The GRAMOPHONE in SCHOOL (1930) by 78rpm Club

YI' :

i I

sltould lihe to Recotds

see

in eoeu

a Gtamophone cnd a suitaltle selectin

schoorrondt

rst"frj

;trt,

tLffifr:r'6:i;.

EDUCATNONAT PUTtNCATNONS Issued by Tur GR,*ropsoNr Couplny, Lro., 363-367, Oxford Street, London, W.l.

Colloquio.I French for the English

Bv E. M. STEPHAN, Senior Lecturer in French, IJnioersitg College, London, and DANIEL JONES, Prolessor o! Phonetics, L)nioersits College, London. A Practical Course for learnlng to speak French with the ald of " His Master's Voice " GramoDhone Records. The Complete Course comprises l5 Double-;ided 12-inch Records in a specially durable Album, Text ]look of 586 paees and Key tlook. The price of the Complete Course is 94 4 O, oi Separately:- Records, 4 6 each. Album, 10/6. Text Book and Key Book (together), 1216.

Pupil's Text Book, 2l-.

The Golden Treq.sury of Recorded Music Vol. I.-Blcn lxo

Vol. II.-WrcNzr'.

BsrrHoveN. (Second Edition) Price U-.

ll-.

Price BV ALEC ROBERTSON, A.R.A.M. These books contain notes on each side of each record mentioned, and copious i.llustrations in music type. They deal with great recorded works of the composers chose!, and are invaluablâ&#x201A;¬ for a teacher's home or school use.

Chort Booh of English Literature, History ond Music f,o^ l3oo-tgoo. Second

Edition.

Pricell-

net.

Tuteloe Tolhs on Melody Bv SIR WaLFORDT.DAVIES.

" Playutays

An Educational Series of Records for Young Childre& Planned by Mrs. J. MURRAY MACBAIN. Music arranged by ALEC ROWLEY.

Text Book, Price l/-.

How to Use the Gramophone

in School I.-LISTENING TO AN ORCHESTRA (7th Edition) I.-PICTURE AND STORY MUSIC @th Edition) (Programme Music)

HOW ? O,d Ed""ttion) IV. SCHUBERT @th Edition)

III.-WHY AND By

ALEC ROBERTSON, A.R.A.M., and PETER LATHAM, M.A.

V"-THE RHYTHMTC ROAD TO MUSIC LAND By HILDA HABBESHA'W, L.R.A.M.

(Gratis.)

TIisMasfe*\6icd CATALOGUE of

EDUCATIONAL RE,CORDS W

THE GRAMOPHONE COMPANY, LTD., Education Department,

363.367, OXFORD STREET,

LONDON, W.l.

PREFACE ''

\{/HAr:re:;ff ri: J ;;1,:"' *TI ::T*J;

is an attempt to answer it, The General Catalogue is embarrassingly full of good things and the busy teacher hardly knows where to begin, or upon what music the choice is to fall. This little Cataiogue, then, besides showing the fuli range of special educational records, also contains a number of short lists of records covering every need the teacher is likely to experience. Should the complete recorded works of any composer be wanted, reference to the General Catalogue (which should be kept with this one) will at once show what these are. Do not fail to have the monthly

and mid-monthly lists of new issues of records sent to you by your dealer, for only thus can you be aware of what is being published'

We shall welcome any criticisms of, or suggestions for, the improvement of this Catalogue.

THE

GRAMOPHONE COMPANY, LrP. (Education Department), 363-367, Oxnoru Sr:nnrr, LoNnoN, W.1.

CONTEN

S Pece

Roy.lr- Rrconos ." Derr-v Expness

" RlllreMen.tNcE FESTTvAL Roconos Pr-e:rwevs Rqcon:>s. Nunspnv Reconos .. RBconos ron Rurrrnltrc TnarNrNc:Pr,errwevs OncrrBstne. Mencnos. MancnrNc Soxcs Rrconos ron Qumr Lrsrennrc

INsrnulmNrs or' THE Onclrosrne, Eucr-rsn Forr< Dalrcp Reconos . . ScertorxavreN DaNcp Roconos Tou Cr,oucn (Tae Nonrrrurmnrex Prras) TwBrvB Telr<s oN MBroov " Ptcrunr .r,*o St:onrr4 Musrc:-

6 7

I 10 11

l4 16 16

For.r SoNcs INstnuuouter- R-aconns

OncngstnA,r, Rrconos TowN exo CouNtnv Musrc

TUB Musrc

18 19

or Fenresv

Se.cnsn Musrc

SoNcs

Ltoopn

Sprntru.a.r-s

lNo

See Crrenrrns

Cnonar- Wonrs Openetrc Polpounnrs

Twrlvp

SupnDlrBr-rr Gooo Roconr:rNcs .

" PLUM Llepr. " Cr-essrcs Or-o auo Now Gno.lr MolouES FRoM rnn Cr,e,sstcs Stwcr-e MovrlrBnrs rnoM Wnr-r,-KNowN WoRris TuNrrur, Mooenrrr Oncnpsrner- Wonr<s CrrerrmBn Musrc Colrogurar, FRENcrr FoR TrrE

GnBer FnBNcs Aurr.lons

24 25 26 27 29 31

32 34 36

Ewcrrsn ..

Slcne Gurrnv eNo YvoNNB PntNtrvps. Booxs non Tr,ecrr-a.ns

Lecruns Spnvrce

.. )

PRICES OF RECORDS

Nursery Records-AS

(Orange) Doublesided 7-inch, 1/6. (Each Series of six records in Album, 10/-). j

l0-

Colou of

5e ae

inch.

Label.

r/-

PLUM BLACK... SPECIAL SPECIAL RED

B E

416

RB RE DA

3l516

6l-

t2rnc!.

416 616 416 516 816

The above are all Double-sided.

Any Dealer will be glad to you particulars of special accorded

give

terms

teachers purchasing

" His Master's Gramophones

Voice

for use in

" school.

d,r'l

Jj C

D RC RD

A CATALOGUE OF " HIS MASTER'S VOICE RECORDS OF EDUCATIONAL VALUE

ROYAL RECORDS HIS MAJESTY

KING GEORGE V

ILM.

--^^ iJ29u

The King stahding hefore lhe tkrane deliuering hts s,eech to the Naoal Conference'

[H.M. The King's Speech at the Opening of the Five| Power Naval Cbnterence on January 2lst' 1930' \ Parts I and 2 I lltetordecl in the Rovai Gallerl' of tlre House of Lords')

..HIS MASTER'S

VOICE

ROYAL RECORDS- (continued). H.M. KING GEORGE THE FIFTH AI{D H.M. QUEEN MARY I Empire Day Messa!,es-To the Boys and Girls of the British ErnPire t(u 6+] ^., I nruo oF H.M-. coLDsTREAM GUARDS lGod Save the KinS, and llome, Srveet Home H,R.H. THE PRINCD OF WALDS

RD RB

i Sportsrnanship

887i BAND OF H.M. COLDSTREAM GUARDS

I God Bless the Prince of Wales I Speech on Armlstice Night, November llt\ 1927 2628 I Recorded at the " Daily Express " Remcmbrance liestival, l_ Royal Albert llall, London

H.R.H. THE DUKE OF YORK Camp My 1 -Its Purpose I Carnp Songs(actually recorded at H.R.H. The Duke cd York's | . . r"Tp' New Romney) RC 1804 '""- t (o) Dashing azuay uith the smootlring iron ; (b) On llhley Moor : (c\ lVid.d.itonfte Fair ; (d) Loch Lomonrl ; I (r) Here's a Hcalth; (f) Camp Calt |

DAILY

'' REMEMBRANCE FESTIVAL

EXPRESS

Actually /eco/d.ed. at the Royal Albert Hall, Noacmber llth, 1928. Proceeds derived {rom the sale o{ thcse records rvill be devoted to the fund of the late Earl Haig's British Legion. (a) Fanfare ; (b) National Anthem (Entrance of Theirl Majesties the l(ing and Queen) ; (c) Second Fanfare ; l (d)

Pipers

llfaroh to the Trenches (Conrmunity Singing) ; A J\Icmory Cf 1914-1918 : (a) 7'ahe nte bach to dear old |Jlightv ; (b) There's a Lutg, long trail; (c) Tipperary ; (d) Land

Funeral March (Cho.lrin), lllassed lSands

oj Hope end G|ofy J An Addiess by Admiral of the Fleet Earl Jellicoe, G.C.B.,] O.M., G.C.V.O., President of the British Legion {by lhe Bishop of

London

; Prayer

ofJucd

1601

1an)

(a\ " Lead, Kindly Light " (Community Singing) ; (b) Anthem, I

" I heard a voice from lleaven " I^ (a) " O God, our help i.n ages past" ; (b) Ad,d.ress b1t the lw Defuty Chaplain-General to the Foraes ) " Abide with me " (Community Singing) (a) Last Post; (b) Reaatlle ; (c) National Anthent )c

rour 1604

EDUcATToNAT-

.. PLAYWAYS Planned

clrllocUE

by Mrs. J. MurraY MacBain

This set of si.x double-sided records has been speciaily designed by a well-known tea.ching ,expert for use by teachers of youlg-children-1.1ttt1. or Kindergart"r, oi;onlior stages of the school. It includes pop.ular Marcli Music /Naiional'tuois the chil<iren knorv alrd like), music specially selected {or Eai-training, for beating time and other rhythmic activities such as "quick-changeY; stepping, iiding -o,re*e-nt-s, ball exepcises, etc' Voice Exbrcises

anda SongModel-a Schubert Lullaby-are also gjvea as p-atter4s

for tone and. in the"latter, interpretation. The record of Nursery Rhyrr.res is a recent addition and concludes this popular series' A Bookiet by Mrs. MacBain giving full de,scription- of. how to use the

records, and dirictions for the dances and other rhythmic exercises with music examples, is issued I'ith the records Price ls' On Six 10-in. Doublc-sided PLUM LABEL records'

B 2805

SMALL ORCHESTRA Part I' .4 Little March Past. Arr. Alec RorvleY' Introd. : " The Minstrel BoY." " Men of t{arlech." " Ivline eves

.have seen."

Part 2A littl.e Matgh Past, [n'trod.: "Johg freel/' "When f ohnny comes nlqao\i4g rhqlle."

'' Ilr,itish

Grenadiers."

Music for Simple Dances. Part 1. Arr. Alec Rowley.

(b) Little Peasant (a) Circle Dance Dance. {c) Curtsey Dance. Music for Sirnple Dances. Part 2.

(a)

Step-stately

2806

SMALL ORC*{F,STI[.7 Music for RhYthrnic Exerelses. Arr. Alec RorvleY. Part l. : " Yanhee Introd. !)ance Steps. Doodle." " On the Bridge oJ Avignon." " Hunting the Hare." Sltusie for Rhythrnic Dxercises. part 2. Steppr,Rg, ,laeadrcg lime and ball mo,+ernents. lntrod.. .: " Once I " Lass of toved ,a maiden fair." iltiotrrmond Hiill." " Foll'y .O.Ivcr." n' Yalsc Coppelia' (Pelibe5).

(Beethoven).

(b) l'hc Wild Horsenian (Schumano).

2308

MASTER NORMAN WARE (Boy Soprano),

';sith pianoforte accont paniment by

llpNnrr F. Herr-

Part 1. Paft 2.

foice Excrcises. .!.t

2AO7

SMALL ORCHESTRA

F 2809 Ear-Trailli+9.. Part l. [-ul]aby (Schuber.t). (a) Voice and piano. (6) Violin p4d piano. Ear.-Trai.nip9, Part

Lullaby ,(Schrrtrert). (a) iQelio and piano. (b) String Quartef. B 3150

VMAN LAMBELET (SoPrano) Part l-Old Rhyrnes with New (R. R. Terry) Tunes (a) I{ush-a-bye, Baby; (b) Georgie Porgy ; (c) The Little I3oY and the Little Girl ; (d) Dapple Grey (a) A Child's Grace before l\{eat. Part 2 (a) I-uliabv (Rrahms) ; (D) ;

Dani:t' to 1'our Darldy (arr. C. Sharp).

..HIS MASTER'S

VOICE ''

NURSERY RECORDS Series No. 7-(Unclc Charlie's Album)Uncle Charlie AS 37 Cuckoo Clock, Pts. I and II Miss Priscilla Prim antl At the Blue l,Ioon Fair Uncle Charlic AS 38 Uncle Chailie AS 39 Bubble Land atzd Bubble Town Fvolics Pixie Fiddler and Stavs and, Moonbcatns Auntie Agnes AS 40 General Jack, Pt. I-Uncle Charlie and Auntie Agnes and 4t Uncle Charlic AS General Jdch, Pt. II Jack in the Box, or Fun in a Toy Shop and The Brown AS 42 Unale Charlie Family Down by the Pond ; (b) The Engineer and The Friend, More " Very Young" Songs-Us Two Master Christopher Rob'in B 2980

Nursery Rhymes, Pt. I-Intro. : Humpty-Dumpty; Little Bo-Peep; Old l(ing Cole ; Oranges and Lemons ; A frog he rvould a-u'ooing

go;

Sing a song of sixpence

;

Boys and

girls come out to play and Pt. II-Intvo. : Goosey, Goosey, Gander; Tuinhle, twinhle, little star; Three

blind mice

;

Marjory Dau

See-saw,

What haue yow got broken down

; Little

Tommy Tucher ;

for dinner, Mrs. Bond ; Lontlon Bridgeis Uncle George's Party

2866

3194

Nursery Rhymes, Pt. I Intro. : Ding Dong Dell ; f sarv three Ships ; I{ickory Dickory Dock; Polly put the Kettle on;

Curly Locks ; l3aa, Baa, Black Sheep; Jack and Jill; A little Cock Sparrow; There was a little woman and Pt. IIIntro. : Dame, get up and bahe your Pies ; Hot Cross Buns ;

When I uas a LarJ ; Hush-a-bye ! Babg ; Theve itas alittle rnan ; See-saa, Marjory Daw ; Tu'inhle, tainkle, li,ttle star ,' Uncle George's Parly Oranges and Letnons

Nursery Rhymes (Walford Davies)-(a) i\Iattherv, Mark, Luke and John; (b) Bless you, bonnie Bee (Piano acc.1

Lough-nlallctt-Dixon-Hastwell B 2770

When We Were Very Young (Poems by A. A. Itilne. Music by H. Fraser-Simson) (acc. by Composer)(a) Halfway down ; (b1 Hoppity ; (c) Growing up antl (a) IIappiness

;

(b) Missi,ng

;

(c)

the

fashion

George

Baher B

2220

George

Baher B

2221

B B B B

2222

l;alknev B

3175

(a) Buckingham Palace; (b) Three loxcs and (a) Politeness ; (b) Marhet

Square

(a) Christening; (D) Brownie ctnd (a) Lines atod Squares ; (b) Vespers George Baher .. More Very Young " Son$s(a) Us Two; (b) Knights and Ladies ancl In the Darh George Baher (a) Shoes and Stockings; (b) Forgiven and Binher George Baher (a) Nursery Chairs; (b) Waiting at the Windorv and, (a) Spri.ng Morning ; (b) The End George Baher The Playbox, Pt. I-Tntro. : Rocking Horse ; Golliwog;

ClockworkTrain; TeddyBear; ToyBand andPt.IIIntro. : Jach in the Bot ; Htt*ntning Top ; Noah's Arh ; Bagpiper

;

Wooden Sokli,er (Barilone)

I{ei.th

3t78 3179 3180

Children's Overture (R. Quilter) New Light Symphony Orchestra B 2860-1 Toy Symphony (Romberg) New Symphony Orchestra C 1776

EDUCATIONAL CATALOGUE

RECORDS FOR RHYTHMIC TRAINING PLAYWAYS ORCHESTRA tr'undamental Rhythms No. f (2/a measurc ^(1) The Bcll (Frenrh); (2) The Hunterl No. 2

(Bohetnian): (3) From Iar arvay (Lilhuanian) ; (4) Ilemorics I (I'innish); (5) The Warning (Gennan) I B (3/4 measure)-(l) Springtitne (Gennan); (2) Puncirinello j (French\; (3) The Brrd-a-Flying (.German); (4) Ash Grove I (|tr/elsh\; 15) In the \alley (Suabian) .)

3235

Vesper H1'mn (Sicili'an); (2) Au Clairl No, 3 (4/4 measure)-(l) de' la Lune ' (Fiekch);' (3) The Tailor ind the Mouse I

(Engl'ish); (4) John Peel

(Etr'gli'sh)

B No. 4 (6/8 measure)-(l) The Thresher (Gennan); (2LJohnny a-t ] ilre Fair (English) ; (3) Longing (Gennan); (4) Top o' Cork I Roact (lrislif )

'1236

By means of these reocrrls chilclren can t:rp or step out,--and thus bec.ome acquiintccl u-ith, the Jundamental rhythms o{ music. The simple pieces chosen rvill enable them to Jeel the difierence betlveen one kind o{ measure and another. \Vhere tu'o or more pieces occur on one side, they are separated

by a groove, so that any piece required can easily be found.

Interpretative Rhythms No, 1-(1) Boating on the Lahe (Kullak) ; (2) Skating (Kullak) ;l

(3) Waitz (GurJitt) ; (4) March (Gurlitt) | La Bergeronette (Burgmuller) ; (2) Waltl (Schubert) j B No. 2-(1)'scircrzo; (Gurlitt) ; (4) L'Arabesque (Burgmuller) I (3) (5) Tarantelle

(Saint-Sadns)

3237

)

Dance ({rom " Faust " Ballet) (Gounod) ;1 (Kjerulf) ; 1S; fne Witch (Tchaikovsky) ; I (2) (4) March of the Soldiers ('I'chaikovsky)

The llirror No.3-(1)'Elfenspiel

No. a-(1) Knight of the Hobby Horse

ctbitr

Dance

; (3) Postlllion (Schythe)

lxiritat<1

(Schumann)

(Godard)

; (4)

;-(Z) fnq Peasants

j239

)

The imagination o{ the child can rvell be exercised in devising rhythmic interpretatio"ns to these delightful 1itt1e pieces, which are rvell varied for the pu.p^ose, and most o{ them ian be treatbd as examples of picture and story music, These records are also grooved'

..HIS

N{ASTER'S VOICE

Records for Rhythmic Training*

contimu.ed

Characteristic Rhythms Soldiers'March (Sclumann) ; (2) March (Hollaender) l!".!-(ll No. 2-(l) ntarch (..Nutcracker,. suit*1 (f.h;il.;;J;ii'-'ilf March

' Alceste

") (Gluck)

s238

)

No.3-(l) March in F Major (2) Themc for Sk;DDins: /jt 5 r ill r,? f ;f I ;^.!?, Yl;"^',Xr;"1^ TTil'L; i i" "" i r. |ii j RHvrHr\,I MEDLE\. No. 4 -(l) nJiltary March,in C Nlajor; 12) Trotting, Running ln" ;' (3) Skippins i'h;;;;' i4i.lJ .

r'av 3240

fti1fl,#;tl,:.'.Tl"T,]liJi"'

Characteristic Marches_^fo^r the litfle ones : Marches gay stately, and solemn. B 5240, however, consists ot a type and sprighfly, of record muclr wanted,.pieces in differing times following airectif one another and thus.calling for crose attenltion. This recoid is,-oi^io,r..", upon for older crrilcrren. For the use of these records teachers u." ua.ri."a to study N;. ; ;':;'ih" Gramophone in School ,, series-,. Th" ntvtfr-i" if l;f{;; i.#a,,ifry Hilda Habbeshaw, L.R.A.M., issued gruli..' "".t

MARCHES For marching in and out of school and to give pianoforte and pianist a rest. COLDSTREAM GUARDS BAND_ Stars and Strioes /Sousa) and Turhish patrct """Viin' (Llichaetis) B 233O, .".?;,_lf:j,-!1tJo.o) oni ona vigour \Leurcnscnnger) B 210& Guarde nepluiicaine March (Emmerson) and wipers Maych (Darewshi\ B 26s2 negimeniat ni;.;;;"'' 2877' w". ltui"r' oi-trie -i.iests (Menrrelssohn) and ,7;Jn.1;o " Delilah-Softlv anahes my heart 1Si;nt_iirnq B 2878 Navar patror lwiuiams; ' ;;;' i;;;;;;";;;;or (wirtiams) c t2B4 SOUSA'S BANDSesqui-Centennial Exposition llarch (Sousa) and Und.er \-----/ the Double-Eaete ( [. Wagney\ B 2361 Fairest of the Faii (Sdusa) " ' and Stars and Stripes (Sousa) B 2370 Gridiion ilub March (Sousa) and l\olueyine March (Sousa) B 2869 cota.i'n juiJitee March (Sousa) and Rideys of the Flag )t,trrlt ( Sousa\ B 3287 wet"ut'ey iaitoo Ardershdt

rattlo-rgzg

3i1#-i

EDUCATIONAL CATALOGUE

MARCHING SONGS PETER DAWSONYoung Briton's Heritage Thatnes

(Hen:lessl') and (Hennessy)

Our Rit'er

3143

3222

MAREK WEBER AND HIS ORCHESTRA-

Three l\4usketeers-Marching

Fai.thless-Tango

RECOR.DS

Song and, If you

are

FOR QUIET LISTENING

At the end of the day when children are tired and music

may

soothe, ease and refresh.

Foup6e Valsante' (Poidini) Violin

Peayl

(Robinson)

Consolation (Llszt) 'Cello

and

Shouy-breasted

2289

Sharfe B

2487

Mar.icrie Hayoard and Chant Sans Paroles (Tchaihoushy) Cetlria

^Ird.umerei (Reverie) (Schumann)'Cello

in F (Rubinstein) 'Tlrais-Mdditation (llassenct) l/iolin Czardas (Hubayl Air on the G String (Bach) Viotirt E Flat, Op. 9, No. 2 (Chopin)

and

Melody Pablo Casals

and

Hejre Kati-

833

Menges

1223

Noctun:e in Isolde Llenges

12a8

Elsie Suddaby B From the Canebrake (Gardncr) Violin and Mdlodie (Gluch\ Marjorie Hayaard B (a) Cradle Sons (Rrahms) ; (b) Songs 1\{y Mother Taught Me (Dvoirik) 'Cetto and Hungarian oonp'f?u,,E"Jl:;l

2875

Cradle

Song

(Schubert)

Isold,e

anrl

and Failh in Spring

(Schubert)

2gS2

tseb

..HIS MASTER'S

VOICE

INSTRUMENTS

THE

ORCHDSTRA

l-S_tring_qection lart 2-Wood C '"" ILPart - t3r1 Wind Section n rrr" f Part 3-Brass Wind Section

" '"'-lPart

4-Percussion Section

On these records each instrument is heard playing, separately, characteristic passages; examples of wood wind and brass ensemble are also included. The records are thus uniquely valuable for school and study purposes. They have been in use a long time in these ways, but have now 6een re-recorded electrically with new passages added and others reconsidered. The tone o{ each instrument is faithfully caught. For the use of the records in school the teachers are advised to study the first oI the " How to Use the Gramophone

in School " pamphlets,

" Listening to an Orchestua," by Alec Robertsut,

issued gratis.

Part I-STRING SECTION (C 1311). Violin

phrases from (a)

Souvenir-Finalc (Drdla) ; Violin Concerto (Mendels; Caprice Viennois (double-stopping) (Kreisler) ; Pizzicato (Delibes). Viola-Slow Movement-String Quartet in G Minor (Debussy) ; Clarinet Quintet in A Nlajor (Mozart). 'Cello-Overtr"rre to " William Tell " (Rossini) ; " Le Cygne " (Saint-Saens). Double Bass-Overture to " The Mastersingers " (Wagner) ; Trio of Scherzo, Symphony No. 5 in C l\Iinor (Beethoven). sohn)

The extracts can

" HIS MASTER'S VOICD

Souvellr

VIOLIN (Drdla) (DA 811)

Violin Concerto in E (DB 999)

Caprice

Mlnor

\icnnois (Krcisler)

Pizzieato (Delibes) (C I4I8)

(llendelssohn)

(DB l09t)

VIOLA

Strlng Quarl.et ln G Minor (Debussy) (D 1058-D 106r)

found on lhe following

recortls of the complete uorks Ovcrture lo

" Le Cygne

'CELLO

Tell " " Willlam(Rossini) " (Saint Sai ns)

(B 2437-8)

lDA776)

DOUBLE BASS Ovcrturc to " Masterslngers

(\4'agner) (D 1260) Symphony No. 5 ln C lllrnor (Ijeethoven) (D rr50-D r15r)

Part 2-WOOD WIND SECTION (C r31I).

Piccolo-Phrase from Overture to " Semiramide " (Rossini). FluteMorning-" Peer Gynt " (Grieg) ; Overture, " Leonora, No. 3 " (Beethoven). Oboe-Morning-" Peer Gynt " (Grieg) ; New World Symphony, 2nd Movement (Dvoiik). Cor Anglais-New World Symphony, 2nd Movement (Dvoidh). Clarinet-Symphonic Poem (Tchaikovsky)-Arpeggio. Bassoon" Francesca da Rimini " N{orning-" Peer Gynt " (Grieg) ; Symphonic Poem-" L'Apprenti Sorcier " (Dukas). Wood Wind Ensemble-Unfinished Syrnphony, 2nd Movement (Schubert).

EDUCATIONAL CATALOGUE

The ertracl,s can befound on lheJollowing

" HIS MASTER'S VOICE " records of the complete 74q7ft5 ;PICCOLO. ..Overture-" Semlramide " (Rossini) (C f4201 FLUTE.. ..... ..luornlng-" Peer Gynt " (Grieg) (C f298) OBOE.. .......New lvorld Symphony (DvoI6k) (D r25r) COR ANGLAIS .New World Symphony (Dvoidk) (D 1251) BASSOON. ...Symphonic Poem*" L'Appreoti Sorcler " (D f689) WIND ENSEMBLE........ .Unfinlshed Symphony (Sohubert) (C 1295-C r296J

Part 3-BRASS WIND SECTION (C 1312). French Horn-Nocturne-" Midsummer Night's Dream " (Mendelssohn) ; Siegfried's Horn Ca11-" Tu'ilight o{ the Gods " (lVagner). TrumpetPrelude to " Parsifal " (Wagner) ; Fan{are, Trombones (Tenor and Bass)-Overture to " Tannhiiuser " (Wagner). Tuba-Ovcrture to " Mastersingers " (Wagner). Brass Ensemble. The exlyacts cdn

HIS MA Sfitn'S

YOICE

folffid on thcfollouing records of lhe conplete uorhs

HORN-Nocturne-" Midsummer Nleht's Dream " (llendelssohn) (D r03+) Siegfried's Journey to the Rhlae-" Twtltght of the Cods " (Wagner) (D 1080)

FRENCH

TRUMPET-Prelude to 'r Parslfal (Beetbol'en)

(Wagner) (D f025)

;

Overture .. Leonora, No,3

rD t614-l5r TROMBONES (Tenor and Bass)-Overture to 'r Tannbiiuser TUBA-Overture to " Masterslngers " (Wagner) (D f260)

(Wagner) (D

1138)

Part 4-PERCUSSION SECTION (C t3l2). Tyrnpani-Doh and Soh. Side Drum-A rhythmic passage. Cymbals and roll with drum stick. Tambourine-Shakc and thumb -Clash Castanets-A rhythmic passage. Glockenspiel-"Ballet roil. Egyptien " (Luigini). Tubular Bells-A scale passage. CelestaDance of the Sugar Plum Fairy-" Casse-Noisette " Suite (Tchaikovsky). Ilarp-Ovcrture to " Mignon " (Thomas) ; " L'Aprbs-midi d'un faune " (Debussy).

Tlre extyacts can befound on the.following VOICE " recoytls of the completc uorhs

HIS X'IASTER'S

GLOCKENSPIEL*" BaUct Egyptien " (Luigiui) (C 1254) CELESTA-Dance of the SuEir P.lum Fairy-'. Casse-Noisette (D r2t4)

IIIIIU'-'I L'Apres-mldl d'un

faune

(Debussy) (D

176E)

" Sutte (Tchaikoysky)

" HIS MASTER'S VOICE ''

ENGLISH FOLK DANCES Collected and arranged

by Cecil Sharp

ago England was considered an unmusical nation, ,but.Twenty-five.-years-_ thanks to the collections of {olk-music made by Cecil Sharp and otheri dt has been proved that it possesses a store of traditional -o.i" ". ri"tr ut that of any other European country. In addition to the-songs it his many hundreds of dancc-tunes, each of which is associated with a particular d-ance-form. These rvere orieina[v ritual dances, but are now per{brmed aimost entirely for the artistic pi;;;";; they ,afrord.. They_are a[ team-dances and {all-under three heJaings_

Sword, l\Iorris and Country Dances. The Sword and Morris arc spectacular dances performed for the eniovment of the spectators as well a1 Ior that of the d'anccrs. They .Lo',. danc,es-although in the present ,uomeo_ $ay t_hey are also {reely danced 6y "r" and they_require physical strellgth and agility. The Country Dance is a iocial anii recreational dance oer{ormed bv men and women together. The steps are few and simple, a'nd the ,j:,nc'e derives artistic expression largely from the variety of figures and their perfect relalionship to the accompanving musical- phrasel. Alilrough a hn i sense of rhythm, and the experience to translate it into physical m]ovem:nt, is required to make an aicomplisherl dancer, the novic6 can derive pleasure from dancing equally with the skilled perlormer. dances are published with full instructibns by Messrs. Novello & Co., , ^^T-lg 160, Wardour Street, London, \V.1. rt is advisable for those not already acquainted with the dances to seeli practical instruction, and thjs r . be obtained in the classes antl vacation Schools held by The Englislr Folk Dance Societv, which has brancrres in all parts oi lhe United l(ingdonr and in America. Bv means of countrv

Dance Parties the Society Jlso provides opportunitied for the of the practice of the dances. ""j;t;;;i The address of the Socicty is I07, Great Russell Street, Londorr, W.C.l. The records will be {ound of ure greatest varue to d.ancers'on those occasions (alas ! all too frequent) when 1 first-rate musician is not availatle as accompanist.. Although. the tunes hav,e been recorded primarily for the benefit of dancers, their musical excellence is such that even ivhen divorced from their. purpose as dance-accompaniments, they will gl"u g..ui enjoyment to the listener. _ . The records produced during Mr. Sharp's lifetime were made under hlq_ personal direction, and those recently published under the supervision

of Miss Maud Karpcles.

F'OLK DANCE BAND Leaves and (a) Mage on a Cyee; (b) Hey, Boys, up\O 2g*l Soue J" Nervcastle and Jenny Pluch Peays B 2g|s The Old Mole and (a) Shepherd's Holiday; (b) parson's\U 2956 Fareatell ) Oaken

EDUCATIONAL CATALOG'JE

Folk Dance Iltsd-continued The

Plrenix

and

St.

Maytin,s

2gS7

Lady Spellor and. (a) Rttfty-Tttfty ; (b) The Xlaid peeped, Out B 2gS8 The l\lerry, Merry Milkmai! (a) If ail the tl-o;td were\O 2gS9 Papel ; (Q 'fhe .tilach _,anrt Nag )

Housc and, Old Noll's Jig Pop goes the \\reasel and Speed the plough The Triumph and The 29t!t. of XIay Apiey

C l@4 C 1645 C 1646 .,63

(E;:";::,?":;:)p) ,t::,i;iry;;;y. ""*t';:l,,"rl;:f[:A ff:;';:,i,'])i;:], 2::];/n";;n]" ',64 Childgrove (Arr. Cccil Slrarp) *""7;oT.?:I,

Sage

reiJ

laril'irr:,rt

t3:r:;'rir'tr;:;j"

sn*p1

3"x::'f;)",!]fr',L,,3J;T;f;;"'o, \'Galopede (Arr. Sharp) Cecil

We won't go lrome

till morning (Arr.

Cecil

Lads a Bunchum (Arr. Cccil Slrarp) Bean Seiling (Arr. Cecil Sharp _ Il. C.

Glorishears

Countrv Dance I

Sharp) .' _ l" Cumtry Dance

:n65

',66 SOT|

)

Alorris Dance I I

Xlaclluainel

il:i: 3::::1 *rrrl;r:ri;;:lo;:rrl"

SOTZ

Cecil Sharp-H. C. .[IacTlwaine,

-(Arr. Shepherd's Hey

(Arr. Cecit Sharp_H.

ff:i:i::B) :"""*il,';;W t'**f;:rtf) rrre{:;;Boatma" l.

rW";:::j.

Chelsea Reach

Darh

caiiil--1ul

Lady in the (a) A^rgeers; (b)'Broom, the bonny, bonny

Lemons o"'\!i#S^tk,, 0"3*,{,,2i'}3o,u, Oranges and

on*';:,u*';':o!,n{r,o0,,,

S}TS

y,":::;,";:22y" 5a74 n;h;:,22; ni.

'r":frT:,:j broom Folk Dancel "u Fom

Oiiri J

\":fr";;2.,jc

tr; l tJ/'.! 1o7e

y:fr";;n}c

il7r

T:fr";;:}c

rorl

VICTOR MILITARY BAND Gathering Peascods Sellenger's Round

Flamborough Sword Dance Kirl<by Su'ord Dance

1190

1191

$n3if::f" j a ttsa

Goddesses I Hunsdon HouselB

Record numbers shos'n in italic lype denote pre_electrical recordings.

1194

..HIS MASTER'S

VOICE

SCANDINAVIAN DANCE RECORDS This set of Scandinavian Dances is issued under the auspices of The Ling Association, and it is designed to fulfil a long-felt want in the hundreds of schools where folk dancing forns a part of the curriculurn. The records are suitable for dancing either in or out of doors and include tlre most popular of the dances. Copies of the music may be obtained from The Ling-Association, 10, Mecklenburgh Square, London, W.C.1.

FOLK DANCE BAND

r)ance)" 2707 " Moutlin Marhc .(FirstSeries) O 27OA Scand,inauian Dcrnce J " Clap Dance (First Series) Scandinavian D^ance]* 27Og Girl's Jo.r (S"99ld Sertss). Scandinaaian Dance i " The Bow (Second Series) Scandinavian DancelO Napoleon..(Second Series) ZZIO Scandinauiart Dance J " Tantoli (Second Series) Scandinavian Dancel a adlt French ReeI (First Series) '(Seconct, Series) Scandinauion Dance J " 't tL Sued:ish Jliasquerade Cocbin

Chinj. (First

Ace of

Series)

^ Diamonds (First Series)

Scandinavian

Scantlinauian Dance J Scandinavian Dance]

TOM CLOUGH (The Northumbrian Pipes) 'Ihe Northumbrian Pipes differ {rom the Scottish and irish in several ways. They are peculiarly home instruments, not suitable for the open air.

Staccato playing, which is impossible on the Scottish pipes, is an important feature of Northumbrian music. The tone is something between those of an oboe and a clarinet, clear and mellow. Tom Clough was born at Newsham in Northumberland, and is descended from a long line of pipers; in fact, Clough in Northumberland is synonymous

with small pipes. He exhibited the instrument befofe King Edward VII and other

dis-

tinguished audiences, as weII as in Holland and Germany, as a reprcsentative

of British Folk

Music.

The Keel.-Ro-w . (W-illiam Shield) (b\ Elsie

Marley

antl (o) Ho'ley Ha'penny ;\B J

2gS2

EDUCATIONAL CATALOGUE

TWELVE TALKS ON MELODY by

SIR WALFORD DAVIES Davies' lirst set of " Ta1ks on

llelorh"'

issLred 19'22, Sir Walford and created much interest in educational circles. Since then -lhe British Broadcasting Corporation has corne into being, and u'ith it an enormous new

u'as

public in school and home for Sir Walford Davies' talks. He is unquestionably the most popular of broadcasters. Now Sir Walford Davics has rerecorded his " Talks on Nlelody " in rcvised form. Not only does he copiously illustrate them with his inirhitable pianoforte playing, but he is again assistecl by lliss n{arjorie Hayrvard. Sir Walford's talks are full of ripe rvisdom, of humour, and humanity, and will appeal to everyone in his rvorld-r'ide circie of listeners. There are three supplernentary illustration records,

" LISTENDR'S GUIDtr BOOK," by Sir Walford Davies, price ls.

Sir WALFORD DAVIES (Violin, Marjorie Hayward) Six 12-inch Records,4s. 6d. eaoh, 1. On Nlelodic

Outiine

2. Eight Definitions 3. on Scales 4. On.Nlusical Meanings .5. On AdvenLure. P.rt I, 6. On Adventure. Part2

7. On Balance. Part 1 ,ZOZ 8. On Balance. Part 2 \C J - ''"-

]C- -'"' fZSS J

'l'out.hes

] C- fZOO -'"' J

Fini*hing -9. 10. On Cadente

]J C- fZOt -'"'

1C- tZea J """ l\lelody \ C VA+ at Work J " -'"-

On t omplete

[2. uecthoven

Supplernentary Illustration Recofds. Three 12-inch Records, 4s.6d. each. 5ir WALFORD DAVIES (Pianoforte) AND MARJORIE HAYWARD (Violin) I-argo in E, Flat (" Berenice ") Adagio in E Flat ftom Sonata No. 10, Op. 96

r""T#o;l |cnos

Sir WALFORD DAVIES (Pianoforte), MARJORIE HAYWARD (Violin) AND CEDRIC SHARPE ('Cal/o) Suite of Melodies from " Alcina," " Aiexander's Feast " and I Handel I C 1766 " Otho "

Largo in E Flat from Trio No. 4, Op. I I Presto in E Flat from Tric No. 1, Op. 1

Beethoven

Beethoven C

176,

..HIS MASTER'S VOICE ''

.. PICTURE

AND STORY

N{USIC

Ask for the special pamphlet (obtainable from any " His I'Iaster's Voice " accredited dealer gratis) called by this name, in which notes on most of the records listed below are given.

FOLK

SONGS

Shearing (arr. J. E. Nloeran) and A Robin, gcntle Robin (w..cornysshe); (b) Fie nas prithee, Jl":,#l::r:::lrn*,;:,

Sheep

Now is the month of Maying (Morley) and A Farmer's English Singcrs E Son (arr. Vaughan Wittiamsl ltnacc. The dark-eyed sailor (arr. Vaughan Williams) and Sing we at l>teasure (Weethes-edit. by

E. H. ,"t,".i))r,n!fTf;ru,

z3t4 405 122

INSTRUMENTAL RECORDS Le Cygne (The Swan) (Saint-Sa6ns) (Schuberl) 'Cello uith piano acc.

Dancing Doll (Poldini-Kreisler) Violin

and

Moment Musical Pablo Casals

776

Renle Chemet

811

and. Sunenir

(Drdla)

ORCHESTRAL RECORDS

GRIEG-

Lyrische Suite, Op. S4-Royal Albert Flall Orchestra-

Nocturne and March of the DwarJs and Norwegian Ruslic March Shepberd Boy

Peer Gynt Suite-Royal Opera Orchcstra, Covent Gardenl\{orning and Deatlt qf Ase Anitra's Dance and In lhe Hall of lhe X'Iountain l{ing

D D

1082 1081

c c

t299

1298

TCHAIKOVSKY_ Casse-Noisette (Nutcracher) Suite-Philadelphia Symphony Orchestra (conducted by Leopold Stokowski)and Dance of the n{iniature Overture ; (b) Marche Sugar-.Plum

Fairy

(Danse de la

Danae (Trepah)

;

Dragde)

;

(b) Russian

and

Chinese Dance (Danse (b) Dance of tlre Flutes (Danse des X[irliloils)

Arab Dance (Danse Chitr.ois)

Arabe)

fie

Waltz of the Flowers (Valse des

Fleurs)

D l2l4 D l2l5 D 1216

WAGNER-Flying Dutchman-overture*ew

Valkyrie-Fiic l\{usic

Syrnphony Orchestra

anil lI State Opera Orchestra, Tannhiiuser-Overture, Pt. III and Pilgrim's Chorus State Opera Orchestra,

Tannhiiuser-Overture, Pts.

york philharmonic orcirestra D

1056

lO79

Berlin D 1318 Berlin D ll37

and RhinegoldValkyrie-Ride of the Valkyries Pteluilc (conilwctcd by Albert Coales) Symphony Orehestra D

1088

EDUCATIONAL CAT;\LOCUE

Orchestral MISCELLANEOUSValse

Triste (SibeliusJ

Recar ds

and

ontinu e d

Serenade,

Op 63

(Voth-

mann);. .nJig( o! .the .Dtlnbte Bee (Rimiky_tioriahou) (conductetl Frederich

Stoch) Chicngo Synph6ny Oyclrcstr'a

D l2g4

Danse llacabge- (Dance. Dcath), Op. 40 (Saint-Saens) (conducted by Leopold.of Stokorvski) Philadelphia Syrnphony Orclrestra D

$ {

ll2l

TO1VN AND COUNTRY MUSIC TOWN MUSIC_ Cockaigne PLs.

Pts.

Overture (Dlgar)-Roya1 Albert IIaII Orchestra-

and

III

antt

D lll0 D ltll

COUNTRY MUSIC_ nlidsummer Night's Drcam (nfendelssohn)-Overture, parts

and II Overture, Part

III

and

San Francisco Symphony

1626

San Francisco S),mphou,y Oychestra D

1627

Scheyzo

Henry VIII Danccs (Qerman) Shepherds' Dancc

and.

Morris Dance and, Toich Dance New Slmphony Orchestra B Mcrry Wives oI Windsor (Nicolai)

2981

Oberon-Overture (Weber)

Ncrv Light Symphony Orchestra C State Opera Orchestra, Berlin D

l3l6

Berlin State Opera Orchestra D

r53l

Forest

Orchestra D

l\{urmurs (Siegfried-Wagner)

1260

THD MUSIC OF FANTASY Chanson Ifindoue (Flindu Merchant's Song) (" Sadho "Rimsky-Sorsaliov) and Hymne au Soleit (" Coq d'Or "-Rimshy- Korsahou) Violin Isolde Mengei E

Chanson I{indoue (" Sadko "-Rinsky-Korsahov)

and

Serenata (Tosti) In

Scheherazade,

ltali.an-Soprano-Rachael X[orton E

Op. 35 (Rimsky-Korsakov)-Royal

Orchestra, Covent GardenSuite Symphonique-Pts. I and II Suite Symphonique-Pts. III and IY

444

French

457

Opera C C

t287 1288

. HIS

MASTER'S VOICE ''

SACRED MUSIC The Bible Class or Sunday School Teacher will find the gramophone a valuable ally in stimulating interest. To choir-

masters also this section should prove of value. Alleluia, the strife is o'er ; (b) Alleluia (Old Easter Hymn)

;

and Christ the people that on earth do dwell Lotd is risen to-day ; (b) Jesus liues ! no longer now ; Herbert Dawson (c) Jesus Christ is risen Grand Organ Lead us, Heavenly Father (Filitz) ; Sevenfold Amen (Stainer) anrl The uoice that breathed o'er Eden (Gauntlett\ St. Margaret's Choir, Westminster O Saviour of the World (Goss) atzd O Worship the l{ing ; Canterbury Calhed,ral Choir Disposer Supreme For ail the saints (Vaughan Williams) and Xfine eyes haue seen lhe glory (Walford Dauies\ Temple Chwrch Choi.r N{aster E. Lough Elijah-Hear ye, Israel (Mendelssohn) Messiah-I know that my Redeemer liveth (Handel) Master E. Lough and Fierce raged Abide with me; Fight the Good Fight H.M. Chapels Royal Choir lhe ten Pest ; Roch oJ Ages Suite Gothique (Introduction) (Boelimann) Grand. Organ (c)

All

in D. Flat

and

(Hollins)

Herbcrt Dar,vson

Solemn Melod,y (Walfortl Daaies) Grand. Organ R. Goss-Custard Hear my prayer : Recit. ; Oh, for the rvings of a dove ; Aria Temple Church Choir (\lendelssohn) I waited lor the Lord (Nfendelssohn) and O come eueryono lhat tltirsteth (Mendelssohn) Temple Church Choir Blessed be the God and Father (Wesley) Temple Church Choir and Thete shall a star (Mendelssohn) Jerusalem (Parry) H.M. Chapels Royal Choir Chorale-Sleepers, awake ! ancl Christ came to Jord.an (Bach) Marcel Dupri Grand Organ I\Iorning service in B Flat-re

Intermezzo

""'-ouJlr.'1?llit)

^{t":"8{:!,

2274

2531

2543

B B

2615 26?J

2656

2693

1238

1305

1329

C C

1398

45r

471

291L

I\{orning Service in B Flat-Beneclictus and, Glovilus and, powerful God (Slanford) Irt. English Weshni.nster Abbey Choir C

Nolo l\{ortem Peccatoris-Motet (Morley) Verum

Corpus-Molet (Mozarl) In Latin

and

and Ate Ventm-Motet

Benediction Service-O Salutaris

mus

;

t6t2

Aae

Westnrinster Abbey

Ave Regina-l\lotet (Byrd) In Lalin

l54t

Choir B

(Byrd)

Westminster Catlrcd,ral Clniy Tantum ergo ; (c) Adore-

2892

1606

1611

(2,)

and Barc Paslor-A'Iote! In Latin

Westminstet Calhadrel

Choir

i I

EDUCATIONAL CATALOCUE

SONGS

tt*

T!: , songs chosen are mostly ,beautllul poems. They

settings of well-known and rvill bc useful as a study of what changes

the poem undergoes at the hancis of the composer, as models"of

interpretation, and for their own delightful

sake.

GEORGE BAKER-

Death (euilter) and O lllistyess XIine ; Blow, blow, thoi winter wind (Sargean.t) B TUDOR DAVIESPhyllis_has such charming graces and Do nol go, my loae (Hageman) E Come^away, (Quiller)

PETER DAWSON_

2500

504

feet) (parry) ancl The palms B 2Z7r lFaur!) Glorious_Devon (-G_erman) . lnd Drum lllajor (Neaton) B at80 On the Roed to Mandalay (Hedgecock) and ihe Trumpeter (Dix) C fi7o Jerusalem (And did those

ROBERT RADFORD_

Erl l(ing (Schubert) (Sargeant)

and

STUART ROBERTSON_ Brig{!.is the_riqg of rvords Fire (l/. Williams\

Blow, blou, thou uintel uind

Williams) and, Roadside and. Myself whcn young (Lehmann\ Sea Fever (Ireland) and In summeylime oi SrrZ* $. pe:ei1 Son o' mine (Wallace) and Ethiopia Satuting the'Cotouyi (C. Wood) Clementine; (b) Solomon Levi and There's a Tauern in tJ.te (V.

Sileq! Noon ._(Willi_ams)

Town; (b) (John

Peel)

When Dull.Car_e (Lane (J. Ireland)

Wilson) and,

ELSIE SUDDABY_

Where the bee sucks (Arne) Lass with the delicate air

Stour (Boyce)

ANN THURSF'IELD_ Song of Shadorvs (cibbs) tuenQ (Gibbs) KEITH FALKNERShepherd,

When tights go rolli.ng

and

When

I uas one and,

thy horse's foaminq mane (Hungarian Folk (

(Falstaff-Verdi)

1276

B B B B B B

2671 2755

. end Cullin' Rushes (Stanford) E (Arne) and B-v thy baihs, getttte B

-see and, Had a Horse (Korbayl -Korbry) ARTHUR FEARWoo^thou thy snowfl ake Ia anhoe-SulIiv an) and

Song

Sottss -

The Page

2594 2407 2992 3042 4Sg

3212

462

3105

3L23

..HIS MASTER'S

VOICE ''

LIEDER A seiection of lieclerby the great masters of this i.tti..tate and' Iovely art form sung by famous artists. Tcacirers of German will find the Gerhardt records especially vahrafls in inculcating good diction. ISCHUBDRTHark ! Hark ! the Lark

SuNc rN ENcr-rslr

and rvhois sllata

Wlrithcr ; Hark ! Ilark I the Larl< and.

man ; Iledge Rose Sercnade and Rosebud ;

Erl King To

Music

atzd and

f,ster

E. Lough B

26gL

2686

B c

2746

Dienten B

25.t6

1262

D D

141r

D D

1461

Song of lhe Fisher-

'(Eardtone) John Grtss

Harh

! Ilarh !

tke

[-arh

(Soprano\ Elsie Swd.daby Don Jturt's Serenade (Tchatihcashlt)

(Bariton@ Peter Dausut

trVanderer's

Die Winterreisc-Gute

Nacht

Night Song

(Soprano) Ursula

and

uatc

Der Linrlenbaum (Soprano) Elena Gerhardt and TIre Post ; Wltither At Sunset ; Tire Bird (Soprano) Elisabelh Schumann ^A,bschied and Schlutnmerlied. (Soprano) Elena Gerhardt Der Musensohn ; Das Rosenband and, Im Friihling (Soprano) Elena Gevhavd,t (Soprano) Elena Gevhardt Rosamuncle and Li.tanei'

Die Schrine Nfiillerin-Das

sCHUMANN.'.

1327

SuNc rx Gpnlrerv

Wandern

and

lVohin

1460

1462

(Barilone) Hans Dulmn E

509

nicht In Gernrnn and. Eligie (Song oJ A[ourni4) (Baritone) John Drownlee E 439 Frenclt 'The trvo Grcnadicrs In |lussian and Xlidnight l?euicu (Bass) Chaliapine DB 933 (Glinha\ In Russian BRAHMSand' Die Forelle (Schubert) Vor dem Fcnster, Op. 14, No. I (Soprano) Elena Gerhard, DA 835 and Immer leiser uird Von ewiger Liebe, Op. 43, No. I (Soprano) Elena Gerhard't DB 1021 m.ein Schlu.mtner and L[arie Wiegenlied., Op. 76, Geistliches Wiegenlied (Soprano) Elena Gcrhard, DB 1030 No. 52 (Regcr) STRAUSSand Morgen, Op. 27, No. 4 Stiindchen, Op. 17, No. 2 Elisabetk Sclu.tmann DB 1010 lf iegenlied Elisabeth Schumenn DB 1065 and Freundliche \rision IcIr grolle

(lllassenet) In

{

ED UCAT I ON".4L

EATALOCUE

SPIRITUALS AND SEA CHANTIES Brief Notes on thcse tr.vo kinds of folk songs (using thc tcrrn in its widest aoolicafion) w,ll bc tounJin lt.";:Tiii"r;t";; ;;;;;'jj Pamphlet atiriaea to Jn page 18. JOHN GOSS, BaritoncHaul away,.Joe_; What shall

with

ilre drunken Sailor and Fire doun below.; Httttabaloo Baliy B Shenandoah and Rio Grandi i niui'ii"v B (o) Tht Sailor likes his Botile-O; 1a1-'6r".i'tr.," track, tret thc bullgine run &!d t"i iitti--n'r"ii ; tr,) un giis (o) Ithistty Johnny

;

rve do

Johnny'

2].2O

2646

2BSt

(The words and music of thesc by Sir Richard Terry ale published by Messrs. Cur.rven & Son.).arrangcments PERCY HEMINGA-Rovin: The Drummer ancl the Cook antl Good-morning, ladies all-The banhs oJ Sacramento R 3254

PAUL ROBESON, Bass-

patelpoy and Steat auay Deep River and I,m goii' tell God all o, m1t lroubles "iRonrsox I got a home on dat rocli toand Mitei" and L. B_nowr.r) ' Sinner, please doan' let dis harves, pass anrl Scandalize m! nalnc

Weepii' ffiury; f want to be rcady a

mornin'

zil&7

and My Lord,, what

26191

2727'.

2771

2897

2g3g

PAUL ROBESON AND LAWRENCE BROWN, Bass and Tcnor_ Hear de lam's

a-cryin, and

Lzehiel saw de

whcel

CHORAL WORKS A selection of finc chorar recorcrin3s s*itable for school trfatthew, Mark, Luke and John; Bless you, bonnie Bee and, Dtinh to me only with tiine

carmcn-openlng chorus

use.

eyes

-. ",**t(,{4'l,Z"i?;;K-7;;^;,t Roval Obeya Chorus ald brchestra, Coueni Boris Godounorrlsalrre a te., Zar gori. F.."oao;oii" r Gardm -ii Il'aostro antor mi tascia, inddfermte (Moussorgshy) and. Italian Roval ohera Chorus iid Ofche;tua, "G'adcn a;u,it Meistersinger-Di zu dir.der gcilanJ La=m """";;; Wach auf In German Chorus and, Statc Opela diiiestra, Aertin

27zo

156g

l2ll

C H2Z

..HIIJ MASTER'S VOICE

Choral W otks-continued Dream of Gerontius (Elgar)-Royal Choral Society

Go, in the name of Angels and Archangels ; Come baah, O Lord, how long Itoyal Albert Hall Ovchestra with Yocal Solos Philharmonic Choir Psalm 86 Parts I and 2 (Flolst) Mass in G I'Iajor (Schubert)-Philharmonic Choir and Solos anrl l{j,rie Eleison (Suddaby) ; Gloria in Excelsis-

D D

IA3

(Schubert)-Benedictus-Suddaby-ManMass in G Major - and Dei-Suddaby Fry Agnus clrester Fry -(Morley) and A Farmer's Now is the *otith of ltaying

1478

1480

Suddaby-Fry

English Singers

405 r

English Singers

422

Glasgow OrPheus Choir

456

473

Son (arr. V. Williams)

Dark-eyed

Laird o'

Sailor

and

Sing ue at plea'sure

Cockpen and

Coventry

and

Carol

Dumbaion's Drums

Brigg

Fair

1375

(P. Grcinger) Oriana Madrigal SocielY

OPERATIC POTPOURRIS An excellent introduction to the Operas themselves and

anthology of popular tunes.

BALFE-

Light Opera Company C

1382

XIarch and Chorus, Act 4 Roltal Opera Choras and Otchestra C

1423

Rohemian Girl-Vocal Gems

BTZETCarmen-smugglers'

Chorus and

GOUNODFaust-Selection

LEONCAVALLO_ Pagliacci-Vocal

Gems

Pagliacci-Selection

MASCAGNICavalleria Rusticana-Vocal

C'ems

Ilarek Weber's Orchestra

1511

Grand Opera Company Marek Weber's Orchestra

C C

1583 1735

Grand Opera Com,pany C C

CavalleriaRusticana-selection l\IarekWeber'sOrchestra OFFDNBACHTales of

Hofimann-Vocal

PUCCINI_

Bohbme-selection Madame

Gems

Grand OperaCompany

New Light Symphony Orchestra

Butterfly-Selection New Light Symphony Orchestra

1583

1736

C f64l

c c

1545

t42.t

EDUCATIONAL CATALOCUE

Operatic Potpourris-co SCHUBERT Liiac Time-Vocal

Gems

il i nued

Light Opera Compar.ry C

1450

Grand Opera Company C

l64r

THOMAS-

Mignon-Vocal

j I

Gems

VERDI-

Aida-Vocal WAGNER_

Grand Opera

Gems

Tannhiuser-Pilgrims' Chorus Lohengrin-Srvan Chorus

Company

r605

Orch, D

1074

CJnrus and, Symphony Orcheslra D

I 101

Clionis an.l Synphony atztl f- ann

iius er- M ar c h

TWELVE SUPREMELY GOOD RECORDINGS often asked this question. Ilany

We are ansrvers might be given. Here is one only, but we shall be delighted to send iurther

lists on request. The teaclier who has these records in his collcction may well be proud.

Filii (arr. Wallord Davies) and King of Gtory Tempte Chitrih Ctroir B and I'tn goin' to tell Gotl all o' my troubles PawI Robeson R Floral Dance (Moss) and Lute Player (Allitsen) pcter Dausut C Hear nry Prayer and Oh, for the wings of a doue (l'[endelssohn) (Soloist : E. Lowgh) O Filiae et

(IValford Dauies\ Deep River (Burleigh)

Temple Church Choir,

London

Xerxes-Ombra mai fu (Largo) (Itandel) In Italian antl The Lost

Chord

(Sullittan)

Essi,e

Aclrland

Oberon-Overture (\Veber) State Opera Orcitestra, Berlin Carnaval Romain (Berlioz) Berlin Philharmonic Orchestra Tannlriuser-Elizabeth'sGreeting (Wagner) In,German and Lohmgrin-Elsa's Dlean (Wagner) Itc Geyntan

2493 2619 1313

1329

c 1599 D t3l6 D 1365

Etisabeth Rethberg D 1420 La Paloma (The Dove) (Yradier) In Spanish and La Capinera (The Wren) (Benedicl) In ltaliatz Galli-Curci DA 1002 Ave Maria (Schubert) and, Rond,o (Schubert) Violin DB 1047 caprice viennois (Ifteisler) and Huntoreshe, oo7"{tlt, -I{reisley No.7 (Duoitih) Violin DB 1091 Song of the Volga Boatmen (Koenemann) and The Prophet, Op. 49 (Rimshy-Korsahou) Chaliapine DB ll03

HIS ]\I,\STER'S VOICE''

PLUM LABEL

'' CLASSICS OLD AND NEW It is still too often assumed that records are tremendouslv

cxpensive. This is not the case. There exists a large number df first-rate works, classic and modern, on plum label redords. Thcse can be made the foundation of the school record librarv. Here is a selection.

BACHEnglish Suite in A Sonata No. 3 in E

n{inor Piatzo

Harold Samuel C f405_6

Violi'n and piano Isolde l{enges and Harold Samuei C l6j2_3

Prelude and Fugue in I1 l{inor

orga, Dr. Albert Schrveitzer c

1s32

1385

2336

BEETHOVEN-

Overtnre BRAHMSCome away, Death Egmont

Nerv

Light Symphony Orchestra

and Corutach (Schubert'1 Lough- Horton'IlIallett

DD 1TALLA-

Thrce-Corncred Hat Suite GOUNOD_ Faust-Ballet nlusic

GRAINGDRShephertl's

l{ev

New Light Symphony Orchestra

Royal Opera Orc|estra

and nIoily

on the Shore

RoYal OPera Orcheslra

GRIEG_

Peer Gynt_Suite No. I Sonata in C Ninor I'iolin and Pianc

B 2721-2

1462-3

2641

Roval Opcra Orchcstra C l2gg_g

Ilarjorie I{ay,ward and IJna Bourne Cl3gg_90

LISZT_ Liebestriume No.

and

l{omennoi-Ostyoff, Op. 10, No. 22

(Rubinsfein\ lVith Organ New Light Sytnphony (jychestytt C

lg12

MASCAGNI_

Rusticana-Intetmezzo and Tales of Holfmann (OfJenbach) -Llarrarolle Nea Light qrnlphony Oychestra uith Organ

Cavalleria

MENDELSSOHN-. Sonata No. Hear

lfy

6-Fugue

Prayer

and Finale choir of

Orga.n

2377

c c

1358 1329 1813

,n';t:8;':r:;OfTt;:; c

" Ruy Blas "-C)verture--Symphony Orchestra

N{OZART_ Symphony in G Minor

Royal Opera Orchestra C 1347-9

EDUC.\TIONAL CATALOCUE ..

Plum Label'" Classics Old and New_continuetl

NICOLAIMerry Wives of Windsor-Ovcrture Tales of

Hoflmann-Barcarolle

fnbrmezzo

(Mascagni)

and

New

Ovcrture

driirtr" B

2577

New Liglrt Symphony Orchestra B 2g60-f

RIMSKY-KORSAKOV_ Scheherazade-Suite

1260

Caualleria llysl[6q12a_

Light Synrphony

QUILTERChildren's

New Light Symphony Orchestra

OFF.ENBACII_

Symphonique Royal

ROSSINI_ William Tell-Overture

Opera Orchestra

l2g7_g

Royal Opera Orchcstra B 2l}7-g

SCHUBERTHark ! Harh ! the Lark

and

lVhc

Syluia

B 2631 B 2836, unlinished symphony #;:r';{:::T;!K: c 1291-6, Marche llilitaire and Alarche Hongroise (Bertioz) Err l(ing and. Don Juaris Serntade ^(i:;,?f":;:*;rrhestra c 1279' Petey Dauson c 1327 SIBELIUS* Coronach and

Cotne away,

_ Death

Finlandia-Symphonic poem STRAUSS,

.LIaster

(Brahms\

E. Lmgh

Symphony Orchestra

J,_

Gipsy Baron-Selcction

I(aufimann's Orchestra

C lB2T C

I3g3

GREAT MELODIES F'ROM THE CLASSICS TJre ,olly ,yoy. for cirildren to acquire any sort o[ musical ^ >.irnoarcl, to cllsc'mlnate ln any way, is for them constantlv to i,ear. good_ music. Such recordi iit.r. *ru t.".ri-trr.-"irrrr "r often suppose, " jazz." has no ,rronopoty-oi g"tJ^tr"..] il]l:V r ne crasslcs have rt beaten and the classics endure. PURCELL, HENRY (1658_1695)_ \ymphs and Shepherds (piano aec.\ bids tne bind my

hair

(Hayd.n)

and My

molher

Elsie Suddaby

4tg

B-{CH, JOHANN SEBASTTAN (1685-1750)_ Air on G String and Londonderry ,Air _ (arr. Crainger) New Symphony Oichbstra

2gl3

..FIIS MASTER'S VOICE I'

Great Melodies frorn the Classics-cott'tinued HANDEL, GEORGE FREDERTCK (1685-1759)and OrJco Xerxes-Ombra mai fu (Largo) In Ilaliatt ed

Euridice-ch.e fard

senza

Euvidice

(",r'fu.:ltJ7t:::;ru,

HAYDN, FRANZ JOSEPH (1737-1809)-

Emperor Quartet-Theme and Variations and LondmtVirhtoso String Quarlet derry Air (arr. F. Bridge)

N.rozART, WOLFGANG AMADEUS (1756-179r)and. Don GiouanniMarriage of Figaro-Voi che sapete ? Batti, batti, O bel

Masetto

Elisabeth Scharnann

BEETHOVEN, LUDWIG VAN (1770-1827)X{ark Flambourg Moonlight Sonata-lst nlvt. Piano

14e0

1470

9'16

15.19

C B

1279 2763

H::l; c

t32s

SCHUBERT, FRANZ PDTBR (1797-1828)Marche

M.ilitaire und

Sorenade and

Marche Hongroise (Berlioz) )loya| 6ntro Orclteslra Salon. Orcheslra Serenade (Toselli)

MENDELSSOHN, BdRTHOLDY FELrX (18C9-1847)Hear my

prayer (r\{enderssohn)

cHOPIN, FREDERIC

(1810-18.19)

â&#x201A;¬iili.:_,,TlTffir? -

Waltz in G Flat Major, Op. 70, No. 7 Major, Op.6.1, No. I Piano

and

Waltz in D Flat

De Pachmann

761

LISZT, FRANZ (r811-1886)Liebestriume (No.

Piano

and Nalla I'l'altz (Delibes-Dohndnyi)

llilhehn Bachltaus DB 926

WAGNER, RTCHARD (1813-r883)-

and Ouevkue, Part 3 Srab Operq Orchestra, Berlin BRAHMS, JOHANNES (1833-1897)Waltz in A Flat Violitt (Piano aca.) and Air (XIallteson Tannhri.user-Pilgrims'

Burmester)

Chorus

Joscf WolJslhal

D l3l7 B

2602

EDUCATIONAT- CATALOCUE

SINGLE MOVEMENTS FROM WELL.KNOWN WORKS

Teachers often require -not a Single l{ovement from a great or weil-known worl< and the complcte work itself, whiJh might prove. too long for children's listening powers. The following list contains a wide selection of the most appealing Single Moveilents from the music of classical and modern composers, including short works complete on one or tlvo sides of a singlc record.

RACII-

Air on the G String

(Chopinl Violtn

and

Noclutue in

lf Flat, Op. 9,

No. 2 Isolde Alcnges Gabriel's Xltssage : Chapels Royal Cltoir

clcsiring and I Boln this day I call upon Thee, Jesus and Preltrde in E Ftat l:littoy Jesu, Joy o{ Man's

P hil adc lp

" Little " Prelude in G l{inor G

hia Symp hony

antl " Little "

n[inor Organ

" l\{ass in B Nlinor "-Sanctlrs Prelude and Fugue in C X1inor

in C Major Piano

and

O rc he

stra

Fugue in

R. Goss-Cnstard Phil}rarmonic Choir Prelude and Fugue

Hayold Samuel St. Matthew Passion-We bow our heads Weslminster Abbey Spccial Choir Toccata and Fugue Philadelphia Syirphony Orchcstra

BEETHOVENCoriolan

Overture

London Symplrony Orchestra

tluartet in B Flat Major, Op. 18, No. 6-5th X{vt.-Aliegretto quasi Allcgro and Moment ll[usi,cale in F ]linor

(Schubert)

Quartet in C Major, Op. 59, No.

Virluoso String Quartet

3-2nd lylvt.-Andante

con

moto quasi Allegretto Virtuoso String Quartct Symphony No. 5 in C Minor, Op. 67--1st l{vt.-Allegro con brio Royal Aibert Hall Orcheslra Symphony No. 6 in F Major (Pastoral)lst Mvt'-Allegro ma non ttona,{Srrrru philrrarmonic orchestra 5th Mvt.-Allegretto Vienna Philharmonic Orchestra Symphony No. 8 in F Major, Op. 93lst Mvt.-Allcgro vivace e con brio Vienna Philharmonic Orchestra 2nd Mvt.-Allegretto scherzando and \rd Mut.-Minuet

D D D

1288

415 1464 424

t724 1196 1084

t428

D '4Ag

D D D

rr50

D D

1477

t2C9 1203

1173

D 148r V'i enn a P hil harm on'ic r che sty a D 1482 Concerto in D Major, Op. 61-2nd l{vt.-LarghettoI{reisler and State Opera Orchestra DB 993 O

Violin

D E D E c

..HIS

N{ASTER'S VOICE

Ji.J

Singlc Nlovelnents frorn Well-Known Works-continued BIZF,T--

Carmcn-Prelude, Act

CI{O*IN_

Nocturne in F Sharp

I'iatto

and Enly'acle, Act IV Philadelphia Synphotty Orchestra

Major

and

lValtz

531

in A Ftat Major

De Gieef D 1379 74 Piano Cortot DB 953 Studics, Op. 10-No. I in F l\{ajor ; No. 4 in C Sharp Minr:r and No. 5 in G Fht n[aior; No. 6 in D Flat ],titroy I'iano Bachhaus DB 1133 FRANCK. CESARQuintet in Ir llinor-2nd nIvt.-Lento con molto Piano Corlot and Inlentatiazal String Quartct DB 1l0t CLAZOUNOV_ Dance Oricntale, Op. 52, No. G and March of the Caucasian Chlc.f (Iuunot) Philadelf hia Symt>hony Orchestya D 521 iGOUNOD-

Preludes-Nos. 7 to

Faust-Ilallet llusic

Royal Opcra Orch., Covent Garden C 1462-3

HANDELtrlcssialr-Rehold the Lamb of

God

llcssialr-\\'ortlrv is the l-amb Sonata

and

Halielu.iah

Rq'al

ChoraL SocictY

and Lilt up 1,our

heads

Royal Choral Sociely and lloyal Albert FIall Otchestya Isolde n{cnges

in A tr{ajor Violitr

HAYDNTrio in G X1ajor-Znd Xlvt.-Poco adagio cantabile Svd

AIat.-Rondc all' atgarese (Prcslo) lnslntnrcnlal

Hungarian Rhapsody, No. 2 Philadclphia Symphony Orchestre

MENDELSSOHN-

Fing:rl's Cave-Overture

lo57

t37t

DA 896 D 1296

St. Louis Symp'lrony Orchestra

1299

State Opera Orchestra, Rerlin

4{t1

I,{OZART_

Ilagic Irlute-Overture Nozze di Figaro-Overture

1108

and

Corlot-Thibaud Casals

LISZT-

D D D

and

Cosi Fan Tulle-Ouerlure

o"o":fl"' n";r:r'; D 1224 Dei; t":'K?!:: Sanctus Philharnonic Cltciy D ll49 Sonata in B Flat, No. 10-2nd X[vt.-Andantino antl Requiem lrass-Agnus

3rd Xtut.-Allegro (Rondo) Violin anrt, piano

Symphony No. 39 in E

Flat-Berlin

I st ll vt.-A, lagio-Allcgro BrdlIvt.-Xlcnrrett:Allegretto

lllegrq

"^r.ffi{'3:i1'rr":y' 4fin{d.-Finaleand

c D D

124a 1448 1450

EDUCATIONAT- CA'|ALOCUE

Sln$le Moventents from Well-I(nown \y orks_ c o :tt i rt u t ;l SCHUBERT_ Trio No. 1 in B Flat, Op 99-2nd and 4th l\Ir.,ts. Instnonentat

Cortot-Thibaud-Casals DB 949 to DB

SCHUMANN-

950

Quintet in E Flat |t1jo1, Op. 44-lst N{vt.--Allegro briltante Gabrilon'itsch (Piano)

anc_l

Flonzaley

euartct DB lIgl

STRAUSS, RICHARD-

Rosenkavalier-Waltz Mvts.

;

TCHAIKOVSKYSlceping Beauty-panorama

Dance (Balfcur-Gardiner)

Presentation cf the Rose

Augirenteil Tivoli Orchestra

and

D l3g.l

Shcpherd Fennel's

Cardut C 116) *AGNERFlying Dutchman-Overture State Orchestra, Ilerlin D 1290 Lohcngrin-Prelude philadclphia Symphony Orchestra D 146.1 Mastersinger-Overture Symphony Orchestra (Coates) D l?60 Parsi{al-Prelude, Act I Berlin State Opera Orchestra D 1400 Itheingold-Entrance of the Gods Symnhony Orchestra D tt17 Tannhd.user-March and Datnnationil Fausf_Hungarian fuIarch (Berlioz) llertin piitharmoric Oychestra D I.193 Valkyrie-Ride of the Valkyrie-s antl, Rheingoltl-prclude RoYal Opera Orchestra, Couenl

Symphony Orchestya D

i088.

TUNEFUL MODERN ORCHESTRAL WORI(S by no means all discord. Hear any of the records with unprejudicecl mind and you *lfl be Jf.--"a. frllowing .coiltemp3yary nxusic. Chiidren being- of their ou,' tinrc -r,h,r ltKe.. l. bnght colours, attractive rhytlrms, hurnotrr. All llicse Modern music is

qualities, combined with plenty of lyricaj tune, are in the works below. Praeludium (Jdrnefelt) Three-Cornered

Hat

orchestra_

The Neighbours

and

,Berceuse

(J drneJett)

RoVa! UPeya Orchestya, Couent Gayden Suite (de Falla)-Nerv Light Symphony

; Ililler's

Dance

Final Dance The Plancts, No. 4, Jupiter (Holst) TIre Planets, No. 3, Mercu_ry_ (Holst) Dance of the

to bc founcl

Spirils ( Hotst)

Symphony Orchestra

aitd perfect Fool_ Symphotiy Orchestra

B 26tg

B B D D

2721

2722

tt29 1308

..HIS

NIASTER'S VOICE ''

Tuneful Modern Orchestral Wotks-continuecl The Planets-IJranus, the l{agician (Holst)

Till's Merry Pranks, Op. 28 (R. Strauss)

SymphonY Orchestra

London Symphony Orchestra

Fire Bird-Dance of the Fire Bird (Stravinsky) Khowantchina-Entr'acte, Acl 4 (.Moltssorgshlt)

D 1418-9

and

P hil adelP hi a S ymP hony O r che str a Fountains o{ Rome (Respighi) London Syrrphony Orchestra and Triton at morn ; Treui at mid-day Valle Giulia at dawn Trevi at mid-day (contd.) and !'illa Medici at sxrnset London Symphony Orchestra Brigg Fair (Dclius)

L'Amour Sorcier-Dance Rituelle du feu (De Falla) La Vide Briue-Spanish Dance (De Falla)

D D D

and

Nocturne, No.

2-Fâ&#x201A;Źtes

Spring

1430

1453

Don

D D

(Rimsky-Korsahov) London Symphony Orchestra

On hearing the first cuckoo in

1429

antl

orchestra, Mitan

Czar Sultau-Suite No.

1427

D 1442-3

SYmPhonY Orchestra

Secret oI Susanna-Overture (Wolf-Ferrari) Juan-sottg of the Nightingate (*.{:'t:n"

1384

(Delius)

1488 1491

London Symphony Orchestra

505

Philadelphia Symphony Orchestra

507

(Debussy)

CHAMBER MUSIC Admittedly the most diffrcult form of music to appreciate, a number of movements from Chamber

there are, nevertheless,

X{usic lvorks of the widest appcal.

DUETS

BRAHMS_

'Cello and Piano-Beatrice Ilarrison and Gerald MooreSonata in E llinor, Op. 33

1330-82

r388-90

GRIEG-

Violin and Piano-Ilarjorie Flayward and Una BourneSonata

C XIinor

BEDTT{OVEN-

TRIOS Violin, 'Cello, and Piano

Trio Nc. 7 in B Flat AIajor, Op. - 97 (The Arcli Duke)

HAYDN-

Trio rn G Nlajor

Cortut, Thibaud and Casals DB 1223-7

Cortot, Thibaud and Casals DA

895-6

))

EDUCATIONAL CATAI-OCUE

Charnber Music-o on ti n u

MENDELSSOHN'Irio in D Minor, Op.

Cortot, Thibaud and Casals

1072-5

Cortot, Thibaud and Casals

947-50

SCHUBERTTrio No. 1 in B Flat, Op. 99

QUARTETS

Two Violins, Viola and 'Cello BEETHOVENQuartet in C l\Iajor, Op. 59, No. B Virtuoso String euartet D 1202_s Quartet in F nlajor. Op. lS5 Fionzaley euartet DA g.l7_b0

BORODIN-

Quartet in D

Major-Nocturne

BRIDGEThree Idylls-Idylle No. I HAYDN_

Budapest String

euartet D

l44l

Virtuoso Str.ing

euartet C

l1g3

Quartet in D l\{inor, Op. 76, No. 2 Elman String Quartet in G n{ajor, Op. 76, No. I Budapest String

MOZARTQuartet in B }Iajor (Hunting euartet) Budapest String Quartet No. 8 in D i\{ajor Flonzaley

BRAHMS-

euartet DR euartet D

1146_z

lOTS_j

euartet D l3g7-g euartet DA g47_g

QUINTETS Two Violins, Viola, 'Cello and piano

Quintet in F nlinor, Op. 34 Ilauer (Piano) and Flonzaley

euartet DB Violin, Viola, 'Cello, Double Bass and piano

g7O-74

SCHUBERT_

Trout Quintet, Op. 114

Backhaus (Piano) and International String

euartet D

l4g4-7

..HIS MASTER'S VOICE ''

COfi,LOQUIAL FRENCH F.OR. THE EI\TGLISH A PRACTICAL COURSE FOR LEARNING TO SPEAK FRENCH WITH THE AID OF .. }ITS I\IASTER'S VOICE '' GRAMOPHONE RECORDS Compiled by I

E. M. St6phan, Senior Lectwrer in French, Uniuersity College, Lotdon. ; and. Daniel Jones, Professor of Pltonetics, Uniaersity Coll;ge, London

This rrnique Course of Study consists of 15 Double-sided " His Master's " Gramophone Rccords, a Text Book and Key Rook, togetller with a .durable Album of speciai design to hold the records. It is intended to renatth Lnglish people to learn to speak French and to understand French whcn spolien. The Course differs {rom other methods in being based from tihe clerrrentary to the advanced stages on a set of Gramophone Records, rri[ih.a,oo,n:rplcteness and detail that render it absolutely se]f-Contained. Tbe (Cou'rse is suited to learnprs of all ages. It is particularly designed for tjrose *1iho ihave to learn and speak French without a teacher. Although cornprehenoive ibo thc last degree, tlre Course is planned on " populai" lines, and caco he studied rvith equal advantage by the student or the " man in tlie street." An outstanding featr,lr,e is the masterly rvay in which the authors have made use of the modem appr.hcation oI phonetics in order to secure accurate

rVoue

pronunciation.

_ " Colloqtial French for the trnglish " makes the study of French a It i! alive-a thing of the present diy-and dispels the classic but very dull futilitics on " the pen of the gardenei's aunt " lnd like encumbrances- It is invaluable to every business man and lvoman Iascinating-occupation.-_

who finds daily that a lack of knorvledge of this almost universal language is a serious handicap, and also to those tvho, in these days, make at-leait an annual trip to France for recreation and experience. _ It is the greatest contribution to self-education, apart from music, rrlftat the gramophone has rnade in any country. The Records.-There are l5 l2-inch Double-sided Plurn Label Records, I the dontents of rvhich are detailecl belorv. A strictly progresive order is ,obsersrcd. Sides I and 2 of the lirst record are dealt rvitli in Chapters I tn V , of the Text Rook. sides 3 and 4 in Chaptcrs V to XI, and so on to the end

rol the C,ourse.

.A feature of great

utility is the division,

.n'hcre necessary,

of the contents

.*f tlhe reoords into sections. Each such section is indicated in the Tcxt

Boo\,;rrrrtl ,portions of the various lessons can be played over without the trouble 4 _'',fistr,ing " with the oeedle for the part required, and, o{ course, tirc possir\d-f ,of danqaging tlrc rccord in so doing.

EDUCATIONA^L CATALOCUE

LIST OF THI' RECOI{DS.

Record i Side No.

Sub;pct.

1.-Ear-Training for tlre Frcnch Vo.rels. I 2.-Ear-Trainin! for tlrc Frenclr Vorvels. II

3.-First Word-list,

Catalogue No.

IC _ i

Scntences

i 4.-Second Wordlist, Common pbrascs, Scntences, eL,cs- !C tions and Answcrs. j Common Plrrases,

S.-Sentcnces constructed from Substitution Tab1es, Con_ il jrrgation of Verbs I_ 6.-Thinl - \\'orrl-list, Phrascs, Scntenccs, euesl ions IC

Ansrvers

1353 1354

355

"rrU )

7.-Phrases anrl Scntences illustrating various constructionsj 8.-Unemphatic Intonation 9.-" Yes and No " Drill i" C l0.-Exercises on the Pcrsonal Pronouns I I

ll.-Fourth Wordlist, Phrases, Sentences L 12.-Dialggrrcs.on Yoney, Ilestaurant, etc. lC 13.-Ear-Trainins DxerCises l I4.-lialoguc beirveen Trvo Ladies 15.-Dialogucs, Use of " par,- Demonstrative pronouns, iC 'lC ^ Comparison,cfc. IG.-Sentences constructcd from Substitution Tablcs I ancl r rnperlect renses $,il'."*l;'Jt""' i {:-!iJ*i":S."J;*";t i I9.-Emplratic Intonation I 20.-Ina-Restaurant iC

1356 1357 1358; 1359)

1360 136 r

f362

,tj::3rti,iii,,,i"lephoning' i g 1363 23,-Story of a Frenchman rvho cannot speal< Dnslish i 24.-Datcs, Conrmon Exprcssions, Futirrc Tenie, Use oI lC l3(, " il faut and other Constructions Numerals, Lettcrs or the Alpirabet

25.-Questions and Answers, Common phrases, Sentcnces. Ii 26.-Questions and Answers, Common plrrases, Sente""".. f i I 27.-Description of a Journey i -I

28.-Story6f aHat. 29.-Stori, .f ; H;;: rI

30'-A \Valk in Paris, the Weathcr pages, Deny Svo).-A very clcar anrl _..-ll:^1=:Book_(586 r)'pe t)as Deen cltoseD.,

^ C

lC C i I

1365 1366 1367

easity reacl

. the ,Following an introdlction,,rvhich gives full and concise instructio's as to best methods to be emproverl foi getting flre crcatest fiom the Course, is thc Course pr.pei. co-nsiftng oi s+ dhapters,advantagc l";;fi;h-th_

s1qltl the practicai

spokcn

illusrraiionr

ti"i" i. :.."J9._ ""-i"j"" 9l tne ,rvold:.and. subjects *sed in the course. By the iime tlre .oncrusion rs reacned thc student srrourd bc able to speak-Frencrr fluentry and idio_ maticaUy, aod

with

Finali1,,

good pronunciatioa

'trhe Key B,ook.-Througbout the Course the student is encouragcd to, make no,tâ&#x201A;Źs and prepare exeicises from them, Jiist as tvould be done at a. series of lectures. The r(ey.Book gives the aoo"& .orru".s to flrese exercises,. and the learner is thus atrle to chcc-k his progress- r.o. .;;;i;i to take the licy Uook is.containr\l ln the biqk cl,u"r oI"o""."i"";;, thc Text Boot'.

..HIS MASTER'S

VOICE

Pupil's Book.-For

class

use. \['.e have had prepared by Professor Daniel Text Book, which contains only the text

Jones this condensed edition of the

records in French and Phonetics. Alburn.-An album of specially durable design, having a rein{orced binding, has been prepared to hold the 15 records. A contents index to the records is included'

ol the

pRICDs.

The Cornplete Course of " Colloquial French {or the English

consisting

15 Double-sided " His Master's Voice " Records. (b) Text Book and l(ey Book. (c) Specially durable the.Records.

(a)

T_"i|:.

Those persons who may wish to acquire the records gradually may do so s. fl. aS follows '4 6 (a) Records separately (l2-inch Plum Label) 12 6 (b) The Text and I(ey Book (together) (These are essential to the study of the Course from tb.e commencement.) (c) The specially durable Album, to hold the 15 records

(with contents index) Pupil's Text Book

I06 20

Selected Extracts from GRBAT FRBNCH AUTHORS Spoken

by Monsieur E. M. St6phan

The amazing success of " His Master's Voice " Colloquial French Course has led to the publication of these records, which have long been wanted. Spohen by Monsieur St6phan, who is Senior Lecturer in French at University College, London, they are, as all those who listen to Monsieur Stdphan on the wireless wili know, modcls of clarity and enunciation. l{oreover, the set forms a little anthology of great French prose and poetry, ranging as it does from La Fontaine to Victor Hugo. A boohlet giving the Frenctr text of all the records with a foreword by Monsieur Stdphan is presented rvith the records, any of which may be bought separately from all " His i\laster's Voice " accre<iited agents. Those rvho need extra copies of the booklet for class use can obtain these at a cost of 3d. each from anv " His Master's Voice " accredited dealer. Fens6es

Cinna-Acte 2,

Athalic-Actc 2.

ScCne Scdne 5

L'Auare-Acte 4, Scine 7 La Laitiere et le Pot au Lait

Pascal Corneille

Jean Itacine XI

olilre

Jean de la Fontaine

Leltye de Mad,ame de Sdaigni d n[onsieur de Coulanges Rousseau Letlve de Voltaire d Madame Denis sa Niece Chateartbriand Paysage sous la lune en Am6rique Lantavtine Les Deux Harpes Alfred de }fusset La Merle Blanc Victor Hugo Oceano Nos

L'lle de Saint Pierre

B B B B B B

2842 ?f,.43

?444 2845 2846 2447

]

EDUCATIONAL CATALOCUE

SACHA GUII|RY

and

YVONNE PRINTEMPS The records, some of the best and loveliest we have ever issued, wiil cast

a spell over any class. Lucky the modern boy or girl to be able to hear such enchantment at school.

Hear first of all D 1706, the interview between Prince Louis-Napoleon

arrd Mariette, the littte French actress, then the letter song from lilozart P 542). Aiter this you will buy the set and there will be coistant requests for " the Guitry recoids, please !'"

SACHA GUITRY AND YVONNE FRINTEMPS (in French)

@ith

SACIIA GUITRY (Grirnrn)I " Mozart " Words by Sacha Guifry, Music by Revnaldo Hahn I LepetitMenuet-Actel lB YVONNE PRINTEMPS (Mozart)| Air de la lettre-Acte 2 )

542

Orchestyal Accompaniment (i.n Albutn No.

88)-

YVONNE PRINTEMPS (Eile)" L'Amour Masque -Words

I by Sacha Guitry, Music by A. Messager | " I L' amants yVoNNE pRrNTEMps (Elle) AND sAcHA GUrrRy (Lui) | ' ') Duo du 2ime Acte J'ai deux

YVONNE PRINTEMPS (Mozart)'' Mozart

Words by Sacha Guitrv, Nlusic by Reynaldo Hahn

Air des Adieux-Acte- 3

SACHA GUITRY (rieburau)" Deburau " Words by Slcha Guitry, Music by A. Intervierv

Scene

l\{essager

\ I I

D tTos

qACHA GUITRY (Prince Louis-Napoteon) AND YVONNE'l PRINTEMPS (Mariette)Iu " Mariette " Words by Sacha Guitry, Music by Oscar Straus 1 ^ Scdne finale du 2dme Acie-Parts t aia Z I YVONNE PRINTEMPS (Mariette)-

" Mariette " Words by Sacha Guitry, Music by Oscar Straus Depuis trois ans passds -Actc III

Reflections of Sacha Guifry

)

SACHA GUITRY-

EA. 5+5

ttuo

1707

..HIS MASTER'S

VOICE

BOOKS FOR TEACHERS

GUIDE BOOK TO TWELVE TALKS ON MELODY

By SIR WALFORD

DAVIES

Price ls. Net. Tlus little book, written by Sir Wal{ord Davies himself, will be welcomed by all those who-have heard Sir Walford's talks on the Wireless or-Gramophone. It contains the musical text of every illustration used in his Series of Recorded Talks

(see

page 17).

A CHART BOOK OF ENGLISH LITERATURE, HISTORY AND MUSIC, FROM 130G-1900 SBcoNp

EorrroN. Pnlco 1/- Nnr.

Trus book is an Original Scheme of Correlation of English Literature, History and Music. It shows how the study of literature_ and history may be linked up with the thrilling story of music in our land. A readable volume that can be enjoyedby everyone interested in the esthetic life of England during the past four centuries.

EDUCATIONAL CATALOCUE

THE GOLDEN TREASURY RECORDED MUSIC

VOLUME II-WAGNER by Alec Robertson, A.R.A.M. TnB first volume of this series on " Bach and Beethoven " met with such remarkable appreciation from both Press and Public that this next volume on practically all the Overtures, lJramatic Preludes and Concert excerpts of Wagner is certain to be eagerly welcomed. The author, Mr. Alec Robertson, A.R.A.M., once again gives interesting and illuminating notes on each side of each record; there are l26 illustrations in music type, and a section on " leadingmotives." The keen Wagnerian can thus trace the composer's

progress from " Rienzi " to " Parsifal fascinating book and his records.

" with the aid of

The book can be obtained frorn all " His Master's " accredited dealers, and the price is only 1/-. (Both it and its predecessor, " Bach and Beethoven," rnvaiuable for class use).

this

Voice

are

VOLUME III-CfSAR FRANCK will be issued in JUNE, 1930 VOLUME I-BACH AND BEETHOVEN Paragraphs from the Fress: " Mr. Robertson has the genius of the interpreter who is artist first of al1: he has the science of the musical analyst without the pedantry, and he has the enthusiasm 2lel28.

of the 'appreciator' without the slosh. ."-The

Uniuerse,

" I have received the first volume of a series happily called 'Tire Golden Treasury of Recorded Music' {rom 'His Master's Voice.' T}re editor anci compilei of the series is Mr. Aiec Robertson, who has an extraordinary gift {or telling us just what we want to knorv about the musio on a record and iliustrating it in the way 1ve rvant it illustrated. At a shilling this bool< will be u'ithin everybody's reach, and nobody who wishes to gain a genuine appreciation of good music can afiord to u'aste that shilling on cigarettes. . ."-Sund.ay Pictori'al, 919128. " The book is written-thank heaven !-by a musician. The style is attractive, enthusiastic and bright-never cheap. Mr. Robertson knows his scores, has taste, and has had plenty of that most valuable experiencelecturrng to all kinds of peopie. There is room for a long series o_{__these volumes-. I, heartily recommend this sample to your attention. What a capital title the author has hit on!. . ."-The Gramophone SePtember'

1928'

PRICE 1/-

)lt[agazine,

..HIS MASTER'S

VOICE

LECTURE SER.VICE wB sive below extracts from a ferv of the remarkable ietters of apprEciation rcceived in connection with our Lecture Service' Leitures are given gratis by experienced musicians and teachers to every kind oflducaiional oiganisation on a la^rge variety o{ subjects embiacing the use of the Gramophone in School and at Home'

adveitising matter or obligation, rvrite to the Education Department

For particulars of these Lecture5, which are entirely free from

of The Gramophone CoirPanY, Ltd. Frorn a Director of Education'

..NIay I thank you once ag:rin {or your kintlness in allolving- your lecture.r to visit Immediately a{tcr hcr visits to schools letters poureC into rne pralslllg her Jrti.try ancl her abiiity as a teacb.er. And last, but not least, she i"ort , t ", driven homc the value o{ the gramophone as an instrumclt in has certainlv the hands

a teacher."

Authority' - l; a Director of Music to an Education -Frorn U,t havc n-rost pleasant rccollections of 1'our visit. Teachers and

Scholars rvere charmecl'. I hope it u'itl be possible to arrange for a- longer of lectures {rom you oi the.se of the gramophone in-school'.^^If-I "o"i." hawc anv criticisrn to nake, it is that the teachers feel it would be diffrcult to {ollorv up such ifne rvor}<."

Frorn - - -'; a SeiretarY of Education.

instructive and intcresting, v'ere-greatly in" lect'res, i'hich rvere and Scholars. X{y committee would very app.e-i^t".l by both 'Ieachers'erv nitich like furtler lectures to be given in more oJ their Schools " Frorrl the fleadmistress of an Infants' School'

,1 Your lecturer gave a ch:rrming demonstration to the six-year-old pupils in this school. 'I'hJ1' are tctv mucli interested and rvould have been so {or a

ionser time than vour lecturei

cou1c1

clevote to

them.

We would be delighted

if t'he visir coui'l bo repeaLe Iat 5ome futurc date. ' Frorrr the Secretary of an N.U.T. Association' " Please accept our sincere thanl<s {or the delightful -work you done

in the

schoo'ls

have

tluring the last three rveeks. Your visit has been a great

success. " Frorn the Headrnaster of a Boys' Secondary School' " Your lecturer's :rddress .tas an eclucation in itsei{, and delighted both the boys and the statf. Our onlv regret is that time was so short " Frorn the Head Teacher of a Council School.

..Irvouldliketocrpressmyvel)-grcatthanksto.youforthevisito{your Iecturer. Her atldressds.tere a pl.-isure to the children and to the teachers,

i"a

"'"

{eel she is an enthusiastit pioneer and an educationist'"

Printed for the GRAMoPHoNE Co , LTD., by HatnIsoN & SoNS, LTD', Printers in Ordinary to His Majesty, 44-47, Sl tr{artin's Lane, London, W'C'2'

'ItisMasters\bied trDUCATION DEPARTMENT is staffed with musicians of wide educational experience whose function it is to help the teaching of fine music. If you are contemplating the purchase of a gramophone or records for educational use, or if you have any problem in connection with your class work, this staff is always at your service. Lectures to Teachers' Associations, class lessons to children in schools, are given gratis by Mr. Alec Robertson, A.R.A.M., Mrs. Henry, Mr. Peter Latham, M.A., and Miss Hilda Habbeshaw, L.R.A.M. These lectures and demonstrations, which are each .of them accompanied by copious examples on the gramophone and piano, illustrate the most modern methods of teaching music. Please cddress

all letters relating to the qbove to:-

THE PRINCIPAL, EDUCATION DEPT., THE GRAMOPHONE COMPANY, LTD., 363.367, OXFORD STREET, LONDON, W.1.

TilisMasrers\bied MODEL No.

157

UPRIGHT GRAND

is one of the neu tange of insttuments specially recornnrended for school usâ&#x201A;Ź

This

i'-"-'-""""""""""""'

SPECIFICATION

"""""""""'-""""""""?

Chamber, Balli N"* "H;. Master's Voice" Patented Tone designed ii B"urinn Tone Arm. and No. 5n Sound Box, and is designed r i rL^ scientific -.-:rL the -r --- with principle of ^^i^-+ic^ --:-^i-l^f i ihtornf,nnt in accordance

i i :

Mut"['"d Impedance. Height.36] ins.: width, l8l .ins.; a."ttr. ZO i*. Automatic Lid Stuv operated by one hand.

i i i T*o-i""otd (12-inch) Motor, l2-inch Turntable, Selfi releasins Automatic Brake operated by moving Tone Arm rieht. Speed Regulator and Automatic Speed i i" "itt""-" Iit"rnal Fittingt;-Nickel-plated and Enamelled. i Indicator. Extenal Fittings: Oxidised Brass. i Liet Price â&#x201A;Ź2O' in Oak. This price does not apply in the Irish Free State.

For soecial terms accotded to schools, applg to ang His' Master's Voice" accredited ilealer, ot to

The GRAMOPHONE CO., LTD.' Education Department' 363-367, Oxford Street' London, W. 1.