latin Dance Party: Jeh Kulu, DJ Jah Red, Jilib from A2VT, Bless the Child, Laisse Tomber, 9 p.m., $10 donation. CLUB METRONOME: Retronome with DJ Fattie B (’80s dance party), 9 p.m., free/$5.

JP'S PUB: Karaoke with Megan, 10 p.m., free. JUNIPER: Bonjour Hi (trap), 9 p.m., free. MANHATTAN PIZZA & PUB: Donna Thunders and the Storm (country), 9 p.m., free. NECTAR'S: Andriana Chobot (singer-songwriter), 7 p.m., free.

craft

fo for od

craft beer

SEVEN DAYS 74 MUSIC

Happy Hour Tunes & Trivia with Gary Peacock, 5 p.m., free.

burlington

Aqueous, Cosmic Dust Bunnies (rock, funk), 9 p.m., $5. RADIO BEAN COFFEEHOUSE: Radio Bean's 14th Birthday, 8 a.m., free. RED SQUARE: Strange Changes (rock), 7 p.m., $5. Mashtodon (hip-hop), 11 p.m., $5. RED SQUARE BLUE ROOM: DJ Raul (salsa), 6 p.m., free. DJ Stavros (EDM), 11 p.m., $5. RÍ RÁ IRISH PUB & WHISKEY ROOM: DJ Kermitt (video DJ), 10 p.m., free. RUBEN JAMES: Craig Mitchell (house), 10 p.m., free.

MONOPOLE DOWNSTAIRS:

11.05.14-11.12.14

SEVENDAYSVT.COM

CITY LIMITS: Cousin It (rock), 9 p.m., free.

THE SKINNY PANCAKE (BURLINGTON): Musee Mecanique (indie folk), 8 p.m., $5. ZEN LOUNGE: Mansfield Avenue, Know Your Truth (top 40, R&B), 8 p.m., $5.

chittenden county BACKSTAGE PUB: Radio Flyer (rock), 9 p.m., free.

HIGHER GROUND BALLROOM: Keller Williams & More Than a Little (alternative folk), 9 p.m., $20/23. AA. HIGHER GROUND SHOWCASE

NUTTY STEPH'S: Jazzyaoke with Larry Damon's Z-Jazz & You, 7:30 p.m., free.

8/26/13 3:55 PM

SWEET MELISSA'S: David Langevin (folk), 5 p.m., free. Folk Rock Project, 8 p.m., free. WHAMMY BAR: Michael Chorney & Robinson Morse (jazz), 7 p.m., free.

stowe/smuggs area THE BEE'S KNEES: Lesley Grant Band (country), 7:30 p.m., donation. MOOG'S PLACE: The Make Mentions (rock), 9 p.m., free.

mad river valley/ waterbury

THE RESERVOIR RESTAURANT & TAP ROOM: John Daly Trio (folk rock), 10 p.m., free.

middlebury area

51 MAIN AT THE BRIDGE: Laurie Goldsmith Jazz Trio, 8 p.m., free. CITY LIMITS: City Limits Dance Party with DJ Earl (top 40), 9:30 p.m., free. TWO BROTHERS TAVERN LOUNGE & STAGE: Zephrus (rock), 9 p.m., $3.

burlington

CLUB METRONOME: Vermont's Funniest Comedian Contest: Finals (standup comedy), 6 p.m., $8/10. Sunday Night Mass: J. Philip (house), 9 p.m., $10/15. 18+. FRANNY O'S: Kyle Stevens Happiest Hour of Music (singer-songwriter), 7 p.m., free. Vermont's Next Star, 8 p.m., free. HALFLOUNGE SPEAKEASY: Welcome to My Living Room with DJ Craig Mitchell (eclectic), 7 p.m., free. Pop Rap Dance Party, 10 p.m., free. THE LAUGH BAR AT DRINK: Comedy Open Mic (standup comedy), 8 p.m., free. NECTAR'S: MI YARD Reggae Night with DJs Big Dog and Demus, 9 p.m., free. RADIO BEAN COFFEEHOUSE: Gypsy Jazz Brunch with Queen City Hot Club, 11 a.m., free. The Tenderbellies (bluegrass), 1 p.m., free. Levi Weaver (folk), 5:30 p.m., free. A&M (rock), 7 p.m., free. Buzzkill Abbey (eclectic alternative), 8 p.m., free. Rayan Power with the Hydrothermal Vents (indie), 10 p.m., free. SIGNAL KITCHEN: James McMurtry (Americana), 7:30 p.m., $17/20. AA. THE SKINNY PANCAKE (BURLINGTON): Bluegrass Brunch Scramble, noon, $5-10 donation. Spark Open Improv Jam & Standup Comedy, 7 p.m., $5-10 donation.

chittenden county BACKSTAGE PUB: Karaoke/ Open Mic, 8 p.m., free.

THE MONKEY HOUSE: Kill Matilda (rock), 8:30 p.m., $5/10. 18+. PENALTY BOX: Trivia With a Twist, 4 p.m., free.

outside vermont

MONOPOLE: Doom & Friends (rock), 10 p.m., free. MON.10

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threepennytaproom.com | 108 Main Street, Montpelier VT 05602 | 802.223.taps 8H-ThreePenny082813.indd 1

CHARLIE O'S: Kill Matilda, Gorgon (riot grrrl), 10 p.m., free.

POSITIVE PIE (MONTPELIER): DJ QBert, Jeremy Ellis, DJ Don P, DJ Kanga, Rekkon, the Human Canvas (hip-hop), 10 p.m., $12/15/20. 18+.

FRI.7// L.A. GUNS [ROCK]

FRI.7

BAGITOS BAGEL & BURRITO CAFÉ: Irish Session, 2 p.m., donation. Art Herttua & Stephen Morabito (jazz), 6 p.m., donation.

SUN.9

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10/21/14 11:53 AM


GOT MUSIC NEWS? DAN@SEVENDAYSVT.COM

REVIEW this Ugly Polygons, Sky-pointing

(SELF-RELEASED, DIGITAL DOWNLOAD)

In the past decade, the field of ambient musicians seems to have reached a saturation point. With the advent of various user-friendly software programs, as well as countless ambient-music-based blogs to host DIY projects, it’s become easier than ever for almost anybody to run some drones through a couple of effects pedals and call it a day, er, an album. And, hey, under the right conditions, a lot of this stuff sounds pretty sweet. The problem with too many of these efforts, though, is insufficient substance to justify the investment of time. Repeated listens become as engaging as Ben Stein reciting the alphabet ad nauseam. Fortunately, bedroom auteur James Christenson, who plays under the moniker Ugly Polygons, seems to recognize these pitfalls and know how to avoid them. Formerly the guitarist of local two-piece Cloudeyes, Christenson has recently relocated from Burlington to

Thailand with only his mini-synth in tow. As the desire to write new music grew, he found himself turning to the mini-synth as a way to channel his melodies and inspirations. On the resulting EP, Skypointing, Ugly Polygons offer four brief, first-take tracks. Spontaneity seems to suit Christenson well, as each piece weaves intricate melodies, lo-fi synth pads and slowmotion beats together into lush exercises in restraint and beauty. Also, the EP’s brevity — each track checks in at about two minutes — belies his innate ability to pack in surprises. The EP starts off with a series of mystical synth lines that beam in one at a time, like shafts of light through a stainedglass window. Soon an unexpected, loping beat drops into place, splitting the difference between Amber-era Autechre and Neon Golden-era Notwist. It’s right about here that Christenson’s musical

acumen becomes apparent, and it’s hard Flow with whatever to believe he achieved all this in single may happen, and let takes on a mini-synth. your mind be free. “Day of a Hundred Martyrs” is ONLINE@ZENLOUNGEVT equally impressive: a simmering stew of starry synth pads, eerie tendrils W.11.5: KIZOMBA SOCIAL with DSANTOS 7PM of feedback, 808 snare hits and rim ZENSDAY with DJ KYLE PROMAN 10PM shots, and the distorted arpeggios of a hypnotic steel drum. “Showdown in Little Th.11.6 : LYNGUISTIC CIVILIANS Tokyo” features fuzzed-out blasts of noise & FUNKWAGON 9PM and a stuttering beat with insistent finger snaps. “Invincible” closes the EP on a F.11.7: BACK TO BLACK presents a spy theme fundraiser serene, resplendent note, with a delayed PROVOCAUER with DJ VALERIE 8PM rhythm that pans back and forth, and huge synth pads that conjure images of endless Sa.11.8: KNOW YOUR TRUTH & MANSFIELD (live r&b/pop) 8PM vistas. It’s gratifying to know that someone DJS ATAK & DAVE VILLA 10:30PM no cover with college I.D. local has tapped into a particular ambient sound and separated himself Tuesdays: KILLED IT! KARAOKE 9PM, 18+ from the growing pack. Given its sleek running time, Sky-pointing whets the 165 CHURCH ST, BTV • 802-399-2645 listener’s appetite for Ugly Polygons to expound on the themes he explores here. Hope he doesn’t lose that lo-fi charm 12v-zenloungeWEEKLY.indd 1 11/3/14 7:18 PM anytime soon. To check out Sky-pointing, as well as a few other tracks Christenson has designated as the project’s B-sides, go to FRIDAY NOVEMBER 7 uglypolygons.bandcamp.com/album/skyMICHELLE SARAH BAND pointing. SOUL • FUNK • R&B • FREE SHOW! JOSH LACLAIR

SCAN THIS PAGE WITH LAYAR TO LISTEN TO TRACKS

DAN BOLLES

IF YOU’RE AN INDEPENDENT ARTIST OR BAND MAKING MUSIC IN VT, SEND YOUR CD TO US! DAN BOLLES C/O SEVEN DAYS, 255 SO. CHAMPLAIN ST. STE 5, BURLINGTON, VT 05401

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MUSIC 75

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Some weird shit is going on across the lake in Plattsburgh. This, of course, ain’t exactly breaking news — at least as it relates to music. Thanks to the often indefinable and unhinged ramblings of Christopher Rigsbee and his band/alterego/collective/we’re-still-not-sure-whatit-is, Adrian Aardvark, local audiences have been peripherally aware of the strange sounds emanating from the North Country for a few years now. But Rigsbee’s latest project, the provocatively named Our Holy Orgasmic Cosmic Rays, could well be his weirdest yet. Interestingly, the band’s debut album, ominously

you’re in the neighborhood. It’s creepy but LAST KID PICKED almost inexplicably fun. ROCK TRIBUTE If nothing else, Rigsbee seems to have SATURDAY NOVEMBER 15 lightened up. Many of his previous works THE EAMES BROS. BAND were defined by a pervasive, profound BLUES • ROCK • FREE SHOW! gloom. This was made all the more FRIDAY NOVEMBER 21 disquieting by his yawning vocal bent, FUNKWAGON AND which at times resembled Buffalo Bill THE MOVE IT MOVE IT from the film The Silence of the Lambs. (“It FUNK • ROCK • REGGAE puts the lotion in the basket.”) But here, SATURDAY NOVEMBER 22YOUR SCAN THIS PAGE his unique timbre is put to cheeky, if still RETRONAIL FEATURING DJ REKKON WITH LAYARTHROWBACK DANCE PARTY • FREETEXT SHOW! mildly deranged, effect. HERE SEE PAGE 9 FRIDAY NOVEMBER 28 On cuts such as “Revolver Dick” and LUCID “Coming in My Boxers” OHOCR recall ROCK • BLUES • JAM the punky arrested development of early SATURDAY NOVEMBER 29 James Kochalka. “Stupid Llamas” is a CARL PALMER’S ELP blistering, bizarre romp. “I Was Framed” is actually fairly straightforward, which, LEGACY ELP’S LEGENDARY LEGENDA DRUMMER given the surrounding lunacy, makes it SATURDAY DECEMBER 6 even weirder. Yet through it all, a playful quality softens Phase One and makes it a strangely SATURDAY DECEMBER 12 entertaining listen for those bold enough EVERETT BRADLEY’S HOLIDELIC: SUGAR DADDY to brave the recording’s frenzied tangle of FRIDAY DECEMBER 19 sounds. That lightheartedness also makes WAYLON SPEED AND us a little less nervous about what Our SETH YACOVONE BAND Holy Orgasmic Cosmic Rays may have in MUSIC EVERY FRIDAY, SATURDAY & MORE • 9PM store for phase two. OPEN FOR LUNCH WED-SUN • 12PM - 4PM Phase One by the Our Holy AND ON SHOW NIGHTS • 7PM - 2AM Orgasmic Cosmic Rays is available at MONDAY DART LEAGUE • 7PM - 10PM WEDNESDAY POOL LEAGUE • 7PM - 10:30PM ourholyorgasmiccosmicrays.bandcamp. com.

11.05.14-11.12.14

(DRONE WITCH, DIGITAL DOWNLOAD)

WITH THE SLEEPY HOLLOW BOYS MARK LEGRAND AND THE HILLSIDE ROUNDERS FRIDAY NOVEMBER 14

SEVENDAYSVT.COM

Our Holy Orgasmic Cosmic Rays, Phase One

titled Phase One, might also be his most accessible recording to date. The Cosmic Rays are a supergroup of sorts, featuring members of well-known upstate New York bands Lucid, Trinity Park Radio, Long Cat and others. But save for the hoary, lo-fi freak rock of Adrian Aardvark, it doesn’t appear that any of those acts inform the music found on this record. Over 12 manic and disjointed cuts, the band borrows elements of punk and experimental noise, adds a healthy (or unhealthy?) dash of juvenile dick humor, and dumps it all in an old blender. At times the disfigured results are borderline unlistenable, which one imagines is partially the point. But at others, OHOCR stumble upon a queerly alluring, if vaguely unsettling, formula. The album’s second cut, “Celestial Creeper,” is one such instance. Over a tinny synth drumbeat and a scuzzy guitar line that sounds like a mangled Black Keys riff, a disembodied chorus of Rigsbees — credited here as Christopher “Tex Rex” Ribzbee — howls and growls and groans with growing mania. Ultimately, the chorus advises, “Don’t fuck with the Devil in his Sunday best.” Imagine 1990s novelty .. punks Green Jelly taking a cue from the Halloween classic “Monster Mash” with a production assist from Dr. Demento, and

SATURDAY NOVEMBER 8

TIM BRICK’S BIG TEXAS SENDOFF

11/4/14 10:31 AM


sun.9

na: not availaBlE. aa: all agEs.

« p.74

MON.10 burlington

FRANNY O'S: Standup Comedy Cage match, 8 p.m., free. HALFLOUNGE SPEAKEASY: Family night (rock), 10:30 p.m., free. JP'S PUB: Dance Video Request night with melody, 10 p.m., free. NECTAR'S: The aerolites (rock), 9 p.m., free/$5. 18+. RADIO BEAN COFFEEHOUSE: Jake Brennan (singer-songwriter), 8 p.m., free. Sheesham & Lotus (old time), 9 p.m., free. THE SKINNY PANCAKE (BURLINGTON): Kidz music with Raphael, 11:30 a.m., $3 donation. The Burly ama-Slam (music competition), 8 p.m., nA.

chittenden county

ON TAP BAR & GRILL: open mic with Wylie, 7 p.m., free.

stowe/smuggs area MOOG'S PLACE: Seth Yacovone (solo acoustic blues), 7 p.m., free.

TUE.11

burlington

CLUB METRONOME: Dead Set with Cats Under the Stars (Grateful Dead tribute), 9 p.m., free/$5. HALFLOUNGE SPEAKEASY: DJ Tricky Pat & Guests (D&B), 10 p.m., free. Industry night, 10 p.m., free. JP'S PUB: open mic with Kyle, 9 p.m., free. LEUNIG'S BISTRO & CAFÉ: Cody Sargent Trio (jazz), 7 p.m., free.

6:30 p.m., free. The Show with Joe adler & Greg Rekus (supersymmetry), 8:30 p.m., free. Honky Tonk Tuesday with Brett Hughes & Friends, 10 p.m., $3. RED SQUARE: Craig mitchell (house), 10 p.m., free. THE SKINNY PANCAKE (BURLINGTON): The moth: True Stories Told Live (storytelling), 7 p.m., nA. ZEN LOUNGE: Karaoke with Emcee Callanova, 9 p.m., free.

chittenden county

HIGHER GROUND BALLROOM: Infected mushroom (psychedelic trance), 8:30 p.m., $20/25. AA. THE MONKEY HOUSE: Horse Lords (experimental), 9 p.m., $5/10. 18+. ON TAP BAR & GRILL: Trivia night, 7 p.m., free.

barre/montpelier CHARLIE O'S: Karaoke, 8 p.m., free.

SOUTH SIDE TAVERN: open mic with John Lackard, 9 p.m., free. SWEET MELISSA'S: michael T. (blues), 5 p.m., free.

stowe/smuggs area THE BEE'S KNEES: Children's Sing-along with Lesley Grant, 10:30 a.m., donation. Papa GreyBeard (blues), 7:30 p.m., donation.

MOOG'S PLACE: The Jason Wedlock Show (rock), 7:30 p.m., free.

middlebury area

TWO BROTHERS TAVERN LOUNGE & STAGE: Karaoke with Roots Entertainment, 9 p.m., free.

MANHATTAN PIZZA & PUB: Zach DuPont (indie folk), 9 p.m., free.

WED.12

NECTAR'S: Gubbulidis (jam), 8 p.m., free/$5. 18+. Sleepy Wonder and Geometric Echoes, Know Your Truth (reggae, hip-hop), 9:30 p.m., $5/10. 18+.

CLUB METRONOME: WRUV night, 9 p.m., free.

RADIO BEAN COFFEEHOUSE: Stephen Callahan Trio (jazz),

SaT.8// mUSéE méCanIQUE [InDIE FoLK]

burlington

HALFLOUNGE SPEAKEASY: Wildlife Wednesday (trap, house), 9:30 p.m.

JP'S PUB: Pub Quiz with Dave, 7 p.m., free. Karaoke with melody, 10 p.m., free. JUNIPER: Ray Vega Quintet (Latin jazz), 8:30 p.m., free. LEUNIG'S BISTRO & CAFÉ: mike martin (jazz), 7 p.m., free. MANHATTAN PIZZA & PUB: open mic with andy Lugo, 9 p.m., free. NECTAR'S: VT Comedy Club Presents: What a Joke! Comedy open mic (standup comedy), 7 p.m., free. Davina and the Vagabonds (blues, soul), 9:30 p.m., free/$5. 18+. RADIO BEAN COFFEEHOUSE: Spencer Goddard (folk), 8 p.m., free. Irish Sessions, 9 p.m., free. RED SQUARE: The aerolites (jam, rock), 7 p.m., free. DJ Cre8 (hip-hop), 11 p.m., free. THE SKINNY PANCAKE (BURLINGTON): Josh Panda's acoustic Soul night, 8 p.m., $5-10 donation. ZEN LOUNGE: Dsantos VT Kizomba Class & Social, 7 p.m., free.

Old Souls Employing instruments as varied as glockenspiel, mellotron and

accordion, Portland, Ore.’s

mUSEé méCanIQUE

bring a chamber-music aesthetic to their

hyper-literate brand of indie folk. The band’s new album, From Shores of Sleep, is an alternately wistful and melancholy work that delicately sketches themes of love and loss, travel and transition, and the longing that comes from leaving things behind. Catch them at the Skinny Pancake in Burlington on Saturday, November 8.

chittenden county HIGHER GROUND BALLROOM: Yonder mountain String Band, the Larry Keel Experience (newgrass), 8 p.m., $25/30. AA.

HIGHER GROUND SHOWCASE LOUNGE: Ryan Hemsworth, WDY (hip-hop), 8:30 p.m., $15/18. AA. THE MONKEY HOUSE: Brian Dolzani with Buckshot (rock), 8 p.m., free/$3.

barre/montpelier

THE SKINNY PANCAKE (MONTPELIER): Cajun Jam with Jay Ekis, Lee Blackwell, alec Ellsworth & Katie Trautz, 6 p.m., $5-10 donation.

11.05.14-11.12.14

SEVEnDaYSVT.Com

courtesy of musÉe mÉcAnique

music

CLUB DaTES

SWEET MELISSA'S: Wine Down with D. Davis (acoustic), 5 p.m., free. Cookie's Hot Club (gypsy jazz), 8 p.m., free.

stowe/smuggs area THE BEE'S KNEES: Heady Topper Happy Hour with David Langevin (piano), 5 p.m., free. Laura Joy (folk), 7:30 p.m., donation.

MOOG'S PLACE: Lesley Grant & Friends (country), 8 p.m., free. PIECASSO PIZZERIA & LOUNGE: Trivia night, 7 p.m., free.

TWO BROTHERS TAVERN LOUNGE & STAGE: Trivia night, 7 p.m., free.

northeast kingdom THE PARKER PIE CO.: Trivia night, 7 p.m., free.

outside vermont

MONOPOLE: open mic, 10 p.m., free. OLIVE RIDLEY'S: So You Want to Be a DJ?, 10 p.m., free. m

middlebury area

CITY LIMITS: Karaoke, 9 p.m., free.

76 music

SEVEn DaYS

PRESENTS

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THEREVIVALISTS

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BagiToS BagEL & BUrriTo Café, 28 Main St., Montpelier, 229-9212 CapiTaL groUnDS Café, 27 State St., Montpelier, 223-7800 CharLiE o’S, 70 Main St., Montpelier, 223-6820 ESprESSo BUEno, 248 N. Main St., Barre, 479-0896 grEEn moUnTain TaVErn, 10 Keith Ave., Barre, 522-2935 gUSTo’S, 28 Prospect St., Barre, 476-7919 kiSmET, 52 State St., Montpelier, 223-8646 mULLigan’S iriSh pUB, 9 Maple Ave., Barre, 479-5545 norTh Brahn Café, 41 State St., Montpelier, 552-8105 nUTTY STEph’S, 961C Rt. 2, Middlesex, 229-2090 poSiTiVE piE, 20 State St., Montpelier, 229-0453 rED hEn BakErY + Café, 961 US Route 2, Middlesex, 223-5200 ThE SkinnY panCakE, 89 Main St., Montpelier, 262-2253 SoUTh SiDE TaVErn, 107 S. Main St., Barre, 476-3637 SwEET mELiSSa’S, 4 Langdon St., Montpelier, 225-6012 VErmonT ThrUSh rESTaUranT, 107 State St., Montpelier, 225-6166 whammY Bar, 31 W. County Rd., Calais, 229-4329

Big piCTUrE ThEaTEr & Café, 48 Carroll Rd., Waitsfield, 496-8994 ThE CEnTEr BakErY & Café, 2007 Guptil Rd., Waterbury Center, 244-7500 CiDEr hoUSE BBq anD pUB, 1675 Rte.2, Waterbury, 244-8400 Cork winE Bar, 1 Stowe St., Waterbury, 882-8227 hoSTEL TEVErE, 203 Powderhound Rd., Warren, 496-9222 pUrpLE moon pUB, Rt. 100, Waitsfield, 496-3422 ThE rESErVoir rESTaUranT & Tap room, 1 S. Main St., Waterbury, 244-7827 SLiDE Brook LoDgE & TaVErn, 3180 German Flats Rd., Warren, 583-2202

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11/4/14 12:14 PM


Mixed Messages

art

W. David Powell, Vermont Supreme Court Lobby

W

. David Powell’s exhibition at the Vermont Supreme Court Lobby, titled “Everything Must Go 3.0: Artworks From the New Millenium,” consists of about two dozen paintings, prints, mixed media and woven pieces, all completed since 2000. The gallery’s L-configuration divides the space in two, and Powell uses that to his advantage by showing work from different series and periods in each half. In the entryway, three 36-by-36-inch acrylic paintings — “Returning Home I Saw the Future,” “Available for a Limited Time Only” and “Everything Must Go” (all from 2002) — reflect the sophisticated coolness of much of the exhibit. The self-referential titles appear in the paintings as phrases floating on a colored background, or on a bed of clouds. Reminiscent of Barbara Kruger’s photo/word collages, Powell’s pieces are neutral, not political, but echo powerfully. The lustrous backgrounds provide more than a supportive environment to the phrases; they’re foils to the darker meanings the artist suggests, diverting attention back to all that is pretty but ephemeral. The title piece, “Everything Must Go,” suggests that all is for sale — not just the artwork here, but everything in the world. These works segue into a group of visually simple pop paintings, each with a compelling one-word message: “Happiness,” “Security,” “Trap.” Each of the three paintings in this series depicts a single cardboard box. In one, the box is open, with flaps up, and marked with a red label: “Security.” The field surrounding the box is neutral. The box’s openness belies the notion of security; its blandness and homogeneity offer a false sense of safety. Equally compelling is “Trap,” which depicts a box upside-down in a classic trap position: propped up and ready to fall when a bird enters its territory. The trap seems contrived to contain the very things that birds exemplify: beauty, flight, freedom. Other works in the front room employ nostalgic kitsch rather than a postpop sensibility. “Freedom of Choice” and “Welcome to the Future” (inkjet prints mounted on birch plywood) are provocative, but the images as a whole don’t resonate as powerfully as others here. Still, it’s hard not to be caught up in these appropriated images of smiling, eager

78 ART

SEVEN DAYS

11.05.14-11.12.14

SEVENDAYSVT.COM

REVIEW

scratched, like a photograph that’s been carried in a pocket for too long. One image, repeated four times, depicts a man dressed in an overcoat and hat, walking past what might be a war-torn, bombed-out building. He passes a motorcycle. It’s almost a narrative but not quite, like a memory just out of reach. Powell has manipulated the photograph, sometimes moving the man into close-up and sometimes letting him appear farther down the road. He adds color to some images and drains it from others. A second image, repeated twice, contains surreal objects that add a dreamlike element. Somewhere between the title and the images of “What Daddy Saw,” the work’s resonance strikes the viewer. Here and in “Muses in Ruins” (24-by24-inch mixed media on birch panel), repeating images create rhythms that reverberate visually, leaving an afterimage. “Entitlement,” from 2014, holds the most prominent position in the exhibit, visible from both rooms. The 72-by-54-inch woven-cotton textile, hung from a metal rod, is also the largest work in the show, both in size and subject matter. The tapestry, finished with fringed edges, resembles a Victorian-era family portrait. But its subjects are apes, not humans — and they sport macabre heads. The “family” is decked out in lace collars “Entitlement” and cuffs; their gaze goes outward, as if casting about for recognition of their privileged position. It’s hard not to draw a parallel with the 1-percenters of the 21st century. A smaller version of the work in gouache and acrylic, also titled “Entitlement” (20-by-16-inch inkjet print on canvas), serves up detail and nuance that are less distinguishable in the tapestry. Together the two underscore the unexpressed hilarity of this type of real-world portraiture. Powell’s exploration of themes and layers of complexity begins with collage-based works and moves to prints on paper and canvas, then to textiles. The faces. Powell takes full advantage of the tools and elevation of “Entitlement” to a tapestry is a tonguetechniques he’s mastered; like Andy Warhol, he in-cheek commentary on evolution and the progress of civilization. learned his craft in commercial graphic design. A Vermont resident and associate professor of In the back room, two pieces provide a transition to Powell’s newer work. In “What Daddy Saw” art at the State University of New York, Plattsburgh, (20-by-16-inch pigment transfer on canvas with Powell has long been interested in antiquated books polyurethane), we see six overlapping photographic of science, history and natural history. That interest images; only two are unique. They are well worn, is evident in his series “Curiosities of Chivalry.” The

POWELL’S DEDICATION TO PRECISION IS ABUNDANTLY DISPLAYED,

EXECUTED WITH WHAT MUST BE ARTISTIC OBSESSION.


Art ShowS

NEW THIS WEEK burlington

f BrIaN SylvESTEr: Colorful mandala paintings by the vermont artist. Reception: saturday, november 8, 5-8 p.m. Through november 30. Info, 859-8909. Red square in Burlington. f CHrISTy MITCHEll: “Cold Call,” an exhibit of new mixed-media works that explore the ideals of marriage, the American Dream and expectations between couples, by the gallery’s founder and creative director. Reception: Friday, november 7, 7:11-11:07 p.m. november 7-29. Info, 578-2512. The s.p.A.C.e. Gallery in Burlington.

“Curiosities of Chivalry”

THE INNovaTIoN CENTEr Group SHoW: Works by Anne Cummings, James vogler, Jamie Townsend, Kari Meyer, Longina smolinski, Lyna Lou nordstorm and Robert Green on the first floor; Cindy Griffith, Holly Hauser, Kasy prendergast, Laurel Waters, Teresa Davis and Tom Merwin on the second floor; and Camilla Roberts, Chance Mcniff, Janet Bonneau, Krista Cheney, Laura Winn Kane and Wendy James on the third floor. Curated by seABA. november 7-30. Info, 859-9222. The Innovation Center of vermont in Burlington. JaMES voGlEr & CarolyN CroTTy: Abstract paintings by vogler and mixed-media by Crotty. Curated by seABA. november 7-30. Info, 651-9692. vCAM studio in Burlington.

middlebury area

pEGGy CullEN MaTloW: “Dreams and the Art of seeing,” a pop-up show of pastels by the Massachusetts artist, longtime vermont resident and “student of archetypal dreamwork.” saturday, november 8, 5-7 p.m. Info, 238-6607. ARTsight studios & Galleries in Bristol.

rutland area

f ‘THE arT oF dyING’: Work by vermont artists accompanied by personal stories about a difficult theme, in an exhibit celebrating 40 years of hospice care in the U.s. part of the Wake Up to Dying project. Reception: Friday, november 7, 5-7 p.m. november 7-December 5. Info, 775-0062. Chaffee Art Center in Rutland.

SKI & RIDE SALE

‘a HISTory oF 19TH-CENTury pHoToGrapHy’: vermont artist Robert Waldo Brunelle Jr. gives a talk on the history of 19th-century photography, from its invention through the “Brownie Box” camera of the 1920s. examples will be on display. Milton Historical Museum, Wednesday, november 5, 7 p.m. Info, 363-2598.

Camel’s Hump School Richmond, VT

SATURDAY, NOV. 8 8am-4pm

‘ouT oF THE Box WITH Holly HauSEr’: Create abstract paintings like Hauser’s while sipping on a glass of wine during seABA’s “Art Under the Influence” social painting events. Hotel vermont, Burlington, Wednesday, november 5, 6-8 p.m. $35. Info, 859-9222. ‘rEadING FrEd SaNdBaCK’S SCulpTurE: pErMuTaTIoN aNd arTIST’S BooKS IN THE 1970S’: A lecture by edward vazquez, a professor in the Department of History of Art and Architecture. Hillcrest environmental Center, Middlebury College, Wednesday, november 5, 4:30 p.m. Info, 443-3168.

SUNDAY, NOV. 9 10am-2pm

SEASON PASS RATES: Family of any size $386.90 Valid through 11/9/14

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arTIST TalK: davId lyKES KEENaN: The 12v-cochrans1014.indd 1 accomplished street photographer gives a slide/ talk presentation. sponsored by the program in studio Art and the Christian A. Johnson Arts enrichment Fund. Johnson Memorial Building, Middlebury College, Thursday, november 6, 4:30 p.m. Info, 443-3168.

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aNdy BElaNGEr: The Montréal-based cartoonist, graphic artist and collaborator of the hit comic book series Kill Shakespeare is hosted by the norwich Writers series. Chaplin Hall Gallery, northfield, Friday, november 7, 4 p.m. Info, 485-2886. ‘CaT arT SHoW’ rECEpTIoN & BENEFIT: Local and regional artists show works in various mediums such as pen-and-ink, printmaking, sculpture and photography that celebrate their feline friends. some proceeds benefit the elmore spCA. ROTA Gallery and studio, plattsburgh, n.Y., Friday, november 7, 7-9 p.m. Info, 518-335-2295. FIrST FrIday arT: Dozens of galleries and other venues around the city open their doors to pedestrian art viewers in this monthly event. see Art Map Burlington at participating locations. Burlington, november 7, 5-8 p.m. Info, 264-4839.

ART evenTs

Now available: 2013 Windfall Orchard Farmhouse Hard Cider

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“everything Must Go 3.0: Artworks From the new Millennium” by W. David powell, vermont supreme Court Lobby, Montpelier, through December 31.

f MoNICa JaNE FrISEll: “The Waiting Line,” photography and video created during the seattle native’s year as a staff artist at the studio center. Reception: Tuesday, november 11, 7 p.m. november 10-December 8. Info, 635-2727. vermont studio Center Gallery II in Johnson.

Rum Pecan- streusel topped $24

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iNFo

landscape photographs printed on aluminum and other mediums by the local artist. november 6-January 4. f SaraH lEvEIllE: “Whimsy,” acrylic paintings by the Morrisville painter that bring farm scenes to life. Reception: Thursday, December 18th 5-7 p.m. november 6-January 4. Info, 888-1261. River Arts in Morrisville.

ice cream & pie all in one $20

outside vermont

arT EvENTS

f laurEN STaGNITTI: “In a Moment,” vermont

Classic- with VT maple syrup $18 Sour Cream- light & creamy;

Find the whole Thanksgiving menu more than two dozen photographs of Tunbridge, at barriobakeryvt.com/thanksgiving-menu vt., displayed as diptychs, comparing views of the town from 100 years ago to today. A collaboration between Tunbridge Historical society president euclid Farnham and Valley News photographer Geoff Hansen, who took the recent photographs. Reception: sunday, november 9, 11:30 a.m.-1:30 p.m. november 7-January 4. Info, 889-9404. Tunbridge public Library. 12v-Barrio110514.indd 1 11/3/14 12:42 PM

f lyNNE rEEd: “edgeWalker paintings,” an exhibit of enso-inspired paintings by the Burlington artist. Reception: Wednesday, november 5, 5-6:30 p.m. Through March 6. Info, 233-6811. Revolution Kitchen in Burlington.

stowe/smuggs area

each made with Vermont apples & pure Vermont butter

f ‘TuNBrIdGE: THEN aNd NoW’: A collection of

f ‘porTraITS’: A group show by artists in the sCA portrait class. Reception: Friday, november 7, 5:30-7:30 p.m. november 7-29. Info, 518-5631604. strand Center for the performing Arts in plattsburgh, n.Y.

f ‘THIrd laNdSCapE’: Artwork inspired by buildings and places in the Burlington area, plus panels from the Living place Design Competition. Reception: Friday, november 7, 5-8 p.m. november 7-30. Info, 859-9222. seABA Center in Burlington.

APPLE PIES

f raCHEl GroSS: new prints in a variety of printmaking media, sometimes in conjunction with each other. Reception: Friday, november 7, 6-8 p.m. november 7-30. Info, 295-5901. Two Rivers printmaking studio in White River Junction.

lINda SMITH: storybook-style paintings that harken back to the artist’s days as an elementary school teacher. Curated by seABA. november 7-30. Info, 658-6016. speeder & earl’s: pine street in Burlington.

f MarvIN FISHMaN: Black-and-white paintings by the vermont artist, a former filmmaker and journalist. Reception: Friday, november 7, 5-8 p.m. november 7-30. Info, 488-5766. vintage Inspired Lifestyle Marketplace in Burlington.

THANKSGIVING

f ‘FIBraTIoNS!’: Fiber creations by more than a dozen renowned new england artists. Reception: Friday, november 7, 5:30-7:30 p.m. november 7-March 30. Info, 885-3061. The Great Hall in springfield.

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mEg BrAzill

upper valley

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courthouse show includes two series by the same name (“Curiosity”), one created as inkjet prints and the other as cotton jacquard tapestries. The exacting nature of this work elevates it beyond the print medium; it has the impact of an original collage. Powell’s dedication to precision is abundantly displayed, executed with what must be artistic obsession. “Chivalry” features images drawn from the realms of cartography, knights in armor, horses, heraldry, birds and codes. It’s an imagined history that creates a preposterous but authentic-seeming world: a confined universe, evidenced by helmets and armor that cut off perception and a physical wooden frame that defines the limits of such a place. Powell has expressed interest in the connotations of tapestry and how it confers a kind of authority on objects ranging from Elvis to unicorns to royals. “The jacquard loom was the model for the first punch-card computers,” he writes in an email. “I like these value-added aspects to the work.”

‘THE arT oF GIvING’: One-of-a-kind gifts by local artists Mary Cliver, Barb DeHart, Barbara Gutheil, sarah Hewitt, Jill Kleinman, sara Longworth, Cristina pellechio, Kristen varian and Andrea varney. november 7-January 11. Info, 247-4295. Compass Music and Arts Center in Brandon.

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art art events

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Studio 266 Group Show: “Ode to Summer’s Palette,” artwork by studio members as they transition into autumn. Open for First Friday and otherwise by appointment. Studio 266, Burlington, Friday, November 7, 5-8 p.m. Info, 578-2512. Sueann Lasker: “Aleph-Tav, Paintings of the Hebrew Letters,” an exhibit of 22 paintings representing the letters of the Hebrew alphabet, with comments by the artist on her research of Rabbinical and Kabbalistic sources. Beth Jacob Synagogue, Montpelier, Sunday, November 9, 3-5 p.m. Info, 279-7518. Documentary/Talk on Kehinde Wiley: Meghan Clohessy (UVM ’05), studio manager of the renowned painter Kehinde Wiley presents the documentary, Kehinde Wiley: An Economy of Grace, followed by a talk. Room 301, Williams Hall, UVM, Burlington, Monday, November 10, 6-7 p.m. Info, 656-2014. ‘Draw & Sip @ Piecasso’: Make art and enjoy a drink in an all-levels drawing event organized by the Helen Day Art Center. Piecasso Pizzeria & Lounge, Stowe, Tuesday, November 11, 6:30-9 p.m. $25. Info, 253-8358. Artist Talk: Christy Gast: The artist gives a lecture about her work. Sponsored by the Program in Studio Art and the Cameron Family Arts Enrichment Fund. Johnson Memorial Building, Middlebury College, Wednesday, November 12, 4:30 p.m. Info, 443-3168.

ONGOING Shows burlington

Art Hop Group Show: A collaborative group show featuring more than 30 artists. Curated by SEABA. Through November 30. Info, 651-9692. VCAM Studio in Burlington.

f Ashlee Rubinstein: “40 Days: A Brief Journey Through the Israeli Desert,” landscapes by the local artist. Reception: Friday, November 7, 4-6 p.m. Through November 30. Info, 863-6713. North End Studio A in Burlington.

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Ashlee Rubinstein: “Bad Food,” paintings of food that’s gone bad and food that’s bad for you. Curated by SEABA. Through November 30. Info, 859-9222. The Pine Street Deli in Burlington. ‘Civil War Era Drawings From the Becker Collections: Drawings for newspaper publication by artist-reporters Joseph Becker and his colleagues not only from the battlefield but from the construction of the railroad, Chinese workers in the West, the Great Chicago Fire, and more. East Gallery. Through December 12. ‘Civil War Objects From the UVM Collections’: Heirloom items donated to the museum from America’s Civil War period include correspondence and ephemera, quilts, medical items, fine and decorative art and more. Wilbur Room. Through May 17, 2015. Kara Walker: “Harper’s Pictorial History of the Civil War (Annotated),” large-scale prints combining lithography and screen printing, and with the artist’s signature cut-paper silhouettes, that address slavery, violence, race, sexuality and American culture. Through December 12. Info, 656-0750. Fleming Museum, UVM, in Burlington. ‘Cradle & All’: A contemporary exhibit with works by Nissa Kauppila, Leslie Fry, Alexandra Heller and Susan Smereka. Through November 29. Info, 865-5839. Vermont Metro Gallery, BCA Center in Burlington. ‘Dance at Bennington College: 80 Years of Moving Through’: Historic photos tell the story of America’s first academic dance program that nurtured seminal figures in modern dance including Martha Graham, Doris Humphrey, Charles Weidman and Hanya Holm, and continues today. Through November 29. Info, 652-4500. Amy E. Tarrant Gallery, Flynn Center, in Burlington. David Bethuel Jamieson: “Resurrections: Art by David Bethuel Jamieson (1963-1992),” a digital exhibit of artwork accompanied by music from

Monica Jane Frisell Seattle-born artist Monica Jane Frisell has traveled extensively around the U.S., creating

startlingly evocative portraits in photography and video in locations as varied as post-Katrina New Orleans, “ghost towns” in the Southwest and family farms in Vermont. For the past year, she’s been living and working in Johnson as a staff artist at the Vermont Studio Center. “The Waiting Line,” an exhibit of photographs and videos she created while in residence, opens at VSC’s Gallery II on Tuesday, November 11, with a reception at 7 p.m. The exhibit includes a series of video portraits taken in Johnson’s coinop laundromat; experimental animation; and photographs. The last range from simple, textural and environmental pictures of the Northeast to a playful collection of the artist’s pop-influenced “Monicon” images. Through December 8. Pictured: “The Waiting Line.”

the artist’s studio and a small selection of art lent by private collectors. A reprisal of a 2012 exhibit in Washington, D.C., held in conjunction with the International AIDS Conference, intended to spark discussion about HIV/AIDS. Through November 20. Info, 656-4200. L/L Gallery, UVM, in Burlington. Grace Cothalis: Assemblages, mandalas and pastels, plus handmade booklets and one-of-a-kind cards. Through November 29. Info, 862-2233. Vintage Jewelers in Burlington.

f ‘In a Ghost’s Arms’: Sculpture and photography by UVM undergraduate student Sydney Triola

expressing the continuous experience of grief and loss. Reception: Friday, November 7, 4:30-6 p.m. Through November 21, 9 a.m.-4:30 p.m. Info, 656-7990. Center for Cultural Pluralism, UVM, in Burlington. Inty Muenala: “Mishky Way, Vía Dulce, Sweet Path,” an exhibit of new contemporary paintings that reflect traditional values of the Kichwa (Quechua) people of the Ecuadorian Andes, which the artist also finds in Vermont culture. Through January 31, 2015. Info, 363-4746. Flynndog Gallery in Burlington.

f Jane Ann Kantor: Abstract, mixed-media panels by the Charlotte painter. Reception: Friday, December 5, 5-8 p.m. Through December 31. Info, 660-9005. Dostie Bros. Frame Shop in Burlington. f Jane Clark Brown: More than 150 political cartoons about Vermont, national and worldwide issues by the late artist and author. The cartoons were published in the Suburban List, a former Essex Junction newspaper, between 1968 and 1975. Reception: Saturday, November 8, 2-5 p.m. Through December 30. Info, 865-7211. Pickering Room, Fletcher Free Library, in Burlington.


Art ShowS

Kristine slatterly: Abstract pop-art paintings; exhibit curated by seAbA. Through november 30. info, 658-6016. speeder & earl’s: pine street in burlington.

f Martin BocK: “healing Art,” sculptures and paintings of shamanic objects by the burlington author and artist. Reception: Friday, December 5th, 6:30-8:30 p.m. Through January 31. info, 865-7211. Fletcher Free library in burlington. MiKe reilly: “i Cover the waterfront,” digital photography of lake Champlain and the burlington waterfront by the shelburne photographer. Through november 30. info, 658-6400. American Red Cross in burlington. ‘Moving Forward By looKing BacK’: Artwork by the art department’s advanced drawing students. Through november 8. info, 656-2014. Colburn Gallery in burlington. ‘oF land and local’: Burlington: A multidisciplinary exhibition in multiple statewide locations designed to foster conversations on issues impacting the Vermont landscape. Through november 15. info, 865-5355. bCA Center in burlington. rashtree: “being in order,” mixed-media art that reinvents and repurposes familiar objects into odd compositions, bending relationships and meanings. Through December 31. info, 338-6459. The Gallery at main street landing in burlington.

chittenden county

‘the Body electric’: An exhibit of “sensual, visceral, biological and electric” art by steve budington, Tara Jensen, scott Dolan, eric eickmann and hiroka nakahira. Through november 21. info, 225-614-8037. south Gallery in burlington. darlene charneco: “Cohabitat,” an exhibit of layered, mixed-media models and maps that explore human settlements. Through november 7. info, 654-2795. mcCarthy Arts Center Gallery, st. michael’s College in Colchester.

‘hoMeFront & BattleField: Quilts and context in the civil war’: more than 70 rare Civil war-era textiles including quilts, Confederate and Union flags and the noose reportedly used to hang John brown are on view. Through January 4, 2015. info, 985-3346. pizzagalli Center for Art and education, shelburne museum. ‘iMpressions oF laKe chaMplain and Beyond’: The gallery features an anniversary exhibit of artwork by local and regional artists including helen nagel, Carolyn walton, Athenia schinto, Tineke Russell and more. Through December 30. info, 985-8223. luxton-Jones Gallery in shelburne. John w. long: sculptures made of wood recycled from early-American barns. Through november 30. info, 985-9511. Rustic Roots in shelburne. laurel Fulton waters: “new works,” framed prints of small work and several large installations. Through november 30. info, 985-8222. shelburne Vineyard. lorraine Manley & Kathleen Manley: landscapes by two cousins: oil paintings by Kathleen, from massachusetts, and acrylics by lorraine, from Vermont. Through november 9. info, 899-3211. emile A. Gruppe Gallery in Jericho.

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AT THE FLYNN

the pottery show: An exhibition of pottery by clay instructors at the shelburne Craft school and their students. Through December 4. info, 985-3648. shelburne Craft school. scottie rayMond: “150 minutes,” a show of mixed-media works informed by the artists of the beat generation, by this year’s wall to Canvas winner. Through December 31. info, 658-2739. The Artspace at the magic hat Artifactory in south burlington.

Howard Fishman

“The Basement Tapes Project”

barre/montpelier

‘13@13’: A group show with works by 15 artists, including Toby bartles, michael Ciccone, pat deGogorza and Abigail Feldman. Through november 18. Ben peBerdy: new collages by the Vermont artist. Through november 21. info, 552-8620. gallery siX in montpelier. bARRe/monTpelieR shows

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Friday, Nov. 7 at 8 pm, FlynnSpace Sponsor CAROLE COHEN

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Classical Pianist & Host of NPR’s

Christopher O’Riley

“Out of My Hands” Saturday, Nov. 8 at 8 pm, FlynnSpace Sponsor WENDY LYNCH

Raphael Xavier

“The Unofficial Guide to Audience Watching Performance”

creates richly textured, colorful, contemporary paintings influenced by the imagery and traditions of the Andes. In an exhibit of Muenala’s paintings and installation art

displayed at Flynndog Gallery in Burlington, titled “Mishky Way, Vía Dulce, Sweet

Friday & Saturday, Nov. 14 & 15 at 8 pm, FlynnSpace

Path,” the artist uses language, symbols and expressive color to explore the contrasts

The James E. Robison Foundation

Sponsors

and connections between cultures. The lively pieces in the Flynndog exhibit are inspired by the traditional values of indigenous Andean culture that are “shared here Pictured: “Sacred Wantu.”

Season Sponsor

P E R F O R M I N G

FlynnSpace Media Sponsor

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in the Green Mountain State,” according to the gallery. Through January 31, 2015.

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Inty Muenala Michigan-based, Ecuador-born artist Inty Muenala

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Philadelphia Hip-Hop Dancer

A R T S

www.flynncenter.org or call 802-86-flynn 3v-flynn110514.indd 1

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art barre/montpelier shows

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‘Pinhole Photography’: Black-and-white pinhole photographs by John Huddleston’s ART 327 class. Through November 6. Info, 443-3168. Johnson Memorial Building, Middlebury College.

‘1864: Some Suffer So Much’: With objects, photographs and ephemera, the exhibit examines surgeons who treated Civil War soldiers on battlefields and in three Vermont hospitals, and the history of post-traumatic stress disorder. Through December 31. Arthur Schaller: “Billboard Buildings,” an exhibit of original collages by the Norwich University architecture professor. Through December 19. Info, 485-2183. Sullivan Museum & History Center, Norwich University, in Northfield.

rutland area

Don Ross Photographs: “Collaborators, Photography and Fine Art,” an exhibit of the artist’s photography and fine art; includes photos of Fran Bull’s “STATIONS” installation, which is on view at Chaffee Downtown and Castleton Downtown galleries. Through November 25. Info, 468-6052. Christine Price Gallery, Castleton State College.

Aaron Stein: Mixed-media artwork created from vintage license plates, matchbox cars, tires and more by the Burlington artist. The deli serves up automobile-inspired menu options in conjunction with the exhibit. Through December 31. Info, 479-7069. Morse Block Deli in Barre.

Peter Huntoon & Mareva Millarc: “Oil & Water,” paintings in two mediums by the husband-and-wife pair. Through November 30. Info, 775-0062. Chaffee Downtown Art Center in Rutland.

champlain islands/northwest

Alexis Kyriak: “Creative Steps,” drawings by the Vermont artist. Through December 1. Info, curator@capitolgrounds.com. Info, 223-7800. The Green Bean Art Gallery at Capitol Grounds in Montpelier.

Pam Voss & Harald Aksdal: Mixed-media works about “a world faced with insurmountable needs” by Voss and watercolors expressing admiration for the natural world by Aksdal. Through November 30. Info, 933-2545. Artist in Residence Cooperative Gallery in Enosburg Falls.

Daniel Barlow & Scott Baer: “Green Mountain Graveyards,” a photography exhibit that explores the evolution of historic gravestones and funerary art in Vermont. Through April 1, 2015. Info, 4798519. Vermont History Museum in Montpelier.

upper valley

Judith Pettingell and Deborah Frankel Reese: “Old Friends, New Works,” oil paintings by two Upper Valley artists who first met more than 50 years ago as undergraduates at Skidmore College. Through November 19. Info, 295-3118. Zollikofer Gallery at Hotel Coolidge in White River Junction.

‘Finding a Common Thread’: A group show of fiber arts including experimental embroidery, knitting, crochet, lace, weaving, felt, textile jewelry, tapestry, quilting, soft sculpture, basketry and mixed-media works. Through November 5. Info, 431-0204. Chandler Gallery in Randolph. Peter Schumann: “Penny Oracles: The Meaning of Everything Pictures,” an exhibit of paintings by the Bread and Puppet Theater founder. ongoing. Info, 371-7239. Plainfield Co-op. W. David Powell: “Everything Must Go 3.0,” large paintings, prints, mixed-media and woven pieces by the Vermont artist. Through December 31. Info, 828-0749. Vermont Supreme Court Lobby in Montpelier.

stowe/smuggs area

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Eric Tobin & Karen Winslow: “Reflections: New Works Showcase,” paintings by the noted landscape and figurative artists. Through November 30. Info, 413-219-7588. Visions of Vermont in Jeffersonville. Idoline Duke: “Spirit of Nature,” bold, hyperrealistic paintings of flowers and the natural world by the Vermont artist. Through November 9. Info, 253-8943. Upstairs at West Branch in Stowe. ‘Land & Light & Water & Air’: The annual exhibit of landscape works features more than 100 New England painters and a corresponding photography exhibit. Through December 28. Info, 644-5100. Bryan Memorial Gallery in Jeffersonville. ‘Landscape Traditions’: The new wing of the gallery presents contemporary landscape works by nine regional artists. Through January 1, 2015. Info, 253-8943. West Branch Gallery & Sculpture Park in Stowe. Lisa Forster Beach & Sandra Noble: “Oil and Water,” watercolors by Beach and oil paintings by Noble that celebrate special moments and favorite places. Through November 10. Info, 253-1818. Green Mountain Fine Art Gallery in Stowe. ‘Unrest: Art, Activism & Revolution’: An exhibit of artwork by national and international contributors that use social media, storytelling and visual mediums to provoke political change. Through November 23. Matthew Christopher: “The Age of Consequences,” photographs of abandoned spaces in America. Through November 23. Info, 253-8358. Helen Day Art Center in Stowe.

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f W. David Powell & Peter Thomashow:

“Exposition of Matter & Magnetism: The Wonders of Science Revealed,” science-inspired collages by two Vermont artists. Artist talk: Thursday, November 6, 3 p.m. Through November 27. Info, 635-1469. Julian Scott Memorial Gallery, Johnson State College.

Marvin Fishman Marvin Fishman was born in New York City and

worked as a journalist in Chicago and freelance writer in Mexico before returning to New York to work in film. After landing in Vermont, he became the longtime

head of the University of Vermont’s film and photography program. These days, he’s given up cameras and devoted himself to canvas and easel. “I realized that I needed more physical contact with the materials of a medium,” Fishman writes in his artist statement for an exhibit of paintings at Vintage Inspired in Burlington. The marbled, abstract works certainly evoke swirling darkroom chemicals. It evolved, says Fishman, “from my ruminations on the black-and-white work of my early filmmaking days.” Titled “Series II,” the exhibit runs from November 7 to 30, with an opening reception on Friday, November 7, 5-7 p.m. The pictured work is untitled.

mad river valley/waterbury

‘7 Women Painters’: Paintings in various styles by Renee Bouchard, Margaret Lampe Kannenstine, Ying Li, Celia Reisman, Laurie Sverdlove, Nancy H. Taplin and Jessica Nissen. Through November 22. Info, 767-9670. BigTown Gallery in Rochester. Susan Bull Riley: Oil and watercolor paintings of Vermont’s botany, birds and landscapes by the East Montpelier artist. Through December 31. Info, 496-6682. Vermont Festival of the Arts Gallery in Waitsfield.

middlebury area

f ‘Arthur Healy & His Students’: 30 paintings by the late artist, a celebrated watercolorist and Middlebury College’s first Artist in Residence; with artwork by generations of his students. Gallery talk: Wednesdays at 12 p.m. with executive director. Bill Brooks. Through November 9. Info, 388-2117. Henry Sheldon Museum of Vermont History in Middlebury.

‘Dreams, Fantasies and Illusions’: A juried exhibit of photographs that use the lens not to document reality, but to capture “the wonders of the imagination.” Through November 14. Info, 388-4500. PhotoPlace Gallery in Middlebury.

f Irma Cerese: “Colorscapes,” paintings by the award-winning Massachusetts artist. Reception: Saturday, November 15, 4-6 p.m. Through November 30. Info, 458-0098. Edgewater Gallery in Middlebury. ‘Picturing Enlightenment: Tibetan Thangkas’: A collection of 18 centuries-old scrolls by anonymous Buddhist monks, primarily from Tibet, on loan from the Mead Museum of Art at Amherst College. ‘Visual Weimar’: Paintings, drawings and etchings by some some of Weimar Germany’s most prominent artists, including George Grosz, Otto Dix and Kätthe Kollwitz. Through December 7. Info, 443-5007. Middlebury College Museum of Art.

‘Kunstkamera: The Tricentennial Anniversary of the Peter the Great Museum’: Artworks and artifacts in a variety of media that celebrate the great Russian institution. Through January 31, 2015. Info, 356-2776. Main Street Museum in White River Junction. ‘Local Color’: The inaugural group show at ArtisTree’s new location features works in many mediums inspired by “life lived within the landscape.” Through November 15. Info, 457-3500. ArtisTree Gallery in South Pomfret. Mary Ann & Andy Davis: Artwork in pen and ink, pastel, oil and watercolor by the Royalton artists. Through December 8. Info, 763-7094. Royalton Memorial Library in South Royalton. ‘Only Owls’: Representations of the nocturnal predators by more than 30 artists including Leonard Baskin, Arthur Singer, Don Richard Eckelberry, Tony Angell and Bart Walter, from the collection of the Woodson Art Museum in Wisconsin. Through December 7. Info, 649-2200. Montshire Museum of Science in Norwich. Stephanie Suter: “Eye Portraits,” haunting drawings of eyes in gold and silverpoint, framed by varied materials. Through November 7. Info, 2950808. Scavenger Gallery in White River Junction.

northeast kingdom

Carol MacDonald: “String Theory,” prints that explore elements of connection by the Colchester artist. Through November 22. Info, 748-0158. Northeast Kingdom Artisans Guild Backroom Gallery in St. Johnsbury. Chip Troiano: “Landscapes of New Zealand,” photographs by the Vermont artist. Through November 17. Info, 525-3366. The Parker Pie Co. in West Glover. ‘Toothbrush’: From “twig to bristle,” an exhibit of artifacts and images detailing the history of this expedient item. Through December 31. The Museum of Everyday Life in Glover.

manchester/bennington

John Cassin: “Oil and Stone,” original works by the painter and sculptor in the debut exhibit of DaVallia Art & Accents’ recently opened second location. Through November 22. Info, 875-8900. DaVallia at 39 North in Chester.


Art ShowS

High Risk Breast Program – Sister Study

call to artists Helen Day MeMbers art sHow 2014: Helen Day Art Center members are invited to submit one to two pieces of art for the annual members’ show. Diptychs and triptychs may not be submitted as single pieces. All artwork must be ready to hang. Application forms and more information are available at helenday.com. Deadline: November 14. Helen Day Art Center, Stowe, Info, 253-8358. ‘Play’: The gallery seeks work in various mediums that expands an understanding or challenges our definition of the concept of “play.” Artwork that is interactive and/or engages the audience is of interest. The exhibit runs January-April 2015. Deadline: November 21. helendayartcenter.submittable.com/submit/36142 Helen Day Art Center, Stowe. Info, 253-8358. tHe carving stuDio gallery exHibits: Accepting applications for one- and/or two-person exhibits for the 2015-2016

season. Shows are one to two months in duration. Proposals should include 10 to 15 images of artwork (in digital format on CD), résumé/CV, an artist statement and an SASE for the return of materials, if desired. Submissions should be addressed to the Carving Studio and Sculpture Center, P.O. Box 495, West Rutland, VT 05777. Deadline: December 8. The Carving Studio, West Rutland. Info, 438-2097. tHe carving stuDio suMMer 2015 resiDencies: An opportunity for sculptors to be inspired by and create within the former marble quarry and manufacturing area of Vermont. Residencies are one week to three months and feature artists working in a diverse range of materials and techniques. To apply: Send your resumé/CV, statement/ proposal and digital image (JPEGs) or slide portfolio (no more than 20 images) to the Carving Studio and Sculpture Center, P.O. Box 495, West Rutland, VT 05777. Deadline: December 8, 2014. The Carving Studio, West Rutland. Info, 438-2097.

creative coMPetition: For this monthly artist competition and exhibit, artists may drop off one display-ready piece in any medium and size to Backspace Gallery, 266 Pine Street in Burlington, between noon and 6 p.m. on Wednesday, November 5, and Thursday, November 6, and 9 a.m. to 2 p.m. on Friday, November 7. Entry $8. During the First Friday reception, 5-9 p.m., viewers can vote on their favorite work; the winning artist takes home the collective entry money. The work remains on view for the duration of the exhibit. More info at spacegalleryvt.com. ‘reuse: uPcycleD art consignMent gallery’: Do you make an art or craft that is at least 40 percent “reused” materials? Have your own “mini-store” at ReSOURCE Household Goods Store in Barre. Consignment rate: 60 percent to you; 40 percent benefits poverty relief, environmental stewardship, education and job skills training programs at ReSOURCE. Applications accepted every three months. Email for an application and more information. ongoing. Info, mbieg@resourcevt.org.

‘DreaMing in glass’: A group show of glass sculptures by Québec artists. Through November 9. Info, 819-843-9992. Le Studio de Georgeville in Georgevile, Québec.

Margaret laMPe Kannenstine: “Nocturnes: Variations on a Theme,” acrylic paintings of night skies by the Vermont artist. Through December 30. Info, 447-1571. Bennington Museum.

To learn more about this study and how to participate, contact: Tiffany Rounds, Study Coordinator, 802-656-8502, Tiffany.Rounds@uvm.edu 6h-uvm-deptofmed110514.indd 1

10/31/14 4:32 PM

We want to see them!

Submit your most wacky shred photo to our Gaper Giveaway contest by November 12 and you could win one of these sick prizes: GoPro Helmet Hero3

Helly Hansen jacket

Bash Badge

PHOTO CONTEST! Visit sevendaysvt.com/ warrenmiller for more info.

JuDitH vivell: “New England’s Magnificent Wild Turkey,” paintings by the New York artist. Through November 14. Info, 603-448-3117. AVA Gallery and Art Center in Lebanon, N.H.

WARREN MILLER SHOWTIMES: • Wednesday, Dec. 3 & Thursday, Dec. 4, 8 p.m. Town Hall Theatre, Middlebury • Friday, Dec. 5, 6:30 & 9:30 p.m. Flynn Center for the Performing Arts, Burlington

les cosgrove: “Love Your Mother,” artwork by the upstate New York artist. Through November 30. Info, 518-962-4449. Depot Theatre in Westport, N.Y. m 3v-WarrenMiller2014.indd 1

11/4/14 11:36 AM

ART 83

‘evolving PersPectives: HigHligHts FroM tHe aFrican art collection’: An exhibition of objects that marks the trajectory of the collection’s development and pays tribute to some of the people who shaped it. Through December 20. ‘tHe art oF weaPons’: Selections from the permanent African collection represent a variety of overlapping contexts, from combat to ceremony, regions and materials. ‘witness: art anD civil rigHts in tHe sixties’: More than 100 works of photography, painting, sculpture and graphic art by 66 artists who merged art and activism for

You may be eligible if: • You have a sister and one of you has been diagnosed with breast cancer • You have at least two additional family members who have been diagnosed with breast cancer • The sister without breast cancer must be older than the sister with breast cancer OR must be older than the age at which the sister was first diagnosed with breast cancer • If there has been any genetic testing, you and your sister must be BRCA negative

SEVEN DAYS

outside vermont

Study participation includes a complete family history and one time blood draw for both sisters.

11.05.14-11.12.14

‘FroM van gogH to KanDinsKy: iMPressionisM to exPressionisM, 1900-1914’: More than 100 paintings and an equal number of drawings and prints, augmented with photograph and media of the time, reveals the cross-currents of modern art at the turn of the 20th century in France and Germany. Through January 25, 2015. ‘reMarKable conteMPorary Jewellery’: Thirty Québec and international designers showcase works that illustrate new approaches and techniques to this wearable art form. Through November 30. Info, 514-285-1600. Montréal Museum of Fine Arts. “Wild Turkey 1” by Judith Vivell

This study will compare the blood of two sisters. We will be looking at the differences in DNA repair between sisters (one with and one without breast cancer) from breast cancer families.

SEVENDAYSVt.com

the civil-rights movement. Through December 14. Info, 603-646-2095. allan Houser: Five sculptures by one of the best-known Native American artists are installed outside the museum in the Maffei Arts Plaza, representing his 3-D work from 1986-1992. Through May 11, 2015. Info, 603-635-7423. Hood Museum, Dartmouth College, in Hanover, N.H.

Our research team is working to better understand the genetic factors that lead to breast cancer.


movies

SCAN THIS PAGE WITH THE LAYAR APP TO WATCH MOVIE TRAILERS SEE PAGE 9

Nightcrawler ★★★★★

T

his is a movie about a man learning the power of the recorded image made by a man learning the power of the recorded image. Screenwriter Dan Gilroy has never directed a film before. Yet, watching his feature debut, one gets the uncanny sense of a natural auteur figuring it all out, instinctively deducing how a masterpiece is made. And, have no doubt, that’s exactly what Nightcrawler is. It’s a seat-gluingly suspenseful, chillingly visionary cultural commentary in film form, as perfect for its time as Taxi Driver and The King of Comedy were for theirs. As if that weren’t enough, it’s built around the most hypnotic performance given by an actor this year. Jake Gyllenhaal is Lou Bloom, an LA loner whose profile lies somewhere on a spectrum between Asperger’s and sociopathy. We first encounter him cutting through a chain-link fence in the dead of night. We assume he’s trying to get into or out of somewhere, but that’s not what’s happening. He’s stealing the fence — which, along with copper wire and manhole covers, he unloads on a shady construction foreman. The capper to the sequence offers the first hint that something is profoundly askew

with Lou. After negotiating a price, he smiles, asks the foreman for a job and is surprised when he answers, “I’m not hiring a fucking thief.” In Bloom’s universe, the reptilian grin, the self-improvement jargon he’s picked up on the internet and his manic work ethic are what matter. The fact that he’s committing a crime isn’t even on his moral radar. Well, it wouldn’t be if he had moral radar. As anyone with basic cable knows, though, there are places where a creature this soulless is not only welcome but rewarded. Lou finds his life’s calling on the drive home, when he happens upon a fiery car wreck and a freelance reporting team thrusting their cameras as deep as they can into the carnage. Bill Paxton is dead on as the head of the crew, a grayer, sleazier version of the tornado chaser he played in Twister — a cheeky touch on Gilroy’s part. Nightcrawler tracks Lou’s entry into and unstoppable rise to the top of this grisly milieu. It delivers a virtual sermon on the depths to which TV news has sunk without so much as a single preachy line. Everything that needs to be said about the ethical bankruptcy of the medium is conveyed through the relationship Lou develops with a down-on-her-luck news director (Rene

SCAN THIS MERCHANT OFPAGE MENACE Gyllenhaal is riveting inYOUR the role of an LA nut job determined to make it to the top in the world of TEXT WITH LAYAR broadcast bottom feeders. HERE SEE PAGE 9 Russo). She’s desperate to lift her station from last place and happy to pay top dollar for Lou’s bottom-feeding footage. Russo has never been better. In one of the picture’s bravura scenes, her character, Nina, feeds her anchors prompts through their earpieces as they broadcast Lou’s video footage of a blood-drenched crime scene he reached ahead of the police. “Whoever did this is at large,” she cues them, barely able to contain herself. “Hit that again. Keep hitting it!” If it bleeds, it leads is old news. Fear, the film reminds us, is what drives ratings in post-9/11 America.

SEVENDAYSVT.COM 11.05.14-11.12.14 SEVEN DAYS 84 MOVIES

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ODD MAN OUT Race isn’t the only dividing factor in Simien’s college comedy of manners.

when she offers satirical advice to “dear white people” on her campus radio show. With pronouncements like “The minimum requirement of black friends required to not seem racist has just been raised to two,” she underlines tensions at her elite school. Sam’s provocations catalyze a host of competing campus interests and enough plot for three movies. The white president and the African American dean (Dennis Haysbert) are already subtly at odds — as are their respective sons, one of whom (Brandon P. Bell) is secretly conflicted about his role as a tension-smoothing campus leader.

All of which may prove a little too creepy and lurid for the Academy, and if that’s the case, it’s a shame. As far as I’m concerned, awards season just kicked off. From the camerawork by Robert Elswit — who makes the LA nightscape into one of the movie’s main characters — to Lou’s innovative dialogue, to Gilroy’s freakishly accomplished first-time direction, to Gyllenhaal’s De Niroesque shapeshifting, this is an Oscar-caliber jawdropper. It’s a cool, crazy indictment of media voyeurism from which you’ll be powerless to look away. RI C K KI S O N AK

REVIEWS

Dear White People ★★★★

here’s a throwaway joke in Justin Simien’s race-relations satire that some viewers will find offensive and others will find revelatory of what the movie is really about. Members of the Black Student Union at a historically white college meet to discuss an ongoing campus outrage. One regular attendee, who happens to be Asian American, suggests they join forces with the parallel Asian American group next door. As her companions turn to stare at her, suddenly wondering why she’s not with “her people,” she shrugs and says, “You have better snacks.” It’s not a joke about any particular ethnic group, but about people per se — whatever our official affiliations or ideals, sometimes our bellies win out. (Brecht famously made the same point in The Threepenny Opera.) Making his feature debut with this Sundance word-of-mouth sensation, writer-director Simien courts controversy with his frank, present-tense treatment of American racial tensions. Neither an extended rant nor a campaign speech, Dear White People asks us to question our own tendency to go where the snacks are — and maybe, just maybe, to laugh at it. It’s not hard for liberal white moviegoers to shake their heads at the historical atrocities depicted in movies like 12 Years a Slave, The Butler and The Help. But college student Sam White (Tessa Thompson) has more contemporary targets in mind

SCAN THIS PAGE WITH LAYAR SEE PAGE 5

High achiever Coco (Teyonah Parris) is so eager for a spot on a reality show that she’ll coolly embody any stereotype she’s asked to. And Lionel (Tyler James Williams), who’s nerdy and gay, just wants to find a crowd that won’t mock him or play with his Afro. Everything comes to a boil when a student group launches the ultimate provocation: a party reminiscent of Dartmouth College’s infamous “Bloods and Crips” gathering. The dialogue in Dear White People is beyond quotable, the characters genuinely nuanced, and the performances witty and compelling. Yet the film never quite coheres:

It feels less like a story than a set of thoughtprovoking sketches. Maybe that’s because the plot has too many strands, including abrupt revelations introduced without foreshadowing or aftermath. Maybe it’s because Simien mixes his fierce critique of racial stereotypes with a few too-familiar dramatic ones, like the dean’s son’s daddy issues. Maybe it’s because the film is so driven by rigidly staged scenes of people talking at and past one another that it never gives us time to breathe. Maybe campus satire is just a tough genre to pull off: Dear White People reminded me of Whit Stillman’s Damsels in Distress, another frustratingly almost-there attempt. Simien and Stillman may have different ideological bents, but they both portray smart young people trying to reshape the world in their image — and, inevitably, failing. Flaws aside, Dear White People casts a floodlight on Hollywood’s dearth of good roles for actors of color — even as it hints that no number of high-minded speeches at the Oscars will change that. What could tip the balance is moviegoers’ self-interested desire to see more of charismatic performers like those featured here. Simien’s caustic message resonates at many levels: If you want to change the world, be sure to bring good snacks. And if you want to open minds, start by entertaining them. MARGO T HARRI S O N


movie clips

dinnerware COLORFUL

new in theaters BiRDmAN oR (tHe UNeXpecteD viRtUe oF igNoRANce): Michael Keaton plays an actor who once headlined blockbusters and is now struggling to make a theatrical comeback, in this art-mirrorslife drama from director alejandro gonzález Iñárritu (Babel). with Zach galifianakis, Edward norton and Emma Stone. (119 min, R. Roxy) iNteRstellAR: Earth’s last hope is a newly discovered interdimensional wormhole and the astronauts who agree to risk their lives there, in this sci-fi adventure from director christopher nolan. with Matthew Mcconaughey, anne hathaway, wes bentley and Jessica chastain. (169 min, Pg-13. bijou, capitol, Essex, Majestic, Palace, Paramount, Roxy, Stowe, welden) Big HeRo 6: a young genius and his inflatable robot friend assemble a team of tech-equipped heroes to save their city in this adventure comedy from disney’s animation Studios. with the voices of Ryan Potter, Scott adsit and Jamie chung. don hall and chris williams directed. (108 min, Pg. bijou, capitol, Essex, Majestic, Palace, Paramount, welden)

now playing AleXANDeR AND tHe teRRiBle, HoRRiBle, No gooD, veRY BAD DAYHH nothing seems to go right for the titular 11-year-old (Ed Oxenbould) in this family comedy based on Judith Viorst’s 1972 picture book. Steve carell and Jennifer garner play his parents. Miguel arteta (Cedar Rapids) directed. (81 min, Pg) ANNABelle 1/2H Remember the demonic dolly from The Conjuring? audiences can get more of her — and learn her backstory — in this horror prequel from director John f. leonetti (The Butterfly Effect 2). ward horton, annabelle wallis and alfre woodard star. (98 min, R; reviewed by R.K. 10/8)

tHe Best oF meH1/2 The latest screen version of a nicholas Sparks novel features James Marsden and Michelle Monaghan as former high school sweethearts who return to their hometown for a last chance at love. Michael hoffman (The Last Station) directed. (117 min, Pg-13)

H = refund, please HH = could’ve been worse, but not a lot HHH = has its moments; so-so HHHH = smarter than the average bear HHHHH = as good as it gets

JoHN WickHHH1/2 his name is short, and presumably his kicks are long. Or lethal. Or something. Keanu Reeves plays a hitman who leaves retirement to pursue a vendetta in this action thriller. with Michael nyqvist and willem dafoe. Veteran stuntmen david leitch and chad Stahelski directed. (101 min, R) tHe JUDgeHH Robert downey Jr. plays a big-city lawyer who returns to his hometown to defend his estranged dad (Robert duvall) against a murder charge in this drama from director david dobkin (The Change-Up). (141 min, R; reviewed by R.K. 10/15) NigHtcRAWleRHHHHH Jake gyllenhaal plays a freelance crime journalist who trolls the la streets in search of stories that bleed and lead in this modern-day noir thriller from writer and first-time director dan gilroy. with Rene Russo and bill Paxton. (117 min, R; reviewed by R.K. 11/5) oUiJAHH Ouija boards, right? They can totally kill you! far from pooh-poohing the urban legends, manufacturer hasbro coproduced this horror flick about unwary kids who attempt to summon a spirit. with Olivia cooke, ana coto and daren Kagasoff. Stiles white makes his directorial debut. (89 min, Pg-13) pRiDeHHHH Set in the summer of 1984, this drama tells the story of a real-life alliance between britain’s gay activists and its striking miners. with ben Schnetzer, bill nighy, Imelda Staunton and dominic west. Matthew warchus directed. (120 min, R) sAW 10tH ANNiveRsARY: If you have fond memories of the minimalist horror flick that launched the career of director James wan, the so-called “torture porn” genre and an endless string of sequels, here’s your chance to relive them. with cary Elwes, leigh whannell and danny glover. (103 min, R) st. viNceNtHH bill Murray plays a curmudgeonly war veteran who finds himself mentoring the son of his single-mom neighbor (Melissa Mccarthy) in this comedy from writer-director Theodore Melfi. with naomi watts and Jaeden lieberher. (102 min, Pg-13) tRAcksHHHH Mia wasikowska plays Robyn davidson, who trekked 1,700 miles across the australian outback, in this adaptation of her popular memoir. with adam driver. John curran (The Painted Veil) directed. (110 min, Pg-13)

nOw PlayIng

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bennington potters

free gift wrapping | we ship anywhere | gift certificates 127 COLLEGE STREET, BURLINGTON M-F 10-9; SAT 10-6; SUN 11-5 * 802 863 2221 127 college street, burlington FREE GIFT WRAPPING * WE SHIP ANYWHERE * GIFT CERTIFICATES

mon-sat 10-6; sun 11-5 | 802.863.2221

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11/3/14 2:46 PM

THE JAMES MARSH PROFESSOR-AT-LARGE PROGRAM and THE UNIVERSITY OF VERMONT HONORS COLLEGE Presents

Alison Bechdel

American Cartoonist, MacArthur Fellow & University of Vermont James Marsh Professor-at-Large

DYKES, DADS, AND MOMS TO WATCH OUT FOR: THE ILLUSTRATED LIFE OF ALISON BECHDEL Thursday, November 13 • 5:30 pm Ira Allen Chapel, 26 University Place, Burlington, VT A reception will follow the lecture in Billings Apse FREE AND OPEN TO THE PUBLIC

For more information regarding the event please contact Bess Malson-Huddle at 656-0462 or elizabeth.malson-huddle@uvm.edu SevenDays-AlisonBECHDEL ad-4.75w 4t-uvmofficeofpres110514.indd 1 X 5.56h.indd 1

10/27/14 11/3/14 10:29 12:05 AM PM

MOVIES 85

RatIngS aSSIgnEd tO MOVIES nOt REVIEwEd by Rick kisoNAk OR mARgot HARRisoN aRE cOuRtESy Of MEtacRItIc.cOM, whIch aVERagES ScORES gIVEn by thE cOuntRy’S MOSt wIdEly REad MOVIE REVIEwERS.

goNe giRlHHHH david fincher (The Social Network) directed this psychological thriller about a golden boy (ben affleck) who becomes a suspect after his wife vanishes, adapted by gillian flynn from her novel. Rosamund Pike and neil Patrick harris also star. (149 min, R; reviewed by M.h. 10/8)

seveN DAYs

ratings

FURYHHHH brad Pitt plays a tank commander behind enemy lines in 1945 in this world war II drama from director david ayer (End of Watch). with Shia labeouf, logan lerman and Michael Peña. (134 min, R; reviewed by R.K. 10/22)

11.05.14-11.12.14

tHe Book oF liFeHHH1/2 guillermo del toro produced this fantastical animation in which a young man (voiced by diego luna) must explore three worlds to resolve a conflict between his duty and his heart. with Zoe Saldana and channing tatum. Jorge R. gutierrez makes his feature directorial debut. (95 min, Pg)

DeAR WHite peopleHHH1/2 writer-director Justin Simien scored a hit at Sundance with his irreverent tale of four african american students navigating racial tensions at a historically white college. tyler James williams, tessa Thompson and Kyle gallner star. (108 min, R; reviewed by M.h. 11/5)

BECOME A GIFTED SHOPPER. INSTANTLY.

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BeFoRe i go to sleepHH nicole Kidman plays a traumatized accident survivor who forgets each day while she sleeps in this thriller from writer-director Rowan Joffe (Brighton Rock). with colin firth and Mark Strong. (92 min, R)

tHe BoXtRollsHHHH laika Entertainment (Coraline, ParaNorman) offers this new family stop-motion animation about a boy raised by subterranean trash collectors. with the voices of ben Kingsley, Jared harris and nick frost. graham annable and anthony Stacchi directed. (97 min, Pg; reviewed by M.h. 10/1)

TABLE LINENS COLORFUL BENNINGTON TABLE LINENS POTTERY BENNINGTON DECORATIVE POTTERY ACCESSORIES GLASSWARE DECORATIVE VT MADE, ACCESSORIES FAIR TRADE GLASSWARE & RECYCLED OPTIONS VT MADE, FAIR CANDLES TRADE GREETING & RECYCLED CARDS OPTIONS BAKEWARE HOLIDAY CANDLES DECORATIONS GREETING FUN CARDS STOCKING BAKEWARE STUFFERS FURNITURE HOLIDAY MUCH MORE DECORATIONS FUN STUFF FURNITURE MUCH MORE

classic dinnerware. classic simplicity. in nine singular glazes


movies

localtheaters

SOLMATE SOCKS Knit in the USA • Designed in Vermont 30 Church St. Burlington 658-6452 Mon–Sat 9–9, Sun 10–6 www.AppleMountain.net

St. Vincent

BiG picturE thEAtEr 12v-applemtn110514.indd 1

48 Carroll Rd. (off Rte. 100), Waitsfield, 11/3/14 3:45 PM496-8994, bigpicturetheater.info

118 M A I N S T R E E T, BU R L I NG T O N

Now Booking Holiday Parties! * Convenient Location * Low Fees * Catering Options Available * Holiday Packages Available email: foundation@vtdrink.com or call 802.860.9463

Movie options not announced by press time. Please consult sevendaysvt.com/movies.

BiJou ciNEplEX 4 Rte. 100, Morrisville, 888-3293, bijou4.com

wednesday 5 — thursday 6 Alexander and the terrible, horrible, No Good, Very Bad Day Annabelle The Best of me The Judge friday 7 — thursday 13 Annabelle *Big hero 6 *Big hero 6 3D *interstellar The Judge

cApitol ShowplAcE SEVENDAYSVt.com

93 State St., Montpelier, 2290343, fgbtheaters.com

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wednesday 5 — thursday 6 The Book of life Fury 10/28/14 2:10 PMGone Girl The Judge St. Vincent

86 MOVIES

SEVEN DAYS

XX.XX.XX-XX.XX.XX 11.05.14-11.12.14

friday 7 — thursday 13 Alexander and the terrible, horrible, No Good, Very Bad Day *Big hero 6 *Big hero 6 3D Fury Gone Girl *interstellar St. Vincent

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Social Clubbers like to go out, shop, meet new people and win things — doesn’t everyone? Sign up to get insider updates about local events, deals and contests from Seven Days.

Like/Fan/StaLk uS

facebook.com/sevendays.socialclub

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ESSEX ciNEmAS & t-rEX thEAtEr 21 Essex Way, #300, Essex, 8796543, essexcinemas.com

wednesday 5 — thursday 6 Alexander and the terrible, horrible, No Good, Very Bad Day Before i Go to Sleep The Best of me The Book of life Fury Gone Girl John wick

8/6/12 3:24 PM

(*) = new this week in vermont. for up-to-date times visit sevendaysvt.com/movies.

The Judge The maze runner Nightcrawler ouija Saw 10th Anniversary St. Vincent friday 7 — thursday 13 Alexander and the terrible, horrible, No Good, Very Bad Day Before i Go to Sleep *Big hero 6 *Big hero 6 3D Fury Gone Girl *interstellar Nightcrawler ouija St. Vincent

mErrill'S roXY ciNEmA 222 College St., Burlington, 8643456, merrilltheatres.net

wednesday 5 — thursday 6 Dear white people Fury Gone Girl pride St. Vincent tracks friday 7 — thursday 13 Birdman Dear white people Gone Girl *interstellar St. Vincent

mAJEStic 10

pAlAcE 9 ciNEmAS

190 Boxwood St. (Maple Tree Place, Taft Corners), Williston, 878-2010, majestic10.com

10 Fayette Dr., South Burlington, 864-5610, palace9.com

wednesday 5 — thursday 6 Alexander and the terrible, horrible, No Good, Very Bad Day Before i Go to Sleep The Best of me *Big hero 6 *Big hero 6 3D The Book of life Fury Gone Girl *interstellar John wick The Judge Nightcrawler ouija St. Vincent friday 7 — thursday 13 Alexander and the terrible, horrible, No Good, Very Bad Day Before i Go to Sleep *Big hero 6 *Big hero 6 3D The Book of life Fury Gone Girl *interstellar Nightcrawler ouija St. Vincent

wednesday 5 — thursday 6 Alexander and the terrible, horrible, No Good, Very Bad Day Before i Go to Sleep The Best of me The Boxtrolls Fury Gone Girl The Judge The metropolitan opera: carmen Nightcrawler Saw 10th Anniversary St. Vincent friday 7 — thursday 13 Before i Go to Sleep *Big hero 6 *Big hero 6 3D Fury Gone Girl *interstellar John wick *National Theatre live: of mice and men Nightcrawler St. Vincent

pArAmouNt twiN ciNEmA 241 North Main St., Barre, 4799621, fgbtheaters.com

wednesday 5 — thursday 6 Alexander and the terrible, horrible, No Good, Very Bad Day ouija friday 7 — thursday 13 *Big hero 6 *Big hero 6 3D *interstellar

thE SAVoY thEAtEr 26 Main St., Montpelier, 2290509, savoytheater.com

wednesday 5 — thursday 6 Dear white people pride friday 7 — thursday 13 Dear white people pride

StowE ciNEmA 3 plEX Mountain Rd., Stowe, 2534678. stowecinema.com

wednesday 5 — thursday 6 Fury Gone Girl *interstellar St. Vincent friday 7 — thursday 13 Fury *interstellar St. Vincent

wElDEN thEAtrE 104 No. Main St., St. Albans, 5277888, weldentheatre.com

wednesday 5 — thursday 6 Fury *interstellar St. Vincent friday 7 — thursday 13 *Big hero 6 *Big hero 6 3D Free wayback wednesdays Fury *interstellar St. Vincent

mArQuiS thEAtrE Main St., Middlebury, 388-4841

friday 7 — thursday 13 *Big hero 6 *interstellar

look up ShowtimES oN Your phoNE!

Go to SEVENDAYSVt.com on any smartphone for free, up-to-the-minute movie showtimes, plus other nearby restaurants, club dates, events and more.


movie clips

NOW PLAYING

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new on video HeRcUlesHH1/2 It’s time for another big-budget spectacular about the strongman of Greek legend, this time played by Dwayne Johnson. Brett Ratner directed. (98 min, PG-13) lAND Ho!HHH1/2 Two sixtysomething ex-brothers-in-law rediscover their zest for life by embarking on a road trip in Iceland in this adventure comedy. Earl Lynn Nelson and Paul Eenhoorn star. (95 min, R) mAleFiceNtHH Sleeping Beauty gets its obligatory filmic reimagining with Angelina Jolie playing the title ill-intentioned fairy and Elle Fanning as the princess she targets with her malicious curse. (97 min, PG; reviewed by M.H. 6/4)

A most WANteD mANHHH1/2 The late Philip Seymour Hoffman played a weary Hamburg intelligence operative trying to recruit a young Chechen Muslim to the antiterrorist cause in this adaptation of John le Carré’s novel. (122 min, R) plANes: FiRe AND RescUeHH1/2 In the sequel to Disney’s surprise animated hit, the little plane that fulfilled his racing dreams finds himself working with an intrepid helicopter on a squad that battles wildfires. (83 min, PG) step Up All iNHH1/2 Stars of the previous installments in the Step Up dance franchise generate tornadoes of fancy footwork as their characters battle for a prize in Las Vegas. (112 min, PG-13)

more movies!

Film series, events and festivals at venues other than cinemas can be found in the calendar section.

movies YOu missed B Y MARGOT HARRI SON

Did you miss: WitchiNG ANd BitchiNG Deep in the woods, three witches are receiving a prophecy about the “chosen one.” “a yellow sponge?” one says dubiously, reading the cards. “Jesus christ? a green soldier?”

11/4/14 10:16 AM

HALF OFF for the

HOLIDAYS

in the Movies You Missed & More feature every Friday, i review movies that were too weird, too cool, too niche or too terrible for Vermont's multiplexes. should you catch up with them on DVD or VoD, or keep missing them?

Naughty or nice, it’s time to cozy up!

seveNDAYsvt.com

it all becomes clear in the next scene, set in Madrid, where we discover a fellow named José (hugo silva) robbing a gold dealer dressed as Jesus…

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what I’M watching 11.05.14-11.12.14

B Y ETHAN D E SEI FE

This week i'm watching: RANGO

Now on

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one career ago, i was a professor of film studies. i gave that up to move to Vermont and write for Seven Days, but movies will always be my first love. in this feature, published every saturday on Live culture, i write about the films i'm currently watching, and connect them to film history and art.

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MOVIES 87

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What is it, exactly, that appeals to viewers about ever-escalating resolutions: DVD to Blu-Ray to 4K? The clever animated western comedy Rango — viewed on BluRay — affords the perfect opportunity to investigate that question.


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Michael Deforge


NEWS QUIRKs by roland sweet Curses, Foiled Again

After police seeking Monica Hargrove, 34, for aggravated robbery in Columbus, Ohio, posted her photo on the department’s Facebook page, the suspect called and demanded the photo be removed because she considered it unflattering. “Come on in and we’ll talk about it,” the detective she spoke with told her. She did, public information officer Denise Alex-Bouzounis said, and was arrested. (Columbus Dispatch) Authorities in Northern Ireland charged Kevin Clarence, 20, with attempted robbery after he waited in line at a supermarket with a black trash bag over his head and then demanded money. An employee who heard the demand approached the suspect, who said, “I’ll be back,” and fled. Two witnesses identified Clarence as the would-be robber, and a police officer at his subsequent trial in County Londonderry pointed out that Clarence had just been released from prison for a similar offense. (BBC News)

Ebolamania

After finding a Nigerian traveler shivering on the floor of Spain’s MadridBarajas airport, officials activated an emergency Ebola alert and declined to help him. An hour later, they summoned a team of infectious disease specialists, who examined the now-unconscious man and concluded he was

a drug mule suffering from a cocaine overdose after several bags of the drug in his stomach burst. He was finally taken to a hospital but died. The man’s wife said he hadn’t visited Nigeria in at least four years. (Spain’s Local)

Vehicular Follies

While Megan Campbell was driving a city supply van in St. Paul, Minn., she hit a parked Nissan Pathfinder, seriously damaging its bumper. It happened to be her personal vehicle, and Campbell filed a claim against the city seeking $1,600 to $1,900. “Because I was working for the city and driving the city vehicle, I feel they are responsible for paying for the damage done to my car,” she explained in her claim form. (St. Paul’s Pioneer Press) A man backing out of his driveway in Aurora, Colo., jumped out of his van to avoid being burned by a cigarette he dropped on himself. The vehicle kept moving, knocked him down and ran over his head. He was hospitalized in critical condition. (Denver’s KUSA-TV)

Drinking-Class Heroes

After complying with a municipal liquor ban dating back to the 19th century, residents of Hanover, Manitoba, learned that no such ban exists. “I didn’t know any better,” Stan Toews, 63, the rural community’s reeve, said. “We went back to 1880, and we could not find a bylaw that said Hanover is

dry.” Toews invited local establishments interested in selling alcohol to apply for a provincial liquor license. (Canadian Press) Minneapolis ad agency Colle & McVoy reported that since it began offering workers a free glass of beer for filling out their timecards properly, timesheet completion has improved by 90 percent. (United Press International)

Reasonable Explanation

charge dropped, explaining, “I see spending the rest of my life with her.” (Huffington Post) William Rogers, the mayor of Hawkins, Texas, was charged with official oppression for threatening a homeowner because her grass was too tall. The woman told police Rogers blocked her in with his car and threatened her with a ticket and a $500-a-day fine because her grass was higher than 18 inches. Hawkins code enforcement officer Eileen Frazier measured the woman’s grass and found it wasn’t over 18 inches and said Rogers illegally mistreated the woman. (Tyler’s KLTV-TV)

Tammy Hiser, 34, attacked her boyfriend with an ax

because he wouldn’t talk to her.

Sheriff’s deputies who arrested Lisa Carol Roche, 41, after they caught her taking items from cars parked at a high school in Jackson County, Miss., said she claimed she was looking for members of the terrorist group ISIS. (Gulfport’s Sun Herald)

Slightest Provocation

Tammy Hiser, 34, attacked her boyfriend with an ax in Daytona Beach, Fla., because he wouldn’t talk to her. Andrew Whitaker, 28, told police he ignored her because he was mad that she was drunk. He said she punched him repeatedly and then got the ax and swung it at him, but he was able to take it away from her because “her coordination was terrible.” After her arrest, Whitaker said he’d try to get the felony

Flames of Love

Dim Xiong Chien, 22, planned to propose to his girlfriend at China’s Liaoning Advertisement Vocational College in Shenyang by setting off fireworks as he kneeled, but she forgot their meeting. He set off the fireworks anyway, hoping to attract her attention, and went to look for her. While he was gone, the fireworks sparked a grass fire that burned down the college’s sports hall. (New York Post)

Harry BLISS jen sorensen SEVENDAYSvt.com 11.05.14-11.12.14 SEVEN DAYS fun stuff 89

“…Why can’t this count as date night?”


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Fran Krause

Have a deep, dark fear of your own? Submit it to cartoonist Fran Krause at deep-dark-fears.tumblr.com, and you may see your neurosis illustrated in these pages.

KAz


novembeR 6-12

Scorpio (oct. 23-nov. 21)

Near the end of the 19th century, an American named Annie Londonderry became the first woman to ride a bicycle around the world. It was a brave and brazen act for an era when women still couldn’t vote and paved roads were rare. Her 15-month journey took her through countries that would be risky for a single woman on a bike to travel through today, like Egypt and Yemen. What made her adventure even more remarkable was that she didn’t know how to ride a bike until two days before she departed. I’d love to see you plan a daring exploit like that, Scorpio — even if you do not yet have a certain skill you will need to succeed.

aRies (March 21-April 19): shape-shifting is

a common theme in fairy tales, says cultural historian Marina Warner in her book From the Beast to the Blonde. “A rusty lamp turns into an all-powerful talisman,” for example. “A humble pestle and mortar become the winged vehicle of the fairy enchantress,” or a slovenly beggar wearing a dirty donkey skin transforms into a radiant princess. I foresee metaphorically similar events happening in your life sometime soon, Aries. Maybe they are already under way. Don’t underestimate the magic that is possible.

taURUs (April 20-May 20): The technical

scientific term for what happens when you get a headache from eating too much ice

cream too fast is “sphenopalatine ganglioneuralgia.” I urge you to be on guard against such an occurrence in the coming week. you should also watch out for other phenomena that fit the description of being too-muchand-too-fast-of-a-good-thing. on the other hand, you shouldn’t worry at all about slowly getting just the right amount of a good thing. If you enjoy your pleasures with grace and moderation, you’ll be fine.

gemini (May 21-June 20): “Pregreening” is a term for what impatient drivers do as they are waiting at a red light. They partly take their foot off the brake, allowing their car to creep forward, in the hope of establishing some momentum before the light changes to green. I advise you to avoid this type of behavior in the coming week, Gemini — both the literal and the metaphorical variety. Pregreening might make sense by, say, november 15 or 16. but for now, relax and abide. canceR (June 21-July 22): German com-

poser Ludwig van beethoven (1770-1827) was one of the greats. His influence on the evolution of Western music has been titanic, and many of his best compositions are still played today. He was prodigious, too, producing over 350 works. one of the secrets to his high level of energy seems to have been his relationship with coffee. It was an indispensable part of his diet. He was fastidious in its preparation, counting out exactly 60 coffee beans for each cup. I recommend that you summon a similar attention to detail in the coming days. It will be an excellent time to marshal your creative energy and cultivate your lust for life. you will get the best results if you are precise and consistent and focused in your approach.

leo

(July 23-Aug. 22): by the time we have become young adults, most of us don’t remember much about our lives from before the age of five. As we grow into middle age, more and more childhood memories drop away. Vague impressions and hazy feelings may remain. A few special moments keep burning brightly. but the early events that shaped us are mostly gone. Having said that, I want to alert you to the fact that you are in a phase when you could recover whole swaths of lost memories, both from your formative

(Aug. 23-sept. 22): Photographer Joel Leindecker can kick himself in the head 127 times in one minute. Guinness World Records affirms that his achievement is unmatched. I’m begging you not to try to top his mark any time soon. In fact, I’m pleading with you not to commit any act of mayhem, chaos or unkindness against yourself — even if it’s done for entertainment purposes. In my view, it’s crucial for you to concentrate on caressing yourself, treating yourself nicely and caring for yourself with ingenious tenderness in the coming weeks.

libRa (sept. 23-oct. 22): The writing of letters is becoming a lost art. few people have a long enough attention span to sit down and compose a relaxed, thoughtful report on what they have been doing and thinking. Meanwhile, the number of vigorous, far-reaching conversations is waning, too. Instead, many of us tend to emit and absorb short bursts of information at frequent intervals. but I invite you to rebel against this trend in the coming weeks. Judging from the astrological omens, I believe you would stir up some quietly revolutionary developments by slowing down and deepening the way you communicate with those you care about. you may be amazed by how much richer your experience of intimacy will become. sagittaRiUs (nov. 22-Dec. 21): P.G. Wodehouse wrote more than 90 books, as well as numerous plays, musical comedies and film scripts. When he died at age 93, he was working on another novel. He did not suffer from writer’s block. And yet his process was far from effortless. He rarely churned out perfection on his first attempt. “I have never written a novel,” he testified, “without doing 40,000 words or more and finding they were all wrong and going back and starting again.” The way I see your immediate future, sagittarius, is that you will be creating your own version of those 40,000 wrong words. And that’s oK. It’s not a problem. you can’t get to the really good stuff without slogging through this practice run.

aQUaRiUs

(Jan. 20-feb. 18): before the invention of the printing press, books in europe were handmade. Medieval monks spent long hours copying these texts, often adding illustrations in the margins. There’s an odd scene that persistently appears in these illuminated manuscripts: knights fighting snails. scholars don’t agree on why this theme is so popular or what it means. one theory is that the snail symbolizes the “slow-moving tedium of daily life,” which can be destructive to our hopes and dreams — similar to the way that literal snails may devour garden plants. In accordance with the cosmic omens, I am bestowing a knighthood on you, Aquarius, so you will be inspired to rise up and defeat your own metaphorical version of the snail.

Pisces (feb. 19-March 20): to be in righ-

teous alignment with cosmic forces, keep the Halloween spirit alive for another week. you have a license to play with your image and experiment with your identity. Interesting changes will unfold as you expand your notion of who you are and rebel cheerfully against your own status quo. to get started, try this exercise. Imagine that your gangsta name is butt-Jugglin smuggla. your pirate name is scallywagger Hornslasher. your sex-worker name is saucy Loaf. your Mexican wrestler name is ojo Último (ultimate eye). your rock star-from-the-future name is Cashmere Hammer. or make up your own variations.

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caPRicoRn (Dec. 22-Jan. 19): It’s a favorable time for you to meditate intensely on the subject of friendship. I urge you to take inventory of all the relevant issues. Here are a few questions to ask yourself. How good of a friend are you to the people you want to have as your friends? What capacities do you cultivate in your effort to build and maintain vigorous alliances? Do you have a clear sense of what qualities you seek in your cohorts and colleagues? Are you discerning in the way you choose your compatriots, or do you sometimes end up in associations with people you don’t truly enjoy and don’t have much in common with? If you discover any laziness or ignorance in your approach to the art of friendship, make the necessary fixes.

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I am a trans man. I thought I had struck gold when I found a sexy, talented-in-the-bedroom trans woman. But she held from me the fact that she had a partner early on, and then underplayed the nature of their relationship. She thinks she can stand me up on engagements. We had sex all the time to begin with, but now that the thrill of her first trans female-tomale has worn off, we haven’t had sex in months. Do you think she treats me like a toy and was only lying when she said she loved me, so she could get what she wants? Or is she retreating into the relative comfort of a practically sexless, perfunctory relationship with someone who helps pay the bills?

Signed,

Feeling Down and in the Dust

Dear Feeling Down,

The question shouldn’t be how she feels but how you feel. It’s not easy to find someone to click so well with in the bedroom. If you do, it’s hard to let go. But it’s unacceptable that your lady kept another partner from you, and it sounds like she really hurt you. Even worse: that she seems unaware of or doesn’t care about your time and feelings. Other than sex, you haven’t mentioned what else you value about her. Is your relationship just about getting physical? Do you want to be a sex toy and have her be yours in return? Or are you looking for a serious commitment? Do some soul searching and ask yourself what you desire. Then tell her either that you want to resume your sex life at its previously hot level, or that you’d like to spend more quality time together that might evolve into something serious. Then you’ll find out what she wants and know where you’re headed. If she’s willing to go where you want to go, great. But before you do, you must also address how it made you feel that she kept her other partner a secret. Based on your letter, it sounds like that still stings. Don’t waste any more time wondering why this woman behaves as she does. Just sit down and have a direct conversation with her. Tell her that you expect respect and honesty — even if the relationship is just about sex. No matter what your status with another person, you don’t deserve to be mistreated. Stick up for yourself, get some answers and then move forward — or move on.

Yours,

Need advice?

Athena

You can send your own question to her at askathena@sevendaysvt.com

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Loving Couple seeks sexy lady We’re in a loving, committed relationship, together over 25 years. We’re very much into pleasure and exploring our sexuality. She was in a F-F relationship years ago so this is nothing new, but it’s been a while. We’re looking for an intelligent woman (we need to like you) who is looking to explore her sexuality with a loving, committed couple. coupleinlove, 49

Dear Athena,

SEVEN DAYS

Please raise my grade, Professor? M dom, 60s, presently stuck in vanilla relationship, seeks F sub/slave 20s to sub slut 40s to explore role-playing interests I am a little looking for a daddy dom and ideas via phone, online video/word 1x1c-mediaimpact050813.indd 1 5/3/13 4:40 PM to control me. I want to be punished chat, or email. I have a vivid imagination; and praised. Use me for your pleasure, do you? Potential to meet in person make me submissive to you and if all goes well. Whit_Waltman, 62 leave me bruised. Ideally an ongoing DD/lg relationship. Aftercare is a Heady Love must. submissivegirl, 20, l Adventure is calling and I’ll take any request. Not sure what I’m looking So sweet and loving for, but when it appears, I’ll know. I’m a bisexual professional lady SomethingAboutToday, 24, l looking for fun with couples, women and men. Who says we can’t have it Looking for hot curvy woman all?! I’m discreet, responsible, fit, sexy, Looking for a hot, sexy, funny, open-minded, DD free and would smart, open woman for fun, new love to be playmates with some experiences and maybe LTR, of the same. TrulyFree, 28, l who knows? jwtfaw, 57, l

Couple for fun Young couple looking to add a young woman to be part of our relationship for fun and hanging out on the town, and at each other’s homes for one night or longer. cpleforfunandmore, 26

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Discreet Fun Looking for a sexy woman who would like to explore a discreet affair. Would like to try new things and have fun. I’m attractive and fun. Let’s experiment. drewm55555, 26, l

Other seeking?

Ask Athena

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ladyinwaiting Looking for someone to talk with, exchange texts and phone conversations — even possibly some erotic massage. I am a very sexual person and would like to explore my boundaries. mlg7513, 24

Men seeking?

Your wise counselor in love, lust and life


Stealing Cop CarS and HeartS Everyone was watching two tutus fight to the death. Mundane hair pooling and slut shaming. A true symbol of anarchy, you truly won the evening. Too bad cop cars have alarms. When: Friday, october 31, 2014. Where: outside rasputin’s. You: Man. Me: Woman. #912543 doMo-kun! You: Domo. Me: Gameboy in a tiny hat. You seemed like fun, but had to follow your friends. It was nice to meet you; hopefully we meet again! When: Friday, october 31, 2014. Where: Church Street. You: Man. Me: Woman. #912542 Bearded Biker on HalloWeen I’d wait for you any day. You were headed downhill, past Bennington Potters North around 3 on Friday. Sandy, the very tall person, and I, the not-so-tall person, stood as you rode by in your chartreuse “see me now” jacket. I saw twinkling eyes, a lovely smile and someone I’d like to meet. Coffee? Tea? And conversation, please! When: Friday, october 31, 2014. Where: Burlington. You: Man. Me: Woman. #912541 WilliSton rd. la Quinta How could I have been missing such a perfect person in my life? I’m still in love with her and always will be. I would do anything or go anywhere to get that feeling back, and I know it could be hard at first, but nothing or no one is worth having if you don’t have to work for it. I love you. When: Monday, october 31, 2011. Where: Williston rd. la Quinta. You: Woman. Me: Man. #912540 HealtHY living A chance encounter has turned into a wonderful year. So very nice of you to approach me and begin this fantastic adventure. And if a doubledecker bus crashes into us, to die by your side is such a heavenly way to die And if a 10-ton truck kills the both of us, to die by your side — well, the pleasure, the privilege is mine. When: Saturday, october 26, 2013. Where: Healthy living. You: Woman. Me: Man. #912538

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keYS to MY Heart Ever since the day we met, you had my heart. I hope one day you will play me the piano solo from “Layla” and we can get cheap beers and wings. Bop on. When: Wednesday, october 10, 2012. Where: Burlington. You: Man. Me: Woman. #912537

If you’ve been spied, go online to contact your admirer!

YeSaSingengHiS Once upon a time, there was a man browsing through the Seven Days website. He was checking to see if he had been I Spied, as he does every week. He then decided to check out other parts of the site and came across your profile. You seem interesting. I’d enjoy meeting you if you’re up for it — dinner, drinks? When: Thursday, october 30, 2014. Where: internets. You: Woman. Me: Man. #912536 training Your dog, WellS Street When I saw you training your dog in high black boots with a matching vest, I was blown away. You disappeared down this mid-block pathway. The attention you were giving your dog was impressive. It’s not uncommon knowledge that women who love their pets/ animals are more wholesome people. Coffee, or talks about my past dog-walking business ventures? Dog walking? When: Wednesday, october 29, 2014. Where: Wells Street, Burlington. You: Woman. Me: Man. #912535 HeY, Brian FroM eSSex! Hey, Brian. Nice to chat about skis today. I hope your travels to Stowe brought you more information about the newer models. I’d be interested to hear more about your findings, as well as in maybe a pre-ski hike. I hope the extension I gave you helps. I’m working at softgoods store again Sunday the 9th. :) N When: Sunday, october 26, 2014. Where: Smugglers’ notch. You: Man. Me: Woman. #912534 aMeriCan FlatBread BeautY To the blonde hostess: You look like a movie star. Greta Gerwig. If I were an artist, you would be my muse. When: Saturday, october 25, 2014. Where: american Flatbread. You: Woman. Me: Man. #912533

ForeSt dragon It was raining. I was riding my bike. You ordered one of my favorite tea drinks and were behind me in line. You had a great smile. Hope you’ll read this and say hi. When: Thursday, october 23, 2014. Where: dobrá tea. You: Woman. Me: Man. #912531 eSCape WitH Me I know you read these every week, so if you like a book and some red wine and hanging out in the sun, if you’re not into yoga and if you like to have fun, if you like making love at midnight and staying up way too late, then I’m the love that you looked for; write to me for a date. When: Wednesday, october 22, 2014. Where: 4d. You: Woman. Me: Man. #912529 CYCliSt, SWiFt St., laSt Week You were on your bike, cycling, around 8 a.m. We exchanged a long glance through my car window as you headed up the road. I wanted to abandon ship, forget work and join you. Like to meet to ride together sometime? When: tuesday, october 14, 2014. Where: near Swift St. and Spear St. You: Woman. Me: Man. #912528 long-legged luCkY CHarM To you: my handsome man. My heart flutters every time I catch your glance from across the room. If life were perfect, I would bring you everywhere with me. But it isn’t and so you’ll be here and I’ll be there, and you should know one thing is true: No matter where we are, I’m all yours. When: tuesday, october 21, 2014. Where: Burlington/ Winooski. You: Man. Me: Woman. #912527

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HolY CoW — got dieSel? New World Tortilla. Friday. Lunch. You were too handsome for any attempt at eye contact. I might have fallen off my seat if I tried. When: Friday, october 17, 2014. Where: Burlington. You: Man. Me: Woman. #912520 MannerS are not dead! To the brunette with the glasses sitting two seats from me who asked whether it would bother me if she made a call on her phone: Now that’s class and courtesy! Thanks for being so thoughtful and conscientious. You were raised right! (And you’re cute, too.) When: Thursday, october 16, 2014. Where: Fedex kinko’s downtown Burlington. You: Woman. Me: Man. #912519

Email askathena@sevendaysvt.com with your questions.

Chandler Music Hall, Randolph, Vermont www.chandler-arts.com • 802-728-6464

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doWntoWn Mall SHoe Store I saw you when I was looking for shoes. You were trying on some boots. Beautiful brunette; older; dark-rimmed glasses. We made eye contact and smiled. I should have said hi. I hope you see this. Maybe coffee or a drink sometime. When: Sunday, october 19, 2014. Where: downtown mall shoe store. You: Woman. Me: Man. #912521

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oreo Cookie dougH Splenda dope Complete bumble: You were in line at Shaw’s, and I inquired about your stockpile of Oreo Cookie Dough purchase and you commented on my Splenda Sweetness addiction. I failed to get your number or ask you out for a date. I’ll bring the milk for those cookies. I’m sweeter than Splenda. When: Sunday, october 19, 2014. Where: Shaw’s, Shelburne rd. You: Woman. Me: Man. #912522

NEED ADVICE ON LOVE, LUST AND LIFE?

2012 Telluride Winners and A Prairie Home Companion musical guests

Seven daYS

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reSidenCe inn Front deSk Hottie Wow, you made my Monday a whole lot better with that amazing smile. You pointed me in the right direction to make my delivery, but I never did get your name or number. ;) When: Monday, october 20, 2014. Where: Williston residence inn. You: Woman. Me: Man. #912523

ani oHevet otCHa I wish you were here and not in Michigan, because even a few days without your company feels nearly unbearable. You bring me such happiness in ways that may not be conveyed in any language of words. I hope my Hebrew is right and I hope we can have a few more walks into the woods. When: Saturday, october 25, 2014. Where: every day. You: Man. Me: Woman. #912532

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You Were on Fire It was last year. You were running like you were being chased by demons. I turned and watched you run into the distance until I could not see you anymore. Roughly 729 days to go. You are worth it. When: Sunday, September 1, 2013. Where: by the Sunoco station. You: Man. Me: Woman. #912524

dating.sevendaysvt.com

Run Boy Run November 15, 7:30 PM

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non-gMo organiC guY You’ve been spied. This little schoolgirl is “having a high time” getting to know you better. When: Saturday, october 18, 2014. Where: Wherever and whenever. You: Man. Me: Woman. #912526

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election results

Rich & Tarra J. Beekmantown, NY

Vermont’s ho-hum campaign season came to a close Tuesday night just as Seven Days was headed to press.

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Did Republicans or Progressives make gains in the overwhelmingly Democratic Vermont House and Senate? Will U.S. Sens. Patrick Leahy and Bernie Sanders lose their chairmanships and be relegated to minority status?

For the latest vote totals and analysis, visit Seven Days’ news and politics blog, Off Message, at www.sevendaysvt.com/ blogs/OffMessage

SEVEN DAYS

Political columnist Paul Heintz has the early results in this week’s Fair Game on page 12.

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Did Progressive/Democrat Dean Corren score an upset and topple Republican Lt. Gov. Phil Scott? Did Gov. Peter Shumlin crack the 50 percent threshold necessary to keep the race from being decided by the legislature?

We’ll stay on top of the stories throughout the week. 95

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