White Star Publisher - 2012/2013 - Coeditions

Page 13

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19-09-2012

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MUSIC & MOVIES CATALOG 2012 - 2013

Legendary Movies PREFACE BY FRANCO ZEFFIRELLI TEXT BY PAOLO D’AGOSTINI

LEGENDARY MOVIES Preface by Franco Zeffirelli Text by Paolo D’Agostini 600 pages - 26 x 30 cm 665 color photographs Hardcover with jacket 978 88 544 0399 4

From Charlie Chaplin’s movie to today’s blockbusters, this superb volume chronicles our favorite films through hundreds of vibrant images and an insightful text with an introduction by legendary director Franco Zeffirelli. Organized by era, Legendary Movies delves into such genres as romance, comedy, action, sci-fi, cult movies, and musicals. The author explores such elements as the thriving Hollywood studios of the 30s and 40s, the Bollywood phenomenon, the influence of international filmmakers, and much more. Readers will be introduced to the key players behind the camera as well as movie stars through the ages who are spotlighted in superb portraits and candids. The second part of the book provides a selection of 140 movies not to be missed. Spanning the decades and a wide range of genres, the list includes beloved classics as well as eclectic examples of groundbreaking movie-making technology and techniques. Throughout the book, reproductions of movie posters, movie stills, and other colorful graphics provide movie lovers with a wealth of information and hours of enjoyment. FRANCO ZEFFIRELLI earned worldwide acclaimed for his Academy Award-nominated 1968 film version of Shakespeare’s Romeo and Juliet. His 1977 TV mini-series Jesus of Nazareth is still shown on Easter weekend around the world. In November 2004 he was awarded an honorary knighthood by the UK. A member of the Italian senate since 1996, he is also an opera director, designer and producer. PAOLO D’AGOSTINI, a journalist and cinema critic, has written articles in the entertainment section of the national daily paper “La Repubblica” since its foundation in 1976. Over the years he concentrated on Latin American and East European film-making, and then passed on to Italian cinema, first the so-called Italian comedy, and then the “new” Italian cinema that became popular in the mid1970s. D’Agostini was president of the Sncci, the Italian Critics’ Union. He has also served on the screening committee of the Venice Film Festival and of the one that nominates the Italian Oscar candidate, has been a member of many film festival juries, and has held course on cinema at La Sapienza University, Rome.

2012 - 2013 WHITE STAR PUBLISHERS 13


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