British & Continental Art Online Auction JU N E 23 - 28, 2 01 8
British & Continental Art Online Auction JUNE 23 - 28, 2018
bid online at onlineauctions.waddingtons.ca all lots can be viewed online at internationalart.waddingtons.ca on view
senior specialist Susan Robertson sr@waddingtons.ca 416-847-6179
Alec Kerr ak@waddingtons.ca 416-847-6166
Sunday, June 24 from 12:00 pm to 4:00 pm
front cover Lot 1
JOHANNES ANTONIUS CANTA Girl Feeding Chickens with Cat
front inside Lot 149
LOUISE J. RAYNER
The Long Gallery, Haddon Hall
back inside
Monday, June 15 from 12:00 pm to 7:00 pm
Lot 124 BERNARD GANTNER Barques Au Bord De L’Oignon
preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2
back cover Lot 48
JOHANN JUNGBLUT Fischerdorf In Winter
tel: 416-504-9100 toll free: 1-877-504-5700
This catalogue and its contents © 2018 Waddington McLean & Company Ltd.
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
Photography & design by Waddington’s All Rights reserved.
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JOHANNES ANTONIUS CANTA (1816-1888), DUTCH
CIRCLE OF CHARLES-GUILLAUME BRUN (1825 -1908), FRENCH
SIDNEY EASTLAKE (19TH CENTURY), BRITISH
GIRL FEEDING CHICKENS WITH CAT
TURKISH WOMAN WEAVING IN AN INTERIOR
Oil on oak panel; signed “JA Canta” lower le!
Oil on canvas; inscribed and given to “V. Le Brun/ Galerie Lafaye"e” on the relined canvas verso
10 x 7.5 in — 25.4 x 19.1 cm Provenance: A wax collector seal verso; “Mrs. Early” ? inscribed to the frame; Private Collection, Toronto
30.5 x 45 in — 77.5 x 114.3 cm $400—600
COASTAL LANDSCAPE AT SUNSET WITH GULLS
Oil on canvas; signed “Sidney Eastlake” lower le! 20 x 30 in — 50.8 x 76.2 cm Provenance: The Cooling Galleries Ltd., London; Estate Collection, Canada $400—600
$800—1,200
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5
6
HENRY H. PARKER (1858-1930), BRITISH
FOLLOWER OF JEAN-BAPTISTE-CAMILLE COROT (1796-1875), FRENCH
LEONOR FINI (1908-1996), ARGENTINIAN/FRENCH
HERDING COWS HOMEWARD AT SUNSET
Oil on canvas; signed lower right; signed verso, inscribed “No. 2” to the stretcher 16 x 24 in — 40.6 x 61 cm Provenance: Private Collection by descent from her husband $1,000—1,500
IN BRITTANY
Oil on plywood panel; titled in pencil, with black stamp/stencil “JC” ? verso 14.75 x 19.75 in — 37.5 x 50.2 cm $300—500
FOUR STUDIES OF FEMALE SPHINX (IN TWO FRAMES)
A pair of pen and ink drawings on paper; each signed to the frames verso: the first with studies for a winged figure in profile recto; a single study for the winged figure verso, the next: two winged figures recto; figure with mouth agape verso Sheets sight 16.25 x 12.75 in — 41.3 x 32.4 cm $400—600
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8
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HENRI VAN SEBEN (1825-1913), BELGIAN
ARCHIBALD ZIEGLER (1903-1971), BRITISH
TAKING HIS DAUGHTERS SKATING
STILL-LIFE WITH VASE, PIPE, AND VIOLIN
MICHEL RICHARD-PUTZ (1868-1934), BELGIAN/FRENCH
Oil on canvas; signed “H. V. Seben” at “Brussels” lower le!
Oil on canvas; signed “Ziegler” lower right
26.5 x 37 in — 67.3 x 94 cm $1,500—2,000
24 x 20 in — 61 x 61.6 cm $300—500
PORTRAIT D’ÉDOUARD JABLONSKI PROFESSOR DU LYCÉE SAINT LOUIS, PARIS, CIRCA 1905
Oil on canvas; signed lower le!, titled in pencil to the stretcher 25.75 x 21.25 in — 65.4 x 54 cm Provenance: Private Collection, Montreal, QC $2,000—3,000
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11
12
19TH CENTURY GERMAN, GERMAN
CHARLES COUSIN (1904-1972), FRENCH
ALFRED STONE (1840- ), BRITISH
ELLE KATZCHEN (ALL KITTENS AT PLAY)
VENICE
AT NEWBURY, BERKSHIRE
Oil on panel; signed with initials “J.V.H” ? indistinctly lower right, titled to label verso
Oil on panel; signed lower le!, titled to the unidentified label of authenticity, no. 579.3 verso
Oil on canvas; signed lower le!, titled to the stretcher. Circa 1865.
7 x 9.5 in — 17.8 x 24.1 cm Provenance: Ex. Coll. “Mr. Sahpiro”? inscribed to the remains of The Art Gallery of Toronto, Grange Park gallery label $300—400
6 x 8.5 in — 15.2 x 21.6 cm Provenance: Art Emporium, Montreal; Private Collection, Ontario presented as a gi! circa 1971 $600—900
24.5 x 36 in — 62.2 x 91.4 cm $500—700
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14
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DAVID BATES (1840-1921), BRITISH
FREDERICK HENRY HENSHAW (1807-1891), BRITISH
SIDNEY EASTLAKE (19th CENTURY), BRITISH
WOMAN WITH DOG IN A MEADOW BY A RIVER, 1894
Oil on panel; signed and dated 1894 lower le! 11.5 x 15.5 in — 29.2 x 39.4 cm Provenance: The Cooling Galleries Ltd., London & Toronto $400—600
WINDERMERE CASTLE
Oil on cradled panel, titled to gallery label verso 9.5 x 14.5 in — 24.1 x 36.8 cm Provenance: Laing Fine Art Galleries Limited, Toronto
THE LINKS
Oil on canvas; signed “C. Eastlake” lower le!, titled ”The Links” to the original gallery receipt Provenance: Cooling Galleries Limited, Toronto; From whom purchased by the present Private Collection, on January 16th, 1956 as “S. Eastlake” and titled “The Links” accompanied by the original receipt
$500—700 $1,000—1,500
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17
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ARTHUR JOSEPH MEADOWS (1843-1907), BRITISH
DANIEL SHERRIN (1868-1940), BRITISH
EDWIN HENRY BODDINGTON (1836-1905), BRITISH
THE MOUTH OF THE TAGUS, LISBON
Oil on canvas; signed and dated 1881 lower le!, signed, titled and inscribed ”The pont from ... Vasco da Gama...” in pen and ink to artist label verso 24 x 42 in — 61 x 106.7 cm Provenance: The Cooling Galleries Ltd., London & Toronto; Ex. Coll. Mrs. A.H. Ayers, 89 Teddington Park Road, with her on 21/1/55 inscribed to this label; From whom purchased by the present Private Collection, Toronto on January 16th, 1956 accompanied by the original receipt $2,000—3,000
NEAR BOXHILL, SURREY
Oil on canvas; signed lower le!, signed and titled in pen and ink to artist’s label verso 20 x 30 in — 50.8 x 76.2 cm $800—1,200
TWO FIGURES WALKING ON A FOOTPATH, 1860
Oil on wood panel; signed and dated 1860 lower right 11.5 x 16 in — 29.2 x 40.6 cm $400—600
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20
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JOHN CRAWFORD WINTOUR (1825-1882), SCOTTISH
ATTRIBUTED TO GEORGE LAMBERT (1710–1765), BRITISH
BRITISH SCHOOL (19TH CENTURY)
NEAR QUEEN’S FERRY
RETOUR DE LA PECHE
Oil on canvas; signed with monogram “JCW” lower right, signed and dated 1882 verso, titled to exhibition label verso
Oil on canvas; given to the artist and titled to the nameplate
24 x 29 in — 61 x 73.7 cm Provenance: Doig Wilson & Wheatley, Edinburgh gallery label to the frame; Ex. Coll., John Kirkfield, Esq., Edinburgh, United Kingdom, his name wri!en in black ink to the typed Laing Art Gallery labels adhered to the frame verso;
20 x 25.5 in — 50.8 x 64.8 cm $1,500—2,500
FISHERMAN IN A RED COAT ON THE BANKS OF A WINDING RIVER
Oil on canvas; unsigned 20 x 24 in — 50.8 x 61 cm $400—600
$2,000—3,000
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23
24
JAMES STARK (1794-1859), BRITISH
ATTRIBUTED TO GEORGE COLE (1810-1885), BRITISH
ARTHUR JAMES STARK (1831-1902), BRITISH
“LANDSCAPE WITH HORSEMAN”
Oil on canvas laid down on wood panel; given to the artist to the nameplate, called “Stark”, titled and numbered “206” to old catalogue entry affixed to the verso 14 x 18 in — 35.6 x 45.7 cm $500—700
GOING TO MARKET
Oil on canvas; given to the artist and titled to the nameplate 14 x 18.5 in — 35.6 x 47 cm $400—600
“HARVEST SCENE”
Oil on canvas; signed lower le#, titled to the partial gallery label to the stretcher 14.5 x 25.5 in — 36.8 x 64.8 cm Provenance: Frost & Reed, London, Reg. No. 2941 $400—600
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26
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HAROLD LAWES (1865-1940), BRITISH
AFTER WILLIAM COLLINS (1788-1847), BRITISH
FEEDING CHICKENS OUTFRONT A VILLAGE LANE, SUSSEX
HAPPY AS A KING
ATTRIBUTED TO JOHN FREDERICK HERRING THE ELDER (1795-1865), BRITISH
Watercolour; signed at Burpham, Sussex lower le! Sight 14 x 21 in — 35.6 x 53.3 cm $300—500
Oil on canvas; bears signature lower right 28.25 x 36 in — 71.8 x 91.4 cm Exhibited: The original canvas by William Collins was exhibited at the RA in 1836
THE VILLAGE SMITHY
Oil on canvas; signed “JF Herring” and titled on the tool box bo"om centre 28.5 x 35.5 in — 72.4 x 90.2 cm $3,000—4,000
$800—1,200
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30
ATTRIBUTED TO RICHARD CATTERMOLE (1790 -1860), BRITISH
JOHANN BAPTIST WENGLER (1815-1889), AUSTRIAN
CHRISTIAN PIETER SNYDERS (SNIJDERS) (1904- ), DUTCH
CAVALIERS OUTFRONT A CATHEDRAL
ELDER COUPLE OUTSIDE A TAVERN READING A STORY, 1848
DUTCH FARM WITH COWS
Sepia toned watercolour heightened with white; signed indistinctly “R. Ca"ermole” and dated 1845 lower right
Oil on canvas; signed and dated 1848 on the doorstoop lower right
Sight 19 x 25 in — 48.3 x 63.5 cm
30.5 x 32.25 in — 77.5 x 81.9 cm
$400—600
$3,000—5,000
Oil on canvas; signed ”C. Snyders” lower right 14 x 20.25 in — 35.6 x 51.4 cm $500—700
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WILLIAM WALKER MORRIS (FLOURISHED 1850 -1867), BRITISH
CHARLES E. HANNAFORD (1863-1955), BRITISH
FRANK WASLEY (1854-1934), BRITISH
FISHING BOATS IN A CALM AT DAWN
“SUNSET” VENETIAN LAGOON,1920
Watercolour; signed lower right
Watercolour; signed lower le!, signed, titled and dated 1920 in pencil verso, the sheet stamped “Produced in Great Britain
HIGHLANDERS WITH THEIR DOGS AND PONY ON THE HUNT RESTING AT A WATER STATION, 1863
Oil on canvas; signed “WW Morris” and dated 1863 lower le! 30.5 x 50.25 in — 77.5 x 127.6 cm
Sight 10 x 14 in — 25.4 x 35.6 cm $300—400
Sheet 10.25 x 18.25 in — 26 x 46.4 cm $300—500
$3,000—5,000
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ROBERT MACGREGOR (1847-1922) , SCOTTISH
JOHN ERNEST AITKEN (1881-1957), SCOTTISH
JOHN ERNEST AITKEN (1881-1957), SCOTTISH
CLIPPER SHIP - “THE ALASTER”
WINDMILL ON THE CANAL
DUTCH HARBOUR WITH BOATS AT DOCK
Watercolour; signed lower le!, titled to the nameplate
Watercolour; signed lower right
Watercolour; signed lower le!
Sight 13.25 x 19 in — 33.7 x 48.3 cm
Sight 13.25 x 19 in — 33.7 x 48.3 cm
$800—1,200
$800—1,200
Sight 12.5 x 19.5 in — 31.8 x 49.5 cm $400—600
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38
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CRANIG C. EKSERGIAN (1855-1931), TURKISH/AMERICAN
SERGE KOROLKOFF (20TH CENTURY), RUSSIAN
JOHN SALMON (1844-1917), BRITISH
ILLUSTRATION FOR “DER STILLE DON”, 1934
GRAND CANAL VENICE, 1882
Graphite drawing; signed and titled in cyrillics and dated 1934 in pencil lower right
Watercolour; signed, titled and dated 1882 at Venice lower le!
21.5 x 15 in — 54.6 x 38.1 cm
20.5 x 29.5 in — 52.1 x 74.9 cm
$2,000—3,000
$800—1,200
40
41
42
RODOLFO AGRESTI (19TH CENTURY), ITALIAN
KARPO DEMJANOVIC TROCHIMENKO (1885-1979), UKRAINIAN
KONSTANTIN LOMYKIN (OR LOMIKIN) (1924 -1993), UKRAINIAN
MAN OF THE CLERGY, 1892
Oil on canvas; signed and dated 1892 mid le! edge 30 x 24 in — 76.2 x 61 cm $800—1,000
THE YOUNG ARTIST PAINTING GRANDPA
Oil on canvas; signed lower le! 22.5 x 31 in — 57.2 x 78.7 cm $1,000—1,500
LAKE IN THE MOUNTAINS
THE ARTIST’S MOTHER READING
Oil on board; signed in cyrillics in pencil verso, titled to label verso
Oil on canvas laid down to board; signed in cyrillics lower right
7 x 5 in — 17.8 x 12.7 cm
23 x 17.5 in — 58.4 x 44.5 cm
$200—300
$1,200—1,800
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WLODZIMIERZ ZAKRZEWSKI (1916-1992), POLISH
ELIZABETH ADELA STANHOPE FORBES (1859-1912), CANADIAN/BRITISH
WILLIAM DUDLEY WARD (1879-1935), BRITISH
DOMEK NA KOLONII STASZICA
Oil on canvas; signed and dated 1989 lower right, signed, titled in Polish and dated 1989-26 at Warszawa in black ink verso 18 x 24 in — 45.7 x 61 cm Provenance: See website for full catalogue details. $600—900
LADY IN A BLACK HAT WEARING A JAPANESE KIMONO
Oil on canvas; signed with initial compounded monogram EAF lower right 24 x 20 in — 61 x 50.8 cm Provenance: With Robert Oliver Fine Paintings Prints and Handmade Frames, Montreal, Quebec; This painting was purchased with a grouping of other items in West Vancouver Literature: See website for full catalogue details.
RESEARCH; 40 H.P. 6 CYLINDER; SHE LOVES ME! SHE LOVES ME NOT!!, 1916
Three watercolours; each signed and dated /16 lower le!, the 1st titled lower right, the la"er two titled in pen and ink verso backings 11.5 x 10 in — 29.2 x 25.4 cm; 12 x 9.25 in — 30.5 x 23.5 cm; 14 x 9 in — 35.6 x 22.9 cm Provenance: Each work Mackenzie & Co., Toronto, one label dated 26/6/18 (1918) in pencil to gallery label verso $900—1,200
$4,000—6,000
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47
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WILLIAM DUDLEY WARD (1879-1935)
WILLIAM DUDLEY WARD (1879-1935), BRITISH
JOHANN JUNGBLUT (1860-1912), GERMAN
CASTLES IN THE AIR; CONFOUND THESE MUSHROOMS; NOW RUN AWAY LITTLE CHILDREN..., 1917
RATIONS; BRIBERY, 1913
FISCHERDORF IM WINTER
Two watercolours; each signed and dated /13 lower le!, the first, titled lower right, the la"er, titled in pen and ink verso backing
Oil on canvas; signed lower right, titled to gallery label verso
Three watercolours; each signed and dated /17 along the bo"om edge, each titled along the bo"om edge 9.5 x 7.25 in — 24.1 x 18.4 cm; 6.5 x 9 in — 16.5 x 22.9 cm; 6.5 x 9 in — 16.5 x 22.9 cm Provenance: MacKenzie & Co., Toronto gallery labels verso, their labels dated January 1917. $600—900
16.25 x 11 in — 41.3 x 27.9 cm; 12.5 x 8 in — 31.8 x 20.3 cm Provenance: MacKenzie & Co., Toronto gallery labels verso backing $600—800
27.5 x 39.5 in — 69.9 x 100.3 cm Provenance: Galerie Neupert AG, Zurich label verso; The Estate of Lee W. Larkin, Toronto $2,000—3,000
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FOLLOWER OF EUGÈNE BOUDIN (1824–1898), FRENCH
JANIS FERDINANDS TIDEMANIS (1897-1964), LATVIAN
JANIS FERDINANDS TIDEMANIS (1897-1964), LATVIAN
ST. MALO, 1891
FACE OF A WOMAN (BELIEVED TO BE A PORTRAIT OF THE ARTIST’S WIFE)
STILL LIFE OF FLOWERS IN A VASE
Oil on panel; bears signature “E.Boudin” and date 91 lower right, titled “St. Malo” lower le!
Oil on canvas; signed lower right
Oil on thin board laid down to masonite by the artist; signed lower right. Unframed.
10.25 x 14.25 in — 26 x 36.2 cm
24 x 20 in — 61 x 50.8 cm
28 x 22 in — 71.1 x 55.9 cm
Provenance: Estate of Mr. B.M. Osler; By descent to his daughter, Tim Wills, Toronto; By descent to her husband; The Estate of her husband, Mr. Duane K. Wills, Toronto
Provenance: Family of Valdis Skudra, Montreal & Toronto, lifetime friend of the artist; By descent to his wife, Beatrice Skudra, Toronto; By descent to her son, Toronto
Provenance: Family of Valdis Skudra, Montreal & Toronto, lifetime friend of the artist; By descent to his wife, Beatrice Skudra, Toronto; By descent to her son, Toronto
$500—700
$1,200—1,800
$3,000—5,000
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JANIS FERDINANDS TIDEMANIS (1897-1964), LATVIAN
JOHN PEDDER (1850-1929), BRITISH
LAJOS KOLOZSVARY (1871-1937), HUNGARIAN
LANDSCAPE NEAR WINDSOR (HERDER RESTING WITH THE FLOCK)
THE CONNOISSEUR
MONTREAL SNOW STORM
Oil on masonite; signed lower right 40 x 31.25 in — 101.6 x 79.4 cm Provenance: Family of Valdis Skudra, Montreal & Toronto, lifetime friend of the artist; By descent to his wife, Beatrice Skudra, Toronto; By descent to her son, Toronto
Watercolour on paper mounted by the artist on board support; signed lower le!, signed and titled in pencil verso 17 x 30 in — 43.2 x 76.2 cm $300—400
$4,000—6,000
Oil on canvas; signed lower right, titled to label verso 20.75 x 16.75 in — 52.7 x 42.5 cm Provenance: The T. Eaton Co. Ltd., Toronto; From whom purchased by William George Bea"y on February 14, 1930; By descent to his great granddaughter, Toronto $500—700
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56
57
ATTRIBUTED TO GEORGINA LARA (ACT.1840 -1880), BRITISH
GEORGES JEAN-BAPTISTE GASSIES (1829-1919), FRENCH
EDWARD LADELL (1821-1886), BRITISH
PAIR OF VILLAGE SCENES
Pair of oils on canvas; engraved “William Shayer Sr.” on stretchers lower right and upper centre Each 10 x 18 in — 25.4 x 45.7 cm Provenance: J. Wilson & Co.Fine Arts, O"awa $1,500—2,000
COUNTRY CHURCH SCENE
Watercolour; signed lower right Sight 10.75 x 16 in — 27.3 x 40.6 cm $200—300
STILL LIFE OF FRUIT ON A LEDGE WITH GRAPES, A PLUM, A PEACH AND MORNING GLORIES WITH A BUTTERFLY AND AN ANT
Watercolour; signed with compounded initial monogram mid right Sheet 8.5 x 10.75 in — 21.6 x 27.3 cm $300—500
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59
60
JOHN HENRY HENSHALL (1856-1928), BRITISH
A. PRESTI (20TH CENTURY), ITALIAN
HAMILTON JAMES GLASS (1820-1885), BRITISH
THE SCHOLAR
PALAZZO DUCALE, VENICE
LOADING HAY IN THE FARMYARD
Watercolour; signed lower le!, titled to the nameplate
Watercolour on watercolour board; signed lower le!
Oil on canvas; signed lower right
Sheet sight 8 x 11 in — 20.3 x 27.9 cm
12 x 6 in — 30.5 x 15.2 cm
Provenance: With Nash Galleries, London, Canada label verso backing
$250—350
$600—800
12 x 16 in — 30.5 x 40.6 cm Provenance: John Britnell Art Galleries Limited, Toronto, Centennial Jublilee 1873-1973 red label; Private Collection $500—700
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62
63
DANIEL SHERRIN (1868-1940), BRITISH
BENGT LINDSTROM (1925-2008), SWISS
OTMAR ALT (1940- ), GERMAN
A SURREY COMMON
UNTITLED (GREEN FACE FIGURE)
DER BERG DER SUMMITIERE, 1970
Oil on canvas; signed lower le!, titled to the nameplate
Gouache on paper laid down to masonite; signed lower right.
14 x 18 in — 35.6 x 45.7 cm
30 x 22 in — 76.2 x 55.9 cm
Acrylic on canvas; signed and dated 70 lower le!, signed, titled and inscribed “VII“ in blue ink to the stretcher
$400—600
Provenance: The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut
12.5 x 11 in — 31.8 x 27.9 cm Provenance: The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut
$3,000—5,000 $800—1,200
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65
66
ALFRED CHARLES WEBER (1862-1922), FRENCH
JOHN HORACE HOOPER (1851-1906), BRITISH
JOSE PUYET (1922-2004), SPANISH
THE CARDINAL’S STORY
NEAR GUILDFORD, SURREY
DAMA GOYESCA, 1965
Watercolour; signed “Weber” lower le!
Oil on canvas; signed lower le!, titled to typed label verso
Oil on canvas; signed lower right, signed, titled, dated 1965 and inscribed verso
13.5 x 23 in — 34.3 x 58.4 cm
24 x 19.75 in — 61 x 50.2 cm
$500—700
$500—700
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68
69
ALEX DE ANDREIS (1880-1929), BELGIAN/BRITISH
ITALIAN (20TH CENTURY)
R. SCHMID (19TH/20TH CENTURY), FRENCH
VENEZIA
LA VARENNE (RIVER)
Oil on canvas; indistinctly inscribed with title “Venezia Nr Grio...” lower le!
Oil on canvas; signed with incised signature “R. Schmid” lower right, title incised lower le!, inscribed “Marne” and numbered “5” in pencil to the stretcher
sight 17.5 x 12 in — 44.5 x 30.5 cm Provenance: Frederick Thom Gallery, Toronto; Private Collection; By descent $700—900
THE KING’S SWORDSMAN
Oil on canvas; signed lower right, titled in pencil to the stretcher 25.5 x 21.5 in — 64.8 x 54.6 cm $700—900
24 x 32 in — 61 x 81.3 cm Provenance: Privtae Collection, Montreal $600—800
13 x 21.75 in — 33 x 55.2 cm Provenance: Private Collection, Montreal $400—600
70
71
72
PAUL JACOB NAFTEL (1817-1891) , BRITISH
BRITISH VICTORIAN (19TH CENTURY)
MONK’S BRIDGE, HOSPENTHALL, ST. GOTHARD, 1876
YOUNG SHEPHERDESS AND HER DOG MINDING HER FLOCK
EMILE VAN DAMME-SYLVA (1853-1935), BELGIAN
Watercolour; signed and dated 1876 lower right, titled to gallery label verso
Oil on panel; sculpted tondo. Unsigned.
Oil on canvas; signed “Van Damme” lower le!
13 x 11.5 in — 33 x 29.2 cm
13 x 22 in — 33 x 55.9 cm
$200—300
Provenance: See website for full catalogue details.
Sight 15 x 10.5 in — 38.1 x 26.7 cm Provenance: Manor Gallery, Hertfordshire label verso
COWS IN A MEADOW
$1,500—2,000
$600—800
73
74
75
POSSIBLY JAMES STUART PARK (1862-1933), SCOTTISH
JAMES CAMPBELL NOBLE (1846-1913), SCOTTISH
JOHN BLAIR (1850-1934), SCOTTISH
FLORAL STILL LIFE WITH DAFFODILS
WOODYARD, PAPENDRECHT (THE NETHERLANDS)
Oil on canvas 18 x 14.25 in — 45.7 x 36.2 cm Provenance: James McClure & Son, Glasgow label verso $1,000—1,500
SQUALLY WEATHER ST. MONANS, 1901
Oil on canvas; signed lower right, titled to exhibition label verso
Watercolour on paper; signed and dated 1901 at St. Monans lower le!, signed, titled and dated 1901 in pen and ink to artist label to the wood backing verso
28 x 36 in — 71.1 x 91.4 cm
22 x 30 in — 55.9 x 76.2 cm
Provenance: See website for full catalogue details.
Provenance: Aitken Do"’son, Edinburgh label verso
$2,000—3,000
$700—900
76
77
78
HENRY MOORE (1831-1895), BRITISH
HENRY FOLEY (1848-1874), BRITISH
HANS SCHWEIZER (1942- ), SWISS
APPROACHING STORM, 1877
WEST BOW. EDINBURGH, 1864
CHARLOTTE, 1973
Oil on canvas; signed and dated 1877 lower right
Oil on canvas laid down to masonite board; inscribed “H. Foley”, titled and dated “64” in black marker to the masonite verso
Pencil drawing on paper; signed and dated 1973 in pencil lower right, titled “Charlo!e” and inscribed “G/C#547” in black marker to the backing
16.5 x 26 in — 41.9 x 66 cm $1,500—2,000
16 x 20 in — 40.6 x 50.8 cm $500—700
30 x 25 in — 76.2 x 63.5 cm Provenance: Printed label “From the Collection of Abraham Green, Toronto”, another label inscribed “Hockey Place 1” verso; Estate Collection, Toronto $500—700
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80
81
LEON GEORGES CALVES (1848-1924), FRENCH
GABRIEL DESCHAMPS (1919- ), FRENCH
PAUL SEIGNAC (1826-1903), FRENCH
FARMER AND HIS TEAM OF HORSES IN A BARNYARD WITH CHICKENS
CAMPAGNE DE MENTON VUE SUR LE CAP MARTIN ET LE ROCHE DE MONACO
THE LITTLE MOTHER
Oil on panel; signed lower right
Oil on canvas; signed lower right, titled in pencil to the stretcher
12.5 x 16 in — 31.8 x 40.6 cm $400—600
18 x 21.75 in — 45.7 x 55.2 cm Provenance: Roberts Gallery, Toronto; From whom purchased by the grandparents of the present Private Collection, Toronto $400—600
Oil on panel; signed lower le", titled to gallery label verso 15.5 x 12.5 in — 39.4 x 31.8 cm Provenance: Rayner MacConnal Fine Art Dealers, London; Coll. Mrs. Hirst, Harrogate, London; With Renoir Galleries Ltd., Harrogate, England on April 28th, 1976 while with owner Mrs. Hirst inscribed to their gallery label verso; Private Collection, Vancouver, B.C. $2,000—3,000
82
83
84
MIKHAIL GEORIGIEVICH ABAKUMOV (1948 -2010), RUSSIAN
DMITRIJ IVANOVIC KHAMIN (OR CHAMIN) (1945 -1996), RUSSIAN
FOLLOWER OF KUZ’MA SERGEEVICH PETROV-VODKIN (1878-1939), RUSSIAN
EVENING FOREST, 1989
FUTURE STARS
MEMORIES OF VILLAGE LIFE, 1990
Oil on canvas; signed in cyrillics lower le!; signed and titled in cyrillics, and dated 1989 verso
Oil on canvas; signed in cyrillics lower le!; signed and titled in cyrillics verso
Oil on canvas; signed with compounded initials and dated 90 verso
31.5 x 19.7 in — 80 x 50 cm
43 x 34 in — 109.2 x 86.4 cm
$3,500—5,000
$3,500—4,500
85
86
87
KONSTANTIN LOMYKIN (1924-1993), UKRAINIAN
PUBLIO DE SIMONI (1872-1948), ITALIAN
BLUE DUSK, 1979
CHICKENS IN A GATED VILLA FARMYARD
FOLLOWER OF MYLES BIRKET FOSTER (1825 -1899), BRITISH
Oil on canvas; signed in cyrillics lower le!; signed and titled in cyrillics and dated 1979 verso
Oil on canvas; signed at “Roma” lower right, signed in pencil to the stretcher
12.5 x 25 in — 31.8 x 63.5 cm $3,000—5,000
31.5 x 31.5 in — 80 x 80 cm $4,000—5,000
13 x 18.5 in — 33 x 47 cm Provenance: Sold to benefit the Eglinton St. George’s United Church, Toronto $200—300
WOMAN AND YOUNG GIRL FEEDING CHICKENS IN A FARMYARD
Oil on canvas; bears compounded monogram initials “MBF” lower right 10 x 8 in — 25.4 x 20.3 cm $300—400
88
89
90
JANIS FERDINANDS TIDEMANIS (1897-1964), LATVIAN
JANIS FERDINANDS TIDEMANIS (1897-1964), LATVIAN
CLAUS MEYER (1856-1919), GERMAN
CAN-CAN DANCERS
PORTRAIT OF A WOMAN IN A VEIL
YOUNG FARMER AND HIS WIFE IN A KITCHEN, 1892
Oil on masonite; signed lower right, inscribed “Lesjins” verso
Oil on masonite with scratching out; signed lower right
Oil on canvas; signed and dated “892” lower le!. Unframed.
16 x 9.25 in — 40.6 x 23.5 cm
19.75 x 16 in — 50.2 x 40.6 cm
22.4 x 18 in — 57 x 45.7 cm
Provenance: Private Collection, Toronto, acquired by the consignor’s mother directly from the artist, Toronto; With The Isaacs Gallery, Toronto label verso backing
Provenance: Private Collection, Toronto, acquired by the consignor’s mother directly from the artist, Toronto
Provenance: Proceeds of the sale to benefit The Prince Edward County Community Care for Seniors Foundation, Picton, Ontario
$1,500—2,500
$150—250
91
92
93
**BALLIQUANT (19TH CENTURY), FRENCH
EDWARDO SCOGNAMIGLIO (19TH/20TH CENTURY), ITALIAN
H. ALBENYAS (19TH/20TH CENTURY), SPANISH?
$1,000—1,500
SHEPHERD GIRL AND FLOCK ENTERING THE BARN
COMBAT
Oil on canvas; signed indistinctly lower le!, the nameplate inscribed: “C. Balliquant”
Oil on canvas; signed “Scognamiglio” lower right, titled to the nameplate
23 x 35 in — 58.4 x 88.9 cm
20.25 x 27 in — 51.4 x 68.6 cm
$800—1,200
$1,200—1,800
LA PARTIE D’ECHECS (CHESS PLAYERS)
Oil on canvas; signed indistinctly lower right, titled to the nameplate 23.5 x 29 in — 59.7 x 73.7 cm $1,000—1,500
94
95
96
HENRY H. PARKER (1858-1930), BRITISH
ALBERT ERNEST BOTTOMLEY (1873-1950), BRITISH
SIR HERBERT ALKER TRIPP (1883-1954), BRITISH
AT CULHAM ON THAMES
Oil on canvas; signed lower le!, signed and titled verso 12 x 18 in — 30.5 x 45.7 cm $800—1,200
LATE AUTUMN AFTERNOON
Oil on canvas; signed lower le!, signed and titled in pencil to the stretcher 16 x 20 in — 40.6 x 50.8 cm Provenance: Ex. Collection Charlo"e Smith, with her in 1958, inscribed to a partial label verso
PICCADILLY, LONDON
Oil on canvasboard; signed “Alker Tripp” lower right 14 x 18 in — 35.6 x 45.7 cm Provenance: Private Collection, Nanaimo, B.C. $800—1,200
$700—900
97
98
99
NICOLAI ALEXANDROV SYSOEV (1918-1999), RUSSIAN
AFTER GEORGE WILLAMS JOY (1844-1925), BRITISH
ETIENNE PROSPER BERNE-BELLECOUR (1838-1910), FRENCH
SPRING CHORES, 1990
NELSON’S FIRST FAREWELL
THE JILTED LOVER IN A FOREST, 1869
Oil on canvas; signed in cyrillics and dated 1990 lower right, signed and titled in cyrillics and dated 1990 verso. Unframed.
Oil on canvas; signed with unknown,initials “A. W.” and dated May 1898 and titled long the bo"om edge
Oil on panel; signed and dated 69 lower le!
61 x 85.4 in — 155 x 217 cm
24 x 17 in — 61 x 43.2 cm
$7,000—9,000
Provenance: Haynes Art Gallery, Toronto with them in 11/8/53 (1953) label to the frame
Provenance: Wm Watson Fine Arts, Montreal, Quebec label verso
$300—500
14.5 x 17 in — 36.8 x 43.2 cm
$600—800
100
101
102
ALEXANDER WILLIAMS (1846-1930), IRISH
LUIGI GIORGIO BALDERO (19TH/20TH CENTURY), SPANISH
EDWIN HAYES (1820-1904), ENGLISH/IRISH
BELOW THE BRIDGE DERRYINVER CONNEMARA
YOUNG TRICKSTER
Watercolour; signed and titled lower le!
Oil on canvas; signed lower right
Together with:
25.75 x 36 in — 65.4 x 91.4 cm
R. WARREN VERNON (1882-1908) BRITISH MOONLIGHT HILLSBOROUGH. ILFRACOMBE, DEVON
$1,000—1,500
OFF THE FRENCH COAST
Oil on canvas; signed lower le! 13 x 30 in — 33 x 76.2 cm Provenance: Purchased Waddington’s Irish Sale, May 23, 2002, Lot 604A $3,000—4,000
Watercolour; signed, titled and dated 1900 lower le!, inscribed “Smugglers’ Cove” (Hiding place for Robbers) to label verso backing 8 x 14.75 in — 20.3 x 37.5 cm; 6.5 x 9.5 in — 16.5 x 24.1 cm Provenance: See website for full catalogue details. $600—800
103
104
105
JOSEPH ELLIS (1783-1848), BRITISH
SIR WILLIAM ROTHENSTEIN (1872-1945), BRITISH
ON THE HILLS DOLYELLAU, 1876
DR. ALFRED RUSSEL WALLACE OM, LLD, DCL, FRS (BORN 1823)
AFTER GEORGE FREDERIC WATTS (1817-1904) , BRITISH
Oil on canvas; signed and dated 1876 lower le!, signed, titled and dated 1876 verso 19.5 x 29.5 in — 49.5 x 74.9 cm $1,000—1,500
GEORGE FREDERIC WATTS (SELF PORTRAIT)
Pen and ink drawing on paper; signed with initials and dated 1904 lower right, titled in graphite along the bo"om edge
Watercolour and ink on paper laid down on board; signed with initials “JEM” and dated 1914 lower right, titled “Wa"s” lower le!
Sheet sight 11.75 x 10 in — 29.8 x 25.4 cm
Oval 9.75 x 8 in — 24.8 x 20.3 cm
$500—700
$100—150
106
107
JOHN V.R. PARSONS (ACTIVE 1891-1914), BRITISH
JEAN PAUL LAURENS (1838-1921)
A.H. HEAL (GENTLEMAN IN RED OVERCOAT)
Watercolour; signed lower right,titled to the frame liner recto Arched mat sight 11 x 7.5 in — 27.9 x 19.1 cm Provenance: With Hugo Lang & Co., Liverpool label verso $200—300
108 , FRENCH
THE TREATY OF VENICE
THOMAS JONES BARKER (1815-1882), BRITISH HUNTSMAN RESTING WITH HIS DOGS AND GUIDE
Oil on panel; faint signature “Laurens”, titled to the nameplate
Oil on canvas; signed “J. Barker” lower le!
19.5 x 30 in — 49.5 x 76.2 cm
31 x 25.5 in — 78.7 x 64.8 cm
Provenance: Private Collection, Toronto
Provenance: Ex. Coll. Dr. L.G. Szollosy, Hamilton, Ontario stamps to the stretcher
$3,000—4,000
$1,200—1,800
109
110
111
SCOTTISH SCHOOL (19TH CENTURY)
WALTER HEATH WILLIAMS (1835-1906), BRITISH
JAMES HARWEY (1875-1952), BRITISH
SHEPHERD AND FLOCK - HOMEWARD BOUND
A SUMMER EVENING IN SUFFOLK
ELEGANTS OUT FOR A CARRIAGE RIDE
Oil on canvas; signed with conjoined monogram initials TM? lower right
Oil on canvas; titled to the nameplate
Oil on canvas; signed “J. Harwey” lower right
26 x 40 in — 66 x 101.6 cm
26 x 20 in — 66 x 50.8 cm
Provenance: Alex. Drysdale, Edinburgh label verso
Provenance: The Parker Gallery, London label verso; Private Collection, Lion’s Head, Ontario
Provenance: Private Collection, Lion’s Head, Ontario
$700—900
$1,000—1,500
30.3 x 22.3 in — 77 x 56.6 cm
$800—1,200
112
113
114
H. CHAMBERS (19TH/20TH CENTURY), BRITISH PROVENANCE
AFTER SIR EDWIN HENRY LANDSEER (1802 -1873), SCOTTISH
HARRY FIDLER (1856-1935), SCOTTISH
STILL LIFE OF PIPES AND CIGARS, 1903
THE ILLICIT HIGHLAND WHISKEY STILL
Oil on canvas; signed ”H. Chambers” and dated 1903 lower right
Oil on canvas
Oil on canvas; signed lower right, titled to the nameplate
18 x 20 in — 45.7 x 50.8 cm
10.75 x 12.5 in — 27.3 x 31.8 cm
14 x 18 in — 35.6 x 45.7 cm Provenance: The Parker Gallery, London label verso; Private Collection, Lion’s Head, Ontario
HOMEWARDS
Provenance: By descent to the present private collection $600—800
$1,000—1,500
$300—500
115
116
117
HERBERT ROLLET (1872-1932), BRITISH
PIERRE BOUDET (1925- ), FRENCH
P. HUYGENS (19TH/20TH CENTURY) , DUTCH
COTTAGE ON THE COAST
SOUTH OF FRANCE
Oil on canvas; signed lower right
Oil on canvas; signed “Boudet” lower le!, titled to the handwri"en label verso
PAIR OF VIGNETTES OF CHILDREN: SEATED CHILD WITH CARROTS; STANDING CHILD WITH SPOON
12.25 x 18 in — 31.1 x 45.7 cm Provenance: Antoine’s Art Gallery, Montreal $300—500
12 x 16 in — 30.5 x 40.6 cm Provenance: The Cooling Galleries Ltd., London & Toronto
Pair of oils on panel; each signed lower right and le! respectively Each 12.25 x 5 in — 31.1 x 12.7 cm $400—600
$300—400
118
119
120
STYLE OF RAFFAELE FRIGERIO (1875–1948), ITALIAN
ROBERT GUSTAV MEYERHEIM (1847-1920), GERMAN
PETRUS ANTONIUS DE ZWART (1880-1967), DUTCH
READING THE NEWS
SHEPHERD AND FLOCK
Oil on canvas. Unsigned.
Oil on canvas; signed “Meyerheim” lower right
LANDSCAPE ENVIRONS OF THE HAGUE, HOLLAND
319.7 x 437.8 in — 8 1/2 x 11 1/2 cm
13.25 x 20 in — 33.7 x 50.8 cm
Provenance: Vente Phillips, Sale No. 618, Lot 47 label verso; Private Collection, Mississauga, Ontario
Oil on canvas; signed lower right, inscribed “de Zwart” in pencil to the stretcher, titled to the handwri!en label verso
$500—700
8 x 15.25 in — 20.3 x 38.7 cm $300—500
$400—600
121
122
123
ROWLAND HILL (1915-1979), IRISH
SAWREY-GILPIN (1733-1807), BRITISH
JEAN LOUIS MARCEL COSSON (1878-1956), FRENCH
SUMMER DAY NEAR ROSAPENNA, CO. DONEGAL
Oil on canvas; signed lower right, titled to label verso 24 x 36.25 in — 61 x 92.1 cm Provenance: The Cooling Galleries Ltd., London & Toronto; Coll. Eleanor Winter, Toronto; Gi"ed to the present Private Collection, Toronto $2,000—3,000
TWO STUDIES OF DEER IN LANDSCAPES
ELEGANT BAR SCENE
A pair of ink and pencil drawings heightened with watercolour wash on paper
Oil on canvas; signed lower right
Sheets 3.25 x 7..5 in — 8.3 x 19.1 cm
33 x 28 in — 83.8 x 71.1 cm
$300—500
$2,000—3,000
124
125
126
BERNARD GANTNER (1928- ), FRENCH
WILLIAM HENRY MIDWOOD (ACTIVE 1867-1871), BRITISH
LEON GERMAIN PELOUSE (1838-1891), FRENCH
BARQUES AU BORD DE L’OIGNON
Oil on canvas; signed lower right, titled and numbered #53239 to the accompanying Wally Findlay Galleries, Inc., Certificate of Authenticity dated January 4, 1975 36 x 46 in — 91.4 x 116.8 cm Provenance: Wally Findlay Galleries, Inc., Palm Beach & Chicago accompanied by the Certificate of Authenticity contained in a folder the gallery published with the biography of Bernard Gantner; Private Collection, Toronto
A HAPPY FAMILY (COTTAGE INTERIOR WITH FIGURES)
“HORS CONCOURS” (EARLY MORNING FARMYARD SCENE)
Oil on canvas, signed “H. Midwood” lower le!
Oil on canvas; signed lower le!, titled “Hors Concours” to the nameplate
28 x 36 in — 71.1 x 91.4 cm
21.5 x 30.25 in — 54.6 x 76.8 cm
Provenance: Schillay & Rehs Inc., New York label verso; Private Collection, London, Ontario
Provenance: The Estate of Anne Laurier, Mulmur, Ontario $1,500—2,500
$800—1,200
$2,500—3,500
127
128
129
EDOUARD JULES JACOB HUBERTI (1818-1860), BELGIAN
CORNELIS BOUTER (1888-1966), DUTCH
LAU CHUN (1942- ), CHINESE
LAKE SCENE WITH FIGURES RESTING ON SHORE
A HAPPY FAMILY
FIGURES GOING TO THE BEACH, 1978
Oil on canvas; signed lower le!
Oil on canvas; signed and dated 1978 lower le!
Oil on canvas; signed “Huberti” lower le!
20 x 24 in — 50.8 x 61 cm
24 x 30 in — 61 x 76.2 cm
15.5 x 22.25 in — 39.4 x 56.5 cm Provenance: The Estate of Anne Laurier, Mulmur, Ontario
Provenance: The Cooling Galleries Ltd., London & Toronto; From whom purchased by the grandmother of the present Private Collection, Toronto
Provenance: With The Frame Up, Vero Beach, Florida
$1,200—1,800
$1,000—1,500
$300—500
130
131
132
ALEXANDER YOUNG (1865-1923), SCOTTISH
ROBERT LEWIS SUTHERLAND (1890-1932), SCOTTISH
ALEX RITCHIE (19TH CENTURY), BRITISH
LOCH TUMMEL, 1918
BRIDGE WITH CART AT PARIS, 1894
Oil on canvas; signed and dated 1918 lower right, titled and dated 1918 to the original gallery receipt accompanying the lot
Oil on canvas; signed and dated /94 at Paris lower le"
20.25 x 30.25 in — 51.4 x 76.8 cm
15.5 x 21.5 in — 39.4 x 54.6 cm
Provenance: Arlington Galleries Limited Fine Paintings, Cardiff, UK accompanied by the original receipt dated 14th June, 1984 with the original receipt and documents; From whom purchased by Mrs. Violet M. Flintoff, Canada; Gi"ed to the present Private Collection, Oshawa
$500—700
MERRY WIVES OF WINDSOR,1837
Oil on wood panel; signed “Alex. Ritchie”, titled and dated 1837 verso 16.5 x 21 in — 41.9 x 53.3 cm Provenance: Property of M.A. Cameron inscribed in pen and ink to an old label frame verso $300—500
$500—700
133
134
135
NANDOR (FERDINAND) KATONA (1864-1932), HUNGARIAN
DUNCAN CAMERON (1837-1916), SCOTTISH
LAJOS ZOMBORY (1867-1933), HUNGARIAN
TATRA MOUNTAINS
Oil on canvas; signed lower right 24 x 30 in — 61 x 76.2 cm $1,000—1,500
ROUGH SEA
COWS RESTING IN A PASTURE
Oil on canvas; signed “D. Cameron” lower le"
Oil on canvas
16.25 x 24 in — 41.3 x 61 cm
15 x 19.5 in — 38.1 x 49.5 cm
Provenance: With John Walls Picture Framing old label to the frame
$200—300
$400—600
136
137
138
NANDOR (FERDINAND) KATONA (1864-1932), HUNGARIAN
HANS ZEITNER (1903-1979), GERMAN
ATTRIBUTED TO FREDERICK WATERS WATTS (1800-1870), BRITISH
TATRA MOUNTAINS
Oil on masonite board; signed lower right 13.75 x 19.75 in — 34.9 x 50.2 cm $500—700
STILL LIFE OF DAHLIAS IN A VASE; TWO LANDSCAPE VIEWS OF LUSH TREES
The first; an oil on canvas; signed lower right, the later two: Trees and Stump and Pathway into the Forest, each oil on boards; each signed lower right. Two unframed. 34 x 30 in — 86.4 x 76.2 cm; 16 x 12.5 in — 40.6 x 31.8 cm; 18 x 15 in — 45.7 x 38.1 cm
NORTH WALES (GYPSY ENCAMPMENT) (NEER LYDFORS-DSARTHMOORE)
Oil on canvas 20 x 30.5 in — 50.8 x 77.5 cm $600—800
Provenance: Family collection, Germany; To Canada in 1957; By descent $500—700
139
140
141
JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951), DUTCH
HENRI JOSEPH GOMMARUS CARPENTERO (1820-1874), BELGIAN
JEAN PEZOUS (1815-1885), FRENCH
HOMEWARDS
Oil on canvas; signed lower right, titled to the nameplate
VILLAGE MARKET VENDOR SELLING FOWL AND HARE, 1867
Oil on cradled panel; signed lower le!
Oil on panel; signed and dated 1867 lower right
9.5 x 7.5 in — 24.1 x 19.1 cm
26 x 20 in — 66 x 50.8 cm
9.5 x 7.5 in — 24.1 x 19.1 cm
Provenance: Park Lane Galleries, inscribed to the frame verso
Provenance: Estate Collection; By descent
Provenance: Estate Collection; By descent
$2,000—3,000
$800—1,200
OFFICER’S MESS
$300—500
142
143
144
THOMAS VALENTINE GARLAND (1840-1914), BRITISH
EDWARD CHARLES BARNES (B.C. 1830-D. BEFORE 1882), BRITISH
WILLEM OPPENOORTH (1847-1905), DUTCH
TWO BOYS STRINGING ROBIN’S EGGS, 1872
YOUNG GIRLS WITH ROBIN’S EGG NEST
Oil on board; signed and dated 1872 lower right
Oil on canvas; signed lower right
13 x 10.5 in — 33 x 26.7 cm
21.25 x 17 in — 54 x 43.2 cm
Provenance: Estate Collection; By descent
Provenance: Gi!ed to the present Private Collection’s mother, Millbrook, Ontario in the early 1950’s
$2,000—3,000
COWS IN FARMYARD
Watercolour; signed lower right 12 x 18 in — 30.5 x 45.7 cm Provenance: Private Collection, Quebec $600—900
$800—1,200
145
146
147
** ALBANO (20TH CENTURY), EUROPEAN
ALBERTO PROSDOCIMI (1852-1925), ITALIAN
GUSTAVO PISANI (1877-), ITALIAN
PRACA PARIS (PARIS SQUARE IN RIO DE JANEIRO)
COURTYARD, VENICE (DOGE’S PALACE); CATHEDRAL (ST. MARKS, VENICE)
NEOPOLITAN MARKET
Watercolour; signed “Albano” at “Rio” lower right, titled at “Praca, Paris” lower left
Pair of watercolours; each signed lower le!, each titled and inscribed to old gallery labels verso
11.75 x 17.75 in — 29.8 x 45.1 cm
Sight each 12 x 7 in — 30.5 x 17.8 cm
Provenance: Private Collection, Quebec
Provenance: Laing Fine Art Galleries, Toronto labels verso
$200—300
$1,000—1,500
Oil on canvas; signed “Pisani” lower right 15 x 11 in — 38.1 x 27.9 cm $500—700
148
149
150
THOMAS NORMAN AULT (1880-1950), SCOTTISH
LOUISE J. RAYNER (1892-1924), BRITISH
PETER GHENT (1857-1911), BRITISH
ILLUSTRATION: BEDTIME MEDICINE,1910
THE LONG GALLERY, HADDON HALL
THE MUSSEL GATHERER
Watercolour en grisaille heightened with white on illustration board; signed lower right. Unframed.
Watercolour and bodycolour; signed lower le!, titled to the backing
Oil on board; signed lower le!
12 x 8.5 in — 30.5 x 21.6 cm Provenance: Private Collection, Quebec
Sight 10 x 15 in — 25.4 x 38.1 cm $1,500—2,500
19.5 x 14.25 in — 49.5 x 36.2 cm Provenance: With David T. Blackburn Picture Frame Makers, Liverpool, label to backboard verso $300—500
$150—200
151
152
153
LUIGI LANZA (1860-1913), ITALIAN
JOHN MACWHIRTER (1839-1911), SCOTTISH
GEORGE VICAT COLE (1833-1893), BRITISH
GONDOLA IN THE BACKWATERS OF THE VENETIAN CANAL
FISHERMAN AT A HIGHLAND RAPIDS
BOATMAN IN A RIVER WITH DISTANT CASTLE, 1882
Oil on canvas; signed lower le! 20 x 13.5 in — 50.8 x 34.3 cm Provenance: Estate Collection, Toronto $500—700
Oil on canvas; signed “MacW” lower le! 30 x 20.25 in — 76.2 x 51.4 cm Provenance: The Cooling Gallery Ltd., London & Toronto; Gi!ed to the present Private Collection, Toronto $1,000—1,500
Oil on canvas; signed with monogram and dated 1882 lower le! 20.25 x 24.25 in — 51.4 x 61.6 cm $700—900
154
155
156
DAVID SCHULMAN (1881-1966), DUTCH
HERBERT PARSONS (1872-1945), BRITISH
HARBOUR OF VOLENDAM
MARKET SCENE, 1925
DAVID FORRESTER WILSON (1873-1950), SCOTTISH
Oil on canvas; signed lower right, signed and titled in pencil to the stretcher
Watercolour; signed and dated 1925 lower right
20 x 28.5 in — 50.8 x 72.4 cm Provenance: The T. Eaton Co. Ltd., Canada Picture Department; Private Collection, Toronto by descent
Sight 10 x 14 in — 25.4 x 35.6 cm $200—300
A REST FROM HER LABOURS, 1931
Oil on panel; signed and dated 1931 lower right 40.25 x 36 in — 102.2 x 91.4 cm Provenance: McClure & Son, Glasgow; Waddington’s, Toronto, June 12, 2000, Lot 195; Private Collection, Victoria, B.C. Exhibited: Glasgow Art Gallery, “Exhibition of A Century of Art in Glasgow” while with McClure, n.d.
$1,000—1,500
$4,000—5,000
157
158
159
MIERCZYSLAW KRZYZAK (1914-1984), POLISH
THEOPHILE DE BOCK (1851-1904), DUTCH
WOLF ATTACK
WOMAN ON A FOREST PATH
MARINUS JOHANNES DRULMAN DE JONGERE (1912-1978), DUTCH
Oil on canvas; signed lower right. Unframed.
Oil on canvas; signed lower right, signed in pen and ink to handwri!en label to the stretcher
Oil on canvas; signed lower right
32 x 24 in — 81.3 x 61 cm
24 x 37 in — 61 x 94 cm
Provenance: Private Collection, Toronto
$1,000—1,500
24.25 x 32.25 in — 61.6 x 81.9 cm $400—600
$800—1,200
ROTTERDAM HARBOUR
160
161
162
ERNEST WALBOURN (1872-1927), BRITISH
CORNELIS GROENEVELD (1882-1952), DUTCH
NORMAN WILKINSON (1878-1971) , BRITISH
THE CHURCH POST-BETWS-Y-COED, NORTH WALES
MOTHER AND CHILDREN IN A SUNNY KITCHEN
THE STANLY RIVER TAY
Oil on canvas; signed lower le!
Oil on canvas; signed lower right
20 x 24 in — 50.8 x 61 cm
18 x 24 in — 45.7 x 61 cm
$400—600
$1,000—1,500
163
164
165
NORMAN WILKINSON (1878-1971) , BRITISH
HENRI (HENRY) MALFROY (1895-1944), FRENCH
THE LYNN OF TUMMEL
MEDITERRANEAN HARBOUR WITH FISHING BOATS
ROBERT FINLAY MCINTYRE (CIRCA 1846-1906), BRITISH
Oil on canvas; signed lower right, titled to the nameplate 40 x 50.5 in — 101.6 x 128.3 cm $800—1,200
Oil on canvasboard; signed lower right, titled to gallery label verso
Oil on canvas; signed “Malfroy” lower le!
18 x 24 in — 45.7 x 61 cm
25 x 36.5 in — 63.5 x 92.7 cm
Provenance: The Tryon Gallery Ltd., London, UK
$2,000—3,000
$1,000—1,500
FISHER ON THE COAST WITH HIS DOG
Oil on canvas laid down to masonite; signed lower le! 20 x 27.25 in — 50.8 x 69.2 cm $800—1,200
166
167
168
DAVID COX THE YOUNGER (1808-1885), BRITISH
DAVID COX THE YOUNGER (1808-1885), BRITISH
WILLIAM STRANG (1859-1921), SCOTTISH
HERDING THE FLOCK
RUINS IN A LANDSCAPE
Watercolour with pencil sketching lines
Watercolour; signed “... Cox Junior” lower le!
PORTRAIT OF A WOMAN IN A BONNET TIED WITH TARTAN RIBBONS
Sheet 19.4 x 27.2 in — 49.3 x 69 cm
Sheet 13.75 x 21 in — 34.9 x 53.3 cm
$1,500—2,500
$800—1,200
169
170
171
AFTER WILLEM VAN MIERIS (1662-1747), DUTCH
ROBERT GUSTAV MEYERHEIM (1847-1920 ), GERMAN
FREDERICK WATERS WATTS (1800-1862), BRITISH
LA CUISINIERE
Oil on canvas; signed bo"om right Oval 22 x 18 in — 55.9 x 45.7 cm $800—1,200
Oil on panel; given to “Mieris” and titled to the old auction label verso
MAN IN A BOAT
HEATH SCENE WITH CATTLE
Watercolour; signed lower right
18 x 14.5 in — 45.7 x 36.8 cm
17.25 x 31 in — 43.8 x 78.7 cm
Oil on canvas; signed and titled to artist’s handwri"en label verso, Certified by Vicar Brothers, label verso
Provenance: The Estate sale of Eleanor, Viscountess of Gort sold at East Cowes Castle, Isle of Wight, n.d. with their catalogue entry to the old labels verso, lot 30 as “Mieris...”; From whom purchased from the Carling Galleries, Toronto by William George Bea"y on March 4, 1934; By descent to his great-granddaughter, Toronto
$600—800
$2,000—3,000
13.75 x 16.75 in — 34.9 x 42.5 cm Provenance: The Cooling Galleries Ltd., London & Toronto $1,000—1,500
172
173
174
DAVID COX THE YOUNGER (1808-1885), BRITISH
ALPHONS SPRING (1843-1908), GERMAN
BERNARD DE HOOG (1867 - 1943), DUTCH
ABERGLASLYN PASS
AT THE SPINNING WHEEL
THE MORNING MEAL
Watercolour; signed lower le!, titled verso backing
Oil on braced panel; signed at “Munchen” lower right
Watercolour; signed lower right
Sight 8 x 11.25 in — 20.3 x 28.6 cm
10 x 8 in — 25.4 x 20.3 cm
$600—800
Provenance: Cooling Galleries, London & Toronto; G.H. Gooderham Collection, Toronto; With Odon Wagner Gallery, Toronto Catalogue No. 21 illustrated, while with a Private Collection, Toronto
14.5 x 20.5 in — 36.8 x 52.1 cm Provenance: Partial Glasgow gallery label to the verso backboard $700—900
$1,000—1,500
175
176
177
ARNOLD MARC GORTER (1866-1933), DUTCH
PHILIP WESTCOTT (1815- 1878), BRITISH
FRANZ LEITGEB (1911-1997), GERMAN
SPRINGTIME
NEAR YARMOUTH, 1875
TYROLEAN PEASANT
Oil on canvas; signed lower right, titled and numbered No. 7 to the top stretcher
Oil on canvas; signed and dated 1875 bo#om right, titled to the frame
Oil on masonite; signed upper right, titled to the namplate
22.4 x 18.3 in — 57 x 46.5 cm
22.4 x 35.8 in — 56.9 x 90.9 cm
10.6 x 8.1 in — 27 x 20.5 cm
$700—900
Provenance: Ex. Coll. Mrs. P.L. Debeny, Edmonton, AB; Private Collection, Toronto
$300—500
$800—1,200
178
179
180
ALFRED CHARLEY TOUCHEMOLIN (1829-1907), FRENCH
OTTO WEBER (1832-1888), BRITISH
J. KOENIG (FL. 1840), DUTCH
HAYTIME IN SPAIN
SKATERS ON A FROZEN POND, 1840
Watercolour; signed lower right, titled to the nampelate
Oil on canvas laid down to illustration board; signed indistinctly and dated 1840 lower right
Sight 10 x 19.5 in — 25.4 x 49.5 cm
13 x 18 in — 33 x 45.7 cm
$700—900
Provenance: With Garfield Galleries, Toronto for restoration in May 1965
A REGAL PROCESSION ON THE PALACE STEPS, 1887
Watercolour; signed and dated 87 at Versailles lower le! Sight 19.5 x 14.25 in — 49.5 x 36.2 cm $300—500
$300—500
Notes
Notes
Index A
H
Abakumov, Mikhail Georigievich (82)
Chun, Lau (129)
Hannaford, Charles E. (32)
Agresti, Rodolfo (40)
Cole, A!ributed to George (23)
Harwey, James (111)
Aitken, John Ernest (35, 36)
Cole, George Vicat (153)
Hayes, Edwin (102)
Albano, ** (145)
Collins, A"er William (26)
Henri, (164)
Albenyas, H. (93)
Corot, Follower of Jean-Baptiste-Camille (5)
Henshall, John Henry (58)
Alt, Otmar (63)
Cosson, Jean Louis Marcel (123)
Henshaw, Frederick Henry (14)
Andreis, Alex de (67)
Cousin, Charles (11)
Ault, Thomas Norman (148)
Cox, David the Younger (166, 167, 172)
Herring, Attributed to John Frederick the Elder (27) Hill, Rowland (121)
B
D
Baldero, Luigi Giorgio (101)
Damme-Sylva, Emile Van (72)
Balliquant, ** (91)
Deschamps, Gabriel (80)
Barker, Thomas Jones (108) Barnes, Edward Charles (143) Bates, David (13) Berne-Bellecour, Etienne Prosper (99) Blair, John (75) Bock, Theophile de (158) Boddington, Edwin Henry (18) Bo!omley, Albert Ernest (95) Boudet, Pierre (116) Boudin, Follower of Eugène (49) Bouter, Cornelis (128) British School (21) British Victorian (71) Brun, Circle of Charles-Guillaume (2)
C Calves, Leon Georges (79) Cameron, Duncan (134) Canta, Johannes Antonius (1) Carpentero, Henri Joseph Gommarus (140)
E Eastlake, Sidney (3, 15) Eksergian, Cranig C. (37)
Hoog, Bernard de (174) Hooper, John Horace (65) Huberti, Edouard Jules Jacob (127) Huygens, P. (117)
I Italian, (20th Century) (68)
Ellis, Joseph (103)
F Fidler, Harry (114) Fini, Leonor (6)
J Jongere, Marinus Johannes Drulman de (159) Joy, A"er George Willams (98) Jungblut, Johann (48)
Foley, Henry (77) Forbes, Elizabeth Adela Stanhope (44) Foster, Follower of Myles Birket (87) Frigerio, Style of Raffaele (118)
G Gantner, Bernard (124) Garland, Thomas Valentine (142) Gassies, Georges Jean-Baptiste (56) German, 19th Century (10) Ghent, Peter (150)
Ca!ermole, A!ributed to Richard (28)
Glass, Hamilton James (60)
Chambers, H. (112)
Gorter, Arnold Marc (175) Groeneveld, Cornelis (161)
K Katona, Nandor (Ferdinand) (133, 136) Khamin, Dmitrij Ivanovic (83) Koenig, J. (180) Kolozsvary, Lajos (54) Korolkoff, Serge (38) Krzyzak, Mierczyslaw (157)
L
T
Ladell, Edward (57)
Pelouse, Leon Germain (126)
Tidemanis, Janis Ferdinands
Lambert, A!ributed to George (20)
Petrov-Vodkin, Follower of Kuz’ma Sergeevich (84)
(50, 51, 52, 88, 89)
Landseer, A"er Sir Edwin Henry (113) Lanza, Luigi (151) Lara, A!ributed to Georgina (55) Laurens, Jean Paul (107) Lawes, Harold (25) Leitgeb, Franz (177) Lindstrom, Bengt (62) Lomykin, Konstantin (85, 42)
Pezous, Jean (141) Pisani, Gustavo (147) Presti, A. (59) Prosdocimi, Alberto (146) Puyet, Jose (66)
Macgregor, Robert (34) MacWhirter, John (152) McIntyre, Robert Finlay (165) Meadows, Arthur Joseph (16)
Tripp, Sir Herbert Alker (96) Trochimenko, Karpo Demjanovic (41)
W Walbourn, Ernest (160)
R Rayner, Louise J. (149)
M
Touchemolin, Alfred Charley (178)
Richard-Putz, Michel (9) Ritchie, Alex (132) Rollet, Herbert (115) Rothenstein, Sir William (104)
Ward, William Dudley (45, 46, 47) Wasley, Frank (33) Wa!s, A"er George Frederic (105) Wa!s, A!ributed to Frederick Waters (138) Wa!s, Frederick Waters (171) Weber, Alfred Charles (64) Weber, O!o (179)
Meyer, Claus (90)
S
Wengler, Johann Baptist (29)
Meyerheim, Robert Gustav (119, 170)
Salmon, John (39)
Westco!, Philip (176)
Midwood, William Henry (125)
Sawrey-Gilpin, (122)
Wilkinson, Norman (162, 163)
Mieris, A"er Willem van (169)
Scherrewitz, Johan Frederik Cornelis (139)
Williams, Alexander (100)
Moore, Henry (76)
Schmid, R. (69)
Williams, Walter Heath (110)
Morris, William Walker (31)
Scottish School (109)
Wilson, David Forrester (156)
Schulman, David (154)
Wintour, John Crawford (19)
N Na"el, Paul Jacob (70) Noble, James Campbell (74)
O Oppenoorth, Willem (144)
P Park, Possibly James Stuart (73) Parker, Henry H. (4, 94) Parsons, Herbert (155) Parsons, John V.R. (106) Pedder, John (53)
Schweizer, Hans (78) Scognamiglio, Edwardo (92) Seben, Henri Van (7) Seignac, Paul (81)
Y Young, Alexander (130)
Sherrin, Daniel (17, 61) Simoni, Publio de (86) Snyders, Christian Pieter (30)
Z
Spring, Alphons (173)
Zakrzewski, Wlodzimierz (43)
Stark, Arthur James (24)
Zeitner, Hans (137)
Stark, James (22)
Ziegler, Archibald (8)
Stone, Alfred (12)
Zombory, Lajos (135)
Strang, William (168)
Zwart, Petrus Antonius de (120)
Sutherland, Robert Lewis (131) Sysoev, Nicolai Alexandrov (97)
Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.
9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
Selling at Waddington’s waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item
canadian art department commission rates Items selling for $7,500 or more 10% Items selling for $2,501 to $7,499 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item.
Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office. Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
insurance
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
cites
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org
Buying at Waddington's
All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
condition of lots
All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.
buyers premium
A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
payment
Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS
bidding
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
shipping
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905.470.6874 / 905.470.6875 / 416.293.8225
taurus@pakship.ca www.pakship.ca Envoy 416.299.3367, 416.299.9750 ph@envoy.ca www.envoypackandship.com Fero Transport 514.453.1462, 514.543.7585 www.ferotransport.ca
removal of purchases
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2
tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca