Decorative Arts Online Auction | Jun. 9 - 14, 2018 by waddingtons

Decorative Arts Auction J U N E 9 - 14 , 2 018

Decorative Arts Auction JUNE 9 - 14, 2018

bid online at onlineauctions.waddingtons.ca all lots can be viewed online at decorativearts.waddingtons.ca

specialists ceramics, glass and silver Bill Kime bk@waddingtons.ca 416-847-6189

on view Friday, June 8 from 12:00 pm to 5:00 pm Saturday, June 9 from 11:00 am to 5:00 pm Sunday, June 10 from 11:00 am to 5:00 pm Monday, June 11 from 10:00 am to 12:00 pm preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2 tel: 416-504-9100 toll free: 1-877-504-5700

sculpture, decorations, clocks & lighting Sean Quinn sq@waddingtons.ca 416-847-6187

rugs & carpets Andrew Brandt ab@waddingtons.ca 416-847-6168

front cover Lot 64 French ‘Japonisme’ Cloisonné Enamel, Gilt and Patinated Bronze Double Fish Form Vase, Christofle et Cie, 1874

front inside cover

Lot 21 American Silver Bowl, Tiffany & Co., New York, N.Y., early 20th century

back inside cover Lot 86 After Jean Antoine Houdon DIANA CHASSERESSE

back cover Lot 34 Chelsea Figural Double Scent Bottle, c.1755

consignment coordinator Hayley Dawson hd@waddingtons.ca 416-504-9100 ext. 6220

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

English Silver Tea Ke!le on Lampstand, Goldsmiths & Silversmiths Co., London, 1912 with moulded bird’s head spout and bird of prey finial, chased and engraved with flowering foliage and scrollwork, height 14.5 in— 36.8 cm, 50.8 oz. — 1580 grams

Edwardian Silver Coﬀee Service, Goldsmiths & Silversmiths Co., London, 1908/11 comprising three pieces, of tapering octagonal form with moulded girdles, coﬀee pot height 9.3 in — 23.6 cm, 52.5 oz. — 1633 grams

George III Irish Silver Two-Handled Cup, Ma!hew West, Dublin, 1778 chased with birds and flowering leaves below laurel garlands, height 6.4 in — 16.2 cm, 13.6 oz.— 424 grams

$700—1,000

Pair of George III Silver Nesting Tumbler Cups, Joseph Angell I, London, 1813 of plain design, engraved on the side with a crest and mo!o, height 3.5 in — 8.8 cm, 11.4 oz.— 356 grams

Pair of George III Silver Table Candlesticks, Kirkby, Waterhouse & Co., Sheﬃeld, 1813 moulded with shells, leaves and scrollwork, height 11 in — 28 cm

George III Silver Chinoiserie Coﬀee Pot, London, 1764 of baluster form, chased with figures on bridges and in island pagodas, with moulded scroll spout and wooden handle below a domed cover with a seated figure finial, 31.6 oz.— 982 grams, maker’s mark I.B over W.B (unidentified)

$1,000—1,500

$300—400

$500—700

$2,000—3,000

George III Silver Tankard, Solomon Hougham, London, 1805 of cylinder form with two ribbed bands and flat cover hinged to the scroll handle, height 7.5 in— 19 cm, 21.8 oz. — 678 grams

Pair of George III Silver Covered Sauce Tureens, Benjamin Smith II, London, 1818 of oval bellied form with moulded foliate scroll handles and egg and dart borders, each raised on four paw feet, length 8.1 in — 20.5 cm, 50.3 oz. — 1566 grams

Victorian Silver-Gilt Wine Barrel, Benjamin Preston, London, 1862 on plated stand, engraved on the front with a ducal coronet and cipher MC, height 13.8 in —35 cm, 63.7 oz. — 1980 grams

Provenance: J.H. (Jake) and Elizabeth Moore Collection, London, Ontario James Robinson, New York

$1,500—2,000

Provenance: J.H. Bourdon-Smith, London, 1978 $5,000—7,000

$400—600

Victorian Silver Tea and Coﬀee Service, Roberts & Belk, Sheﬃeld, 1875 comprising four pieces, chased and engraved with flowering foliage and scrollwork, the hinged covers with bird finials, 82.9 oz. — 2578 grams

Six Sco#ish Provincial Silver Table Spoons, Edward Livingstone, Dundee, c.1790-1800 length 9 in — 23 cm, 12.8 oz. — 398 grams

Six Sco#ish Provincial Silver Table Spoons, Edward Livingstone, Dundee, c.1790-1800 length 9 in — 22.8 cm, 12.6 oz. — 393 grams

$200—300

$1,200—1,800

Danish Silver ‘Louvre’ Footed Bowl, #180B, Georg Jensen, Copenhagen, c.1936 with moulded rim and openwork stem of stylized berries and leaves above a stepped circular base, height 4.4 in — 11.3 cm, diameter 5.6 in — 14.2 cm, 10.2 oz. — 318 grams

Twelve Danish Silver Goblets, #479A, Harald Nielsen for Georg Jensen, Copenhagen, post -1945 the stems moulded with berries and leaves, height 3.9 in — 9.8 cm, 37.7 oz. — 1173 grams

Pair of German Silver and Cut Glass Comports, c.1880 each circular cut glass bowl raised above a palm tree with exotic birds on a high domed base and three foliate scroll feet, height 15.4 in— 39 cm, diameter 9.8 in — 25 cm

$400—600

$2,000—3,000

$1,500—2,000

Pair of German Silver Stag’s Head Stirrup Cups, for Tiﬀany & Co., 20th century with plain conical bowls and realistically modeled bases, height 7.4 in — 18.8 cm, 29.1 oz.— 906 grams

American Silver Bowl, Tiﬀany & Co., New York, N.Y., 20th century of plain circular form with flaring rim on a stepped foot, height 4.3 in — 11 cm, diameter 8.5 in — 21.5 cm, 22.6 oz. — 703 grams

$500—700

Provenance: Estate of Janet Graham, Nobleton, Ontario

American Silver ‘Chrysanthemum’ Oval Covered Entrée Dish, Tiﬀany & Co., New York, N.Y., c.1891-1902 the shaped rims and shoulder moulded with borders of flowers and leaves, the removable finial handle conforming, length 11 in — 28 cm, 41.5 oz. — 1292 grams $2,000—3,000

$350—500

American Silver ‘Chrysanthemum’ Oval Sauce Boat and Stand, Tiﬀany & Co., New York, N.Y., c.1891-1902 the rims moulded with borders of flowers and leaves, the scroll feet and handle all conforming, stand length 10.6 in — 27 cm, 26 oz.— 808 grams

American Silver ‘Bird’s Nest’ Pa"ern Tea and Coffee Service, a"ributed to Tiffany & Co., c.1875 comprising six pieces: teapot, coffee pot, ke"le on lampstand, covered sugar basin, cream jug and waste bowl, each piece applied with birds at their nests and perched amongst scrolling wire vines with berries and leaves, ke!le height 13.4 in — 34 cm, 222.2 oz. — 6912 grams, remarked with British import marks for London, 1925, sponsor Charles Stuart Harris & Sons

American Silver Bowl, Tiﬀany & Co., New York, N.Y., early 20th century of circular shape, the rim moulded with pine boughs and cone clusters, diameter 8.3 in — 21 cm, 17.7 oz. — 550 grams

$1,000—1,500

Provenance: Estate of Janet Graham, Nobleton, Ontario $400—600

$10,000—15,000

American Silver ‘Japanese’ Pa"ern Flatware Service, Tiﬀany & Co., New York, N.Y., late 19th century comprising fi#y-eight pieces: 12 dinner knives, 8 dinner forks, 12 luncheon knives, 12 luncheon forks, 11 tea spoons, 2 table spoons, serving spoon, 53.9 oz. — 1675 grams

Pair of American Silver Three-Light Candelabra, Dominick & Haﬀ for Shreve, Crump & Low of Boston, New York, N.Y., late 19th century each with twin reeded scroll arms and central extension above a multi-nopped stem and domed circular base chased with scrolling and flowering foliage, height 15 in — 38.2 cm

American Silver Framed Dressing Table Mirror, Dominick & Haﬀ, New York, N.Y., c.1900 the heart-shaped beveled plate within a silver surround repoussé with masks, cherubs and pu"i amongst shells, scrollwork and flowering foliage, 17.5 x 14.8 in — 44.5 x 37.5 cm

Provenance: Estate of Janet Graham, Nobleton, Ontario $1,000—1,500

$1,200—1,800

$500—700

Pair of Royal Worcester ‘Jewelled’ Green and Gilt Ground Two-Handled Vases, c.1900 painted in colours on small panels with loch scenes, height 8.3 in — 21 cm, printed retailer’s marks W.D. WOODS / MALVERN in gilt, factory marks including shape number 2160 and Rd. No. 374254 in green

Six Royal Worcester Coﬀee Cups and Saucers, Harry Davis, c.1926 painted in colours with London scenes, the interiors, handles and rims all gilt, minor crack, diameter 3.9 in — 10 cm, signed H. Davis (8), painted titles, impressed and printed marks in puce

$300—400

$2,000—3,000

Chamberlains Worcester Orange and Gilt Marbled Ground Vase, c.1800-05 the ovoid body with moulded and gilt horned mask handles, painted in colours on one side with a large panel of ‘Orpheus and Euridice’, above a pedestal foot with grey marbled base; with later replacement cover, minor restoration, overall height 14.6 in — 37 cm, painted title Orpheus & Euridice and Chamberlains / Worcester in red script Provenance: Robert W. Macaulay Collection, Toronto Andrew Dando, Bath $1,000—1,500

Flight, Barr & Barr Worcester Apricot and Gilt Banded Part Service, c.1820 comprising twenty-three pieces: 12 plates, 2 circular dishes, 4 oval dishes, 2 square dishes, a footed comport, 2 two covered sauce tureens, some condition noted, impressed crown and FBB marks

Worcester Blue Scale Ground Circular Basket, c.1770 painted in colours on the interior with a central bouquet of garden flowers and smaller sprigs, the reticulated sides applied on the exterior with red and green florets on a yellow ground, very minor chips, height 3 in — 7.5 cm, diameter 10.3 in — 26.2 cm, painted square fret mark in underglaze blue

Bow Figure of an Actor, possibly David Garrick, c.1752 wearing a pale lavender jacket, gilt-tu!ed white waistcoat and red breeches, standing by a stump on a rectangular base, minor condition noted, height 8.2 in — 20.8 cm

$250—350

$500—700

Provenance: Elizabeth E. Stewart Collection, Halifax, Nova Scotia Sotheby’s, New York, April 22, 1994, lot 1 James A. Lewis & Son, Inc., New York (as “possibly Longton Hall”) $600—800

Lowesto! Blue Painted Guglet, c.1765 of pear shape, painted in underglaze blue with pagodas and island scenery, chip, height 9.3 in— 23.6 cm, workman’s mark in underglaze blue

Chelsea Kakiemon Octagonal Bowl, c.1750 -52 painted in coloured enamels on the exterior with a bird and female figure in a garden se!ing, the interior with a central dragon and geometric border, minor chips, height 3.1 in — 8 cm, diameter 6.5 in — 16.6 cm

Chelsea Cauliflower Tureen and Cover, c.1755 naturalistically modelled and painted in shades of green, repaired, height 4.6 in — 11.7 cm, painted anchor marks in red

Provenance: Roger D. Wilson Collection, Toronto Simon Spero, London, 1989 $400—600

Provenance: Elizabeth E. Stewart Collection, Halifax, Nova Scotia Sotheby’s, New York, April 22, 1994, lot 22

Provenance: Elizabeth E. Stewart Collection, Halifax, Nova Scotia Sotheby’s, New York, April 22, 1994, lot 38 $300—500

$300—400

Chelsea Figural Double Scent Bo"le, c.1755 formed as a seated figure with leopard and bird on a domed base with painted flower spray to the underside, height 2.6 in — 6.7 cm

Chelsea Monkey with Basket Double Scent Bo"le, c.1755 formed as a monkey with a basket on its back, holding a flower and seated on a domed base with painted flower spray on the underside, condition noted, height 2.3 in — 5.8 cm

Chelsea Young Shepherd Scent Bo"le, c.1760-65 the boy playing a pipe, seated with two lambs by a tree, inscribed under the base “J’EN JOÛE POUR VOUS”, restored, height 3.3 in —8.5 cm

$200—300

$150—250

$300—500

Chelsea Flower Seller Scent Bo!le, c.1765 standing by a tree stump with baskets of flowers, one inscribed “CULTIVE’S PAR L’AMOUR”, tiny chips, height 3.3 in — 8.3 cm

Chelsea Figural Group Scent Bo!le, c.1765 the couple holding a bouquet beside a basket of flowers on a tree stump, restored, height 2.4 in — 6.2 cm

English Porcelain Seated Dog Scent Bo!le, possibly Chelsea, c.1755 inscribed “FIDELITY” on the collar, the domed base with painted flower spray on the underside, height 2.1 in — 5.3 cm

$200—300

$150—250

Continental Porcelain Scent Bo!le, probably German, 18th century moulded and painted in colours and gilt with a shepherd seated beneath lemon trees on one side and a fiddler on the reverse, height 3.5 in— 9 cm

Meissen Figural Scent Bo!le, mid-18th century formed as a lady in flowered costume, restored, height 3 in — 7.5 cm, painted crossed swords mark in underglaze blue

Meissen Double Gourd Form Scent Bo!le, mid-18th century painted in colours with scenes of figures and distant buildings below flower sprays, height 3.7 in — 9.3 cm, painted crossed swords mark in underglaze blue, stamped marks to base mount

$100—200

$150—250

$200—300

$150—250

Meissen Double Gourd Form Scent Bo!le, mid-18th century painted in colours with crossed hammers above scenes of labourers in a field and at a well, height 3.6 in — 9.2 cm, indistinctly marked in underglaze blue

Meissen Reticulated Cabinet Plate, late 19th century painted in colours on the centre with a portrait of Frans van Meiris the Elder in his studio, the pierced rim bordered and detailed with gilding, diameter 9.5 in — 24 cm, impressed numerals, titled ‘Franz van Mieris in seiner Werksta!, / von ihm selbst’ in black script, painted crossed swords mark in underglaze blue

‘Meissen’ Elements Ewer Emblematic of Water, late 19th century moulded and painted with a frieze of sailing ships at sea and applied with figures of Neptune, a mermaid, hippocampi and dolphins, a cherub atop the scroll handle, minor loss, height 18.2 in — 46.3 cm, impressed numerals 31

$150—250

$1,000—1,500

$400—600

Meissen Elements Vase-Form Table Lamp Emblematic of Earth, late 19th century moulded and painted with a hunting scene in an encircling mountainous landscape, applied with figures of Diana, Pan and a pu!o with spade, on a gilt wood base with pleated silk shade, condition noted, overall height 39.8 in — 101 cm, incised 309, impressed 46, painted crossed swords mark in underglaze blue

Pair of Meissen Pâte-sur-Pâte Blue Ground Two-Handled Vase-Form Table Lamps, late 19th century finely painted in white slip with a group of classical figures on each side, with card shades, overall height 25.5 in — 65 cm, painted crossed swords marks in underglaze blue, incised G.167

Berlin Rectangular Plaque, ‘Children Eating Grapes and Melon’, a"er Murillo, late 19th century framed, 10 x 7.6 in — 25.4 x 19.4 cm, incised numerals, impressed KPM and sceptre marks

$1,000—1,500

$1,600—2,400

Berlin Rectangular Plaque, ‘The Li!le Fruit Seller’, a"er Murillo, late 19th century framed, plaque 10 x 7.5 in — 25.4 x 19.2 cm, impressed KPM and sceptre marks

Berlin Rectangular Plaque, ‘Ein Gruss aus der Welt’, a"er Kuntz, late 19th century painted in colours with a nun seated by a window, 15.9 x 10.2 in — 40.4 x 25.8 cm, signed R. Di!rich, impressed numerals, KPM and sceptre marks

Dresden Oval Portrait Plaque of a Young Woman, c.1900 in a rectangular gilt frame, plaque 6.8 x 5.1 in —17.2 x 13 cm, signed Wagner, stamped mark Germany in blue

$800—1,200

$700—1,000

Provenance: Estate of Janet Graham, Nobleton, Ontario $400—600

Russian Imperial Porcelain Wine Jug, period of Nicholas I, c.1840 the pale yellow ground vessel moulded and gilt with a bust of Bacchus and acanthus leaves below the spout, the scroll handle capped with a lion mask thumbpiece and scrolling leaves, minor crack, height 10.7 in — 27.2 cm, printed crowned cipher mark in black

‘Sèvres’ Bleu Céleste Ground Circular Tray, late 19th century painted in colours with portraits of King Louis XV and ladies of the court within burnished gilt surrounds, diameter 16.1 in — 41 cm, painted subject titles in black script and interlaced Ls enclosing ll and S... marks in blue

‘Choue!e Marron/Noir’, Pablo Picasso (1881 -1973), Ceramic Vase, 58/100, c.1952 restored, height 11.6 in — 29.5 cm, painted EDITION / PICASSO / 58/100 / MADOURA in black, impressed MADOURA / PLEIN / FEU and EDITION / PICASSO

$600—800

$5,000—7,000

$1,000—1,500

‘Nereides’, Lalique Moulded and Partly Frosted Glass Figure, 166/999, post-1978 the nude figure standing with a water jug spilling from her shoulder, height 17.8 in — 45.3 cm, engraved marks Lalique ® France 166/999

‘Coquilles’, Twelve Lalique Moulded Opalescent Glass Plates, Eight Bowls and a Large Plate, 1930s with overlapping shells, diameter 6.5 in — 16.5 cm; 5.2 in — 13.3 cm; 11.7 in — 29.8 cm, engraved marks R. LALIQUE / FRANCE / No. 3009

Daum Cameo Glass ‘Snowdrop’ Vase, c.1900 the flaring vessel of mo!led blue and grey glass, overlaid with mo!led brown and green and inlaid with white, etched and carved with flowers and slender leaves, the domed foot with a geometric border, height 7.2 in — 18.3 cm, engraved DAUM / NANCY with croix de Lorraine

$500—700

Provenance: J. McGregor and Elizabeth E. Stewart Collection, Halifax, Nova Scotia

$1,500—2,000

$1,200—1,800

Daum Gilt Decorated Glass Vase, late 19th century of fluted tapering form flaring at the rim, height 15.4 in — 39 cm, gilt mark DAUM NANCY with croix de Lorraine

Daum Internally Decorated Glass Vase, early 20th century of slender tapering form, mo!led aubergine with gilt inclusions, height 23.7 in — 60.2 cm, wheel engraved mark DAUM NANCY with croix de Lorraine

Loetz Silver Overlaid ‘Papillon’ Iridescent Glass Vase, c.1900 of rosewater sprinkler form, with engraved silver scrolling tendrils, flowers and leaves, height 9.5 in — 24.2 cm

$250—350

$300—500

$700—1,000

English Red, White and Blue Colour Twist Stemmed Glass Goblet, c.1760 the ogee bowl supported on a stem with opaque white multiply corkscrew core flanked by red and blue threads above a conical foot, height 7.8 in — 19.8 cm

Six Anglo-Irish Cut Glass Tumblers, c.1800 with fluted bases and engraved borders below the rims, approx. height 3.9 in — 9.8 cm

Thirteen Anglo-Irish Cut Glass Wine Glass Rinsing Bowls, early 19th century double lipped with fluted bases, approx. height 3.8 in — 9.7 cm

Provenance: J. McGregor and Elizabeth E. Stewart Collection, Halifax, Nova Scotia Cecil Davis, London, 1952

Provenance: J. McGregor and Elizabeth E. Stewart Collection, Halifax, Nova Scotia

$150—250

$200—300

French ‘Japonisme’ Cloisonné Enamel, Gilt and Patinated Bronze Double Fish Form Vase, Christofle et Cie, 1874 designed by Emile Reiber (1826-1893), signed and dated in the bird form cartouche and with impressed number 878306 to foot, height 15.5 in — 39.4 cm

Russian Champlevé Enamelled and Marcasite Set Ormolu Mounted Cut Amber Glass Toilet Mirror, early 20th century height 16.25 in — 41.3 cm

French Silvered Bronze Mounted Turned Agate Tazza, c.1900 modelled in the Louis XVI manner the bowl with pierced foliate scroll band and ram’s head handles, 12.2 x 15 in — 31 x 38.1 cm

$2,000—3,000

$5,000—7,000

$2,000—3,000

Flemish Carved Ivory Corpus Christie, 18th/early 19th century fastened to the later burl walnut and ebony cross with three nails, modelled with rope tied perizoma, figure height 10.25 in — 26 cm; 21.5 in— 54.6 cm

Large Italian Cameo Carved Conch Shell on Bronze Dolphin Form Stand, 19th century elaborately relief carved with Guido Reni’s ‘Aurora’ and various Pompeiian frescos, portraits of notable artists, poets and philosophers and with Medusa masks all above a titled frieze including classical scrollwork, eagle and hippocampi, height 22 in — 55.9 cm

Pair of Louis XVI Gilt Bronze Chenets, late 18th century 13.25 x 12 in — 33.7 x 30.5 cm

$2,000—3,000

$400—600

Provenance: Giovanni Apa, Torre de Greco, Naples, Italy, January, 1963 $1,500—2,000

Napoleon III Boulle Work Stationary Box, 19th century the sloped lid opening to a divided interior, 6.5 x 8.6 x 4.6 in — 16.5 x 21.8 x 11.8 cm

Franz Bergman Cold Painted Bronze Model of Cleopatra Reclining with a Cockatoo, early 20th century signed on the recamier ‘Nam Greb’ with amphora maker’s mark, on verde antique marble base, 7 x 7.1 in — 17.8 x 18 cm

A!ributed to Isamu Noguchi (American, 1904 -1988) Ashtray for Bonniers, New York, c.1956 lacquered cast iron by Ooi Kujo Foundry, Japan, with retailer’s mark to base, 2.5 x 6.75 in— 6.4 x 17.1 cm

$1,000—1,500

$2,000—3,000

$300—400

Russian Imperial Tula Arsenal Model 1833 Flintlock Cavalry Pistol thumbplate bearing the cypher of Nicholas I, length 15.7 in — 39.9 cm

Italian Baroque Scagliola Panel, 18th century depicting flowers in a vase with grotesque mask, flank by birds on branches on naturalistic ground, 16.4 x 13.6 in — 41.7 x 34.5 cm

Series of Twenty-Four Plaster Relief Panels of the Elgin Marbles, John Henning the Elder (British, 1771-1851), c.1815 channel set in four rows in a period oak frame, 11.25 x 56 in — 28.6 x 142.2 cm

$1,000—1,500

North Italian Gilt Bronze Mounted Copper Wine Ewer, 16th century with leopard head spout and lion mask swing handle mounts, height 12 in — 30.5 cm

Pair of North Italian Renaissance Bronze Pricket Candlesticks with Pesaro Family Coat of Arms, A!ributed to the Workshop of Niccolò Roccatagliata, Venice, 16th century each with sha! of baluster form chased with vase form ornaments decorated with draped masks under pu"i figures and acanthus drip pan, all on tripartite base bearing the Pesaro arms between caryatid form supports to scrollon-block feet and suspending floral and fruit garlands, height 14.2 in — 36 cm

Two North Italian Gilt Bronze Figures, early 16th century the first Venus standing, the second a standing figure allegorical of Summer, each on later base, tallest figure height 3.5 in — 9 cm; 4.3 in —11 cm

Provenance: Christie’s, London, Important Collection of Works of Art of the Renaissance and 18th century, Property of the Late Edward Steinkopﬀ, Esq., May 22-24, 1935, Lot 55

$400—600

$3,500—4,500

Provenance: Reventlow Family, Denmark Peter von Zadora-Gerlof Adreas von Zadora-Gerlof Private Collection, Vancouver $1,000—1,500

$5,000—7,000

Provenance: Simon Sainsbury Collection, UK Private Collection, Vancouver

South German Gilt Bronze Figure of a Pu!o with Shield, Nuremberg, c.1600 on later base, bronze height 3.1 in — 8 cm; 6.5 in— 16.5 cm

Paduan Bronze Toad Form Candle Holder, 16th century having olive brown patination with black lacquer, on later base, height 2.8 in — 7 cm

Provenance: Private Collection, Vancouver

Provenance: Reventlow Family, Denmark Peter von Zadora-Gerlof Andreas von Zadora-Gerlof Private Collection, Vancouver

North Italian Bronze Incense Burner, A!ributed to the Workshop of Giuseppe de Levis, late 16th century with dark brown patination, modelled as three hippocampi supporting a pot decorated with winged cherubic masks, 2.75 x 3.8 in — 7 x 9.7 cm

$300—400

$500—700

Provenance: Walter C. Koerner, Vancouver Koerner Foundation, Vancouver Uno Langman, Vancouver Private Collection, Vancouver $1,000—2,500

North Italian Bronze Ink Stand A!ributed to the Workshop of Giuseppe de Levis, Verona, late 16th century with dark brown patination, the tripartite base modelled as three garland strung satyrs seated on scrolling volutes, 3.1 x 5.5 in — 8 x 14 cm

North Italian Bronze Figure of a Faun Playing a Flute, A!ributed to the Workshop of Severo Calze!a da Ravenna, Padua, early 17th century modelled in mid stride on one foot, with dark brown patination, height 9.3 in — 23.5 cm

North Italian Bronze Group of an Old Man Riding a Goat, A!ributed to the Workshop of Ferdinando Tacca, Florence, second quarter of the 17th century the loosely draped capped, bearded figure holding a bo!le in his right hand and a box of bo!les in his le", astride a rearing goat, bronze height 6.1 in — 15.6 cm; 8.3 in — 21 cm

Provenance: Private Collection, Vancouver $1,000—1,500

Provenance: Uliveri Family, Villa de Sera, Florence Baron Alexander Kraus (1860). Thence by decent to Baron Giulio and Baroness Mirella Ga!i-Kraus Private Collection, Vancouver $3,000—5,000

Provenance: Sotheby’s, New York, Private Collection of the Blumka Estate, January 9/10, 1996, Lot 102 $8,000—12,000

Sir John Steell (British, 1804-1891) SIR WALTER SCOTT patinated bronze reduction of the Sco! Monument in Edinburgh, Sco!land, impressed ‘Jn. Steell, Sculpt.’, height 16 in — 40.6 cm

A!er Jean Antoine Houdon, (French, 1741-1828) DIANA CHASSERESSE patinated bronze,signed and with foundry mark F. BARBEDIENNE and A. COLLAS REDUCTION MECHANIQUE seal, height 31.75 in — 80.6 cm

Marius-Jean-Antonin Mercie (French, 1845 -1916) DAVID VAINQUEUR (DAVID WITH THE HEAD OF GOLIATH) bronze group, height 36.5" — 92.7 cm., Incised signature A. MERCIE inscribed F. BARBEDIENNE, Fondeur. Paris,and A. COLLAS REDUCTION MECHANIQUE seal, underside impressed 3 and AAA, height 36.5 in— 92.7 cm

Provenance: Gi"ed to the Art Gallery of Ontario by A. Bartle! Brebner, 1932, inventory no. 2118 Deaccessioned to benefit art purchases at the AGO.

$1,000—1,500

$5,000—7,000

$2,000—3,000

Adrien Étienne Gaudez (French, 1845-1902) MEDIAEVAL ARMOURER large patinated bronze, incised signature, rotating on a turned base, height 31.75 in —80.6 cm

French Patinated Bronze Figure of Mercury a!er the Model by Giambologna, 19th century with foundry signature F. BARBEDIENNE and A. COLLAS REDUCTION MECHANIQUE seal, on moulded black Belgian slate base, height 40 in — 101.6 cm

French School Figure of Salome, early 20th century patinated bronze, signed E. Cell. (?), and numbered 215, height 25.25 in — 64.1 cm

$2,000—3,000

$1,000—1,500

$500—700

Albert Carriere-Belleuse (French, 1824-1887) LISEUSE gilt bronze and carved ivory, signed, and with title plaque ‘Grand Prix du Salon', on later ebonized wood base, height 26.5 in — 67.3 cm

Pair of French Empire Gilt and Patinated Bronze Candlesticks, mid 19th century height 13.25 in — 33.7 cm

French Empire Gilt Bronze Figural Mantel Clock, early 19th century with silk thread suspension movement signed Devaulx, Paris.

$300—400

$2,000—3,000

Provenance: Estate of Carol Solway, Toronto $1,000—1,500

Large Louis XV Style Ormolu Mounted Boulle Work Bracket Clock, Berthoud á Paris, mid 19th century the signed enamelled dial fronting a square, 8-day countwheel, bell striking movement with impressed maker’s mark: ‘Vincenti & Cie, 1853, Medaille d’Argent’, height 49.5 in — 125.7 cm

Pair of French Neoclassical Oval GIlt Gesso Girandol Mirrors, 19th century each with lable verso: Aux Arts Réunis, J. Frontier, a Chatillon-sur-Seine, 54 x 47.5 in —137.2 x 120.7 cm

Pair of Venetian Rococo Style Silver Gilt Girandole Mirrors, mid 20th century each shaped plate etched with mythological figure of Diana and Bacchus respectively, under a pavilion, 33.5 x 23.5 in — 85.1 x 59.7 cm

$300—400

$800—1,200

$3,000—5,000

Pairpoint Puﬀy Tulip Pa"ern ‘Roma’ Shade Table Lamp, early 20th century shade signed The Pairpoint Corp. Patented July 9, 1907, on ivy pa!ern gilt metal base stamped PAIRPOINT MFG. CO., P in a diamond and B3010, height 21.7 in — 55.1 cm

Harris Strong (American, 1920-2006) Large Mid Century Modern Ceramic Tile Mounted Walnut Table Lamp, c.1970 height 42 in — 106.7 cm

Set of Four Orientalist Parcel Gilt and Polychromed Wood Two Light Wall Sconces, mid 20th century each with seated Moorish musician against a palm tree form back plate, height 32.5 in — 82.6 cm

$300—400

$3,000—4,000

$600—800

100

101

102

Italian Neoclassical Specimen Marble and Gilt Bronze Occasional Table, mid 19th century the radial pietra dura top including malachite, amethyst, purple porphyry, onyx, amazonite, jasper, labradorite, and Sienna marble, height 28.75 in — 73 cm, diameter 17.5 in — 44.5 cm

Early Louis Vui"on Damier Canvas Steamer Trunk, c.1890 opening to a calico lined interior with two removable trays, with key, 20.5 x 31.5 x 18.5 in — 52 x 80 x 47 cm

William and Mary Parcel Ebonized Oak Chest of Drawers, early 18th century of diminutive panelled construction with four locking drawers raised on block feet, 29.5 x 33.75 x 18.25 in — 74.9 x 85.7 x 46.4 cm

Provenance: The Estate of Janet Graham, Nobleton, Ontario

$1,000—1,500

$2,000—3,000

Exhibited: Janet Graham’s great grandfather was Sir John Sparrow David Thompson (born at Halifax 10 Nov. 1845- died at Windsor Castle, England on 12 Dec 1894). Sir Thompson served as the fourth Prime Minister of Canada from 1892-1894. $500—700

103

104

105

Victorian Mahogany Tall Case Clock, M. Logan, Newcastle, mid 19th century the signed, enamelled dial with the last supper in the arch and apostles in the corners, height 91.5 in — 232.4 cm

Dutch Rococo Walnut Automaton Tall case Clock, P. Rossignal, Ro!erdam, c.1790 the engraved brass dial with silvered signature plate and chapter ring, moon phase dial with lunar calendar, month, day and date apertures, subsidiary seconds ring, the arch with five ships rocking against a painted harbour scene, all fronting a movement striking two bells in a case with typical figural ornaments and decorated with tulip inlay, height 112 in — 284.5 cm

AUBUSSON TAPESTRY CARPET, MID 19TH CENTURY OR EARLIER 12 ! 9 ins X 9 ! 2 ins — 3.9 m X 2.8 m

$800—1,000

$3,000—4,000

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Selling at Waddington’s waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item

canadian art department commission rates Items selling for $7,500 or more 10% Items selling for $2,501 to $7,499 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item.

Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office. Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

Buying at Waddington's

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905.470.6874 / 905.470.6875 / 416.293.8225

taurus@pakship.ca www.pakship.ca Envoy 416.299.3367, 416.299.9750 ph@envoy.ca www.envoypackandship.com Fero Transport 514.453.1462, 514.543.7585 www.ferotransport.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Specialist Departments ASIAN ART

CONTEMPORARY ART

Austin Yuen

Stephen Ranger

416-847-6195

416-847-6194

ay@waddingtons.ca

skr@waddingtons.ca

Chih-En Chen Department Consultant cc@waddingtons.ca

FINE WINE & SPIRITS

Amelia Zhu

416-847-6194

416-847-6185

asianart@waddingtons.ca

Stephen Ranger

FINE PRINTS & PHOTOGRAPHY Kristin Vance Consignment Coordinator 416-847-6178 kv@waddingtons.ca

INUIT ART

skr@waddingtons.ca

Christa Ouimet

Joann Maplesden

co@waddingtons.ca

416-847-6184

416-847-6182

CANADIAN FINE ART

jmm@waddingtons.ca

Linda G. Rodeck canadianart@waddingtons.ca

Devin Hatfield

Anna Holmes Fine Art Administrator 416-504-5100

canadianart@waddingtons.ca Rochelle Konn Consignment Coordinator

416-847-6181

dh@waddingtons.ca

JEWELLERY, WATCHES & NUMISMATICS Don P. McLean 416-847-6170

dpm@waddingtons.ca INTERNATIONAL ART Susan Robertson 416-847-6179

sr@waddingtons.ca

416-847-6191

DECORATIVE ARTS Bill Kime Silver, Glass and Ceramics 416-847-6189

bk@waddingtons.ca Sean Quinn Sculpture, Decorations, Clocks & Lighting 416-847-6187

sq@waddingtons.ca Andrew Brandt Rugs & Carpets 416-847-6168

ab@waddingtons.ca Hayley Dawson Decorative Arts Administrator 416-504-9100 ext. 6220

“OFF THE WALL” FINE ART

hd@waddingtons.ca

Doug Payne 416-847-6180

dp@waddingtons.ca

rk@waddingtons.ca

Operational Staff PRESIDENT Duncan McLean 416-847-6183

adm@waddingtons.ca VICE PRESIDENT

DESIGN & PRODUCTION MANAGER

ONLINE AUCTION SUPPORT & ACCOUNTS

Julia Deo

Elda Pappada

416-847-6188

416-847-6177

jcd@waddingtons.ca

APPRAISALS & CONSIGNMENTS MANAGER Ellie Muir 416-847-6196

COMMUNICATIONS

em@waddingtons.ca

Tess McLean

CLIENT SERVICES

TECHNICAL SERVICES

Stephen Ranger skr@waddingtons.ca

Otto Lam ol@waddingtons.ca

VICE PRESIDENT OF FINE ART

Solomon Alaluf sa@waddingtons.ca

COLLINGWOOD

bbp@waddingtons.ca

Linda G. Rodeck canadianart@waddingtons.ca

PHOTOGRAPHER

Valerie Brown

Andrew Brandt

705-445-8811

416-847-6168

vb@waddingtons.ca

ab@waddingtons.ca

GENERAL MANAGER

416-847-6192

P.O. BOX 554 Collingwood ON L9Y 4B2

Alec Kerr

VANCOUVER

Nicole Schembre

Jacqui Dixon

ns@waddingtons.ca

416-847-6194

416-847-6171

tm@waddingtons.ca

Brittany Boyd-Pyman 416-847-6175

Duane Smith 416-847-6172

das@waddingtons.ca

John Macdonald jm@waddingtons.ca ACCOUNTS Karen Sander 416-847-6173

ks@waddingtons.ca

778-837-4588 jd@waddingtons.ca

416-847-6166

ak@waddingtons.ca 416-504-9100

Waddingtonâ&#x20AC;&#x2122;s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca