His Master's Voice - Celebrity Records Catalog 1924 (GB) by 78rpm Club

This Catalogue Celebrity Records contains all Double-Sided issued up to and including March 31st, 1924. The Single-Sided Celebrity Records are also included, and will be found under the records of the following artists :-CLARA Burr (all records), CARUSO and MELBA (Duet 054129), CARUSO,TETRAZZINI, AMATO, JOURNET, BADA, JACOBY (Sextet 2-054034), KUBELIK, one record only (3-7966), and TETRAZZINI, one record only (2-033027).

International Celebrity Artists ALDA

CORSI,

GALLI-CURCI

KURZ

RUMFORD

AMATO

CORTOT

GALVANY

LUNN

SAMMARCO

ANSSEAU

CULP

GARRISON

MARSH

SCHIPA

BAKLANOFF

DALMORES

GIGLI

MARTINELLI

SCHUMANN-HEINK

BARTOLOMASI

GOGORZA

GILLY

MCCORMACK

Scorn

BATTISTINI

LUCA

GLUCK

MELBA

SEMBRICH

BONINSEGNA

DE'

HEIFETZ

MOSCISCA

SMIRN6FF

BORI

DESTINN

HEMPEL

PADEREWSKI

TAMAGNO

BRASLAU

DRAGONI

HISLOP

PAOLI

TETRAZZINI

BI1TT

EAMES

HOMER

PARETO

THIBAUD

CALVE

EDVINA

HUGUET

PATTt

WERRENRATH

CARUSO

ELMAN

JADLOWKER

PLANCON

WHITEHILL

CASAZZA

FARRAR

JERITZA

POLI-RANDACIO

WILLIAMS

CHALIAPINE

FLETA

JOHNSON

POWELL

ZANELLIi

CHEMET

FLONZALEY

JOURNET

RACHM.4NINOFF

ZIMBALIST

KNIIPFER

REIMERSROSINGRUFFO

MURO

CICADA

QUARTET

CLEMENT

FRANZ

KREISLER

CORSI,

GADSKI

KUBELIK

PRICES DOUBLE-SIDED

RECORDS.

LabelRed (D.A.) 10-inch Red (D.B.) 12-inch Buff (D.J.) 10-inch Buff (D.K.) 12-inch Pale Green (D.M.) 12-inch Pale Blue (D.O.) 12-inch White (D.Q.) 12-inch -

SINGLE-SIDED included in this Red Label

10-inch 12-inch Pale Green 12-inch Dark Blue (C. Butt) 12-inch White (Sextet) 12-inch -

Price6!-867'-10-11.,613,

RECORDS Catalogue. 5'676 10612,615j'-

ALDA, FRANCES, Soprano

(Ahl'-dah)

Frances Aida was born at Christchurch, New Zealand. She was trained under Madame Marcltesi, and made her debut at the Opera Comique in Paris, 1904. Since then she has appeared with marked success at the leading Opera Houses of the Old and New Worlds, and has taken many of the principal roles in the great Operas. Apart from her has been a very great operatic triumphs, Madame Alda's success on the concert platform heard to excellent advantage on the one. Possessed of a rich and cultivated voice, she is records she has made for " His Master's Voice."

THE ALDA RECORDS Number

Size

Label

DB635

12 Red

DA136

10 Red"

DB596

12 Red

DA135 DB635

10 Red_ 12 Red

DA135 DBI55

10 Red 12 Red

DA13B DA136

10 Red 10 Red

DASO3

10 Red

DB155

12 Red

DABS

10 Red

DA503

10 Red

DB596

12 Red

Altra fondo al mare, L' (' MEFISTOFELE "-Boito) (in Italian) notte in "-Offenbach) (in French)-Frances Aida and Elle a f rd (" Contra d'Hoffmann Ancora un passo or via (" MADAMA BUTTERFLY "-Puccini) (in Italian) (in Italian)-Frances Aldo and 0 mio babtieo corn (" Gianni Schlecht "-Puccini) Bel di vedremo, Un (" MADAAMABUTTERFLY "-Puccini) (in Italian) Butterfly "-Puccini) (in Italian)-Al.ia and Tutti i for (" Madams and Braslau Bless you (Ivor Novello) (Bond)-Frances Aida and I love you truly Elle a fui (" CONTES D'HOFFMANN "-Offenbach) (in French) L'Altra in fondo (° Mefi.stofele"-Boito) (in Italian) and notte al mme Aida -Frances I love you truly (Bond) (leor Novelio)-Frances Aldo and Bless you Je dis que rien no m'epouvante (Air de Michaels) (" CARMEN "-Bizet) (in French) Si, Mimi (" Boheme "-Puccini) (in Italian)-Frances Alda and mi chiamonv Somewhere Mighty Ink' a Rose (Nevin) (Tate)-Frances Alda and a voice is calling 0 mio babbino taro (" GLANNI SCHICCHI "-Puccini) (in Italian) Butterfly "--Puccini) (in Italian) and Ancora an passo or via (" Madama Aldo -Frances (with Piano) O murmuring breezes-Op. 21, No. 4 (Jensen) Obbligato by Mischa Elmern) Tes (Rabey) (Violin (in French and year with Aida piano)-Frances Mimi (" BOHEME Puccini) (in Italian) Si, mi chiamano (Air de Michaela) (" Carmen "-Bizet) and Je dis que rien ne m'ipoucante (in French)-Frances Aida (Tate)and Somewhere a voice is calling Mighty laic' a Rose (Nevin)-Frances Aida Test yeas (Rabey) (Violin Obbligato by Mischa Elman) (in French with piano) breezes--Op. 21, :fro. 4 (Jensen)-Frances Aida and O murmuring ALDA Tutti

BRASLAU

AND i fiar

(" MADAMA BUTTERFLY '-Puccini) (" Madama and Un bei di vedremo

(in Italian) Butterfly "-Puccini)

(ia Italian) Aid.

-Frances

ALDA AND CARUSO DK119

12 B,(i

Ah!

the la morte ognora (82) chorus and orth.)

(Miserere)

and Ai nostri monti ritorneremo

DK100

12 Buff

DK100 12 Buff

ALDA AND

MARTINELLI

0 quanti

fisi

oc6i

(" TROVATORt

Verdi)

(in

Italian

with

C" Trovalore Verdi) (in Italian) -Caruso and Schamahn-Hein¢

(' MADsMA BUTTERFLY"-Puccini)

(in Italian)

C' Bohime "-Puccini) (in Italian}-Aida and O soave fanciulla and Martindli 0 soave fanciulla (" BOHEME "--Puccini) (in Italian) (in Italian) snd O gnanti ocehi fisi (" .Madams Butterfly "-Puccini) -Alda and Martinelli

TRIO BY ALDA, CARUSO AND JOURNET DM126

12 P. Gn.

Qual

voluttä trascorrere and Je viens celebrer All Speeds

are

(" Los1BARDf "-Verdi) (in Italian) la victoire (" Samson et Dalila "-Sainf-Saens) -Car uso-Homer78 unless

otherwise

indicated.

(in French) Jo urnot

THE

ALDA RECORDS-Continued

Al 'ý

QUARTETS Number Size Label DM100 12 P. Go. C DM101

12 P. Gn.

DM100

12 P. Go.

DM101

12 P. Gn.

B5 ALDA, CARUSO, JACOBY AND JOURNET BY

Che vuol dir cio

(" MARTA"-Flotow)

and Siam

(in Italian)

(80)

Flotow) (in Italian) (801 -Al da-C a r uso-Jacob y- Jo urnet (in Italian) I (" Maria `-Flotoro) (in Italian) -Al d a-Caruso-Jacoby-Jo urnet Siam giunti, o giovinette (" MARTA "-Flotow) (in Italian) (80) (" Marta"-Flotoro) (in Italian) (80) and Che cool dir eil Ja urnet -Al da-Car uso-JacobyT'ho (in Italian) ! (" MARTA "-Flotow) raggiunta sciagurata Presto, presto (" Marla "-Flotow) (in Italian) and andiam da-Car aso-Jacoby-Jo -Al nrnet Presto,

presto

giunti,

o giocinette

(" Marta

(° MARIA "-Flotow) andiam and T'ho raggiunla sciagmata

AMATO, PASQUALE, Baritone

(Ah-mah'-toh, Pas-quah'-lay)

Born at Naples, Amato was destined by his parents to become a Civil Engineer, but was prevailed upon by his friends to enter the Naples Conservatoire of Music. After three years' training he made his debut at the Bellini Theatre in 1900. He made a deep impression on that occasion. Since then, South America and Milan have hailed him with Amato sings with great delight; and New York has acclaimed him with enthusiasm. beauty of voice, all the wonderful purity and stirring resonance of which have been vividly reproduced on " His Master's Voice " records. THE

AMATO

NumberSize Label D8637

12 Red

DA126

10 Red

DA126

10 Red

DASO4

10 Red

08157

12 Red

DB158

12 Red

DB146

12 Red

DB146

12 Red

DB157

12 Red

DR156

12 Red

DB636 12 Red DB158

12 Rest

DB636

12 Red

DB156

12 Red

DA504

10 Red

DB637

12 Red

RECORDS '-Meveri,cer) (in itntion) Puccini) (in Italian with chorus Amato and orch.)-Pasquale Ah, pescator, affonda Pests (" GIOCONDA "-Ponchielli) (in Italian with chorus and Serenata (" Gioielli dells Madonna "arch.) and Aprils, hello, la fenestrella, Wolf-Ferrari) (in Italian with chorus and orch.)-Pasoeal: Amato Aprila, bells, la fenestrella, Serenata (CIOIEI.LI DELLA MADONNA `-Wolf-Ferrari) (in Italian with chorus and arch.) and Ah, pescator, offonds lèsca (" Gioconda "-Ponchielli) (in Italian with chorus and orch.)-Pasquale Amato Cavallo scalpita, II ("CAVALLF.RtA RUSTICANA "-Mascagni) (in Italian with chorus (G. B. and E. Di Curtis) (in Italian) end arch.) and Torna a Surriento Amato -Pasquale Con voi her, affe mi 6a carp (" CARMEN "-Bizet) (in Italian) Eri '("Bello in Maschera "-Verdi) t u the macehiavi guellànima and (in Italian)-Pasquale Amato (" RicoLETro "-Verdi) (in iialf,n) Cortigiani, vi1 razza dannata (" Rigoletto "-Verdi) (in Italian with and Povero Rigoletto chorus and arch.) Amato -Pasquale Credo in un Dio erudel (" OTELLO "-Verdi) (in Italian) Di Prooenza (" Traviata "-Verdi) (in Italian)-Pasquale it Amato and mar Di Provenza it mar (" TRAVIATA "-Verdi) (in Italian) (" Oteilo "-Verdi) (in Italian)-Pasquole Amato and Credo in un Dio crudel En i to the macchinvi quell ànima (" BALLO IN MASCHERA "-Verdi) G.n Italian) Con ter, fia (" Carinea--Pizet) (in Italian)-Pasquale and voi affe mi taro 'tmato Largo al factotum delta citta (" BAREIERE DI SIVIGLIA "-Rossini) (in Italian) (Prologo) (" Papliaeci "-Leoncavallo) (in Italian)and Si pad? Amato -Pasquale

Adamastor,

re delle acziue profunde and Tre 5burl, ur:a carrozza

O vecchio car the bath

(" Aýricn, (" Iowa

(" Dtr FOSCARi"-Verdi)

and Adamastor, re delle acque profunde

(in Italian)

Dinorah "-Megerbeer) (in Italian)-Pasquale Amato and Sei vendicata assai (" Povero Rigoletto (" RIOOLETTO "-Verdi) (in Italian with chorus and arch.) (" Rigolette "-Verdi) (in Italian) ail razza dannota and Cortigiani, Amato -Pasquale (" DINcatan "-Meyerbeer) (in Italian) Sei vendicata assai bath (" Due Foscari --Verdi) (in Italian)-Pasguale 0 Amato and vecrhio car the (in Italian) Si pad? (Prologo) (" PAQLIAcct "--Leoncavallo) Largo factotum delta citfd Barbiere di Siviglia "Rossini) (" (in and al Italian)-Pasquale Amato (C. B. and E. Di Curtis) (in Italian) Tama a Surriento 11 Cavallo scalpita (" Cavalleria Rusticano "-Mascagni) (in Italian with and Amato chorus and orch.)-Pasquale Tre (" TOSCA "--Puccini) (in Italian with chorus and arch.) sbirri, uns carrozza

For Prices

of Records

(" AJricana "-Meyerbeer) (in Italian) -Pasquale Amato see page 2.

THE AMATO RECORDS-ContinuedAMATO

AND CARUSO Number Size Label

(in Italian) {81) del Destino"-Verdi)

DM106

12 P. Ga.

Invano,

Alvaro (" FORZA DEL DEsTIND "-Verdi) ("' Forza and Le Minaccie, i fieri accenti

DM106

12 P. Gn.

Minaccie,

(in Italian) Caruso -Amato and (in Italian) (81) i fieri accenti, Le (" FCR7A DEL DESTINO "-Verdi) Caruso (" Forza del Destino "-Verdi)-Amato and and Invano, Alvaro

AMATO

AND

DK124

12 Buff

DKI07

12 Buff

DK126

12 Buff

II idillio, and orch.)

Ciel ! mio padre (" AIDA "-Verdi) and Su dunque 1 sargette

DK126

12 Buff

DK101

12 Buff

Su dunque

DK110

12 Buff

Suoni

AND

(" Aida

"-Verdi)

-Amato (" AmA'"-Verdi) (in Italian) "-Verdi) (in Italian)-Amato

(in Italian) Gadsiti

and

and Gadski

JOURNET (Scene

(in French with chorus (in Italian) "-Donizetti) and Matzenauer -Amato (in Italian) (in ltalian)-Amato and Setti

des epees) (" FAUST "-Gounod) (" Favorita and Ah I I"alto ardor

votre saute ! and orch.)

la tromba, e intrepido l'ugola Imc Inaffia

AMATO

DK110 12 Buff

(in Italian)egizie coorti

I surgette egizie coorti Cie(! (" Aida and mio padre

AMATO

DK101 12 Buff

FARRAR

(in Italian (". SEGRETO DI SUSANNA "-Wolf-Ferrari) with chorus (in (" Donne Curiose "-Wolf-Ferrari) and II car nel contento Jadlowker Italian)-Farrar and (in French with chorus and orch.) Si to m'aimes (" CARMEN "-Bizet) (in French with chorus and orch.) (" Carmen "-Bizet) and Je t'aimc encore Martinelli -Farrar and AMATO AND GADSKI Dolce

(" PURITANI "-Bellini) 1 (" Otello "-Verdi)

AND MATZENAUER

Ah 1 1' alto ardor (" FAVORITA "-Donizetti) (in Italian) (in French with and A votre santd i (Scene des dpdes) C" Faust "-Go unod) and Journet chorus and orch.)-Amato SETTI AMATO AND OTEtw "-Verdi) (in Italian) muffin I' ugola! (" and SEXTET

Suoni

BY AMATO,

!a tromba,

a intrepido

TETRAZZINI,

(" Puritani

CARUSO,

"-Bellini)

-Amato JOURNET,

(in Itali on) and Journet BADA AND

JACOBY 12 White 2-054034 (Single-sided)

Chi mi frena

(" LucIA Di LAMMERMOOR ")

ANSSEAU, FERNAND, Tenor

(in Italian)

Donizetti

(Ahn-soh)

Fernand Ansseau was born in Belgium, at Boussu-Bois, near Mons, in 1890. He He was engaged at studied at the Brussels Conservatoire as a pupil of Professor Demest. the Theatre at Dijon (France) in 1913, and returned to Belgium the following year, where he was overtaken by the invasion of the enemy, to the great detriment of his theatrical career.During the German occupation Ansseau sang specially in Brussels and the Provinces favourite in musical circles at concerts in support of Belgian charities. He is a great in Brussels ; and was chosen, after the German defeat, as the tenor on the occasion of the for four years had been exclusively solemn re-opening of the Theatre de la Monnaie, which reserved for German actors. He was engaged at the same theatre for the 1918-19 season, when his superb voice at once placed him in the first rank of operatic tenors. The management of Covent Garden invited him to London for the 1919 season, during which he filled the principal roles of French Opera with ever growing success. It was during his stay in London that he sang for the Gramophone Company (" His He is, at present, Master's Voice ") several of the favourite pieces from his repertory. one of the principals at the Opera House, in Paris. Mr. Ernest Newman, one of our keenest critics, compares M. Ansseau's singing to fine violin playing, All Speeds

are 78 unless

otherwise

indicated.

HIS

ý]]

MASTER'S

VOICE

RED

LABEL

RECORDS

THE ANSSEAU RECORDS Number DB486

Size Label 12 Red

DB484

12 Red

DB482

12 Red

DB483

12 Red

DB486

12 Red

DB482

12 Red

DB487

12 Red

DB48S

12 Red

DB483

12 Red

DB487

12 Red

DBS23

12 Red

DB485

12 Red

DB484

12 Red

DB623

12 Red

Ah I

lave-toi,

(" Rotiio ET JELIFTTE "-Gounod) soleil (Le Rive) (" Manon and En fermant !es yeux

(in French) "-?Nassenat)

(in French) Anssea u -Fernand (Marie Cornelis) (Chant Patriotique) (Dedie. ä S.M. Albert Rai des (in French) (in Latin with harp, violin and Panis Angelic us (Marie Cornelis) and piano) Ansseau -Fernand Champs 1 (" JosEPH "-Mehul) (in French) paternels Lafleur (Air de In fleur) (" Carmen "-Bizet) and que tu m'avais jetde (in French)-Fernand A nssea a Ciel luiseit d'etoiles, Le (" Tosca `-Puccini) (in French) (" Paillasse"-Lconcavallo) (in French) and Ile grimer Anssea -Fernand u E. fermant Ics yeux (Le Reve) C' MANON "-Massenet) (in French) (in French) and Ah ! live-toi, soled (" Romeo ei Juliette "-Gounod) Au Drapeau Balges)

-Fernand (Air de Is Fleur) (" CARMEN "-Bizet) (in .4nssea:" French'. que tu m avais jetde, La (in French)-Fernand Ansseau and Champs paternels ! (" Joseph "-Mehul) J'ai perdu won Eurydice Orphee "-Gluck) (in French) La Damnation de Faust Berliozt (m French, and Nature Immense Ansseau -Fernand J aurais Sur ma poitrine-Desolation de Werther (" WERTHER Massenet) (in French) (" Werther "-Massenet) and 0 Nature. pleine de grdce-Invocation (in French)-Fernand Ansseau Me grimer (" P..ILLASSE Leoncavallo) (in French) (" Town Puccini) (in French)-Fernand Aniseau and Le ciel luisait d'etoiles Nature Immense (" La Damnation de Faust "-Berlioz) (in French, J'ai Eurydice (" Orphee "-Gluck). (in perdu French)-Fernand and m,n Ansseel: las /Ions de Is foi (Air de Jean) (" HbRODtACE "-Massenet) Ne pouvant reprimer (in French) (Air de la Meule) (".Samson and Vois ma misere, helps of Dalila "-Saint-S Ansseau aens) (in French with chorus and arch }-Fernand 0 Nature, pleine de gräce-Invocation (" WERTHER "-Massenet) (in French) de Werther (" Werther "-Aassenet) and J'a urais sur ma poitrine-Desolation (in French)-Fernand Ansseau Panis Angelicus (Marie Cornelis) (in Latin with harp, violin, and piano) (Marie Cornelis) (Chant Palriotique) (Dedie ä S.M. and Au Drapeau Albert Rai des Balges) (in French)-Fernand ,4nsseau Vois ma misere, helas (Air de la Maule) (" SAMSON ET DALILA'-Saint-Satins) (in French with chorus and arch.) and Ne po avan! reprimer les elons de la foi (Air de Jean) ("Hcrodiade' (in French)-Fernand Ansseau -Massenet) Fleur

BAKLANOFF, GEORGE, Baritone

(Bah-klahn-ov)

This artist was born at Kieff in 1883. Even in childhood he gave indications of a great talent for music ; but his parents wished him to take up the legal profession, and his he University the Petrograd, therefore on conclusion of school career entered the of which he left with distinction in 1905. Unable, however, to suppress his bent for music, University he lessons from ProfessorPrianischnikoff took singing the renowned whilst at the of Petrograd, and afterwards completed his musical education in Milan. In 1907 he made his debut with huge success in the operas, " The Demon,"" Carmen and " Faust," in the Moscow Imperial Opera House; and immediately thereafter accepted a proposal for an extended tour abroad. Baklinoff has also appeared with great success in America.Baklinoff is now undoubtedly one of the greatest baritones in the world, and there is no notable operatic stage in Europe where he has not appeared with success. It is interesting to know that M. Baklinoff is a keen athlete, and has more than once gained laurels as a tennis player.

THE BAKLÄNOFF RECORDS Number Size Label DA464 10 Red

Alan ! there n

(" EGGEN ONEGIN "-Tchaikovskv) is no doubt Deli I vieni ally finestra C. Don Giovanni

For

Prices

of Records

see page

(in Russian) Mozart) (in /talian) Baklänoff -George

THE BAKLANOFF Number DA464

RECORDS-Continued

Size Label 10 Red

Deh!

alle finestra

vieni

and Alas I DA465 10 Red

Do not weep, child I and

DB584

12 Red

DB584

12 Red

DA465

10 Red

DA467

10 Red

(" DON GIOVANNI "-Mozart)

(in Italian)

there is no doubt (" Eugen Onegin

Tchaikovsly",y) (in Russian) -aearge Baklänoff (in Russian)

(" DEMON"-Rubinstein) am he whom

you called

Era Ia notte (" OTELLO"-Verdi) and Eri tu the macchiavi

('Demon

"-Rubinstein) -George

(in Italian)

(in Russian) Baklänoff

(" Ballo in Maschera '-Verdi) (in quell'anima Italian) -George Baklänoff Eri tu the macchievi quell'anima (" BALLO IN MASCHERA "-Verdi) (in Italian) (in Italian)-George Baklänoff and Era la noHe (" Otello "-Verdi) I am he whom you called (" DEMON "-Rubinstein) (in Russian) (in Russian) (" Demon "-Rubinstein) and Do not weep, child Balkldna!f -George (" LAICHE °-Delibes) (in French) Lakme, ton doux regard se voile

and Voici des roses ("Damnation

de Faust "-Berlioz) (in French) -George Baklänoff

DA466 10 Red

Veau d'or, Le (" Fausi "-Gounod)

DA467

10 Red

(" DAMNATION DE FAUST "-Berlioz) Voici des roses (' and Lakme, ton doux regard se voile

-George (in French) Lakme "-Delibes)

DA466

10 Red

Vous qui bastes I'endormie

(in French)

and

Vows qui faites

(in French) l'endormie

(" Faust

(" FAUST "--Gounod)

rind Le veau d'or

(" Faust "-Gotmod)

"-Gounod)

-George

(in French) Baklänoff (in French) Baklänoff

(in French)-George

Baklänoff

BARTOLOMASI, SopranoBARTOLOMASI AND Number Size Label DB556 12 Red DBSS6

12 Red

DB477 12 Red

Dormivi?

Sognavo!

DE' MURO

(" ISABEAU Mascagni) I tdoi occhi

I tuoi occhi

(" ISABEAU

and Dormivi?

(" Isabeau

Mascagni)

(in Italian)

"-Mascagni)

(in Italian)

Sognavo !

(" Isabeau "-Mascagri) (in Italian) -Bartolomasi and de' Mura

BARTOLOMASI AND DRAGON! Rivedrai le foreste imbalsamate (" AIDA"-Verdi) and Credo in on Dio crudel

(" Ote/to

(in Italian) Bartolomasi and de' Mara

(Verdi)

(in Italian) (in Italian)--

illatteo

Dragoni

BATFISTINI, MATTIA, Baritone Battistini, one of the most perfect singers ever before the public, was born in the his debut at the Teatro Argentino in Rome. year 1857 in Italy, and at twenty-one made His success was instantaneous, and he was speedily engaged for the principal operatic Spain, Portugal and South America. stages of Italy, He paid his first visit to England in 1884, and has visited Covent Garden many times he achieved since. His own countrymen were so enamoured at the remarkable results His singing has always been looked that they gave him the proud title" La Gloria d'Italia." upon as a model of artistic style. Battistini has created many important roles, and appeared all over Europe with signal success as Rigoletto, Don Giovanni, Valentino and Eugene Onegin. Battistini's wide repertory includes the part of Werther, originally written for a tenor, but especially rewritten for his baritone voice by his friend Massenet. He also sings in such seldom heard operas as " La Favorita," " Don Sebastian " and " Marta." On his first post-war appearances in London, the veteran baritone was the recipient of an enthusiastic welcome from public and press alike. Battistini is possessed of a most cultured voice of marvellous capacity, which he uses with exquisite art. " His Master's Voice " records by this famous artist are truly magnificent specimens of the great Italian's powers in their maturity, their fidelity in tone and volume to the living voice of the artist being nothing short of remarkable. All Speeds are 78 unters otherwise

indicated.

THE BATTISTINI Number

Size

DB197

12 Red

DB150

12 Red

DB149

12 Red

DB195

12 Red

DB198

12 Red

DB196

12 Red

DB204

12 Red

DB206

12 Red

DB213

12 Red

DB210

12 Red

DB195

12 Red

DB147

12 Red

DB202

12 Red

DBI90

12 Red

DB201

12 Red

DA189

10 Red

DB211

12 Red

DB212 !2 Red DB192 12 Red DB213

RECORDS

Label

12 Red

DB199 12 Red

A' edel rivali cedere (" Rue BLAS "-Marchetti) (in Italian) (in Italian)-1?atria Battistini and Oh de' nerd' anni miei (" Emani "-Verdi) Ah non avea piü Iagrime (' MARIA DI RUDENZ "-Donizetti) (in Italian with piano) (" Re di Lahore "-Massenet) (in Italian)-Mallia Battistini and 0 casto liar Ah I non mi ridestar! (" WERTHER "-Massenet) (in Italian) l fuggitiva (" Erodiade "-Massenet) isione (in Italian and with piano) Batfistini -Mattiq Ah! C' PURITANI "-Bellini) (in Italian) per sempre in ti perdei ("P uritani "-Bellini) (in Italian) and Bel sogno beato di pace Mattia Battistini Alla vita the t'arride (" BALLO IN M.ASCHERA"-Verdi) (in Italian) Vieni di (' Ernani "-Verdi) (in Italian and meta, sot rose with orch. and chorus) -Battistini and Corsi Aller the tu coil' estro (" TANNHXUSER "-Wagner) (in Italian) (81) (" Faust "-Gounod) (in Italian)-Mattia Battistini and O canto medaglia Ambo

(in ltalian) nati in questa valle (" LINDA DI CHAMOUNIX "-Donizetti) fonciulla (" Rigotetto "-Verdi) (in Italian) and O mia Gilda! a me rispondi -Battistini and Moscisca Arnica, l'ora attesa a questa (" Quo VADIS "-Nougues) (in Italian) (Rotoli) (in Italian with piano) and Mia sposo said to min bandiera Batristin' -Mattia Amour, (Mon bras pressait (in French; to taille freie) (Tosti) amour ! --Melodie (Tosti) (in Italian with piano)-Mattia Battistini with piano) and Ideate C ArcICANA Meverbeer) Averia tanto amata (in Italian) Quando (" Africana "-Meyerbeer) (in Italian) and amor m accende Battistini -Mattia Bei sogno beato di pace (" PCRITANI "-Bellini) (in Italian) (" Puritani "-Bellini) (in Italian) and Ah l per sempre in ti perdei Battistini -Mattia Bella e di sol ve-stita (" MARIA DI ROHAN "-Donizetti) (in Italian) (81) (" Maria di Rohen "-Donizetti) (in Italian) and Voce fatal di mane Battistini -.Mattia Come il romito fior (" AMLETO "-Thomas) (in Italian) (" Amleto "-Thomas) (in Italian with and 0 viii, discaccia la tristezza arch. Battistini and chorus)-Mattia Culto-Romanza (Denza) (in Italian with piano) (Qeoranta) (in French with piano)-Mattia Battistini apd O ma charmante Di Provenza it mar, it suol chi dal car ti cancell6? C TRAVIATA "-Verdi) (in Italian) (" Traviata "-Verdi) (inflation) and Pura siccome an angelo -Battistini and Moacis--a Egli b salvo (" FORZA DEL DEs-rtNo "-Verdi) (in Italian) (" Rigoletto "-Verdi) (in Italian) and Si vendetta, lremenda vendetta Battistini and Hayes (in Italian Epitalamio (" NERONE Rubinstein) with piano)

(in Italian)-Mattia Battistini and O feben pur esse (" Quo Vadis "-Nougues) (in Italian) Era la notte (" OTELLO -Verdi) (Te Deum Scene) (Act Tre 1) (" Tasca "-Puccini) cannzza and sbirri une (in Italian with char as and arch.)-Mattia Battistini (Rotoli) (in Italian) Gondola nera, La-Ballata Ideale

and (Tosti)

DA127

10 Red

DB206

12 Red

DB192 12 Red 1011315012 Red

(Tosti) phi with piano)

(in Italian

with piano)

-Mattia

Battistini

(IYlon bras pressait to faille freie) (Tosti) (in and Amour, amour!-Melodie French with piano)-Mattia Battistini "-Wagner) (in Italian) Lotta, dei Bardi, La (" TANNHAUSER and

12 Red

Non mama (in Italian

Pield,

rispello, str

come

amore

(" Macbeth

"-Verdi)

in antador "-Massenet innhdoser

'-W

(in Italian with piano) - Mattia Battistini

and Oh tu, bell' ao agner) -Maltin (F. M. Ahiarez) (in Spanish) Mantilla. La (Carissimi) (in Italian with piano)-Mattia and Vittoria, victoria! (Rotoli) (in Italian with piano) Mia sposä sarä Ia mia handiera fora atfesa a questa C' Qso Vadis "-Nougues) and .4 mica, -Mattia Mon bras pressait-Melodie-See "AMOUR, AMOUR

Non m ama pia (Tosti) (in Italian with piano) (Rotoli) (in Italian)-Mattia and La gondola nera-Ballata (in Italian) 0 casto liar (" RE Of LAHORE"-Massenet) Ah lagrime (" Maria di Ruflenz "-Donizetti) and

non avea piü

with piano)-Mattia

For Prices

of Records

see page 2.

(in Italian) Battistini Battistini (in Italian) Battistini

Battistini (in Italian Battistini

THE BATTISTINI Number Size Label OR211 --

12 Red - ----

013190

12 Red

DB196

12 Red

DB202

12 Red

DB208

12 Red

DB197

12 Red

DBI94

12 Red

DB148

12 Red

DB199

12 Red

DB210

12 Red

DB189

12 Red

DB208

12 Red

DB189

12 Red

DB212

12 Red

D8148

12 Red

DB149

12 Red

DA127

10 Red

DB147

12 Red

RECORDS-C-tin O febea - -----

our -- essa ---

el VADIS (Quo Fpitalamio

Nougues) (in ]faliän) (" Arttone "-Rubinstein)

(in Italian with piano) Battisrini-Mattia ((',Vuaranta) (in French with piano) (80) charmante (Denza) (in Italian with piano)--Mattia Battistini Culto-Romanza and (" FAUST "Gounod) (in Italian) 0 santa medaglia (" Tannhäuser W(in Italian) -Wagner) and Altar the to call' cstro Monies Battistini (" AMLETO "-Thomas) (in Italian O vin', discaccia la tristezza with orth, end Come if romito fior (" Amleto "-Thomas) (in Italian) (81) chorus) -and Battistini ---Mattia (Denza) (in Italian with piano) Occhi di fats (Tosti) (in Italian Battistini and La Serenata with piano}-Mattia Oh de' (" ERNANI "-Verdi) (in Italian) werd' anni mief A (" Ray Blas Marchetti) (in Italian) and miei rioali cedere Battistini -Mattia Oh, tu, bell' astro incantador (" TANNHÄUSER "-ýC'agner) (in Italian) and Ma come dopo il nembo (" Werther "-Massenet) inertia Battistini Per me giunto e il di supreme (" DON CARLOS "-Verdi) (in Italian) Vice, Leonora, (" Favorite "-Donizetti) (in Italian) tuoi and a piedi Battistini -Mattia (in I!alian Pieta, rispetto, (" MACRETH "-Verdi) piano) amore with (" Tannhäuser "-Wagner) (in Italian) and La Lotta dei Bardi Battistini -Mattia (in Potion) Quando amor m'accende (" AFRICANS "-Meyerbeer) Aoerla (" Africana "-Meyerbeer) (in llatian) tanto and amata Battistini -Mattia "-Rossini) Resin immobile la (" GucLIELMO TELL Italian) terra ever .(in Berlioz) di Faust (inflation) and Su quaste rose (" Dannazione Battistini -Mattia (Tasti) Serenata, La (in Italian with piano) Occhi di fates (Denen) in Italian Battistini with piano) and -Mattia Su quaste rose (" DANNAZIONE DI FAUST "-Berlioz) (in Italian) (" Guglielmo Tell "-Rossini) (in Italian) and Resin immobile e oar to terra -filet(i s Bnttistini (" ToscA "-Puccini) Tre sbirra (Te Deum Scene) (Act 1) (in una carrozza Italian (76) with chorus and Orch.) and Fra la none (" Otello "-Verdi) (in Italian)-Mattia Battistini (" FAVORITA "-Donizetti) (in Italian) Vien, Leonora, a piedi tuoi (" Don Carlos "-Verdi) (in Italian) and Per me gianto e il di supreme Battistini -Mattia Visione fuggitiva (" ERODIADE "-Massenet) (in Italian piano) with (' Werther "-Massenet) (in Italian) and Ah! non mi ridestaT Battistini -Matti. Vittoria, Vittoria! (Carissimi) (in Italian with piano) (F. M. Alvarez) (in Spanish)-Mattia Battistini and L. Mantilla Voce fatal di morse (" MARIA of ROHAN Donizetti) (in Italian) and

Oma

(in Italian) and Bella e di sot vestita (" Maria di Roh an "-Donizetti) Battistini -Matti. AND EMILIA CORSI

BATTISTINI DB198

12 Red

Vieni

meco,

BATTISTINI DB216

12 Red

10 Red

AND

Si vendetta,

AND tremenda

and Egli i salvo!

BATTISTINI DB203 12 Red DB203 12 Red

(in Italian in Mastbare

with arch. "-Verdi) -Mattia

1. DE

WITT Ebbrezza delirio l (" GtocosDA "-Ponchielli) (" Ernani "-Verdi) and O l sommo Carlo BATTISTINI

DA189

(" ERNANI "-Verdi) so! di jr.(" Ballo and Alto vita chel'arride

LULU

(in Italian) (in Italian -Battistini-De

HAYES

vendetta

(" Ricotzrro

"-Verdi)

(" Forza del Dc tino "-Verdi)

and choT"s (in Italian) Battisti,i

with arch. and chorus) Witt-Taccani

(in Italian)

(in Italian) -Maffia

Battistini

AND MOSCISCA

Decidi il mio destin Co PACLIACCI "-Leoncavallo) and E ellor perchi di' tu m'hai stregato?

(in Italian) (" Pagliacei "-Leaneaeallo) (in Italian)-Battistini and Moscisca E alloy perche di' tu m hei atregato? C" PAGLIACCI "-Leoncavallo) (in Italian) Decidi destin and

il mio

(" Pagliacci

"-Leoncavallo) -Battistini

All Speeds are 78 unless otherwise

indicated.

(in Italian.)

andMosrisca

THE BATTISTINI

RECORDS-Continued BATTISTINI

DB204

12 Red

DB201

12 Red

AND MOSCISCA

(" RIGOLEITO Verdi) (in Italian) Oh mia Gilda! fanciulla a me rispondi! Linda di Chamoanix" Donizelli ann Ambo nati in questa Salle (" (in Italian)-Ma!tia Battistini (" TRAVIATA "-Verdi) (in Italian) Pura siccome un angelo Di Prouenza (" Traviata "-Verdi) it mar, it suol chi dal car ti cancelld? and (in Italian) Battistini -Mattia TRIO

BATTISTINI,

O ! sommo Carlo

DB216 12 Red

WITT

AND

(" ERN.ANI"-Verdi) a d Ebbrezza

delirio I

TACCANI

(in Italian with chorus and arch.) (in Italian) (" Gioconda

Ponchielli)

-Battistini

BONINSEGNA, CELESTINA, Soprano

and

De Witt

(Bon-neen-sayn'-yah)

Boninsegna, for so long one of the leading prime donne of La Scala, Milan, was born At the age of fifteen she appeared as Norma in " Don in 1877 at Reggio d'Emilia. Pasquale," and was so successful that she persuaded her parents to send her to Pesaro Conservatoire.After Mascagni became five years' training there she made her debut in" Lohengrin." interested in her, and chose her to create the part of Rosaura in his opera " Le Maschere," in Rome in 1901. She has also appeared with success in North and South America, Spain and Portugal, and created a favourable impression in London as Amelia in " Un Ballo in Maschera," in 1905, where she afterwards appeared successfully on many first rank, one of the occasions. She is rightly regarded as a dramatic soprano of the finest Italy has produced in our time.

BONINSEGNA RECORDS BONINSEGNA AND BOLIS DB492

12 Red

Mami,

DB492

12 Red

Vicino

(" BALLO IN MASCt1ERA "-Verdi) m'ami (" Andrea and Vicino a to s'acqueta

(in Italian) Chenier "-Giordano) (in Italian) Boninsegna and Bolis (in Italian) (" ANDRE1 CHENIER "-Giordano) a to s'aqueta Mami, (" Balla Naschern Verdi) (in Italian) in m'ami and -Boninsegna and Bolis

BORI, LUCREZIA, Soprano

(Boh'-ree)

The engagement by "His Master's Voice" of Lucrezia Bori, the beautiful and brilliant young Spanish soprano, is only another evidence of the Company's policy of for its customers. securing the best artists in the world Madame Bori's real name is, in Spanish, Lucrezia Borja, but she prefers to be known Valencia, Spain, although she has some Italian blood as Bori. The singer is a native of in her veins. She received her musical education at Milan and made her debut there in 1914 as Micaela. During that Italian season she sang many roles, including Manon, Marguerite, Gilda and Butterfly. A season in South America followed, and after the soprano had returned her engagement for the to Europe she made an appearance in Paris, resulting in Metropolitan Opera, New York. THE

BORI

RECORDS

Number Size Label DA130

10 Red

DA131 10 Red Dä133

10 Red

Addio

del

passato

bei

sogni

ridenti

(" TRAVIATA "-Verdi)

Danza.

La-Tarantella

and Napolitana

(Rossini)

(in Italian)

and Villanella 1)

(in Italian)

(in Italian) and Vedrai, carino, se sei Buonino (" Don Giovanni "-Afozart) Bori - -Lucrezia Clavelitos (Valverde) (in Spanish With mandoline and orch.) lblolaguena (Pagans) (in Spanish)-Lucrezia Bori

For Prices

of Records

see page 2.

(Sibella)

(in Ita.'ian)-Lucrezia

Bari

HIS

MASTER'S

VOICE

RED

LABEL

RECORDS

THE BORI RECORDS-Continued

Number Size Label DB153

12 Red

Deh ! vieni, non tardar

(" NozzE DI FIGARO "-Mozart)

and Elle a fai

DB152

12 Red

DB1S3

12 Red

DA478

10 Red

DA132

10 Red

DA132

10 Red

DA129

10 Red

DA129

10 Red

DA131

10 Red

DB603

12 Red

DB603

12 Red

DB463

12 Red

DB152

12 Red

DA13C

10 Red

DA133

10 Red

DK102 12 Buff

(in Italian)

(' Conies d'HoJfmann "-Offenbach)

(in French)-

Bori -Lucrezia Di al tempio, Un ('" IRIS "-Mascagni) (in Italian) Si Mimi C ' Boheme "-Puccini) (in Italian)-Lucrezia Bori and mi chiamano Elle a fui (" CONIES D'HOFFMANN "-Offenbach) (in French) C' Nozze di Figaro "-Mozart) (in Italian) and Deh I vieni, non larder Bori -Lucrezia Valverde) Habanera (" NtN'A PANCHA "-Romea (in Spanish) y Segurola (Chopi) (in Spanish)-Bori and EI punao de rosas-Romanza and De (in Italian) In pure stille, gaie scintille (" IRIS "-Mascagni) (in Italian) (" Cosi Fan Tulle "-Mozart) and In uomini: in soldati Bori -L ncrezia (" Cosi FAN TITTE "-Mozart) (in Italian) In uomini, in soldati In pure stifle, gaie scintille (" Iris "-Mascaqni) (in Italian)-Lucrezia Bori and le (" SNVEGOUROlCHKA "-Rimsky-Korsakof) (in connais, je connais, ma mere French) Je veux vivre daps cc rzue (" Romeo et Juliette "-Gounod) ated r (in Frenchl Lucrezia Bori Je veuz vivre dens cc rive (" RoMEo ET JULIETTE "-Gounod) (in French) C' Sng egoirotchka "-Rimsky-Korsakof) and Je connais, je connais, ma mire (in French)-Lucrezia Bori Malaguena (Pagans) (in Spanish) (Valverde) (in Spanish ad Clavelitos with mandoline and orch.)Bari -L uaezia 0 eioia Is nube leeviera ("SEGRETO Of SUSANNA "-Wolf-Ferrari) (in Italian) Pagliacci Oh I d'augelli (Ballateila) C' "-Leanne (in Italian) ann the cola alto) Bari - Lucrezia (Ba.'latella) (" PAGLIACCs "-Leoncavallo) (in Italian) Oh! the volo d'augelli O gioia, la leggiera (" Segels di Susanna "-Wal/-Ferrari) (in Italian) and nahe Bari -Lucrezia Paloma, La (tradier) (in Spanish) Po,quc de (" Revollosa "--Chaps) (in Spanish)and mis ojos and De Segarola -Bori Si, mi chiamano Mimi (" BOHEME "-Puccini) (in Italian) (" Iris "-Mascagni) (in Italian)-Lucrezia Bori and Un di al lempio Vedrai, carino, an sei Buonino (" DON GIOVANNI "-Mozart) (in Italian) Addio del hci (" Traviata "-Verdi) (in Italian) passato and sogni ridenti Bon -Lucrezia Vijlanella (Si6ella) (in Italian) La-Tarantella Napolitana (Rossini) (in Italian) anad Danza, Bori -Lucrecia

BORI AND DE LUCA "-Donizetti) Pronta in son ("Do-,. PASQUALE

(in Italian)

(° Von Pasquale "-llonizetti) (in Italian)-Bori gnd Voila, corro Donizetti) (in Italian) Vado, corro (" DON PACQUALE (" Don Pasquale "-Donizetti) (in Italian)-Bori Pronto io son and

and De Luca andDe

Luca

BORI AND DE SEGUROLA DA478

10 Red

Punao

de roses.

DB463

12 Red

Porque

EI-Romania d Haban`era nn

de mis ojos

(Chapi) (in Spanish) (" Nina Pancha "-Romea

(° REVOLTOSA "-Chapi)

and La Paioma

y Valverde)

(Yradier)

(in Spanish) Bori ucrezia I

-L

(in Spanish)

(in Spanish)-Lucre¢ia

Bori

BQRI AND GIGLI DA381

10 Red

DA379 10 Red

Ah!

his

BY BORI.

JACOBY.

McCORMACK

(" RIOOLETIO "--Verdi) Bella figlia dell' amore nnj Parigi, a cara, not lasceremo

AND

Speeds

are

78 unless

otherwise

(in Italian) Co Traviata "-Verdi)

indicated.

(in Italian) A1cCaemonk (in Italian) h

WERRENRATH

-Bori All

and De Luca

-Galli-Curci (in Italian)

(' Lakme Vclibe3) and Vieni at contentc pmlondo -John (" TRAVIATA Verdi) (in Italian) o cara, not lasceremo (" Rigoletto Verdi) and Bella Jiglia dell'amore -Mc Cormuci;-.Bori-Jacob-lf'errenrat

QUARTET !2 P. Gn.

(" ROMEO ET JULIETTE Gounod) (in French) (" Rigoletto "-Verdi) (in Italian) Piangi fanci alle

BORI AND McCORMACK O soave fanciulla (': BOHEME"-Puccini) Parigi,

DMI04

pas encore and Piani!

Ga Italian) and McCarmack 11

HIS

MASTER'S

VOICE

Dr BRASLAU, SOPHIE, Contralto

RED

LABEL

RECORDS

(Brass'-low)

This youthful singer was born in New York, and is the only child of Dr. Abel Braslau, a distinguished Russian physician. The range of Miss Braslau's programmes is remarkable. She sings the Lieder of Beethoven, Schubert, Brahms, etc. ; the beautiful old songs of France, and the lovely old airs of Italy ; in her modern repertory is the best vocal work of French, American and English composers. In opera she has studied every school, and is quite as much at home in Wagner as in the widely differing style of Bizet.

Namber Size Label DA141

10 Red

DA140 DAI42

10 Red 10 Red

DB164

12 Red

DA134

10. Red

DA139 DB16S

10 Red 12 Red

DA140 DB165

10 Red 12 Red

DA141

10 Red

DA139 DA14Z

10 Red 10 Red

DA 134 10 Red DB164

12 Red

Amour

(" CARMEN "-Bizet) est un oiseau rebelle, L' (" L.ucrezia Burgia and 11 segreto per esser jelici

(in Italian) Breslau -Sophie Baby Mine (Johnston) (Hoerter)-Sophie Braslau and Pirate Dreams : Lullaby Birdsin (Sullivan) the night (with piano)-Sophie Braslau and Thy beaming eyes (MacDuwdl) Eili, eili, lama sabadsthani ? (Schalit) (in Hebrew) (in Memoriam) (R. Silberta) (in Hebrew with 'cello and Yahrzeit obbl.) Breslau -Sophie I'm a-longin' fö you (Rath (Sibella) (in Italian) Sophie Braslau and} Villandla Last night (Kjerulf) (Stults)-Sophie Breslau and The sweetest story ever told Oh ! dry those tears (Teresa del Riego) (Wilson)-Sophie Breslau and Some dear old place Pirate dreams-Lullaby (Huerter) (Johnston)--Sophie Breslau and Baby mine (Wilson) Same dear old place (Teresa del Riego)-Sophie Braslan And Oh I dry those tears felici, 11 (" LUCREZIA BORGIA "-Donizetti) (in Italian) Segreto per esser (" Carmen "-Bizet) (in French) and L'amour at anoiseau rebelle Breslau -Sophie (Stults) (KierulO-Sophie Sweetest story ever told, The Bras/au and Last night (MacDowell) (with piano) Thy beaming eyes

Villanelle Yohrzeit

And Birds in the night (in Italian)and

(Sibella)

(Sullioan)-Sophie

Breslau

I'm a-longirs /d you (Hatherway)-Sophie (in Memoriam) (R. Silberta) (in Hebrew with 'cello obbl.) (Sch alit) (in Hebrew)-Sophie and Eili, ei!i, lama sabachthani?

BRASLAU

DB596 12 Red

(in French) "-Drnizetti)

Tutti i fior'

AND

Braslau

ALDA

(" MADAMABUTTERFLY "-Puccini) and

Braslan

Un bel di uedremo

(

Madams

(in Italian) Butterfly

"-Puccini)

(in Italian) Aida

-Frances

BUTT, DAME CLARA, Contralto Dame Clara Butt was born at Southwick. Sussex. Brought up amidst congenially musical surroundings, she reached the age of fourteen before her great vocal it powers were even guessed at ; was a visitor's chance remark that caused her parents to decide upon a musical career for their talented daughter. Her training took place at the Royal College of Music, and she made her debut at Hall in 1892. She subsequently in numerous Musical the Royal Albert appeared her commanding Festivals in various parts of England, presence and the extraordinary impression in all the places beauty In of her voice making a memorable visited. by a renewed 1895 her public career was interrupted course of study in Paris under Bonhy Mme. Etelka Gerster. She her M. returned with all and powers, vocal and artistic. In 1900 fully developed, to take at once her unique place among great English singers. Mr. Kennerley Rumford, has been in she married and associated with her husband joint Concert Tours through England land. innumerable and every English-speaking C'vent Garden. a Made her debut in Opera, June 27th, 1920, in " Orfeo and Eurydice," 12

For Prices

of Records

see page 2.

THE BUTT RECORDS (These are all single-sided)

(ý

Number Size Label 03179 03155

12 D. 12 D.

Blue Blue

2-053210 02240

12 D. Blue 12 D. Red

03399 03176 03178 03510 03156 03425 03154 2-053088 2-053209 03368 03220 03299 03224 03305 03368

12 12 12 12 12 12 12 12 12 12 12 12 12 12 12

D. D. D. D. D. D. D. D. D. D. D. D. D. D. D.

Blue Blue Blue Blue Blue Blue Blue Blue Blue Blue Blue Blue Blue Blue Blue

(Key C) Liddle Abide with me (accompanied by the Cnmposee) Believe me, if all those endearing young charms (Key E flat) Landon Ronald Caro mio ben (in Italian) Giordani God save the King (accompanied by Band of H.M. Coldstream Guards, conducted by Lieut.-Col. J. Mackenzie Rogan, C.V.O., Mus. Doc.) (80) God shall wipe away all tears-The Light of the World Sullivan He shall feed His flock---Messiah (Key F) Handel Crouch Kathleen Mavournem (Key C) Elgar Land of Hope and Glory (orchestra conducted by Mr. Arthur Godfrey) Chaminade Little silver ring. The (Key D flat) Gounod 0 Divine Redeemer Handel Ombra mai fu (Largo)-Serse (Key E flat) Handel Rendi'l sereno at ciglio-Aria-Sosarme (in Italian) Segreto per esser felici, II (Brindisi)-Lucrezia Borgia (in Italian) , Donizetti White Tears that night, The : (h) A Youth once loved a maiden Goring Thomas Time's garden (with 'cello obbligato played by Mr. W. H. Squire) Where Elgar lie-Sea Pictures corals Will he Sullivan come? Women (accompanied by Mr. Harold Craxton) Loughborough Inver of Youth White Tears that once loved a maiden, A : (a) The night (It is important The that these records should be played in the keys indicated. approximate speed is 81)

BUTT, CLARA. AND KENNERLEY 04060 04045

12 D. Blue 12 D. Blue

Keys of Heaven, The Snowdrops (Key E) (It is important

CALVE, EMMA, Soprano

RUMFORD

(81) that

these records should

be played

L. Broadwood Lehmann in the keys indicated)

(Kahl-vav )

Calve, the inimitable impersonator of " Carmen," was born in Madrid. She was trained under Marchesi and Puget, and first appeared in public at Nice, receiving a She made her debut in grand opera as Marguerite cordial welcome to the operatic stage. in 1882 at Brussels. Mme. Calve then began a series of important engagements on the Continent, being notably successful in France and Italy, and London had the privilege has toured America and other countries, of first hearing her in 1892. Since then she Her reappearance in London in 1918, on the concert adding to her already big reputation. Calve has had the honour of creating platform, was one of the sensations of the season. Carmen," above all, that her name will be inseparably many important roles, but it is with " her realism belong only to the great artist, associated. The seemingly reckless audacity of She has made many excellent reinforced by a wonderfully rich and perfectly trained voice. His Master's Voice" records.

THE CALVE RECORDS Number DB160

Size Label 12 Red

Amour Sud Au

DB161 12 Red DB161

12 Red

(" CARMEN Bizet) (in French) Rusticana "-Mascapni) (in Italian) Calve -Emma TROts CHANSONS POUR LES TOUT PFrrrS

oseau rebelle, L' est un Voi lo sapete, o mamma de In lune-See

(Habanera) (" Cacalleria

clair Chantez. riet et dormez Serenade (Gounod) (in French with flute and piano) Mpsof) (" Perle du Bresil "-David) 4IId Charmant Oinau (Couplets du (in French urith orch. and flute)-Emma Calvd (" PERLE DU BR¬SIL "-David) Oiseau (Couplets du Mysoli) (in French Chantez, (80) dormez ; Sdrdnade (Gounod) with Orch. and flute) _td (in French riet et Calve with flute and piano)-Emma

Charmant

All Speeds

are 78 unless

otherwise

indicated.

MASTER'S

HIS

VOICE

RED

LABEL

RECORDS

THE CALVE RECORDS--Continued Number Size Label DBI62

12 Red

DB162

12 Red

DB163

12 Red

DB638

12 Red

DB163

12 Pct

DB160

Red

11 est doux

(" HiRODIADE "-Massenet) (Rouget and La Marseillaise

with chorus and arch.) Calve -Emma " TROTS CHANSONSPouR 1.ERTOUT PETITS " (Rouget del Isle) (in French with chorus and orch.) C" Heradiade "-Massenet) (in French)-Emma Calve and II est doux Old Folks at Home (Swanee River) (Foster) (with chorus) Trois les (a) Frere tout Jacques (6) Au de la lane and chansons pour petits : clair (c) Une Poule (in French with piano by Roninaldo Sapio)-Emma Calce ace. Tringles des sistres tintaient, Les ("CARMEN "-Bizet) (in French) (80) ("Carmen "-Bizet) (in French) and La-bas dam la montagne Calve and Dal mores Trois chansons pour les tout petits : (a) Frere Jacques (h) Au clair de la lune (c) Une Poule (in French Sapio) with piano act. by Roninaldo Old Folks Freie Jacques-See Marseillaise, La

line Voi

and poule-See to Sapete,

(Swanee River) (Foster) (wit!. at Home " TROts CHANSONS POUR LES TOLT PETITS " (" CAVALLERIA RUSTICANA "-Mascagni) o mamma

And L'amour

DB638

12 Red

(in French) de l'Isle) (in French

Lä-bas

est on oiseau

rebelle

(Haban'era)

dans In montagne (" CARMEN "-Bizet) and Les tringles des sistres tintaient

Calve

chorus)-Emma (in

Italian)

(" Carmen "-Bizet) French)-Emma

(in French) C Carmen

--Bizet)

(in Caine

(in French) Calve

-Emma

CARUSO, ENRICO (the late), Tenor (Kah-roo'-zoh) Born 1873, died 2nd August, 1921. The news of Caruso's death at Naples on August 2nd, 1921, created a profound sensation throughout the world of music, for it was confidently expected that he was definitely recovering from the illness that had caused so much anxiety some months previously. He had indeed become so much better in health that, as late as three months before the commencement of his fatal illness, he made a magnificent series of new records, some of which have yet to be published. Caruso's fame is perhaps the greatest ever attained by an artist. Born at Naples in 1873, he made his debut there at the age of twenty-one, and aroused such enthusiasm amongst his audience that he quickly became one of the most sought-after of the younger A season at Monte Carlo introduced him to a cosmopolitan audience, and artists. resulted in invitations to sing in Buenos Aires, New York, Paris, Barcelona and other cities. His first appearance at Covent Garden was in 1902, and London quickly recognised him as the finest of living tenors. His reappearance at Covent Garden in 1914, New after an absence of several seasons, brought forth a scene of wonderful enthusiasm. York and South America, too, have been the scene of some of the famous singer's greatest he is have biggest fee " " triumphs, and said to received the of any opera star of his time. In 1918, Caruso married an American lady, Miss Benjamin, of New York.

His voice was equal to the most exacting roles; form to" His Master's Voice," given in imperishable concert music.

his varied repertory, which has been includes a wide field of operatic and

While the famous tenor could sing to but a very few of the music-lovers of the world in person, by means of his Gramophone records his audiences become uncountable. Among all the achievements of science is there anything more wonderful than this? His appearances had been always a continuous ovation, vast audiences being held spellbound by the exquisite refinement, beauty, and power of his voice. The faultless phrasing, the fluent and easy delivery, the passionate intensity, and the dramatic force of his singing, all these qualities combined to raise this king of song to the unique position he occupied. The great triumph of this singer is peculiarly gratifying to The Gramophone Company, Ltd., who, in Milan, made records of his voice as far hack as 1901 and retained his exclusive services until his death. The magnificent list given below is composed of " His Master's Voice " records that display the great volume, beauty, and the very living tone of Caruso. 14

For Prices of Records see page 2.

HIS MASTER'S

THE

CARUSO

RECORDS

VOICE RED

(with Orchestral

LABEL

RECORDS

accompaniment except where otherwise

stated) DB592

12 Red

DA103

10 Red

DR131 12 Red DA104

10 Red

DB118

12 Red

DB120

12 Red

DBI18

12 Red

DB127

12 Red

DA121

10 Red

DA105

10 Red

DB640

12 Red

DA107

10 Red

DB115

12 Red

DB134

12 Red

DB616

12 Red

DA104

10 Red

DB144

12 Red

DB116 12 Red

(To Granada) (F. M. Alvarez) A Granada A la I uz de la l una (Anion) and (Tosti) (in Neapolitan) A Vucchella

Addio

(Tosti)

10 Red

DA117

10 Red

DB142

12 Red

D)100

10 Buff

DB138

12 Red

DB141

12 Red

DA114

10 Red

DA102

10 Red

DB120

12 Red

DA106

10 Red

DA108 0125 DA112

10 Red 12 Red 10 Red

(in Spanish) (in Spanish)--Caruso

and 0 Sole mio (Di Capua) (in Italian) (8I)

and Dc Gogorza

(in Italian)-Enrico

Carusa

(Gas!aldon) (in Italian)-Enrico Caruso and Musica proibita Addio a Napoli (Cottrau) (in Italian) Curtis) (in Canta (De Caruso pima and .Neapolitan)-Enrico Addio ella madre (" CAVALLERIA RUSTICANA "-Mascagni) (in Dalian) Verdi) (in Italian)-Enrico Car Ah! la (":llacbe!h and paterna mano :rso Agnus )ei (Bizet) (in Latin) Solennelle "-Rossini) (in Latin)-Enrico Cwuso Domine Deus C' Messe and Verdi) (in Italian) Ah lie paterna mono (' MACBerH (" Cavalleria Rusticana "-Mascagni) (in Italian) and Adiho alla madre Car -Enrico irs, (in French) Ah! won sort C NERO "-Rubinstein) de ma jeunesse! (Lenski'a Aria) C" Eugeri Onegin "and Echo loin!ain Tchaibovsky) (in French)-Enrico Carus,. (in Italian) Alba separa dally lute 1'ombra, L.' (Tosti) Over There (G. M. Cohan) (Ist verse English, 2nd verse French) and Caruso -Enrico (in Italian) Amor mio (Ricciardi) (Ciociano) (in Neapolitan)-Enrico Caruso pad Cielo turchino (" DUCA D'ALBA Donizetti) (in ltalian) Angelo canto a bet Nap ale (Give) (in Italian)-Enrico Caruso and T'm'arricordo'e (Guy d'Hardelot) (in French) Because d'amour (Sr ale) (in French)--Enrico Caruso and Hantise (" GLt UeoNOrrt "-Meyerheer) (in ltalian) Bianca at par di neve alpina (V. de Crescenzo) (in Italian)-Enrico Caruso and Üocchi celesti Campane Sera (Ave Maria) (Billi-Malfetti) (in Italian) a (in ltalian)-Emico Caruso and Pieta, Signore I (Stradella) Campane di San Giusto, Le (Arona) (in Italian) Gom(z) (" Guarany (in Italian) and Senta una forza indornita -Caruso and Destine Canta (De Curtis) (in Neapolitan) peme (Cottrau) (in Dalian)-Enrico Caruso Napoli andAddio a Verdi) (in ltalian) Celeste Aida, forma diving (" AIDA

(in Italian)-Enrico and Mia piccirella (" Sa!valor Rosa "-Gomez) Chanson de Juin, Op. 102, No. 6 (Godard) (in French) and

DA105

Number Size Label

Valse lente

(" Adorables

Tourments

Caruso-Barth(ilemy)

Caruso

(in French) Caruso

-Enrico (in Neapolitan) Amor (Ricciardi) (in Italian)-Enrico Caruso and mio Come un bet di di maggio ("ANDREA CIILNIER "-Giordano) (in Italian) lior di (La Siciliana) ("Cavalleria Rusticana " and 0 Lola, Bianca come spin (in Italian with harp acc.)--Enrico Caruso -(Iloscagni) (in Italian) (81) Core 'ngrato (Neapolitan Song-Carolli) Folk Song) (in Neapolitan)-Enrico Caruso (Neapolitan and Santa Lucia (in Latin) Crucihxus i " Messse SOLENNELLE "-Rossini) (Brindisi) (" Traviato"-Verdi) (in Italian Libiamo lieti with amid ne' calici charm and orch.)-Caruso and Gluck (in Italian) (80) Cujus animam ("STABAT MATER "-Rossini) (in ltalian)-Enrico Caruso (" Requiem i'Ylaas ) (Verdi) and Ingemisco (Rossini) (in Italian) i8)) Danza, L. : Tarantella Napolitana de Crescenzo) (in Neapolitan) Caruso (Vincenzo and Tarantella sincera -Enrico (" P,.CHEURS DE PrRLrs Bizet) De mon amie Fleur endormie in f rench) Sirenade de Don Juan (Tehaikovsky) (in French)-Enrico Caruso and Di' :u ladele it flutto m'aspetia (" BALLn IN MASCHERA "-Verdi) (in Italian se (31) Quests with chorus arch.) and n quella per me sari sono and (" Rigoletto "--Verdi) (in ltalian)-Enrico Caruso (" MESSE SOLENNELLE Rossini) (in Latin) Domine Deus (Bizet) (in Latin)-Enrico Caruso and Age us Dei Donna (' 1MANON LESCAUT -Puccini) (in Italian with arch. and non vidi mai by Mme. A. Regis-Rossini) Guardann' luna (Crescenzo) harp ace. and a (in Neapolitan)-Enrico Cores. Dream. A (Bartlett) (Geehl)-Enrico Caruso and For you alone Dreams long ago (Caruso) (.Secchi)-Enrico Cams, and Love me or not of lucevan le (" Tosen Puccini) (in Italian) (80) E stelle (" Tosca "-Puccini) (in Italian)-Enrico Carom and Recondite armonia Cielo

turchino

All Speeds

(Ciociano)

are

78 unless

otherwise

indicated.

THE CARUSO RECORDS-Continued

Ca Number

DB127

Size Label 12 Red

DBI17 12 Red

Echo lointain de ma ieunesse! (in French)

10 Red

dell' ende

For you alone

Fosse

DA106 10 Red

(Geehl)

la reglla-See

DA107

10 Red

Hantise

D3132

12 Red

Hosanna

12 Red

DA116 10 Red DB122

12 Red

DB136

12 Red

DB133

12 Red

DA111

10 Red

DBI25 DA120

12 Red 10 Red

DB137

12 Red

DAlf2

10 Red,

d'amour

(in Italian)

(" Africans

incite

(81)

" MA

-Enrico (8I)

Caruso

"-Meyerheer)

in Italian) Caruso -Enrico (Bartlett)-En. ico Caruso

and ,4 Dream

SE M'L FORZA PEROERTI-ROMMANZA-BALLO

Guardann' a Luna (Crescenzo) anti Donna

DB138

(" EUGEN ONEGIN "---Tchaikovsky) ("Nero "-Rulinstein) (in French)

Fior the avevi a me tu dato, 11 (" CARMEN"-Bizet) 0 Paradise, ann

DA108

(Lenski's \ria) and Ah ! mon sor'

IN MASCHERA

(in Neapolitan)

non oidi mai

(" Manon

Lescaut

(in French) (Guy d'Hardelot) and Became (in French)and Les Rameaux (Faure) Ingemisco (" REQUIEM MAss ")-(Verdi) (in Italian) (" Stabat Mater "-Rossini) and Cujas animam

"-Puccini)

(Szulc)

(in Italian)r Co uso -Enrico

(in French)-Erico

Caro;

(in French)-Enrico

Caruso

(in Italian)-Enrico

Caruso

(Granier)

Inno di Garibaldi

(Luigi Mercantini)

(in Italian)

(in ltaffan)i-Enric, Caruso and La min canzone--(TOSti) Ia ho (" BOHEME '-Leoncavallo) (in Italian' (81) non the una povera stanzetta Testa (" Bohimc "-Leoncavallo) (in Italian)--Enrico Caruso and adorata Je (" PECHEURS DE PERLES "-Bizet) (in French) (80) crois entendre encore Vois helas (" Samson Daiila Saint-Satins) (in French and ma misere, eI Caruso with chorus and orch.)-Enrico Lost Chord, The (Jallivan) (81) (" Xerxes "-Handel) (in Italian)-Enrico Canso anti Ombra mai f u-Largo Love is mine (Gartner) (81) (Tchaikovsky) (in French)-Enriro Caruso and Pourquoi? Love me or not (Secchi) (Caruso)-Enricn Caruso and Dreams of long ago Luna d'estate (Tosti) (in Italian)and Nina (Pergolesi) (in Italian)-Enrico Caruso Ma se m'e forza perderti (" BALLO IN MASCHERA "-Verdi) (in Italian) (in Italian) Carasu and Quando Nascesti t u (" Lo Schiavo "-Gomez) -Enrico Magiche note ("REGINA DI SABA "-Goldmark) (in Italian) (82)

DBI19 12 Red

god Serenade espagnole (Ronald) (in French)-Enrico Caruso Mamma mia the vti sape (Cnnzone napoletana) (Nutile) (in Italian) (82) Pochi ? (Pennino) (in Neapolitan)-Enriro Caruso

DA116

10 Red

Mia canzone,

DB144

12 Red

DB128 DB619

12 Red 12 Red

and La (Tosti) (in Italian) Garibaldi (Luigi Mercantini) (in and Inns di (" SALVATOR ROSA "-Gomez) Mia piccirella (in Italian) Celeste Aida, forma divina ATda "-Vcrdi) (" (in and Mia IS bandiera (A., Rotoli) (in Italian) sposa sari mia Le Regiment de Sambre et Meuse (Planquelle) (in and Milagro de la Virgen, EI (Chapi) (in Spanish with piano) La parlida (Cancion Espaüola) (Alvarez) nd

D8131

12 Red

Musica

DA120

Nina

DB111

Red

12 Red

DB139 12 Red

(Pergolesi)

No, pagliaccio

(in Italian)and

(in Italian) acid Addio

(Tosti)

Caruso

French)-Enrico

Caruso

(in Spanish

with piano) Caruso -Enrico

(in Italian)-Enrico

Luna dentate (Tosti) (- PAGLiAcC1 "-Leoncavallo)

non son !

Caruso

Italian)-Evico

Caruso

(in Ilaliar.}-Enrico (iri Italian) (81)

gnd Vesti la giubba Noel-Cantique de Noel

(" Pagliacci "-Leoncavallo) (in Italian)-Enrico (Adolphe Adam) (in French) (77)

and di

Lola, Bianca Mascagni)

For come (in Italian

Sancta

Maria (Faure) (La Sicilian) (82) ace.)

DB117

12 Red

0 Paradiso,

DA103

10 Red

DB123

12 Red

DB133

12 Red

DA121

10 Red

DB639

12 Re"

(in Ifafian) O Sole mio (Di Capua) (Tosti) (in Acapoiilan)-Enrico and 'A Vucchella 0 souverain ! 0 juge ! 0 Pere ! (" Ctu "-Massenet) (in French) (80) do Seigneur In (" Juice "-Halev) grsice tutdlaire and Rac:4el ! quand French)-Enrico (" XERXES "-Handel) (in Italian) Ombra mai fu-Largo (Sullivan)-Enrico and The Lost Chord Over There (G. M. Cohan) Ost verse English, 2nd verse French) (in Italian)-Enrico and L'alba separa dalla l uce I' ombra (Tosti) Partida, La (Canciön Espanola) (Alvarez) (in Spanish with piano) (Chapi) (in Spanish with piano)-Enrico end El milagru de la Virgen

spin harp with

(" Andrea Chimer "-Giordano) (in Italian)-Enrico dall' uncle uscito (" AIRICANA "-Meyerbeer) (in Italian) It fior Iu data (" Carmen "-Bizet) and the avevi a me

For

Prices

of Records

see page

Caruso

(in French)-Enrico Caruso CAVALLERIA RUSTICANA "Come bei di di and on maggio

DA117

Red

(Gastaldon)

proibita

Italian)-Enrico

Caruso (82) (in Italian)

Caruso (in Caruso Caruso Caruso Caruso

HIS TH-

MASTERS

VOICE

RED

RECORDS

LABEL

CARUSO RECORDS-Continued

:,umner

ome

i.a-,

Perche?

DB119 12 Red

(in Neapolitan)

(Pennino) and Mamma

12 Red

Pietä,

DA119

10 Red

Pimpinella

(Florentine

DA111

10 Rod

Pcurquoi?

(Tchaikovsky)

DB145

12 Red

DB137

(2 Red

DA102

10 Red

DB123

12 Red

DB132

12 Red

DA112

10 Red

DB12$

12 Red

Prete-moi ton aide

(Canzone

napoletana)

(Stradelle) (in Italian) (Ave and Campane a Sera .Maria)

DB134

DB145 12 Rcd

Signore!

mia the co saps

Song)

(Nutile) -Enrico

(in Italian) Caruso

(Billi-Malfetti) (i,t ltalin, Caruse -Enrico (Tchaikovsky) (in Italian with piano) (80) Caruso and Vieni nut mar 1 (in Italian)-Enrico (in French)and

Lace is mine (Gartner)-Enrico (" REINE nE SABA"-Gounod) (in French)

RigimentcleSM

sposä la bandiieraq (AeRotoli)Fr(iný Italian)-Enrico sara mia Folk Song) (in Neapolitan) (Neapolitan Santa (Neapolitan Song)-Carolli) (in Italian)-Enrico and Core 'ngrato (in French) Santa Maria (Faure) de.Noel (.Adolphe Adam) (in French)-Enrico and Noel-Cantique (Tchaikovsky) (in French) Sirinade de Don Juan flour endorntie CPicheurs de Perles --Bizet) (in and De mon amie -Enrico (Ronald) (in French) Sirinade espagnole (" Regina di Saha "-Goldmark) (in Italian)-Enrico and Magiche note (Caruso-Btacco) (in Italian) Serenata (Caruso) (in Iialiau)-Enrico and Tiemrso attics a

DB142

12 Red

DB133

12 Red

DA114

10 Red

DA122

10 Red

DB143

12 Red

DB141

12 Red

DB122

!2 Red

DB143

12 Red

DB640

12 Red

DA115

10 Red

DE115

12 Red

DBI16

12 Red

DB111

12 Red

DA119

10 Red

DB136

12 Red

DA115

10 Red

Caruso

(Franck) (in Frei eh)-Enrico Caruso and La Procession La (Franck) (in French) Procession, (" Refine de Saba "-Gounod) (in French) ton aide and Prize-moi Caruso -Enrico (in Italian) Quardo Nascesti to C' Lo SCHIAVO "-Gomez) forze perderti (" Balk in Maschera Verdi) Ma i (in Italian) and se m Caruso -Enrico (" RICOLE170 Verdi) (in Italian) (80) Quests o quelle per me pari Sono fedcle it f/utto m aspetta (" Ballo in Maschera Verdi) (in sad bi' to se Italian with chorus Caruso and arch.)-Enrico (" Jurt'E "-Halivy) Rachel ! quand du Seigneur to grice tutilaire (in French) O juge ! O pile I (" Cid "-Massenet) (in French) and O souverein l Caruso -Enrico Les (FaureY (in French)apd Rameaux, Hosanna (Granier) (in French)-Enrico Caruso (" TOSCA "-Puccini) (in Italian) (81) Recondite armonia (" Tosca Puccini) (in it alias.)-Enrico Caruso and E lncevan lestelle Car uro

Lucia

(Vincenzo de Crescenzo) sincere L. Danza Napo titans : Tarantella and ( BOHEME "-Leencavallo) Testa adotata ho non ho the uns povera stanzetta apd

Tarantella

Caruso Caruso French) Caruso Caruso Caruso

(in Neapolitan) (81) (R Caruso ni) (in Italian)-Enrico (in Italian) (81) (" Behime "-Leoncavallo) (in Italian) Caruso -Enrico

Tiempo antico (Caruso) (in Italian) (Caruso-Bracco) (in Italian)-Enrico Caruso and Serenata T'm'arricordo'e Napule (Gioe) (inflation) Dace d'Alba "-Donizetti) Angela lel (" (in Italian)-Enrico Car, so end costa a Trusting (Gartner) eyes I did know (OHara)--Enriro Caruso Your have told not and eyes me what (in Italian) Uoechi celesti (V. de Crescenzo) (" Gli Ugonotti "-.Meyerbcer) (in Italian) and Bianca al par di neve alpina Cart so -Enrico "-Caruso-Barthilemy) Valse tense (" ADOBABLESToseMEtrrs (in French) (82) de join, Op. 102, No. 6 (Godard) (in French)-Enrico Caress and Chanson "-Leoncavallo) (in Italian) Vesti Isand ("PAGLTACCt (82) giubba No, pagliaccia non (" Pagliacci "-Leanccvallo) (in Italian) son I Carts., -Enrico (in Italian.) Vieni out mar! Pimpinella (Florentine Song) (Tchaikovsky) (in Italian and with piano) Cartsu -Enrico hilas C' SAMSON ET DAr.io,s "-Saint-Satins) (in French Vois ma misere, with (" Picheurs and Je crois entendre encore chorus and orch.) the Perles "Bizet) (in French)-Enrico Caruso (O'Hara) Your eyes have told me whet I did not know

and Trustingiyas

All Saeeds

ara 73 unless

otherwise

indicated.

(Gartner)-Enrico

Caruso L7

THE CARUSO RECORDS-Continued Number Size Label CARUSO AND ELMAN (Violin) DK103

12 Buff

DKI04

12 Buff

DK103

12 Buff

DK104

12 Buff

DK119

12 Buff

Ave Maria

(Kahn)

with violin and piano) and Elman -Caruso Serenades, Les (Leoncavallo) (in French with violin and piano) (Denza) (in French with violin and pian) and Si vows 1'aviez compris : Melodie and Elman -Caruso Elegie Melodie (Massenet) (in French with violin and piano) Ave Maria (Kahn) (in Italian and with violin and piano)-Caruso and Elman Si vows I'aviez compris : \helodie (Denza) (in French with violin and piano) Les Dean Serenades (Leoncavallo) (in French and with violin and piano) -Caruso and Elman CARUSO AND ALDA Deux

Ah ! the la morse agnora chorus and arch.) t82) CARUSO

DM106 12 P. Gn.

AND

12 P. Gn.

Minaccie,

(Miserere)

("TROVATOvE "-Verdi) (in Italian with (" Trovatore "-Verdi) Schumann-think and

and ,4i nostri monti ritorneremo (in Italian)-Caruso

AMATO

Ir".vano,Alvaro and

DM106

(in Italian with violin and piano) (Massenet) (in French and Elegie Melodie

(" Fooz,, DELDESTINO"-Verdi)

Le Minaccie,

i Heri accenti

i heri accenti,

C' Forza

(in Italian) del Destino

DB592

DM107

12 Red

12 P. Gn.

12 P. Go.

Verdi) -Caruso

A la luz de to luna (Anton) (in Spanish) (To Granada) (F. M. Alvarez) and A Granada CARUSO AND DE LUCA Sleale

! it segreto

Venti

scudi

(in Italian)

-Caruso and .4ma:o CC) (ir. Italian)

(" FORZA DEL DESTINO "--Verdi;

god Invano, Alvaro (" Forza del Destino CARUSO AND DE GOGORZA

(81)

"-Verdi)

(in Spanish)-Enrico

fu dunque violate. ? (" FORZA DEL DESTINO "-Verdi) and Venti scudi ! (" Elisir d'Amore "-Donizelli)

(" ELISIR ti AMORE "-Donizetti)

and limato

(in Italian)

Caruso

(in Italian) (in Italian) and De Luca

-Caruso

and Sleale 1 it segrelo J u dunque i iolato? (" Forza del Destino "-Verdi) (in Italian)-Caruso and De Luca CARUSO AND DESTINN DB616

12 Red

ienta

una lorza

indomita

(" GUARANV ' -Gomez)

and Le campane di San Giusto CARUSO AND FARRAR DMI09

12 1'. Gn.

DM108

12 P. Gn.

DM109

12 P. Gn.

DM108

12 P. Gn.

DM110

12 P. Gn.

DM110

12 P. Gn.

Attends

! voici la rue, and Mon cum

(" F.SUST "-Counod) esi ýenelrc d'epoucanfe!

(in !talian)

(Arona)

(in French) (" Faust

DM114

12 P. Gn.

Fatal

DM114

12 P. Gn.

O terra,

AND

(in Italian) pietra sours me si chiuse, La (" AmDA "-Verdi) (in Italian)-Caruso and 0 terra, addio 1 (" Aida "-Verdi) (in Italian) (81) addio ! (" AIDA "-Verdi)

CARUSO

ne' lieti calici -Verdi)

CARUSO DM112

12 P. Gn.

DM111

12 P. Gn.

DM112

12 P. Go.

AND GLUCK

Libiamo

AND

Caruso

(in Fr; nch) an 1 Farrar and Farrar (81) and Farrar and Farrar and Farrar (in Italian) and Farrar

-Caruso

GADSKI

and La fatal pietra soura me si chiuse

10 Buff

(81) "-Cvvdod)

-Caruso II se fait said (" FAUST "-Gounod) (in French) (81) Gounod) (" Faust (in French)--Caruso and O nuit d'amour Mon cmur es', d'epouvante ! (" FAUST "-Gounod) (in French) penetre (" Faust "-Gounod) (in Frenc!,)-Caruso and Attends 1 voici la rue 0 nail d' mour (" FAUST "-Gounod) (in French) (80) (" Faust "--Gounod) (in French}-Caruso and II se fait tgrd 0 .luami occhi fsi (" MADAMA BUTTERFLY "-Puccini) (inflation) (" Marron "-Massenet) (in French)-Caruso and On l'appelle Manon On Iappelle Marion (" MANON "-Massenet) (in French) (" Madams Butterfly "-Puccini) and 0 quanti occhifisi CARUSO

D]100

(ic Italian)--Enrico

(81) and Gadsbi

(" Aida "-Verdi) --Caruso

(in Italian). and Gads/

(t?rindisi) (in Italian frith chorus and arch.) Crucifixirs ("Alcsse Solennelle"-Rossini)

("TRAVIATA" (in Latin) Caruso -Enrico

and

HOMER

(-l'RCVATORE"-Verdi) (in Italian) (82) (" Trocatore "-Verdi) (in Italian) all' aspro essalto and Homer r-Carno (" AIpA "-Verdi) üda. a me togliesti (in Italian) (80) Dio me (" !.'on Carlos "-Verdi) (inflation) and nell' alma iniandcre and Scotli --Caruso Mal reggendo (" TRGV WORE "-Verdi) (in Italian) (81) all' aspro assa!;o At (" Tror: (in Italian) and nostri monti rs,orneremo alore'-Verdi) -C'aia.a amll-loner -For -Prices _ - -Records2 si nostri

monsi ntornererrro and Mal reggendo

see page

HIS MASTER'S

VOICE RED

LABEL RECORDS

THE CARUSO RECORDS-ContinuedCARUSO AND JOURNET Number Size Label

(in French) (81) Les Rameoux (Fours) (in French)--Poi and (in French) (81, (" FAUST "-Gounod) Solo, Drofugo, reistto ("' .Marta "-Flotoo) (in and --Caruso and (" MARTA "-FlotoN') (in Ita!ion) (80) reietto 0 Meraeille ("' Faust "-Goonod) (in French)--Caruso and

DB591

12 Red

Crucifix

DM115

12 P. G..

0 Marseille

(Faure)

DM115

12 P. Gý:.

Solo, prolugo, and AND ._ARUSO

Planfon lialian) Journct Journal

MELBA

054129 12 P. Gn.

O soave Fanciulla ('" BOHEME"-Puccini) CARUSO AND RUFFO

DK114

12 Buff

DK119

12 Bull

DM113

12 P. Gn.

DM111

12 P. Gn.

DM113

12 P. Gn.

DM105

12 P. Gn.

DM105

12 P. Cn.

DM126

12 P. Gn.

(in Italian) (80) ("" OTELLO "-Verdi) Si, pel ciel marmoreo giuro! (in Italian)-Tilla Ruflo ( (hello "-Verdi) and Credo in an Dio crudel CARUSO AND SCHUMANN-HEINK (in Italian) ("' TROVATORE "-Verdi) Ai nossri monti ritorneremo (Miscrere) (" Travatore "-Verdi) (in Italian and Ah! the la morte ognora with chorus and arch.)-Caruso and Aida CARUSO AND SCOTTI "--Puccini) (in Italian) (80) ( MAOAMA BUTTERFLY Amore o Grillo ButterJitl ' (in Italian) (" Madan.a and Non oe l' aeeoo detto -Puccini) -Caruso and Seetti (in Italian) (80) Dio the hell' alma in(nndere (" Do's (_,ART-as"-Verdi) Aida "-Verdi) (in Italian)--Caruso (' and Homer and Aida. a me togliesti (in Malian) (80) Non ve l' aveeo cello (" MADA3nA BUTTERFLY "-Puccini) ('" wladama Butter%l,t "'-Puccini) (in Italian) and :1 more o grille -Caruso and Scotii (" BOHEME "-Puccini) (in Italian) (82) C. Mimi, to ma non torn dooete (' Forza del Deslino "-Verdi) and Solenve in quest era giurarmi (in hc!ian)-Caruso and Scotii (' FORZA DEL DE$TINO "-Verdi) (in Italian) Solenne in Guest nra giurarmi dovete 0, Mind, (" Baheme "-Puccini) (in It anon) (80) tu airi non torn and -Caruso and Scum: CARUSO, ALDA AND JOURNET TRIO BY (" LoMnARDI'"-Verdi) (in Italian) Qual voluttä trascorrere (' Samson at Dalila '"-Sal " aid je oleo cilebrer !a cictaire al-Satins) (in Italian)-Carua-Hamer-Journet TRIO

DKI06

12 Bull

CARUSO,

Alerte 1 ou vous lies

and Qual

TRIO 130100

12 P. Blue

D0101

12 P. Blue

»0100

12 P. Blue

DM,101

12 P Gn.

DM100

12 P. Gn.

JOURNET (in French)

(80)

CARL'SO,

oolutld

JOURNET

irascorrere AND

("' Lombardi

Verdi) (in Italian) Caruso-Aida-Journet

SCOTTI

(in French) (80) (" FAUST "-Gounod) messieurs? dell' amore (" Rigalelto "'-Verdi) (in Italian) and Bella figlia ti -Caruso-Homer-Abort-Scot AND VIAFORA BY CARUSO, FARRAR, SCOTT[

Que voulez-vous, QUARTET

DM100 12 P. Ga.

AND

(" FAUST "'-Gounod)

(""Faust "-Goonod) (in French) sa fenerre (Stine du Jordin) -Farrar and Journel TRIO BY CARUSO, HOMER AND JOURNET (in French) (80) Je viens celebrer la victoire (" SAMSON ET DALILA"-Saint-Satins) and Eleonore

DM126 12 P. Gn.

FARRAR perdus

(82)

(" BOHEME "-Puccini) (in Italian) Addio doles svegliare Duo des hirondelles C Mignon "-Thomas) (in French)-Farrar and QUARTET BY CARUSO, ABOTT, HOMER AND SCOTT[

and Journct

(in Italian) (80) (-Fast "-Counod) (in French) --Caruso-S cotli-Jo urn e t JOURNET QUARTETS BY CARUSO, ALDA, JACOBY AND Che vuol dir cio? (" 1'%11ARTA "-Flotow) (in Italian) (80) Marta Italian) Bella iglia dell' amore (" RIGOLF.TTO "-Verdi) and Que voulaz-vous, messieurs?

and Siam gi:mti

(" "-Flotow) (in --Car ins-Al do-Jacoby-Jo u rn e t Italian) (in (79) presto andism 1 (" Marta "-Flotow) (in Italian) and T'ho raggi unto sciagurata use-Al d n-Jacoby-Jo -Car urns( (in Italian) (80) Siam giunti, o giovinette (" MARIA "-Flotow) dir cior (" Marta "-Flotow) (in Italian) Che vuol and uso-.4lda-Jacoby-Journet -Car indicated. 19 All Speeds are 78 unless otherwise Presto,

o giovinette

(" MARIA "-Flotow)

HIS MASTER'S

VOICE RED

LABEL

RECORDS

THE CARUSO RECORDS---Continued

Ca Number

QUARTETS

Size Labd DM101 12 P. Gn.

T'ho

BY CARUSO, ALDA, JACOBY AND JOURNET-Continued ! (" MARTA "-Floto (in Italian) (79) sciagurata .v) (" Marta "-Flotow) (in Italian) _nd Presto, presto andiom -Car rno-Aida-Jacoby-Jo urnet

raggiunta

QUARTETS DM102

12 P. Cn.

Eh quoi ! French)

DM182

12 P. Cn.

Seigneur

DQ100

12 White

BY CARUSO,

FARRAR,

MME.

GILIBERT

AND

JOURNET,

(Scene du Jardin-Part 2) ("FAUST "-Gounod) (in seule I) (" Faust " and Seigneur Dieu (Seine du Jardin-Part (in French)-Caruso-Farrar-Gilibert-Journet -Gounod) (Scene du Jardin--Part I) ("FAUST --Gounod) (in French) (80) (Stine du Jardin--Part 2) (" Faust "-Gounod) ! toujours orale (in French)-Car ass-Farrar-Gibber!-Jo unet

toujours (80)

Dieu and Ehquoi

QUARTET

BY CARUSO.

GALLI-CURCI,

PERINI

AND

LUCA

Un di, se ben rammentomi (" RIGOLETCO "-Verdi) (in Italian) (79) ("Lucia di Lammermoor "-Donizetti) (in Italian) and Chi mi Jrena Caruso-Galli-C Luca-.journet-Bada urci-Egener-De QUARTET

CARUSO,

HEMPEL,

ROTHIER.

SEGUROLA.

AND

CHORUS DM103

12 P. Gn.

DQ101 12 White

Rivedrä

(" BALLO IN MASCHERA"-Verdi) (in Italian with chorus neiP estasi, La k (80) (" Balls in Musehera "-Verdi) und orth.) and scherzo, od e%llia (in Italian with chorus and orch.) Segurola -Caruso-Hempel-D uchine-Rothier-De QUARTET BY CARUSO. SCOTI'I, SEMBRICH AND SEVERINA

Bella hglia dell' amore

(" RIGOLmo "-Verdi)

and Chi mi /rena

QUINTET

CARUSO,

("Lucia

(in Italian)

di Lammermoor

"-Donizetti)

(in Italian)

-Car uso-Scot(i-Jo tunet-Sembrich-Seuerina-Daddi HEMPEL, DUCHfNE. ROTHIER AND

SEGUROLA DM103

DQ100

12 P. Cn.

12 White

(" BALLO IN MASCHERA "-Verdi) (in Italian with chorus and od e lollia La Riuedrd (" Balls in Maschera (80) "-Verdi) nell' estasi Orch.) and ( in Italian Segurola with chorus and orth.)-Caruso-Hempel-Rothier-De

E` scherzo,

SEXTET AND

BY CARUSO. BADA

Chi

(in Italian) (" LUCIA DI LAMMERMOOR "-Donlzetti) Un di, se ben rammentomi ('' Rigoletto "-Verdi) (;nItaliani a3tjl Luca uso-Celli-Curci-Perina-De -Car BY CARUSO. SCOTTI. JOURNET. SEMBRICH. SEVERINA

frena

SEXTET AND DQ101

White

Chi

EGENER. JOURNET,

LUCA

DADDI

frena

SEXTET

GALLI-CURCI.

LUCIA

DI LAMMERMOOR

and Bella Julia BY

CARUSO.

"-Donizetti)

dell' amore

TETRAZZINI,

(in

(" Rigoletto

-Car AMATO,

Italian)

"-Verdi)

(in liaLian) ina AND

uso-Scotti-Semb,ich-Seue JOURNET, BADA

JACORY 2-054034 12 White (Single-sided)

CASAZZA,

(" LUCIA DI LAMMERMOOR "-Donizetti) mi frena

(in Italian)

ELVIRA, Contralto (Kah-sat'-zah) CASAZZA AND DE' MURO

Number Size Label DB562 12 Red DB561

12 Red

DB561

12 Red

DB269

12 Red

naiv

17 a_,t

Chi

(in Italian) Ai nostri monti ritorneremo (" TFOVATORE-Verdi) (" Trooctore Verdi) (in Italian with ag Di quella pira chorus and arch.)

de' -Bernardo' .Moro (" TROVATORE "-Verdi) (in Italian) all' aspro assalto lang (" Trooatore "-Verdi) (in Italian) 1d Perigliarti ancor uente de' Muro -Casazza and (" TROVATORE "-Verdi) (in Italian) Perigliarti ancor languente (" Trooatore Verdi) (in_Italian) and Mal reggendo all' aspro assallo and de Muro -Casazza (" Fevoerre "-Donizetti) (in Italian) Addio ! (uggir mi !ascia Del tempio al limitar (" Pcscatori di Perle "-Bizet) (in Italian) i Pacini --Gigli and t I" t:rnrrmna "-Pnnz 6:.11:1 (in b.dion :A --...11. ...1.i.:. .....m.. $rtzo Grimaldo, Principe di Sanfa fior the pensi ? ("Gioconda Ponchidli aid (in Ifalion)-Gigli andZani For Prices of Records see page 2. Mal reggmdo

CHALIAPINE, TH. I.. Bass Chaliapine

was born at a very early age. In 1894 Chaliapine

(Shal-ya-pin)

in 1873 at Kazan

; and his great

musical

powers became

apparent

Russian

Imperial

' sang

in Petrograd

; in

1895 he entered

the

Troupe, and in 1906 appeared at Mamontov's Private Opera House in Moscow. His fame really commenced in the year 1896 when, during an engagement at the Russian Opera House in Moscow, the mighty and peculiar talent of Chaliapine was revealed to the great Russian musical public. In 1899 he returned to the Imperial Stage, again appearing at the Moscow Imperial Theatre, and afterwards at the Petrograd Ma iensky Theatre, where he was the idol of the Russian public. His career has been a long series of triumphs, not only in Russia, but in Milan, Paris. Monte Carlo, New York and London. Chaliapine is a bass of exceptional gifts. His beautiful and flexible voice-wonderful in its enormous power and quality of tone-his rare artistic feeling and thoughtful study, his independent interpretation, and his astonishing dramatic powers, combined with superb diction, have enabled him to create in the region of Russian music a series of following are outstanding and original operatic figures, amongst which the particularly notable : Boris Godounöv, Ivan the Terrible, The Miller. Mephistopheles, and The Demon. He has also appeared with great success as Don Quixote in " Don Carlos " and Khovantchina."One of the most sensational appearances ever made in England was that of Chaliapine in the Russian Seasons in 1913and 1914 at Drury Lane ; in a night he had musical England at his feet. He was termed the " bass Caruso," and was acknowledged to be without a superior, a unique personality in the musical world. During the war, rumour killed Chaliapine many times over, but happily he came throuch It was only in 1921, however, that the Soviet Government allowed him to leave unharmed. In the autumn of that year he made his first post-.var appearance in the country. England. singing on several occasions for the benefit of the Russian Famine Relief Fund. The ovation accorded him at his first Albert Hall Concert will live in the memory of all He has now decided to make his home in England. who were fortunate in witnessing it.

THE CHALIAPINE RECORDS Number SiDBIO8 i2

Label Red

DA101

12 Red

DB107

12 Red

DB100

12 Red

DB106

12 Red

DBIOO

12 Red

DBI01

12 Red

DB612

12 Red

DBI07

12 Red

(in Russian with Arise, red sun (Russian Folk Song) chorus) (Church hymn) (Strokin) (in Russian with chorus and And Now let us depart Chaliapine orch.)-Theodor (" MEPISTOFELE "-Bono) (in Ave, Signor (Prologo) Italian) luoghi amen (" Sonnambula "-Bettini) (tn Italian) Vi raooiso, o y nd Chaliapine -Theodor Calunnia a un venticello, La (" BARBIERE DI SIVICLIA "-Rossini) (in Italian) (81) In questa tombs oscura (Beethoven) (Key of A flat major) (in Italian) sand Chaliapine) -Theodor Death of Boris (" BORis GonoUeov "-Moussorgsky) (in Russian) (in Russian) ,gad Farewell of Boris C' Boris Godounov"-Moussorgsby) Chaliapine -Theodor Donne, (" RoonRTo IL else riposate-evoeazione ; Le rovine son queste--resit. (in Italian) 'DIAVOLO "-Meyerbeer) ("Norma" gird Ire sul colla, o Druidi (in Italian milk chorus and orch.)`Theodor Chaliapine -Bellini) Farewell of Boris (" Boris Gooocxov "-Mnusaorgsku) (in Russian) (in Russian) and Death of Boris (" Boris Godounoo "-Motsssorgstyr) Chaliapine -Theodor (Key A How the King went to war (T. Koenemann) (in Russian) of major) Still ("Songs dances d is forest Death "-Moessorgsky) an the and of (in Russian) Chaliapine -Theodor (Monologue) (" BORIs GODOUNÖV "-Moussorgsky) I have atttained the power (in C Boris Coda Russian) aid Pimen s Monologue unto "-Moossorgsky) (in Russian)--Theodor Chaliapine (Beethoven) (Key of A flat major) In quests tomba oscura (in Italian)

and La Calunnia i on venticello (" Barbiere di Siviglia "-Rouioi) -Theodor NI Speeds are 78 unless otherwise indicated.

(in Italian) Chaliapine 21

THE CHALIAPINE RECORDS-Continued Number Size Label DB403 12 Red

infelice I e two credevi

(" ERNANI'-Verdi)

peal Vieni, la sma vendetta

DB106

12 Red

Ise sul tulle, o Druidi

(in Italian)

C' Luc,ezia

(" NORMA "-Bellini)

Borgia

(in Italian

"-Donizetii)

(in Italian) Chaliapine -Theodor with arch. and chorus) (80)

DB102 12 Red

an Le ravine son it Diavolo "-Meyerbee )e (in Italian)-Theodor Midnight review (Glinka) (Key of F minor) (in Russian)

DB108

12 Red

Now

DB104

12 Red

Oh, could i but express

and The

let us depart

Two Grenadiers

(Church

Hymn)

andArise,yedsun in song

( Chaliapine

(Schumann)

(Strokin) (Russian

(L. Malashkin)

(Key of G minor) (in Russian) Chaliapine -Theodor (in Russian with chorus and arch.) Folk Song) (in Russian with chorus) Theodor Chaliapine (Key of Csharp minor) (in Russion

and Thetg won't let Mash s walk by the brook (Russian Folk Chaliapine Jong) (in Russian) (unacc.)-Theodor Pimen's Monologue CoBORis GooouNOV "-Moussorgsky) (in Russian) 1 have (Monologue) (" Boris Godounov "-Moussorgsky) the and attained power (in Russion)-Theodor Chaliapine Prophet, The, Op. 49 (Rimsky-Korsakof) (Key of C major) (in Russian) (in Russian) arid The Song of the Volga Boatmen (arr. Chaliapine-Koenemann) -Theodor Chaliapine Ravine son querte, Le--Resit ; Donne, the riposate--evocazione (" ROBERTOIL DIAyoLo "-Meyerbeer) (in Italian) lte anal su! rolle, o Druidi (" Norma " (in Italian with orch. and chorus)-Theodor Chaliapine -Bellini) Song of the flea (Moussorgsky) (Kev of B flat minor) (in Russian) Sadko with piano)

DB612 12 Red DB105 12 Red DB106 12 Red DBI03 12 Red

and Song of the Viking guest ("

DB103

12 Red

DB105

12 Red

DB101

12 Red

DB104 12 Red DBI02 12 Red DA101 12 Red DB403

12 Red

"-Rirntky-Korsakof) (Key of D minor) (in Russian)-Theodor Chaliapine (" SADKO "-Rimsky-Korsakof) (Key (in guest of D minor) Song flea (Moussorgsky) (Key B flat the (in and of of minor) Chaliapine Kussian)-Theodor The (arr. Chaliapine-Koenemann) (in Russian) Song of the Volga Boatmen, The prophet, Op. 49 (Rimsky-Korsakof) (Key of C major) (in Russian) anal Theodor Chaliapine Still is the forest ("SONGS AND DANCES OF DFA,H "-Moussorgsky) (in Russian) Song of the Viking Russian)

Russian) and How the King went to war (T. Koenemann) (Key of A major) (inChaliapine -Theodor They won't let Masha walk by the brook (Russian Folk Song) (in Russian) (unacc.) q d Oh, mold I but express in song (L. Malashkin) (Key of C sharp minor) (in Russian with piano)-Theodor Chaliapine Two Grenadiers, The (Schumann) (Key of G minor) (in Russian) and Midnight review (Glinka) (Key of F minor) (in Russian) -Theodor Chaliapine "-Bellini) (in Itolion) Vi ravviso, o luoghi omeni (" SONNAMBL'LA Ave, Signor (Prologo) (" Mefistofele"-Boiw) (in Italian) anti Vieni,

Is mia vendetta

(" LUCRQIA BORCIA "-Donizetti)

and Infelice I a too credevi

CHEMET,

RENEE,

-Theodor (in Italian)

(" Ernani "-Verdi)-Theodor

Chaliapine (80)

Chaliapine

Violinist

Rene Chemet is regarded by the musical critics as one of the greatest lady violinists London. Her touch combines the exquisite tenderness of a woman who has ever visited with the power of a master. These records signalize the debut of another exclusive " His Master's Voice Chemet's beautiful true full tone is delightful. artist. Especially in the classics Madame The introduction of Harpsichord accompaniment in a few of the small classics will be found in keeping with the period of the composition. THE CHEMET RECORDS N-ber Size Labe! DA416 10 Red

DB474 12 Red DA417

10 Red

DA416

10 Red

Bounce (arr. A. Moffat) (violin with harpsichord acs. by Marguerite Delcourt) The Holly Bush (Northumbrian Country Dance) (No. I of twelve 18th anal Century English violin pieces) (Moffat) (violin with piano)-genie Chemet Concerto for Violin and Piano, Op. 20-Romance (Lola) (piano acs. by Harold Craxton)

Espagnole, Op. 21 (Finale No. 5--Rondo Allegro) and Symphonie (Lola) (piano acs. by Harold Craxton)-Renee Chemet in A minor-Largo (Vivaldi-Nachez) (piano by Harold Craxton) (Giuseppe Tartini) (piano acc. by and Sonata in G minor-Presto non troppo Marguerite Delcourt)-Renee Chemet Holly Bush, The (Northumbrian Country Dance) (No. I of twelve 18th Century English (Moffat) (violin Bourde (arr. violin pieces) with piano) and by Marguerite A. Moffat) (violin with harpsichord Delcouret acc. Chemt) -Renee For Prices of Records see page 2. Concerto

THE CHEMET RECORDS-Continued Number Size Label Meditation (" THAIS "-Massenet) (with piano) DB472 12 Red (piano acc. by Marguerite eg Pradudi um (Allegro) (Pugnani-Kreisler) Delcourt)-Renee Chemet Poem (Fibich-Kubelik) (violin with piano ace, by Harold Craxton) DA419 10 Red DB472

12 Red

DA418

10 Red

DB475

12 Red

DA417

10 Red

DA418

10 Red

DB473

12 Red

DB474

12 Red

DA419

10 Red

CIGADA.

Delcourt) (Reber) (violin with piano ace. by Marguerite and Waltz Chemet -Renee (Pugnani-Kreisler) (piano ace. by Marguerite Delco (Allegro) art) (" Thais "-.Massenet) (with piano)-Renee Chemet and Meditation Serenade (Piernb) (violin with piano) Swing Song (Ethel Barns) (violin with piano)-Renee Chemet and (Giuseppe Tartini) Sonata in C Minor, Part I (Andante (piano acc. con moto) Delcourt) by Marguerite in G minor, Part 2 (Largo-Allegro gad Sonata Tartini) (piano by Marguerite Delcourt)-Renee (Giuseppe Chemet comodo) ace. (Giuseppe Tartini) (piano by MarSonata in G minor-Presto non troppo ace. Delcourt) Concerto A (Vinaldi-Nachiz) in and minor-Largo guerite (piano ace. by Harold Craxton)-Renee Chemet (Ethel Barns) (violin with piano) Swing Song (Pierne) (violin with piano)-Renee Chemet and Serenade Espagnole, Op. 21 (Ist Movement-Allegro Symphonie (Lalo) non troppo (piano Craxton) Espagnole, Op. 21 ace. by Harold and Symphonie (S.herzando No. 2-Allegro Malto) (Leto) (piano ace. by Harold Craxton) Chemet -Renee Symphonie Espagnole, Op. 21 (Finale No. 5-Rondo Allegro) (lalo) (Piano acc. by Harold Craxton) and Concerto for Violin and Piano, Op. 20-Romance (Lalo) (Piano ace. by Harold Craxton)-Renee Chemet Waltz (Weber) (violin with piano ace. by Marguerite Delcourt) (Fibich-Kiibdik) (violin with piano ace. by Harold Craxton) and Poem Chemet -Renee Präludium

FRANCESCO, QUINTET

i Baritone

(Chee-gah'-dah)

BY CICADA,

HUGUET,

PAOLI, PINI CORSI AND GAETANO

Number Size label DA41S

10 Red

Versa

it Intro nella tazza sua (" PAGLIACCI Leoncavallo) (" Madame de Belle Isle '-Samara) and Si, io t' amo

CLEMENT, EDMOND. Tenor

(in Italian) (in Italian

with piano) Paoli -Antonio

(Klav-mon(g))

This favourite French artist, who has for many years been the leading tenor at the Paris Opera Comigce, was born in Paris. He was destined for a civil engineer, and but his love for graduated from the Polytechnic; music compelled him to enter the Conservatoire, where he was one of the most brilliant pupils of his class. He was soon placed on the staff of the Opera Comique, where he remained until an engagement for the Metropolitan Opera brought him to New York in 1909; and during his stay in America he repeated his French success. In the records which M. Clement has made for " His Master's Voice," his beautifully schooled voice, graceful style and perfect diction are shown to perfection.

THE CLEMENT RECORDS Number Size Label DA143 10 Red

DA143

10 Red

DA496

10 Red

DA143

10 Red

DB166

12 Red

Adieu

au Matin, piano)

(Weckerlin) (in French : (a) Bergire legere with dons cet asile? Berceuse (" Jocelyn "-Godard) (in French)-Edmond Clement Bergere legere (Weekerlin) (b) Ladieu Matin (Pessard) (in French with ; au piano) and Caches daps cet asile? Berce use (" Jocelyn `-Godard) (in French)-Edmond Clement Ca fait peur aux oiseaux, Op. 108 (Bernard) (in French with piano) (" Werther"-Mossenet) (in French) a2 Pourquoi me reaeiller? Clement -Edmond Caches dans cet asile : Berceuse (" JOCELYN '*---Godard) (in French) (Weckerlin) (Pessard) (in p n d (a) Bergere legere ; (b) L'adieu au Malin French with piano)-Edmond Clement En fermant les yeux (" MANON Massenet) (in French with piano)("Roi d'Ys"-Lalo) (in French) gndVainement, ma Bien aimee, on emit CL_ment -Edmond

All Speeds

are 78 unless

gni

(Pessard) Caches

otherwise

indicated.

THE CLEMENT

Number

Size

RECORDS-Continued

Label

DA496 10 Red DB166 12 Red

Pourquoi me reveiller? (" WERTHER"-Massenet) (in French) and Ca fail pear aux oiseaux. Op. 108 (Bernard) (in French with piano) -Edmond Clement Vainement, ma bien aimie, on croit (" Rot D1's "-Lain) (in French) and En jermont

lea yeux

(" Manon

"-.Massenet)

(in French

with piano) Clement

-Edmond

CLEMENT AND FARRAR DB172

12 Red

DJ102

10 Buff

DB172

12 Red

DA211

10 Red

Ange adorable (" ROMEO ET JULIETTE "-Gounod) (in French) (" Melistofele "-Boito) (in Italian)-Clement and Lontano, lontano Au clair de la lune (Lulls) (in French with piano) (Barcarolle) (" Conley d'Hoffmann and Belle nail, a nuit d'amour (in French)-Farrar Lontano, lontano (" MEFISTOFELE Boito) (in Italian) (" Romdo et Juliette "-Counod) ijnd Ange adorable Noun allons partir tous deux (" DANTE "-Godard) ("Segreto di Susanna to 1 Via ! cosi non mi lasciate

and Farrar "-

-Clement (in French) Wolf-Ferrari)

ffenbach) and Scotti (in French) acid Farrar

-Geraldine

AND JOURNET

CLEMENT DK105

Buff

fond

temple

saint

PfrHEURS

and O vtims, mon doux

berger

DE PERLES

("Pique

"-Bizet)

Dame

(in

French)

Tchaikousky) -Destinn

CORSI,

EMILIA,

(in Italian) Farrar

Soprano

(in french) and Duchene

(Kor'-see, Ay-mil'-yah)

CORSI AND BATTISTINI Number Size Label DB198

12 Red

(in Italian Vieni meco, sot di rose (" ERNANI "-Verdi) with orch. and drones) (" Bello in Maschero `-Verdi) (in Italian) and Alle vita the (amide Bathstini -Mattis

CORSI, ANTONIO PINI, Baritone QUINTET Number Si- Label DA415

10 Red

Versa

(Kor'-see, Pee'-nee)

BY PINT CORSI, HUGUET,

PAOLI CICADA, AND GAETANO.

it 61tro nella tazza sua i" PAGLIACCI "-Leoncavallo) de Belle Isle Samara) (" Madame and Si, in t'amo

CORTOT, ALFRED, Pianist

(in Italian) (in Italian

with piano) Paoli -Antonio

(Kor'-toh)

Alfred Cortot was born at Nyon. He went to Paris in 1884, and entered the Conservatoire later, where he won the following prizes First " MPi.aille de Solfege " 1891, First Pianoforte Medal 1892, and the highest prize and the only one awarded in 1896.From 1897 to 1901 he devoted himself chiefly to conducting, and was Choral He produced and conducted Wagner's " Ring " in 1902, this Conductor at Bayreuth. being the first performance in Paris of Wagner's tetralogy. He also conducted some Colonne concerts. His career as solo pianist, in which vocation he is now chiefly known, began in 1897 Since then he has played continually in all the leading Continental at a Colonne concert. England and the United States of America. where he has been countries, and also in has ever visited the States. acclaimed as the greatest pianist who Cortot's distinguishing characteristics as a pianist are difficult to describe, since he different schools. A superb technique, extraordinary combines the best qualities of many brilliancy, great power of tone and remarkable delicacy of touch, strike the listener in turn, whilst his sense of rhythm and the beauty of his phrasing are alike conspicuous: but above all is to be placed the rare quality which enables him to pass from one composition to another, investing each with a separate character in complete harmony with the his own strong personality and holding composer's individuality, at the same time preserving the audience spell-hound by the force of his genius. 24

For Prices of Records

see pare 2.

HIS

MASTER'S

VOICE

RED

LABEL

RECORDS

THE CORTOT RECORDS Number Size Labei DB167 12 Red DB643

12 Red

DB167

12 Red

DA145

10 Red

DA145

10 Red

)A146

10 Red

DB643

12 Red

Berceuse,

(Chopin)and Aude (Saint-Sae"ns)-Aljred Cortot : En forme de valse (La leggerezza) (Liszt)and The fountain (Ravel)-Alfred Cortot Etude : En forme de valse (Saint-Satins)and Beere use. Op. 57 (Chopin)-Alfred Cortol (Black Keys) ; 1b) Etude in G flat major, Etude in G flat major. OD. 10. No. 5 (Chopin)Tarantelle, Op. 43 (Chopin) Op. 25, No. 9 (The Butterfly) Corlot -Alfred (The Butterfly) Etude in G flat major, Op. 25, No. 9 ; (a) Etude in G flat major, (Chopin) Op. 43 (Chopin) Op. 10, No. 5 (Black Keys) and Tarantelle, Corlot -Alfred (Preludes Nos. 8 and 12--Debussy) Felle aux cheveux de lin, La ; (b) Minstrels Polonaise, Op. 74, No. 5 (Chopin-Liszt)-Alfred Corlot and Fountain, The (Rave!)and Caprice

Invitation to the Waltz

DB168 12 Red DA144 DA146

10 Red 10 Red

DB168

12 Red

DA146

10 Red

DA144

10 Red

Op. 57

poetique

Caprice poetique (La leggerezza) (Weber)

(Liszt--Alfred

Cortot

Cortot Paraphrase de Concert (" Rigoletto "-Verdi-Liszt)-Alfred end Cortot Malague is (Spanish Dance) (Albeniz) (Albeniz)-A(lred and Seguidilla Minstrels (a) La Felle de [in (Preludes Nos. 12 and 8-D(bussy) ; aux cheveux Cortot and Polonaise, Op. 74, No. 5 (Chopin-Liszt)-Alfred Paraphrase de Concert (" R1G0LER0"-Verdi-Liszt)and Cortot Invitation (Weber)-Alfred to the Waltz Polonaise, Op. 74, No. 5 (Chopin-Liszt) Nos 8 12(a) La Felle aus cheveux de lin : (b) Minstrels (Preludes and end Cortot Debussy)-Alfred Cortot Seguidilla (Albeniz) (Spanish Dance) (Albeniz)-Alfred and Malagueha Tarantelle, Op. 43 (Chopin) Etude in G flat 5 (Black Keys) (b) Etude in and (a) major, Op. 10, No. : (Chopin)-Allred Cortot G flat major. Op. 25, No. 9 (The Butterfly)

CULP, JULIA, Contralto (Koolp, Julia) Madame Culp was born in Holland and received her first musical training in the To-dav she Amsterdam Conservatoire ; afterwards she studied with Madame Gerster. has only to announce a concert and the house is sold out weeks ahead, while England, France, Belgium, Holland, Spain, Italy and Scandinavia have all acclaimed her as a peerless artist. At her first appearance in England in 1909, the leading critics hailed her as one of the in London. greatest living lieder singers, and she has always enjoyed wide popularity Every summer Madame Culp spends ten days as a special guest of the Queen at Het Mme. Culp's The Queen Mother Loo. art for many years.

Number DA148 DAISO DAI50 DA149

Size Label 10 Red 10 Red 10 Red 10 Red

DA153 10 Red DA154 10 Red DA155 10 Red DB170 12 Red DA153 10 Red DA156 10 Red DA148 10 Red DB170 12 Red

of Holland

has been a patroness

and

admirer

(Bayly)-Julia All through the night (Boulton) nod Long, long ago (Scott-Gatty)-Julia Auld Lang Syne (Burns) and Bendemeer's Stream (Scott-Gatty) Auld Lang Syne (Burns)-Julia Bendemeer's Stream and (Indian love song-Lieurance) By the waters of Minnetonka

Cottage Maid, The

and Lullaby (Beethoven)

(from " Indian Songs

Lieurance)--Julia

Culp C ulp Culp

Culp

Gelukkig Vaderland (Dutch Folk Song) (in Dutch)Julia Culp and (Hullah) Culp Drink to me only with thine eyes sod Passing by (Purcell)-Julia Lange) (in Dutch harp) Dutch Serenade (De with (Debussy) (in French with piano acc. by the Composer) Nuit d'etoiles and Culp -Julia Faithful Johnnie (Beethoven) Loves (Molloy)-Julia Cclp and old sweet song (in Dutch) Gelukkig Vaderland (Dutch Folk Song) The Cottage Al (Beethoven)-Julia Culp and aid (with piano) I've been roaming (Horn) Refrain (Viennese Popular Song) (arr. Kreisler)-Julia Culp god The Old (Boulton)-Julia Culp Long, long ago (Bayly) and All through the night Faithful Johnnie (Beef hoven)--Julia C51" Love's old sweet song (Slolloy) and

All Speeds

are 78 unless

otherwise

indicated.

HIS

MASTER'S

VOICE

RED

LABEL

RECORDS

THE CULP RECORDS-Continued

CaNumber

Size Label

UA149

10 Red

Lullaby

(from"

Indian

Songs "-Lieurance) and By the waters of Minnetonka

DA152

10 Red

Mignonette (Weckerlin) (in French with piano) C' Samson et Dalila nn Mon cmur s'ouvre d to cols

DA152

10 Red

Monb',wur

DA155

10 Red

Nuit

(Indian

love long-Lieurance)Julia Culp

"-Saint-Saeru) (in French) Culp -Julia ä to voix ("SAMSON E7 DAL] LA "-Saint-Saens) (in French) Mignonette (Weckerlin) (in French Culp piano)-Julia aaod with (Debussy) (in French with piano acc. by the Composer)

s ouvre

d'etoiles

DA154 10 Red

Culp and Dutch Serenade (De Lange) (in Dutch with harp)-Julia Oh. rest in the Lord (" ELIJAH"-Mendelssohn) Samson et Dalila'"-Saint-Saens) (in French) (" Printemps commence up qui Culp -Julia Old Refrain. The (Viennese Popular Song) (arr. Kreisler) Culp and I've been roaming (Horn) (with piano)-Julia Passing by (Purcell)and

DB171

Printemps

DB171 12 Red DA156 10 Red

12 Red

DA151 10 Red DA151

qui commence

Drink to me only with thine eyes (" SAMSON ET DALILA "-Saint-Saens)

(Hullah)-Julia (in French)

and Oh, rest in the Lord (" Elijah "-Menddssohn)-Julia Stille Nacht, Heilige Nacht (Franz Gruber) (in German) and Wiegenlied

10 Red

(Cradle

Song)

Op. 49, No. 4 (J.

Wiegenlied

(Cradle Song) Op. 49, No. 4 U. Brahms) (Franz Gruber) and Stille Nacht, Heilige Nacht

DALMORES, CHARLES, Tenor

Culp

Brahms)

(in German with Culp piano)-Julia (in German with piano) (in German)-Julia Culp

(Dahl-moh-ress')

Mr. Malmores was born at Nancy, in France, in 1872, and made his debut at Rouen in 1899 with such success that he was engaged for the Brussels Opera, and his Brussels triumphs were repeated at Covent Garden, where he sang with Calve in " Carmen " and with Melba in " Faust." THE

DALMORES

Size Label Number DA157 10 Red DA1S7

10 Red

RECORDS

du die süssen Düfte? (" LOHENGRIN Wagner) nicht mit mir C'est (" Conies dHoffmann'-Offenbach) (in French)-Charles and eile Cent eile ( CONTES D HOFFMANN -Offenbach) (in French) (51) Atmest

and Atmest du nicht mit mir die süssen Düfte?

(in German) Dalmores

(" Lohengrin "-Wagner) (in German) -Charles Dalmores

DALMORES AND CALVE DB636

12 Red

U-bas

dans la montagne ("CARMEN "-Bizet) and Les tringles des sistres tintaient

DE GOGORZA, EMILIO, Baritone

(in French) (-Carmen

"-Bizet)

(in French) momma Calve

(der Goh-gort'-zah)

One of the best known baritones on the continent of America, Emilio de Cogorza He sings a remarkable is famous for a well-trained voice and artistic interpretation. variety of music with admirable skill and unimpeachable good taste, both these qualities being conspicuous in the " His Master's Voice" records by this artist. His rendering of the " Toreador Song " and " 0 Sole mio " are exceptionally fine, and reveal masterly powers. De Gogorza makes records exclusively for " His Master's Voice." THE

DE GOGORZA

Number Size Label DA175 10 Red DB625 12 Red

RECORDS

Absent (Tirindelli) and Waiting for your return (Genre-de Curtir-Casar)-Emilio Air du Sonneur C" PAraiE' -Paladilhe) (in French) and

Voice toast je peux

sous le rendre

(" Carmen

churns For

Prices

of Records

see page

"-Bizet)

de Gogorza

(in French with de Gogorza and orch.)-Emilio

HIS THE

DE GOGORZA

Number DB184

Size

MASTER'S

VOICE

RED

LABEL

RECORDS

RECORD'S--C.rtinued

Label

Baten del suo sorriso,

(" TROVATORE "-Verdi) (in Italian) Serenata (" Don Giovanni' Mozart; (" Damnaüwt de rm:,t "-Bc lio_:) (jr Fernen,---F.mllin dc Goaae", Beauty's eyes ('1osti) de Gogor_.a and Could 1 r (Tose)-Eishis (Alvarez) Canto del Presidiario is Sonnish) (Guetory) de Gogurza (in Jpanish)--Emilio and Mi rifts Caro min Be,, (Giordani) (in 11alian) Rigeletto "-Verdi) (in Itahunj--Emilio Pari i (de Gag.and sumo Chanson de Fottunio (Oflenbach) b French) : Serenade (Symiane) French)-Emilio de Gogor=a Lina Chanson:Vapuiiteine tin and : Clang of the forge (Rooney)and Vikiev Song (Loire,,Taylor)Emilio de Gognrza (lvlario) (in Comme se cants a Napule oist, and mmadot'n} .'Neapolitan x'<ihitafnzni--F"miff,,, Mandohnata d;: Goznr-a (Foladilhe) fm and La (Tose) dc Gogor: a ' Could I? (Toed) and B."only, eye, -Finit,. Serenata Klozart) (in Italtant k" Dorn GIOV4NN1' Deb ! vieni ally finestra, `-DAMNAH FAUST Berlioz) (in French) (b) Devant 1a maison ON DE del fin Malion) Il bales (" Trooatnre'--Verdi) suo sorriso and Govär -Froths (" DAMNATION DE FAUST "-Berlioz) (in French) ; (a) Deh ! Devant Is maison finestra, Serenata (" DON GIOVANNI "--Mozart) (in Italian) vieni ella bales' del (" Tronatore Verdi) (in Italian) Ii one sorriso and

12 Red

and Deh! Italian) ; (b)

DA176 DB187

10 Red 12 Red

DB323

12 Red

DA177

10 Red

DA178

10 Red

DA179

10 Red

DA176 DB184

10 Red 12 Red

DB184

12 Red

DB626

12 Red

DA180

10 Red

DB628

12 Red

DA184

10 Red

DA184

10 Red

DB183

12 Red

DA183

10 Red

DA180

10 Red

DB185

12 Red

DB185

12 Red

DA186

10 Red

DA188

10 Red

DA187

10 Red

DA183

10 Red

DB183

12 Red

DA355

IC Red

DA177

10 Red

DB594 DB626

12 Red _ ___ 12 Red

DA179

10 Red

DB187

12 Red

DB322

12 Red

-Emilio

pure

Serenata

All Speeds

are

de Gogorza

Italian) The )aQic (Meoer-Helm de Gnaor-o m<d)-Emilio (Wm. H. Hutchinson,and Dream faces The garden of sleep (de Laro}-Emilio de Gogor<-a Mullah) Drink tome only with thine eyes Where (" Semrle "--Handei)-Emilio de Gogorza and er you walk (Alvarez) (in Spanish) El celoso En Calera (F. M. Alvarez) (in Spanish)-Emilio de Gogorza and (F. M. Alvarez) (in Spanish) E. Calesa El (Alvarez) (in Spanish)-Emilio de Gogorza and celaso (" BALLO IN MASCHERA "-Verdi) (in Italian; En i to ehe macchiavi quell' anima Largo al facto(um dells dttä (" Barbiere di Siviglia "-Rossini) (in Italian) and de Gogorza -Emilio For all eternity (Mascheroni)and (Hon. Mrs bor(on)--Emilio Gogorza uaaita Jr Garden (de Lars) of sleep. The (Wm- H. Hutchinson)-Emilio de Gogorza sad Dream faces :od, my Father t' SEVEN WORDS or CHRIST "--Dubois) The Holy City (Adams)-Emilio and jr Gogorza Holy City The (Adams) Emilio de L;oqur_a ý' Seven Words of Christ °--Dnbssri and God. my Father I know a lovely garden (Guy d'Hardelot) (Meyer-Iletmand)-Emilie) Je Gogor_a and Thou art near me, Margarita in the shade of the paten C' FLORODORA "--Stuart) Sally in our alley (Carey)--Emilio de Gogor_a and lohn Peel. (Old Hunting Song)and (11ilsoa)-bimbo I!hen dull care de Cagorza Juanita (Hon. Mrs. Norton)and lox all eternity (Mascheeoni) Jr Gogorza -L'ealio (" BARllu:RE of S iv(IuA "- Rearmi) tin Italian) Largo at factotum delta citth f'erdi) (" Balls in Moss hers..(in and Err to the macchio,:i une(i' anima Italian)-Emilia de Gov.in hal'os' iasciali dir, to m'ami ' (Ouaranta) de i]orgurza ý:l?ý<me}-I.mrlio and : haf s rcnu nrp hrmr is +:uiling ;o Lina : Chansuo Napoi Jo French) +Jymianer sin'r (i)ll. Frenth)--c.atilio J) li ae Gogw:a Chanson de Furtaniu ,ade ebss r. :: and Lost chord. The iSullivarr din Goym:a Cl ce Jr and Song rat, .!entpiei---E, Magic song,'I'he iMeyer-Helmond Serenaia S-deril !iu Italiugl--L'mdio de Gags,:a bormi pureand (in Italian) Mandolinata, La (Paladilhe) Napule (Mario) (in Neupolitur Comme sith oreh an -f mandolin) and as cants a de Gogor_ a -- E -Ii. Mi nina (Guetarv) (in Spanish) Canto del Presidiarro (Alvarez) de Gogorza in Spanish)--Emilio and 'Mong the green Irish hills (N. Fr rear are. E. H. Pierce) de Gogorza and The pipes of Pan (Edward Elgarl--Emilia Dormi

-tent silo);nests, Devant la maison

78 unless

etherwise

indicated.

THE DE GOGORZA RECORDS-Contmued Number UA181

Size ieb

IV ttea

Nonne

serena

tlvlexican

rain

Opng/

DB188

12 Red

DB188

12 Red

DA185

10 Red

DB594 DB186

12 Red 12 Red

DB323

12 Red

DB186

12 Red

DB322

12 Red

DA181

10 Red

DB627

12 Red

DA188

10 Red

Non a ver

, DA185

10 Red

DA182

10 Red

DA485

10 Red

DA485

10 Red

D? 182

10 Red

DA359

10 Red

DA186

10 Red

DA178

10 Red

DB627

12 Red

las

t1n .rpanrsn/

(Mexican Folk Song) estrellas -Emilio (in Italian) 0 (di Cap-a) (in Italian)-Emilio and sole mio (in Italian) (80) 0 sole mio (di Capua) Non a err (Mattei) (in Italian)-Emilio and (in Italian) 0 sole mio (di Capua) Santa Lucia Folk Song) (in Italian)-Emilio (Neapolitan arid (Temple) (Sullivan)-Emilio 0, song divine and The Lost chord (Yradier) (in Spanish) Paloma, La La Parlida (Alvarez) (in Spanish with piano)-Emilio and (in Italian) Pari Siamo 1 (" RInOLyrrO "-Verdi) Caro mio Ben (Giordani) (in Italian)-Emilio and La (Alvarez) (in Spanish Partida, with piano) (Yradier) (in Spanish)-Emilio and La Paloma Pipes Pan, The (Edward Elgar) of and 'Mong the green Irish hills (N. Freese, are. E. H. Pierce)-Emilio Preguntale las (Mexican Folk Song) (in Spanish) a estrellas (Mexican Folk Song) (in Spanish)-Emilio and Noche serena Promesse de man avenir C' Rot of LAHORE tt4ossenet) (in French) Vision fugitive (" Hdrodiade "-Massenet) (in French)-Emilia and Sally in (Carey) our alley (" Florodora "-Stuart)--Emilio and In the shade of the palm Santa Lucia (Neapolitan Folk Song) (in Italian) (in Italian)-Emilio and 0 sole mio (di Capua) (Yradier) (in Spanish) 'Sevillana. La (Nicto) (in Spanish)-Emilio (Spanish Folk Song) anj Teresita mia Si pad? (Prologo, Parte 1) C PAGLIACCI Leonmvallo) (in Italian) (arr. Bromberg)-Emilio and The song of the Volga boatmen The (art. Bromberg) Song of the Volga boatmen, Parte 1) (" Pagliacci "-Leoncavallo) and Si pod ? (Prologo, and Preguntale

(in Spanish) de Cog.-

(Mattei)

de Cogorza de Gogorza de Gogorza de Gogorza de Gogorza de Gogorza de Gogorza de Gogorza de Gogorza de Gogorza de Cogorza de Gogorza de Gogorza de Gogorza

--Emilio (Nicto) (in Spanish) Folk Song) La Sevillana (Yradier) (in Spanish)-Emilio and (Motzan) That's why my heart is calling you dir, to (Quaranta) (in ltalian) and Lasciali m'ami ! -Emilio (Meyer-Helmund) Thou art near me, Margarita I know a lovely garden (Guy D'Hardelot)-Emilio and (Coleridge-Taylor)and Viking song Clang of the forge (Rodney)-Emilio Vision fugitive (" H6.ROOIADE'-Massenet) (in French) Promesse de man avenir (' Rai de Lahore `-Pvbassenet) and -Emilio Votre toast je peux vows le rendre ("CARMEN Bizet) (in French with (" Patric Paladilhe) orch.) and Air du Sonnenr Teresita

DA175 10 Red

Waiting

DA187 10 Red

When

DB628 12 Red

Where'er

for your return dull care

(Denise-de

Curtis-Casar)and Absent

-Emilio (Tirindelli)-Emilio

john Peel (Old Hunting Song)-Emilio (" SEMELE Handel) yon walk Drink (Hullah)-Emilio to thine and me only with eyes

(Anton)

do Gogorza (in French) de Gogmza chop r and (in French) de Gogorza de Gogorza

DE GOGORZA

de Gogorza de Gogorza

(in Spanish)

snd A Granada

Solo, profugo,

de Gogorza de Gogorza

AND CARUSO

A la lux de 1a lung

prende

de Gogorza

('',°+'ilson)and

DE GOGORZA

Dove

(in Italian) de Gogorza

(Spanish

mia

AND

amor ricetto,

(To Granada)

LAMES U

(" FuuTO

and Che soave zefJiretto

reietto

(F. Al. Alvarez) (in Spanish) -Enrico Carmo

MAGICO "-Mozart)

(in Italian)

(" Nozze di Figaro "-Mozart) -Eames

(" MARIA "-Flotow)

(in Italian) and Sembrich

(in Italian)

(in. French) gn1 Quo ooulez-uous, messieurs ? (" Faust "-Gounod) -de Gogorza-11wse-Journet

For Prices of Records

see page 2.

TRIO Number

Si-

BY DE GOGORZA,JOURNET

AND VAN HOOSE

Label

DBI69 12. Red

(in French) Que voulez-vous, messieurs ? C' FAUST"-Gounod) Solo, (" Marta "-Flotow) and

profngo,

reietto

-de

DE LUCA, GIUSEPPE, Baritone

(80)

(in Italian) Gogorza and Hoose

(day Loo'-kah)

A Roman by birth, Giuseppe de Luca is one of the latest acquisitions of the Metro has more successfully proved his right to a place politan Opera, New York, and no artist Italian baritone. in the front rank than this superb At the age of thirteen his talent for singing was brought to the attention of Bartolini, the famous baritone and teacher. The boy then showed indications of musical feeling in marked degree, and his voice even at that time was of distinctly baritone quality. Fearing a possible change in the voice, it was not until some two years later that de Luca entered the Conservatoire of Santa Cecilia in Rome, where he studied for five years before making his debut in " Faust." He spent eight winter seasons in the famous La Scala, in all the considerable capitals of Europe, and has appeared with most significant success being well known to London audiences. Signor de Luca's American debut was made as Figaro in the " Barber of Seville he won instant favour at the Metropolitan Opera House, November 25th, 1915, when " His Master's Voice " with Press and public alike. After hearing this fine artist, fine promptly secured his exclusive services, and he has made many records which are examples of his artistic achievements.

THE DE LUCA RECORDS Number

Size

Label

DB220 12 Red

A tanto amor !

(" FAVORITA "-Donizetti)

DB220

12 Red

DA190

10 Red

DB219

12 Red

DB219

12 Red

DB218

12 Red

DB217

12 Red

DB221

12 Red

DA191

10 Red

DA190 10 Red DB217 12 Red

(in Italian)

(" Puritani "-Bellini) (in Italian) de Luca -Giuseppe (" PURITANI Bellini) (in Italian) Ah ! per sempre io ti perdei A tanto (" Favorita '-Donizetti) (in Italian)-Giuseppe de Luca and amor ! Balm del 11 C' TROVATORE "-Verdi) (in Italian) suo sorriso, 0 Carlo, (" Don Carlos "-Verdi) (in Italian)-Giuseppe de Luca and escolta (" TRAVIATA "-Verdi) (in Italian) Di Provenza il mar, il suol dio d'amor ("Faust"-Gounod) (in Italian) andDio possente, de Luca -Giuseppe dio d'amor (" FAUST "-Gounod) (in Italian) Dio possente, Di Provenza "-Verdi) (in Italian) il mar, il suo! (" Traviata Rn de Luca -Giuseppe (" BALLO IN MASCHERA "-Verdi) (in Italian) Eri tu the macchiavi quell' anima Per di ("Don Carlos Verdi) (in Italian) supremo and me giunta c il -Gi useppe de Luca factotum delle (" BARRIERE SIVIGLIA "-Rossini) (in ltalian) Largo al DI cittb Oh ! de' vend' anni mief (" Ernani "-Verdi) (in Italian) end de Luca -Giuseppe (" RINALDO "-Handel) (in Italian) Lancia eh' io pianga Vision fugitive (" Herodiade "-Massenet) (in French)-Giuseppe de Luca and (Capolongo) (in Neapolitan) Nuttata 'e sentimento and

Ah I per sempre io ti perdei

(Cordiferro-Cardillo) (in Neapolitan)-Giuseppe de Luca and Oi Luna 0 Carlo, ascolta (" DON CARLOS"-Verdi) (in Italian) Verdi) (in Italian) and 11Bolen del suo sorriso (" Trovatore -'-Giuseppe sdeLuca (in Italian) Oh ! de' verd' anni mief (" ERNANI"-Verdi)

della cittä (" Barbiere di Siviglia Rossini) (in Italian) al factotum Giuseppe de Luca (Cordiferro-'Cardillo) (in Neopolitan) 'e sentimento (Capolongo) (in Neapolitan)-Giuseppe de Luca and Nuttata (" DON CARLOS "-Verdi) (in Italian) Per me giunto e il di supremo Eri tu the macchiavi quell' anima (" Bello in Masthexe "-Verdi) (in anti Italian)-Giuseppe de Luca Reste immobile la (" GUCLIELMO TELL "-Rossini) (in Italian) ever terra ("Nozze di Figaro "-Mozart) (in Italian) and Se vuol Ballare, signor contino de Luca -Giuseppe Se wol ballaxe, signor confine (" Nozze Dt FrnAao "-Mozart) (in Italian) and Largo

DA191

10 Red

DB218

12 Red

DA192

10 Red

DA192

10 Red

Oi Luna

" and Rata immobile e ver la terra All Speeds

are 78 unless

(" Guglielmo Tell "-Rossini) (in Italian) --Giuseppe de Luca

otherwise

indicated.

THE DE LUCA RECORDS--Continued

De -

Number Size Label DB221 12 Red

Vision

fugitive

(" HFRODIADE

Massenet)

("Rinaldo

and Lancia ch' io pianga

(in French)

Handel)

(in Italian)-Giuseppe

de Luca

DE LUCA AND BORI DK102

12 Buff

DK102

12 Buff

Pronta

io son (" DON PASQUALE Donizetti) (in Italian) (in Italian)-de an Vado, corro (" Don Pasquale "-Donizetti) Vado, corro (" DON PASQUALE Donizetti) (in Italian)

nnn Pronta io son

("Don Pasquale "-Donizetti)

Luca

(in Italian)-de

and Bori

Luca and Bori

DE LUCA AND CARUSO DM107

12 P. Gn.

Sleale ! il segreto

DM107

12 P. Gn.

Venti scudi

fu dunque violato? (" FORM DEL DESTINO "-Verdi) Donizetti) and Venti Scudi ! (" Elisir d'Amore Luca -de (in Italian) ("ELISIR D'A.MORE "-Donizetti)

(in Italian) (in rtavan) and Caruso

Ind Sleale ! il segreto Jo d unque violato ? (" Forza del Destino "-Verdi) (in Italian)-de Luca and Caruso DE LUCA AND FARRAP DA209

10 Red

Bacio. DE

11 ("ZozA

LUCA

(in Italian) "-Leoncavallo) de ("Zaza and Mamma usciva Casa

AND

"-Leoncavallo) -Geraldine

GALLI-CURCI

DB174 12 Red

"-Verdi) (in Italian) Dite alla giovine (" TRAVIATA lmponete. Nan ditegli (" Traviata and amarlo

DB174

Imponete.

12 Red

Non

amarlo

ditegli

and Dite alla giovine DA381

10 Red

Piangi

DKI27 12 Buff

LUCA

AND

MARTINELLI

12 Buff

DQ100

12 White

Tronc

Di,

Journet

AND MARTINELLI

(" GUGLIELMO'f'ELi '-Rossini) (in Italian) r suoi di quell' empio Ah ! Manlde, io t amo a amore (" Guglielmo Tell "-Rossini) (in Italian) and -Journet and Martinelli BY DE LUCA,

ben ramrnentomi, se

CARUSO,

and Chi mi frena

SEXTET BY DE AND BADA 12 White

(in Italian)-de

Luca Galli-Curci and "-Verdi) (in Italian) (" Romeo ei Juliette "-Gounod) (in French) -Gigli and Bori

(in Italian) Dio the nell' alma infondere (" DoN CARLOS"-Verdi) (Don Carlos "-Verdi) (in French)-Marcel and Elle ne m'aime pas

QUARTET

DQ100

"-Verdi) (in Italian) Luca -de and Galli-Curti (in Italian)

"-Verdi)

(" Traviata "-Verdi)

(" Rrnot.erro ! piangi fanciulla Ah ! ne Juis pas encore ! and

DE LUCA, MARDONES DKIZO

("'IRAVIATA

(in Italian) Farrar

Chi mi frena

GALLI-CURCi

(" RIcol.ETTO "-Verdi)

AND

PERINI

(in llalian)

("L eda di Lammermoor "-Donizetti) (in Italian) de tuta-Caruso-Calli-Curci-Egener-Journet-Bada

LUCA, CARUSO,

GALLI-CURCI,

EGENER, JOURNET

(" 'CIA

Donizetti) (in Italian) ui LAMMERMOOR (" Rigoletto "-Verdi) (in Italian) and Un di, se Len rummentomi --de Lima- Caraso-Calli-Curci-Perini

DEý MURO, BERNARDO, Tenor

kdeh Moo'--roh)

De' Muro studied in Rome under Martino, and first sang in'* Cavalleria Rusticana " in Rome with great success. Following on several successful appearances throughout Italy De' Muro created a lasting triumph in 1912 as Folco in Mascagni's opera " Isabeau," at La Scala, Milan. His beautiful records are in great demand.

THE DE' MURO RECORDS Number Size Label DB549 12 Red

(G. A. De' Muro) (in Iiolian) Alls madre--(Preghiera) (in ftalian) and O Paradiso, doll' onde oxito ("Africans "-Meyerbeer) -Bernardo De' Moro For Prices of Records see page 2.

THE

DE'

MURO

Numbzr Sit- Libel DA171 10 Red

RECORDS--Continued Q Ch' ella mi creda

libero lontano (" FANCIULLA DEL WEST e Pur ti dolce Aida C Aida riveggo, min

and DB553

Red

DB562

12 Red

DB560

12 Red

all' (in

azzurro Italian)

Un profoado, ("Andrea soldo!o

guardai Si, Jui

spazio ann

-Bernardo

12 Red

DB558

12 Red

DB554

12 Red

DB560

12 Red

DB549

12 Red

DB559

12 Red

DB553

12 Red

DB551

12 Red

DB557

12 Red

DB558

12 Red

E paaserä In viva creatura

DB556

12 Red

Italian) Muro

(La matte d'Otdlo)

(" Otdlo

Verdi) (in Italian) -Bernardo Dc'Muro (in Italian)

(" ISABEAU "-Mascagni)

Tu ch' adi Io min grido

I I'orgoglie

(" Isabeaa "-Mascagni)

(tn Italian)-Bernard.

Dc' Muro

"-Verdi) (in Italian) Deserto sulla terra (" TROVATORE (in Italian with choran and Ah / the la morte ognora (" Troaatore "-Verdi) and orch.) -Dc' Mara and Ruggero DE' MURO AND BARTOLOMASI Dormivi?

Sognavo

ai DB556 12 Red

(La Canzone del Falco) (" Isabeau "-Mascagni) (in Italian)-Bernardo De' Muro (" OTELLO "-Verdi) (in Italian musulmano sepolto urt1 Ora (" Oldlc "per chorus and arch.) and e sempre addio, sante memorie Verdi) (in Italian)-Bernardo De' Muro Fu vile 1'editto (" IsABEAU "-Mascagni) (in Italian) Va (" Piccolo Marat "-Mascagni) (in Italian) and ndla tua stanzetta De' Muro -Bernardo (" DON CARLOS "-Verdi) (in Italian) to l'ho perduta Escamillo C' Carmen Bizet) (in Italian}-De' Muro Ho and nomd and Janni (La d'Otello) (" OTELLO Verdi) On Italian) Niun mi terra morte Dio I (" Otdlo "-Verdi) (in Italian) tutii i poleui mali sd mi scagliar De' Muro -Bernardo 0 Paradiso, dali' (" AFRICANA Meyerbeer) (in Italian) onde uscito (G. A. De Muro) (in Italian)-Bernardo De' Murc and Alta madre-(Preghiera) Ora (" OTELLO Verdi) (in Italian) a per sempre addio, saute memorie Esultate I l'orgoglie mss u/mano sepolto (" Otdlo "-Verdi) (in Italian with and De Man. chorus and orch.)-Bernardo C fui Si, (" ANDREA CHENIER "-Giordano) (in Italian) soldato Un di all* ace urro spazio guardaipro)ando (" Andrea Chimer "-Giordano) and (in Italian)-Bernardo De' Mure Sono Ramerrez (" FANCIULLA DEL WEST "-Puccini) (in Italian) Di Iei ("Aida"-Verdi) (in Italian)-De' Maro Gramagna qsd non pid and Tu ch' odi to mio grido (La Canzone del Falco) (" IsABEAu "-Mascagni) (in Italian) (" Isabeau "-Mascagni) (in aid E passerä to viva treat ura Italian)-Bernardo De' Muro Va nella tua stanzetta C' PICCOLO MARAT "-Mascagni) (in Malian)

Esultate

and Fu vile 1'editto

DB644 12 Red

(in

(" TROVATORE Verdi) (in Italian with charm and arch.) quella pira (" Trovatore "-Verdi) (in Italian) and Ai nostri menti rilorneremo Mura and Casazza -Dc' Dio I mi potevi scagliar tutti i mali (" OTELLO Verdi) (in Italian)

and

DB559

ANDREA Chinier "-Giordano)

and Niun mi tema

DB557 12 Red

Puccini) (in Italian) "-Verdi) (in Italian) Muro and Vigano -De' CHENIER "--Giordano)

(" I$ABFAU "-Maaragni)

1 tuoi occhi

(in Italian)

(" /sabeau "-Maxagni)

(in Italian}-De'

(in Italian) (" IsABFAU"-Mascagni) an Dormivi? Sognavo I (" Isabeau "-Mascagni) -De' Mara and

1 tuoi occhi

Muro ana Bartolomasi (in Italiani Bartolomasi

DE' MURO AND CASAZZA DB562 12 Red DBSS1 12 Red

(in Italian) Ai nostri monti ritorneremo (" TROVATORE "-Verdi) Verdi) (in Italian with chorus and orch.) and Di quells pira (" Trovatore Dc' Muro "-Verdi) (in -Bernardo Italian) .slat reggendo all' aspro assalto (" TROVATORE and

DB561

12 Red

Perigliarti

ancor

Perigliarti

languente

ancor ('

languente

(" Trouatore

TROVATORE "-Verdi)

angiMal reggendo all' aspro assalto

"-Verdi) Muro

-De' (in Italian)

(in Italian) Casazza

and

(" Trovatore "-Verdi) (in Italian) -Dc' Mum and Cmazza

DE' MURO AND GRAMAGNA DB551

12 Red

Di lei non pill

(" AmA "-Verdi)

ani Sono Ramerrez

(in Italian)

(" Fanciulla del Wut "-Perini) Or.. Italian) Bernardo Dc' M.,.

All Speeds are 78 unless otherwise indicated.

HIS

MASTER'S

VOICE

RED

LABEL

RECORDS

DE' MURO AND It JANNI DB554 12 Red

Ho nome Escamillo aan

lo l'ho perdula

DE' MURO AND DB644 12 Red

(" CARMEN

Bizet)

(" Don Carlos

(in Italian) Verdi)

(in Italian)-Bernardo

Dc' Murc

RUGGERO

Ah! the Ia morte ognora (" TROVATORE Verdi) (ir. Malian unth chorus and urch. lerdi) (in Italian)and Deserto sulfa terra (" Troaatorc -De' Muro and Badini)

DE' MURO AND VIS&NO DA171

10 Red

Pur

(" Verdi) (in /talian) ti riveggo. min dolce Aida .Aio (" Fancivlla del West "-Puccini) (in and Ch' dla mi credo lihuo e lontano Italian)-8 ernardo De' Muro

DESTINN, EMMY, Soprano Born at Prague, in Bohemia, in 1878, Emmy Destinn took up the violin as her first study, but in 1892 decided to adopt singing as her profession, and made her debut in 1897. Madame Destinn has spent most of her time at the Royal Opera, Covent Garden, and at the Metropolitan Opera House, New York, at both of which houses she is acknowledged as the greatest dramatic soprano of the day. For years she has been a favourite with London audiences, her appearances in " Aida." " Madama ereat Butterfly." " The Girl of the Golden West," " Tosca," and " Un Ballo in Maschera," being especially notable. Her amazing versatility, her superb acting, and her glorious voice are the secrets of her success, and there is small wonder that she occupies a leading position on the operatic stage. The recognition of the independence of her country. Czecho-Slovakia, has been a source of great joy to Mme. Destinn. She has made a number of splendid " His Master's Voice " records. RECORDS

THE

DESTINN

Number DB646

Size 1abc1 12 Red

Amor

12 Red

Ave Maria

DB647

12 Red

DA505

10 Red

DB222

12 Red

DB222

12 Red

D' (" TROVATORE "-Verdi) (in Italian) Bull' ali ros, e (in Italian)-Emmy "-Verdi) and Kitorna vincitor ! (" Ada (Bach-Gounod) (in Latin) (" Madama Butterfly "-Puccini) and Un bei divedremo

Destinn

(in Italian) Destine -Emmy Bel di vedremo, Un (" MADAMA BUTTERFLY "-Puccini) (in Itclian) Ave Maria (Bach-Gounod) (in Latin)-Emmy Desti and in Con onor muore chi non pud serbar C' MADAMA BUTTERFLY "-Puccini) (in Italian) Slovacha (" The Nazarenes "-Karl Kovirovic) (in Czech) aIS>! eisen Destinn -Emmy Morrö, ma prima in Rrazia (" BALLO IN MASCHERA "-Verdi) (in Italian) (in Italian)-Emmy Destin "-Verdi) and O patria min ! ("Aida n O patria mia ! ( AIDA "-Verdi) (in Italian)

and Morrö, ma prima in grazia

DB645 12 Red DB646 12 Red DASOS 10 Red

(" Ballo in Maschera "-Verdi) (in Italian) -Emmy Destinn (Liszt) (in French) Destinn and L'ultirna canzone (Tosti) (in Italian)-Emmy Ritorna vincitor ! (" AIDA"-Verdi) (in Italien) (81) D'amor (" Trovatore Verdi) (in Italian) and sull' ali rosee -Emmy Dalian Slovacha pisen (Karl Kovirovic) (in Czech) 0 quand je Bors !

and Con onor muore chi non pud urbar

Suicidio

(" Madama Butterfly "-Puccini) (in Italian}-Emmy Destinn (" GIOCONDA "-Ponchielli) (in Italian) Vissi Barte, damore (" Tosca"-Puccini) (in Italian) Vssi and Destinn -Emmy (Tosti) (in Italian) canzone, L'

DB223

12 Red

DB645

12 Red

Ultima

Dß3

in Red

and 0 aaand je Bors ! (Liszt) (in French)-Emmy Vissi d'arte, vissi damore (" Tosct "-Puccini) (in Italian) (80) (in Italian)-Emmy and Suicidio I (" Gioconda "-Ponchielli)

Destinn Destinn

VOICE

HIE MASTER'S rHE DESTI\\

RED

LABEL RECORDS

RECORDS-Continued

Number Size Label AND CARUSO

DESTINN DB616

!2 Red

Senta

lorza

una

DESTINN DB593

12 Red

DJ101

19 Buff

DJIO1

10 Buff

12 Buff

DB517

12 Red

DINH

(From 20 Bohemian Folk Songs.' (Vincent Pisek) 'n mä Mita Du mit deiner Fiede,' (Der Op. 15. Na 1) and .Spielman, Zimbalrst (Hildach) 'in German)-Glr rk and (in Czech; M; Homeland (Folk Song) Gilly The Wedding Folk Sono) (in Czech)-Destine and and Wedding. The (Folk Song) (in Ceeehl

AND

and My Homeland DUCHENE

AND

Arno come

KIRKBY

it fulgor and

12 Buff

Mira

and Grliy

LUNN

del L' C' GIOCONDA creato. IVon pile di /ion C' Clemenza

Ah ! ehe In morte ognora chorus and orth.)

DESTINN DK123

(in Czech)-Destinn

Ponchielli) di Tito'

(in Italian) Mozart) !in Italian) Lunn -Kirkby

AND MARTINELLI

DESTINN 12 Red

(Folk Sono)

berger (" PIQoE DAME Tchail6vskv) (in French) mon doux (" Pechenrs de Perles '-Bizet) tin French) and_ Au fond du temple saint -Clement and Journzt

0 viens,

DESTINN

DB333

Caruso

GILLY

Dobrnu noc, Bohemian)

DESTINN DKI05

CCARANY'' (in Italian) indomita -Gomez) di San Giusto (in Italian)-Enrico Le campane (Aronn)

ay AND

AND

la bianca and

(Miserere) ( TROVATORE Verdi) (in Italian with Ah si, ben min coll* essere C' Troratore --Verdi) Martinelli (in Italian)-Giovanni

and

McCORMACK

Iona (Rossini) (in Italian) Teri un giorno ammalato (" C.ioielh dells Madonna (in Italian)--Lunn

1?lolf-Ferrari) and McCormack

DRAGONI, MATTEO, Baritone Matteo Dragoni, after a career of five years only. has already succeeded in winning a lyric artists in Italy. conspicuous place amongst the younger He possesses compass.The

a voice of exceptional

volume,

quality

and purity,

which is also of unusual

numbers chosen are familiar selections, but they are rendered in a manner is wholly personal to the artist, and as such they must always prove of real interest, which THE Number DB477

DRAGONTI RECORD Size Label 12 Red

Credo

(' OTELLO in un Dio crudel and Rivedrai le formte

Verdi) (in Italian) ("Aida--Verdi) imhalsamate -Dragoni

(in Italian) and Bartolemasi

DRAGON! AND BARTOLOMASI DB477

12 Red

Rivedrai and

le foreste imbalsamate Credo in an Dio rrudel

EAMES, EMMA, Soprano

C AIDA (" Olello

Verdil (in Italian) Verdi) (in Italian)-Watteo

Draconi

(Aymz)

Born at Shanghai, Emma Eames studied in Paris under Mme. Marchesi. Her talent has placed her in the front rank of prime donne, and she has created many important roles during her remarkable career on the international operatic stage. In London, New York, Paris and elsewhere, Mme. Eames has long been a favourite artist. The lovely her beauty her brought quality of voice and the of phrasing are well out in these splendid and exclusive " His Master's Voice " records. All Speeds are 78 unless

otherwise

indicated.

THE EAMES RECORDS

Number Size Label DB646

12 Red

DB648

12 Red

DK121 12 Buff

Chanson d'Amour (Holtman) (in French with 'cello by josephHollman and piano) (77) (Too i) (in French Eames and Goodbye :with,',iano)-Emma Goodbye (Tosti) (in Frencl. with piano) Chanson iAmour (Ho!/man) (in French 'cello by Joseph Hallman y4 with and

Dove prende amor ricetto, L.

(" It. Fuuro

and Che soave ze//iretto

EAMES DK121

12 Buff

AND

MACICO"-Mozart)

(" Nozze

de Figaro

(in Italian)

"-Mozart) -Eames

SEMBRICH

Che soave zeffiretto (" Nozze DE FIGARO "-Mozart) (" Flauto ono Ld done prende amor ricetto

(in Italian) Magico "-Mozart) -Eames

(in Italian) and Sembrich

(in Italian) and de Gogorza

EDVINA, MARIE LOUISE, Soprano The opera-houses of London, Paris and America know Mme. Edvina well, for she is one of the popular sopranos of the lyric stage to-day. She was born at Montreal and educated there, coming to England some years later. Singing here as an amateur, at first, her unusual gifts of voice, temperament and personality attracted such attention that her friends persuaded her to study with a view Accordingly Mme. Edvina went to Paris and placed herself to a professional career. under the tuition of Jean de Reske, and in the grand season of 1908 at Covent Garden made her debut, with immediate success, as Marguerite, in " Faust." Since then Mme. Edvina has repeatedly sung at the Grand Opera and the Opera Comique in Paris, at the vletropolitan, New York, the Boston Opera House, and also has appeared in Italy. Her finest roles are those of Louise, Melisande, Thais, Tosca and Marron, in all of which she has become a favourite at Covent Garden, because of the dramatic intensity .as well as the vocal charm with which she has invested those characters. THE. EDVJNA RECORDS Number Size Label DA447 10 Red

Amour est une vertu rare, L' (" THAIS "-Massenet) (in French) Qui to fait (" Thais "-Massenet) si severe

DB548

12 Red

Depuis

DBS47

12 Red

DBS47

12 Red

DA447

10 Red

DB548

12 Red

(in French) Louise Edvina -Marie Charpentier) (in French) (" Two "-Puccini) (in Italian) Louise Edoina -Marie Noel des enfants qui n'ont plus de maisons, Le (Debussy) (in French with piano) Phidy!d (Duparc) (in French Louise Edvina and with piano)-Marie (Duparc) (in French with piano) Phidvle Le Nö,! desenfants Wont plus de (DebMa) (in French with and qui maisons Louise Edvina pianourie @ui to fait (" Ttiais Massenet) (in French) si severe Thais "-Massenet) (" (in French) and L'Amour une vertu est rare Louise Edvina) -Marie Vissi d'arte, d'amore ("TOSCA "-Puccini) (in Italian) vissi le jour oil je me suis donnee (" Louise ('issi d'erte, eiaoi demote and

;ind Depuis ie jour odie me suis donnee

(" Louise "-Charpentier) -.Marie

(in French) Louise Edvina

ELMAN, MISCHA, Violinist This Russian artist was born at Stalnoje, in the province of Kieff, in 1892. At the age of five he appeared at a village concert, many of the tunes he was able to play having been learned by ear from his father, who was the village schoolmaster. In the face of great difficulties his father succeeded in obtaining for the clever child admission to the Imperial School of Music at Odessa, and from here he was induced by Auer, the eminent teacher, to let the boy come as Auer's pupil to Petrograd. There, in the most favourable surroundings, young Mischa's genius developed with wonderful rapidity, and he became famous as a boy prodigy. Invitations soon came to play in Paris, Prague and London. At fifteen years of age Elman was welcomed as a mature artist, with all the virtuoso'. equipment at his command, equal to the most exacting composition, To-day the pub!:c regards him as one of the world':; greatest violinists.

HIS

MASTER'S

VOICE

RED

LABEL

RECORDS

tours throughout the chief centres of the world increased his already El ; crowded houses and unbounded enthusiasm being the rule wherever great popularity he appeared. The Gramophone Company, Ltd., have reproduced the playing of this -beautiful tone and delicate touch being revealed in artist with absolute perfection, the faithfulness in these exclusive His Master's Voice" records. artistic Subsequent

Number Size Label DB226 12 Red DB232 12 Red DB425

12 Red

DB227

12 Red

DA197

IC Red

DA196

10 Red

DB229

12 Red

DA199

10 Red

DB224

12 Red

DB650

12 Red

DA197 DA193

10 Red 10 Red

(Bach) (with piano) and Nur wer die Sehnsucht kennt

Air for G string

Alice, where art thou ? (Ascher) Sun (" Coq d'Or "-Rimsky-Korsakof, and Hymn to the

arr. Kreisger) piano)-Mischa (Schubert Wilhelmi) (with (80) piano) arr. (with piano)-Mischa and Melodic, Op. 42, No. 3 (Tchaikovshy) Canto amoroso (Sammartini) (acc. by Percy B. Kahn with piano) (with piano)-hlischa and Nocturne, Op. 54, No. 4 (Grieg are. Elman) Canzonetta, Op. 6 (d'Ambrosio)and La Cinquantaine (Gabriel)-.Mischa Capriccio (Scarlatti)and from Garden Scene (Gounod) (with " Faust "-Fnntasia -Mischa (Sarasate) (with piano) Basque Dance, Op. 22, No. 3 (Sarasate) (with piano)-2lischa and Spanish (with piano by Percy B. Kahn) Capricietto (Mendelssohn arr. Bonnester) (Rubinstein (with piano-Mischa and The dew is sparkling arr. Elm an) Cavatina, Op. 85. No. 3 (Raff) (with piano) Symphonie Espognole (Fourth Movement), Op. 21 (Lalo) (with and -Mischa Chanson, Louis XII I ; (b) Pavane (Couperin-Kreisger) (with piano) Tanz (Dittersdorf) (Gossec) (with and (a) Deutscher ; (b) Gavotte Canzonetta, Op. 6 Cinquantaine, La (Gabriel) and (with piano) Country Dance (Beethoven-Elman)

12 Red

Dann Ie bois (Paganini arr. Vogricls) (with piano) Song without words, Op. 67, No. 6 (Cradle and

DB650

12 Red

Deutscher

DA199

10 Red

Dew is sparkling. The (Rubinstein (A'lendelssohn gnd Capricietto

DB233

12 Red

Eili, Eili

DA196

10 Red

"Faust

mid

DA506

10 Red

DB650 12 Red 12 Red

DA193 10 Red DA203 10 Red

Elman piano) F_lman

(d'Ambrosio)

-Mischa -Mischa

Elman Elm an piano) Elm an piano) Elmar. Elman

-Mischa

piano) Elmare

Song) (Mendelsohn) (with Elmare piano)-Mischa (Gossen) (with piano) (Couperin-Kreisler) (with piano) Elmare -Mischa (with piano) arr. Elman) by Burmester) (with Percy B. Kahn) piano arr. Elman -.'Mischa

Tanz (Dittersdorf) (8I) : (b) Gavotte and (a) Chanson, Louis XIII : (b) Pavane

(arr.

(with piano) Kol Nidrei (Max Brach) (with piano)-Mischa gad from Garden Scene (Gounod) (with piano) (Scarlatti)-b'liseha and Capriccio (the Fairies) (Pence) (with piano)

Elman)

Elman

Fantasia

Farfadets,

Les

and Valse Caprice, Op. 16 Fond Recollections, Op. 61, No. I (Popper) gem (a)

Gavotte

(Andre

GrOry)

(with piano) Elmare

and Fond Recollections, Op. 61, .No. I (Popper)-Mischa (Gossen): (a) Deutscher Tanz (Dittersdorf) (with piano)

Humoresque

(Dvorak)

;.(b)

Pavane

(with piano)

-Mischa

Gavotte

Louis XIII

(Gossen)

(Gussec)

(Andre Gritry)

Chanson,

; (6) Tambourin

(Coaperin-Kreisler)'

(with piano)

Elmar?

(Rissland)-Miseha.Elman

; (b) Tambourin

Gavotte

and (a) DB230

Elman

(with piano) and Hungarian Dance, No. 7-A major (Brahms-Joachim) -Mischa Elman (C. M. von Weber) (with piano) Athens "-Turkish March (Beethoven) (with " Ruins

DB231

DA506 10 Red

Elman

Caprice

Country Dance

10 Red

(with Elman

Ave Maria

DA194 10 Red

DA507

(Tchaikovsky) (with piano). -Mischa Elm-

Elmare

(with piano) Elman -Mischa

(Padre Martini) (with piano)--Mischa Elman and Minuet Hungarian Dance, No. 7-A Major (Brahms-Joachim) (with piano) and Country Dance (Beethoven-Elman) (with piano)-Mischa Elman Hungarian Dance-No. 17 in F sharp minor (Brahms-Joachim) (with piano) Rondino (on by Beethoven a theme

and

All Speeds

are

78 unless

otherwise

(with piano) are. Kreisler) Elmare -.Mischa

indicated.

HIS MASTER'S THE

ELMAN

:umber Size Label DB232 12 Red DA198

10 Red

DB651

12 Red

DA19S

t0 Red

DB233 12 Red DA313 DB235

10 Red 12 Red

VOICE RED

LABEL

RECORDS

RECORDS-Continued Hymn

(" CoQ COY "-Rimsky-Korsakof (with piano) arr. Kreisler) Elmar, and Alice, where art thou ? (Ascher)-Mischa Impromptu (Elmar,) (with piano) : (Hummel arr. Burmester) (with piano)-Mischa Elman and Walzer Introduction (Saint-Sacns) (with piano) et Rondo capriccioso (Andante) (Theme and variation No. 12-Austrian and The Emperor Quartet Hymn) (Haydn)-Elmar, String Quartet Kaleidoscope," Op. 50, No. 9-Orientale (Cesar Cui) Ina

to the Sun

Gondola

Kol Nidrei

(Max Bruch)

and Souvenir (with piano)

(Drdia)

(arr. Elmar,) and Eili. Eili Last rose of Summer, The (with piano) (Moore) Vogel Prophet, Op. 82, No. 7 (Schumann) and als Meditation (" THAIS "-Massenet) (with piano)

and Simple Aveu

Elman

(with piano)-Mischa

Elman

(with piano)-Mischa

Elm an

DB225 12 Red

(acc. by P. Gordon) (with piano)-Mischa Elman Melodie, Op. 42, No. 3 (Tchaikovsky) (with piano) (76) (with piano)Mischa Elmar, aud Ave Maria(wth Melodie (" ORFEOEDEuRticc "-rCtluk) (wit hpipiano)

DB230

12 Red

Minuet

DA200

10 Red

Minuet

1)B425 12 Red

and Prize

(Padre in D

(Romance sam Paroles)

(with piano)-Mischa

Song

Martini) (No. 2)

Minuet in C

DB234

and Nocturne

12 Red

DB234 12 Red DB227

12 Red

(No. 2)

"-Wagner

(with piano) and Humoresque (Haydn-Burmester)

and Minuet in G (N..2) DA200 10 Red

,Meistersinger

(Beethoven)

Minuet in D in D Flat. Op. 27, No. 2

DA202

10 Red

DB650

12 Red

DB226

12 Red

DA203

10 Red

DA194

10 Red

DA428

10 Red

DB235

12 Red

DB231

12 Red

DA195

10 Red

DIM

12 Red

DB224

12 Red

DA506

10 Red

DA428

10 Red

(Dvoiäk) (with piano)-Mischa (with piano)

(with piano)-Mischa (with piano)

((lithtpiano)it

Noctu n in E Flat,Op.. 9.1N0, 2 (Chopin) and Nocturne in D Flat, Op. 27, No. 2 Op. 54. No. 4

(Grieg arr.

Elmar)

(with piano)

Nur wer die Sehnsucht kennt and Air for C string

(Bach) (with piano)-Mischa (with piano) (Hummel) (with piano)-Mischa Walt_ in A and maior Pavane (a) Chanson. Louis XI I I (Couperin-Kreisler) (with piano) ; (a) Deutscher Tanz (Dittersdorf) Gavotte (with (b) (Gossec) and ; -Mischa Prize Song (' MEISTERSINGER "-Wagner Wilhelm]) (with piano) arr. (" Orfeo ed Euridice Gluck) (with piano) and Melodie -Mischa Rondino (on a theme by Beethoven) (arr. Kreisler) (with piano) Dance-No. 17 in F sharp minor (Brahms-Joachim) and Hungarian

Pastorale

Elmar,

(Scarlatti)

Elm an piano) Elm an Elmar,

(with Elman piäno)-Mischa March (Beethoven) (with piano) of Athens "-Turkish Dance (C. M. con Weber) (with piano)-Mischa Elman and Country Serenade (Drigo) (with piano) Träumeei (Schumann) (with Elmon and piano)-Mischa SimpleAveu (Romance sans Paroles) (Thome) (acc. by P. Gordon) (with piano) Meditation ("Thais "-Massenet) (Leith Mischa Elm an and piano)Song without words. Op. 67, No. 6 (Cradle Song) (Mendelsohn) (with piano) (with piano)-Mischa Etman and Dans le Bois (Paganini arr. Vogrich) Souvenir (Drdla) (with piano)(Cesar e, ýp Cwi)-Mischa F.Imnn and Spanish Dancand Op22, No. (Sarosote) withpiano) Caprice Basque (Sarasate) (with piano)-Mischa Elm an Symphonie Espagnole (Fourth Movement), Op. 21 (Lebo) (with piano) Cavatina, Op.85, No. 3 (Raff) (with piano)-Mische Elman and Tambourin (Gossec) ; (a) Gavotte (Andre Cretry) (with piano) On. 61, No. I (Popper)-Mischa Elmar, and Fond Recollections, Träumerei (Schumann) (with piano)

" Ruins

DA313 10 Red

Vogelals Prophet. Op. 82, No. 7 (Schumann) (withpiano) The last Summer (Moore) (with

Elmar,

(with piano) Elmar, -Mischa

(acc. by Percy B. Kahn) (with piano) -Mischa Elman (Tchaikovsky) (with piano)

and Serenade Valse Caprice. Op. 16 (Rissland)and

10 Red

Elmar,

(76lial-Mischa (Chopin-Wilhelm])

DASt17 10 Red

DA202

(with piano) Elm-

-Mischa

(Chopin-Wilhelm])

octurne

Nocturne,

Wilhelm])

arr.

(acc. by Percy B. Kahn) (with piano) -Mischa Elman (Beethoven) (acc. by Percy B. Kahn) (with piano) Elman (No. 2) (Haydn-Burmester)

and Canto amoroso (Sammartini) DB226 12 Red

(Thom()

Les Farfadets Waltz

(Drigo)

(with piano)-Mischa

Elmon

(Pente)

(with piano)-Mischa

Elman

and rose of (Hummel) (with piano) in A major (Searlatti) and Pastorale For

Prides

cf Records

see page

(with

piano)-Mischa

Elman

piano)-Mischa

Elmar,

THE ELMAN RECORDS-Continued Number Size abel DA198 10 Red

Walzer

(Hummel-arr. Burenester) (wich piano) and Ina Gondola : Impromptu (Elman)

SOLI BY CARUSO WITH OBBLIGATI

BY ELMAN-See

(with piano)-Mischa

Elm an

"Copuso"

ELMAN STRING QUARTET (Mischa Elman and Messrs. Bak, Rissland and Nagel of the Boston Symphony Orchestra) ELMAN

STRING

Number Size Label DB652 12 Red

DB651 12 Red 12 Red

DB652 DA174

10 Red

DA174

10 Red

DB238

12 Red

DB238

12 Re l

QUARTET

RECORDS

Andante Cantabile, Op. I I (Tchaikovsky) (Schubert)-Elman String Quartet and Quartet in A minor-Minuet Emperor Quartet, he (Andante) (Theme and variation No. 12-Austrian Hymn) (Haydn) and Introduction et Rondo capriccioso (Saint-Soens) (with piano) Quartet

(Schubert) in A minor-Minuet Cantabile, Op. It (Tchdikovsky) and Andante -Elman Quartet in D minor-Minuet (Mozart) (Finale) (Diiiersdorj)-Elman in E flat-Allegro and Quartet Quartet in E flat-Allegro (Finale) (Dittersdorf) (.Mozart)-Elman in D minor-Minuet and Quartet Quartet in E flat-Minuet (Mozart) (C. von Dittensdorf)-Elmnn nd Quartet in G major-Andante Quartet in G major-Andante (C. Von Dittersdorf)

and Quartet in E Jlat-Minuet

(Mozart)-Elman

-Mischa String

Elm-

Quartet

String

Quartet

String

Quartet

Siring

Quartet

String Quartet

FARRAR, GERALDINE, Soprano This brilliant soprano was born at Melrose, Massachusetts, in 1882, and began to study music at the age of twelve. In 1899 she went to Paris. Her success was immediate. She has sung a large number of leading roles, including Marguerite, Madama Butterfly, Marion, iMMicaela,Mignon, Elizabeth, Tosca, Juliet, Cilda, Mimi and Nedda. London received her with acclamation in 1910. Miss Farrar has all the attributes of a great prima donna-a beautiful, fresh, flexible voice and a charming stage presence. America claims her usually, and she has for many years been one of the chief " stars;' of the Metropolitan Opera, New York, but she is exceedingly well known on the Continent. The " His Master's Voice " records of this gifted singer display in a striking manner 'tliss Farrar is another of the the loveliness of her voice, and are altogether delightful. band of exclusive " His Master's Voice " collaborators.

THE FARRAR RECORDS -----

Number

Size

label

DA206 (0 Red DB247

12 Red

DA509

10 Red

DB654

12 Red

DA510

10 Red

DA204

10 Red

DB690

12 Red

Abide with me (Monk)and Lead, kindly Light

(Rev. J. B. Dykes)-Gualdinc Farrar (in French) (" MASON "-Massenet) noire petite table Te souvient-il du famine ox voyage? (" Thais "-Massenet) (Meditation) and (in French)--Geraldine Farrar All through the night (Old Welsh Air) (Banlton) Believe (Moore}-Geraldine Farrar and me, if all those endearing, young charms Altra notte in rondo at more. L' (" MEFlSTOFFLE Boito) (in Italian) Je (" Mignon "-Thomas) (in French) a_id connais an pavvre enfant Farrar -Geraldine Amour eat un oiseau rebelle, I. (Ha6aiiera) CARMEN "-Bizet) (in French) Manon "-Massenet) (in French) as d 76eissons aaanl [cur voix appelle Gera!dine Farrar Ancora no pasta or via ( MADAMA BDTrERFLV Puccini) (in Italian) (80) leri (" Madama Butterfly "-Puccini) (in /talian) an son sauna Farrar -Geraldine Annie Laurie (Lady John Scott) Bessie (Scotch Air) (Gilhe,t)-Geratdine Farrar and Bonnie Sweet

Adieu,

All Speeds

are 78 unless

otherwise

indicated.

THE FARRAR RECORDS--Continued

Number

Size

Label

DA509 10 Red DB655 12 Red DB600 12 Red DA508 10 Red

Believe me, if all those endearing young charms (Moore) (Boullon)-Geraldine (Old Welsh Air) and All through the night Ben Bolt (Kneass) Bonnie Sweet Bessie

Che

tua (in

madre Italian)

(Scotch

Con

and

Door

muore

chi

and Che too nadre

DB655 12 Red DA204 10 Red DB243 12 Red DB654 12 Rel DB244 12 Red DA206 10 Red DA208 10 Red DA209 10 Red, DB173 12 Red DA512 10 Red DB243 12 Red DA510 10 Red DA208 10 Red DB653 12 Red

DASIZ 10 Red DB245 12 Red

DB653 12 Red DB245 12 Red

and The Holy (Gilbert)

City

-Puccini)

(Scottish non

and puts

Ye.Air) banks

serbar

dovrd prenderti

and braes MADAMA

in braccio

Farrar Farrar

(Adams)-Geraldine

Annie Laurie (Lady John Scott)-Geraldine ag (" MADAMA BUTTERFLY in braccio prenderti Con Door muore (" Madama chi non pud serbar

dovrä

Cumin' thre' the rye

Air)

Farrar "-Puccini) Butterfly"

(in Italian)-Geraldine Doon-Geraldine o' bonnie BUTTERFLY "-Puccini)

Farrar (in

Farrar Italian)

C' Madama Butterfly "-Puccini) (in Italian)-Geraldine Farrar le (" MIGNON (violin obbi. by Kreisler) Connaia-tu I'bomas) (in French) pays? lok' a rose (Nevin) (violin obbi, by Kreisler)-Geraldine Farrar Mighty and (Adams) Farrar Holy City, The and Be. Bolt (Kneass)-Geraldine ("MADAM, BUTTERFLY "-Puccini) (in Italian) leri son salita Butterfly "-Puccini) (in Italian) and Ancora un posmo or via (" Madams Farrar -Geraldine II etait un roi de Thule ("FAUST Gounod) (in French) O Dieu ! de bijoux (" Faust "-Gounod) (in French) gad_ qae Farrar -Geraldine Je connais un pauvre enfant ("MtcNON "--Thomas) (in French) (" Mefistofele "-Botto) (in Italian) and Laura none in_fondo at mare Farrar -Geraldine Bizet) (in French) Lä-bas clans is montagne (" CARMEN Seville (" Carmen "-Bizet) (in French) Pres des de (Seguedille) and remparts Farrar -Geraldine (Rev. J. B. Dykes)and Lead, kindly Light Abide with me (Monk)-Geraldine Farrar Long, long ago (Bayly) Farrar and Oh 1 for the wings of a dove (Mendelssohn)-Geraldine iblamma usciva di casa ("Lazä Leoncavallo) (in Italian) Ii Bacio (" Zazd "-Leoncavallo) (in Italian)-Farrar De Luca and and Mighty lak' a rose (Nevin) (violin olbt by Kreisler) (in French) '-Thomas) Connais-tu le (" (violin by Kreisler) pays? and :Mignon obbi. (in French)-Geraldine Farrar (in French) Murmuring breezes, Op. 2!, No. 4 (Jensen) Thy dear eyes (Bartlett) (in French)-Geraldine Farrar and bijoux C' FAUST "-Gounod) (in French) and O Dieu' que de (" Faust "-Gowned) (in French)-Geraldine Farrar B etait tin roi de Thule (in French) Obeissotis leer voix appelle (" MANON "-Massenet) quand (Habanera) (" Carmen "-Bizet) (in French) est on Disease rebelle and L'amaur Farrar -Geraldine Oh ! for the wings of a dove (Mende!ssohu)and Long, long ago (Bayly)-Geraldine Farrar Ora stammi a sentir (" Tossa "-Puccini) (in Italian) 'voi (" Ntozze di Figaro "-Mosart) (in Italian) and the soyete Farrar -Geraldine (" CARMEN "-Bizet) (in French) Pres des remparts de Seville (Seguedille) dons la (" Carmen "-Bizet) (in French) and Ld-bas moistagne Farrar -Geraldine du lumineux (Meditation) (" T[sAls "-Massenet) Te snuvient-il (in voyage? (' Marion "--Massenet) (in French) Adieu, noire petite table French) and Farrar -Geraldine (Bartlett) (in French) Thy dear eyes Murmuring Breezes, Op, 21, No. 4 (Jensen) (in French)-Geraldine Farrar and des sistres Les (Chanson Boheme) (" CARMEN "-Bizet) (in Tringles tintaient, French) Vogons, (" Carmen "-Bizet) (in French) and quej essuie Farrar -Geraldine Via I cosi non mi lasciate (" SECRero in SUSANNA "-Wulf-Ferrari) (in Italian) ("Dante "-Godard) (in French) and Noses al/ons partir tour deux -Farrar and Clement Mozart) (in Italian) Voi the sapete (" NOZZE DI FIGARO Puccini) (in Italian)-Geraldine Farrar (" Tosen and Ora stammi a sentir (in French) Voyons, que j'essaie (" CARMEN "--Bizet) (Chanson Boheme) (" Carmen "-Bizet) des tintaient Les iringles sistres and (in French)-Geraldine Farrar Ye banks and braes o' bonnie Dann Cumin (Scottish Air)-Geraldine Farrar thro' the rye and

For Prices of Records see page 2.

HIS

MASTER'S

VOICE

RED

LABEL RECORDS

THE FARRARRECORDS-Continued

DK124

12 Buff

(in Italian (" SECRETO DI SUSANNA "-Wolf-Ferrari) with chores (in C' Donne Curiose "-Wolf-Ferrari) and It car net contento Italian)-Farrar and Jadlowker ("CARMEN "-Bizet) (in French with chorus and orth.) Si to m'aimes f (" Carmen "--Bizet) (in French with chorus and orth.) ans le ai.ne encore Martinelli -Farrar and FARRAR AND CARUSO Delta

idillio.

and orch.)

DK107

DM109

12 Buff

12 P.Gn.

12 P. Gn.

DM108

12 P. Gn.

DM110

12 P. Gn.

DMI10

12 P. Gn.

DM108

12 P. Gn.

Attends

! voici la rue and A4on ceur

12 Red

DJ102

10 Buff

Red

AND

Belle

Lontano,

nuit, lontano

d'amour

o nuit ("

10 Red

DA209

10 Red

DKI25

12 Buff

(Barcarolle)

"-Boito)

(in

MEFISTOFELE

and Ange DA211

(in French)

-Farrar

CLEMENT

(" ROM@O ET JULIETTE "-Gounod) (in French) Anee adorable Lontano, lontano (" Mejistofele "-Boito) (in Italian)-Farrar and (Lolly) (in French with piano) Au ciair de la lune and

DB172

(in French) (81) ("Faust"-Gounod)

-Farrar (in French) Mon. ae it cst penetre d'epouvaeste ! (' FAUST "-Gounod) (in French)-Farrar (" Faust "--Gounod) and attends! eoici to rue French) (80) 0 nuit d'arnour (" FAUST "-Gounod) (in (in French)-Caruso ("Faust "-Gounod) and ll se fait lard (in Italian) O quanti ocehi fisi (" MADAMS BUTTERFLY "-Puccini) (" d'lanon "-Massenet) Oh Iappelle Manon and -Caruso (in French) On l'appeile Manon (" MANON "-Massenet) fisi (" Madams Butterfly Puccini) and 0 quanti ocehi -Farrar FAUST "-Gounod) (in French) (81) 11 se fob turd (" (" Faust "-Conned) and 0 nail d'amour FARRAR

DR172

(" FAUST"-Gounod) d'epoueante!

est pdndtrd

adorable

(" Romeo et Juliette

(" DANTE "-Godard) allons partir sous deux Segreto and Via I cosi non mi lasciate

Nous

and Farrar (in French) and Farrar (in Italian) and Caruso (in French) and Caress

and

Clement

"-Offenbach)

"-Gounod)

and

Scotti

(in French) and Clement

-Farrar (in French) di Susanna "-Wolf-Ferrari) Italian)-Geraldine

(in Farrar

LUCA

FARRAR

AND

Bacio,

(" ZAZ.1"-Leoncava11o)

Conte_s d'Hoffmann (in French)-Farrar Italian)

and Caruso (81) and Caruso

(in Itaii an)

and Mamma uncles di casa

(" Zazd "-Leoncavallo) (in Italian) -Geraldine Farrar

FARRAR AND HOMER Alla caPanna

andiarno nd

DK125

12 Buff

Tutti

i hor

r uttii

((n

BuOtterfly Maldama

(" MADAMA BUTTERFLY "-Puccini)

and Alin eapanna andiamo

(in Italian)

(Campana)

"-Puccini) Farrar (81)

(in Italian)-Farrar

(in Italian) and Home;

and Homer

FARRAR AND JADLOWKER DK124 12 Buff

"-Wolf-Ferrari) (in Italian) Cor nel contento, 11 (" DONNECURTOSE (in Italian with and 11dolce idillio (" Scgreto di Susanna "-Wolf-Ferrari) chorus and orch.)-Farrar and Amato FARRAR AND JOURNET

DO101

Duo

12 P. Blue

DK106 12 Buff DKI09

12 Buff

DK109 12 Buff

(80) des hirondelles (" MIGNON-Thomas) (in French) (" Boheme "-Puccini) (in Italian) and Addio dolce svegliare Caruso-Farrar-Scot

ti-Viafora

Elle ouvre sa fenetre (Scene du Jardin) (" FAUST"-Gounod) (in French) (80) (in French) and Alerte! on was etes perdus (" Faust "-Gounod) Caruso, Fa rar and Journet Que dirai-je aloes au Seigneur? (" FAUST"-Gounod) (in French) (81) Gounod) (in French) (81) and Seigneur, daignes permettre (" Faust Farrar Journet (in French) (81) and Seigneur, daignes permettre (" FAUST"-Gounod) (" Faust "-Gounod) Que dirai-je (in French) _nd alors auSeigneur? Farrar and Journet All Speeds are 78 unless otherwise indicated.

FARRAR AND MARTINELLI DK108 12 Buff

DK108 12 Buff

C'est toil

L'on m'ayait avcrtie and Halle

Halte lä ; qui Vatä? (" CARMEN "-Bizet) C'est toi. I L'on and

DK107

12 Buff

Je t aime

m'avait

encore

Situ

FARRAR AND DJ102 10 Buff

C CARMEN"-Bizet)

lä ; qui va lä ?

m'aimes ("Carmen SCOTTI

12 Buff 12 Buff

Crudel and La ci end

DK1I1

12 Buff

Mimi

DK118

12 Buff

Ora a

(in French) Carmen

"-Bizet) Farrar

"-Bizet)

(in French)

and Martinelli and orch.)

with chorus

(in French With chorus and orch.) -Farrar and Amato

(" CONTESD'HOFFMANN "-Offenbach)

(81)

end AuClair

de la lune

and Crudel I perchi Jinora (" Nozze di Figaro "-Mozart) -Farrar TRIO BY FARRAR. CARUSO AND JOURNET

DK106

12 Buff

Alerte!

ou vous eten perdus

aid Elle ouvre sa Jenitre QUARTETS DM102

DM102

12 P. Gn. 12 P. Go.

C FAUST "-Gounod)

(in French)

BY FARRAR, CARUSO,

FARRAR,

(80)

(" Faust "-Gounod) (in French) and Journet -Farrar MME. GILIBERT AND JOURNET

du Jardin-Part 2) (" FAUST (Scine du Jardin-Part I) (in French)-Farrar-Caruso-Mme. (See-se du Jardin-Part I) ("FAUST"-Gounod) Seigneur Dieu Eh quoi I toajours seule (Scene do Jardin-Part 2) uni (in French) (80)-Farrar-Caruso-Mme.

Addio dolce svegliare

(in Italian) and Scotti

(Stine du Jardin)

Eh quoi ! touiours mule (Scene (80) Seigneur Dieu and

QUARTET

DO101 12 P. Blue

(in

(Lulls) (in French) -Farrar and Clement finora (" NozzE FIGARO "-(Mozart) (in Italian) I perehe DI Scotti Ora (" Madama BAtterfly "-Puccini) (in Italian)-Farrar and a not darem Ia (in Italian) (80) (" DON GIOVANNI "-Mozart) mono (in Italian) (80) Mimi 1 i ver, siam qui da un mese (" Bohime "-Puccini) Scotti -Farrar and I e ver, Siam aus da un mese (" BOHEME "- Puccini) (in Italian) (80) (in Italian) (" Don Giovanni "-Mozart) und Ld ei darem la mono Scotti -Farrar and (in Italian) (80) (" MADAMA BUTTERFLY "-Puccini) not

French)

DKIII

(Barcarolle)

(in French) and Martinelli

Farrar

(in French

("CARMEN "-Bizet)

Belle nuit, ö nuit d'amour

DKI18

overlie

(in French)

("Carmen"-Bizet)

CARUSO,

SCOTTI

(" BOHEME"-Puccini) gqd Duo des hirondelles

AND

VIAFORA

(in Italian)

(" Mignon

Gounod) (in French) Faust Gounod) Gilibert-Journet (in French) (80) (" Faust "-Go rood) Gilibert-Journet

(80) Thomas) -Farrar

(in French) and Journet

FLETA, MICHELE, Tenor Michele Fleta was born in Saragoza (Spain), in 1898. He received his musical Italian, French and Portuguese, education in Spain and Italy, where he sang in Spanish, He made his debut in 1919 at the Verdi Theatre, Trieste, as Paolo in Zandonai's opera Afterwards he sang " Francesca da Rimini," under the direction of the composer. during the same season in "Aida." Dating from that time, his career has brought him the applause of many cities. He sang in " Aida " at the Rinnovati Theatre at Leghorn. At Vienna and Budapest he sang in " Mephistopheles," " Tosca," "Aida," .. Boheme," " Rigoletto," " Pagliacci " At the Municipal Theatre, Piacenza, he appeared in " Carmen " and and " Carmen." He then sang in " Carmen " and " Francesca da Rimini " at the " Andrea Chenier." Costanzi Theatre, Rome, then in " Carmen " and " Aida" at Palermo. At Genoa he appeared in " Carmen " ; then at Bologna in the same role. At the Real Theatre, Madrid he gave his whole repertoire with his usual great success, and was chosen last Zandonai to Giulietta e Romeo." year by Mr. create the role of Romeo in his new opera " His performance in this role was again a great success. Fleta

records

exclusively

for " His Master's

For Prices of Records

Voice."

see page 2.

MASTER'S

HIS

VOICE

RED

LABEL

RECORDS

THE FLETA RECORDS Number

DA445

10 Red

DB524

12. Red

DB524

12 Red

DB525

12 Red

DA445

DB580

Size Label

DB525 12 Red

Ay. Ay. Ay (Perez) (in Spanish)-Michele Fleta

Henchido de amor santo A te, o care, amor talora and Te yuiero

(in Italian) Flea

-Michele

(in Italian) Flit. -.Michele (" La Dolores "-Briton) (in Spanish) Fleta Henehido de amor santo -Michele (in Spanish) Fleta Ay, Ay, Ay (Perez) -Michele (in Spanish) Te quiero (Jota) (" TRUST DE Los TENORIOS "-Serrano) A le, `-Bellini) (in Italian) (' Puritani and o cara, amor talora

12 Red

FLETA

AND

Presage,

(ivlorir! it core and orch.)

("AIDA "-Verdi) (in Italian si pura e hello) "-Verdi) On Italian and O terra. addio ! ("Aida chorus and orch.) -Fleta-Austral-Thornton AUSTRAL AND THORNTON

BY FLETA,

TRIO

-Michele

AUSTRAL.

chorus

FLONZALEY

(ia Spanish) Fleta

-Michele

(in Italian) 1 son in (" GIULIETTA E ROMEO "-Zandonai) (" Carmen "-Bizet) Bed Iifior che,avevi a me to dato

Giulietta

Fleta

-Michele

Fior the avevi a me tu data, It (" CARMEN'-Bizet) (in Italian) I son io (" Giulietta and Giulietta e Romeo "-Zandonai)

10 Red

DB58o 12 Red

("La Dolores"-Briton) (in Spanish) (" PURrrAN1 "-Bellini) (in Italian) (fotn) C' Trust de Ios Tenorios "-Serrano)

Fleta with with

O terra. addio ! (" Alas "-Verdi) (in Italian with chorus and arch.) (Morir l si pura a hdla) ("Aida"-Verdi) (in Italian) andPrangoilcore with chorus and orch.)-Fleta and Austral QUARTET (Flon-zah'-lee)

lavished their supreme genius upon the world's greatest composers have the string quartet, two violins, viola and 'cello-production of chamber music-especially yet the rarity with which a true ensemble is obtained makes such music perhaps by the finest more difficult to appreciate, since its real beauty can only be revealed players. The Flonzaley Quartet is an organisation devoted exclusively to chamber music. It was formed in 1903 by E. J. de Coppet, an American millionaire, and named after his has Swiss villa on Lake Geneva. The Quartet, however, long maintained an independent for its devotion to its artistic ideals, existence, and is famous in American musical circles The players who form the Quartet are : Adolfo and the pet fection of its achievements. Betti, first violin ; Alfred Pochon, second ; Louis Bailly, viola ; and Ivan d'.Archambeau, 'cello. The Quartet binds its members not to play in orchestra or even solo, so as to famous. Naturally a body of players with preserve the perfect unity of effect for which it is by " His Master's Voice," and these such lofty aims can only be recorded adequately records will be appreciated by all who are discriminating in their musical tastes, as the result of most careful and painstaking effort. The

THE FLONZALEY RECORDS Number

Size Label

DA210 10 Red DA210 10 Red DB251

12 Red

Canzonetta in E flat. Op. 12, No. 2 (Mendelasohn) and Drink to me only with thine eyes (Hullah}-Flonzaley Drink to me only with thine eyes Mullah) Canzonetta E flat, Op. 12, No. 2 (Mendelssohn)-Flonzaley

DB254

12 Red

Molly

DB252

12 Red

Quartet

DB249

12 Red

Quartet

DB248

12 Red

Quartet

DB253 12 Red 12 Red

"-No.

3, Interludium in Modo Antico, and Quartet in D Minor-Allegretto

(Grainger) (Mozart)-Flonzaley in D major-Minuet ?rsd Quartet Op. 41, No. 3-Assai (Schumann) agitato Quartet G (Mozart)-Flonzaley in and major-Finale (Schumann) in A minor-Scherzo Quartet D (Mozart)-Flonzaley in and major-Andante in C major, Op. 59, No. 3-Fugue (Beethoven) in A major,

(Beet hoven)-Flonzaley and Quartet in D major, Op. 18, No. 3-Presto Quartet in C minor, Op. 51, No. I -Allegretto (Brahms)

are

78 unless

otherwise

indicated.

2nd

Quartet Quartet Quartet

Quartet

(Beethoven) Quartet -Flonzaley Quartet in C minor, Op. 18, No. 4-Scherzo, 2nd Movement (Beethoven) (Brahms)-Flonzaley Q,rorlrt and Quartet in C minor. Op. 51, No. I-Allegretto All Speeds

in C. minor, Op. 18, No. 4-Scherzo,

Quartet

Quartet Op. 15, No. 3 (Glazounov) (Mozart) ma non troppo Quartet " -Flonzaley

on the shore

and Quartet

DB253

and " Five Novelettes

Movement

HIS THE FLONZALEY

Number Size Label DB250

12 Red

DB250

12 Red

DB249

12 Red

DB254

12 Red

DB248

12 Red

DB251

12 Red

DB658

12 Red

DB658

12 Red

DB252

12 Red

MASTER'S

VOICE

RED LABEL

RECORDS

RECORDS-Continued in D major, Op. 64, No. 5-Adagio Cantabile, 2nd Movement (Haydn) Moderato (Haydn) and Quartet in D major, Op. 64, No. 5-Allegro Quartet -Flonzaley Quartet in D major, Op. 64, No. 5-Allegro Moderato (Haydn) D major, Op.64, No. 5-Adagio Quartet in Cantabile, 2nd Movement (Haydn) and Quartet -Flonzaley Quartet in D major-Andante (Mozart) (Schumann)-Flonzaley Quartet and Quartet in A minor-Scherzo Quartet in D major-Minuet (Mozart) (Grainger)-Flonzaley Quartet and Molly an the share Quartet in D major, Op. 18, No. 3-Presto (Beethoven) (Beethoven)-Flonzaley Quartet and Quartet in C major, Op. 59, No. 3-Fugue Quartet in D minor-Allegretto (Mozart) ma non troppo " Five Novelettes "-No. 3, Interludium Modo Antico, Op. 15, No. 3 in and (Glazounov)-Flonzaley Quartet Quartet in E minor (Allegro moderato ii Is polka) (Smetana) Op. 96 (Dvorak)-Flonzaley Quartet in F major-Lento, and Quartet Quartet in F major-Lento, Op. 96 (Dvorak) (Alleggro moderato d la polka) (Smetana) and Quartet in E minor Quartet -Flonzaley Quartet in G major-Finale (Mozart) Quartet

(Schumann) and Quartet in A major, Op. 4!, No. 3-Assai agitato -Flonza ley Quartet FRANZ, PAUL, Tenor by birth, A Parisian it was entirely due to his devotion to music-especially to Maitre Delaquerriere, Wagner-and insistence to the persevering of his professor, State that at the age of 30 Franz abandoned an excellent appointment and became a great operatic star.

Franz made his first appearance in 1909, at the Theatre National de l'Opera of Paris, and met with great success. He has also appeared with marked approval at La Scala, Milan, and scored a real triumph at his Covent Garden debut in 1912. During the war he served in the French Army. The Franz " His Master's Voice " records have played no small part in making this artist immensely popular. THE FRANZ RECORDS

Label Number SizeRed DA442

DB520

12 Red

DA442

10 Red

DB521

12 Red

DB521 12 Red DB520

12 Red

ö mes Freres (' SAMSON ET DALILA "-Saint-Satins) lien (" Lohengrin and Ma conjiance en toi s'est montree

(in French) (80) "-Wagner) (in French) Franz -Paul (" CARMEN "-Bizet) (in French) (81) Fleur que to m'avais jetee, La Salut! (" Romeo Juliette "-Goanod) (in French) tombeau sombre and et Franz -Paul Bien montree (" LOHENGRIN Wagner) (in French) (80) Ma conhance en toi s'est Freres (" Samson ct Dalila "-Saint-Satins) (in French) and Arretez ö mes Franz -Paul (" LOHENGRIN --Wagner) (in French) (80) Mon cygne aime

Arretez

(in French)-Paul and Recit da Graal (" Lohengrin "-Wagner) (in French) (80) Ricit du Graal (" LOHENGRIN"-Wagner)

Mon cygne aime (" Lohengrin "-Wagner) (in French)-Paul a (" Ro%190 ET JULIETTE "-Gounod) (in French) Salut ! tombeau sombre Lafleur (" Carmen "-Bizet) (in French)-Paul to que m'aoaisjetee and

GADSKI, JOHANNA, Soprano

Franz

Franz (80) Franz

(Gahds'-kee)

Johanna Gadski was born in 1871. She made her debut at quite an early age. Her has grown greater with each succeeding year. Her Wagnerian success was immediate, and interpretations have always been considered, both in London and New York, as some of the finest the operatic stage has ever seen. She sings in exquisite style, and gives a pleasing in all her work. It is with pleasure that The Gramophone and effective interpretation Company, Ltd., present their list of " His Master's Voice" records of this famous artist the Gadski-Caruso duets being worthy of special mention. 42

For Prices

of Records

see page 2.

HIS

MASTER'S

VOICE RED LABEL RECORDS

THE GADSKI RECORDS Number Size Label DB660

12 Red

Inflammatus

(in Latin) (" Tristan und Isolde "-Wagner.' (in Gcnnan)-Johanna Gadski (" BAI.LO IN MASCHERA "-Verdi) Ma dell' arido stelo divulsa (in Italian) Morr3, in (" Ballo in Maschera "-Verdi) (in Italian) grazio and ma prima Gad ,44 -Johanna C TRISTAN UND ISOLDE " (80) Mild und leise wie er lächelt (in German) -Wagner) (" Slabat Maier Gadski and

DB661

12 Red

DB660

12 Red

DB661

Red

(" STABAT MATER "-Rossem) Mild und leise wie er lächelt

Inflamm

and Morro,

prima

and Ma doll' GADSKI

AND

ahus in grazia

arido

BALLO

stelo divulso

"-Rossini) IN MASCHERA

(in Latin)--Johanna "-Verdi) (in Italian)

(" Ballo in Mastbeta

-Johanna

DK126 12 Buff

(in Italian) Ciel! mio padre (" AiDA"-Verdi) Su dunque ! snrgette egizie coorti ! ("Aida and

DK126

Su dunque

12 Buff

"-Verdi)

AMATO "-Verdi)

-Gads/i (in Italian) ! snrgette egizie worts ! (" AFDA "-Verdi) Ciel ! mio padre (" Aida "-Verdi) (in Italian)-Gads/i and

(in Italian) Gadshi

(in Italian) and Amato and Amato

G.ADSKI AND CARUSO DM114

12 P. Gn.

DM114

12 P. Gn.

DB666

12 Red

DB666

12 Red

DB667

12 Red

Fatal

La (" AIDA "-Verdi) (in Italian) pietra soura me si chiuse, Verdi) (in Italian)-C.adslii and O terra, addip ! ("Aida (" AIDA "-Verdi) (in Italian) (SI) addio! ("Aida Verdi) and La fatal pietra soura me si chiase -Gadski GADSKI AND HOMER O terra,

(81) and

Caruso.

(in Italian) Caruso and

Alla pompa the s'appresta (" AIDA "-Verdi) (in Italian) (-Aida and Fa la sorte dell' armi a' tuoi funesta

"-Verdi) (in Italian) -Cordski and Homer Fu In Sorte dell' armi a' tuoi funesta (" Also "-Verdi) (in Italian) ("Aida "-Verdi) (in Italian) and .Alls pompa the s aporesta -Gadski and Homer Su e con me vieni, cara (" ORFEO ED EURIDICE "-Gluck) (in Italian) (" Faust `-Gounod) (in Italian) and Quando a to lieta sorridea la vita Homer -Louise

GALLI-CURCI, AMELITA, Soprano

(Gal-lee Koor'-chee)

Fresh from triumphs in Madrid and South America, where she sang with Caruso Her and Titti Ruffo. Galli-Curci, nevertheless, came to the United States unheralded. debut with the Chicago Opera Company in November, 1916. however, was such a success As soon as her engagement there as has seldom been experienced in recent times. permitted, she visited other important music centres in America, where similar fortune awaited her. Not until January, 1918, did she make her formal debut in opera in New York. Her singing at once created the wildest enthusiasm, and her conquest of the Galli-Curci is an Italian by birth and training, but is United States was complete. something of a cosmopolitan by nature. Her voice is one that haunts the memory : wonderfully pure in quality, amazingly flexible, and of even quality throughout its entire wide has given her an unusually broad compass. In addition, her musical training musicianship. for she is an accomplished pianist as well as a coloratura soprano versed in the highest traditions of the bei canto school. With all these talents she possesses also a winning femininity, that combine to personality, an old-world grace, an elusive make her His Master's Voice " was quick to recognise her great talent, altogether exceptional.. " for this Company exclusively, were made even and the first of the records which she makes prior to her Chicago debut.

THE GALLI-CURCI RECORDS Number Size Label DA216 10 Red

Addio

C TRAVIATA Verdi) del passato bei sogni ridenti (in Italian) $empre libera degg' io )olleggiare (" Traviata"-Verdi) and -Ftmelita

All Speeds are 78 unless otherwise

indicated.

(in Italian) Galli-Curci

HIS MASTER'S THE GALLI-CURCI Number Size Label DB257

12 Red

DB256

12 Red

DB262

12 Red

DB265

12 Red

DB261

12 Red

DAZ17

10 Red

DA217

10 Red

DB257

12 Red

DA215

10 Red

DA219

10 Red

DB255

12 Red

DA215

10 Red

DB256

12 Red

DB255

12 Red

DA212

10 Red

DBZ60

12 Red

DB263

12 Red

DB258

12 Red

VOICE RED LABEL RECORDS

RECORDS-Continued (in Italian) (" TRAVIATA "-Verdi) (' Rigoletto Verdi) (in Italian) nome the it mio cor Galli-Curd -Amelita (" SONNAMBULA "-Bellini) (in Italian) Ah ! non credea mirarti "Bellini) ("Sonnambula (in Italian) and Come per me sereno Galli-C mci -Amelita (Adam) (Variations Mozart Air) (in French) Ah ! vows dirais-je maman? on a (E. Dell' Acqua) (in French with flute obbl. and orch., and La Villanelle Galli-Curti -Amelita (Proch) (in Italian with flute obbl. and orch.) Air and Variations (in Spanish)-Amelita (F. M. Alvarez) Galli-Cocci and La Partida (in Italian) Be] di vedremo, Un (" MADAMA BUTTERFLY "-Puccini) (" Barbiere di Siviglia "-Rossini' Una fa and voce poco qui nel cor mi risuond (in Italian)-Amelita Galli-Curci Capinera, La (Benedict) (in Italian with arch. and flute obbl.) (in Itdian)-Amelita (Giordani) Galli-Curci and Caro mio ben Caro mio ben (Giordani) (in Italian) (in Italian with orch. and flute (Benedict) and La Capinera obbl.' Galli-Curci -Amelita "-Verdi) (in Italian) Caro nome the it mio cor ("' RIGOLETro (" Traviata ' (in Italian) and Ah, fors' c Ito the I'anima -Verdi) Galli-Curci -Amelita de rire) (" MANON LESCAUT "-Auber) C'est l'histoire (L'Eclat (in amoureuse Clavelitos (Carnations) "Valverde) (in Spanish) French) and Galli-Curci -Amelita (in French) Chanson Hindoue (" SADKO "-Rimsky-Korsakof) Soled (" Coq d'Or' -Rimsky-Korsakof) (in French) and Hymne au Galli-Curci -Amelita du Mysoli) (" PERLE DD BRFSIL "-David) (flute Charmant (Couplets oiseau (in French Comme with orch.) and autrefois obbl. by Clement Barone) (" Pecheurs de Perles "-Bizet) (in French) darts In nuit sombre Galli-Curci -Amelita (in Spanish) Clavelitos (Carnations) (Valverde) (L'Eclat de (" Manon Lescaut "-Auber) C'est I'histoire amoure use rire) an (in French)-Amelita Galli-Curti (" SONNAMBUtA "-Bellini) (in Italian) Come per me sereno (" Sonnambula Bellini) (in Italian) and .9h ! non credea mirarti Galli Curci -Amelita dons to nuit sombre ('"PECREURS DE PERLES "-Bizet) (in French) Comme autrefois Charmant (Couplets du Mysoli) (" Perle du Brasil "-David) oiseau and (in French with orch.)-Amelita Galli-Curci (flute obbl. by Clement Barone) Crepuscule (Massenet) (in French with celeste and string orch.) (Delibes) (in French)-Amelita Gdli-Curci and Les lilies de Cadix II (Mad. Scene) (" LUctA DI LAMMERMOOR "-Donizetti) (in Italian) Dolce suono, (" Dinorah "-Meyerbeer) (flute obbl. by Barone) (in and Ombra leggera Italian with orch.)-Amelita Galli-Curci bruna? (" LAKMh "-Delibes) (in Italian) Dove l'Indiana (Solveig's Song) L'hiver a pa Jinir-Chanson de Solveig (" Peer Gynt "and Grieg) (in French)-Amelita Galli-Curci Echo Song (Henry Bishop) (flute obbl. by Barone) (with orch.) Ah, fors 'e

lui the I' anima and Caro

and Lo, here the gentle lark

DA212 10 Red

Filles de Cad ix, Les (Delibes) and Crepuscule

DB263 12 Red

Hiver a pu Grieg)

DB602 12 Red

Home,

DA219 10 Red

Hymne au Soleil

DB264 1? Red

lo son Titania

DB602 12 Red DA218 10 Red 44

finir, L'-Chanson (in French)

sweet home

(Bishop)

(in French) (Massenet)

(flute obbl. by Berenguer) -Amelita

(with orch.) Galli-Curci

(in French with celeste and string orch.) Amelita Galli-Curti (Soiveig's Song) (" Pees Solveig GYNT bruna P (' Lakme "-Delibes) and Dov'e l'Indiana (in Italian}-Amelita Galli-Curti

(Bishop)The

(Old Irish Air) (arr, by Moore) -Amelita Galli-Curci French) (-COQ O'On "-Rimsky-Korsakof)-(in last rose of summer

and Chanson

Hindooc

C' MIGNON "-Thomas)

(" Sadko'

-Rimskv-Korsako}) -Amelita

(in French) Galli-Curci

(in Italian)

"-Gounod) (in French) -Amelita Galli-Curd (arr. by Lest rose of summer, The (Old Irish Air) Moore) and Home, sweet home (Bishop)-Amelita Galli-Curci Little birdies (Buzzi-Peccie)and When Chloris sleeps (Samuels)-.4melila Galli-Curci and Nella calms

C' Romeo et Juliette

For Prices of Records see page 2.

THE Number DB258

DA213

GALLI-CURCI Size Label 12 Red

10 Red

DB264

12 Red

DA214

10 Red

DB597

12 Red

DA328

10 Red

DA328

10 Red

DB260

12 Red

DB26S 12 Red

RECORDS-Continued Lo, here the gentle lark (Bishop) (flute obbl. by Berenguer) (with orth.) (Henry Bishop) (flute obbl. by Barone) (upth orth.) and Echo Song Galli-Curti -Amdita Messaggero Amoroso (Waltz, Op. 64) (Chopin arr. as vocal waltz by Buzzi-Peccia) (in Italian) (" Sonnambula "-Bellini) and Sovra il sen la man mi posa (in Italian)-Amelia Galli-Curti (" Rom to ET JULIETTE "-Gounod) Nella calasa (in French) Galli-Corti (" Mignon "-Thomas) (in Italian)-Amdita and la son Titania Non so piis coca son, tose faccio (" NozZE DI FIGARO "-Mozart) (in Italian) Spargi d'amaro (Mad Scene) (" Lucia d i Lammermoor Donizetti) pianto and (in Italian)-Amelila Gaui-Curti 0 lace di (" LINDA DI CHAMOUNIX "-Donizetti) (in French) quest anima Veille (Priere et Barcarolle) (" Etaile da Nord and our eux toujours Meyerbeer) (Je French)-Amelta Galli-Curti 01' Car line U. F. Cooke) Old folks home (Swanee River) Galli-Curti and at .(Foster) -Amdita Old folks at home (Swanee River) (Foster) 01' Car'lina F. Cooke)-Amelita Galli-Curti (J. and Omhsraieggera ("DLNORAH"-Meyerheer) (in Italian (flare obbl. by Barone) (Mad Scene) di Lammermoor "("Lucia Avith orth.) i iI doiceaaono

Partida, La

(F. M. Alvarez) and Air and

DB299

12 Red

DB259 12 Red

Quel

guardo,

il ceveliere

Donizetti) (in Spanish.)

Variations ; Cavatina

(Proch) (" DON

and Qrd la voce sua wave

Qui Is voce sua soave Qud

(" PURITANI"-Bellini)

(in Italian)-Amelila

Galli-Curti

(in Italian

with flute obbl. and orth.) Galli-C -Amdita urci PASQUALE"-Donizetti) (in Italian)

(" Pwritani "-Bellini) (in lfaficn) -Amelila

(in Italian) Galli-C urci

(" Don Pasquale "-Donizetti) (in guardo, il cavaliere : Cavatina Italian)-Amelila Gallii-C urci degg io folleggiare (" TRAVIATA "-Verdi) (in Italian) (" Traviata "-Verdi) (in Italian) and Addio del passato bei sogni ridenti Galli-Curci -.4melita Soya il sen la man mi posa SONNAMBU A "-Bellini) (in Italian) Amoroso .(" (Waltz, Op. 64) (Chopin and Meuaggero arr. as vocal waltz by Buzzi-Peccia) (in Italian)-Amelila Gall-C urci Spargi d'amern (Mad Scene) C' LUCIA LAMMERMOOR "-Donizetti) piano DI (" Nozze di Figaro "-Mozart) (in Italian) and Nan se piii rosa son, case faceia Gatti-C urci -Amelita Una (" BARBIERE DI SIVICLIA "-Rossini) (in voce poco fa qui net cor mi risuonii and

DA216

10 Red

ßA213

40 Red

DA214

10 Red

DB261

12 Red

DB597 12 Red DB262 12 Red DA218 10 Red

DB174

12 Red

DB174 12 Red DA381 10 Red

DQ100 12 White

Sempre

Italian) (in and Un bei di vedreme (" Madama Butferfly "-Puccini) Italian-Amelita Galli-Curti Veille stir eux toujours (Priere et Barcarolle) ("ETOILE DD NORD"-Meyerbeer) (in French) and 0 lace di quest' anima (" Linda di Chamounix -Donizett (in French)--Amdita Galli-Cure Villanelle, La (E Dell' Acqua) (in Frenchwith flute obbl. and orth.) (Variations on a Mozart Air) (Adam) (in and Ah! vows dizais je ataman? French-Amelita Galli-Curci When Chloris sleeps (Samuels) Galli-Card and Little birdies (Buzzi-Patch)-Amdita GALLI-CURCI AND DE LUCA Dite

alla viovine

12 White

(" TRAVIATA "-Verdi)

(in Italiart)

(in Italian) and Imponete. Non amarlo ditegl (" Traviata "-Verdi) -Galli-Curti and De Luca Non amarlo ditegli (" TRAVIATA "-Verdi) (in Italian) aol1 ,Imponete. Dire allygiovine C' Traviata"-Verdi) (in Italian)-Galli-Curti and DeLuca Piangil piangi fanciulla (" RIGOLETEO "-Verdi) (in Italian) (in French) attd Ah 1 ne fuis pas "core I (" Romeo et Juliette"-Gonad) -Bari and Gigli QUARTET BY GALLI-CURCI, CARUSO, PERINI AND DE LUCA Un di, se ben rammentomi (" RIGOLETEO "-Verdi) (in Italian) (in hol'an) and Chi mi frena (" Lucia di Lammermoor"-Donizetti) Gatti- Curti-Caruso-Egener-Journet-De Luca-Bada SEXTET BY GALLI-CURCI, CARUSO, EGENER, JOURNET, DE LUCA AND

DQ100

libera

-(hi

BADA

mi frena

(" LUCIA DI LAMMERMOOR "-Donizetti)

(in Italian)

and Un di, se ben rammentemi (" Rigoletto "-Verdi) Galli-Curci-Caruso-Perini-De

All Speeds are 78 ualan

otherwise indicated

(in Italian) Luca 45

HI3 MASTER'S

VOICE RED

LABEL RECORDS

GALVANY, MARIA, Soprano (Gahl-vah'-nee) Born in 1878 at Granada, Spain, Maria Galvany received her training at the Madrid Conservatoire, and made her debut in 1897 at Cartagena in " Lucia di Lammermoor." She then made a complete conquest of the most fastidious public in Spain by her remarkable singing in Madrid, and numerous engagements followed throughout the Continent and in South America, gaining everywhere the enthusiastic approval of She opera-goers. Galvany is the possessor of a wonderful voice brilliant in coloratura. had a great reception at the London Coliseum during a season there some few years ago THE

GALVANY

Number Size Label DB480 12 Red

RECORDS Ardon

( Lucia Di LAMMERMMOCR "-Donizetti) (in Italian) (80) (Arditi) (in Italian)-Maria Gab ans gd L 'Incantatrice : Valzer U: Valzer (Arditi) (in Italian) (80) ("Lucia di Lammermoor "-Donizet!i) (in Italian) and Ardon gl'incensi Galoany -Maria (' LUCIA Di LAMMERMOOR "-Donizetti) d'amaro pianto (in Italian) gl'incensi

DB480

12 Red

Incantatrice.

DB400

12 Red

Spargi

DB400

12 Red

Dunque

DB177

12 Red

Piangi!

and Donque fa son to non m 'inganni

(" Barbiere di Siaiglia "-Rossini) (in Italian)-Galoany and Rufto

GALVANY AND RUFFO io son to non m'inganni and Spargi d'amaro pianto piangi (anciulla and Le minaccie,

(" BAREIERE DI SIVIGLIA "-Rossini) (" Lucia di Lammerm,or Donizelti)

(in Italian) (in Italian) Galoany

-Maria (" RIGOLErro Verdi) (in Italian) (" Forza del Destino "-Verdi) (in Italian) ifieri accenti -Ruffo and Ia hierd>

GARRISON, MABEL, Soprano One of the most important engagements of recent years is that of this gifted soprano Metropolitan Opera, New York. Miss Garrison is a native of Baltimore, and the of received her early musical training in the Peabody Institute there. Like many another first attracted attention while a member of a church choir, but her remarkable singer, she her voice soon brought her success on the musicianship and the exquisite brilliancy of The past few seasons have been a succession concert platform, and subsequently in opera. for this talented singer. Her voice is of flute-like purity, and her singing triumphs of finished artist, which Miss Garrison assuredly is. exhibits the skill and finesse of the The records she has made display the youthful freshness of her voice, and her coloratura little short of marvellous. work is Miss Garrison makes records for " His Master's Voice" exclusively. THE

GARRISON

Number Size Label DB241 12 Red

RECORDS

DA513 10 Red

Charmant Oiseau (Couplets du Mysoli) (" PERLEDu BR6sIL"-David) (in French) (in French) and Je suis Titania (Polonaise) ("Mignon "-Thomas) Garrison (in French)-Mabel Hymne au Soleil (" COQ D'OR "-Rimsky-Korsakof)

DA514

10 Red

I dreamt

DB241

12 Red

DAS14 10 Red DB501

12 Red

DB501

12 Red

and Ld ci darem

suis

la mono l ("Don Giovanni "-Mozart) (in Italian ) -Garrison an d Werren rath I dwelt in halls (" BOHEMIAN GIRL "-Balfe) (in French) that marble (Emmett) (in French)-Mabel Garrison and Lullaby Titania (Polonaise) (" MICRON "-Thomas) (in French)

and Charmant Oiseau (Couplets du Mysoli) Lullaby (Emmett) (in French)

(" Perle du Brasil "-David) (in French)-Mabel Garrison

and I dreamt

(" Bohemian Girl "-Bale) (in that I dwelt in marble halls French)-Mabel Garrison dams la charmille, Les (" CONTES D'HOFFMANN "-Offenbach) (in French) (" Lakmf "-Delibes) (in French) and Od va la ;eune llindoue? Garrison -Mabel Oh va la ieune Hindoue? (" LAKM1 "-Delibes) (in French) Oiseaux

(in and Les oiseaux dons la charmille (" Conies d'Haffmann "-Offenbach) French)-Mabel Garrison

Far Pr.ces

of Records see pa-e 2.

HIS MASTER'S THE GARRISON Number Size Label DA513

10 Red

VOICE

RED

LABEL RECORDS

RECORDS-Continued

L A ci darein

(in fialian) la mann ! (" DON GIOVANNI "-Hofart) (" Cop d'0r "-Rimsky-Korsakof) aar d Hymne as Soleil -Mabel

GIGLI, BENIAMINO, Tenor

(in French) Garrison

(feel'-yee)

Beniamino Gigli, a brilliant Italian tenor of the younger generation, was born in 1890 intended for a musical career, sang in the churches at Recanati, and, although not originally When seventeen years old, he applied for a place in of his native town at an early age. " of the famous Sistine Chapel of St. Peter's, Rome, then under the " Schola Cantorum Perosi, and after studying singing in the eternal the direction city, eventually of Maestro Conservatoire his musical education. of St. Cecilia, to complete entered the celebrated by winning first prize in a competition, He first attracted at Parma, held public attention by Campanini, the well-known made his debut on the conductor, and as a consequence From Rovigo, in " Gioconda," in 1914. that time he made operatic stage soon after, at front rank of Italy's operatic artists, and eventually achieved steady progress towards the in the festival performance of Boito'a " Mefistofele," given under `I'oscanini, a great triumph his name with the Italian in 1918. Another notable performance, which helped to make " at Milan in the " Lodoletta same year, in which of Mascagni's public, was the production He is now one of the leading tenors at the the young tenor took the leading role. Metropolitan Opera House. New York.

THE

GIGLI

Label Number Size 12 Red DB270

DBZ70

12 Red

DA225

10 Red

DA221 10 Red DA222

Red

RECORDS (" CAVALLERIA RUST!CANA "-Mascagni) alla mare (" Lodoletta nella son capanna end Ah I ritrovarla

Addio

(in Italian) Gigli -Beniamino "-Mascagni) (" LODOLETTA (in Italian) Ah ! ritrovarla nella sua capanna (" Cavalleria Rusticana "-Maxagni) (in Italian) and Addio ally madre Gigli -Beni-in. (" FEDORA "Giordano) (Arioso di Loris) (in Italian; Amor ti vieta di non amar i

and Vedi in piango (" Fedora "-Giordano) Apri la tua finestra : Serenatn (" IRIS "-Mascagni) Recondita (" Tosea "-Pucarn) Dai

and campi,

dai

prati

armonia (" MEFISTOFELE

and Giunto DB670

12 Red

Di all' azzurro Giordano)

DA223

10 Red

E lucevan

DA222

10 Red

Giunto

DB670

12 Red

DA224

10 Red

DA221

10 Red

DB273

12 Red

DB273 12 Red DA224

(0 Red

DA225 (0 Red

(in Italian) "-Maxagni)

"-Boito)

'in

sal pasta estremo

(in Italian)-Beniamino Italian)

(" Mefis!ofele

Gigli Gigli

"-Boito)

(in Italian) Gigli -Beniamino (" ANDREA CHENIER "(" Milioni d'Arlecchino "-Italian)-Beniamino Gigli

Un (Improlviso) protondo. d *amore and Notturno Dnga)-(in --Puccini) 0nitaltan) ("ToscA Se to midoni ("M%istofele un bra

spazio guardai (in Italian)

le stelle

(in Italian)-Beniamino (in Italian)

"-Boito) (in Italian) -Gigli and Scattola (" MEFISTOFEI E "-Bono) (in Italian) sul passo estremo (" Mefistolele "-Boito) (in Italian)-Beniamino Gigi, and Dai campi, dai prat; (in Italian) Notturno d'amore (" MILIONI D'ARLECCHINO "-Digo) Un di all' azzurro (Imo-avviso) ("Andrea spazio guardai p'piondo and Chenier "-Gio.dansl (in Italian)-Beniamino Gigli (Canzone Napoirsano) (Canoe) (in Italian) 0 surdato nnammurato To (E. de Curtis) (in Italian)-Beniamino Gigts and solo (" Tosca "-Puccini) (in ita!ian) Recondita armonia "-Mascagni) Apri la finestra Serenata (" his (in Italian) tua and : Gig/: -Beniamino (in Italian) ("FAUST"-Gounod) Salve, dimora, costa a pura

(in Italian)-Beniamino Gigü and Spirits gentil (" Furorita "-Donizeiti) (" FAVORITA "-Donizetli) (in Italian) Spirito lentil (" Faust "-Gounod) (in Italian) and Salve, dimarn, costa aPura

Tu solo

(E. de Curtis)

-Beniamino

(in Italian)

and 0 surdato nnammurato : (Canzone Napoletana)

(in Italian) Vedi, io piango (" FEDORA"-Giordano) and Amor ti vieta di non amar (Arians di Loris) (" Fedora "-Giordano) itaPan)-Beniamino All Speeds are 78 unless otherwise

indicated.

Gigl:

(Cannic) (in Italian) -B eniamino Gigli (in Gigli 47

HIS MASTER'S VOICE RIM LABEL RECORDS THE GICLI bi

RECORDS-Continued

Number Size LabelGIGLI AND BOR! DA381 10 Red

Ab ! ne fuis pas encore! (" ROMEOer JULIME "-Gounod) (in French) (" Rigoletto "-Verdi) (in Italian) and Piangi ! piangi fanciulla -Galli-Curci and De Luca GIGLI AND BOSINI

DBZ71

Lontano,

12 Re<1

Iontano

C" NIEFISIiIFE!E

and 0 soaoe Jancinlla GIGLI DB269 12 Red DB267

12 Red

AND

--BCItOI

(in Italiun)

(" Boneure "-Puccini)

(in Italian)-Gigli

CASAZZA

Addio I luggir mi lae' is C' FAVORItA"-Donizetti) C' Peaeatori 9D9 Del tempio a! limilar Lagiin

nelk

and Zamboni

nebbie

remote

(in Italian) d! Perle

Bizet) -Gigli (!n Italian'

C ' GIOCONDA "-Panchielli)

and Enzo Grimddo, Principe di San!altar the penti ?

(in lidian) end Pacini

(" Gioconda "-Pon: hielli) (in Ito! nj--Cilll and Zani

GIGLI AND PACINI DB269 12 Red

(in Italian) Del temoio al :imitar (" PE CATORI DI PERLE"-Bizet) and Addia ,' Juggie mi ln.v.ra (" Pacotita °-Donüeth0

(irt /talian)

GIGLI AND SCATTOLA DA223

10 Red

Sc tu mi doni

ora

(" MEFtSFOFEL["-$oito)

andE lureuan le stelle

(ia Italian)

f° Tosca "-f uccinty

(in l(alian}-$enlamina

Gigli

GIGLI AND ZAMBONI DB271 12 Red DE26:

12 Red

DB2ö1 U Rad

O soave /anciulla C" BoHiare "-Fuccini) (in Italian) r Melntul.:'a '*--$6üa) Or Italiart)-GlAii Bosirti sý4 lýqtaqs, kqfaqa Tardi ni fa, addio I (Cnmmi ancor, dMmmi ancor) C Fnt;ST "-Gounod) and(In Faa,t Italian) Tardi )a, 1 (SemDre (" Gounod) aed si addio amar) (ia{laliartl-'CiBliaad'Lamboni üwo Grimeäo, ilaüan)

P incipe di"Sentegor eke pensi 7 ("G(OCONDA'ý-Ponehiei}i) Gioconda "-Ponchiclli) w4 Lagyiti ne!& ae66ie remo!e U' /talian)-4'tgli

(in (in

and C&azza

LILLY,DINH,

Baritone

(Zhee'-lih,P

Studied in Rome upder the ce'ebrarr.,f Italian baritone, Cottony, Born. in Algeria. Paris. Commenced his serious career and afterwards at the Conservatoire. at he Paris Sime A6frt he has appeared frith great Opera House in 1902, when 22 years of air.. famous rentres. inclo,tiug Monte Carlo, the Metropolitan Opera success at numerous House, New York, and Covent Garden. Dinh City was a great friend of 'he ttd°eEnrico Carnst,, with whom he sang at the Metropolitan for the sever. years prelious fee 1914, aa.f he will make his first post-war Winter Seawd:n, 1924-1925. appearance- there dnring the He has a remarkable memory-, and his repert' ire is istimen e. Quite recently he has his best numueers exJusively for " His Master's Voice," sad the records recorded some of wilt be issued short6r.

Number Sine Label DB593 12 Red D]Ita

10 Buff

D1101 10 Buff

Dobrou noc, mä Mita (From 20 Bohemian Folk Songs) (Vincent Pisek) (in Du met duner Fiedel (Der Spielman, Op. 15 No. I) (Hildnch) Bohemian) (in German)-G nck andzimhali.t My E{bmeland (Folk Song) (in Czech) The Wedding (Folk Song) (in Cush)-Gillp and and Destinn Wedding. The (Folk Song) (in Czech) M'0 Homeland (Foll}'Song, (in CzecI;)-Cit'g and and DrsFnn

HIS

MASTER'S

GLUCK, ALMA, Soprano

VOICE

RED

LABEL

RECORDS

(Glook)

This delightful young artist was born in Bucharest, Roumania, but was taken to America at the age of six and received all her musical education there. Theatre, New

She made her first appearance as Sophie in Werther at the New Since that time she has appeared York, and awoke next morning to find herself famous. " Or feo," " Pique Dame," to various operas with much success, among them " Boheme," Bride," " Rheingoid," " Faust, " Bartered seasons etc. She has had several successful Opera House. New York. at the Metropolitan

Her first appearance in England in the summer of 1913 sent the critics into lavish descriptions of her art. and she was compared with Meiba and Patti. Her audiences at the Aiber, Hall and the Queens Hall were entranced by the beauty of her singing. and these appearances were, indeed, among the leading musical events of the time. No time was lost in securing the exclusive series of this gifted artist for" His Master's below Voice," and the numbers of this charming singer's given are exquisite reproductions Voice.

THE GLUCK RECORDS Number Size Label DB663 12 Red

(" SONNAMBUI A "-Behini (in Italian mirarti (Arditi) (in Italian)-Alma Cluck and Parla I-Valle canlalli!e (" SNOW MAIDEN "-Rimsky-Korsakof) (in French) Song Lehl (" Snow Maiden "-RimskyKorsakof)-Alma the and of shepherd G!ack (Lilinckaloni) (with male quartet and orch.)

Ah ! non credea

DA486

10 Red

Aller au boil

DB277

12 Red

Aloha Oe

and My old Kentucky home (Foster)

DB278 12 Red DA235

10 Red

DA230

10 Red

DA228

10 Red

DA517

10 Red

DA238

10 Red

DB282

12 Rea

DA515

10 Red

DB275

12 Red

DA233

10 Red

DA236 10 Red DB281 12 Red DA229

10 Red

DA516

10 Red

DB279

12 Red

DA227

10 Red

DA234

10 Red

DA238

10 Red

DA515

10 Red 0

Angels ever bright and fair (Handel) Oh, ! dost leave

(with male quartet and arch.) -Alma Ci ucq

(" Semele "-Hander)-Alma thou me? and sleep why Rabindranath Bird of the wilderness, The (Text from " THE GARDENER Such a li'i fellow (Dhhmont'-Alma (Horsman) and Bohemian cradle song (' HCBtcK.a'-Smetana)and Song at the chimes (Worrel:)-Alma Bonnie sweet Bessie (Gilbert)and Cumin' the.' the eye (Srotlish Air) -Alma The Braes o' Balquhidder, (Tannahill) (with piano)-Alma and Irish love song (Lang) Goth piano)and Brook, The (Dolores) Hark. hark. the lark (Schubert)-Alma I" JOc ELVN ' -(in French) Caches duns vet asile-Berceuse odard) (" Pagliaci `-Leoocavallo) (in and Oh! the cola daugeili

Gluck Tagore Gluck Cluck Gl ark Gluck Cluck Italian) Cluck

-Alma Wahz (Wilson) (Jonson)--Alma Gluck and Have you seen but a whyte Lillie Grow? Carry me hack to rid \ irginny (Bland) (with male chorus and arch.) Old Flack Joe (Stephen C. Foster) (with male chorus and arch.) and Gluck -Alma Chanson Hindoue (" SADKO "-Rie (in French) skv-Korsako.) Carmena-Vocal

and Tu ! (arr. Schindler)

Colombo, La

and La Serenata

Come. beloved

(Habanera) (in Italian)

(Tosti)

(Fuentes)

(in Italian

(in Spanish)-Alma

oat.'sviolin,

flaie

and harp

-Alma

(" AT.ALANTA "-Handel)

Cluck acc.)

Gl.!,.,,

Herbert)-Alma (" Naloma Gluck and I hot the trill of golden throat (Scottish Air)and thro' the rye (Gilbert)--Alma Cl Bonnie sweet Bessie u, k Dawn (Coleridge-Taylor) (Marpowell) (with piano)-Alma Gluck Long (6) A light and ago : maid sings (" Lou!sE Charpentier) (in French) Depu.ris le jour oitje me suis donne (" Carmen Bizet) (rn Italian)-Alma Gluck and to diro, no, non son paurosa (Addio di Mimi) (" Bovivtc "-Puccini) Donda lieta usci al tuo grido d'amore la (" Boheme'-Puccini) (in Italian) Quando me'n va soletta per via and (in Italian)Alma Gluck (Cadman) From the land of the sky-blue water (Spross) (with piano)-Alma `.luck and Will a' the wisp Hark, hark the lark (Schubert)and The brook (Dolores) (with piano)-Alma Cluck ()onson) Have you seen but a whyte l illie grow? Woltz (R'ilson)-A;,T..o Cluck and Carmena-Voral Cumin'

All Speeds are 78 unless otherwise

indicated.

HIS MASTER'S ýý

VOICE

RED

LABEL

(Hahn)

(in French)

RECORDS

THE GLUCK RECORDS-Continued Number Size Label DA240 10 Red DB281 12 Red DB279 12 Red

Heure

exquise,

and Two folk songs of little Russia (arr. Zimbalist)-Alma I list the trill of golden 'hroat (" NATOMA"-Herbert) (" Ato'anta "-Handel)--Alma and Come, beloved to diva,

(' CARMEN no, non son paurosa donnee slid Depais le jour o,b Je n,esoil

Irish

love song

(Lang)

Bizet) (in Italian) (" Louise "-Charoenher)

(with piano)

Cluck Gluck

(in Frcn.h) Glick -Alma

(Tannehill)-Alma Clock and Tye braes o' Balquhidder I'se gwine back to Dixie OV'bite) (with male chorus and arch.) (Hays) (with male quartet and The little old log cabin in the lane and orth.) DA237 ID Red

Lass with

the delicate

air, The

DA232 10 Red

Little grey home in the west (Lehr) A day (Jacobs-Bond)

DA229 ID Red

Little

DA231 10 Red

perfect and old log cabin in the lane, The /'se (with and gwine back to Dixie Lo I here the gentle la,k (Bishop)

DA516 10 Red

Long ago : (b) A maid sings light

DA516 10 Red

Maid

DB280 12 Red DA231 10 Red DB277 12 Red DB282 12 Red

DB275 12 R4 DB663 12 Red DA227 10 Red' DAZ32 10 Red DA239 10 Red DAZ36 10 Red DB280 12 R,i DA230 10 Red DA486 10 Red

DA240 10 Red DA237 10 Red DA234 10 Red

male quartet and orch.f-Alma (with male quartet and orch ) (Whitt)--Alma male chorus and orch.) (with flute abbr. and orch.) (80)

Gluck

(Hays)

and My laddie (Thayer,'-Alma (MacD'well) (with oiaro)

light,

A ; (a)

Long

Cluck

ago

Hubicka "-Smetana) -adle and Bohemian Song of the shepherd LeAI (-SNOW MAIDEN"-Rimsky-Koraakof) Aller boil (" Snow Maiden "--Rimaky-Koraakof)

Such

DA233 10 Red

Clock

Clack

Dawn (Coleridge-Taylor)-Alma Gluck and (MoeDowell) (with piano) Dawn (Coleridge-Taylor)-Alma Cluck end Mocking Bird-See -LISTEN TO THE Mc ittNc Btp.D " Mothers The (Thomas) prayer, down the Gluck and She wandered side (Clay)-Alma mountain My laddie (Thayer) Les here lark (Bishop) (with flute Cluck ! the gentle and abbr. and orch.)--Alma My Kentucky home (Foster) (with male quartet and orch.) old Aloha Oe (Lilinokalani) (with Gluck and male quartet and orch.l-Alma Oh! the volo d'augelli (" PAGLIACCI "-Leoncavallo) (in Italan) i80) Caches days Jocelyn "-Godard) (in French) (" and ret wile-Berceuse Cluck -Alma Oh, sleep ! why doss thou leave nn,. ? (" SEMI LE "-Handel) (80) (Handel)-Alma Cluck and Angels ever bright and fair Old black Joe (Stephen C. Foster; (with mole chore and ooh.) (Bland) (with male chorus and arch.) and Carry me back to old Virginny Cluck -Alma Paris !-Valse (4rditi) (in Italian) cantabile Sonnambula Ali! (" Bellini) (in Italian) and non credea mirarti Cluck -Alma Quando me'n vo so!etta per la via (" BoskstE "-Puccini) (in Italian) (Addio di Mimi) (" Bohi,ne' and Don de lieta usci at too grido d 'amore Paccine) (in Italian)-Alma Gluck Perfect day, A (Jacobs-Bond) (with male quartet and orch.) (Lahr) Gluck ('cello obbi. by Bourdoni--Alma and little grey home in the west Cluck The (Cowen) (in English)Red, red rose (Cot,enet) and swallow's -Alma Serenata, La (in Italian, with violin, flute and harp a '.) (Tosti) La Colombo (art, by Schindler) Italian;-Alma Clock (in and down the (Clay) She wandered mountain side (Thomas)--Alma Gluck and The mother's prayer (Worrell) Song of the chimes sings

anti

DA239 10 Red DA301 10 Red

-Alma

When love is bind (Mooret-Alma (crib o obbl. by Bourdon) (80) (rmth

'',Arne)and

Ii!' fellow (Dichmont) and The bird of the wilderness

-Alma

Gluck

`in French) Cluck -Aims

(Text from " The Gardener "-Rabindranath Tagore) (Horsmun)-Alma Cluck The (Cowen) Cluck and Red, red ro..e (Cottenct)--Aims (Op. 55. No. I) (Sinding) Au de to lane (Lolly) (in French)-Cluck R'eimera and Clair and Tu! (Habanera) (Fuentes) (in Soanish) Chanson Hindoue (" Sadbo "-Rims by-Korsa/n,f) (in French)Alma Cluck and Two folk songs of little Russia (arr. Zimbalic:) L'he (Hahn) (in French)-Alma GLrck and are exgms_ When love is kind (Moore)and The lass with the delicate air (Arne)-Alma Gluck Will ö the wisp (Snross) (with piano) Cluck From land (Cadman)---Alma the the end of sky-blue water Swallows, Sylve!in

For Prices

of Records

see page 2.

THE CLUCK

RECORDS-ContintxdGLUCK AND CARUSO

Number Size Label D)100

10 Buff

Libiamo and

ne' lieti arch.)

(Brindisi) C-1 RAVIATA-Verdi) Crucifixes (" Messe Solennelle

calici

and

(in Italian "-Rossini)

with chorus (in Latin)

Caruso

-Enrico

DA451 10 Red DA453

10 Red

Abide with me (Monk)and

laced thee every hour (;..o.c7u)-Glue: and Homer (Barcarolle) (" CONTES n'HOFFMANN "--Offenbach) (in Belle nuit, 0 nuit d'amour French) (Music to" Alice, where art thou? ") and Life's dream is o'er

DB575 13 Red

Crucifix, The

DA4E1 10 Red

I need thee every hour

DB478 12 Red

I waited for the Lord and Mira,

10 Red

Jesu.

DR576

12 Red

Kleine

DA453

10 Red

DAS1S

10 Red

DB478

12 Red

DA51S 10 Red DB575

12 Red

DA452 DB576

10 Red 12 Red

DA158 10 Red

-Gluck (in French) and Quis at home (" Stabot Mater "-Rossini)

and Homer (in Latin)

(Lowry)

and Abide with me (Monk)-Glock (" HYMNOF PRAISE"-(tlendelssohn) Norma C Norma "-Bellini) ai tuoi ginocchi

and Homer (in Italian) and Homer and Homer (in German) (in German) and Homer

-Gluck !over of my soul and Rock of ages (Hastings)-Gluck bin ich, Der ("HANSEL UND GRETEL"-Humperdinck) Sandmann Suse, liebe Sass (" Hänsel und Gretel "-Humperdinck) and -Gluck (Music to 'Alice, where art thou? ") Life's dream is o'er Belle nail, 0 nuit d'amour (Barcarolle) C" Contes d'Hoffmann 'and Offenbach.) (in French)-Gluck and Homer Long, long ago (gayly)emd Passage airds' farewell (Hildach)-gluck and Homer Mira, Norma ai tuoi ginocchi ("NORMA "-Bellini) (in ltalan) o

DA452

DA158 10 Red

(Faure)

l waited for the Lord ("Hymn of Praise "-Mendelsohn)-luck and Homer 0 and that we two were maying, Op. 2. No. 8 (Nevin) Whispering Hope (Hawthorne)-Gluck and and Homer Passage birds' farewell (Hildach)and

Long. long (gayly)-Gluck ago and Homer (" STABAT MATER "-Rossini) (in Latin) Crucifix (Faure) (in French)-Gluck The and and Homer Jesu, lower of my soul Rock of ages (Hastings) and -Gluck and Homer (in German) Suse, liebe Suse (" HANSEL UND GRETEL "-Humperdinck) Quis est homo

"-H,.mnrrdincb) (in an_d Der kleine Sandmann bin ich (" Hänsel und Gretel German)-Gluck and Homer Whispering hope (Hawthorne) and 0 That we two were maying, Op. 2, No. 8 (:Nevin)-Gluck and Homer

GLUCK AND REIMERS DA301 10 Red

Au Clair de la tune ALMA GLUCK

DB574

12 Red

DB574

12 Red

DA519

10 Red

DA448

10 Red

DB593

12 Red

DA449

10 Red

DB573 12 Red

(Lully) and Sylvelin ANDZIMBPLIST

(Op. 55, No. I)

(Sindine)-Alma

Cluck

(Violinist)

(with piano) (Braga) Angels' Serenade (in Latin with piano)-Gluck (Bach-Gounod) and Ave Marfa and Zimtahst Ave Maria (Bach-Gounod) (in Latin with piano) Serenade (Braga) (with piano}-Gluck jind Angels' and Zimbalist ("Timbre d'argent "-Saint-Satins) Bonheur est chose legere, Le (in French with (Rimsky-Korsakof) (in French with piano) piano) arLd Romance orientale -Gluck and Zins baüst (Pasternaek) (in Hebrew) Chanson Hebraique (Our Hope) (Zionist Hymn) (in Rebrau)-Gluck Hatikva and Zimbalist ypd (Der Spielmann-0p. 15, No. I) (Hildach) (in German) Du mt deiner Fiedel Mita (from 20 Bohemian Folk Songs) (Vincent Pisek) Dobrou (in and and nor, Bohemian)-Desfinn and G!/ly (Song Mourning) (Massenet) (in French) Elegie of

(Hymn Tune) "Penitence "-Lane) (with organ arc.) apd In the hour of trial -Gluck and limbs!ist Fiddle and I (Concave) (with Diana) a_ndSing me to sleep (Greene) (with string guartel)-Glack and 7imbalist All Speeds

are 78 unless

otherwise

indicated.

GI (-ý

THE GLUCK

RECORDS-Continued. ALMA GLUCK

Number Size Label DA448 10 Red DA449

10 Red

DB572

12 Red

DB572 12 Red DA450

to Red

DA519

10 Red

DA450

10 Red

DB573 12 Red

Hatikva

AND ZIMBALIST--Continued.

(Our Hope)

Ni!. Le

(in _Hebrew)

(Zionist Hymn)

and Chanson Hibraique In the hour of trial (Hymn Tune (Song oI Mournin?) and Elegie Lost chord, The (Sullivan)

(Pasternadk) : " Penitence (Massenet)

(in Hebrew)-Gluck Zimbalist and "-Lane) (with organ ace.) (in French)-Gluck Zimbdist and

and Le Nil (Leroux) (in French with piano)-Cluck (Leroux) (in French with piano) (Sullivan)-Gluck and The lost chord

and Zimbalist

and Zimbalist Old folks 4t home (Swanee River) (Foster) (with piano) (violin obbl. Droiäk's "Humoresque ") (Nevin)-Gluck and The Rosary and Zimbalist Romance orientale (Rimsky-Korsakov) (in French with piano) (" Timbre d'argent "-Stunt-Satins) (in French) and Le bonheur cst chose legere with piano)-Gluck and Zimbalist Rosary, The (Nevin) (Foster) (with piano) (violin obbl. and Old folks at home (Swanae River)

Sing me to sleep

Dvorak's' Humoresque ")---Cluck and Zimbalist (Greene) (with string quartet) qnd Fiddle and I (Goodeve) (with piano)-Gluck and Zimbalist

HEIFETZ, JASCHA, Violinist (High'-fetz, Yah-sha) To few it is given, while still on the threshold of life, to achieve the success which it comes at all-only after maturity and experience. Yet that is what comes ordinarily-if Jascha Heifetz has accomplished. He began playing the violin at three, completed the course at the Royal Music School at Vilna, at the age of seven, and, after study with Professor Leopold Auer in Petrograd, was a mature artist at the age often. His tour through Russia was a triumph ; the keenest critics of Europe had nothing but praise for him. And now in from Russia United States, by way of Siberia, escaping to the after terrible experiences during the war, he has conquered America. Just turned twenty, he ranks with the greatest violinists of the day. His technique is flawless ; the intonation is perfect, the quality of tone superb and entirely individual, phenomenal mastery over bow and violin having been vouchsafed him in childhood by a beneficent Nature for once bent upon creating a perfect model. Over and above all that the ageless insight of genius makes his interpretations so full of poetic charm and true artistic beauty. In May, 1920, Heifetz made his English debut at the Queen's Hall, London, before a packed house attracted by the wonderful " His Master's Voice " records that had preceded him. Needless to say he emerged triumphant, critics and public alike being unanimous in acclaiming him as one of the greatest violinists of our day.

Number

Size

Label

DB283 12 Red DB288

12 Red

Marie

(Schubert-Wilhelmi)

DA241 10 Red

Caprice, Op. 1, No. 13

DA241

Caprice,

IO Red

Op. I, No. 20

For Prices

(Mendelsohn) (with piano)-Jascha Heifetz Op. 57, No. 6 ; (6) Valse du ballet Raymonde, Concerto E Op. in 64-Finale and minor,

(Mendelsohn) (with piano)-Jascha (Paganini-Kreisler) (with piano)

and Caprice,

Op. I, No. 20

(Pegsnini-Kreisler)

gnndCaprice. Op. 1, No. 13 52

(with piano)

.Ave d On wings of song g_r Berceuse, Op. 28. No 3 (Paul Juon) (Glazounov) (with piano)

(with

(Paganini-Kreisler)

of Records

see page 2

(Paganini-Kreisler) piano)

Heifetz

(with piano) Heifetz -Jascha

(with piano)-Jascha

Heiletz

HIl MASTER'S VOICE RIM LABEL RECORDS

All Speeds are 78 unless otherwse

indicated.

HIS MASTER'S THE

HEIFETZ

VOICE RED

LABEL

RECORDS

RECORDS-Continued

YeNumber Size Label DA24S Red 10

Ungarische Tanze, No. I in G minor

DA244

10 Reg

Valse

DB288

12 Red

(Brahms)

(with piano)

Esoaiiola (Granados-Kreisler) (acc. by A. Benoist) arr. Auer) Minnet (Porpora-Kreisler) and Valse du ballet Raymonde, Op. 57, No. 6 (Glazounov) (Paul Juon) (with piano) and Concerto andDanza Bluette (Drigo

(Mendelssohn)

(with piano)-Jascha Hei/ tz (with piano) (with piano)-Jaxha Heifetz ; (a) Berceuse, Op. 28. No. 3 Op. 64-Finale in E min-,

(with piano)-Jascha

Heiletz

HEMPEL, FRIEDA, Soprano Frieda Hempel became a favourite of the public by her sweet voice and brilliant rendering of difficult coloratura cadences. Her debut in opera during the 1913 Beecham season at Drury Lane was a notable event, her singing in " Rosenkavalier " and as the Queen of the Night in the " Magic Flute " causing a great sensation. She is a great favourite in North and South America. This gifted artist renders excellent account of herself in records made for " His Master's Voice," the " Ernani " (Cavatina) selection especially being wonderfully sweet and expressive. THE

HEMPEL

Number Size LaLel DB294 12 Red DB298

12 Red

DA250

10 Red

DB295 12 Red DB294

12 Red

DA250

10 Red

DB295

12 Red

DB298

12 Red

DA24S

10 Red

RECORDS "-Verdi) (inflation) Ah ! fors e lui the l'Ernani anima I ("TRAVIATA Ernani! involami (" Ernani "-Verdi)

(in Italian) and Hempel -Frieda II : Valse brillante (Arditi) (in Italian) (Arditi) (in Italian)-Frieda Hempel aand Parla ! (Valse cantabile) Bird Song, The (SÖderberg) Melody in F (Voices of the Woods) (Rubinstein) (with string and quartet and harp)-Frieda Hempel Cavatina, Ernani-See " SURTA I LA NOTTE "

Bacio,

Charmant oiseau

Ernani

! Emani

(Couplets du Mysoli) (' PERLEDU BRISIL"-David) (in French) (" Lakme "-Ddibes) (in French) and Ort va la jeune Hindoue? Hempel --Frieda ! involami (ERNANI "-Verdi) (in Italian)

and Ah ! fors i In

DB297

12 Red

DB293 12 Red DB296 12 Red DA2SI !0 Red DB296 12 Red DB297 12 Red DA248

10 Red

DB293

12 Red

DA251 10 Red

the I'anima

(" Traviata

°-Verdi)

(in Italian) Hempel harp) Hempel

-Frieda (Rubinstein) (with string quartet and (Soderberg)-Frieda and The bird song Oil va Ia jeune Hindoue? (" L+KME "-Delibes) (in French) (Couplets du Mysol') (" Perle du Brisil "-David) ad Charmant oiseau French}-Frieda (Arditi) (in Italian) Paria ! (Valse cantabile) brillante (Arditi) (in Italian)-Frieda and Il bacio : Valse Qui la voce sua soave (" PURITAN! "-Bellies) (in ltalian) "-Verdi) (in and Volta la terrea fronte alle stelle (" Ballo in Maschera Melody

Robert,

in F

(Voices

toi que j'aime

of the Woods)

(" ROBERT LE DIABLE "-Meyerbeer)

-Frieda (in French)

(in Hempel Hempel Italian) Hempel

and La Villanelle (Del Acqua) (in French) -Frieda Hempel Sulle onde del Danubio (Blue Danube Waltz) (Strauss) (in Italian) Women (Strauss) (in lt al an}-Frieda Hempel and Wine, and Song Waltz (in Italian) (81) Surta e Is none (" ERNANI"-Verdi) '-Bellini) (in Italian)-Frieda Hempel and Vien', diletto, i in cielo (" Puritani Ungeduld : Ich schnitt es gem in alle Rinden ein, O p. 25. Na. 7 (Schubert) Wohin Op. 25, No. 2 (Schubert)-Frieäa Hempel and Vien', diletto, e in cielo C' PURITANI"-Bellini) (in Italian) Surta i la (" Ernani "-Verdi) (in Italian}-Frieda Hempel Villanelle, and La (Del Acqua)note(in French)

Robert, toi (" Robert le Diable "-Meyerbeer) (in French) and que j'aime Hempel -Frieda Volta la terrea fronte alle stelle (" BALLO IN MASCHERA "-Verdi) (in Italian) (" Puritan "-Bdlini) (in Italian)-Frieda Hempel and Qui la voce sua soave Wine, Women Song Waltz (Strauss) (in Italian) and

(Strom) (in Italian) and Salle ande del Danubio (Blue Danube Waltz) -Frieda Hempel Wohin, Op. 25, No. 2 (Schubert) Rinden ein, Op. 25, No. 7 (Schubert) and Ungeduld : Ich schnitt es gern in alle Frieda Hempel For prices of Records

see page 2

THE

HEMPEL

RECORDS-ContinuedQUARTET BY HEMPEL, CHORUS

Number Size Label

CARUSO,

ROTHIER,

DE SEGUROLA, AND

DM103

12 P. Gn.

"-Verdi) (in Italian with chorus nell' estasi, La (" BALLO IN MASCHERA (" Bal1o in Maschera "-Verdi) (80) and arch.) and E scherzo, od a follia (in Italian with chorus and arch.) De Sogurola -Hempei-Caruso-Duchine-RothlerDUCHENE, ROTHIER AND DE QUINTET BY HEMPEL, CARUSO,

DM103

12 P. Gn.

tscberzo,

Rivedrii

SEGUROLA (" BALLO IN MASCHERA "-Verdi) (in Italian with chorus and ode (ollia C" Ba11o in Maschera "-Verdi) (80) arch.) and La riuedrä nel!' estasi (in Italian with chorus and orch.) (80)-Hempel-Carasa-Rathier-De

Segurolo

HISLOP, JOSEPH, Tenor A.J3ritish tenor with an international reputation, Joseph Hislop has sung in Grand Opera kith outstanding success at Covent Garden, London, La Scala, Milan, and many His renderings combine rare lyric beauty with other famous centres of operatic art. dramatic intensity and these essential qualities, together with an exceptionally clear he has made exclusively for enunciation, are reproduced to perfection on the records His Master's Voice."

THE HISLOP RECORDS Number Size Label DB522 12 Red DA443 10 Red DB522 12 Red DA444 10 Red DA444 10 Red DA443 10 Red

Addio

alla madre

C " CAVALLERIARUSTICANA "-Mascagni)

and Che gelida manina (" Boheme "-Puccini) Afton Water (A. Hume) (with piano)

(in Italian)

(in Italian)-Joseph

Hislop

0 love's bonnie (arr. Geo. Short) (with piano)-Joseph Hislop and my (" BOHEME "-Puccini) Che gelida mamma (in Italian) (" Cavalleria Rusticana '-R4ascagni) (in Italian) Addio and alla madre Hislop -Joseph C SONGS OF THE HEBRIDES "-M. Kennedy-Fraser) Eriskay Love Lilt. An Song (from the Second Collection of -Songs of the North ") (with and Herding Hislop piano)-Joseph Herding Song Collection (from the Second of " Songs of the North ") (.,rM. Lawson) (with piano) An Eriskay Love Lilt C' Songs and of the Hebrides "-M. Kennedy-Fraser)-Joseph Hislop 0 love's bonnie (arr. Geo. Short) (with piano) my

g i¢ All..

Water

(A. Hume)

(with piano)-Joseph

Hislop

HOMER, LOUISE, Contralto Louise Homer was born at Pittsburg, U.S.A., and made her debut as Leonora in " Favorita," in 1898 ; she was very soon engaged for Covent Garden, and thence she went to Brussels. She, however, returned to London again at the close of 1899, and was invited to sing before Queen Victoria at Buckingham Palace. She has sung for many seasons past at the Metropolitan Opera House, New York. Mme. Homer's' rich voice is fortunately preserved to Europe by the magnificent " His Master's Voice " records, especially in concerted numbers. This artist makes " His Master's Voice " records exclusively. THE

HOMER

Number Size Label DB299 12 Red

DA255 10 Red DA253 10 Red

RECORDS Amour. viens aider (" SnmsoN ET DALI A "-Saint-Saens) (in French) Saini.afns) (in and Mon cmur s ouore d to voix ('' Samson et Dahba french)-Louise Homer Flee bird Annie Laurie (Lady John Scott) (Dana)-Louise ast Homer as a Banjo song (Homer)on d Oh, promise me ("Robin N-od "-de Konen)-Louise Homer All Speeds

are 78 unless otherwise

indicated.

Ho ýj

THE HOMER RECORDS-Continued Number Sine Label

DB302 12 Red DB300

12 Red

DA255 D8301

10 Red 12 Red

DE301 12 Red DA254 DA254 DB305 DB304 DB299

10 10 12 12 12

Red Red Red Red Red

DB305 DB665

12 Red 12 Red

DA253 10 Red DB302 12 Red

But

Lord is

His

(- Si. Peot. "-Mendelssohn)

the mindful of own (" Eliiah "-Mendelssohn)-Lodse and Oh, rest in the Lard Che ford senra Euridice (" ORFEO ED EURIDICE "-Gluck) (in Italian) Ombra fu (Largo) ("Xerxes Handel) (in Italian)-Louise eud mai Flee as a bird (Dana) (Lady John Scott)-Louise and Annie Laurie He shall feed His flock (" MEssioH "--Handel) He was despised

and He was despised ('MESSIAH "-Handel)

(" Messiah "-Handel)-Louise

Homer Homer Homer

Homer

("Messiah °--Handel)--Louise Homer and He shall feed His flock I cannot sing the old songs (Claribel) (Kjerulf}-Louise Homer and Lac! night Last night (Kjerulf) (Claribd)-Louise Homer and I cannot sing the old songs Lost chord, The (Subiran) Mg heart faithful (Bach)-Lodse Homer and ever Loves (Molloy) old sweet song and Old black Joe (Foster) -Louise Homer Mon cmur s'ouvre ä ta ooix (' SAMSON ET DALiLA Saint-Satins) (in French) (" Samson et Dalila "-Saint-Satins) (in French) are Amour, viers aider Homer -Louise My heart ever faithful (Bach) (Shcioan)`Lo and The Lost Chord else Homer Nobil signori, salute ! (" GLI UOONOTrl "-Meyerbeer) (in Italian)

(in Italian) and Voce di donnre a d'assgelo (" Gioconda "-Ponchielli) -Louise Homer Oh, promise me (" ROBIN Hoots "-de Koven)Bird Banjo Song (Hora)-Lodi Homer Oh, rest in the Lord (" ELIJAH"-Mendelssohn) and But the Lord is mindful

DB303

12 Red

Oh thou that teilest

DB304 DB300

12 Red 12 Red

Old black Joe Ombra mai fu

of His oust

C' St. Paul

"-Mendelssohn)-Louise Homer

Zion

(" MESSIAH Hmdel) good tidingsto (Gounod)--Louise and There is a green hill far away (Foster) Loves (Molloy)-Louise and old sweet seng (Largo) (" XERxES "-Handel) (in ltdian)

Homer Homer

DB667 12 Red

(in Italian) ggd Che ford senza Euridice (" Orfeo ed Euridice "-Cluck) -Lo uise Homer Parlate ei amor, Le (Fbwer Song) (" FAUST"-Gounod) (in Italian) (in Italian nd Stride la vampa I la folla indomita C' Trauatore '-Verdf) -Louise Homer (in Italian) Quando a to bete sorridea la vita C' FAUST"-Counod)

DA252

10 Red

Stride

0830äd

42 Red

08065

42 i)eii

DA252 W Red

ant! Su e con me vieni, card

COrfeo (in Italian) ed Euridice "-Cluck) -Homer and Gadski (" TROVATORE "-Verdi) (in Italian) (Flower Song) C' Fasst "-Gounod) (in ?ialian) -Lo vise Homer (Coursed) There is a green hill dar away Zion ('Messiah "-Handel) end-Oh thou that teilest good tidings to Homer -Louise Voce di donna d'angelo CGIOCONDA Ponchielli) (in Italian) o Is vampa I Is folle indorita d'amor gg l Le Prolate

end Nobil signori, salute 1 C Cli Ugonotti "-Meyerbeer)

DM112 12 P. Gn. DM111

12 P.Gn.

DM112 12 P. Gn.

in Italian) -Louise Homer

HOMER AND CARUSO (" TAOVATORE "-Verdi) (in Italian) Ai nostri monti ritornereme (82) oo Mal reggendo adl' aspro assallo (" Trooatore "-Verdi) (in Lalian) -Homer and Caruso Aida, a me ioalieati (" A1DA"-Verdi) (in Italian) (88) (in Italian) gnd Dio cho nell' alma irtlondere (" Doa Carlos "-Verdi) -Carwo ($1) and Scotti Mal reggendo all' aspro assalto (" Taovaroge "-Verdi) Ga ltalian) g Ai nostri Monti ritorneremo 1" Trooatore "-Verdi) (in Italian) -Homer and Car no

HOMER AND FARRAR DKI25 12 Buff

Alla capanna andiamo and

DKI25

12 Buff

Tutti

i fior

(Campana)

(in Italian)

Tatti

(" Madama

i Jior

(80) Bujaoflp

(" MADAMA BurrERFLY "-Puccini)

and Alla capon no andiamo

"-Puccini)

(in 71a/ian)

(Campana)

-Homer ($I)

(in Italian)-Homer

(in Italian) Farrar and

and Farrar

'HOMER AND GADSKI DB68a 12 Red

Alta pompa the ooppresta en

d Fala

some

(' ATA "-Verdi) del!'

armi

(in %taliat)

ä tuoi funesta

C' Aida

"-Verdi) -Homer

'Par'hices

of Records see page-2

(in'ltalian) and Gadski

THE HOMER

RECORDS--Continued

HOMER AND GADSKI-Continued Number Size Label DB666 12 Red DB667

(in Italian) Fula Sorte dell' armi a' tuoi funesta (" AIDA"-Verdi) ("Aida Verdi) and Alla pompa the s'appresta

12 Red

Sue

-Homer (in Italian) Goanod)

(" ORFEO ED EURIDICE '-Cluck) con me vieni, cara Quando to vita (" Faust and a to lieta sorridea

(in Italian) Godslii

and

(in Italian) Homer

-Louise

HOMER

AND GLUCK Abide with me (Monk)and

DA451 10 Red DA453

10 Red

Belle nuit, 0 nuit French)

DB575 12 Red

Crucifix, The

Gluck I hour (Lowry)-Hamer and need thee every (irr (Barcarolle) (" CONTEs D HOFFMANN "-Offenbach) Life's dream is o'er (Music to " Alice, where art than? ") and

d'amour

(Faure)

and Quis est homo DA451

10 Red

DB478

12 Red

DA452

10 Red

DB576

12 Red

DA453

10 Red

DA518

10 Red

DB478

12 Red

DA158

10 Red

DA518

10 Red

DBS75

12 Red

I need thee every hour

12 Red

DA158

10 Red

(" Stabat

Mater

and Homer (in Latin) and Gluck

(Lowry)

for the Lord and Mira,

Rock of ages

and The crucifix (Hastings)and

(Faure)

(in French)-Homer (J.

and Gluck

P. Hol ,cool,') Jesu, lover of my seal and Gluck -Homer Suse, liebe Suse (in German) C' HÄNSEL. UND GRETEL "-Humperdinck) Gretel "-Humpeedinch) (in Der Kleine Sandmann bin (" Hhnsd ich and und German)-Homer and Cluck Whispering hope (Hawthorne)

and 0 that we two were maying, Op. 2, No. 8 HOMFR

B. Dykes-J.

(Nevin)-Hamer

and Gluc?

AND HOMER-STIRES

C. pretty rose

DA487 10 Red DA487 10 Red

"-Rossini) Homer

(Monk)-Homer and Cluck and Abide with me (" HYMN OF PRAISE "-Mendelssohn) (".Norma "-Bellini) (in Italian) o Norma at fuoi ginocehi and Cluck -Homer Jesu, lover (J. B. Dykes-J. P. Holbrook) of my soul (Hastings)-Homer Rock and Gluck and of ages Kleine Sandmann bin ich, der (" H%ÄNSELUND GRETEL "-Humperdinck)(in German) Gretel "-Humperdinck) (in German) ("Hansel and Suse, liebe Suse and Gluck and -Homer Life's dream is ") (Music to "Alice, o'er where art thou? Belle (Barcarolle) (`' Conies d'Hoffmann 0 d'amour and nuit, nuit Offenbach) (in French)-Homer and Gluck Long, long ago (gayly) Passage birds' farewell (Hildach)-Homer and Gluck end Mira, o Norma as tuoi ginocchi (" NORMA' (in Italian) -Bellini) Gluck Mendelssohn}-Flomer and I waited for the Lord ("Hymn of Praise and 0 that we two were Op. 2. No. 8 (Nevin) maying, Gluck hope (Hawfhome)-Hnmer and Passage birds' farewell ((ji]andhWhispering Homer Glrch (gayly} and Long, long ago and Quis (" STABAT MATER ---Rossini) (in Latin) eat homo I waited

DA452 10 Red DB576

-Gluck

(in French)

Venetian Song

(Beverly-Marzials)and Venetian Song (Tosti)-Homer (Tosti)and Go pretty rose (Beverly-Morzials)-Homer

and Homer-Stires and Homer-Stires

TRIO BY HOMER, CARUSO AND JOURNET DM126 12 P. Gn.

(in French) (80) Je viens celebrer la victoire (' SAMSONEr DALIIA "-Saint-Satins (in Italian) and Qaal col ulld lrascorrere (" Lombardi "-Verdi) )o urnrt -Caruso-Aldo-

QUARTET BY HOMER, CARUSO, SCOTT! AND ABOTT AND CHORUS DO100 12 P. Blue Bella figlia dell' amore C' Ricot.erro"-Verdi)

and Que aoulez-vow, messieurs?

All Speeds

are 78 unless

otherwise

(in Italian) (80)

(" Faust "-Goanod) (ir. French) -Caruso-Scotti-Jo urnet

indicated.

HIS

MASTER'S

VOICE

HUGUET, GIUSEPPINA, Soprano

QUINTET

Number Size Label DA415 10 Red

versa

RED

RECORDS

(Yew-gay)

HUGUET,

PAOLI,

it 61tro nella tazza sua

and Si, io t'amo

LABEL

CIGADA,

(" PAGLIACCI

CORSI,

AND

Leonoavallo)

GAETANO

(in Italian)

(" Madame de Belle Isle "-Samosa)

(in Italian with piano) -Antonio Paoli

JADLOWKER, HERMANN, Tenor Hermann Jadlowker was born at Riga in 1877. Gansbacher.His

He studied later with Professor

Opera House, New York, have brought him successes at the Metropolitan worldThe " His Master's Voice " records listed here wide fame. are all splendidly given by His voice is a rich tenor this admirable tenor, his duet with Farrar being especially fine. of great power.

THE

JADLOWKER

Number Size Label DB494 12 Red

RECORDS

Ah ! leve-toi soled

(" ROMfo ET JULIETTE"-Gounod)

and La Fleur

DA432

10 Red

DB495

12 Red

DB495

12 Red

DB494

12 Red

DA432

10 Red

(in French)

")-Bizet (in French) Jadlowker -Hermann (" MEISTERSINGER VON NIIRNBERG "-Wagner) (in German) (81) f " "-Flotow) 1b1'appari tu!!' (in Italian) and amor it'fariha Jadlowker -Hermann Che gelida manina (" BOHESIE Puccini) (in Italian) ("Traviata "-Verdi) (in Italian) and De' miei bollenti spiriti Jadlowber -Hermann (" TRAVIATA Verdi) De miei bollenti spiriti (in Italian) (" Boheme "-Puccini) (in Italian) and Che gelida manina Jadlowker -Hermann (" CARSTEN "-Bizet) Fleur que tu m avais jetee l La (in French) (-Romeo "-Gounod) (in French) and Ah l Jeve-toi soleil et Juliette Jadlowker -Hermann M'apparj (" MARTHA'-Flotow) (in Italian) tuft amor (" Meistersinger (in German) and Am stillen herd von Nürnberg "-Wagner) Am stillen

que tu m'avais

jetde

(" Carmen

herd

-Hermann JADLOWKER

Jadlowker

AND FARRAR

DK124

12 Buff

Cor net contento, II (" DONNE CURIOSE "-Wolf-Ferrari) (in Italian) II dolce idillio f' Segreto di Susanna"-Wolf-Ferrari) (in Italian with a Farrar chorus and ordt.)-Amato and JADLOWKER AND KNÜPFER

DB497

12 Red

Du siehst, das ist nicht so (" PARS/FAt. "-Wagner) and Mein erstes Amt verricht' ich so C' Parsifal

DB497

12 Red

Mein

(in German) (80) "-Wagner) (in Gerrnan) (80) Jadlowlter and Knüpfen Amt verricht ich so (" PARSIFAL "-Wagner) (in German) (80) Du das ist (" Parsifal "-Wagner) (in German) and siehst, nicht so -fadlawka and Knüpfe,

erstes

JERITZA, MARIA, Soprano

(Yer'-itsah)

Maria Jeritza is in private life the Baroness Popper. She is of Moravian birth, Her debut was at Almitz, having been born in the little town of Brun. and she came The Metropolitan forces had her in mind for New York as thence to Vienna in 1912. her American debut did not take place early as 1914, but the war interrupted all, and Korngold's " Dead City " in New York, until 1919, when she sang in Erich at its first Mme. Jeritza has fine large American presentation. a voice, a commanding presence, high fitting her for the roles of the Northern order, especially and dramatic powers of a indeed she sings with facility, and with splendid intelligence, in those of opera-though the Italian and French schools. 58

For Prices

of Records

see page 2.

HIS

MASTER'S

VOICE

RED

LABEL

RECORDS

THE JERITZA RECORDS Number Size Label DB306 12 Red

DA524

10 Red

DB306

12 Red

DA524

10 Red

C' TANNHÄUSER "--Wagner) der Elisabeth) G.. Tagen in trauben (" Lohengrin "-Wagner) (ii German)-Maria feritza (" TANNHÄUSER 'r-Wagner) (in German) Dich, teure Halle Glick, das mir verblieb (" Tote Stadt''-Korngold) (in German) and feritza -Maria Einsam in trauben Tagen (" LOHENGRIN "-Wagner) (in German) All-Mächtge Jungfrau (Gebet der Elisabeth) (" Tannhäuser "-Wagner) and (in GermanýMaria feritza Glück, das mir verblieb f' ToTE STADT "-Korngold) (in German) ('" Tannhäuser "-Wagner) (in German)-Maria feritza and Dich, teure Halle

All-Mächt ge German)

Jungfrau

(Gebet and Einsam

JOHNSON, EDWARD (EDUARDO DI GIOVANNI), Tenor Edward Johnson was born in Canada, of Welsh-Irish parentage, but spent his boyhood in New York. He was a natural singer. He went to Paris and later to Florence where he studied under Vincenzo Lombardi. In 1912 he made his operatic ddbut in Padua Parsifal " under the stage name of Eduardo di Giovanni. He sang not only the role of " French Opera at La Scala in Milan, under Anton Fuchs, but scored a big success in a Pelleas at the Costanzi theatre when lie made the first successful Italian representation of in Rome. In early 1919 he created Montemezzi's " La Nave" at La Scala. He was for the first presentations of his triad of short operas, " Il Tabarro," chosen by Puccini " Gianni Schicchi," and " Suor Angelica." He has been to South America, where he sang in Buenos Aires, Montevideo and Rio de Janeiro. In 1917 he was in Spain. In early 1919 he sang in concert in Italy with He followed by making some superb records. Toscanini. THE

JOHNSON

Number Size Label DA166

10 Red

DA166

10 Red

RECORDS Amor

(" FEDORA'-Giordano) (in Italian) ti vieta di non amar (" Fancialla del West "-Puccini) (ire and Ci dla mi credo libero e lontano Italian)-Edward Johnson (in Italian) Ch'ella mi credo libero e lontano (" FANCICLLA DEL WEST'-Puccini)

and Amor ti meta di non amar

JOURNET,

MARCEL,

Bass

(in Italian) (" Fedora "-Giordano) -Edward Johnson

(Zhoor-nay')

Journet, horn in 1868 at Nice, studied under Seghettini, and made his ddbut at Bdzieres,Belgium, in 1891. In 1893 he appeared at Montpellier, and sang in London in 1897.He was again in London in 1905, and, in consequence of Plancon's illness, was called He proved himself more than equal to the occasion, upon to take that great singer's place. favourite artist for many seasons subsequently at Covent Garden. establishing himself as a Metropolitan Opera House, New York. The Paris He has also appeared at the Opera secured his services in 1908, when Company. great

he became

one of the important

members

of that

Journet has a very large repertory, particularly in French and Italian opera, and is at home in the most diverse parts. He is the possessor of a superb voice and a highly artistic temperament, and is an actor with a sense of humour which does him excellent service in what are known as character parts. His name is famous everywhere as one of the greatest basses of his time. The Journet " His Master's Voice "records reveal his gifts and easy delivery This singer is exclusive to " His Master's .splendid Voice." to perfection.

THE JOURNET RECORDS Number Size Label DB310 12 Red

Verdi) (in Italian) (" TROVATORE ziniara d'orror (Vales infernale) (" Roberto it Diuuolo Rud Demoni fatali, fantasmi (in French with chorus and orch)-Marcel Meyerbeer) Journet

Abietta

All Speeds

are

78 unless

otherwise

indicated.

HIS MASTER'S

J°

VOICE RED

LABEL RECORDS

THE JOURNET RECORDS-Continued \ ember Size Label DA259 10 Red DA482

10 Rod

DA256

10 Red

DB308

12 Red

DA480

10 Red

DA256

10 Red

DA480

10 Red

DA258

10 Red

DB312 12 Red DB312 12 Red DB310

12 Red

DB311

12 Red

DA481

10 Red

DB307

12 Red

DM27

12 Buff

DA481

10 Red

DB313

12 Red

DA260

10 Red

DB613

12 Red

DA260

10 Red

DA167

10 Red

DA259 10 Red

DA257 10 Red DB311 12 Red DB313

12 Red

DB613 12 Red DB309

12 Red

Air de Is lettre

(" CLeoPITRE "-Massenet)

and Isis ! c'est Theme

(in French)

(Invocation) (" Flüte Enchantee Mozart) (in French)-MarcelJournet (Prologo) (" MEFISTOFELE "-Bolto) (in Italian) Ave. Signor Op. 48 (Faure) (in Latin)-Marcel Journet and Pie Jesu " Requiem," Brabanconne, La (Belgian National Song) (Campenhout) (in French) Chant de (Massenet) (in French)-Marcel Journal apd guerre cosaque Calunnia e un venticello, La ("BARE IRRE DI SIVIGLIA "-Rossini) (in Italian) Vous lanes 1'endormie (Serenade Mephistopheles) (" Faust "-Gounod) and qui (in French)---Marcel Journet Chanson des peupliers, L.a (Doria) (in French) balge-l 8th century) (in French)-Marcel Journet and Chant patriotique Chant de guerre cosaaue (Massenet) (in French) (Belgian National Song) (Canrpenhout) (in French) and La Brabanconne Journet -Marcel Chant patriotique Iselae-18th (in French) century La Chanson des (Dona) (in French)--Marcel Journet peupliers and Chi mi dirä di the il bitchier (Canzone del Porter) (" MARTA "-Flotow) (in Italian) Vecchia (" Boheme "-Puccini) (in Italian) and zimarra

-Marcel (Andre) (in French) and Le car (Flegier) (in French)-Marcel (in French)

(Chant du Soldat)

Clairon, L. Cor, L.

on sur In terre

(Flegier)

(Chant du Soldat) (Andre) and Le Clairon Demoni fatali, fantasmi d'orror (Valse infernale) Meyerbeer) (in French with charm and Orch.) (" Trovature Verdi) Deux Grenadiers, Lxs (Schumann) (in French) Marseillaise, La (de L'Isle) and Dis Is vite Vanna ("MONNA VANNA "-Fevrier) (in (" Aocanio and Enfants je ne vows en veux pas

Journet

(in French) -Marcel Journet (" ROBERTO IL DIAVOLO and Abietta zingara (in Italian)-Marcel Journet

(in French)-Marcel Ja arnet French) Saint-Salms) (in French) Journel -Marcel D'un sacro zel l'adore (" HUGUENOTS "-Meyerbeer) (in Italian with chorus and ("Huguenots "-Meyerbeer) (in French) or,h.) and Pif, paf, pouf Journet -Marcel Elle ne m'aime pas (DoN CARLOS "-Verdi) (in French) (" Don Carlos "-Verdi) (in Italian) and Dio the nell' alma infondere Luca and Martinelli -De Enfants le ne vous en veux pas (" AsCANIO "-Saint-Satins) (in French) (" Monna Vanna "-Fdvrier) (in French) and Dis la vite Vanna Journet -Marcel Fleurissait (" JONGLEUR DE NOTRE DAME "-Massenet) (in French) une rose Nella bionda ha l'manza ("Don Giovanni "-Mozart) (in Italian) and egli Journet -Marcel "Fratelli d'Italia "-(lino di Mameli (Italian National Hymn) (Novara) (in Italian) (Conradi) (in Spanish)-Marcel Journet and Himno Aacional Argentino Haine et Is colere, La (Air du Grand Pretre) (" FLCTE ENCHANTIE "-Mozart) (in French) (Berceme) (" Mignon "-Thomas) (in and Ninna, nanna French)-Marcel Journet (Conrade) Hirano Nacim'sl Argentina (in Spanish) "-Irmo di Mameli (Novara) (Italian National Hymn) and " Fratelli dltalia (in Italian)-Marcel Journet 11 etait temps! Saus le feuillage sombre (Invocation) (" FAUST "-Counod) (in (80) Le Veau d'or French) (" Faust "-Gounod) (in French) and Journet -Marcel

Isis I c'est I'heure oit sur la teere (Invocation) (" FL0rE ENCHANTW"-Mozart) (in french) Massenet) (in French) and Air de to lettre (" Cleopdtre -Marcel hornet Legende de Is Sauge-See " FLEURISSAIT UNEROSE (in French) Marche Lorraine (tanne) Le Pere de In Victoire (Garne) (in French)-Marcel Journet Marseillaise, La and (de L'Isle) (in French) (77) (Schumann) (in French)-Marcel and Les deux Grenadiers ha I'usanza DON GIOVANNI "-Mozart) (in Italian) egli

Nella bionda

Journet

(in French) and Fleurissait one rose (" Jongleur de Notre Dame "-Massenet) -Marcel Journet Ninna, Hanna (Berceuse) (" MIGNON"-Thomas) (in French) and La haine at In colere (Air du Grand Pretre) (" FLite Enchantee "-Mozart) 0 Salutaris

Hostea

For

Prices

(in Latin) and Les Rameaux

(in French)-Marcel

Journet

(in French)-Marcel

Journet

(Luce)

of Records

see page

(Faure) 2.

THE JOURNET

R_COR )S-Continued

Number Size Label DA257 10 Red

Pere de la Victoire,

JO Le

(Gann)

(in French)

(in French}-Morcd Journet @E¢Marche Lorraine (Gann) Requiem. ' Op. 48 (Faure) (in La(in) (in Italian) and Ave, Signor (Prologo) (" Mefistofele °-Boito)

DA46Z 10 Red

Pie Jesu"

DB307 12 Red

Pif. paf, pouf C' HUGUEN(ns"-Meyerbeer) (in French) (in Italian with chorus &nd D'un sacra zell'adore (''Huguenots "-Meyeeleer) and orch.)-Marcel Journe t Ramesux, Les (Faure) (in French)

DB309 12 Red DB615

12 Red

DB615 12 Red DA167 10 Red

O Sdutaris Flostia (Luce) (in Jtalian)-Marcel and Sbrcnade Mephistophels-See -VOLE QUt FAITES L'ENDORMIE " (" MtFxsronELE "-Bolto) (in Italian) Son In spirito the nega

(in Italian with And Splendon pi6 belle in tint le sidle (" Favorita "-Donizetti) Journet chores and orch.)-Marta) "-Donizetti) (in Italian uith chorus Splendors pia belle in ciel le stelle C FAVORITA Son to (" Melistofele "-Bolto) (in Italian) spirito the nega and orch.) and -Marcel Journet Veau d'or, Le C' FAUST"- Gounod) (in French) (80) g¢d I! itait

DA258

10 Red

DB308

12 Red

DKI10

12 Buff

DKI01

12 Buff

DB591

12 Red

temps l

Vecchia zimarra Chi mi dirä

Sous

le feuillage

12 P. Gn.

Suoni Ia tromba, C' PURITANI "-Bellini) (in Italian) a intrepido (in Italian)-Amato and ina!fia l'ugola ! (" Otello "-Verdi) A votre sante ! (Scene des epees) (" FAUST "--Gounod) (in French C' Favorita Donizetti) and arch.) and Ah I ['alto ardor

Crucifix

-Amato

AND CARUSO (Faure)

O Merveille

(in French)

Solo, profugo,

JOURNET

12 Buff

DKI09

12 Buff

DK109

12 Buff

AND

man doux

berger

(' Pique

DM126

12 P. Gn.

Dame

(" MIGNON"-Thomas)

(in Italian) and Caruso

-Journet (80)

and Caruso

(in French)

"-Tchailtovsku) -Destine

(in French) and Duchene

(in French)

dolce svegliare

(" Boheme "-Puccini) (in Italian) Caruse-Farrar-Scot ti-Viafora Elle ouvre as fenbtre (Scene du Jardin) (" FAUST "-Gounod) (in French) (80) (" Faust "-Gounod) (in French) and Alerte ! on coos Ftes perdus -Journet-Caruse-Farrar Que dirai-ie alors au Seigneur? (" FAUST Gounod) (in French) (8I) (" Faust Gounod) (in French) and Seigneur, daignes permetire -Journet and Farrar Seigneur, daignes permettre (" FAUST Gounod) (in French) (81)

and Que dirai-je alors au Seigneur?

12 Buff

Irr

Plam;on

-Pol

(in French)-Journet

FARRAR

Duo des hirondelles

JOURNET DKI20

and Matzen.

"-Flotow)

(in Italian)

(' Faust "-Gounod)

and Addio

DKI06

("Maria

JOURNET AND CLEMENT Au fond du temple saint (' FECHEURS DEPERLES"-Bizet) and 0 viers,

D0101 12 P. Blue

reietto

(" MARTA "-Flotow)

reietto

and Setti with chorus (in Italian)

(81)

(Faure) (in French) and Les Rameaur (" FAUSr"-Gounod) (in French) (81)

gad O Merveillle

DK105 12 Buff

Gounod) Journet

C Marta Flotow) (in Italian)-Marcel Journet faites 1'endormie (Serenade Mephistopheles) (" FAUST Gounod) (in qui French) (77) C Borbiere di Siviglia ' i on venticello gad La Calunrria Rossini) (in Italian)-Marcel Joorne' JOURNET AND AMATO

and Solo, profugo, DM115

(Invocation) (" Fausf' (in French)-Moral

sombre

(' Boncste "-Puccini) (in Italian) di the it bitchier (Canzone del Porter)

Vow

JOURNET

DM115 12 P. Gn.

Journet

AND

("Faust--Gounod)

MARTINELLI

(in French) (81) -Journet and Farrar

io t'amo a amore (" GUGLIEI.MO TELL "-Rossini) (in Italian) Tell "-Rossini) (in Italian) (" Guglielmo and Troncar suoi di quell' emoio Luca-frfardones-Mortinelli -De

Ah I

Matilda,

TRIO BY JOURNET. CARUSO AND ALDA Qual

voluttä

trascorrere

(" LoesARni

"-Verdi)

(in Italian)

and Je viers cilibrer la victoire (" Samson et Dalila "-Saint-S aFns) (in Italian) -Jo urnet-Car use-homer TRIO BY JOURNET, CARUSO AND FARRAR DKIO6

12 Buff

Alerte

! ou vous Ales perdus and Elle ouvre sa fenitre

(" FAUST --G-nod) (Stine du Jardin)

(in French) (80) (" Faust "-Counod) -Farrar

All Speeds

are 78 unless

otherwise

indicated.

(in French) Journet

and

THE JOURNET

RECORDS--Continued

Number Size LabelTRIO

BY JOURNET, CARUSO AND HOMER DM126

12 P. GO.

D0100

12 P. Blue

DB169

12 Red

(' SAMSON ET DALILI"-Saint-Saens) (in French) (80) (- Lombardi "-Verdi) (in Italian) volulld lrascorrere

vienscelibrerlavictoire Qual and

Journet-Caruso-Aldo TRIO BY JOURNET, CARUSO AND SCOTTI Que voulez-vous, messieurs? ("FAUST "-Gounod) (in French) (80) (in Italian) and Bella figlia dell' amore (" Rigoletto "-Verdi) Car usa-Homer-Abott-Scotti TRIO BY JOURNET, DE COGORZA AND VAN HOOSE Que voulez-vous, messieurs? Solo, profugo, (" Marta reietto

(" FAUST "-Gounod) (80) (in French) and "-Flotow) (in Italian)-de Gogorza Van Hoose and

DM100 12 P. Gn.

QUARTETS BY JOURNET, CARUSO, ALDA AND JACOBY (in Italian) (80) Che vuol dir cih ? (" :MARTA"-Flotow) Siam ("Marta "-Flotow)

DMI01

12 P. Go.

Presto,

DMI00

12 P. Go.

Siam

and,

presto

giunti,

a giovinette

(" MARTA "-Flotow)

andiam and T'ho raggiunta

sciagarata

(" MARTA "-

o giovinette

and Che vuol dir cid?

Flotow)

T 'ho raggiunta

! (" MARTA "-Flotow) sciagurata and Presto, presto andiam

QUARTETS

DM102

12 P. Gr..

DMI02

12 P. Go.

(Sciae du Jardin-Part 2) (" FAUST "-Gounod) (in seule (Scene du Jardin-Part 1) (" Faust" and Scigne or Dieu (in French)-Journet-Caruso-Farrar-Mme. Gilibert -Gounod) Seigneur Dieu (Scene du Jardin-Part !) C FAUST Gounod) (in French) (50) (Scene du Jardin-Part 2) (" Faust "-Gounod) and Eh quoi 1 to ujo urs seule (in trench)-Jo Gilibert urnel-Caruso-Farrar-Mme.

Chi mi (rena

SEXTET 12

White

Chi

GALLI-CURCI.

EGENER,

DE LUCA

JOURNET,

CARUSO,

SCOTT

SEMBRICH,

SEVERINA

DADDI

mi Irena

("LUCIA

and SEXTET

CARUSO,

(" LUCIA DI LAMMERMOOR "-Donizetti) (in Italian) (in Italian) (" Rigoletto Verdi) and Un di, se ben rammentomi C urci-Perini-De Luca -Car uso-Galli-

AND DQ101

CARUSO,

(in Italian)

-Jo

quoi ! touiours French) (80)

SEXTET BY JOURNET, AND BADA 12 White

nrnet-Caruso-Aida-Jacoby (in Italian) (80)

urnet-Caruse-Aida-Jacoby (in Italian) ("Marta "-Flotow) (in Italian) da-Jacob -Journet-Car uso-Al y FARRAR AND MME. CILIBERT

12 P. Gn.

DQ100

-Ja

(" Marta "-Flotow)

DM101

JOURNET,

(in Italian)

urnet-Caruso-Aldo-Jacoby -Jo (in Italian) (in Italian) I (" Marta "-Flotow)

DI LAMMERMOOR

Bella figlia

JOURNET,

"-Donizetti)

(in

Italian)

dell'

(" Rigoletto `-Verdi) (in. Italian) amore -Car uso-Scotti-Sembrich-Se, erina TETRAZZINI, CARUSO, BADA AMATO, AND

IACOBY 2-051034

12 White

Chi mi Iren-"

LUCIA DI LAMMERMOOR

(Single-sided)

(in Italian)

-Journet-Amato-Bada-Caruso-Tetrazzini

KNÜPFER, PAUL, Bass (Knip'-fer)

Knüpfer was born at Halle in 1866. After three years' musical study he secured a Theatre. His fine sonorous voice and dramatic ten years' engagement at the Leipsic He has made most him at once to the front rank of great artists. brought acting Bayreuth Festivals and Covent Garden, also being known the appearances at successful He has recorded some of his best as one of the best known German concert artists. " His Master's Voice " records. selections on and operatic songs, KNUPFER AND JADLOWKER

Number DB497

Si-

Label

12 Red

das ist (" PARSIFAL "-Wagner) (in Gasman) (80) nicht so Mein erstes Amt oerricht' °-W (in German) ich so ( Parsifal agner) and Jadlowker -Knüpfer Amt ich so ( PARSIFAL "-Wagner) (in German) (80) erstes verricht'

Du siehst,

and

DB497

12 Red

Mein

(in German) and Du sieh's[, das ist nicht so (" Parsifal "-Wagner) -Knüpfer and Jadlowker For Prices of Records see page 2.

KREISLER, 7LßR, riuaa, FRITZ, Violinist VIOUWVl

(Krice'-ler) te[/ ýL 1ICC

Kreisler was born in 1875. When he was twelve years old he astonished the professors " Prix de Rome," an unprecedented occurrence. at the Paris Conservatoire by winning the Soon after this success, America welcomed him as a prodigy, under the care of Rosenthal, and Kreisler has since made his reputation as an artist of soul and emotional feeling in all the important cities of the world. His perfect mastery of technique and the intense beauty of his playing, combined with loveliness of tone, have secured for him a great name. We are justly proud of the Voice " compliment which the great violinist has paid to us in selecting " His Master's records exclusively for the perpetuation of his art. THE

KREISLER

Number Size Label

RECORDS Martini-Kreisler) (with piano) (Tartini Kreisler) (with piano)-Fritz Kreisler and Variations "-Who can tea ? (Kreisler) Underneath (Spencer Pasternack)--Fritz Kreiskr the and stars arr. (Couperin-Kreisirr) (with piano) Aubade Provengale La Chase (Cartier-Kreisler) (with Kreisler and piano)-Fritz (Kreisler) (with piano) Aucassin and Nicolette Midnighi bells-Viennese Melody-(Neuberger-Kreist,r) (with oinna! and Kress/er -Fritz Aus der Heimat (Smetana) (with piano) (with Meditation (Cottenci) Kreisler a nd Chanson piano)-Fritz Beautiful Ohio Waltz (Earl) Shore-Waltz (Victor Jacob)-Fritz Kre,ste, and On Miami Berceuse (Townsend) (with piano) (77) (Slumber Song) (Kreisler) (with piano) and Berceuse Romantique Kreisler -Fritz (Slumber Song) (Kreisler) (with piano) Berceuse Romantique Bereease (Townsend) (with piano)-Fritz Kreisler and (Kreisler) (with piano) Caprice viennois Op. 101, No.7 (Dvo;ek) (with piano) and Humoresque. Kreisler -Fritz (" SCHEHERAZADE --Rims ky-Kcrsakcf) (with piano) Chnnson Arabe Chanson Hindoue (" Sadko "-Rimsky-Korsakof)-Fritz Kreisler and Hindoue (" SAmco --Rimsky-Korsakof) Chanson Chanson Arabe (" Seheherazade "-Rimsky--Korsako/) (with piano) and Kreisler -Fritz Chanson Meditation (Cottenet) (with piano) (81) (Smetana) (with piano)-Fritz Kreisler and Aus der Heimat Chanson sans paroles (Tchaikovsky (with piano) -Kreisler) , (Old Vienna Waltz) (with piano) Krei-der and Liebeslied -F, if. Chant sans paroles, Op. 2, No. 3 (Tchaikovsky) (with pion) (Drdla) (with piano)-Fritz Kreisler and Souvenir Chasse, La (Cartier-Kreisler) (with piano) (80)' (Cauperin-Kreider) (with piano)-Fritz Kreisler and Aubade Provenfale "Coq d' Or, Le "-Hymn (Rimsky-Korsakof (with piano) to the Sun -Kreisler) (DVoiak-Kreuter) (with pianos and Slavonic Dance, No. 2, in F minor Kreisler -Fritz Kreisler) Danzaespanola (Granados with piano)

DA276

10 Red

Andantino

DA268

10 Red

"Apple

DA521

10 Red

DA266

10 Red

DB321

12 Red

DA273

10 Red

DA261

10 Red

DA261

10 Red

DB314

12 Red

DA272

10 Red

DA272

10 Red

DB321

12 Red

DB315

12 Red

DA265

10 Red

DA521

10 Red

DB316

12 Red

DA280

10 Red

(Padre

Blossoms

DA262 10 Red

Kreisler and Serenade Espagnole (Chnminadc) (with piano)-Fritz Gavotte, E major (Bach) (with piano) (81) Dance in G Hungarian (Brahmss joachim), (with

DB669

12 Red

Gavotte,

E major

DA275

10 Red

Gitana,

and

DA275 10 Red

Gypsy Serenade

DB314

Humoresque,

12 Red

DA262

10 Red

DB319

12 Red

DB315

12 Red

minor

(Bach) (with piano) Praludi (Buch Kreisler, and um arr. (Arabo-Spanish Gypsy Song) (Kreisler)

and Gypsy Serenade (C. R. Valdez)

-Fritz (with piano)

-Fritz

(C. R. Valdez)-Fritz

La Gitana (.4rabo-Spanish Gypsy Song) (Kreisler)-Fritz Op. 101, No. 7 (Dvoiik) (with piano) (80) (Kreisler) (with piano)-Fritz and Caprice viennois Dance in G minor (Brahms-Joachim) (with piano) Hungarian (801 Gavotte, E major (Bach) (with piano)-Fritz Indian Lament (Canzonetta (Dvoiäk-Kreisler) indienne) (with piano) (" Thais Massenet) (with and Meditation piano)-Fritz Liebeslied (Old Vienna Waltz) (with piano) and

and Chanson sans poroles

(Tchaikovsky--Kreisler)

-rrur All

Speeds

are

78 unless

otherwise

indicated

piunn) Kreisler Kreisler

Kreisler Kreisler Kreisler Kreisler Kreisler

(wdlh pion) n rnsýer 63

HIS MASTER'S VOICE RED LABEL RECORDS ý

THE KREiSLER

RECfJRDS-Continued

n.....t _, c:__ I _G_1

Love nest, The Mazurka

(" MARY--Hirsch)and

in A minor.

Op. 67. No. 4

Poor Butterfly (Chopin-Kreisler)

(Hubhell)-Fritz (with piano)

Kreisler

Kreisler and Waltz, Op. 39, No. 15 (Brahms) (with piano)-Fritz Meditation (" Tndis --Massenet) (with piano) Indian lament (Canzonetta (Dvor'611-Krdsler) (with indienne)

and

DA266 10 Red

Midnight

bells-Viennese

DA267 10 Rea

Minuet

A ucassin and Nicolette (Krdsler) (Boccherini) (with string quartet)

DA267 10 Red DB318 12 Red

Minuet Moment

Nobody

Melody

in C and Minuet (Paderewski-Kreisler)

in G

(Heuberaer-Kreisler)

(Padcrewslti-Kreisler) (with piano)

and Minuet(6) (Boccherini) (Schubert) Tambourin

musical

: Tambourin end

knows de trouble

1',.,"n

(with piano)-Fritz (piano

DA269 10 Rea DA273 10 Rea DA284 10 Red DA277 10 Red DA263 10 Red DB669 12 Red DA274 10 Red DA279 10 Red

ace.)-Fritz

(with string quartet)-Fritz (Kreisler) (will, piano)

Chinois,

Op. 3

(Kreider)

(White)

acid Old folks at home (Swanee River)

DA278 16 Red

-Fritz piano)

(with

piano) Krdsler

Kreislex Kreider

Kreider

(with piano) Kreider -Fritz

(Foster)

(with piano) Kreider

-Fritz (Swanee River) (Foster) (with piano) (White)-Fritz Kreisler and Nobody knows do trouble I've seen Old Refrain, The (Viennese popular song) (Kreisler) (with piano) The Rosary (Nevin) (with Kreisler and piano)-Fritz On Miami Shore-Waltz (Victor Jacob) Ohio Waltz (Earl)-Fritz Kreisler gnd Beautiful Pale Moon (Logan-Kreisler) (with piano) Toy Soldiers March (Kreisler) (with Kreisler Rod piano)-Fritz Polichinelle Serenade (Kreisler) Schön Rosmarin (Kreisler) (with Kreisler piano)-Fritz and Poor butterfly (Hubbell)and The Love (" Mary Hirsch)--Fritz Kreisler nest (with piano) Prwludium (Bach arr. Kreisler) Gavotte, E (Bach) faith piano)-Fritz Kreisler and major Rive de jeunesse (Winternitz)and Verlassen bini (Koschat-Winternitz)--Fritz Kreisler Rosamunde "-Ballet Manic (Schubert-Kreisler) Slavonic Dance No. I in G minor (Dvo7ok-Kreisle,) (with piano) pt1 Kreisler -Fritz Rosary, The (Nevin) (with piano) Old folks

at home

Scherzo

(Dittersdorf-Kreisler) (with piano) (81) and Wienerisch (Viennese Waltz)

and The old refrain

DA277 10 Red DA280

10 Red

DA279

10 Red

DB316

12 Red

DA283

10 Red

DA529

10 Red

DA265

10 Red

DB318

12 Red

DB318

12 Red

Schön Rosmarin

(Kreisler)

(Viennese popular song) (Kreisler) (with piano) -Fritz Kreh &r (Godocskv) (with piana) -Fritz Kreislex (with piano) Polichinelle Serenade (Kreisler)-Fritz Kreisler

and (Chaminade) (with piano) (Granados-Kreisler) (with piano)-Fritz Kreisler aAdDanza espanola Slavonic Dance No. I in C minor (Dvorik-Kreisler) (with piano) "-Ballet Music (Schubert-Kreisler)-Fritz Kreisler and" Rosamunde Slavonic Dance, No. 2 in E minor (Dvoiäk--Kreisler) (with piano) Le Coq d'Or "-Hymn (Rimsku-KorsakoJ-Kreider) (with to the Sun and" piano)-Fri t z Kreider (Dvorhk-Kreisler) Songs my mother taught me (with piano) Spring, Op. 43, No. 6 (Grieg) (with piano)-Fritz Kreider aipd To 25- A May Breeze Songs without (Mendelssohn) (with piano) words, No. Viennese Melody (Gärtner-Kreisler) (with piano)--Fritz Kreisler and (Drdla) Souvenir (with piano) Chant Op. 2, No. 3 (Tchaikousky) (with piano) paroles, and sans Kreisler -Fritz Tambourin (Kreisler) (Schubert) (with piano) ; (a) Moment musical Tambourin Chinois, Op. 3 (Kreisler) (with piano)-Fritz Kreisler and Tambourin Chinois, Op. 3 (Kreisler) (with piano) Serenade

Espagnole

31A283 10 Red

and (a) Moment musical (Schubert) ; (6) Tambourin To Spring, Op. 43, No. 6 (Grieg) (with piano)

DA284

Toy Soldiers

and Songs my mother taught

10 Red

DA268 10 Red 64

March

(Kreisler)

(Kreisler) (with piano) -Fritz Kreisler

(Duoiäk-Kreisler)

(with piano) Kreisler

-Fritz

(with piano)

(with piano)-Fritz and Pale Moon (Loean-Kreisler) Underneath the Stars (Spencer a, r. Pasternack) (Kreisler)-Fritz and " Apple Blossoms "-Who can tell? For

Prices

of Records

see rage

Kreisirr Kreider

THE KREISLER Number Size Labet

RECORDS-Continued (Tartini-Kreisler) (with piano) (80) (Padre Martini-Kreislex) and Andantino bini (Koschat-Winternitz)and Rive de Jeunesse (Gärtner-Kreisler) (with piano) Viennese melody Words, No. 25-A May Breeze and Songs without

DA976

10 RPd

Variations

DA274

10 Red

Verlassen

DA529

10 Red

Op. 39, No.

DA282

10 Red

Waltz,

DB320

12 Red

Wienerisch

(Brahms)

and Mazurka

DB588 12 Red DA264

10 Red

(Viennese

in A minor, Op. 67, No. 4 (Godovsky)

and Concerto

DA267 10 Red

Minuet

DA264

10 Red

Rohdino

DB597

12 Red

Suite No. 2-No.

and Rondino (Boccherini)and

3, Adagietto

(with piano)

(Chopin-Kreislex)

-hritz

(with piano)

for two violins in D minor-Third

L',"

(with piano) Kreisler

(Mendelssohn)

as d Scherzo (Dittersdorf-Kreisler) KREISLER. F. (with String Quartet) Andante Cantabile, Op. 11 (Tchaikovsky) Arlesienne,

Kreisier Kreisler

-Fritz

(with piano)

Waltz)

(with piano)---Fritz (NWinternitz)-Fritz

(with piano-Fritz

Movement:

Allegro

quar&O-Kreisler (Bizet)

(on a theme by Beethoven)

Kreiste,

Kreisler

(with string and Zimbalist

(Kreisler)-Fritz

Kreisler

(with piano) -FritzKreisler Min net in G (Paderewaki-Kreisler) (on a theme by Beethoven) (Kreisler) No. 2-No. 3 Adagietto (Bizet)-Fritz Kreisler " L' Arlesienne," Suite and

KREISLERAND ZIMBALIST (with String Quartet) Concerto

for two in D minor-First Movement violins Concerto for two violins in D minor-Second

and DB588

12 Red

Concerto

for two violins

in D minor-Third

(Bach) : Vivace Largo Movement: -Kreisler : Allegro

Movement

and

(Bach) Zimbalist

and Andante Cantabile, Op. 11 (Tchaikovsky)-Fritz Kreister KUBELIK, JAN, Violinist (Koo'-beh-lik, Yahn) Kubelik was born at Michle, near Prague, in 1880. His father was the conductor his first violin of the Michle Orchestra, and it was he who gave the five-year-old boy lessons.By 1888 Kubelik had made sufficient progress to play in a public concert at Prague, and in 1892 entered the Conservatoire there under Sevcik. Six years' hard study prepared Kubelik for his life's work, and in 1898 he made his debut, at once establishing his fame. After a lengthy tour through Italy, where Leo XI Il decorated him with the Order of St. Gregory, he visited London in 1900. Five front rank of the great violin recitals here secured for him a permanent place in the He has since virtuosos, and subsequent seasons saw him the idol of the British public. toured the United States several times, adding considerably to his reputation, and has also As a virtuoso, playing appeared in Australia and in nearly every European country. has been virtuoso music, Kubelik is supreme, with an extraordinary technical power that compared to Paganini's. ` His Master's Voice " records by Kubelik are strikingly faithful, exhibiting to perfection the passionate warmth and brilliant effect which characterize the playing of this gifted violinist. Kubelik makes His Master's Voice " records only.

THE KUBELIK RECORDS ticmber Size Label 3-7966 10 Red (single-sided)

Air

for

DB673 12 Red

Capriccio

DB672

snd Concerto

DB672

12 Red 12 Red

DB674 12 Red

Dudziarz

String

(28)

DB675

12 Red 12 Red

(with

Jan

piano)

(with piano)

Pierrot Serenade (A. Randegger. Jnr.) No. 2-Finale (Wieniavski) (with piano) Mazurka (Wieniavski) and Dudziarz Mazurka (Wieniavski) (with piano)

(Wieniavski) pit Concerto No. 2-Finale Melodie de Gluck (era Wilhelmi) (with piano) and Sixth

DB673

(Bach)

(Fiorillo-Randegger)

Sonata

: (a) Adagio,

Pierrot

Serenade (A. Rendegger, d Capriccio (28) 1.Flat Romance in (Rubinstein)

and Romanza andaluza All Speeds

(b) Allegro

(with

(Handel)

Jnr.) (with piano) (Fiorillo-Randegger) (with piano)

piano)-Jan

(with

piano)-Jan

(with piano)-Jan (with piano) -Jan (with

piano)-Jan

Kubelik

Kubelik Kubelik

Kubelik Kubelik Kubelik

(Spanish Dance, No. 3, Op. 22) (Saresale) (with piano} Jan Kw65hk 78 are unless otherwise indicated.

HIS MASTER'S THE KU

KUBELIK

Number DB675

VOICE RED LABEL RECORDS

RECORDS-Continued

Size Label 12 Red

Romanza

DB674

12 Red

Sixth

DB676

12 Red

DB676

12 Red

(Spanish Dance, No. 3, Op. 22) (Sarasate) (with andaluza in E Flat (Rubinstein) (with piano)-Jan and Romance (a) Adagio, (b) Allegro (Handel) (with : piano) (arr. Wilhelmj) (with piano)-Jan and Melodie de Gluck Spanish Dance, No. 8, Op. 26 (Sarasate) (with piano) (80) (Sarasate) (with piano)-Jan and Zapateado Zapateado (Sarasate) (with piano)

Piano) Kubelik

Sonata

Kubelik Kabelik

and Spanish Dance, No. 8. Op. 26 (Sarasate) (with piano)-Jan Kubelik (Koortz, Zel'-mah) KURZ, SELMA, Soprano Selma Kurz, born in 1877, studied music with Professor Ress. Her debut was made In London she appeared during several seasons from 1904 as Elizabeth in " Tannhäuser. Lucia, Elizabeth and other heavy roles, but scoring her greatest onwards, singing Julietta, Gilda in " Rigoletto," and Oscar in " Un Ballo in successes in lighter parts, such as Maschera. . Selma Kurz is a brilliant coloratura singer, and her wonderful voice has already secured She sings the most exacting parts with perfect ease and has her a world-Hide reputation. high range, as is evidenced by the many excellent " His Master's Voice " an exceptionally Her trill is said by many to be the most perfect records she has made. of any singer past or present.

She is another exclusive " His Master's Voice " artist.

Number Size Label DB500 12 Red

Czardas

(" FLEDERMAUS "-Strauss) Deh I vieni, non tardar

DB500

12 Red

DB498

12 Red

DB498

12 Red

(in German) (80) (" Nozze di Figaro

Mozart) (in Italian) Kurz -Selma (" NOZZE DI FIGARO "--Mozart) (in Italian) Deh ! vieni, non tardar (" Fledermaus "-Strauss) (in German)-Selma Kurz and Czardas (" KÖNIGIN VON SABA "-Goldmark) (in German) Lockruf Soper vorrepste (" Balla in Maschera Verdi) (in Ilalian)`Selma Kurz and ('' BALLO IN MASCHERA "-Verdi) (in Italian) Soper vorreste (81) (" Königin von Saba "-Goldmark) (in German) and Lockruf Kurz --Selma and

LUNN, LOUISE KIRKBY, Contralto Manchester claims Mme. Kirkby Lunn as a daughter, and at the age of twenty Royal College of Music. Whilst there her singing she went to London to the and Sir Augustus Harris, and under his auspices she made acting attracted the attention of O'Brien," in March, 1896. Later Nora in " Shamus debut as she played at a striking Covent Garden, and after Harris's death she joined the Carl Rosa Opera Company. In 1902 she went to America, and made her debut at the Metropolitan Opera House, New York, and scored a big success as Amneris in " Aida," a role which has remained one of her best. Returning to Covent Garden she added considerably to her reputation, and had in their midst the English public began to realise that they a finished artist of In 1904, and again in 1906, Mme Kirkby Lunn made highly high achievement. America. She then appeared at Covent Garden again in several successful visits to important operas during the seasons of 1908-09, when her magnificent performance of Delila on the first appearance of Saint-Satins' opera in England created a great sensation. From that time onward Mme. Kirkby Lunn has been one of Covent Garden's established favöurites in Wagnerian, French and Italian opera. She has had a remarkablybrilliant career, too, on the concert platform, and has appeared English Musical Festivals, while she has made tours i n Australia and elsewhere at most of the and was the first artist to sing Kundry in English. great success, with Mme. Kirkby Lunn is a most accomplished and gifted singer, and this is fully borne have not heard the great artist in person, by the magnificent recordings out, for those who His Master's Voice." These records, popular that she has made for" allover the kingdom, reproduction. triumphs of artistic are 66

For Prices

of Records

see page 2

HIS MASTER'S

N,.ro6erS:ze -5A436

I_nbc: 10 Red

DB508

12 Red

DB507

12 Red

DA438

10 Red

DB505

12 Red

DB514

12 Red

DB510

12 Red

DB504

12 Red

DA433

10 Red

DB506

12 Red

DB512

12 Red

DB515

12 Red

DA435

10 Red

DB505

12 Red

DB507

12 Red

DA435

10 Red

DB514

12 Red

DA434

10 Red

DBS09

12 Red

DB511 12 Red DA433

10 Red

DBS17

12 Red

DA434

10 Red

DB512

12 Red

DB504

12 Red

DB510

12 Red

DA436

10 Red

DB508

12 Red

DA438

10 Red

VOICE RED LABEL RECORDS

L' (Habanera) ("CARMEN "-Bizet) (in French) (80) est on oiseau rebelle, (Seguedille) (" Carmen "-Bizet) (in French) de Seville and Pres des remparts Lcnn -Kirkby (" CARMEN '-Bizet) (in French) (81) Amour est un oiseau rebelle, L (Habanera) Pres des remparts de Sevillle (Sag uedille) (" Carmen "-Bizet) t(in French) and Lunn -Kirkby As May (Lassen) (with piano) (81) once in (Elgar)-Kirkby Lunn and Like to the damask rose (with piano) Boat Sons (Stanford) Creature (arr. Lane Wilson) (with piano)-Kirkby Lunn and The Pretty (" ORFEO ED EURIDICE "-Gluck) (in Italian) Che faro senza Euridice? Lascia (" Rinaldo "-Handel) (in Italian)-Kirkby Lunn pianga and ch'io (Behrend) Daddy '(with piano) (Löhr) (with piano)-Kirkby Linn and Little house of blessing (" CARMEN "-Bizet) (in French) En vain pour eviter Plaisir d'amo sir (Martini) (in hrench with piano)-Kirkby Lunn and (Gounod Percy Pitt) (with Entreat me not to leave thee arr. piano and organ) Lord (" Elijah "-Mendelssohn)-Kirkby O in the Lunn and rest (Teresa del Riego) (with organ and piano) Harvest My Treasure (Joan Trevelsa) (with Lunn and piano)-Kirkby He feed His flock ("MESSIAH "-Handel) (80) shall (Ombra mai f a) ("Xerxes "-Handel) (with nd a Rest organ and arch.) Lunt -Kirkby (Hope-Temple) (with piano) in Sweet September Ronald) (with piano (London Lunn and 0 Lovely night and 'cells)-Kirkby (a) Rose in the bud (D. Forster) It is not because your heart is mine (Löhr); (with There's land (Allitsen) (acc. by Coldstream (81) Guards piano) and a Band cond. by Lt.-CoI.J. Mackenzie-Rogan}-Kirkby Lunn (Scott) (with piano) Jock ö Hazeldean (Teresa del Riego) (with Piano)-Kirkby Lunn and Little Brown Bird Largo-See ' OMBRA MAI FU " (" RINALDO "-Handel) (in Italian) Lascia ch'io pianga (81) Euridice ? (" Orfeo Euridice "-Gluck) (in Italian) and Che faro senza ed Lunn -Kirkby (Elgar) Like to the damask rose (Lassen) (with piano)-Kirkby Lunn and As once in May (Teresa del Riego) (with piano) Little Brown Bird (Scott) (with piano)-Kirkby Lunn and Jock o' Hazeldean Little house of blessing (Löhr) (with. piano) (Behrend) (with piano)-Kirkby Lunn and Daddy Memory, A (Goring Thomas) (with piano) (Quitter) (with piano)-Kirkby Lunn and Now sleeps the crimson petal Mon cmur s ouvre ä to voix (" SAMSON ET DALtI.A "-Saint-Saens) (in French) (80) (" Samson eI Dalila "-Saint-Sains) (in French) and Printemps qui commence Amour

My ships

(Barsatt)

-Kirkby

(with piano)

L,mn

Three Fishers and My Treasure (Joan Trevelsa) Harvest (Teresa and Non pu s di fiori C CLEMENZA L'amo it fulgor and come

(Mullah) (with pianoj-Kirkby Lunn went sailing (with piano) del Riego) (with organ and piano)-Kirkby Lunn (in Italian) (80) DI TITO "-Mozart) del creato (" Gioconda "-Ponchieh'i) (in Italian) -Lunn and Destinn (Quitter) (with piano) Now sleeps the crimson petal (Goring Thomas) (with piano)-Kirkby Lunn and A Memory Night (Landon Ronald) (with piano and 'cello) 0Lovely (80) (Hope-Temple) (with piano)-Kirkby Lunn and in Sweet September O Rest in the Lord (" ELIJAH "-Mendelssohn) (81) and Entreat me not to leave thee (Gounod arr. Percy Pitt) (with piano and organ) Lunn -Kirkby "REST " Ombra mai fu-See (Martini) (in French Plaisir d'amour piano) with En vain paar baiter ("Carmen --Bizet) (in French)-Kirkly Lunn anA de Seville (Seguedille) (" CARMEN "-Bizet) Prey des remparts (in French) L'amour (Habaiere) C' Carmen "-Bizet) (in French) cot sin oiseau rebelle aid r Lvnn -Kirkby Pres des remparts de Seville (Seguedille) (" CARMEN "-Bizet) (in French) (80) L'amour est on oiseau rebelle (Haban`era) (" Carmen "-Bizet) (in French) and Lunn --Kirkby Pretty Creature, The (arr. Lane Wilson) (with piano) (81) (Stanford) (with piano)-Kirkby Lunn wqd Roat Song

All Speeds are i8 anl_ss otherwise

indicated.

HIS MASTER'S

VOICE RED LABEL RECORDS

THE LUNN RECORDS-C,ntirmed IT] Size Label LU Number DB509 12 Red Printemps

ýi

(81) (in French (" SAMSON Er DALILA "--Saint-Saens) um commence (" Dalila Saint-Scens) (tr. Mon ca ur s'uucre a to ooix .Samson et French)--Kirkhy Lunn (Dorothy Forster) (with Psalm of l..ove. A organ and piano) Lunn Soul Mine (Ethe(Barnes) (with organ and piano)-Kirkby and of (NI) Handel) (with organ aid orwh.) Rest (Ombra mai fu) (" XEgxEs Lunn (" Messiah Handel)-Kirkby and He shall feed Hic flock (with Rose in the bud (D. Forster) ; (b) It is not bcause your heart is mine (Lehr) (arc. by Coldstream Guards (81) (Allitsen) piano) and There's a land :. unn Band cond. by Lt.-Col. I. Mackenzic-Rogan) -Kirkby (80) Soul of Mine (Ethel Barnes) (with organ and piano) (with organ and piano)-Kirkby Luna (Dorothy Forster) and .4 Psalm of Love (with piano and organ) There is a green hill (Gounod) (" Faust "-Gaunod)-Kirkby Lunn When atLd ail was young (arc. by Coldstream Guards Band cond. by Lt.-Cot. There's a land (.Allitsen) .1. Mackenzie-Rogan) (D. Forster) (b) It is not and (a) Rom in the bud because heart is mine (Lahr) (with piano) (NI)-Kirkby Lana your Three Fishers went Mullah) (with piano) (80) sailing Lunn (Barran) (with piano)-Kirkby and My ships When all was young (" FAUST'-"Gounod) (80) (in English with piano and organ) and There is a green hill (Gounod) Lunn -Kirkby KIRKBY LUNN AND DESTINN and

DA437

10 Red

DB506

12 Red

DB515

12 Red

DA437

10 Red

DB503

12 Red

DB515

12 Red

DB511

12 Red

DB503

12 Red.

DB517

12 Red

DK123

12 Buff

Amo

come

KIRKBY T'eri

(' GiocoNDA'-Ponchielli) (in Italian) il fulgor del creato, L' (" Clemenza di Tito "-Mozart) (in Italian) and Non phi di Pori Kirkby L on n I.UNN AND McCORMACK

un giorno ammalato Italian) (80)

LUCY MARSH Number

(" GIOIEI LI DELIA MADONNA "--1Volf-Fer:ari) (in (Rossini) (in Italian) and Mira (a bianca Tana McCormack -Destine and

AND McCORMACK

Size Label

DB579 12 Red

0 terra, addio!

DB579

Parle-moi

12 Red

(" AIDA And Parle-moi

Verdi)

(in Italian)

de ma mere

de ma mere (" CARMEN "-Bizet) (" Aida "-Verdi) and 0 terra, addio I

MARTINELLI, GIOVANNI, Tenor

(30)

(" Carmen

"-)3izet)

-Marsh (in French) (in Italian)-Marsh

(in French) and McCormack and McCormack

(Mar-tin-el'-lih, Jo-vahn'-nee)

This artist has made a notable success at Covent Garden and at the Metropolitan, New York, and has been pronounced one of the best of the great Italian tenors. He is a native of the province of Venezia, and was born at Montagnana in 1886. His father was a cabinet maker in the village and had no means of giving his son a musical education, although the boy was passionately fond of music. He managed to learn the band, where the director discovered that the clarionet and finally joined the regimental When his time of service was completed he went young man had a remarkable voice. to Milan, where he soon found friends who sent him to Professor Mandolini. The teacher trained the young man's naturally beautiful voice, and he soon made his debut at the Here he was heard by Puccini and Toscanini, who Dal Verme in Verdi's " Ernani." immediately engaged him for the premiere of " The Girl of the Golden West " at Rome. A Covent Garden engagement followed in 1912, where the critics immediately pronounced him to be a tenor of the first rank, and the management secured his services on a long contract. His debut, a few months later, at the Metropolitan, was a similar triumph; then he returned to Covent Garden in 1913 and 1914, scoring further successes. During the war Martinelli sang in America, but returned to Covent Garden for the great Peace Season in 1919, where he was the chief " star -among the men singers. Seldom has such enthusiasm been seen in sedate Covent Garden Theatre, as when this artist appeared in " Tosca," " Boheme," " Ballo in Maschera," and other popular works. " His Master's Voice " has engaged this artist exclusively. 06

For Prices

of Records

see page 2

THE MARTINELLI

RECORDS

Number SizeLabel DB333

12 Red

DA330

10 Red

DB335

12 Red

DB335

12 Red

DA331

10 Red

DA326

10 Red

DA330

10 Red

DB339

12 Red

DA523

10 Red

DA325

10 Red

DA331

10 Red

DA325

10 Red

DA329

10 Red

DB334

12 Red

DB332

12 Red

DA332

10 Red

DB338

12 Red

Ah si, ben mio coil' essere (" TROVATORE --Verdi) (in Italian) (Miserere) (" Trovulore "-Verdi) (in Italian and Ah I the to motte ognora in :Ii and Destine with chorus and orch.)-Mar Apri Is tug tinestra (" IRIS "-Mascagni) (in Italian with ho p a-.-c.) (" Ernani "-Vol:) (in Italian) and Come rugiada at respite Martinelli -Giovanni Celeste Aida, forma divina (" AiDA "-Verdi) (in Italian) (Racconto di Red-/N (" Boheme "-Puccini) (in and Che gelida manna Italian)-Giovanni Martinelli Che gelida manna (Racconto di Rodolfo) (" BOHEME "-Puccini) in Italian) (" Aida "-Verdi) (in Italian) and Celeste Aida, forma divina Martindli -Giovanni Cielo a mar! l'etereo velo splende come un canto al tar (" GIOCONDA "-Ponchielli) (in Italian) Donna (" Manon Lescaut "-Puccini) (in and non vidi mai Italian)--Giovanni Martinelli Com' a gentil (Serenata) (" DON PASQUALE Donizetti) (in Italian with opera C' Cavalleria chorus, piano and harp) and 0 Lola, Bianca come fior di spina Rusticana "-Mascagni) (in Italian with harp)-Giovanni Martinelli Come rugiada al respite (" ERNANI "-Verdi) (in Italian) (77) Apri la finestra (" Iris "-Mascagni) (in Italian tea an with harp acc.) Martinelli -Giovanni De miei bollenti spiriti (" TRAVIATA "-Verdi) (in Italian) (" Guglielmo Teti "-Rossini) (in Italian) and 0 mulo asil del pianto Martinelli -Giovanni Di' to se fedele it flutto m'aspetta (" BALLO IN MASCHERA "-Verdi) (in Italian) (Roxas) (in Italian)-Giovanni Martinelli and 0 ben tomato amore! Donna a mobile. La (" RIGOLETTO "-Verdi) (in Italian) (" Tosca "-Puccini) (in Italian) and E lucevan le stelle Martinelli -Giovanni Donna non vidi mai (" MANON LESCAUT "-Puccini) (in Italian) (" Gioconda and Cielo a mar I I'elerea veto splende come un canto at tar Ponchielli) (in Italian)-Giovanni Martinelli E luvecan le stelle (" TosCA "-Puccini) (in Italian) (" Rigoleito "-Verdi) (in Italian)-Giovanni Martirselli and La donna a mobile E un riso gentil (" ZAZa"-Leoncavallo) (in Italian) Vesti la (" Pagliacci "-Leoncavallo) (in Italian)and giubba Martinelli -Giovann Fleur que tu m'avais ietee, La (" CARMEN "-Bizet) (in French) demeure chaste et pure (" Faust "--Gounod) (in French) and Salut, Martinelli

-Giovanni

DB336 12 Red

Fra porn a me ricovero (" Lucia Di LSMMERMOOR "-Donizetti) (in Italian) (" Lucia di Lammermoor "-Donizetti) (in and Tu, the a Dio spiegasli Pali Italian with male chorus and orch.)-Giovamri Martinelli Ideale (Tosti) (in Italian) (80) (Leoncavallo) (in Italian Martinelli a^d Mat tinata with harp)-Giovanni 1 ontan, lontan, lontan da me ne andaste (" EUGEN ONEGIN "-Tchaikovskw) (in Italian) (Tosti) (in Italian with harp and L'ultima canzona act.)

M'appart tritt amor

and 0 Paradise,,

DA332

10 Red

DA523

10 Red

DA326

10 Red

DB337

12 Red

D0339

12 Red

DB336 12 Red DA327 10 Red

(" MARTA"-Flotow) doll'

(in Italian) (" Afncana

-Giovanni

"-Meyerbeer)

Martinelli

(in Italian) Martinelli

onde uscito -Giovanni (in Italian with harp) (Tosti) (in Italian)-Giovanni Martinelli and Ideale O ben tomato amore! (Roms) (in Italian) (" Balls in Maschera "-Verdi) (in Italian) and Di to se fcdde it flutto m'aspetta Martinet[ -Giovanni 0 Lola, bianca (" CAVALLERIA RUSTICANA "-Mascagni) (in come liar di spinn Italian i gentil-(Serenata) (" Don Pasgvale "with harp) §Ad Cori Donizetti) (in Italian with opera chorus, piano Martinelli and harp)-Giovanni 0 mio piccolo tavolo ineombrato (" ZAZÄ "-Leoncavallo) (in Italian) i Mattinate

(Leoncavallo)

and Serenata (Mascagni) (in Italian) with mandoline and orch.) -Giovanni Martinelli 0 muto aril del pianto (" GUCLIELMoTELL "-Rossini) (in Italian) (in Italian) and De'miei bollenti spiriti (" Traviata "-Verdi) -Giovanni Martinelli 0 Paradiso, dall' oede uscito (" AFRICANA"-Meverbeer) (in Italian) Martinelli and M'appari tuft amor (" Marta "-Flotom) (in lla/ian)-Giovanni Ouvre ton emur (Serenade) (Bizet) (in French) Pourquoi (Ossian's Song) (" Werther"-Massenet) (in French) and me reveiller7 -Giovanni Martinelli All Speeds are 76 unless otherwise indicated. 69

THE ýj Ma ý-

MARTINELLI

RECORDS-Continu-d

Number Size Label DA321

10 Red

DA285

10 Red

Pourquoi

(Ossian's Song) (" WERTHER "-Massenet) (in French) me reveiller? (Serenade) (Bizet) (in French)-Giovanni Martinelli and Oavre ton near (" Ricou (in Italian) o "-Verdi) o quells per me pari sono ( Tosca "-Puccini) (in Italian)-Giovanni Martinelli aA Recondita armonia Recondita (" ToscA "-Puccin,) (in Italian) armonia Questa (" Rigoletto "-Verdi) (in Italian) and o quella per me pari svno Martinelli -Giovanni Salut. demeure (" FAUST "-Gounod) (in French) chaste et pure La fleur (" Carmen to jetee "-Bizet) (in French) and que ai avais Martinelli -Giovanni Serenata (Mascagm) (in Italian with mandoline and arch.) (" Za.d "-Leoncavallo) (in Italian) and 0 mio piccolo tavolo ingombrato Martinelli -Giovanni Tu, the a Dio spiegasti Pali (' LUCIA DI LAMMERMOOR "-Donizetti) (in Italian Fra (" Lucia di with male chorus and orch.) and poco a me ricovero Lammermoor Donizetti) (in Italian)-Giovanni Martinelli Ultima L' (Tosti) (in Italian harp canzone, with ace.) dame ne andaste (" Eugen Oncgin "-Tchaikovsky) and Lontan, lontan, /ontan (in Italian)-Giovanni Martinelli Vesti Is (" PAGLIACCI "-Leoncavallo) (in Italian) giubba E (" Zazd "-Leoncavallo) (in Italian)-Giovanni Martinelli and on riso gentil

DA285

10 Red

DB334

12 Red

DB337

12 Red

DB332

12 Red

DB338

12 Red

DA329

10 Red

DK100

12 Buff

0 quanti

DK100

12 Buff

0 soave lanciulla ( BOHEME "-Puccini) (in Italian) Butterfly and 0 quanti occhi fisi ( Madama

Questa

AND

MARTINELLI occhi

MARTINELLI DK127

12 Buff

fisi

ALDA

(' MADAMA BUTTERFLY and O soave fanc:ulla

AND

Puccini) (in Italian) (" Boheme "-Puccini) -Martinelli "-Puccini)

(in Italian)

-Martinelli

LUCA (" DON CARLOS "-Verdi)

Dio the nell' alma infondere

(in Italian) and Aldo

and Elle ne m'aime pas (" Don Carlos "-Verdi) AND DESTINN

andAlda

(in Italian)

(in French)-Marcel

Journet

MARTINELLI DB333

12 Red

DK108

12 Buff

DKIOS 12 Buff DK107

12 Buff

DKI20

(2 Buff

DKI20

12 Buff

Ah I the Is morte ognora chorus and arch.) MARTINELLI C'est toil L'on

AND m'avait

(Miserere) (" TROVATORE "-Verdi) (in Italian wish (" Trovatore "-Verdi) anti Ah si, ben mio coil'essere (in Italian)-Giovanni Martisni,i FARRAR avertie

(' CARMEN "-Bizet)

(in French)

and

Halte ld : qui ua ld ? (" Carmen "-Bizet) (in French)-Martinelli "-Bizet) U. French) Halte 1h; qui Va lä? (" CARMEN and C'est

Je t aime

encore

toi 1

L'on

m'avait

(" CARMEN "-Bizet)

overlie

(" Carmen

(in French

and Farrar

"-Bizet)

(in French) -.Martinelli and Farrar with chorus and arch.)

Rizet) (in French with chorus and arch.) and Si t u m'aimes (' Carmen -Farrar and Amato AND JOURNET MARTINELLI (is Ita.'ia.^,) Ah l Matilde, io t amo a amore (' GCCLIELMOTELL "-Rossini) Tell Rossini) in Italian) and Troncarsoot dt gall' empio (" Guglielmo Marlinelli-De Luca-Mardones DE LUCA AND MARDONES TRIO BY MARTINELLI, TELL "-Rossini) (in Italian) Troncar suo di quell' empio (" GUGLIELMO (in Italian) and Ah! Mntilde, is t'amo e amore (" Guglielmo Tell "-Rossini) -Martinelli and Journet

McCORMACK, JOHN, Tenor The music.Born

rise of this tenor

provides

one of the most remarkable

stories

in the history

in Athlone in 1884, he had no thought of taking up music as a profession until 1902, when he gained the Denza Gold Medal at the National Irish Festival. His debut he then made his first records for " His place at Dublin in 1903, as a public singer took In 1905 he began his serious studies at Milan under Sabatini and made Master's Voice." His first operatic appearances were made in various Italian cities, no rapid progress. Briton. mean feat for a For Prices of Records see aase T.

HIS MASTER'S

VOICE RED

LABEL RECORDS

He came to London in 1907 and created quite a furore with his remarkable singing. He has appeared in the Covent Garden Opera Seasons. almost uninterruptedly since, MC in America, Australia and elsewhere. McCormack ý-and has also made striking successes has made some exceptionally tine " His Master's Voice " records, both operatic and ballad, has been the success of which enormous, and proves the great popularity of this young artist. The beautiful, sympathetic quality of his voice, the almost miraculous light and " devotees. life shade, are given to the on the records he has made for" His Master's Voice hall, where he has established who alone can hear this brilliant artist outside the concert records for huge audiences. In 1918 McCormack became an American citizen.

THE McCORMACK RECORDS Number Size DB328 DB340

Label

12 Red

Adelte,

12 Red

chimes) Ah ! Moon

DB577 12 Red DA302 10 Red DB341 12 Red DA303 10 Red DA500 DA497

10 Red 10 Red

DA305 DA306

10 Red 10 Red

DA307 10 Red DA308 10 Red DA474 10 Red

(Oh,

fideles

come

delight of my

(in Latin with male chorus. arch. and all ye faithful) (Sullivan)-Jahn McCormack and The Lost Chord (" IN A PERSIAN GARDEN "-Lehmann) (81)

and Drink to me only with thine eyes (Hullah)-John (with piano) Angels guard thee (Lullaby) ('JOCELYN "-Godard) Ave Maria (Bach-ounod) (in Latin with piano)-McCormack and Annie Laurie (Lady John Scott) (81) and Mary of Argyle (Nelson)-John (Tosti)-John Asthore (Trotere) (80) andGoodbye At Dawning (Cadman) (80) Serenade (Cadman)-John and I hear a thrush at eve : Eileen Aroon (MacMurrough)-John (King) and Isle of Somewhere (Fearis) When (Marshall)-John and shadows gather My Dreams (To.,0-John Because (d'Hardelot) an (Moore) Believe me if all those endearing young charms

Avourneen Beautiful

and The harp that once through Tara's Halls (Balte) -John Ben Bolt (Kneass) and Then you'll remember me (" Bohemian Girl'-Balte)-John Beneath the moon of Lombardy (Craxton) lips away (BennetlLJohn and Take, oh take those Bonnie wee thing (Lehmann)and

DA309 DB634

10 Red 12 Red

My wild Irish Rose (Oleott)-John (Dorel) (Sanderson)-John Calling me home to you and Until (" JosEPH "-Mehul) (in French) Champs paternels ("Foust"-Gounod) and Salve, dimora, costa a pura

DB343

12 Red

Che gelida manina

DA297 10 Red DB344 12 Red DB421 12 Red 10 Red

Come

DA286

10 Red

Cradle

DB831

10 Red

12 Red

Dai campi, De'

(adapted

Song dai

prati Quests

from

Caprice

(Kreider)-John and The Old Refrain (in Italian)

per me pari sonn

10 Red 10 Red 10 Red

(" Rigoletto"-Verdi)

an4 o ouella -John bollenti (" TRAVIATA "-Verdi) (in Italian) mief spiriti Per river vicino (" Figlia del Reggiments "-Doni:xtti) as

Dear love, remember me

DA293 DA291

McCormack McCormack

McCormo k McCormack McCormack McCormack McCormack (in Italian) McCormack

(in Italian) McCormack McCormack McCormoc'-

McCormack

(" MEFISTOFELE "-Boito)

Dear little shamrock (Cherry) (80)

10 Red

-John

McCormack McCormack

McCormack (with male chows and DTch..) (8C) (in Italian with male chorus and arch.) McCo, mac_k -John (Mattullath-Kreider) viennois)

DA288 10 Red

DASO1

(82)

and Kreiste, McCormack McCormack

(Foster) (Drnza)

where my love lies dreaming Funiculd and Funindi.

DA287 10 Red DA289

(in Italian)

"-Bizet) end Il fior the avevi a me to dato ("Carmen -John (in Italian) Chiudo gli occhi (11Sogno) (" MANON--Massenet) ant Sospiri miei, andate ove vi mando (Bimbom) (in Italian)-John Come back to Erin (Claribel) (82) and The snowy breasted pearl (Robinson)-John Come into the garden, Maud (Balfe)and The Kerry Dance (Mollou)-John

DA310

DA498

(" BOHEME "-Puccini)

McCormack

and The low-back'd car (Marshall) (80)

(in Ralian) McCormurh (in Italian)

-John

Al Conr.nck

(Lover)-John

McCormack

and I hear you calling me (Marshau)-John.4cCormack Dear old pal of mine (Gitz Rice) McCormod and Little Mother of mine (Burleigh)-John Down in the forest (Landon Ronald)and A Farewell (Liddle)-John :McCormack Macushfa (MacMurroughh-John McCormack Dream, A (Bartlett) and Parted McCormack Dreams (Strelezki) (Tosti)--_lohn and

All Speeds

are 78 unless

otherwise

indicated.

THE M-CORMACK RECORDS--C,ntitued Number Size Label DB340 12 Rcd

Drink tome only with thine eyes Moon gnd Ah !

DA290

10 Red

Eileen

(Alanna

Asthore)

(Hullah)

of my delight

(" EII.uN

"-Herbert)

(81)

(" In a Persian

garden -John

"-Lehmann) McCormack

and Ireland, my Sireland

DA292 10 Red DA500 10 Red DA294 10 Red DB325 12 Red DA501 10 Rea DB343 12 Red DA295 10 Red DB345

12 Red

DA310

10 Red

(When shall I again see Ireland?) C' Eileen "Herber4-John McCormack (Thomas)and Where the River Shannon flows (Russell)-John McCormack Eileen Aroon (MacMurrough) and Avourneen (King)-John McCormack Evening Song (Hadley) (in English) McCormack and I'll sing thee songs of Araby (Clay)-John Evening Song, An (Blumenthal) (80) and When my ships come sailing home (Dare!)-John McCormack Farewell, A (Liddle)and Down in the formt (Landon Ronald)-John McCormack G. Italian) (80) Fior ehe avevi a me to data, 11 (" CARMEN"-Bizet) (in Italian)-John McCormack end Che gelida manino (" Boheme "-Puccini) Foggy Dew, The (Milligan-Fox) (with piano) (Moore)-John McCormack Eileen Alanna

and The Minstrel Boy (" LUCIA DI LAMMERMOOR "-Donizetti) (82) Fra poco a me ricovero (in Italian) Dio "-Donizetti) Tu, (" Lucia di Lammermoor (in and the a spiegasti I'ali Italian)-John McCormack Funiculä (Denza) (in Italian with male chorus and arch.) Funiculi,

and Come where my love lies dreaming

DA499 10 Red DB341 12 Red DA296 10 Red DA306 10 Red DB326 12 Red DA303 10 Red DA288 10 Red DA499 10 Red DA294' 10 Red DA290 10 Red 0B327

12 Red

DA475 10 Red DA312 10 Red DB342 i2 Red DB421 12 Red DB342 12 Red DA315 10 Red DB633 12 Red DA298 10 Red DA299 10 Red DA300 10 Red DA289 10 Red DA324 10 Red DB328 12 Red

(Faster) (with male charm and arch.) McCormack -John (Wellings) brigght (Clulsam)-John McCormack I know two eyes and of Goodbye (Tosti) McCormack anti Asthore (Trotire)-John Goodbye, sweetheart, goodbye (Hatton) and Within the garden of my heart (Scott)--John McCormack Harp that once through Taros Halls, The (Balfe) (81) RDd Believe me if all those endearing yourg charms (Moore)-John McCormack Has sorrow tl/y young days shaded? (Moore) (80) McCormack enn Mollu Bawn (arr. MacMurrough)--John I hear a thrush at eve : Serenade (Cadman)and At Dawning (Cadman)-John McCormack I hear you calling me (Marshall) Der ove. remember me (Marshall}--John McCormack I know of two bright eyes (Clutsam)and Golden Love (Wellings)-John McCormack I'0 sing thee songs of Araby (Clay)and Evening Song (Hadley)-John McCormack Ireland, my Sireland (When shall I again see Ireland ?) (" EILEEN"-Herbert) McCormack and Eileen (Alanna Asthore) (" Eileen "-Herbert)--John Irish Emigrant, The (Baker) (81) She is far from the land (Lambert)--John McCormack and It's along long way to Tipperary Ou ge and Williams) (with male charm and arch.) and The vacant chair (Washburn) (with male chorus, celesta and arch.) -John McCormack Jesus, my Lord, my God, my all Nearer Gad Thee (Mason}-John McCormack to and my Kathleen Mavourneen (Crouch) (81) Killarney (Balfe)-John McCormack and Kerry Dance, The (Molloy) Come Maud (Balfe)-John McCormack into the garden, and Killarney (Bulfe) (92) and Kathleen Mavourneen (Crouch) -John McCormack Light in your eyes, The (Ferrari) McCormack and When you look in the heart ofNirvana a rose (Methven)-John (Adams) -John McCormack Like Stars above (Squire) (80) and (Nevin) Tommy (Margetson) McCormack Little boy blue Lad and -John (Lahr) ('Cello ace. by Gourdon) Little grey home in the west Mavis (Craxton)-John McCormack and Little love, a little kiss, A (Un pea d'amour) (Silesu) Love, here (Silesu)-John McCormack is my heart and Little Mother of mine (Burleigh)and Dear old pal of mine (Gitz Rice) -John McCormack Lord is my Light, The (Allitsen) Venetian Song (Tosti) -John McCormack Lost Chord. The (Sullivan) fideles (Oh, (in Latin with male chorus, arch, come all ye faithful) and Adatc, and chimes)-John McCormack For Prices of Records see vase 2 Golden Love

HIS MASTER'S THE MrCORMACK Size Label ,umber DA300 10 Red DA319

10 Red

DA287

10 Red

DA293 D13632

10 Red 12 Red

LABEL RECORDS

VOICE RED

RECORDS-Continued (Silesu) is my heart A little love, a little kiss (Un pee d'amour) (Silesu)-John and (Wood) Love's garden of roses Somewhere (Tate)-John is and a voice calling The (Lover)@nd Low-back'd car, Dear little shamrock (Cherry) -John Macushla (MacMurrough) and Dream, A (Bartlett)-John Maire, (Aitken) my girl

Love. here

McCormacl, McCormack McCormack McCormack

DA302 10 Red

and Turn ye to me (Old Scottish Air) (Wilson)-John McCormack Mary of Argyle (Nelson)and Annie Laurie (Lady John Scott)- John McCormack

DA299

10 Red

Mavis

DA502

10 Red

Mi par d'udir

(Craxton) and Little

DA295 10 Red

Minstrel Boy, The

DB324

Mio tesoro

12 Red

DB326 12 Red DA304

10 Red

DB329

12 Red

DA304

10 Red

DA314 DA305 DA311

10 Red 10 Red 10 Red

DA311

10 Red

DA474 10 Red DB6'33 DA312

12 Red 10 Red

DB630

12 Red

DA286

10 Red

DA291 DB631

10 Red 12 Red

grey home in the west

and Le Portrait (Moore) (82)

(Parkyns)

Molly Bawn

(arr. McMurrough)

-John

(80)

and My Irish sang of songs (Sullivan)-John (Olcott)and

My wild Irish Rose

DA498

Questa

(Parkyns) and Mi par

o quella

DA317

10 Red

DA322 DA318

10 Red 10 Red

DB344 12 Red DA318 10 Red

(in French)

d'adir

per me pari sono

dai annd_ Doi campi, di Rodolfo, Racconto

DB327 12 Red

McCormac! McCormack (in Italian) (in Italian)

McCormack

(Lehmann)-John McCormack Bonnie wee thing (Squire}-John McCormack Nirvana (Adams) and Like Stars above N arer my God to Thee (Mason)and Lord, God, McCormack Jesus, my my my all-John Non i ver (Tito Mattei) (in Italian) Mimi (" Boheme"-Puccini) (in Italian) t a pia non torsi acrd Ah! and Sammarco --McCormack The (Kreisler) Old Refrain, from Caprice viennois) (Mattullath-Kreisler)-John (adapted and Cradle Song McCormack (Tosti) (Strelezki)-John McCormack Parted and Dreams C' FIGLIA REGGIMENTO "-Donizetti) (in Italian) (80) Per viver vicino DEL

and De' miei bollenti spiriti

10 Red 12 Red

(in French)-John

(Moore)-John McCormack and Has sorrow thy young days shaded? Molly Brannigan-Old Irish Melody (Tucker) (att. by Spencer Clay) (01oot!)-John McCormack and Mother Machree Morning Song (" MEISTERSINGER "-Wagner was gleaming with roseate light-Prize McCormack (Dix)--John and The Trumpeter Mother Machree (Olcott) (80) (Piano by Spencer Clay) Irish Melody (Tucker) arc. ad Molly Brannigan-Old McCormach. -John (.Nevin)-John McCormack Mother ö mine (Tours) (77) and The Rosary (d'Hardeloi) McCormack My Dreams (Tosti) and Because -John My Irish song of songs (Sullivan) Down (Sanders)-John McCormack My little in the town and cold county My little town in the cold county Down (Sanders)

Portrait, Le

DA314 DB634

('Cello act. by Gourdan) McCormack -John (in Italian)

(with piano)-John (Milligan-Fox) and The Foggy Dew intanto andate a consolar 1 11 (" DON GIOVANNI "-Mozart) Una furtioa lagrima (" Elisir d'Amore ")-Donizetti) ndd r

DA502 10 Red 10 Red

(Lahr)

(" PESCATORI DI PERLE "-Bizet)

ancora

C" Traviata

(" Pescatori

"-Verdi) -John

di Perle

"-Boito) (" Mefistofele prati La Boheme-See " CHE CELIDA

(in

Bizet) -John (in Italian)

(" RIGOLETTO "-Verdi)

Italian)-John "

(Lambert)

Sweet Genevieve (81)

(Tucker)-John

(Baker)-John and Irish Emigrant (Danks) (81) Silver threads among the gold (Hall)-John and Wearin' o' the green Sing ! Sing ! Birds on the wing (Nutting)

and Somewhere (Waters) (with violin and orch.)-John Snowy breasted pearl, The (Robinson) (8I) and Come back to Erin (Claribefl-John Somewhere (Waters) (with violin and orch.) and Sing! Sing! Birds on the wing (Nutting)-John All Speeds

are 78 unless

otherwise

(in Italian) McCormack McCormack

MANINA

(Nevin) (80) (Tours)-John Rosary, The and Mother a' mine (" FAUST "-Gounod) (in Italian) (80) Salve, dimora, caste a pure (" Joseph MIhul) (in French)-John and Champs paternds but (Kennedy)And Say au revoir not goodbye

She is far from the land

(in Italian) McCormack

indicated.

McCormack McCormack

McCormack McCormack' McCormack

McCormack McCormack McCormack 73

THE

McCORMACK

Number DA319

10 Red

DA297

10 Red

DA317

10 Red

DA308

10 Red

DA320

10 Red

DA320 10 Red DA307

RECORDS-Csntinued

Size Label

10 Red

DA336 10 Red DA298 10 Red DA336 10 Red DB329 12 Red

Somewhere

(Tate) and Love's garden of roses (Wood)--John (Bimboni) (in Italian) miei, andate eve vi mando (Il Sogno) (" Manors "-Massenet) and Chi ado gli occhi -John Sweet Genevieve (Tucker) (Kennedy)-John and Say au revoir but not goodbye Take, oh take those lips away (Bennett) (Creston)-John the moon of Lombardy and Beneath Thank God for a garden (del Riego)

and That tumble-down shack in Athlone (Sanders)-John That tumble-down shack in Athlone (Sanders) (del Riego)-John and Thank God for a garden Then

you'll remember

12 Red

DB632

12 Red

DB324

12 Red

DA309 10 Red DA475 10 Red

Morning

and

Venetian

Song

DA379

10 Red

Vieni

DA497 10 Red 10 Red

When

DA315

10 Red

When

DA323 DA296

10 Red 10 Red

DA379 10 Red DMI04

12 P. Gn.

DK123 12 Buff

DK123 12 Buff -

McCormack McCormack

(" BOHEMIAN GIRL "-Balle)

McCormack McCormack McCormack

was gleaming

McCormack

with roseate light-Prize

way

and

and orch.)-John

(Tosti)and

of contento

profondo

The Lord is my Light (Allitsen)-John (" LAKMi "-Delibes) (in Italian)

male chorus McCormack McCormack

(in Italian)-McCormack and 0 soave fanciallo (" Bohime "-Puccini) and Bori Wearin' ö the green (Hall) (80) Silver (Danks)-John McCormack threads the and gold among When my ships come sailing home (Dorel) McCormack and An Evening Song (Blumenthal)-John When Shadows gather (Marshall) (82)

DA323

DA292 10 Red

(in Italian) McCormack

(in and Il mio tesoro intanto andate a consolar I (" Don Giovanni "-Mozart) Italian)-John McCormack Until (Sanderson) and Calling me home to you (Dorel)--John McCormack Vacant chair. The (Washburn) (with male chorus, celesta and orch.) It's long long (Judge to Tipperary Williams) (with

10 Red

DB325 12 Red

McCormack

Song' (" Meistersinger Wagner)-John McCormack Dio Pali (" Tu, the a Lucia (in Italian) DI LAMMERMOOR "-Donizetti) spiegasti (80) Fra (" Lucia di Lammermoor"-Donizetti) (in poeo and a me ricovero Italian) McCormack -John (Old Scottish Air) (Wilson) Turn ye to me Maire, (Aitken)--John McCormack and my girl Una furtive lagrima (" ELISIR D AMORE "-Donizetti) (in Italian) (81)

DA324

DA322 10 Red

and Ben Bolt (Kneass)-John There is a flower that bloometh ("MAR [TANA"-Wallace) The Trumpet Call (Sanderson)-John Tommy Lad (Margetson) and and Little boy blue (Nevin;-John Trumpet Call, The (Sanderson) is a flower that blaometh (" Maritana "-Wallace)-John and ThereThe Trumpeter, (Dix) (77) and

DB345

a voice is calling

Sospiri

Isle of Somewhere (Fearis)--John Iind Beautiful (Schneider) the dew is falling (Ball) (with 'cello and orrh.)-John and Who knows? (Methuen) you look in the heart of a rose

and The light in your eyes (Ferrari)-John Where the River Shannon flows (Russell)and Eileen Alanna (Thomas)-John Who Within

knows?

McCormack

McCormack McCormack

(Ball)

the garden

(with'odlo and orch.) (77) and When the dew is falling heart (Scott) of my

McCormack

(Schneider)-John

McCormack

McCormack and Goodbye, sweetheart, goodbye (Hatton)-John McCORMACK AND LUCREZIA BORI O soave fanciulla (" BOHEME"-Puccini) (in Italian) (in Italian) and Vieni al contento profondo (" Lakmi "-Ddibes) McCormack Parigi. o care, not lasceremo (" TRAVIATA "-Verdi) (in Italian)-John (in Italian) and Bella figlia dell' amore (" Rigoletto "-Verdi) y-Werrenrat h -McCormack-Boni-Jacob McCORMACK AND DESTINN Mire Is bienca lung (Rossini) (in Italian) (in and Teri on giorno ammalato (" Gioielli della Madonna "-Wolf-Ferrari) Italian)-McCormack and Lunn McCORMACK AND KIRKBY LUNN T'eri un giorno ammalato (" GIOIELI.I DELLA MADONNA"-Wolf-Ferrari) (in Italian) (80) aa_d Mira In Bianca lung (Rossini) (in Italian) and Destinn -McCormack

HIS MASTER'S THE McCORMACK

VOICE RED

LABEL

RECORDS

RECORDS-Continued

McCORMACK AND KREISLER (Violin) DB578 12 Red DB577

12 Red

DA458

10 Red

DB578

12 Red

DA460

10 Red

DA455

10 Red

DA459

10 Red

DA460

10 Red

DA457

10 Red

DA456

10 Red

DA456

10 Red

DA455

10 Red

DA459

10 Red

DA458

10 Red

DA457

10 Red

DB579 12 Red

Angel's Serenade

(Braga)

(with piano)

(with piano)-McCormack (Schubert) and Kreisle and Ace Maria (Bach-Gounod) (in Latin with piano) (" Jocelyn "-Godard) (with piano) (Lullaby) thee and Angels guard -McCormack and Kreisler (" CAVALLERIA RUSTICANA "-Mascagni) Ave Maria (adapted to the Intermezzo Serenade (in Latin with piano) and Softly through the night is calling? (Schubert) (with piano)-McCormack and Kreisler (in Latin with piano) Ave Maria (Schubert) Serenade (Braga) (with piano)-McCormack and Kreisler and Angels' (with piano) Calm as the night (Bohm) (A. W. Kramer) (with piano)-McCormack and Kreisler and The last hour (G. B. de Curtis) (in Italian) Carmela (Canto Sorrentino) (Moszkoeski) McCormack and Serenata and Kreisler Op. 73, No. 2 (Meyer-Helmund) (with piano) Flirtation, (f. R. Johnson) (with piano)-McCormack and Kreisler and Since you went away (A. W. Kramer) (with piano) Last hour, The Kreisler (Bohm) (with piano)-McCormack and Calm as the night and (with piano) 0 cease thy singing, maiden fair, Op. 4, No. 4 (Rachmaninof£) (Rachmaninoff) (with piano)-.McCormack and When night descends and Kreisler (" TALES OF (with piano) Oh, night of love (Barcarolle) OFFMANN "-Offenbach) (Raff)-McCormack and Serenade and Kreisler (Raff) Serenade Offenbach) (" Tales of Hoffmann (with and Oh. night of love (Barcarolle) Kreisler Piano)-McCormack and Serenata (Moszkovski)and (G. B. de Curtis) (in Italian) Carmelo (Canto Sorrentino) -McCormack and Kreisler (with piano) Since you went away G. R. Johnson) Op. 73, No. 2 (Mel .. (with piano) god Flirtation, er-Helmand) Kreisler -McCormack and (Schubert) (with piano) Softly through the night is calling-Serenade (" Cavalleria (adapted to the Intermezzo) Restieano and Ave Maria Mascagni) (with piano)-McCormack Kreisler and (with piano) When night descends (Rachmaninoff) fair, Op. No. (Rachmaninoff) (with 0 4, 4 piano) and cease thy singing, maiden -McCormack and Kreisler McCORMACK AND LUCY MARSH Ave Maria

O terra, addio ! (" AIDA "-Verdi) de Parle and

DB579

12 Red

moi

(in Italian) ma mire

(80)

(-Carmen

"-Bizet)

-McCormack (in French) (in Italian)-McCormack

("CARMEN "-Bizet) de ma mere C Aida "-Verdi) and 0 terra, addio!

Parle-moi

(in French) and Marsh and Marsh

McCORMACK AND SAMMARCO DB630

12 Red

DB608

12 Red

DB608

12 Red

DA172 10 Red

(" BOHEME "-Puccini) (in Italian) (80) tu pus non torni (Tito Mattel) (in Italian)-John McCormack and Non a ver di ("BARRIERE SIVIGuA "-Rossini) (in All' idea quel metallo portentoso Dt Italian) (80) ("Gioconda "-Ponchiclli) (in on 0 grido di quest' anima Italian)-McCormack Sammarco and 0 grido di quest anima (" GIOCONDA Ponchielli) (in Italian) (80) C" Barbiere di Siviglia "-Rossini) (in and All' idea di onel metallo portentoso Italian)-McCormack Sammarco and McCORMACK AND WERRENRATH

Ah ! Mimi,

Crucifix

(Faure) gnd

DA172

10 Red

DM104

12 P. Gn.

Moon

QUARTET

12 P. Gn.

(" Lily of Killarneg "-Benedict) raised her lamp above Werrenrath -McCormack and her lamp above. The (" LILY OF KILLARNEY "-Benedict) Crucifix (Faure)-McCormack Werrenrath god and

BY McCORMACK,

BORI,

JACOBY

Bella figlia dell' amore (" Rtcot.Erro "-Verdi) and Parigi, a cara, not lasceremo QUARTET

DMI18

The moon bath

bath raised

Bella figlia

BY McCORMACK,

MELBA,

AND

WERRENRATH

(in Italian) (" Traviata "-Verdi) SAMMARCO

dell' amore (" RIGOLEITO "-Verdi) and Ave Maria, piena di groata

-Boni AND

(in Italian) and McCormack THORNTON

(in Italian) (" Otello "-Verdi) -Dame

All Speeds

are 78 unless

otherwise

indicated.

(in Italian) Nellie Melbas

Me MELBA, DAME NELLIE, Soprano Melba was born near Melbourne, Australia, the land of songless birds and sweetEurope in 1886, she studied under Marchesi, voiced women. Coming to and made her debut in Brussels a year later, achieving immediate and complete success. London her in 1888, has her, warmly and claimed year after year, ever since, until welcomed Melba is now a national figure "Her triumphs on the Continent and in America have been just as great as in the British Empire, and the world's great opera houses have all acclaimed her. In 1914, Dame Nellie Melba celebrated her twenty-fifth season at Covent Garden, an event marked by striking demonstrations of affection from her countless admirers. During the war she returned to her native Australia, where she raised a record amount in aid of war charities, a magnificent work which was suitably recognised by His Majesty Dame the King by his creating the singer a Dame of the Order of the British Empire. Nellie Melba reappeared at Covent Garden in 1919 and is to-day singing with the same delightful freshness, purity and power, which have enthralled her audiences through the Company, Ltd.-are years. Her records-made exclusively for The Gramophone splendid reproductions of her unique voice and art. The great soprano feels that only by making " His Master's Voice " records can she ensure that posterity shall hear her in the plenitude of her powers. THE

MELBA

Number Size Label DB346

12 Red

RECORDS

(with orchestral

Ah ! fora'

a lui the !'anima

accompaniment

except where otherwise slated).

(" TRAVIATA "-Verdi)

(in Italian)

and Caro some the it mio car festi prima palpilar

DB357 12 Red DB364 12 Red DM118

DB357

(" Rigoletto "-Verdi) (in Italian)-Dame Nellie Melba Annie Laurie (Lady John Scott) end Believe me, if all those endearing young charms (Moore) (with piano) -Dame Nellie Melba "-Donizetti) Ardon gl' incensi (" LUCIADt LAMMERMOOR (in Italian) and Des larmes

do la nail la tore dtait mouille'e (Rdcit et air d'Ophdlie) ("Hamlet "-Thomas) (in French)-Dame Nellie Melba di grazia (" OrELto "-Verdi) Ga Italian) (80) Rigoletto "-Verdi) Bella figlia dell' (" (in Italian) and amore -Mob a-McCor mack--S a m ma rco- Th o r n t o n if (Moore) (with piano) me, all those endearing young charms

12 P. Gn.

Ave Maria,

12 Red

Believe

piena

DB346 12 Red

Laurie (Lady John Scott)-Dame Nellie Melba an4 Annie (Bishop) (Piano ace. by Sir London Ronald) (80) lark (Bishop) (with piano and flute obbl). La ! here the gentle and -Dame Nellie Melba (Indian Love Song) (Lieurance) (piano ace. by Sir By the waters of Minnetonka Landon Ronald) and Chanson triste (Duparc) (in French with piano) -Dame Nellie Melba Caro name ehe it mio car festi prima palpitar (in Italian) Ah fari lui ('anima (" Traviata "-Verdi)

DB358 12 Red

Chanson Hindoue

DA334 10 Red

Chanson triste By

DB347 12 Red DA334 10 Red

Bid me discourse

and

DB362

DB354 12 Red DB356 12 Red DB358

12 Red

DB351 12 Red DB363 12 Red

Comin'

the Rye

thrö

(Old Scotch

(in Italian) Nellie Melba

(Indian Love Song) (Lieurance) (piano ace. by Sir Landon Ronald)-Dame Nellie Melba Ballad) (piano ace. by Prof. Lapierre) (80)

and Ye banks and braes o'bonnie Doon (with piano)-Dame. Nellie Melba (" LOUSE "-Charpentier) (in French) Depuis le jour oh ie me suis donne (in and Vainement, ma Bien aimde, on croft (Aubade) (" Roi d'Ys "-Lalo) French)--Dame Nellie Melba Donde lieta usci al tuo grido d'amore (" BoubME"-Puccini) (in Italian) and Si, mi chiamano

Goodbye

(Tosti)

Mimi

(" Boheme

"-Puccini)

-Dame

(80)

(in Italian) Nellie Melba

(in and Chanson Hindoue (Hindu Song) (" Sadko "-Rimsky-Korsakof) French)-Dame Nellie Melba Home sweet Home (Bishop) (Piano acc. by Sir Landon Ronald) (76) and Oh, for the wings of a dove (MendelssAn) (piano acc. by Sir Landon Ronald)-Dame Nellie Melba John Anderson, my Jo (Old Scottish Song) (White) (with piano) Songs Mother (Dvo:äk) Nellie Melba and

the

--Dame

the waters of Minnetonka

and

12 Red

(Hindu Song) " SADKO"-Rimsky-Korsakof) (in French) (76) and Goodbye (Tosti)-Dame Nellie Melba (Duparc) (in French with piano) (80)

For

Prices

of Records

taught

see page

me 2.

-Dame

HIS MASTER'S VOICE RED LABEL RECORDS THE MELBA RECORDS- CTnntinued Number Size Label DB364 12 Red

DB347 12 Red DB348

12 Red

DB361

12 Red

DB350

12 Red

DB351

T2 Red

DB348

12 Red

DB349

12 Red

DB349

12 Red

DB361

12 Red

DB356

12 Red

DB363

12 Red

DB350

12 Red

DB354

12 Red

DB3S2

12 Red

054129

12 P. Gn.

DK112

12 Buff

DK112

12 Buff

Me Larmes de Ia nuit la terre etait mouillee, des (Resit et air d'Opl>elie) C' HAMLET -Thomas) (in French) Ardon C'Lucia di Lammermoor "-incensi and gl' Donizdti) (in Italian)-DameNel-lie Melba

Lo ! here the gentle lark (Bishop) (with piano and flute obi!.) (. 6) (Bishop) (piano ace. by Sir Landon and Bid me discourse

Ronald) Nellie Melba --Dome (Bishop) (with flute abbl.) (81) The Old Folks at home (Foster)-Dame Nellie Melba to 0 Dieu 1 que de bijoux (Air des bijoux) (' FAUST "---Gounod) (in French) (81) Si des (Hahn) (in French vers and mes avaient ailes utith harp) --Dome Nellie Melba O!ovely (Landon Ronald) (80) night (Handel) (with arch. and flute the noise of folly and Sweet bird that shunn'st Nellie Melba obbl.)-Dame Oh, for the wings of a dove (Mendelssohn) (piano acr. by Sir Landon Ronald) (81) Home Home (Bishop) (piano by Sir Landon Ronald) and sweet acr. Nellie Melba -Dame (80) Old Folks at home, The (Foster) (with flute obM.) (81 I--Dame Nellie Melba and Lo, here the gentle lark (Bishop) Se saran rose (Arditi) (in Italian) (31) (in Italian with harp (Tosti) Nellie Melbä and n La Serenata acc.)-Dame Serenata, La (Tosti) (in Italian with harp acs.) (in Italian)-Dame Nellie. Melba and Se saran rose (Arditi) Si mes vers avaient des eiles (Hahn) (in French with harp) (Air des bijoux) ("Faust" (in French) and O Diea ! qae de bijoux -GoUnod) Nellie Melba -Dame "-Puccini) Si, mi chiamano Mimi (" BoHbME (in Italian) (80) (" Bohime "--Puccini) (in Italian) grido d'amore and Dondelieta usci altos Nellie Melba --Dame Songs my Mother taught me (Dvoiäk) (Old Scottish Song) (White) (with piano) and John Anderson, my Jo Nellie Melba -Dome folly (Handel) Sweet bird that shunn'st (with arch, and flute obbl.) the noise of (Landon Roaald)-Dame Nellie Melba and 0 lovely night (Aubade) Vainement, (" Rot o'Ys "-Leto) (in French' ma bien aimee, on croft donne Dep le jour je (" Louise'-Charpentier) (in French? Buis and eis o6 me Nellie Melba -Dame When bloom the roses-See " SE SARANROSE " (with Aiono) Ye banks and braes o 'bonnie Doon (Old Scotch Ballad) (piano acc. by Prof. Lapierre) and Comin' thro' the Rye Nellie Meba -Dame MELBA AND CARUSO d BoREME "-Puccini fanciulla (82) soave Lo, here the gentle lark

MELBA AND KUBELIK Amerö,

(Violin)

(" IL RE PAS ORE "-Mozart) (in It alian) (Gounod) (in Latin)-Melba and Ave Maria and Kubelik Ave Maria (conned) (in Latin) (' 11 Re Pastore "-Mozart) (in Italian) and L'amerd, saro costante sarö

costante

" QUARTET DM118 12 P. Gn.

BY MELBA, McCORMACK,

Bella figlia dell' amore CRtcoLErro Ave Maria, and,

piena

-Mei'ba and Kubelik SAMMARCO AND THORNTON

"-Verdi) di grazia

(in Italian) C' Mello

"-Verdi) -Dame

MOSCISCA, DB203

12 Red

DB203

12 Red

DB204

12 Red

DB201

12 Red

(in Italian) t Jlie :Melba

(Moss-chis'-kah) M., Soprano MOSCISCA AND BATTISTINI (in Italian) (" Pagliacci Leoncacallo) (in Italian}-Moscisca and Battistini (" PAGUACCt "-Leoncavallo) E allot perche di tu m'hai stregato? (in Italian) C' Pagliacci "-Leoncacallo) and Decidi it mio destin (in Italian) -Moscisca and Battistini Oh mia Gilda ! fanciulla a me rispondi ! C' RIGOLEITO "-Verdi) (in Italian) ("Linda di Chamounix "-Donizetti) (in Italian) and Ambo nail in questa vale Battistini -Matti. (" TRAVIATA "-Verdi) (in Italian) Pura siccome un angelo dot car ti (" Traviata Di Provenza it it "-Verdi suol arsi mar, chi cancelld? (in Italian)-Mattis Battistini) Decidi

(" PAGLIACCI "-Leoncavallo) ii mio destin di' tu m hai and E allot perchi stregato?

All Speeds are 78 unless otherwise

indicated.

...

PADEREWSKI, IGNACE JAN, Pianist

(Pad-er-ef'-skee)

Paderewski, one of the greatest pianists the world has ever known, will also live in history as the first President and Premier of the newly established republic of his beloved country, Poland, for the independence of which he has laboured so nobly. He was born at Kurylovka (Polodia, Poland) on November 6th, 1860, and began his musical studies at the Conservatoire at Warsaw in 1872, undertaking his first Russian tour in 1876-77. When the war broke out, M. Paderewski was in America, and he immediately gave up playing to espouse his country's cause. He has been a leading figure in the Allies' councils. Royalty, appreciating his true worth, has bestowed upon him various orders of merit. These include "Commander of the Crown of Italy," " Commander of the Crown of Carlos III of Spain," " Officer of the Legion of Honour." As a composer, Paderewski has also achieved notable successes. His decision to retire from the concert world was received with world-wide regret, and the announcement that he would again take up his musical career after an absence Wculd the of some seven years aroused enormous interest. master still possess his The new "His Master *s Voice" Records made by him technique? remove all doubts, and prove to his countless admirers that the brilliance of his execution, the originality of his readings and the ardour of his temperament are retained to the fullest degree. THE PADEREWSKI RECORDS Number SizeLabel DB376 12 Red DB377 12 Red DB376 12 Red DB377 12 Red DB373 12 Red DB379 12 Red DA470 10 Red DB378 12 Red DB331 12 Red DB379 12 Red DB380 12 Red DB375 12 Red DB375 12 Red DA470 10 Red DB380 12 Red DB374 12 Red DB374 12 Red

Aufschwung

(Schumann)

(80)

(Paganini and La Campanella -Liszt) -Ignace La-Rondeau (Couperin) Le Carillon de Cythdre (F. Couperin)-Ignace and Campanella, La (Paganini-Liszt)and Aufschwung (Schumann)-Ignace (F. Couperin) Carillon de Cythere, Le (80) La Bandoline-Rondeau (Couperin)-Ignace and Chant d'Amour (Stojovski) Hark, hark, lark (Schubert-Liszt)-Ignace the and Fantastique Cracovienne (Op. 14, No. 6) (Paderewski) and Minuet in G (Op. 14, No. 1) (Paderewski)-Ignace Etude in C, flat major. Op. 25, No. 9 (Chopin) and Spinning Song, Op. 57, No. 4 (Mendelssohn)-Ignace Hark, hark, the lark (Schubert-Liszt) (80) (Stojovski)-Ignace and Chant d'Amour Hungarian Rhapsody, No. 2, Part I (Liszt) Hungarian Rhapsody, No. 2, Part 2 (Liszt)-Ignace and Minuet in G, Op. 14, No. I (Paderewski) Cracovienne Fantastique (Op. 14, No. 6)-Ignace ands Nocturne in B flat, Op. 16, No. 4 (Chopin) Valse Aflat. Op. 42 (Chopin)-Ignace in and Nocturne in F sharp major, Op. 15, No. 2 (Chopin) Polonaise Militaire (Chopin)-Ignace and PolonaiseMiiitaire (Chopin) Nocturne F Op. 15, No. 2 (Chopin)-Ignace in and major, Spinning Song, Op. 67, No. 4 (Vlendelssohn) Etude in G flat Op. 25, No. 9 (Chopin)-Ignace major, and Valse in A flat. Op. 12 (Chopin) g Nocturne in B flat, Op. 16, No. 4 (Chopin)-Ignace Valse, C sharp minor, Op. 64, No. 2 (Chopin) Warum? (Schumann)-Ignace and Warum? (Schumann)

Jon

Paderewslti

Jan

Paderewski

Jan

Paderewski

Jan

Paderewski

Bandoline,

and Valse, C sharp minor, Op. 64, No. 2

PAOLI, ANTONIO, Tenor

(Chopin)-Ignace

Jan

Paderewski

Jan

Paderewski

Jan

Paderewski

Jan

Paderewski

Jan

Paderewaki

Jan

Paderewski

Jan

Paderewski

Jan

Paderewski

Jan

Padereswki

Jan

Paderewski

Jan

Paderewski

Jan

Paderewrki

Jan Paderewski

(Pah'-oh-lee)

Antonio Paoli began his career in France and was an important member of Mascagni's North American Opera Company. He has sung his large repertory with triumphant large musical centres of the world. success in all the His voice recalls in volume and fervency that of the late Francesco Tamagno, whose triumphs he has revived with enthusiastic success. His best numbers are included on the many fine " His Master's Voice " records he has made. For Prices

of Records

see page 2.

Nr.mter "ice Label DB466 12 Red

Ah si, ben Ohiocoil' essere Sequel

(" TROVATORE "-Verdi)

(in Italian)

DB468

12 Red

DA413

10 Red

DA409

10 Red

DB468

12 Red

(" Aida Verdi) (in Italian}-Antonio Paoli guerrier io fossil and (" IRIS Mascagni) (in Italian) Apri la tua finestra (Serenata) Paoli Gaereesca (Giordano) (in Italian)-Antonio andCanzone (" Gu UGONOTrI Meyerbeer) (in Italian) Bianca al par di neve alpina (" Otello "-Verdi) (in Italian) and Vieni, Paula a deserta Paoli-S zen alv ati-Goet (Giordano) (in Italian) Canzone Guerresca (inflation) Apri la finestra (Serenata) (" Iris"-Mascagni) two and Paoli -Antonio (in Italian) (" ANDREA CHENIER "-Giordano) Caine un bet di di Maggio C' Andrea Chenier"-Giordano) (in and Si,fui soldato difesa di Chenier Paoli Italian)-Antonio C' OTELLO "-Verdi) (in Italian) Dio! mi potevi scagliar tutti i mali Paoli (" Otello "-Verdi) (in Italian)-Antonio and Ni an mi tema Donna e mobile, La (" RIGOLETTO Verdi) (in Italian) French) Viens. dont le (" Dijanire "-Saint-Saine) (in I toi and clair visage Paoli -Antonio Figli miei, v'arrestate (" SANSONE E DALILA "-Saint-Satens) (in Italian) Metterbeer) (in Italian with chorus and orvh.) and Re del cielo (" Profeta Paoli -Antonio Niun mi tema (' OTELLO "-Verdi) (in Italian)

D8469

No,

DA409

10 Red

DB466

12 Red

DA411

10 Red

DA415

10 Red

DA412

10 Red

DB469

12 Red

DA414

10 Red

D8470

12 Red

DA414

10 Red

DA411

10 Red

Dio

and

! mi potevi

scagliar

tutti

i mall

Otello

"-Verdi)

(in

-Antonio Red

pagliaccio

non

son!

PAGLIACCI

Leoncavallo)

(in

Italian) Paoli

Italian)

Paoli (" Pagliacci "-Leoncavallo) (in Italian)-Antonio and Vesti le giubba Re del cielo (" PROFETA Meyerbeer) (in Italian With chorus and orth.) (" Sansone a Dalila "-Saint-Swiss) (in Italian) and Figli midi, v'arrestate Paoli -Antonio Sequel (" AiDA Verdi) (in ltalian) guerrier io fossil Ah ben (' Trovalore "-Verdi) (inflation) and si, mio toll essere Paoli -Antonio Si, fui soldato difesa di Chenier ("ANDREA CHiNIER Giordano) (in Italien) (" Andrea Chenier "-Giordano) (in Italian) and Come un bei di di maggio Paoli -Antonio Si, io t amo (" MADAME DE BELLE ISLE Samara) (in Italian with piano) Versa filtro (" Pagliacci "-Leoncavallo) (in Italian) it and nella tazza saa -Paoli-Huguet-Cigada-Gaetano-Pi ni-Corsi Tu? indietro ! fuggi ! (" OTELLO "-Verdi) (in Italian) (" Otello "-Verdi) (in Italian) and Questa a una rogna Vesti la giubba

-Paoli-Goat (in Italian)

(" PAGLIACCI "-Leoncavallo)

zen-Salvati

and No, pagliaccio non son !

DA413 10 Red

(" Pagliacci "-Leancavallo) (in Italian) -Antonio Paoli Viens, 6 toi dont le clair visage (" DIjANIRE Saint-Satins) (in French) (in Italian}-Antonio Paoli and, La donna a mobile (" Rigoletta"-Verdi) PAOLI AND GOETZEN

DB467

12 Red

Ah, mille vice gli donasse lddio! (" OTELLO"-Verdi) ant Una Vela ! un vessillo l (" Otello "-Verdi)

DB467

12 Red

DA412

10 Red

Quests

DB470

12 Red

Vieni,

DA415

10 Red

TRIO

Una vela!

TRIOS

SALA

AND

GOETZEN

(in Italian with chorus and Orch.) un vessillo ! C OTELLO "-Verdi) (in Italian) and Ah, mille vice gli donasse lddio ! (" Otello "-Verdi) -Paoli and Gesetzen BY PAOLI. SALVATI AND GOETZEN

(' OTELLO "-Verdi) (in Italian) e uns regne (in Italian)-Anfouio Paoli and T u? indietro f fuggi ! (" Ofello "-Verdi) Paula e deserta (" OTELLO "-Verdi) (in Italian) Bianca di (" Gli Ugonotti "-Meyerbeer) (in Italian) and a! par neue alpine Paoli -Antonio

QUINTET Versa

PAOLI,

(in Italian) (in Italian with chorus and ore h.) -Paoli-Goet zen-Sala

PAOLI.

HUGUET,

CICADA,

PINI-CORSI

(" PAGLIACCI "-Leoncavallo) il filtro nella tazza sua (" Madame de Belle Isle Samara) n Si, io I'amo

All Speeds

are 78 unless

otherwise

indicated.

AND

C_AE_T_ANO

(in Italian) (in Italian

with piano) Pool; -Antonio

HIS MASTER'S

VOICE RED LABEL RECORDS

PARETO, GRAZIELLA, Soprano

(Pah-ray'-toh)

Pareto was born at Barcelona, and began her artistic career at a very early age. In all the principal cities of the world Pareto has been acclaimed as a gifted and brilliant soprano. Her records are great favourites in all the great cities of Europe.

THE PARETO RECORDS Number Size Label DBi65 12 Red

Ah ! fors' a lui the l'anima-Part I (" TRAVIATA Verdi) II (" Traviata and Ah ! Jors' a lui ehe I'anima-Part

(in Italian) Pareto -Graziella (in Italian) (Sibdla) (in Italian)-Graziella Pareto and 0 bimba, bimbetta Deh ! vieni, non tardar (" NonZe of FtcARO "-Mozart) (in Italian) (" Don Pasquale "-Donizetti) (in Italian) and Quel guardo, ii cavaliere Pareto -Grazidla 0 bimba, bimbetta (Sibella) (in Italian) II Bodo (Arditi) (in Italian)-Grazidla Pareto and Quel guardo, it cavaliere (" DON PASQUALE Donizetti) (in Italian) Deh 1 (" Nozze di Figaro "-Mozart) (in Italian) and vieni, non tardar Puerto -Graziella PARETO AND TITTA RUFFO

DB564

12 Red

DB567

12 Red

DB554

12 Red

DB567

12 Red

DB176

12 Red

Dite

DB176

12 Red

Lassir in cielo, vicina alla madre (" RlcoLerro (" Traviata "-Verdi) and Dite alla giovine

Bacio,

PATTI, ADELINA issued separately.

PLANcON,

(in Italian) Verdi)

11 (Arditi)

(" TRAVIATA'-Verdi) (in Italian) a!la giovine (" Rigoletto and Lassti in rielo, vicina ally madre

(the

late),

Soprano.

-For

`-Verdi)

-Pareto Verdi) (in Italian) (in Italian)-Pareto

Records

see

Catalogue

(in Italian) -d Roll. and Ruffo

No, 2,

POL (the late), Bass (Plan-sohn')

Born in the Ardennes in 1855, Plancon inherited his musical taste from his father He received his training under Duprez, and made his debut at Lyons and grandfather. in 1877. Thereafter he appeared with great success almost yearly in Paris, London and New . York. He was undoubtedly one of the most accomplished and popular of the operatic stars, possessing a magnificent voice and polished style which placed him in the front rank of operatic basses. His fine qualities have been perpetuated for all time by" His Master's Voice " records, typical reproductions of the master bass.

THE PLANCON RECORDS Number Size Label DA340 10 Red

DB389

12 Red

D13389

12 Red

DA340

10 Red

DB591

12 Red

Devant la maison (Serenade de Mephistopheles (" DAMNATION DE FAUST Berlioz) (in French) (Chanson and Une pace gentille chez on prince Iogeait de la puce) (" Damnation de Faust "-Berlioz) (in French)-Pol P/anion Jesus de Nazareth (Gounod) (in French with piano) Noel (Adam) (in French)-Pol Planfon and Noel (Adam) (inFrench) (76) Jesus de Nazareth (Gounod) (in French Planfon and with piano)-Pol Puce gentille chez un prince logeait, Une (Chanson de la puce) (" DAMNATION DE FAUST Berlioz) (in French) tSerenade de and Devant la maison Mephistopheles) (" Damnation de Faust "-Berlioz) (in French)-Pot Planf on Rameaux, Les (Faure) (in French) (Faure) (in French)-Caruso adn Crucifix and Journet

POLI-RANDACIO, TINA, Soprano POLI-RANDACIO RECORDS Number Size Label DB1B2 12 Red

Ave Maria, and

Verdi) (" lý (in Italian) piena di graue V IELLO Ebben ? Andr6 ! andr6 ! solo e lontana (" Wally Italian)-Tina

For Prices

of Records

see page 2

Catalan) (in Poli-Randaci.

HIS MASTER'S THE

POLI-RANDACIO

Number SizeLabel DB181 12 Red

DB182

12 Red

DB568

12 Red

DA173

10 Red

DA173

10 Red

DB568

12 Red

DB181

12 Red

VOICE RED

LABEL RECORDS

RECORDS-Continued (in'Italian) (" MADAMA BurrERELY "-Puccini) C' Suor Angelica "-Puccini) an d Sanza mamma -Tina (" WALLY "-Catatani) Ebben?....Andrd ! andr6 ! Bola e butane (" Otello "-Verdi) and Ave Maria, piena di grazia -Tina (" AIDA "-'-Verdi) (in Italian) I sacri nomi di padre d'amante (" Aida "-Verdi) (in Italian)Tina Ritorna vincitor and (" FANCIULLA DEL WEST "-Puccini) (in Italian) Laggiu nel Soledad Ah I the vegg' io? (" Bello in Maschera Mezzanotte! and Italian)-Tina (" BALLO IN MASCHERA "-Verdi) Mezzanotte i Ah! the vegg io? Leggin Soledad (" Fanci del West "-Puccini) and nel ally

' Bei di vedremo,

Ritorna

vincitor

-Tina

(" AIDA "-Verdi) (in Italian) and I sacri nomi di padre d'amante

( SUOR ANCELICA "-Puccini) mamma (" Madams and (Jn bel di vedremo

San-

p Po

(" Aida

"-Verdi)

-Tina (in Italian) Butterfly "-Puccini) -Tina

(in Italian) Poli-Randacio (in Italian) (in Italian) Poli-Randacio Prli-Randacio "-Verdi) (in Poli-Randacio (in Italian) (in lialian) Poli-Randacio (in Italian) Poli-Randacio (in Italian) Poli-Randacio

POWELL, MAUD (the late), Violinist All Americans had reason to be proud of the achievements of their distinguished flocked to hear her, and countrywoman, Maud Powell. From East to West audiences were delighted with her flawless playing; while her charming and gracious personality fortunate enough to meet her. wholly fascinated those who were There was nothing of pose or virtuoso, affectation or airs about Miss Powell. She loved the work she did, and her heart, soul and mind were wholly in it. She was a virtuoso in technique and ability, but an artist and musician in spirit, and her appearances some Sousa's orchestra were particularly successful. years ago in London as soloist with The Powell reproductions which have been issued by " His Master's Voice " are faithful reproductions of the masterly playing of this artist.

THE POWELL RECORDS Number

Size Labei

DA343 10 Red DB396

12 Red

DA344

10 Red

DB391

12 Red

DB394

12 Red

DB391

12 Red

DB393

12 Red

DB390

12 Red

DB390

12 Red

DA344

10 Red

At the brook

(Boisdeffre)

piano)

Powell Powell Powell

piano) Powell -Maud Movement) (de Beriot) 76 (Allegro msestoso-First Concerto No. 7 in G, Op. 76 (Allegro Moderato) (de gnnd (with piano)-Maud Powell Beriot) (with piano) Concerto No. 7 in G, Op. 76, Andante Tranquillo (de Beriot) E Op. 64-Finale (with piano). (Mendelssohn) and Concerto in minor, Powell -Maud (with piano) Crardas, Heire Kati (Hubay) Mazurka No. 2 (Wieniavski) (with (a) Polish Dance (Knyaviak) (b) and ; piano)-Ma ad Powell (Saute[) (with piano) Farfalla-Caprice Folk Songs-(a) My Kent home (Foster) ; American end Four old ncky (School Craft) (c) Old Joe (Foster) ; (d) Kingdom (b) Shine Black on ; Powell (Work)-Maud coming Folk Songs-(a) My Kentucky (Foster) (b) Shine Four American home on old ; (d) Kingdcm (Work) (School Craft) ; (c) Old Black Joe (Foster) ; craning Farfalla-Caprice (Sautet) (with piano)-Maud Powell and ("MIGNON --Thomas) (with piano) Gavotte Concerto No. 7 in (with piano)

G, Op.

and Barcarolle DB395 12 Red

(with harp

Op. 43, and No. 6 (Grieg) (with piano)-Maud and To Spring, (Schubert) (with string quartet and harp) (Sibelius) (with piano)-Maud and Valse triste, Op. 44 Barcarolle C' TALES OF HOFFMANN "-Offenbach) (with piano and harp) (with piano)--Maud (" Mignon "-Thomas) and Gavotte (with piano) Concerto in E minor, Op. 64-Finale (Mendelsohn) (with Tranouillo (de Beriot) and Concerto No. 7 in G, Op. 76-Andante Ave Maria

Largo

(Handel)

and Minuet

All Speeds

(" Tales of Hoffmann "-Offenbach)

(Boccherini)

are 78 unless

(acc. by G. Falkenstein)

otherwise

indicated

(with

(with piano and harp) Powell -Maud ptano)-Maud

Powell

HIS MASTER'S THE

POWELL

Number DB393

VOICE RED

Size Label 12 -Red

Mazurka

No. 2

DB395

12 Red

Minuet

(Boccherini)

DA341

10 Red

DA341

DB393

12 Red

DA346

10 Red

Red

DA346

10 Red

DA345

10 Red

LABEL RECORDS

RECORDS-Continued (Wieniavski) (Kuyaviak) (with piano) ; (a) Polish Dance Hejre Kati (Hubay) (with piano)-Maud and Czardas, (acc. by G. Falkenstein) (with piano) (Handel)-Magd and Largo Minuet in G, No. 2 (Beethoven) (with piano) Molly (Irish Reel) (set by Percy Grainger) (with and on the shore -Maud (Irish Reel) Molly on the shore (set by Percy Grainger) (with piano) Minuet in G, No. 2 (Beethoven) (with piano)-Mund i (Kuyaviak) Polish Dance (uill. tiaro) ; (b) Mazurka No. 2 (Wieniavski) Hejre Kati (Hubay) (with piano)-Maud 3 n d Czardas, Op. 12 (Elgar) Salut d'Amour, (with piano) Serenata, Op. !5. No. I (Moszkovski) (with piano)-Maud and Oýp. 15, No. l (Moszkovski) Serenata, (with piano) (77) Salut d'Amour, Op. 12 (Elgar) (with piano)-Maud and (with piano) Sonata in E major, 2nd Movement (Bach)

DA343 10 Red

g_ndSonata in E major, 4th Movement (Bach) To Spring, Op. 43, No. 6 (Grieg) (with piano)

DB396

Valse triste.

12 Red

(with piano)-Maud

Powell Powell piano) Powell Powell Powell Powell Powell

Powell

brook (BoisdeJfre) Powell (with harp and piano)-Maud and At the Op. 44 (Sibelius) (with piano) Are Maria (with harp) (Schubert) (with piano) string quartet and Powell -Maud

and

R RACHMANINOFF,

SERGEI (Pianist)

(Rackh-mah'-nee-noff)

Famous as a composer writing " real " a virtuoso of extraordinary gifts. It is now some years since his Prelude in C out the world, and the extraordinary commotion until recently, the many other works of greater

pianoforte

music, Rachmaninoff

is also

Sharp Minor won renown for him throughcaused by that composition overshadowed, importance that have come from his pen.

He was born at Nijni Novgorod in 1873, and his music is characteristic His first London appearance was in 1912 at one of the Royal mental. He has played in many countries, Society's concerts. and has lately spent America.A

and temperaPhilharmonic much time in

magnificent exponent of his own works, he is equally authoritative as an interpreter Rachmaninoff records exclusively for "His Master's of the compositions of others. Voice." THE

RACHMANINOFF

Size Label Number DA372 10 Red DA369

10 Red

DA368 10 Red

RECORDS

L',° Suite No. 1-Minuet (Bizet-Rachmaninoff) Op. 3. No. 5 (Rachmaninoff-SergeiRachmuninojf and Sirenade, (Suite) No. 1-Dr. Gradus "Children's Corner, The" (Debussy) ad Parnasscm Corner (Suite) No. 6-Golliwogs Cake-Walk (Debussy) and " The Children s

" Arlesienne,

Coucou, Le

and Prelude

12 Red

Liebeslied

12 Red

Polka de W. R.

DA370

10 Red

Prelude

DB410

12 Red 12 Red

DA368

10 Red

DA372

10 Red

in G sharp

minor, Op. 32, No. 12 (Rachmaninoff) Rachmaninoff -Sergei

(Kreisler-Rachmaninoff)and Value in Eflat major, Op. 18 (Chopin)--Sergei (W. Rachmaninoff) Troika (Ina Three-Horse Sleigh) and en lraineaux

D13408 DB409

DB410

-Sergei Rachmaninoff

(Claude Daquin)

(Tchaikousky)

Rachmamno/f -Sergei in C sharp minor, Op. 3, No. 2 (Rachmaninoff) (Mendelssohn) and Spinning Song, Op. 67, No.4 -Sergei Rachmaninoff Prelude in G major. Op. 32, No. 5 (Rachmaninoff) Rachmaninoff and Prelude in G minor, Op. 23, No. 5 (Rachmaninoff)-Sergei Prelude in G minor, Op.23, No. 5 (Rachmanincff) and Prelude in G major, Op. 32, No. 5 (Rachmaninoff) -Sergei Rachmaninoff Prelude in G sharp minor, Op. 32, No. 12 (Rachmaninoff) (Claude Daquin)-SergeiRachmaninoff and Le Coucou Op. 3, No. 5 (Rachmaninoff) Sirenade,

sad"L'Arlisienne,"SuiteNo.1-Minuet 92

Rachmaninoff

For Prices

of Records

see page 2.

(Bizet-Rachmaninoff) -Sergei Rachmaninoff

VOICE

HIS MASTER'S

RED LABEL RECORDS

THE RACHMANINOFF RECORDS-Continued Number Size Label DA370 IU Red

Spinning Song, Op. 67, No. 4 and Prelade

DB409

12 Red

DA371 10 Red DB408

12 Red

DA371

10 Red

Troika

(Ina

en traineaux

in C sharp

Three-Horsed

minor, Op. 3, No. 2 (Rachmaninoff) Rachmaninoff -Sergei Sleigh) " (Tchaikovsky)

and Polka de W. R. (W. Rachmaninoff -Sergei Rachmaninoff Valse in D flat major, Op. 64, No. I (Chopin) Rachmaninoff and Waltz and Elfin Dance, Op. 12, Nos. 2 & 4 (Grieg)-Sergei Valse in E flat major, Waltz

Op. 18 (Chopin) (Kreistet-Rachmaninoff)-Sergei and Liebeslied Dance, Op. 12, Nos. 2 & 4 (Grieg)

and Elfin

and Valse in D flat major, Op. 64, No. I

REIMERS,

PAUL,

(Mendelssohn)

Tenor

Rachmaninoff

(Chopin)-Sergei

Rachmaninoff

(Ry'-mers)

REIMERS AND GLUCK '.Number Size Label DA301 10 Red

A. Clair de la lune

ROSING, VLADIMIR, Tenor

(Lully)

(in French) And Sp/veil-

(Op. 55, No. 1)

(Binding) Alma Cluck

(Rose'-ing, Vlah-dee'-meer)

Born in Petrograd in 1890, he attended the University of that city where he studied law for six years. At the early age of eleven, he already had dreams of becoming a singer. It is a coincidence that his first salon appearance in December, 1911, was with that remarkable violinist, Heifetz, then eleven years old. During two seasons in 1917 and 1918, he gave in London over forty recitals, based upon a new scheme in which a particular theme as portrayed in the songs of the world's greatest composers formed the programme of each concert. THE

ROSING

Number Size Label DB266

I2 Red

DB266

12 Red

RECORDS Forgive (" PICCE DAME "-Tchaikovsky) (Orch. cond. by E. me, oh Divinity Gourevitch) (in Russian) (80) (" Pique Dame"and If you ever knew Tchaikovsky) (in Russian)-Vladimir Rosing If you ever knew (" PIQUE DAME'-Tchaikovsky) (in Russian) Forigce me, oh Divinity ("Pique Dame "-Tchaikovsky) (Dreh. cond. by ,and E. Goarevitch) (in Russian)-Vladimir Rosing

RUFFO, TITTA, Baritone

(Ruf'-foh)

Titta Ruffo was born at Pisa in 1878. At the age of seventeen he began his vocal studies with his brother, a well-known teacher, and continued them later at Rome under Perischini. His debut was made in 1898 at the Costanzi Theatre, Rome, when he made a Other important engagements sensation in the small part of the Herald in" Lohengrin." rapidly followed in Italy and South America. In 1905 he obtained an appointment at La Scala, Milan, where he sang in the first Italian performance of " Le Jongleur de Notre Dame." Since then he has sung in Vienna, Paris, Madrid, Cairo and other cities. He has been acclaimed with and has become a great favourite in Russia. extraordinary enthusiasm in New York, while on his appearances, just before the war, in London, he was universally recognised as the finest of the younger generation of Italian baritones. One of his greatest successes has been made in the part of Hamlet, which he sang at the opening of the Colon Opera House, Buenos Aires, in 1909, and of which he has made several magnificent " His Master's Voice " records. He is himself conscious of the fact that only the " His Master's Voice " special process of recording is capable of correctly and satisfactorily reproducing his voice, remarkable for the volume, purity and richness of its tone. Many indeed consider him without a rival amongst operatic baritones living ; the range of his voice is extraordinary. All Speeds are 78 unless otherwise

indicated.

HIS

DB40S

12 Red

DA354

10 Red

DA353

10 Red

DA164

10 Red

DA352

10 Red

DA355

10 Red

DA396

10 Red

DB569

12 Red

DB40S

12 Red

D13175

12 Red

DA164

10 Red

DK114

12 Buff

DA357

10 Red

DB405

12 Red

DA162

10 Red

DA356

10 Red

DA354

10 Red

DB404

12 Red

DB398

12 Red

DA357

10 Red

DA34910 DB242

Red 12 Red

DB405

12 Red

DA163

10 Red

DB404

12 Red

DA353

10 Red

DA351

10 Red

DB242

12 Red

DB464

12 Red

MASTER'S

VOICE RED LABEL RECOIDS

Adamastor,

(" AFRICANA "-Meyerbeer) (in Italian) re delle acque profonde (Canzone Toreador) ("Carmen "-Bizr and Con voi ber, affi mi fie taro (in Italian with chorus)-Titta Reifo Ahime ! fanciutlo encore (" THAIS "-Massenet) (in Italian) Ecco dunque I'orribil (" Thais Massenet) (in Italian)-Titta Raffo and cittd Ally vita the t arride (" BALLO IN MASCHFRt "-Verdi) (in Italian) Tremin (" Nabucco"-Verdi) (in Italian)-Titte Ruffo gl'insani and All' erta, mariner (" AFRICANA "-Meyerbeer) (in Italian) fai to (Serenata di Mefistaide) (" Dannazione di Faust end Cosa qui Berlioz) (in Italian)-Titta Ruffo (" AMLETO Thomas) Apparizione Bello spettro (Recitation in Italian) (" Amleto "-Thomas) Rvffe, (in Italian) and Spettro santo - Titta (" ZAZA "-Leoncavallo) (in Italian) Buona Zazb, del mio buon tempo (" Zazd "-Leoncavallo) (in Italian)-Titta Raffo and Zazd, piccolo Zingara (" MARTA "-Flotow) (in Italian) Chi mi dich di the it bitchier Quand'ero (" Falstaff "-Verdi) (in Ruffo Italian)-Titte and paggio (" AMLErO "-Thomas) (in Italian) Come if romito fior (" Amleto "-Thomas) (in Italian and 0 vin, discaccia la tristezza with Ruffo chorus and orch.)-Titta fra (Canzone Toreador) (" CARMEN "-Bizet) (in italic, Con voi her, affe mi carp (" "with chores) and Adamastor, re delle acque profonde .4fricana Ruffo Meyerbeer) (in Italian)-Tutu (" RIGOLErTo "-Verdi) (in Italian) Cortigiani, vii razza dannata (in Italian)and Deh 1 non parlare al misero (" Rigoletto "-Verdi) -Ruffo and Magrini foi (Serenata di Mefistofele) (" DANNAZIONE FAUST "-Berlioz) (in Cosa to qui DI Italian) (" Africana "-Meyerbeer) (in Italian) and All' erta, marinar Ruff, -Titter Credo in un Dio crudel (" OTELLO "-Verdi) (in Italian) (in Italian) and Si, pet ciel marmoreo gins ! (" 0tdlo "-Verdi) -Ruffo and Caruso (Serenata) (" Don GIOVANNI "-Mozart) Deh ! vieni alla finestra (in Italian) la testa (" Don Giovanni "-Mozart) (in Italian) and Fin eh' han da! vino calla Ruffo -Titter (" FAUST "-Gounod) (in Italian) Dio possente, dio d'amor dells clad (" Barbiere di Siviglia "-Rossini) (in Italian) Largo factotum and of Ruffo -Eitte, (" MALENA Titter) (in Italian) Dime if saggio (Capolongo) (in Italian)-Title Ruffo and Suono e Fantasia (Ettore Titter) (in Italian) E suonan le campane (Ettore Titta) (in Italian)Tata Ruffo imparta? and 0 them ("THAIS "-Massenet) (in Italian) Ecco dunque I'oeribil cittb fanciullo ancora ("Thais "-Massenet) (in Italian) Ruff. -Title and Ahime ! (in Italian) ' Era la notte (" OTELLO"-Verdi) (Tosti) (in Italian)-Titta Reife and Marechiare (" UN BALLO' IN MOSCHERA "-Verdi) (in Eri to the ma-chf,vi quell' anima Italian)and 0 de' nerd anni mid (" Ernani Verdi) (in Italian) Reife -Tian (" DON CIovANnt "-Mozart) (in Italian) Fin eh' ban dal vino calla la testa (Serenata) ("Don Giovanni "-Mozart) (in and Deh ! vieni alla finestra Italian)-Titta Ruffo Guitarrieo, El (Soriano) (in Spanish) (in Spanish)-Titta U. Padilla) Ruffo and El relicario I due Granatieri (The Two Grenadiers) (Schumann) (in Italian) (in Italian) (" Andrea Cheerier Giordano) and Nemico delta pctria Rr ffo -Titter (" BARRIERE DI SIVIGLIA "-Rossini) (in Italians Largo al factotum Bella cittit d'amor (" Faust "-Gounod) (in Italian)Dio dio Titta Raffo and possente, (" ERNANI "-Verdi) (in Italien) Lo vedremo, o veglio audace fede (" Tosco "-Puccini) (in Italian)-Titta Se la Ruffo anti giurata (in Italian) Marechiare (Toste) Era la none (" Otello "-Verdi) (in Italian)-Title Re ffo and (in Italian) Maria, Mari (E. di Capua) and Torna a Surriento (De Curtis) (in Italian) RiJfo (Canzone Napoletana) -Titta (in Italian) (8C) ' Meriggiata (Leoncavallo) @t?d Son servant' anni (in Italian) Ruffo (" Andrea Chenier "-Giordano) -Title CHENIER' (in Italian) Nemico della patria (" ANDREA --Giordano) Granatieri (The Two Grenadiers) (Schumann) (in Italian) i due anti Ruffo -Titter Un-Prologo (" PAGLIACCI "-Leoncavallo) (in Italian) Nido di memorie,

and Si pad?-Prologo

(" Paghacci "-Leoncavallo)

For Prices of Records see page 2.

(in Italian)-

Titta Ruff*

THE RUFFO RECORDS-Continued Number Size Label DA348 10 Red DA348 10 Red DB401 12 Red DA356 10 Red DB398 12 Red DB569

12 Red

DB402

12 Red

DB402

12 Red

DB401

12 Red

DB178

12 Rod

DA396

10 Red

DA360

I 0 Red

DA349

10 Red

DA163

10 Red

DB178

12 Red

DB464

12 Red

DA351

10 Red

DA352

10 Red

DA162

10 Red

DA353

10 Red

DA358

10 Red

DA360

10 Red

DA355

10 Red

DK114

12 Buff

Non penso,

a lei

Novembre

(Tremisot)

(in Italian) (Trcmisot) (in French)-Till Ruff and Novembre a (in French) Non penso, lei (Ferradini) (in llolian)-Tilts RoJJo and a ("RE DI LAHORE Massenet) (in Italian) O,easto for and Paurre ('" Pairie '-Paladilhe) (in French) Ruff. martyr obscur 1 -Titta (Ettore Titte) (in Italian) O the m' imports? (80) E Is (Ettore Tina) (in Italian-Titta Rvffo unrl suonan campane 0 de' (" ERNANI "-Verdi) (in Italian) verd' anni miei Eri to the Un Ballo in Maschera Verdi) and macthiavi quell' anima .(° (in Italian)-Titto RuJfo 0 An, discaccia la tristezza (' AAILSro "-Thomas) (in Italien with chorus and fior C Amleto "-TIamus) (in Italian) Come il romito arch.) and Raffo -Titles Onore! Ladri ! L' (" FALSTAFF Verdi) (in Italian) and Pari slams I Monologo) (" Rigoletto "-Verdi) (in Italian) Ruffo -Titta Pari siamo! (Monologo) (" RIGOLETTO "-Verdi) (in Italian) L'onore! Ladri! (' Falstaff "-Verdi) (in Italian)-Titta Ruffo and Pauvre martyr obscur ! (" PATRIE "-Paladilhe) (in French) ("Re di Lahore "-Massenet) (in Italien)-Titta Ruffo and O casto fior Per me giunto e il di supremo CDON CARLOS "-Verdi) (in Italian) (" Dinorah "-:Negerleer) (in Italian)-Till and Sei vendicata assai a Reffs Quand'ero (" FALSTAFF "-Verdi) (in Italian) peggio (" Marta "-Flotaw) (in Italian)Titta Ruffe and Chi mi died di the il bitchier Rammenta i lieti di C FAUST "-Gounod) (in Italian) (" Faust Gounod) (in Itelian)-Tilts Ruffo and Vows pul faites 1'endormie Relicario, El U. Padilla) (in Spanish) (Soriano) (in Spanish)-Titta Ruffo and El Guitarricu Se le giurate fede (" Tosca "-Puccini) (in Italian) (" Ernani "-Verdi) (in Italian)-Titta Ruffo and Lo cedremo, o veglio audace Sei vendicata assai (" DINORAH "-Meyerbeer (in Italian) (" Don Carlos "-Verdi) (in Italian) grid Per me giunto e il dt supremo Ruffo -Titres Si pub?-Prelogo (" PAGLIACCI "-Leoncevallo) (in Italian) Un di ('' Pagliacci Leoncatalla) (inflation) and nido memorie-Prologo Giordano) ("ANDREA CHENIER (in Malian) anni (Leoneavatlo) (in Italian)-Tilta Ruffo and Meriggiata (" AMLero --Thomas) (in Italian) Santo dello spetfro (" Am!cto "-Thomas) (Recitation in Italian) arý Apparizione Ruff. -Tilts Suono e Fantasia (Capolongo) (in Italian) (80) g) Disse il saggio (" Malena Tilts) (in Italian)-Tilta Ruffo Torna a Surriento (Canzone Napoletana) (De Curtis) (in Italian) (E. di Capua) (in Italien)-Titta Raffo gpd Maria Mari (" NABUcco "-Verdi) (in Italian) Tremin gl' insani (" Ballo in Maschera "-Verdi) (in Italian and Alla vita the t' arride R,;Ifo -Ti!ta Vous gui faites l'endonnie (" FAUST "-Gounod) (in Italian) Rammenta lieb di (" Faust "-Gounod) (in Italicn)-Tula Ruffo i gg Zszä, piccola Zingara (" ZAZÄ Leoncavallo) (in Italian) Buona Zazn, del buon (' Zazd "-Leonroeullo) (in Italicn) tcmpo >rDý mio Ruffo -Tula RUFFO AND CARUSO Son sessant Spettro

ji, pel ciel marmoreo Verdi) (in Itelicn) (80) giuro ! (" OTEILO (" Otello "-Verdi) (in Italian)-Tilts god Credo in un Dia crudel RIIFFO

DB400

12 Red

DB177 12 Red

AND

Piangi I piangi fanciulla Le and

12 Red

DB115

12 Red

iVlinaccie,

RUFFO

AND

minaccie,

(" RICOLETro"-Verdi) i fieri

accenti

(in Italian)

(" Forma del Destino

MAGRINI

Deh I non parlare at misero and Cortigiani,

Calvary

(in Italian) Ischierdo and

(in Italian) "-Verdi) (in Italian) Galcany -Rcffo and

(" Rlcotrrro "-Verdi) (in Italian) dann ala (" Rigoletto Verdi)

uil razza

(in Italian (in Italian)

-Maria

"-Verdi) -Rollo

ISCHIERDO

i fieri accenti, Le (" FORZA DEL DESTINO "-Verdi) (" Rigoletto and Piangi! Piangi fanciulla AND

Ruffo

GALVA*,'Y

(" BARBIERE DI SIVICLIA "-Rossini) La.ique io son tu non in mganni (" Lucia di Lammermoor "-Donizetli) and Spargi d'amaro pianto

RUFFO DB177

(Ferradini)

(in 11alian)

-Titter All Speeds

are 78 unless otherwise

indicated.

Ruff. 65

HIS MASTER'S

VOICE RED LABEL RECORDS

THE RUFFO RECORDS-Continued

RUFFO

Number Size Label

AND PARETO

DB176

12 Red

C TRAVIATA "-Verdi) (in Italian) Dite alla giovine (" Rigoletto and Lassd in Cielo, vicina alto madre

DB176

12 Red

Lassd

RUMFORD,

Verdi)

-Ruffo (" RIGoLE7 ro "-Verdi) (in Italian) in Cielo, vicina alla madre (" Traviata "-Verdi) (in Italian}-Raffo and Dite alle giovine

(in Italian) and Pareto and Pareto

R. KENNERLEY, Baritone

RUMFORD. KENNERLEY, AND CLARA BUTT Number Size Label a Keys of Heaven (8I) 04060 12 D. Blue (Single-sided) Snowdrops (Key E) 04045 12 D. Blue (It is important that these records should be played in the keys indicated)

S SAMMARCO, G. MARIO, Baritone

(Sahm'-mar-koh)

Born at Palermo in 1873, Sammarco made his operatic debut at the age of twenty-one La Scala, in Puccini's opera" Le Villi." He was later engaged for" Andrea Chenier"at Milan.His repeated appearances in all the chief opera houses of the world have met with He has a fine baritone voice, brilliant success, and secured for him a lasting reputation. his repertory includes the roles of Falstaff, logo, Rigoletto, unusually rich and powerful, and Amonasro, Scarpia, Sharpless, Marcel, Jack Rance, Figaro and Tonio. For years before the war Sammarco was regarded as one of Covent Garden's most his reappearance at the reopening of Covent Garden in 1919, was popular artists, and at Recently he has made triumphant reappearances in his warmly welcomed by the public. following upon his successful seasons in the United States and South America. native Italy, THE SAMMARCO RECORDS Number Size Label Red DB609

DB609

12 Red

DB607

12 Red

DB606

12 Red

DB607

12 Red

DB606

12 Red

DB630

12 Red

DB608

12 Red

DB608

12 Red

(" GIOIELLI Aprila, belle, In finestrella (in DELLA MADONNA "-Wolf-Ferrari) (81) (" Otello Verdi) Italian with chorus) and Credo in un Dio trade) (in Italian) Mario Sammarco -G. (" OTELLO"-Verdi) (in Italian) Credo in un Dio crude) bella, la finestrella (" Gioidli dells Madonna "-Wolf-Ferrari) and Aprila, (in Italian with chorus and orch.)-G. Mario Sammarco ( LUCIA L.AMMERMOOR "-Domzetti) (in Italian) Cruda, funesta smania DI (in Italian) and Non pin andrai (" Nozze di Figaro "-Mozart) Mario Sammarco -C. (" AFRICANA "-Meyerbeer) (in Italian) Figlia di regi, a to l'omaggio (" Ernani "-Verdi) (in Italian) an Lo vedremo, o veglio audace Mario Sammarco -C. (" NOZZE FIGARO "-Mozart) (in Italian) (81) Non piü andrai DI Cruda, funesta Lucia di Lammermoor "-Doniz{tti) (in Italian) smania and Mario Sammarco -C. Vedremo, Lo ERNANI "-Verdi) (in Italian) audace, o veglio (" Africana "-Meyerbeer) (in Italian) and Figlia di regi, a to l'omaggio G. Mario Sammarco AND McCORMACK SAMMARCO (in Italian) (" BOHbME "-Puccini) Ah ! Mimi. tu piü non torni Mattei) (in Italian)-John McCormack and Non c ver (Tito (" di BARBIERE SIVIGLIA "-Rossini) (in Italian) All' idea DI quel metallo portentoso (" Gioconda "-Ponchielli) (in Italian) (30) gnd O grido di quest' anima McCormack -Sammarco and (in Italian) O di quest anima (" GIOCONDA "-Ponchielli) (80) grido (" Barbiere di Siviglia "-Rossini) U. and All' idea di quel metallo portentous Italian)-Sammarco and McCormack QUARTET

DM118

12 P. Go.

BY SAMMARCO,

Bella figlia dell'

MELBA.

McCORMACK AND THORNTON (in Italian) Otello "-Verdi) (in Italian) (" Nellie Melba -Dame

(" RIGOLErro "-Verdi) amore di grazia and Ave Maria, piena

For Prices

of Records

see page 2.

VOICE RED LABEL RECORDS

HIS MASTER'S

SCHIPA, TITO, Lyric Tenor

(Skee'-pah, Tee'-toh)

SC Tito Schipa was born in 1883 at Lecco, where he studied music under Maestro Q Gerunda ; then he went to Milan, where he worked with Sr. Emilio Piccoli ; and he made his first appearance in opera in 1909, singing Bizet 's " I Pescatori di Perle " and Leon" Zazä " at the Teatro Sociale of Cremona, in both of which operas he achieved cavallo's After this he took part in a very important tour through Italy and a very great triumph. Bologna, Rome, Naples, Palermo, Udine and Trieste, whence he went to sang at Milan and sang in Puccini's " Tosca " at the Teatro Dal Verme. This was the starting his operatic reputation, and now he is considered among the great artists. point of

THE SCHIPA RECORDS Size Label Number DA363 10 Red

."-Massenet) (tl (" MANON, Chiudo gli occhi sogno) it tenero lido Arlecchin and 0 Colomhina,

(Serenata -Leoncavallo)

DA366

10 Red

DA362

10 Red

DA363

10 Red

DA366

10 Red

DA362

10 Red

DA365

10 Red

DA365

10 Red

(in Italian) d'Arlecchino) (" Pagliacci ., (in Italian)-Tito Schipa

Ella m

le lagrime (" Riigo(elio "-Verdi) (in Italians Tito Schipa and Parmi ceder (in Spanish) Granadinas (' EMiGRANTES'"--Calleja y Barrera) Princesita (Palomero Padilla) (in Spanish)-Tito Schipa and Y Edo Arlecchin (Serenata d'Arlecchino) (" PAGLIACCI 0 Colombina, it tenero (in Italian) Chiudo (Il (" Manon "Leoncavallo) and gli occhi sogno) Massenet) (in Italian)-Tito Schipa le lagrime (" RIGOL=o "-Verdi) (in Kalian) Parmi veder (" Rigoletto "-Verdi) (in Italian)-Tito Schipa and Ella mi fu capita (Palomero (in Spanish) Princesita y Padilla) ("' Emigrantes "-Calleja (in Spanish) and Granadinas y Barrera) Schipa -Tito (in Italian) ("FAUST "-Gounod) Salve, dimora, caste e pure (in Tu, the a Din speigasti Pali (" Lucia di Lammermoor "-Donizetti) and Italian)--Tito Schipa Dio I'ali (" LUCIA LAMMERMOOR "-Donizetti) (in Italian) Tu. the a DI spiegasti (" Faust'"-Gounod) (in Italian) and Salve, dimora, casts e pura Schip a -Tito

SCHUMANN-HEINK, ERNESTINE, Contralto (Shoo'-mahn H;nk') Mme. Schumann-Heink was born at Lieben, near Prague, Bohemia, in 1861. She Marietta Leclair. received her musical training under London warmly appreciated her singing at Covent Garden, where she appeared from 1897 to 1900, chiefly in Wagnerian parts. Mme. Schumann-Heink, desiring that her be as nearly perfect as possible and worthy of her great reputation, has records should ` His Master's Voice" For many signed an exclusive agreement to make favourites in American records only. has been one of the greatest operatic and concert life. years past she THE

RECORDS

SCHUMANN-HEINK

Size Lahel Number 12 Red DB412

DA373 D3413

10 Red 12 Red

DB415

12 Red

DA373 DB413

10 Red 12 Red

DB411 DB411

12 Red 12 Red

DB414

12 Red

DA367

10 Red

DB414

12 Red

Agnus Dei

(Bizet)

(in Latin) and Stille Nacht,

heilige Nacht

(Gruber)

(in German)

Schumana-Heink -Ernestine A Child's Prayer (Harold)-Ernestine Schumann-Heink and (La Forge)and Cry Rachel (Salter)-Ernestine Schumann-Heink of (" ST. PAUL "-Mendelssohn) But the Lord is mindful of His own (Ambrose)-Ernestine Schumann-Heink and One sweetly solemn thought Allah (Chadwick)--Ernestine Schumann-Heinle Child's Prayer, A (Harold) and Cry of Rachel (Salter)and Before the Crucifix (La Forge)-ErnestineSchumann-Heink Kerry Dance (Molloy)-Ernestine Schumann-Heink Danny Boy (Weatherly) and Kerry Dance (Molloy)and Danny Boy (lVeatheeiy)-Ernestine Schumann-Heink (in Italian) Leggiero, invisibile-Bolero (Arditi) O fill (" Prophete "-Meyerbeee) (in French) and mon Schumann-Heink -Ernestine (Adams-Mason) Nearer, my God, to Thee Oh Come, All Ye Faithful (Adeste Fideles)-Ernestine Schumann-Heink and (in French) 0 mon lila (" PROPHETE "-Meyerbeer)

Allah Before

(Chadwick) the Crucifix

and LWgicro, incisibile-Bolero All Speeds

are 78 unless

(Arditi)

otherwise

(in Italian)-Ernestine indicated.

Schumann-Heink a

HIS MASTER'S

VOICE RED LABEL RECORDS

THE SCHUMANN-HEINK RECORDS-Continued iDA337 Number Size Label 10 Red Oh Come, All Ye Faithful (Adeste Fideles) D., 15

12 Red

DA525

10 Red

D^.412.12 DA525

Red, 10 Red

(Adams-Mason)-Ernestine Sch umana-Heinle and Nearer, My God, to Thee One sweetly solemn thought (Ambrose) Paul "-Meadelssohn) and But the Lord is mindful of His ourn ("St. Schumann-Heinle -Ernestine Sapphische Ode (Brahms) (in German) Wiegenlied, Op. 49, No. 4 (Brahms) (in German) and Schumann-Heinle -Ernestine Stille Nacht, heilige Nacht (Gruber) (in German) (81) Schumann-Heinle (Bizet) (in Latin)-Ernestine as d Agnus Dei Wiegenlied, Op. 49, No. 4 (Brahms) (in German)

and Sapphische Ode DX119 12 Buff

(Brahms)

(in German)-Ernestine

Schumann-Heink

SCHUMANN-HEINK AND CARUSO Ai nostri monti ritorneremo C TROVATORE Verdi) (in Italian) and Ah I the la morte ognora (Miserere) C Troaalore "-Verdi) with chorus and orch.)-Carom

(in Italian and Aida

SCOTTI, ANTONIO, Baritone Antonio Scotti was born at Naples, studied under Paganini and made his debut at After scoring several successes the age of twenty-three, in Malta, as Amonasro in" Aida." in Milan he was secured by Covent Garden and made his London debut as Don Giovanni. Scotti's repertory is very extensive ; his impersonation of Scarpia is considered his greatest part, whilst as Falstaff he has achieved a notable success. The " His Master's Voice " records by Scotti include a number of airs from various operas and several Neapolitan songs, all of which, are much in demand on account of their faithful reproduction of his fame is world-wide, every voice. This artist's successes have been many and his In America he is a great favourite, but it is probable performance being an artistic triumph. that he is even more so with Covent Garden habitues, who for years considered Scotti inseparable from a Grand Opera Season. Apart from his fine singing, he has always been his impersonations have regarded as one of the most gifted, dramatically, of singers, and been remarkable for their realism. Outside the Opera, Scotti can only be enjoyed on " His Master's Voice " records. THE

SCOTTI

Number Size Label yt1589

12 Red

DBS68

12 Red

DB423

12 Red

DA377

10 Red

DB422 12 Red DB424 12 Red DR668

12 Red

DB424

12 Red

DB668 12 Red

RECORDS (" Eusis (Cavatina) Come Paride vezzoso with piano) god Pronto io son ("Don

o AMORE Donizetti) Pasquale"-Donizetti)

(in Italian (in Italian)

-Scotti-Sembrich (" Des GIOVANNI "-Mozart) (Serenata) Deh ! vieni ally finestra ; (b) Quand' ero (in Italian) Par ici, par ici C' FALSTAFF "-Verdi) sod mes amis paggio (in French with (Mort do Valentin) (" Faust "-Gounod) chorus and arch.) Scotti -Antonia di Valentino Dio possente, dio d'amor-Invccazicni (Act 11) ("FAUST "-Gounod) di Scarpia (" Tosca " (in Italian) (81) Se Ia Jede-Ccntubile gi urata sod Puccini) (in Italian)-Antonio Scotti (" OTELLO "-Verdi) (in Italian) Ei favella gih con troppo bollor

(in Italian) sod Vi ravviso, o luaghi ameni (" Sonnambula "-Bdlini) -Antonio Scotti (Di Capua) (in Italian) (in Italian) end Si pud? (Prologo) (" Pagliacci"-Leoncavallo) -Antonio Scotti "-Verdi) (in Italian) Ladri, L` C' FALSTAFF

Maria Mari Onore!

(" Rigoletto "-Verdi) (in Italian)-Antonio Scotti sod Pari siamo ! (" FAUST "--(round) (in French Par ici, par ici mes amis (Mort de Valentin) (81) Deh 1 vieni finestra (Serenata) with chorus and arch.) sod alla (b) Quand' (" Falstaff"-Verdi) (in Don Giovanni "-Mozart) ; ero paggio Italian)-Antonio Scotti (in Italian) Pari siamo ! C' RIGOLETTO "-Verdi)

(in Italian)-Antonio Scotti and L'Onore 1 Ladri (" Falstaff "-Verdi) Quand' ero paggio (" FALSTAFF"-Verdi) ; (a) Deh ! vieni ally finestra (Serenata) (" Dox GIOVANNI"-Mozart) (in Italian) sod Par ici, par ici mes amis (in French with chorus and oreh.) (Mort de Valentin) (" Faust "-Gounod) P

-Antonio

Scotti

S VOICE RED LABEL RECORDS

HIS MASi.J THE SCOTTI

RECORDS-ContinuedSc

Number Size Label DB423

12 Red

DB422

12 Red 0

(" ToscA "-Puccini) Se la giurata fede--Cantabile di Scarpia (in Italian) (81) (Act 11) (" Faust "di Valentino and Dio possente, dio clamor-Inuocazioni Gounod) (in Itaiian)-Antonia Scotfi (" PACLIACCI Leoncavallo) (in Italian) Si pud? (Prologo) (Di Capua) (in Italian)-Antonio Scotfi an d Maria Mari Vi

SCOTTI DM113

12 P. Gn.

DM111

12 P. Gn.

DM105

12 P. Gn.

DM105

12 P. Go,

o luoghi

ravviso,

DK1I$

12 Buff

DKI1I

12 Buff

DKIII

12 Buff

DKI18 12 Buff

DB589 12 Red

'-Bellini)

SONNAMBULA'

(in

Italian)

(in Italian) (80) (" i oDAb1A BUTTERFLY "-Puccini) o gritio Non ve l' detio (" Madams Bnferfly "-Puccini) (in Italian} and avevo Caruso -Scotti and ("DON CARLOS "-Verdi) (in Italian) (80) Dio the nell' alma infondere C" Aida "-Verdi) (in Italian)-Caruso Homer togliesti me and end .Aida, a detto (" IVIADAMABUTTERFLY "-Puccini) (in Italian) (80) Non ve I' avevo (" 8'ladama Butterfly "-Puccini) (in 1lalian) and Amore a grillo and Caruso -Scotti (" BoHNE "-Puccini) (in Italian) (82) 0, Mimi, tu piii non torni Solenne in quest' ora giurarmi douete Forza del Destino "-Verdi) (in and Italian)-Scotti and Caruso dovete (" FORMA Dm'cINo "-Verdi) (ire Italian) Solenne in quest' ora giurarmi DEL (80) (" Boheme "-Puccini) (in Italian) and 0, Mimi, to pile non forni and Camaro -Scotti

Amore

SCOTT!

DJ102 10 Buff

anleni

(in Italian) and Ei Javella Did con troppo bollor (" Otdlo "-Verdi) -Antonio Scold AND CARUSO

AND FARRAR

(Barcarolle)

(" CONTES D HOFFMAOSN"-Offenbach) (in (L ully) (in French) and Au clale de la lone -Farr., and Clement finora (" NOZZE Di FIGARO "-Mozart) (in Italian) Crudel! perehe (" Madams Butterfly "-Pcmini) (in Italian) and Ora a not Scotti and Farrar La darem la mann (" Do-; GIOVANNI "-Mozart) (in Italian) (80) ci (Sb) and Mimi ! e ver, Siam qni da un mere (" Boheme "-Puccini) (in Italian)-Scotti Farrar and Mimi ! ever, slam qui da un mese (" BOHEME "-Puccini) Or, Italian) (80) (" Dan Giovanni"-Mozart) (80) (in Italian) and Ld ci darem la mono -Seoul and Farrar Ora a not (" MADAMA BUTTERFLY PUCcini) (in Italian) (80) Crudel ! finora (" Nozze di Figaro "-Mozart) (in Italian) and perche -Scotti and Farrar AND SEMBRICH S_COTTI (in (" DON PASQUALE "-Donizetti) Italian) Pronta in son (Cavalina) (" Elisir d'Amare "-Donizetti) (inand Come Paride vezzooa Italian with piano)-Antonio Seoul Belle nuit, o nuit d'amour French) (81)

TRIO BY SCOTTI, CARUSO AND JOURNET DO100 12 P. Blue

Que voulez-vous,

12 P. Blue

Addio

ounod

(ia French)

(80)

(Rigoletto "-Verdi) (in Italian) -S colt i-Caruso-Homer-Abo t t CARUSO, FARRAR AND VIAFORA

(" BOtiEME "-Puccini) and Duo des hirondelles

SCOTT[,

Bella figlia dell' amore

CARUSO.

(in Italian) (80) ("Mignon "-Thomas)

ABOTT

AND

(" RICOLErrO"-Verdi)

BY SCOTTI.

CARUSO,

-Farrar HOMER

(in Italian)

and Que voulez-co us, messieurs?

QUARTET DQ101 12 White

BY SCOTTI,

dolce sveg)iare

QUARTET

DO100 12 P. Blue

("FAUST--G

and Bella figlia dell' amore

QUARTET 00101

messieurs?

(in French)and Journei

(30)

("Faust

SEMBRICH

"-Gounod) (in French), Jo ur ne t -Scot t i,-CarusoAND SEVERINA

(" RICOLETTO "-Verdi) (in Italian) Bella figlia dell' amore Chi mi frena (" Lucia di Lammermoor "-Donizetti) (in Italian) and ti-Carusa-Jo urnet-Sembrich-Severing-Daddi -Scat

SEXTET BY SCOTT!. AND DADDI Chi

mi frena

("LUCIA

sod re

CARUSO,

JOURNET

DI LAMMERMOOR

'-Donizetti)

Bellafiglia,dell'

amore

All Speeds are 79 unlessothetwise

SEMBRICH (in

(" Rigoletto -Scot ti-Car

indicated.

SEVERINA

Italian)

"-Verdi)

(in Italian)

uso-Sembrich-Severi

HIS MASTER'S

VOICE RED

Se SEMBRICH, MARCELLA, Soprano

LABEL RECORDS

(Zem'-brikh)

Sembrich was born at Lemberg, Galicia, and began to study the piano and violin Loepel when she was but four years old. She commenced her professional career at the Conservatoire and afterwards studied under Pkitansky, and later with Lamperti at Milan. Her debut was made as Elvira, in 1877, at Athens. In 1880 she sang Leonora at Covent Garden with great success. She has also appeared in Warsaw, Petrograd, Moscow, Vienna, Madrid and New York, gaining the enthusiastic approval of audiences and critics alike.Mine. Sembrich retired from the operatic stage at the zenith of her fame, and the exclusive "His Master's Voice" records she has made will remain for the enjoyment and appreciation of gramophone lovers for all time.

THE SEMBRICH RECORDS Number Size Label DB434 12 Red

Ah ! fors' i lui the I'anima

DB428

12 Red

DB428

12 Red

DB433

12 Red

DB431

12 Red

(' TRAVIATA "-Verdi)

Ernani

I Ernani

(in Italian)

(in Italian) Sembrich -Marcella (in Italian) "-Mozart) (in Italian) Sembrich -Marcella (" DON GIOVANNI "-Mozart) (in Italian) Batti, batti, o bet Masetto (" Sonnambula "-Bellini) (in Italian) and Ah ! non giunge uman pensiero Sembrich) -Marcella (Cavatina) (" SEMIRAMIDE "-Rossini) (in Italian) Bel raggio Iusinghier Deh ! vieni, non tardar (" Nozze di Figaro "-Mozart) (in Italian) and Sembrich -Marcella (" RIGOLErrO "-Verdi) (in Italian) Caro name the it mio co, festi primo palpitar u

C' Ernani

! involami

"-Verdi)

-id

(" SONNAMBULA "-Bellini) Ah I non giunge uman pensiero bet Masetto (" Don Giovanni and Batti, batti, o

and

Una

voce

poco

gui

ne! cor

mi ris uond

Barbiere

di Siciglia

(in Italian)-Marcella DB426 12 Red

Comin' thrö the rye

DB429 12 Red

Connais-tu le pays?

DB433

12 Red

DB432

12 Red

DB434

12 Red

DB426

12 Red

DB429 12 Red DB432

DB431

12 Red

0 Dieu

(Scottish Air) and The lass with the delicate air (Arne)-Marcella (" MIGNON "-Themas) (in French)

I one de'bijoux-Air

des bijoux

C' Faust"-Gounod)

and -Marcella Deb I (" NOZZE DI FIGARO "-Mozart (in Italian) vieni, non tardar (Cavatina) (" Semiramide "-Rossini) and Bel raggio lusinghier -Marcella Dolce ( VEDOVA ALLECRA "-Lcbar) (in Italian) amor-Valzer (Arditi) (in Italian)-Marcella and Parla I Valse Ernani ! Ernani (" ERNANI "-Verdi) (in Italian) Ah I fors 'i lui the !'anima (" Traviata "-Verdi) and,involami ann Lass with

the delicate

(Arne) air, The sod Comin' thro

0 Dieu! cue dc bijoux-Air

des bijoux

and Connais-fu

Paria

Valse

Una voce poco Italian)

(Arditi) (in Italian) and Dolce amor-Volzer

-Marcella (Scottish

the rye

Air)

(" FAUST"-Gounod)

le pays?

(" Mignon

-Marcella

Allegro

Sembrich (in French) Sembrich (in Italian) Sembrich Sembrich (in Italian) Sembrich Sembrich (in French) Sembrich

"-Lehar)

(in Italian) Sembrich -Marcella fa qui net cor mi risuon6 (" BARRIERE DI SIVICLIA "-Rossini) (in (" Rigoletto "and Caro name the it mio car Jesti prima palpitar

Verdi) (in Italian)-Marcella

DK121 12 Buff

Sembrich

(in French)

"-Thomas) -Marcella

(" Vedova

"-Rossini)

Sembrich

SEMBRICH AND EAMES Che soave zeffiretto (" NozzE Dt FIGAno"-Mozart) (in Italian) (in Italian) and Ld dove prende amor ricetto (' Flauto Magico "-Mozart) -Eames and de Gogorza

SEMBRICH AND SCOTT! O1589 12 Red

Pronta io son (" DoN PASQUALE "-Don izetti) (Cacatino) jvýd Come Pariderezzoso

For Prices of Records see page 2.

(in Malian) (" Elisir d'Amorc"-Donizetti) Italian with piano)-Antonio

(in Scott

THE SEMBRICH

RECORDS-Continued QUARTET

DQ101

12 White

BY SEMBRICH,

SEXTET BY SEMBRICH. AND DADDI DQ101

12 \I hit,

CARUSO.

SCOTT!

AND

SEVERINA

(' RIGOLEPPO "-Verdi) Bella figlia dell' more (in Italian) ("Lucia di Lammermoor "-Doaizetti) (in Ifclian) and Chi mi frena Sembrich-Car uso-Scotti-Jo cruet-Severina-Daddi

Chi

frena

CARUSO,

SCOTTI,

JOURNET,

SEVERINA

(" LUCIA DI LAMMERMOOR "-Donizetti) (in Italian) (" Rigoletto "-Verdi) (in Italian) and Bella figlia dell' amore Sembrict-Car uso-Scotti-Sereei na

SMIRNÖFF, DMITRI ALEXEIEVITCH, Tenor

(Smeer-nof')

Smirnöff, the famous Russian tenor, was born. in 1881, and made his debut in Rubinstein's "Demon," at the Moscow Imperial Opera House on the 26th April, 1904. with extraordinary success. Other appearances followed in Paris, in 1907, and at Monte Carlo, where Smirnöff quickly won the sympathies of the international public. Smimbff has also earned great renown in Brussels and Madrid, and in the autumn of 1910 he appeared Opera House in New York, with brilliant success at the Metropolitan where he sang throughout the winter season. In the spring of the following year he toured in Buenos Aires and Montevideo. Smirnöff, in the early years of his public career, appeared with Petrograd, but has of late sung almost equal frequency in Moscow and exclusively in Petrograd. His debut in the Russian opera season at Drury Lane in 1914 was brilliantly successful. THE SMIRNOFF RECORDS Size Label INumber DB595 12 Red 0993

DB19312

12 Red

Red

DA461

10 Red

DB595

12 Red

DB582

12 Red

DA461

10 Red

DM63

10 Red

DA463

10 Red

DB583

12 Red

DB583

12 Red

DB582

12 Red

Amour,

I'amour,

(" ROMEO ET JULIETTE "-Gounod) (in French) "-Puccini) (in Italian) and E lucevan le stelle ("Tosco Alexeieuitch Smirnoff -Dmitri Chanson Georgienne (Rachmaninoff) (in Russian) Daylight fades (Cavatina Vladimir Igoreuitsch) (" Prince Igor" and slowly of (in Ressian)-Dmitri Smirnoff -Borodin) .4lexeieyitch Daylight fades (Cavatina Vladimir lgorewitech) ("PRINCE 1ccR" slowly of (in Russian) Geor,eienne (RachmaninoJf) (in -Borodin) and Chanson Russian)-Dmitri Alexeiecitch Smirnoff Donna a mobile, La (" RIGOLErro "-Verdi) (in Italian) (" Tabarro "-Puccini) (in Italian) and Hai ben ragione Alexeiecitch Smirnoif -Dmitri E lucevan le stelle (" TOSCA --Puccini) (in Italian) (" Romeo et Juliette "-Gounod) (in French) and L' Amour,!' amour Alexeieritch Smirnoff -Dmitri Giunto sul passo estremo (" M£FISTOFELE "-Bolto) (in Italian) Se it bramate (" Barbiere di Siciflia "-Rossini) (in and min name super uoi Italian)-Dmitri Alexeieuitch Smirnoff Hai ben ragione (" TABARRO "-Puccini) (in Italian) (in Italian) and La Donna a mobile (" Rigoletto "-Verdi) Alexeieuitch Smirnoff -Dmitri (in Italian) Maria Mari i (E. di Capua) (in Italian)-Dmitri Mattinata (Leoncarallo) Alexeieuitch Smirnoff and (Leoncavallo) Mattinata (in Italian) (in Italian)-Dmitri Maria Mari I (E. di Capua) Alexeicuitch Smirnoff and Mi par d'udic ancora (" PESCATORI DI PERLE "-Bizet) (in Italian) (" Manon "-Massenet) 0 dolce incanto (11 (in Italian) and sogno) Alexeievitch Smirnoff -Dmitri Massenet) 0 dolce incanto (11 sogno) (" MANON (in Italian) (" Pescatori di Perle "-Bizet) (in Italian) and Ali par d'udir ancora Alexeieritch Smirnoff -Dmitri BARBIERE SIVIGLIA "-Rossini) Se it mio name sayer voi bramate (" (in Italian) DI Mefistnfele "-Boito) Giunto (" (in Italian) ppsso and so! estrnno Alexeieritch Smiraofj -Dmitri

T TAMAGNO, FRANCESCO (the late), Catalogue. No. 2, issued :cparate':y.

Tenor

(Tahm-mahn -yoh)-For

All Spaeds are 78 unless otherwise

indicated.

Records see 91

TETRAZZINI, LUISA, Soprano

(Tet-trah-tzee'-nee)

Tetrazzini was born at Florence,

musical

training

was

at the

gained

and comes of a family of musicians.

hands

of her

sister

Lva

klVlme.

l,ampamm),

Her early and

she

also

In 1895 she made an studied under Signor Ceccherini at the Liceo Musicale, Florence. Her real debut, however, appearance at the Teatro Pagliani as Inez in " L'Africana." Then followed ten years took place later at Rio de Janeiro as Violetta in " La Traviata." or more of continued triumphs in Brazil, Argentine, Italy, Spain, Portugal and Russia. It remained for San Francisco to introduce her to the English-speaking world, and on November 2nd, 1907, came her sensational first appearance at Covent Garden, which made her a star of the first magnitude and established her name and fame. The tumultuous history. receptions given her during the next few months are now matters of musical She visited New York in January, 1903, meeting with extravagant success there, and since that time she appeared regularly every season both in England and America. During the Italy, working and singing for the war charities of her war Mme. Tetrazzini remained in In September, 1919, she made her reappearance in London, at thb native country. Albert Hall, and has appeared each season since then in London and the principal Provincial centres. Her voice is remarkable for its purity and great range, and is brilliant beyond Of the many " His Master's Voice " records this description in coloratura work. universally popular artist has made, it is enough to say that every supreme quality of Tetrazzini's voice is mirrored with delightful fidelity. THE TETRAZZINI RECORDS Size Label ':umber DB539 12 Red DB531 12 Red DB533

12 Red

DB533

12 Red

DB523

12 Red

DB535

12 Red

DB543 12 Red DB537

12 Red

DB537

12 Red

DB526 DB532

12 Red 12 Red

DB523'

12 Red

DB689

12 Red

DB536 12 Red 12 Red 2-033027 (Single-sided)

DB536 12 Red

Addio,

del passato

bei sogni ridenti

(" TRAVIATA "-Verdi)

(in Italian)

and Soper vorreste (" Batlo in Maschera "-Verdi) -Loisa (in Italian) Ah ! fors' i lui the l'anima (" TaAViArA"-Verdi) Sempre libera degg' falleggiare (" Traviata "-Verdi)

(in Italian) io and Tetrazzini -Luisa (" SONNAMBULA "-Bellini) (in Italian) Ah ! non credea mirarti (in Italian) (" Sonnambula "-Bellini) and Ah ! non giunge uman pensiero Tetrazzini (flute obbl. by Barone and orch.)-Luisa (in Italian) (flute Ah ! (" SONNAMBULA "-Bellini) non giunge uman pensiero (" Sar,rcnibula" by Barone Ah I obbl. and orch.) and non credea mirarti Tetrazzini (in Italian)-Luisa -Bellini) (81) Air Variations (Proch) (in Italian) (with orch. and fl ate obbl. by Barone) and Tetrazzini (" Hilas del Zebedeo "-Chari) I(in Spanish)-Luisa aid r Carceleras (in Italian) (flute C' Lucia Ardon ggIý' incensi DI LAMMERMOOR'-Donizetti) with arch.) and Ia non Sono piü l'Annetta obbl. by Albert Framella

(" Comare "-F. and L. Ricci) (in Italian)-Luisa (in Italian) Ballata d'Ofelia, Atto 4 (" AMLETO"-Thomas) and O lace di quest' Batti,

batti,

Bel riggio

anima

(' Linda

"-Donizetti)

di Chamounix

(" DON GIOVANNI "-Mozart) o bel Masetto (" Semiramide and Bel raggio lusinghier'

lusinghier and Batti,

C' SEMIRAMIDE batti, o bet Masetto

Rossini) ("Don

-Luisa (in Italian) Rossini)

-Luisa (in Italian) (80 Giovanni "-Mozart)

Tetrazzini

(in Italian) Tetrazzini (in Italian) Tetrazzini (in Italian)

Telrazzini -Luisa (Cowen)-LL'sa Tetrazzirs Bonnie Sweet Bessie (Gilbert) and The Swallows (' LAKME "-Delibes) (in Italian) (with Candida Durga (Preghirra) chorus and bruna (" Lakmc "-Defibet) (in Italian) (BC) Doti i ('indiana arch.) and Tetrazzini -Luisa (in Spanish) Carceleras (" HIJAS DEL ZEBEDEO "-Chepi) (Prach) (in Italian) (with flute arch. and obbl. by and Air and Variations Barone)-Luisa Tetrazzini I (arr. Benedict) (in Italian) Carnevale di Venezia, Part

and Carnevale di Venezia, Part II Caro nome the it mio car

(" RICOLETTO "-Verdi)

(arr. Benedict) -Luisa

(" Troeatore "-Verdi) (in Italian)-Luisa and D'amor sull' ali rotee du Mysoli) ("PERLE Du BEiSIL "-David) Charmant (Couplets oiseau

D'amor cull' ab rosee

(" TROVATORE "-Verdi)

and Caro

name the it mio car

For Prices of Records see pese 2.

(in Italian) Tetrazzini

(in Italian)

(in Italian) (" Rigoletto

-Luisa "-Verdi) -Luisa

(in Italian) Tetrazzini

Tetrazzini Tel razzini (in Italian) Tetrazzini

TETRAZZINI

THE

Number Size Label 12 Red DB532 DB530

12 Red

DB530

12 Red

DB535

12 Red

DB540.12

Red

RECORDS-Continued T j e Doe'

a l'indiana and Candida

bruna Durga

(" LAKmi "-Delibes) TPreghiera) (" Lal

(in Italian) Delibes)

(in Italian) (80) (wits. nsd Tetrazzini chorus and orch.)-Luisa (in Italian) Grande Valse. O. 10 (Venzano) (in Italian)-Luisa Tetrazzini ord (in Italian) Grande Valse. Op. 10 (Venzano) L'Eco (Eckert) (in Italian)-Luisa Tetrazzini and (" CcMABE "-F. (in Italian) to non sono pih l'Annetta and L. Ricci) (" Lucia di Lammermoor Donizetti) (in Italian) and Ardon gl' incensi (flute oibl. by Albert Fronsella and orch.)-- L rira Tetrazzini Titania (Polonaise) ("MIGNON Themas) (in Italian) (77) to son . C' Trovatore "-Verdi) (in Italian) ann Tacea la notte placida Tetrazzini -Luisa Merce, dilette amiche (" VESYRI SICILIANI --Verdi) (in Italian) Ritorna (" Aida Verdi) (in Italian) (81)-Laisa Tetrazzini vincitor and O lace di ("LINDA DI CHAMOUNIX "-Donizetti) (in Italian) quest anima Ballata d'Ofelia, Alto 4 (" Amleto "-Thomas) (in Italian) and Tetrazzini -Luisa Ombra leggera (" DINORAII "-Meyerbcer) (in Italian) Eco, L'

(Eckert)

DB529

12 Red

DB543

12 Red

DB534

12 Red

DB690

12 Red

Pastorale

DB529

12 Red

Polonaise-" Mignon "-See " lo SON TITANIA " Ritorna vincitor (" AIDA "-Verdi) (in Italian) (8I) Merce, dilette (" Vespri Sicilian and amiche

DB539

12 Red

Saper

DB531

12 Red

and.Solveig'o

DB534

12 Red

DB526

12 Red

DB540 12 Red

Song, Op. 23, No. I

(" ROSALINDA "-Francesco And Una race Roca fa

12 Red

"-Grieg)

-Luisa (in Italian) di Siviglia "-Rossini)

(" BALLO IN MASCHERO "-Verdi) vorreste and Addio, del passato bei sogni ridenti

-Luisa Verdi) -Leila

(in Italian) (" Traviata

(in Italian) Tetrazzini '(in Italian) Tetrazzini

(in Italian) Tel razziri

(in Italian) Verdi) Tetrazzini -Luisa degg' io folleggiare (" TRAVIATA "-Verdi) (in Italian) (in Italian) Ah Jars e l l'cnima (" Traviata "-Verai) ! sod vi the Tetrazzini " -Luisa Solveig's Song. Op. 23, No. 1 (" PseR GYNT "-Grieg) (in Italian) (80) Tetrazzini (" Dinorah "-Meyerbeer) (in Italian)-Luisa and Ombra le gera Swallows, The (Cowen) (81)and Sempre

libera

Tacea la notte placida

Bonnie Sweet Bessie (Gilbert)-L (" TROVATORE "-Verdi) (in Italian)

!wd Io son Titania

DB690

(" Peer Gynt

Veracini) (" Barbiere

Una

voce pogo fa

SEXTET

(Polonaise)

(" Mignon

visa Tetrazzini

Tlamses)

-Luisa (" BARBIERE DI SIVIGLIA "-Rossini) (in Italian) (" Rcsalinda "-Francesco Veraciri) endPastorale

TETRAZZINI,

CARUSO,

AMATO,

(in Italian) Tetrazzini

(in Italian) Tetrazzini -Leila JOURNET. BADA AND

IACfBY 2-054034

12 White

Chi

(Single-sided) THIBAUD,

mi frema (" LUCIA DI LAsimEnMOOR "-Donizetti)

(in Italian)

and Tetrazzini-Amato-Bodo-Caruso-Jacoby-Jour

JACQUES,

net

Violinist

The most celebrated of French violinists and one of the greatest virtuosos who enjoys the appreciation of the public throughout the world. Born at Bordeaux, on September 27th, 1880, Jacques Thibaud first studied music with his father, commencing the piano at the early age of four ; at six years of age, he was able to accompany, in public, Mozart. It however, he a sonata of the violin for which was, was destined to show such a great gift. In 1892, at the Concerts d'Angers, he already showed wonderful promise, his and a marvellous comprehension of subject. At 13 years of age he entered the Paris Conservatoire, as a pupil of Marsick, obtaining distinction from the first, and gaining a First Prize at the Concours in the following year. Entering the Colonne Orchestra, he became in a very short time first violin, and his rendering of Deluge's " Prelude " and Saint-Satins' " Havanaise " created a great sensation. Following on his visit to Brussels (under the auspices of Ysaye), he visited Germany, Russia, Switzerland, Austria, Spain, the United States, Italy and England, meeting evt:ywhere with the greatest enthusiasm. Added

to his brilliancy as a concert artist, Thibaud excels also in chamber All Speeds are 78 unless otherwise indicated.

music. 13

THE THIBAUD RECORDS

Size Label Number DA440 10 Red

DA440

10 Red

Number Size Label DA513 10 Red

DA172 10 Red

(with piano) Op. 45, No. 5 (Vieuxtemps) I, G Minor (Dvorak-Kreisler) and Slavonic Dances. No.

Serenite,

Slavonic

(Dcohk-Kreisler) Dances, No. I, G Minor and Serenite. Op. 45, No. 5 (Vieuztemps)

Lä ci Barem la mann I (" DON GIOVANNI "-Mozart) (" Coq d'Or aml Hymne au Soleil

WERRENRATH Crucifix (Faure) and

DA172

10 Red

Moon

bath

QUARTET DM104

12 P. Gn.

Bella

-Jacques (with piano) (with piano)-Jacques

(in Italian) Rim ky-Korsakon -Mabel

AND McCORMACK

(with piano) Thibaud Thibaud

(in French) Garrison

(" Lily of Killarney "-Benedict) Werrenrath and McCormack (" LILY OF KILLARNEY "-Benedict) raised her lamp above, The d Cruci/ix (Fame)-Werrenrath air and McCormack BY WERRENRATH,BORI,JACOBY AND McCORMACK The moon hash

raised

her lamp

above

(" RIGOLEITO "-Verdi) figlia dell' amore "nd Parigi, a cara, not lasceremo

(in Italian) (" Traviata "-Verdi) -Boni

(in Italian) and McCormack

WHITEHILL, CLARENCE, Baritone Clarence Whitehill was born in 1872 at Marengo, Iowa, U.S.A. After studying for a Chicago, he came to Europe and placed himself under the tuition of the famous while at Paris. His debut was made in 1898, at the Theätre de la Monnaie, teacher, Sbriglia, of Brussels, and he subsequently appeared at the Opera Comique, Paris, and the Metropolitan Opera House, New York. A Bayreuth engagement followed in 1903, and in 1905 he made It is with this first appearance in London as Wotan in the " Rheingold." a successful first plays of the " Ring," and with the role of Gunther in " Gotterin the three part, dämmerung," that Whitehill has especially identified himself, both here and in America. During the famous Beecham seasons in London in 1910, 1911 and 1912, the American baritone created with conspicuous success several roles in Straussian and other operas, John the Baptist in " Salome." He has always been tremendously particularly that of British audiences and has sung his best airs for the following " His Master's popular with Voice " records. THE

Number Size Label DA380 10 Red DA522 10 Red

DB438

12 Red

DA522

10 Red

DB435

12 Red

--in

DB439

12 Red

RECORDS

WHITEHILL

Re11

Bedouin love song (Pinson) Clear the way for the calf of gold Leb' wohl, du kühnes, en]

It is enough

vs d Mate ti mine (" FAUST"-Gounod) herrliches

Kind

(" ELIIA

(bltiottj-Clarence

Whitehill

(" Die Walltüre `-Wagner) (in German)-Clarence Whitehill

nTwo sGrenadiers (Schumann)-Clarence Whitehill and The herrliches Kind ("DIE WALKÜRE '-Wagner) (in German) ("Faust"-Gounod) and Clear the way for the calf of gold Whitehill - Clarence ( ELryAH "-Mendelssohn) Lord God of Abraham Why do the Nations? ,(' Messiah "-Handel) (orth. cond. by Percy Pitt) and Whitehill -Clarence (Elliott) Mate o' mine love (Pinsuti)-Clarence Whitchill and Bedouin song (Amfortes Prayer) C" PARSIFAL "-Wagner) (in German) Mein Vater! The Rock is surrounded by Fire-Finale (' Valkyrie "-Wagner) of opera and (tend. by Alfred Coates)-Clarence Whitehill Leb'

wohl,

du kühnes,

For

Prices

of Records

see page

HIS MASTER'S THE WHITEHILL Number

VOICE RED LABEL

RECORDS-Continued

Size Label

DB437 12 Red

Pater Noster

(L. Niedermeyer)

direction

DB441

12 Red

DB436

12 Red

DB439

12 Red

DB440

12 Red

DB440

12 Red

DB437

12 Red

DB436

12 Red

DB435

12 Red

(with the Westminster Cathedral Choir ender the

(in Latin with arch.) (80) of Sir R. R. Terry) and Voild done I. (" Thais "-Massenet) (in French)-Clarence Whitehill terrible cite " Siegfried "-Wagner-Introduction (Act III) (cond. by : Wotan invokes Erda Albert Coates) Siegfried's Valkyrie (Act 111) to the and ascent rock ("Siegfried "-Wagner) (cond. by Albert Coates)-Whitehill and Davies Sirs! Your Toast (" CARMEN "-Bizet)

and Where heavy hammers loud resound (Vulcan's song) (" Philemon et Bancis" W'hitchil! -Gounod)-Clarence (Schumann)

DB438 12 Red

Two Grenadiers, The

"-Mendelssohn)-Clarence Il'hitchill and It is enough ! ("Elijah " Valkyrie "-'h'agner-The Rock is surrcunded by Firc-Finale (cond, of Opera by Albert Coates) Mein Vater (Amfortas' Prayer) (" ! Pmsila! and (in German)-Clarence Whitehill -Wagner) "Val kvrie"-Wagner-'b de-Act III (cond. by otan bids farewell to Brünnhi Albert Coates) into a deep slumber-A_ ct III and Wotan kisses Brünnhilde (" Valkyrie "-Wagner) (cond. by Albert Coates) Whitehill -Clarence "Valkyrie"-Wagner-Wotan kisses Brünnhilde into a deep slumber-Act Ili (cand. by Albert Coates) Wotan bids farewell Brünnhilde-Act to III and ('Valkyrie "-Wagner) (cond. by Albert Coates)-Clarence Whitehill Voila done la terrible cite C' THAis "-Massenet) (in French) (L. Niedermeyee) (with the Westminster Cathedral Choir and PalerNoster (in Latin with ores.)-Clarence Whitehill under the direction of Sir R. R. Terry) Where heavy hammers loud resound (Vulcan's ("Pus-LEMON ET B.Arcis " song) (" Carmen "-Bizet)-Clarence Whitehill and Sirs ! your toast -Gounod) Why do the Nations? (" MESSIAH "-Handel) (ores, by Percy Pitt) (81)

and Lord God of Abraham

WHITFHILL DB441

RECORDS

12 Red

(" Elijah "-Mendelssohn)-Clarence

Whilehill

&ND DAVITS

Siegfried "-Wagner-Siegfried's by Albert Coates) (" Siegfried"-Wagner)

(Act 111) (cond. ascent to the Valkyrie rock (Act Iii) and Introduction : Wotan invokes Erda (cond. by Albert Cooles)-Clarence Whilchill

WILLIAMS, EVAN (the late), Tenor Born at Mineral Springs, Ohio, of Welsh extraction, Evan Williams enjoyed immense popularity in the United States. After some experience in a church choir, he began his first under the tuition of Mme. Louise serious studies at the age of twenty-three, at von Feilitsch. of Cleveland, Ohio, and afterwards with Professor James Sauvage, of New York. About 1893 he came to England, where his exceptional singing caused a profound sensation. He sang with many choral societies throughout the Kingdom, in " Job," " The Dream of Gerontius," " The Damnation of Faust," and other works. His fame in England is large and diversified series of " His Master's Voice "records, including secured bya excerpts from opera and oratorio, lieder, and ballads old and new. His voice was of that soft, Welsh he his top C sympathetic quality that one associates with singers, and produced it with consummate ease. In the autumn of 1912, Evan Williams was brought over specially from the United States for the celebrated Provincial Tour arranged for the New Symphony Orchestra with Landon Ronald ; this tour was devised and managed by The Gramophone Company, Ltd., familiarising England famous the the this with object of provincial with greatness of orchestra and Landon Ronald its talented leader, Evan Williams and Miss Irene Scharrer.

THE WILLIAMS RECORDS Number Size Label DA392 10 Red DA388 10 Red DA388 DA390

10 Red 10 Red

Acushla Machree

(Julian Edwards) (with piano) (76) and Jean (Burleigh) (with piano)-Ecun (Daniel Protherce)

Williams

Alice, where art thou?

l4Villiars

Ah, love 1 but a day Alice, '

Auld

where

and (Ascher) and Ah, love 1 but a day (S3) and Pipes of Gordon's

art thou?

Lang Syne All Speeds

are 78 unless

otherwise

(Daniel men

indicated.

(Ascher)-Evan Protheroe)-Evan (Hammond;-Evan

Williams 4b'il.'iams 95

Wh W""

HIS MASTER'S THE WILLIAMS

" tuber Sim Label DA3B6 10 Red DB449 12 Red DA391

10 Red

DA391 DB456

10 Red 12 Red

DB416

12 Red

DB458

12 Red

DB445 12 Red DB452 DA385

12 Red 10 Red

DB453

12 Red

DA386

10 Red

DA383 10 Red DB444

12 Red

DB447

12 Red

DB458

12 Red

VOICE RED

LABEL RECORDS

RECORDS--Continued Bay

Biscay,

The

(Davy)

(80)

and Goodbye, sweetheart, goodbye (Hatton)-Evan Be thou faithful ! ("ST. PAUL."-Mendelssohn) Open (Knapp)-Evan Beautiful

and Isle of Somewhere

the gates of the temple (Fearis) (80)and Because UHardelot)-Evan Isle of Somewhere-Evan and Beautiful

and Ingemisco ("Requiem "-Verdi) Death of Nelson, The (J. Abraham) The heart

Hark, hark, the lark

(Schubert)

and Softly City, The

The Bay of Biscay (with piano)

Loch Lomond

DA394 10 Red DA387 10 Red

Jean

12 Red

DA394 DB457 DB452 DA393

10 12 12 10

Red Red* Red Red

DB456

12 Red

DB443

12 Red

DB457 DB449

12 Red 12 Red

DB448

12 Red

DA385

10 Red

DA390 DA395

10 Red 10 Red

(" Elisir of Love"-Donizet tear and Afurtive (By yon bonnie banks) (Old Scottish Air)

i)-Evan

, (Nelson)-Evan

side Mary of Argyle Lost chord, The (Sullivan) The Holy City (Stephen Adams)-Evan and Mary of Argyle (Nelsen) and Loch Lomond: By yon bonnie banks (Old Scottish Air)-Evan May morning. A (Dense) (81)and Mother, dear (Treharne)-Evan Mentra Gwen (Old Welsh Song) (in Welsh) my(81) Yn iach i ti Cumri

Williams Williams (" MasterWilliams

Williams

Williams Williams Williams Williams

(Adieu

Morning

A spray of roses (Sanderson)-Evan 56

Williams

(Old Welsh Song) (in Welsh) to dear Cambria) Williams -Evan light (Walther's Prize Scng) C' MASTERSINGERS was gleaming with roseate OF NURNBERG "-Wagner) (Lohengrin's Narrative) and In distant lands (" Lohengrin "-Wagner)-Evan Williams Mother, (Treharne) (Denza)-Evan Williams my dear and A Ma morning My folk (Lemon) Oh, dru thoyse fears (Del Riego)-Evan W:%t:oms ain and My Pretty Jane (Bishop) (Johnson}-Evan Williams and Face to face O Holy Night (Adol"s6e Adam) (with 'cello obbl. and arch.) (" Elijah "-Mendelssohn) and Then shall the righteous shine forth Williams -Evan O, Na Byddai'n Haf o Hyd (Davies) (in Welsh) (81) (Aylward)-Evan and Beloved, it is morn Williams 0 Paradise (" AFRICANA "-Meverbeec) (81) (" Favorita "-Donizetti)-Evan and Spirit so fair Williams Oh, dry those tears (Del Riego) (Lemon)-Evan Williams and My ain folk Open the gates of the temple (Knapp) (90) ("St. Paul "-Mendelssohn}-Evan and Be thou faithful Williams Palms, The (Faure) (" Hymn Williams and Sorrows of Death of Praise "-Mendelssohn)-Evan Perfect day, A (Carrie Jacobs-Bond) Ccello obbl. by Rosario Bourdon, and arch.) (81) (Cadman)-Evan and From the land of the sky blue water Williams Pipes of Gordon's (Hammond) men Williams aud Auld Lang Syne-Evan Return of Spring (Schumann)and and

DB447

Williams'

(" Stubat Mater"-Rossini) (in Latin) -Evan Williams (with piano)-Evan Williams

DA384

DA384 10 Red

(Davy)-Evan

(Schubert)-Evan through the night is calling-Serenade Holy (Stephen Adams)and The lost chord (Sullivan)--Evan In distant lands (Lohengrin's Narrative) (" LOHENGRIN "-Wagner) Morning light (Walther's Prize song) and was gleaming with roseate Nürnberg "-Wagner)-Evan singers of ingemisco (" REQUIEM "-Verdi) (in Latin)

DB453 12 Red

DB444 12 Red

(in Latin)-Evart

(Jordan)-Evan Williams and song that reached my Face to face (Johnson) (Bishop)-Evan Williams and My Pretty Jane From the land of the sky blue water Cadman) (Carrie Jacobs-Bond) ('cello obbl. by Rosario Bourdon, and A perfect day and Williams arch.)-Evan Furtive tear, A ("ELIXIR OF Love "-Donizetti) (" Marta Flotow)--Evan Williams and Like a dream Goodbye, sweetheart, (Hatton)and goodbye

(Burleigh) (with piano) (77) Acushla Machree (Julian Edwards) Like a dreamand (" MARTA"-Flotow)

10 Red

Williams

Williams (d'Hardelot) Williams it is morn (Aylward) O, Na Byddai'n Haf Hyd (Davies) (in Welsh)-Evan Williams and o Crossing (Willeby) (with organ and piano) (81) the Bar Flow Deva (Parry) (with and gently, piano)-Williams and Radford Cujus Animam (" STABAT MATER "-Rossini) (in Latin) (81) Because Beloved,

and Cujus Animam DA392 10 Red

Williams

For Prices of Records

see page 2.

Williams

THE

WILLIAMS

RECORDS-Continued ý] i

Number DA383

Size Label 10 Red

DB445

12 Red

DB448

12 Red

DB451 12 Red DB443

12 Red

DA395

10 Red

DA393 10 Red DA528'10 DA528

Red 10 Red

DB451

12 Red

DA387

10 Red

Softly

(Schubert) (81) through the night is calling-Serenade (Schubert) (with piano)-Evan and Hark, hark, the lark Song that reached my heart, The (Jordan) Nelson U. Abraham)-Evan and The Death of Sorrows of Death ("HYMN OF PRAISE "-Mendelssohn)and (Facr4-Eaan The Palms

Spirit Flower, A (CampbellTipton)

(" Boheme "-Puccini}-Evan and Your tiny hand is frozen Spirit so fair (" FAVORrrA "-Donizetti) 0 Paradise "-Meyerbeer)-Evan (" Africana and Spray of roses, A (Sanderson)and

Return of Spring (Sche"mann}-Euan Then shall the righteous shine forth (" ELIJAH"-Mendelssohn) O Italy Night (Adolphe Adam) (with 'cello

12 Red

DB416

12 Red

DB446

12 Red

Williams Williams Williams

Williams

Williams and obbl. and orrh.)-Evan Fightin' (Norah Flynn) Tim Rooney's at the Y derpn pur (Old Welsh Song) (H. Roberts) (in Wdsh)-Evan Williems and Y deryn (H. Roberts) (in Welsh) (Old Welsh Song) pur Tim Rooney 's Fightin' (Norah Flynn)-Evan Williams and at the Your tiny hand is frozen (" BOHEME "-Puccini) (81) A Spirit Flower (Compbell-Tipton)-Evan Williams and Yn iach i ti Cutnri (Adieu to dear Cambria) (Old Welsh Song) (in Welsh)

WILLIAMS DE446

W 11iams Williams

Crucifix,

and Mentro Gwen RADFORD

(Old Welsh Song)

(in Wdsh) -Eoan Williams

AND

The

(81) (Faure) (with organ and piano) and It is of the Lord's great mercies

C' Abraham "-i'foligae) -Williams and Radford Flow gently, Deva (with piano) (Parry) (80) (Willeby) (with organ and piano)-Evan Williams and Crossing the Bar It is of the Lord's great mercies ("ABRAHAM "-Molique) (80) (with organ (Faure) and The Crucifix and piano)-Williams and Radio rd

Z ZANELLI, RENATO, Baritone

(Tsah-nel'-lee)

This remarkable young Chilean baritone who, with a single step, has taken his place among the great singers, has been added to our list of artists. Although he is only in the twenties, he is not simply " an artist of the future," he is an artist of the present and a great one. Zanelli has a true baritone voice of great range, power, sweetness and flexibility.His operatic debut took place successfully in December, 1919, with the Metropolitan Opera Company, New York. THE

ZANELLI

Number Size Label

RECORDS

DB459

12 Red

A tanto

amor

DA399

10 Red

Buona,

Zara,

DA400

10 Red

DA400

10 Red

DA397

10 Red

DA398

10 Red

DA397

10 Red

DB459

12 Red

! C" FAVORITA "-Donizetti) (in Italian) (in Italian)-Renato Zanelli and Pari riamo l (" Riroletto "-Verdi) del mio buon tempo (" ZAz) "-Leoncavallo) (in Italian) (" Zazä Leoncavallo) (in Italian) aed Zazd, Zazä, piccgla Zingara Zanelli -Renato Dens men voyages C' CLOCHES DE CORNEVILLE "-Planquette) (in French) de Mai (.M. Nicke) (in French)-Renato Zanelli and Madrigal Madrigal de Mai (M. Nitke) (in French) (" Cloches de Corneuille Planquelle) (in French) and Dans mes voyages Zanelli -Renato Marianina (Ferri) (in Italian) (Tirindelli) (in Italian)-Renato Zanelli and O Primavera Nido di memorie, Un (Prologo, parse 2) (" PAGI.IACCI "-Lecncavailo) (in Italion) (Prolog',, porte I) (" Pagliacci "-Leoncavallo) (in Italian) and Si pud? Z, anelli -Renato 0 Primavera (Tirinde!li) (in Italian) (Ferri) (in Italian)-Renato Zanelli and Marianna Pari siamo l CRtcoLETro Verdi) (in Italian) (in Italian)-Rer.nto Zaneli and A canto amor ! C Faoorila "-Donizetti) All

Speedo

are

78 unless

otherwise

indicated.

THE ZANELLI Za

Number Size'Label DA398

10 Red

DA526

10 Red

RECORDS-Continued (in Italian) (Prologo, parte I) (" PAGLIACCI -Leoncavallo) (Prologo, pane 2) (" Pagliacci"-Leoncavallo) Un nido di memorie Italian)-ttenato (in Italian) Spagnuola, La (Di Chiara)

Si pub? ay

DA526 10 Red

T'amo ben io!

DA399

Zazä,

10 Red

('Wally and T'amobenio! (in Italian)

("WALLY "-Catalani)

Spagnuola (Di Chiara) and La Zingara (" Zazä "-Leoncavallo) piccola del buon tempo (° Zazä Buona, Zazä, and mio

Zaza,

ZIMBALIST, EFREM, Violinist

(in Zatdli

"-Catalam) (in Italian) -Renato Zannii (in ltoliar)-Renato Zanclli (in Italian) Leoncaoallo) (in Italian) RenatoZanelli

(Zim'-bal-ist)

Another famous virtuoso has been added to the list of celebrated players for " His Master's Voice." The young Russian, Efrem Zimbalist, who has created such a stir on the Continent, in Great Britain and America, was born at Rostoff on the Don in 1890, began to study the violin at the age of eight, and at seventeen completed his musical education debut at Petrograd was sensational, and his subsequent tours under Leopold Auer. His through England and America have earned for him a place among the first violinists of the day.Zimbalist'sselections are most attractive ones, and include two of his own compositions, beside several selections made in company with his wife, Alma Gluck. These numbers beauty of tone, fine phrasing and graceful delivery. exhibit admirably this young artist's RECORDS THE ZIMBALIST Number SiDB460

Label

12 Red

(Auguste Biene) (with piano) (77) The van The Lark (L'Alouette)-Romance (Glinka-.4arr) (with plant Zimbalist -Efrem No. 10 (Tchaikovsky) (with Chant d'Automne, Op. 37, orch.) Larghetto (Handel) (with piano)-Efrem Zimbalist and (No. Suite des morceaux Chant de Vaslempy 4, Monique, raracteristiqucs) (Halvorsen) (with piano) and Chant Negre, Op. 32, No. I (Kramer) (with piano)-Efrem Zimbalist (with piano) Chant Negre, Op. 32, No. I (Kramer) Vaslemoy (No. 4, Mosaique, Suite des morceaux caraUeristiques) and Chant de (Halvorsen) (with piano)-E/rem Zimbalist No. I (Chopin) (Saint-Saens) Cygne, Le (The Swan) ; (b) Valse in D flat, Op. 64, Minuet G (Beethoven) (b) Gavotte in D (Gasser) (with piano) in ; and (with piano)-Efrem Zimbalist (Saint-Saens) (with piano) Deluge, Le, Op. 45-Prelude Kaleidoscope, Op. 50, No. 9-Orientale (Cesar Cui) (with piano) and Zimbalist -Efrem in C (Beethoven) (with piano) Gavotte in D (Gossec) ; (a) Minuet (The Swan) (Saint-Sains) (b) Valse in D fiat, Op. 64, No. 1 Le Cygne ; and (Chopin) (with piano)-Efrem Zimbalist (" MILLIONS D'ARLEQUIN "-Drigo) Harlequin's Serenade D No. 21 E (Joachim) (with Dances-No.20 in in minor, piano) end Hungarian Zimbalist -Efrem (Zimbalist) (with piano) Hebrew Melody and Dance (Aalin) (with piano)-Efrem Zimbalist and Humoreske (Aulin) (with piano) Humoreske Melody and Dance (Zimbalist) (with piano)-Efrem Zimbalist Hebrew and 20 in D minor. No. 21 in E (Joachim) (with piano) Hungarian Dances-No. Serenade C" Millions_d'Arlequir. "-Drigo)-Efrem Zimbalist and Harleq ain's No. (Cesar Cui) (with Kaleidoscope, Op. 50, 5-Orientale piano) Le Deluge, Op. 45-Prelude (Saint-Sains) (with piano) and

Broken

melody,

and

DA401

10 Red

DA402

10 Red

DA402

10 Red

DB461

12 Red'

DA404

10 Red

DB461

12 Red

DB462

12 Red

DA405

10 Red

DA405

10 Red

DB162

12 Red

DA404

10 Red

DA401

10 Red

Larghetto

(Handel) and

DB460

12 Red

DB566

12 -Red

DA403

10 Red

(with piano) Chant d'Automne,

Op.37,

No. 10

(Tchaikovsky)

(L'Alouette)-Romance (Glinka-Auer) (with The broken (Auguste (with van Biene) and melody (with piano) Lesende, Op. 17 (Wieniavski) (a) Sicilienne (with : (6) Minuet and Long ago (From " Four Songs," Op. 56) (MncDowell)

Lark,

The

and Sonata No. 2, Op. 42-Andantino

For Prices of Records see page 2.

-Efrem piano) piano)-Efrem piano)-Efrem (with piano)

(with piano) Zimbalist Zimbalist Zimbalist

(Reger) (with piano) -Efrem Zimbalist

HIS MASTER'S VOICE RED LABEL RECORDS THE ZIMBALIST RECORDS-Continued Number Size Label DA493 10 Red DB586

12 Red

nd a ; (a) Sicilienne

Minuet

DB461 12 Red DA493 10 Red 10 Red

Polish

DA406 10 Red DA407 10 Red DB586 12 Red DA403 10 Red 10 Red

Zimbalist

piano)

(Drei

slavische

Tinze)

string

(Zimbalist)

orch. and celeste) Zimbalist -Efrem

Serenata, Op. 40 (d'Ambresio) (with piano)-Efrem Zimbalist Serenade, Op. 15,and No. I (Moszbcwski) Zimbalist and Souvenir . (Drdla) (with piano;-Efren Serenata, Op. 40 (d'Ambrosic) (will piano) Zimbalist and Polish Dance (Drei slavische Tänze) (Zimbalist;-Efrem Sicilienne ; (b) Minuet (with piano) and Leggende,Op. 17 (Wieniar:ski) (with piano)-Efrem Zimbalist Sonata No. 2, Op. 42-Andantino (Reger) (will picno) (with Long (FromFour Songs "-Op. 56) (MacDcweli) Souvenir

DB461 12 Red

Joe

(with string orch. and celeste) (Foster) (with string orch )-Efrem

in the cold cold ground

Dance

and

DA406

(with

(Foster)

and Legende, Op. 17 (Wieniavski) (with piano)-Efrem Zimbalist Minuet in G (Beethoven) ; (b) Gavotte in D (Gossec) (with piano) Le Cygne (The Swan) (Saint-Scens) ; (b) Voice in D flat, Op. 64, No. 1 and (Chopin) (with piano)-Efrem Zimba ist Old Black Joe (Foster) (with string orch.) Massa's (Foster) (with and

DA407

Massa's in the cold cold ground Old Black

ago

(Drdla)

-Efrem

(with piano)

piano) Zimbalist

and Serenade, Op. 15, No. I (Moszkawski`-Efrem Zimbalist Valse in D Flat, Op.64,No.1 (Chopin); (a) Le (sgre (Esint('li( Evsr) Saiins) (with piano) in C (Beethoven) ; (b) Gavotte in D and Minuet(Gassec) (with Zimbalist (For Obbligatos Zimbalist ")

Zimbalist

with

Alma

Gluck,

see

piano)-Efrem " Gluck, Alma,

and

ZIMBALIST AND KREISLER (Accompanied byString Quartet) DB587

12 Red

Concerto quartet)

DB588 12 Red

for two D Movement (Bach) (with string : Vivace violins in minor-First Movement and Concerto for two violins in D minor-Second : Largo (Bach) (with string quartet)-Zimbalist and Kreisler

Concerto for two violins in D minor-Third Movement : Allegro (with string quartet) and Andante Cantabile, Op. I I (Tchaikcveky) (with string quartet) -Kreisler

WARNING under ASsubsists

the Copyright Act, 1911, Copyright

in Gramophone Records, proceed ings under such Act may be taken against anyone infringing the Company's Copyright therein.

Co., Lin., 363-367, Oxford Street, Londcn. W.I. by HARRISON& SONS,LTn. :Tinted for the GRAMOPHONE Printen in Ordinary to His Majesty. 44-47, St. Martin's Lane, London, W.C.2.

100.3.24.

TITLE

1 Sung

or played by

Catalogue

No.